The Voyage of Contemporary Japanese Theatre
Senda Akihiko is one of Japan's finest and best-known modern drama critics. This collection of his essays, articles, and reviews from 1971 to 1987 presents international audiences with the first opportunity to experience the excitement and accomplishments of the theatrical revolution that has c...
Ausführliche Beschreibung
Gespeichert in:
| Autor*in: |
|---|
| Format: |
E-Book |
|---|---|
| Sprache: |
Englisch |
| Erschienen: |
Honolulu: University of Hawaii Press ; 1997 ©1997 |
|---|
| Rechteinformationen: |
Restricted Access |
|---|
| Schlagwörter: |
Japanese drama, History and criticism, 20th century |
|---|
| Umfang: |
1 Online-Ressource |
|---|---|
| Beschreibung: |
Mode of access: Internet via World Wide Web. |
| Links: | |
|---|---|
| ISBN: |
978-0-8248-6516-0 |
| DOI / URN: |
10.21313/9780824865160 |
|---|
| Katalog-ID: |
1066744629 |
|---|
| LEADER | 01000cam a22002652 4500 | ||
|---|---|---|---|
| 001 | 1066744629 | ||
| 003 | DE-627 | ||
| 005 | 20240715215536.0 | ||
| 007 | cr uuu---uuuuu | ||
| 008 | 190227r19971997xxu|||||o 00| ||eng c | ||
| 020 | |a 9780824865160 |9 978-0-8248-6516-0 | ||
| 020 | |a 9780824865160 |9 978-0-8248-6516-0 | ||
| 024 | 7 | |a 10.21313/9780824865160 |2 doi | |
| 035 | |a (DE-627)1066744629 | ||
| 035 | |a (DE-576)51488326X | ||
| 035 | |a (DE-599)GBV1066744629 | ||
| 035 | |a (EBP)041877578 | ||
| 035 | |a (DE-B1597)484100 | ||
| 040 | |a DE-627 |b eng |c DE-627 |e rda | ||
| 041 | |a eng | ||
| 044 | |c XD-US | ||
| 050 | 0 | |a PN2921 | |
| 072 | 7 | |a DRA000000 |2 bisacsh | |
| 072 | 7 | |a DRA000000 |2 bisacsh | |
| 245 | 1 | 0 | |a The Voyage of Contemporary Japanese Theatre |c J. Thomas Rimer |
| 264 | 1 | |a Honolulu |b University of Hawaii Press |c 1997 | |
| 264 | 4 | |c ©1997 | |
| 300 | |a 1 Online-Ressource | ||
| 336 | |a Text |b txt |2 rdacontent | ||
| 337 | |a Computermedien |b c |2 rdamedia | ||
| 338 | |a Online-Ressource |b cr |2 rdacarrier | ||
| 505 | 8 | 0 | |t Frontmatter -- |r Yutaka, Higashi -- |
| 505 | 8 | 0 | |t 2. The Red Tent in Good Health. A Tale of Two Cities |r Jûrò, Kara -- |
| 505 | 8 | 0 | |t 3. A Logic Surpassing Any Declaration of Determination. When We Go Down That Heartless River |r Kunio, Shimizu -- |
| 505 | 8 | 0 | |t 4. Those Slight Stirrings of the Man in the Wind. A Tale of the Smallpox |r Tatsumi, Hijikata -- |
| 505 | 8 | 0 | |t 5. A Ghastly Masterpiece with Cruel Intentions. The Great Doctor Yabuhara |r Hisashi, Inoue -- |
| 505 | 8 | 0 | |t Scene II: 1974–1979 Tsuka Kòhei and After -- |r Jûrò, Kara -- |
| 505 | 8 | 0 | |t 7. The Appearance of a New Talent. The Legend of a Flying Dragon: And Then a Crow |r Kòhei, Tsuka -- |
| 505 | 8 | 0 | |t 8. Minus Dynamics, All Scooped Out. Chairs and a Legend |r Minoru, Betsuyaku -- |
| 505 | 8 | 0 | |t 9. The Crouch as a Critique of the Modern. The Trojan Women |r Euripides -- |
| 505 | 8 | 0 | |t 10. An Obstinacy Well Worth Mentioning. Tosa Genji |r Nagatoshi, Sakamoto -- |
| 505 | 8 | 0 | |t 11. A Drama of a New and Fanciful Geography. Knock |r Shûji, Terayama -- |
| 505 | 8 | 0 | |t 12. Harvest: After a Year and a Half. The Comic World of Shòwa |r Makoto, Satoh -- |
| 505 | 8 | 0 | |t 13. A First Trip to a Distant Village. A Night’s Feast |r Tadashi, Suzuki -- |
| 505 | 8 | 0 | |t 14. A Question to the Man Who Blew the Flute. The Rats of Hamelin |r Jûrò, Kara -- |
| 505 | 8 | 0 | |t 15. The Nò Stage, Newly Activated. The Legend Of Komachi |r Shògo, Òta -- |
| 505 | 8 | 0 | |t 16. Making The Connection: Killing the Beggar. Thirty Days Hath September |r Minoru, Betsuyaku -- |
| 505 | 8 | 0 | |t 17. A Humble Self-Examination. The Dressing Room |r Kunio, Shimizu -- |
| 505 | 8 | 0 | |t 18. A Scene of Ripening. The Bacchae |r Euripides -- |
| 505 | 8 | 0 | |t 19. A Critique of Miyazawa Kenji as a Tableau Vivant. Directions to Servants |r Shûji, Terayama -- |
| 505 | 8 | 0 | |t 20. The Conflagration of an Exploding Lemon. Lemon |r Jû’ichirò, Takeuchi -- |
| 505 | 8 | 0 | |t 21. The Whirlings of a World at Birth. A Tale of the Original Japanese |r Kòdai, Okabe -- |
| 505 | 8 | 0 | |t 22. Laughing Okinawa. Anthropology Museum |r Seishin, Chinen -- |
| 505 | 8 | 0 | |t 23. A Ripening of Melody. Shanghai ’Vance King |r Ren, Saitò -- |
| 505 | 8 | 0 | |t 24. Yohei Who Lives On. Double Suicide, after Chikamatsu |r Matsuyo, Akimoto -- |
| 505 | 8 | 0 | |t 25. A Play Goes on “Outside The Walls”. Lemmings |r Shûji, Terayama -- |
| 505 | 8 | 0 | |t 26. Obstacles to Abandonment. Two Women |r Jûrò, Kara -- |
| 505 | 8 | 0 | |t 27. In the Midst of a Weakened Art. The Lady of the Camellias |r Fils, Alexandre Dumas -- |
| 505 | 8 | 0 | |t Scene III: 1980–1987 The Period of Metatheatre -- |r Shakespeare, William -- |
| 505 | 8 | 0 | |t 29. A Duck with Two Different Wings. The Seagull |r Chekhov, Anton -- |
| 505 | 8 | 0 | |t 30. A Diffused Reflection. Travel of Twenty-seven Thousand Light Years |r Hideki, Noda -- |
| 505 | 8 | 0 | |t 31. Deciphering Miyazawa Kenji with Criticism and Sympathy. The Theatre Train of Iihatòbo |r Hisashi, Inoue -- |
| 505 | 8 | 0 | |t 32. The Bachelors Who Continue on. That Raven, Even |r Jû’ichirò, Takeuchi -- |
| 505 | 8 | 0 | |t 33. Dreams That Are Ruffians. A Tale of Mannen-Town in Shitaya |r Jûrò, Kara -- |
| 505 | 8 | 0 | |t 34. Two Blanches. A Streetcar Named Desire |r Williams, Tennessee -- |
| 505 | 8 | 0 | |t 35. The Magic of Assorted Mirrors. Run, Merusu—A Girl’S Lips Are Dynamite! |r Hideki, Noda -- |
| 505 | 8 | 0 | |t 36. Signposts along the Way. A Legend of Fish: A Teacher Kills His Student at Rikkyò University |r Tetsu, Yamazaki -- |
| 505 | 8 | 0 | |t 37. A Snack Bar in the Woods of Athens. A Midsummer Night’s Dream |r Shakespeare, William -- |
| 505 | 8 | 0 | |t 38. Laughter in a Gothic Musical. Sweeney Todd: The Demon Barber Of Fleet Street |r Wheeler, Hugh -- |
| 505 | 8 | 0 | |t 39. The Power of the Older Sister, The Power of the Mirror. Night Shadows—A Gentle Ghost Story |r Eriko, Watanabe -- |
| 505 | 8 | 0 | |t 40. Dining and a Sense of Freedom. Bubbling and Boiling |r Minoru, Betsuyaku -- |
| 505 | 8 | 0 | |t 41. A World in Which the Composition is Now Complete. Song of Praise and Thanksgiving |r Sò, Kitamura -- |
| 505 | 8 | 0 | |t 42. A Shock from Below the Belt. The Song of a Strange Family—the Case of the On-Line Fraud of Itò Motoko |r Tetsu, Yamazaki -- |
| 505 | 8 | 0 | |t 43. Tsuka Kòhei’s “Staircase”. The Kamata Marching Song |r Kòhei, Tsuka -- |
| 505 | 8 | 0 | |t 44. The Power of Imagination Lavished on a House. Melancholy When the Flowers Bloom |r Eriko, Watanabe -- |
| 505 | 8 | 0 | |t 45. Malcontent Passions. Radical Party |r Takeshi, Kawamura -- |
| 505 | 8 | 0 | |t 46. A Painful Sense of Distance. Afternoon of a Man and Woman |r Tetsu, Yamazaki -- |
| 505 | 8 | 0 | |t 47. Mankind, and Those Theatrical Slippages. Man of La Mancha |r Darion, Joe -- |
| 505 | 8 | 0 | |t 48. A World in Which That’s All We Can Do. Memories of the Little Finger |r Hideki, Noda -- |
| 505 | 8 | 0 | |t 49. The Basic Principles of a Vision Already Experienced. Rules For Sleeping in the Universe |r Shòji, Kòkami -- |
| 505 | 8 | 0 | |t 50. A Fight Against Fixed Forms. Japan Wars |r Takeshi, Kawamura -- |
| 505 | 8 | 0 | |t 51. The Sympathies and Disjunctures of Nostalgia. Tango at the End of Winter |r Kunio, Shimizu -- |
| 505 | 8 | 0 | |t 52. A Tale After the Myths Have Crumbled. Genocide |r Takeshi, Kawamura -- |
| 505 | 8 | 0 | |t 53. Twenty-Five Hundred Years: Gazing at a Scrap Pile. Earth Station |r Shògo, Òta -- |
| 505 | 8 | 0 | |t 54. A Time Before Everything Dissolves. Taking along a Sunset Like the Morning |r Shòji, Kòkami -- |
| 505 | 8 | 0 | |t 55. The Jigsaw Puzzle of Sex. Cloud 9 |r Churchill, Caryl -- |
| 505 | 8 | 0 | |t 56. Surprising Things Happen. Comet Messenger Siegfried |r Hideki, Noda -- |
| 505 | 8 | 0 | |t 57. The Dilemma of a Drama With a Chorus. Chorus Line |r Bennett, Michael -- |
| 505 | 8 | 0 | |t 58. The Adventures of Nostalgia. Children of Night |r Yorozu, Ikuta -- |
| 505 | 8 | 0 | |t 59. Medieval Preaching in an Outdoor Space. Oguri Hangan and Princess Terute |r Takurò, Endò -- |
| 505 | 8 | 0 | |t 60. The Results of Practical Romance. I Bit The Green Seed |r Rei, Ichidò -- |
| 505 | 8 | 0 | |t 61. A Crime Explained, a Crime Unexplainable Memo from the Aliens |r Tetsu, Yamazaki -- |
| 505 | 8 | 0 | |t 62. A Quick Glimpse of the Meaning of the World. Wind Station |r Shògo, Òta -- |
| 505 | 8 | 0 | |t 63. A Nest of Boxes at the Edge of Waking. The Tempest: A Rehearsal on a Nò Stage on Sado Island |r Shakespeare, William -- |
| 505 | 8 | 0 | |t 64. Closing in on the Self: Zeami As “Performer”. Zeami |r Masakazu, Yamazaki -- |
| 505 | 8 | 0 | |t 65. The Dynamism of “The City Multitudes”. Les Misérables |r Boublil, Alain / Claude-Michel -- |
| 505 | 8 | 0 | |t 66. That First Kiss with the Taste of Radioactivity. Godzilla |r Yasuhiko, Òhashi -- |
| 505 | 8 | 0 | |t 67. A Refreshing Wind Surpasses Its Domain. Alejo—to Praise the Wind |r Hiroshi, Koike -- |
| 505 | 8 | 0 | |t Epilogue -- |
| 506 | 1 | |a Restricted Access |e Controlled Vocabulary for Access Rights |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a Senda Akihiko is one of Japan's finest and best-known modern drama critics. This collection of his essays, articles, and reviews from 1971 to 1987 presents international audiences with the first opportunity to experience the excitement and accomplishments of the theatrical revolution that has continued to sweep over the Japanese stage since the 1960s. Consistently judicious and honest, the essays reveal the excitement (or disappointment) of each phase in the unfolding "voyage" of contemporary Japanese theatre. | ||
| 534 | |c 1997 | ||
| 538 | |a Mode of access: Internet via World Wide Web. | ||
| 546 | |a In English | ||
| 650 | 0 | |a Japanese drama |y 20th century |x History and criticism | |
| 650 | 0 | |a Theater |z Japan |x History |y 20th century | |
| 650 | 0 | |a Theater |z Japan |x History |y 20th century | |
| 650 | 0 | |a Japanese drama |y 20th century |x History and criticism | |
| 650 | 4 | |a Japanese drama. | |
| 650 | 4 | |a Theater. | |
| 650 | 4 | |a DRAMA / General | |
| 700 | 1 | |a Rimer, J |4 oth | |
| 856 | 4 | 0 | |u https://doi.org/10.1515/9780824865160 |m X:GRUY |x Resolving-System |z lizenzpflichtig |
| 856 | 4 | 0 | |u https://www.degruyter.com/isbn/9780824865160 |m X:GRUY |x Verlag |z lizenzpflichtig |
| 856 | 4 | 2 | |u https://www.degruyter.com/doc/cover/9780824865160.jpg |x Verlag |3 Cover |
| 856 | 4 | 2 | |u https://www.degruyter.com/cover/covers/9780824865160.jpg |m X:GRUY |x Verlag |3 Cover |
| 912 | |a EBA-BACKALL | ||
| 912 | |a EBA-CL-LT | ||
| 912 | |a EBA-EBACKALL | ||
| 912 | |a EBA-EBKALL | ||
| 912 | |a EBA-ECL-LT | ||
| 912 | |a EBA-EEBKALL | ||
| 912 | |a EBA-ESSHALL | ||
| 912 | |a EBA-PPALL | ||
| 912 | |a EBA-SSHALL | ||
| 912 | |a GBV-deGruyter-alles | ||
| 912 | |a GBV-23-DGG-HHKONS | ||
| 912 | |a ZDB-23-DGG | ||
| 912 | |a GBV_ILN_22 | ||
| 912 | |a ISIL_DE-18 | ||
| 912 | |a SYSFLAG_1 | ||
| 912 | |a GBV_KXP | ||
| 912 | |a GBV_ILN_23 | ||
| 912 | |a ISIL_DE-830 | ||
| 912 | |a GBV_ILN_34 | ||
| 912 | |a ISIL_DE-18-302 | ||
| 912 | |a GBV_ILN_120 | ||
| 912 | |a ISIL_DE-715 | ||
| 912 | |a GBV_ILN_370 | ||
| 912 | |a ISIL_DE-1373 | ||
| 912 | |a GBV_ILN_2400 | ||
| 912 | |a ISIL_DE-L152 | ||
| 951 | |a BO | ||
| 953 | |2 045F |a 792/.0954/0904 | ||
| 953 | |2 045F |a 792 | ||
| 980 | |2 22 |1 01 |x 0018 |b 4406591524 |c 00 |f --%%-- |d --%%-- |e s |j --%%-- |h ACQ |y zu |z 14-11-23 | ||
| 980 | |2 23 |1 01 |x 0830 |b 4473976300 |h ACQ |y z |z 02-02-24 | ||
| 980 | |2 34 |1 01 |x 3551 |b 4496055457 |h OLR-EBAKALL-EBS |k Zugriff nur im Netz der HAW Hamburg |y z |z 06-03-24 | ||
| 980 | |2 120 |1 01 |x 0715 |b 3487322153 |k Campusweiter Zugriff (Universität Oldenburg). - Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. |y z |z 15-06-19 | ||
| 980 | |2 370 |1 01 |x 4370 |b 4544808324 |h EBA degruyter 2022-2023 |k Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. |u i |y z |z 01-07-24 | ||
| 980 | |2 2400 |1 01 |x DE-L152 |b 4425588258 |c 00 |f --%%-- |d --%%-- |e --%%-- |j n |y l01 |z 05-12-23 | ||
| 981 | |2 22 |1 01 |x 0018 |y Volltextzugang Campus |r https://www.degruyter.com/isbn/… | ||
| 981 | |2 22 |1 01 |x 0018 |y Volltextzugang von außerhalb des Campus |r http://emedien.sub.uni-hamburg.de/han/degruyterebooks/www.degruyter.com/isbn/… | ||
| 981 | |2 23 |1 01 |x 0830 |r https://doi.org/10.1515/9780824865160 | ||
| 981 | |2 34 |1 01 |x 3551 |r https://doi.org/10.1515/9780824865160 | ||
| 981 | |2 120 |1 01 |x 0715 |r https://www.degruyter.com/doi/book/10.21313/9780824865160 | ||
| 981 | |2 370 |1 01 |x 4370 |y E-Book: Zugriff im HCU-Netz. Zugriff von außerhalb nur für HCU-Angehörige möglich |r https://doi.org/10.1515/9780824865160 | ||
| 981 | |2 2400 |1 01 |x DE-L152 |r https://doi.org/10.1515/9780824865160 | ||
| 983 | |2 120 |1 00 |x DE-715 |8 99 |a ww | ||
| 995 | |2 22 |1 01 |x 0018 |a ACQ | ||
| 995 | |2 22 |1 01 |x 0018 |a SUBedeg | ||
| 995 | |2 22 |1 01 |x 0018 |a ACQ | ||
| 995 | |2 23 |1 01 |x 0830 |a ACQ | ||
| 995 | |2 23 |1 01 |x 0830 |a olr-degruyter-crossaccess | ||
| 995 | |2 23 |1 01 |x 0830 |a olr-degruyter3 | ||
| 995 | |2 23 |1 01 |x 0830 |a olr-degruyter4 | ||
| 995 | |2 34 |1 01 |x 3551 |a OLR-EBAKALL-EBS | ||
| 995 | |2 34 |1 01 |x 3551 |a ACQ | ||
| 995 | |2 370 |1 01 |x 4370 |a EBA degruyter 2022-2023 | ||
| 995 | |2 370 |1 01 |x 4370 |a olr-ebook degruyter | ||
| 995 | |2 370 |1 01 |x 4370 |a ACQ | ||
| matchkey_str |
book:9780824865160:19971997 |
|---|---|
| hierarchy_sort_str |
1997 |
| callnumber-subject-code |
PN |
| publishDate |
1997 |
| allfields |
9780824865160 978-0-8248-6516-0 9780824865160 978-0-8248-6516-0 10.21313/9780824865160 doi (DE-627)1066744629 (DE-576)51488326X (DE-599)GBV1066744629 (EBP)041877578 (DE-B1597)484100 DE-627 eng DE-627 rda eng XD-US PN2921 DRA000000 bisacsh DRA000000 bisacsh The Voyage of Contemporary Japanese Theatre J. Thomas Rimer Honolulu University of Hawaii Press 1997 ©1997 1 Online-Ressource Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Frontmatter -- Yutaka, Higashi -- 2. The Red Tent in Good Health. A Tale of Two Cities Jûrò, Kara -- 3. A Logic Surpassing Any Declaration of Determination. When We Go Down That Heartless River Kunio, Shimizu -- 4. Those Slight Stirrings of the Man in the Wind. A Tale of the Smallpox Tatsumi, Hijikata -- 5. A Ghastly Masterpiece with Cruel Intentions. The Great Doctor Yabuhara Hisashi, Inoue -- Scene II: 1974–1979 Tsuka Kòhei and After -- Jûrò, Kara -- 7. The Appearance of a New Talent. The Legend of a Flying Dragon: And Then a Crow Kòhei, Tsuka -- 8. Minus Dynamics, All Scooped Out. Chairs and a Legend Minoru, Betsuyaku -- 9. The Crouch as a Critique of the Modern. The Trojan Women Euripides -- 10. An Obstinacy Well Worth Mentioning. Tosa Genji Nagatoshi, Sakamoto -- 11. A Drama of a New and Fanciful Geography. Knock Shûji, Terayama -- 12. Harvest: After a Year and a Half. The Comic World of Shòwa Makoto, Satoh -- 13. A First Trip to a Distant Village. A Night’s Feast Tadashi, Suzuki -- 14. A Question to the Man Who Blew the Flute. The Rats of Hamelin Jûrò, Kara -- 15. The Nò Stage, Newly Activated. The Legend Of Komachi Shògo, Òta -- 16. Making The Connection: Killing the Beggar. Thirty Days Hath September Minoru, Betsuyaku -- 17. A Humble Self-Examination. The Dressing Room Kunio, Shimizu -- 18. A Scene of Ripening. The Bacchae Euripides -- 19. A Critique of Miyazawa Kenji as a Tableau Vivant. Directions to Servants Shûji, Terayama -- 20. The Conflagration of an Exploding Lemon. Lemon Jû’ichirò, Takeuchi -- 21. The Whirlings of a World at Birth. A Tale of the Original Japanese Kòdai, Okabe -- 22. Laughing Okinawa. Anthropology Museum Seishin, Chinen -- 23. A Ripening of Melody. Shanghai ’Vance King Ren, Saitò -- 24. Yohei Who Lives On. Double Suicide, after Chikamatsu Matsuyo, Akimoto -- 25. A Play Goes on “Outside The Walls”. Lemmings Shûji, Terayama -- 26. Obstacles to Abandonment. Two Women Jûrò, Kara -- 27. In the Midst of a Weakened Art. The Lady of the Camellias Fils, Alexandre Dumas -- Scene III: 1980–1987 The Period of Metatheatre -- Shakespeare, William -- 29. A Duck with Two Different Wings. The Seagull Chekhov, Anton -- 30. A Diffused Reflection. Travel of Twenty-seven Thousand Light Years Hideki, Noda -- 31. Deciphering Miyazawa Kenji with Criticism and Sympathy. The Theatre Train of Iihatòbo Hisashi, Inoue -- 32. The Bachelors Who Continue on. That Raven, Even Jû’ichirò, Takeuchi -- 33. Dreams That Are Ruffians. A Tale of Mannen-Town in Shitaya Jûrò, Kara -- 34. Two Blanches. A Streetcar Named Desire Williams, Tennessee -- 35. The Magic of Assorted Mirrors. Run, Merusu—A Girl’S Lips Are Dynamite! Hideki, Noda -- 36. Signposts along the Way. A Legend of Fish: A Teacher Kills His Student at Rikkyò University Tetsu, Yamazaki -- 37. A Snack Bar in the Woods of Athens. A Midsummer Night’s Dream Shakespeare, William -- 38. Laughter in a Gothic Musical. Sweeney Todd: The Demon Barber Of Fleet Street Wheeler, Hugh -- 39. The Power of the Older Sister, The Power of the Mirror. Night Shadows—A Gentle Ghost Story Eriko, Watanabe -- 40. Dining and a Sense of Freedom. Bubbling and Boiling Minoru, Betsuyaku -- 41. A World in Which the Composition is Now Complete. Song of Praise and Thanksgiving Sò, Kitamura -- 42. A Shock from Below the Belt. The Song of a Strange Family—the Case of the On-Line Fraud of Itò Motoko Tetsu, Yamazaki -- 43. Tsuka Kòhei’s “Staircase”. The Kamata Marching Song Kòhei, Tsuka -- 44. The Power of Imagination Lavished on a House. Melancholy When the Flowers Bloom Eriko, Watanabe -- 45. Malcontent Passions. Radical Party Takeshi, Kawamura -- 46. A Painful Sense of Distance. Afternoon of a Man and Woman Tetsu, Yamazaki -- 47. Mankind, and Those Theatrical Slippages. Man of La Mancha Darion, Joe -- 48. A World in Which That’s All We Can Do. Memories of the Little Finger Hideki, Noda -- 49. The Basic Principles of a Vision Already Experienced. Rules For Sleeping in the Universe Shòji, Kòkami -- 50. A Fight Against Fixed Forms. Japan Wars Takeshi, Kawamura -- 51. The Sympathies and Disjunctures of Nostalgia. Tango at the End of Winter Kunio, Shimizu -- 52. A Tale After the Myths Have Crumbled. Genocide Takeshi, Kawamura -- 53. Twenty-Five Hundred Years: Gazing at a Scrap Pile. Earth Station Shògo, Òta -- 54. A Time Before Everything Dissolves. Taking along a Sunset Like the Morning Shòji, Kòkami -- 55. The Jigsaw Puzzle of Sex. Cloud 9 Churchill, Caryl -- 56. Surprising Things Happen. Comet Messenger Siegfried Hideki, Noda -- 57. The Dilemma of a Drama With a Chorus. Chorus Line Bennett, Michael -- 58. The Adventures of Nostalgia. Children of Night Yorozu, Ikuta -- 59. Medieval Preaching in an Outdoor Space. Oguri Hangan and Princess Terute Takurò, Endò -- 60. The Results of Practical Romance. I Bit The Green Seed Rei, Ichidò -- 61. A Crime Explained, a Crime Unexplainable Memo from the Aliens Tetsu, Yamazaki -- 62. A Quick Glimpse of the Meaning of the World. Wind Station Shògo, Òta -- 63. A Nest of Boxes at the Edge of Waking. The Tempest: A Rehearsal on a Nò Stage on Sado Island Shakespeare, William -- 64. Closing in on the Self: Zeami As “Performer”. Zeami Masakazu, Yamazaki -- 65. The Dynamism of “The City Multitudes”. Les Misérables Boublil, Alain / Claude-Michel -- 66. That First Kiss with the Taste of Radioactivity. Godzilla Yasuhiko, Òhashi -- 67. A Refreshing Wind Surpasses Its Domain. Alejo—to Praise the Wind Hiroshi, Koike -- Epilogue -- Restricted Access Controlled Vocabulary for Access Rights http://purl.org/coar/access_right/c_16ec online access with authorization star Senda Akihiko is one of Japan's finest and best-known modern drama critics. This collection of his essays, articles, and reviews from 1971 to 1987 presents international audiences with the first opportunity to experience the excitement and accomplishments of the theatrical revolution that has continued to sweep over the Japanese stage since the 1960s. Consistently judicious and honest, the essays reveal the excitement (or disappointment) of each phase in the unfolding "voyage" of contemporary Japanese theatre. 1997 Mode of access: Internet via World Wide Web. In English Japanese drama 20th century History and criticism Theater Japan History 20th century Theater Japan History 20th century Japanese drama 20th century History and criticism Japanese drama. Theater. DRAMA / General Rimer, J oth https://doi.org/10.1515/9780824865160 X:GRUY Resolving-System lizenzpflichtig https://www.degruyter.com/isbn/9780824865160 X:GRUY Verlag lizenzpflichtig https://www.degruyter.com/doc/cover/9780824865160.jpg Verlag Cover https://www.degruyter.com/cover/covers/9780824865160.jpg X:GRUY Verlag Cover EBA-BACKALL EBA-CL-LT EBA-EBACKALL EBA-EBKALL EBA-ECL-LT EBA-EEBKALL EBA-ESSHALL EBA-PPALL EBA-SSHALL GBV-deGruyter-alles GBV-23-DGG-HHKONS ZDB-23-DGG GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_120 ISIL_DE-715 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_2400 ISIL_DE-L152 BO 045F 792/.0954/0904 045F 792 22 01 0018 4406591524 00 --%%-- --%%-- s --%%-- ACQ zu 14-11-23 23 01 0830 4473976300 ACQ z 02-02-24 34 01 3551 4496055457 OLR-EBAKALL-EBS Zugriff nur im Netz der HAW Hamburg z 06-03-24 120 01 0715 3487322153 Campusweiter Zugriff (Universität Oldenburg). - Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. z 15-06-19 370 01 4370 4544808324 EBA degruyter 2022-2023 Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. i z 01-07-24 2400 01 DE-L152 4425588258 00 --%%-- --%%-- --%%-- n l01 05-12-23 22 01 0018 Volltextzugang Campus https://www.degruyter.com/isbn/… 22 01 0018 Volltextzugang von außerhalb des Campus http://emedien.sub.uni-hamburg.de/han/degruyterebooks/www.degruyter.com/isbn/… 23 01 0830 https://doi.org/10.1515/9780824865160 34 01 3551 https://doi.org/10.1515/9780824865160 120 01 0715 https://www.degruyter.com/doi/book/10.21313/9780824865160 370 01 4370 E-Book: Zugriff im HCU-Netz. Zugriff von außerhalb nur für HCU-Angehörige möglich https://doi.org/10.1515/9780824865160 2400 01 DE-L152 https://doi.org/10.1515/9780824865160 120 00 DE-715 99 ww 22 01 0018 ACQ 22 01 0018 SUBedeg 22 01 0018 ACQ 23 01 0830 ACQ 23 01 0830 olr-degruyter-crossaccess 23 01 0830 olr-degruyter3 23 01 0830 olr-degruyter4 34 01 3551 OLR-EBAKALL-EBS 34 01 3551 ACQ 370 01 4370 EBA degruyter 2022-2023 370 01 4370 olr-ebook degruyter 370 01 4370 ACQ |
| spelling |
9780824865160 978-0-8248-6516-0 9780824865160 978-0-8248-6516-0 10.21313/9780824865160 doi (DE-627)1066744629 (DE-576)51488326X (DE-599)GBV1066744629 (EBP)041877578 (DE-B1597)484100 DE-627 eng DE-627 rda eng XD-US PN2921 DRA000000 bisacsh DRA000000 bisacsh The Voyage of Contemporary Japanese Theatre J. Thomas Rimer Honolulu University of Hawaii Press 1997 ©1997 1 Online-Ressource Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Frontmatter -- Yutaka, Higashi -- 2. The Red Tent in Good Health. A Tale of Two Cities Jûrò, Kara -- 3. A Logic Surpassing Any Declaration of Determination. When We Go Down That Heartless River Kunio, Shimizu -- 4. Those Slight Stirrings of the Man in the Wind. A Tale of the Smallpox Tatsumi, Hijikata -- 5. A Ghastly Masterpiece with Cruel Intentions. The Great Doctor Yabuhara Hisashi, Inoue -- Scene II: 1974–1979 Tsuka Kòhei and After -- Jûrò, Kara -- 7. The Appearance of a New Talent. The Legend of a Flying Dragon: And Then a Crow Kòhei, Tsuka -- 8. Minus Dynamics, All Scooped Out. Chairs and a Legend Minoru, Betsuyaku -- 9. The Crouch as a Critique of the Modern. The Trojan Women Euripides -- 10. An Obstinacy Well Worth Mentioning. Tosa Genji Nagatoshi, Sakamoto -- 11. A Drama of a New and Fanciful Geography. Knock Shûji, Terayama -- 12. Harvest: After a Year and a Half. The Comic World of Shòwa Makoto, Satoh -- 13. A First Trip to a Distant Village. A Night’s Feast Tadashi, Suzuki -- 14. A Question to the Man Who Blew the Flute. The Rats of Hamelin Jûrò, Kara -- 15. The Nò Stage, Newly Activated. The Legend Of Komachi Shògo, Òta -- 16. Making The Connection: Killing the Beggar. Thirty Days Hath September Minoru, Betsuyaku -- 17. A Humble Self-Examination. The Dressing Room Kunio, Shimizu -- 18. A Scene of Ripening. The Bacchae Euripides -- 19. A Critique of Miyazawa Kenji as a Tableau Vivant. Directions to Servants Shûji, Terayama -- 20. The Conflagration of an Exploding Lemon. Lemon Jû’ichirò, Takeuchi -- 21. The Whirlings of a World at Birth. A Tale of the Original Japanese Kòdai, Okabe -- 22. Laughing Okinawa. Anthropology Museum Seishin, Chinen -- 23. A Ripening of Melody. Shanghai ’Vance King Ren, Saitò -- 24. Yohei Who Lives On. Double Suicide, after Chikamatsu Matsuyo, Akimoto -- 25. A Play Goes on “Outside The Walls”. Lemmings Shûji, Terayama -- 26. Obstacles to Abandonment. Two Women Jûrò, Kara -- 27. In the Midst of a Weakened Art. The Lady of the Camellias Fils, Alexandre Dumas -- Scene III: 1980–1987 The Period of Metatheatre -- Shakespeare, William -- 29. A Duck with Two Different Wings. The Seagull Chekhov, Anton -- 30. A Diffused Reflection. Travel of Twenty-seven Thousand Light Years Hideki, Noda -- 31. Deciphering Miyazawa Kenji with Criticism and Sympathy. The Theatre Train of Iihatòbo Hisashi, Inoue -- 32. The Bachelors Who Continue on. That Raven, Even Jû’ichirò, Takeuchi -- 33. Dreams That Are Ruffians. A Tale of Mannen-Town in Shitaya Jûrò, Kara -- 34. Two Blanches. A Streetcar Named Desire Williams, Tennessee -- 35. The Magic of Assorted Mirrors. Run, Merusu—A Girl’S Lips Are Dynamite! Hideki, Noda -- 36. Signposts along the Way. A Legend of Fish: A Teacher Kills His Student at Rikkyò University Tetsu, Yamazaki -- 37. A Snack Bar in the Woods of Athens. A Midsummer Night’s Dream Shakespeare, William -- 38. Laughter in a Gothic Musical. Sweeney Todd: The Demon Barber Of Fleet Street Wheeler, Hugh -- 39. The Power of the Older Sister, The Power of the Mirror. Night Shadows—A Gentle Ghost Story Eriko, Watanabe -- 40. Dining and a Sense of Freedom. Bubbling and Boiling Minoru, Betsuyaku -- 41. A World in Which the Composition is Now Complete. Song of Praise and Thanksgiving Sò, Kitamura -- 42. A Shock from Below the Belt. The Song of a Strange Family—the Case of the On-Line Fraud of Itò Motoko Tetsu, Yamazaki -- 43. Tsuka Kòhei’s “Staircase”. The Kamata Marching Song Kòhei, Tsuka -- 44. The Power of Imagination Lavished on a House. Melancholy When the Flowers Bloom Eriko, Watanabe -- 45. Malcontent Passions. Radical Party Takeshi, Kawamura -- 46. A Painful Sense of Distance. Afternoon of a Man and Woman Tetsu, Yamazaki -- 47. Mankind, and Those Theatrical Slippages. Man of La Mancha Darion, Joe -- 48. A World in Which That’s All We Can Do. Memories of the Little Finger Hideki, Noda -- 49. The Basic Principles of a Vision Already Experienced. Rules For Sleeping in the Universe Shòji, Kòkami -- 50. A Fight Against Fixed Forms. Japan Wars Takeshi, Kawamura -- 51. The Sympathies and Disjunctures of Nostalgia. Tango at the End of Winter Kunio, Shimizu -- 52. A Tale After the Myths Have Crumbled. Genocide Takeshi, Kawamura -- 53. Twenty-Five Hundred Years: Gazing at a Scrap Pile. Earth Station Shògo, Òta -- 54. A Time Before Everything Dissolves. Taking along a Sunset Like the Morning Shòji, Kòkami -- 55. The Jigsaw Puzzle of Sex. Cloud 9 Churchill, Caryl -- 56. Surprising Things Happen. Comet Messenger Siegfried Hideki, Noda -- 57. The Dilemma of a Drama With a Chorus. Chorus Line Bennett, Michael -- 58. The Adventures of Nostalgia. Children of Night Yorozu, Ikuta -- 59. Medieval Preaching in an Outdoor Space. Oguri Hangan and Princess Terute Takurò, Endò -- 60. The Results of Practical Romance. I Bit The Green Seed Rei, Ichidò -- 61. A Crime Explained, a Crime Unexplainable Memo from the Aliens Tetsu, Yamazaki -- 62. A Quick Glimpse of the Meaning of the World. Wind Station Shògo, Òta -- 63. A Nest of Boxes at the Edge of Waking. The Tempest: A Rehearsal on a Nò Stage on Sado Island Shakespeare, William -- 64. Closing in on the Self: Zeami As “Performer”. Zeami Masakazu, Yamazaki -- 65. The Dynamism of “The City Multitudes”. Les Misérables Boublil, Alain / Claude-Michel -- 66. That First Kiss with the Taste of Radioactivity. Godzilla Yasuhiko, Òhashi -- 67. A Refreshing Wind Surpasses Its Domain. Alejo—to Praise the Wind Hiroshi, Koike -- Epilogue -- Restricted Access Controlled Vocabulary for Access Rights http://purl.org/coar/access_right/c_16ec online access with authorization star Senda Akihiko is one of Japan's finest and best-known modern drama critics. This collection of his essays, articles, and reviews from 1971 to 1987 presents international audiences with the first opportunity to experience the excitement and accomplishments of the theatrical revolution that has continued to sweep over the Japanese stage since the 1960s. Consistently judicious and honest, the essays reveal the excitement (or disappointment) of each phase in the unfolding "voyage" of contemporary Japanese theatre. 1997 Mode of access: Internet via World Wide Web. In English Japanese drama 20th century History and criticism Theater Japan History 20th century Theater Japan History 20th century Japanese drama 20th century History and criticism Japanese drama. Theater. DRAMA / General Rimer, J oth https://doi.org/10.1515/9780824865160 X:GRUY Resolving-System lizenzpflichtig https://www.degruyter.com/isbn/9780824865160 X:GRUY Verlag lizenzpflichtig https://www.degruyter.com/doc/cover/9780824865160.jpg Verlag Cover https://www.degruyter.com/cover/covers/9780824865160.jpg X:GRUY Verlag Cover EBA-BACKALL EBA-CL-LT EBA-EBACKALL EBA-EBKALL EBA-ECL-LT EBA-EEBKALL EBA-ESSHALL EBA-PPALL EBA-SSHALL GBV-deGruyter-alles GBV-23-DGG-HHKONS ZDB-23-DGG GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_120 ISIL_DE-715 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_2400 ISIL_DE-L152 BO 045F 792/.0954/0904 045F 792 22 01 0018 4406591524 00 --%%-- --%%-- s --%%-- ACQ zu 14-11-23 23 01 0830 4473976300 ACQ z 02-02-24 34 01 3551 4496055457 OLR-EBAKALL-EBS Zugriff nur im Netz der HAW Hamburg z 06-03-24 120 01 0715 3487322153 Campusweiter Zugriff (Universität Oldenburg). - Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. z 15-06-19 370 01 4370 4544808324 EBA degruyter 2022-2023 Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. i z 01-07-24 2400 01 DE-L152 4425588258 00 --%%-- --%%-- --%%-- n l01 05-12-23 22 01 0018 Volltextzugang Campus https://www.degruyter.com/isbn/… 22 01 0018 Volltextzugang von außerhalb des Campus http://emedien.sub.uni-hamburg.de/han/degruyterebooks/www.degruyter.com/isbn/… 23 01 0830 https://doi.org/10.1515/9780824865160 34 01 3551 https://doi.org/10.1515/9780824865160 120 01 0715 https://www.degruyter.com/doi/book/10.21313/9780824865160 370 01 4370 E-Book: Zugriff im HCU-Netz. Zugriff von außerhalb nur für HCU-Angehörige möglich https://doi.org/10.1515/9780824865160 2400 01 DE-L152 https://doi.org/10.1515/9780824865160 120 00 DE-715 99 ww 22 01 0018 ACQ 22 01 0018 SUBedeg 22 01 0018 ACQ 23 01 0830 ACQ 23 01 0830 olr-degruyter-crossaccess 23 01 0830 olr-degruyter3 23 01 0830 olr-degruyter4 34 01 3551 OLR-EBAKALL-EBS 34 01 3551 ACQ 370 01 4370 EBA degruyter 2022-2023 370 01 4370 olr-ebook degruyter 370 01 4370 ACQ |
| allfields_unstemmed |
9780824865160 978-0-8248-6516-0 9780824865160 978-0-8248-6516-0 10.21313/9780824865160 doi (DE-627)1066744629 (DE-576)51488326X (DE-599)GBV1066744629 (EBP)041877578 (DE-B1597)484100 DE-627 eng DE-627 rda eng XD-US PN2921 DRA000000 bisacsh DRA000000 bisacsh The Voyage of Contemporary Japanese Theatre J. Thomas Rimer Honolulu University of Hawaii Press 1997 ©1997 1 Online-Ressource Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Frontmatter -- Yutaka, Higashi -- 2. The Red Tent in Good Health. A Tale of Two Cities Jûrò, Kara -- 3. A Logic Surpassing Any Declaration of Determination. When We Go Down That Heartless River Kunio, Shimizu -- 4. Those Slight Stirrings of the Man in the Wind. A Tale of the Smallpox Tatsumi, Hijikata -- 5. A Ghastly Masterpiece with Cruel Intentions. The Great Doctor Yabuhara Hisashi, Inoue -- Scene II: 1974–1979 Tsuka Kòhei and After -- Jûrò, Kara -- 7. The Appearance of a New Talent. The Legend of a Flying Dragon: And Then a Crow Kòhei, Tsuka -- 8. Minus Dynamics, All Scooped Out. Chairs and a Legend Minoru, Betsuyaku -- 9. The Crouch as a Critique of the Modern. The Trojan Women Euripides -- 10. An Obstinacy Well Worth Mentioning. Tosa Genji Nagatoshi, Sakamoto -- 11. A Drama of a New and Fanciful Geography. Knock Shûji, Terayama -- 12. Harvest: After a Year and a Half. The Comic World of Shòwa Makoto, Satoh -- 13. A First Trip to a Distant Village. A Night’s Feast Tadashi, Suzuki -- 14. A Question to the Man Who Blew the Flute. The Rats of Hamelin Jûrò, Kara -- 15. The Nò Stage, Newly Activated. The Legend Of Komachi Shògo, Òta -- 16. Making The Connection: Killing the Beggar. Thirty Days Hath September Minoru, Betsuyaku -- 17. A Humble Self-Examination. The Dressing Room Kunio, Shimizu -- 18. A Scene of Ripening. The Bacchae Euripides -- 19. A Critique of Miyazawa Kenji as a Tableau Vivant. Directions to Servants Shûji, Terayama -- 20. The Conflagration of an Exploding Lemon. Lemon Jû’ichirò, Takeuchi -- 21. The Whirlings of a World at Birth. A Tale of the Original Japanese Kòdai, Okabe -- 22. Laughing Okinawa. Anthropology Museum Seishin, Chinen -- 23. A Ripening of Melody. Shanghai ’Vance King Ren, Saitò -- 24. Yohei Who Lives On. Double Suicide, after Chikamatsu Matsuyo, Akimoto -- 25. A Play Goes on “Outside The Walls”. Lemmings Shûji, Terayama -- 26. Obstacles to Abandonment. Two Women Jûrò, Kara -- 27. In the Midst of a Weakened Art. The Lady of the Camellias Fils, Alexandre Dumas -- Scene III: 1980–1987 The Period of Metatheatre -- Shakespeare, William -- 29. A Duck with Two Different Wings. The Seagull Chekhov, Anton -- 30. A Diffused Reflection. Travel of Twenty-seven Thousand Light Years Hideki, Noda -- 31. Deciphering Miyazawa Kenji with Criticism and Sympathy. The Theatre Train of Iihatòbo Hisashi, Inoue -- 32. The Bachelors Who Continue on. That Raven, Even Jû’ichirò, Takeuchi -- 33. Dreams That Are Ruffians. A Tale of Mannen-Town in Shitaya Jûrò, Kara -- 34. Two Blanches. A Streetcar Named Desire Williams, Tennessee -- 35. The Magic of Assorted Mirrors. Run, Merusu—A Girl’S Lips Are Dynamite! Hideki, Noda -- 36. Signposts along the Way. A Legend of Fish: A Teacher Kills His Student at Rikkyò University Tetsu, Yamazaki -- 37. A Snack Bar in the Woods of Athens. A Midsummer Night’s Dream Shakespeare, William -- 38. Laughter in a Gothic Musical. Sweeney Todd: The Demon Barber Of Fleet Street Wheeler, Hugh -- 39. The Power of the Older Sister, The Power of the Mirror. Night Shadows—A Gentle Ghost Story Eriko, Watanabe -- 40. Dining and a Sense of Freedom. Bubbling and Boiling Minoru, Betsuyaku -- 41. A World in Which the Composition is Now Complete. Song of Praise and Thanksgiving Sò, Kitamura -- 42. A Shock from Below the Belt. The Song of a Strange Family—the Case of the On-Line Fraud of Itò Motoko Tetsu, Yamazaki -- 43. Tsuka Kòhei’s “Staircase”. The Kamata Marching Song Kòhei, Tsuka -- 44. The Power of Imagination Lavished on a House. Melancholy When the Flowers Bloom Eriko, Watanabe -- 45. Malcontent Passions. Radical Party Takeshi, Kawamura -- 46. A Painful Sense of Distance. Afternoon of a Man and Woman Tetsu, Yamazaki -- 47. Mankind, and Those Theatrical Slippages. Man of La Mancha Darion, Joe -- 48. A World in Which That’s All We Can Do. Memories of the Little Finger Hideki, Noda -- 49. The Basic Principles of a Vision Already Experienced. Rules For Sleeping in the Universe Shòji, Kòkami -- 50. A Fight Against Fixed Forms. Japan Wars Takeshi, Kawamura -- 51. The Sympathies and Disjunctures of Nostalgia. Tango at the End of Winter Kunio, Shimizu -- 52. A Tale After the Myths Have Crumbled. Genocide Takeshi, Kawamura -- 53. Twenty-Five Hundred Years: Gazing at a Scrap Pile. Earth Station Shògo, Òta -- 54. A Time Before Everything Dissolves. Taking along a Sunset Like the Morning Shòji, Kòkami -- 55. The Jigsaw Puzzle of Sex. Cloud 9 Churchill, Caryl -- 56. Surprising Things Happen. Comet Messenger Siegfried Hideki, Noda -- 57. The Dilemma of a Drama With a Chorus. Chorus Line Bennett, Michael -- 58. The Adventures of Nostalgia. Children of Night Yorozu, Ikuta -- 59. Medieval Preaching in an Outdoor Space. Oguri Hangan and Princess Terute Takurò, Endò -- 60. The Results of Practical Romance. I Bit The Green Seed Rei, Ichidò -- 61. A Crime Explained, a Crime Unexplainable Memo from the Aliens Tetsu, Yamazaki -- 62. A Quick Glimpse of the Meaning of the World. Wind Station Shògo, Òta -- 63. A Nest of Boxes at the Edge of Waking. The Tempest: A Rehearsal on a Nò Stage on Sado Island Shakespeare, William -- 64. Closing in on the Self: Zeami As “Performer”. Zeami Masakazu, Yamazaki -- 65. The Dynamism of “The City Multitudes”. Les Misérables Boublil, Alain / Claude-Michel -- 66. That First Kiss with the Taste of Radioactivity. Godzilla Yasuhiko, Òhashi -- 67. A Refreshing Wind Surpasses Its Domain. Alejo—to Praise the Wind Hiroshi, Koike -- Epilogue -- Restricted Access Controlled Vocabulary for Access Rights http://purl.org/coar/access_right/c_16ec online access with authorization star Senda Akihiko is one of Japan's finest and best-known modern drama critics. This collection of his essays, articles, and reviews from 1971 to 1987 presents international audiences with the first opportunity to experience the excitement and accomplishments of the theatrical revolution that has continued to sweep over the Japanese stage since the 1960s. Consistently judicious and honest, the essays reveal the excitement (or disappointment) of each phase in the unfolding "voyage" of contemporary Japanese theatre. 1997 Mode of access: Internet via World Wide Web. In English Japanese drama 20th century History and criticism Theater Japan History 20th century Theater Japan History 20th century Japanese drama 20th century History and criticism Japanese drama. Theater. DRAMA / General Rimer, J oth https://doi.org/10.1515/9780824865160 X:GRUY Resolving-System lizenzpflichtig https://www.degruyter.com/isbn/9780824865160 X:GRUY Verlag lizenzpflichtig https://www.degruyter.com/doc/cover/9780824865160.jpg Verlag Cover https://www.degruyter.com/cover/covers/9780824865160.jpg X:GRUY Verlag Cover EBA-BACKALL EBA-CL-LT EBA-EBACKALL EBA-EBKALL EBA-ECL-LT EBA-EEBKALL EBA-ESSHALL EBA-PPALL EBA-SSHALL GBV-deGruyter-alles GBV-23-DGG-HHKONS ZDB-23-DGG GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_120 ISIL_DE-715 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_2400 ISIL_DE-L152 BO 045F 792/.0954/0904 045F 792 22 01 0018 4406591524 00 --%%-- --%%-- s --%%-- ACQ zu 14-11-23 23 01 0830 4473976300 ACQ z 02-02-24 34 01 3551 4496055457 OLR-EBAKALL-EBS Zugriff nur im Netz der HAW Hamburg z 06-03-24 120 01 0715 3487322153 Campusweiter Zugriff (Universität Oldenburg). - Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. z 15-06-19 370 01 4370 4544808324 EBA degruyter 2022-2023 Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. i z 01-07-24 2400 01 DE-L152 4425588258 00 --%%-- --%%-- --%%-- n l01 05-12-23 22 01 0018 Volltextzugang Campus https://www.degruyter.com/isbn/… 22 01 0018 Volltextzugang von außerhalb des Campus http://emedien.sub.uni-hamburg.de/han/degruyterebooks/www.degruyter.com/isbn/… 23 01 0830 https://doi.org/10.1515/9780824865160 34 01 3551 https://doi.org/10.1515/9780824865160 120 01 0715 https://www.degruyter.com/doi/book/10.21313/9780824865160 370 01 4370 E-Book: Zugriff im HCU-Netz. Zugriff von außerhalb nur für HCU-Angehörige möglich https://doi.org/10.1515/9780824865160 2400 01 DE-L152 https://doi.org/10.1515/9780824865160 120 00 DE-715 99 ww 22 01 0018 ACQ 22 01 0018 SUBedeg 22 01 0018 ACQ 23 01 0830 ACQ 23 01 0830 olr-degruyter-crossaccess 23 01 0830 olr-degruyter3 23 01 0830 olr-degruyter4 34 01 3551 OLR-EBAKALL-EBS 34 01 3551 ACQ 370 01 4370 EBA degruyter 2022-2023 370 01 4370 olr-ebook degruyter 370 01 4370 ACQ |
| allfieldsGer |
9780824865160 978-0-8248-6516-0 9780824865160 978-0-8248-6516-0 10.21313/9780824865160 doi (DE-627)1066744629 (DE-576)51488326X (DE-599)GBV1066744629 (EBP)041877578 (DE-B1597)484100 DE-627 eng DE-627 rda eng XD-US PN2921 DRA000000 bisacsh DRA000000 bisacsh The Voyage of Contemporary Japanese Theatre J. Thomas Rimer Honolulu University of Hawaii Press 1997 ©1997 1 Online-Ressource Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Frontmatter -- Yutaka, Higashi -- 2. The Red Tent in Good Health. A Tale of Two Cities Jûrò, Kara -- 3. A Logic Surpassing Any Declaration of Determination. When We Go Down That Heartless River Kunio, Shimizu -- 4. Those Slight Stirrings of the Man in the Wind. A Tale of the Smallpox Tatsumi, Hijikata -- 5. A Ghastly Masterpiece with Cruel Intentions. The Great Doctor Yabuhara Hisashi, Inoue -- Scene II: 1974–1979 Tsuka Kòhei and After -- Jûrò, Kara -- 7. The Appearance of a New Talent. The Legend of a Flying Dragon: And Then a Crow Kòhei, Tsuka -- 8. Minus Dynamics, All Scooped Out. Chairs and a Legend Minoru, Betsuyaku -- 9. The Crouch as a Critique of the Modern. The Trojan Women Euripides -- 10. An Obstinacy Well Worth Mentioning. Tosa Genji Nagatoshi, Sakamoto -- 11. A Drama of a New and Fanciful Geography. Knock Shûji, Terayama -- 12. Harvest: After a Year and a Half. The Comic World of Shòwa Makoto, Satoh -- 13. A First Trip to a Distant Village. A Night’s Feast Tadashi, Suzuki -- 14. A Question to the Man Who Blew the Flute. The Rats of Hamelin Jûrò, Kara -- 15. The Nò Stage, Newly Activated. The Legend Of Komachi Shògo, Òta -- 16. Making The Connection: Killing the Beggar. Thirty Days Hath September Minoru, Betsuyaku -- 17. A Humble Self-Examination. The Dressing Room Kunio, Shimizu -- 18. A Scene of Ripening. The Bacchae Euripides -- 19. A Critique of Miyazawa Kenji as a Tableau Vivant. Directions to Servants Shûji, Terayama -- 20. The Conflagration of an Exploding Lemon. Lemon Jû’ichirò, Takeuchi -- 21. The Whirlings of a World at Birth. A Tale of the Original Japanese Kòdai, Okabe -- 22. Laughing Okinawa. Anthropology Museum Seishin, Chinen -- 23. A Ripening of Melody. Shanghai ’Vance King Ren, Saitò -- 24. Yohei Who Lives On. Double Suicide, after Chikamatsu Matsuyo, Akimoto -- 25. A Play Goes on “Outside The Walls”. Lemmings Shûji, Terayama -- 26. Obstacles to Abandonment. Two Women Jûrò, Kara -- 27. In the Midst of a Weakened Art. The Lady of the Camellias Fils, Alexandre Dumas -- Scene III: 1980–1987 The Period of Metatheatre -- Shakespeare, William -- 29. A Duck with Two Different Wings. The Seagull Chekhov, Anton -- 30. A Diffused Reflection. Travel of Twenty-seven Thousand Light Years Hideki, Noda -- 31. Deciphering Miyazawa Kenji with Criticism and Sympathy. The Theatre Train of Iihatòbo Hisashi, Inoue -- 32. The Bachelors Who Continue on. That Raven, Even Jû’ichirò, Takeuchi -- 33. Dreams That Are Ruffians. A Tale of Mannen-Town in Shitaya Jûrò, Kara -- 34. Two Blanches. A Streetcar Named Desire Williams, Tennessee -- 35. The Magic of Assorted Mirrors. Run, Merusu—A Girl’S Lips Are Dynamite! Hideki, Noda -- 36. Signposts along the Way. A Legend of Fish: A Teacher Kills His Student at Rikkyò University Tetsu, Yamazaki -- 37. A Snack Bar in the Woods of Athens. A Midsummer Night’s Dream Shakespeare, William -- 38. Laughter in a Gothic Musical. Sweeney Todd: The Demon Barber Of Fleet Street Wheeler, Hugh -- 39. The Power of the Older Sister, The Power of the Mirror. Night Shadows—A Gentle Ghost Story Eriko, Watanabe -- 40. Dining and a Sense of Freedom. Bubbling and Boiling Minoru, Betsuyaku -- 41. A World in Which the Composition is Now Complete. Song of Praise and Thanksgiving Sò, Kitamura -- 42. A Shock from Below the Belt. The Song of a Strange Family—the Case of the On-Line Fraud of Itò Motoko Tetsu, Yamazaki -- 43. Tsuka Kòhei’s “Staircase”. The Kamata Marching Song Kòhei, Tsuka -- 44. The Power of Imagination Lavished on a House. Melancholy When the Flowers Bloom Eriko, Watanabe -- 45. Malcontent Passions. Radical Party Takeshi, Kawamura -- 46. A Painful Sense of Distance. Afternoon of a Man and Woman Tetsu, Yamazaki -- 47. Mankind, and Those Theatrical Slippages. Man of La Mancha Darion, Joe -- 48. A World in Which That’s All We Can Do. Memories of the Little Finger Hideki, Noda -- 49. The Basic Principles of a Vision Already Experienced. Rules For Sleeping in the Universe Shòji, Kòkami -- 50. A Fight Against Fixed Forms. Japan Wars Takeshi, Kawamura -- 51. The Sympathies and Disjunctures of Nostalgia. Tango at the End of Winter Kunio, Shimizu -- 52. A Tale After the Myths Have Crumbled. Genocide Takeshi, Kawamura -- 53. Twenty-Five Hundred Years: Gazing at a Scrap Pile. Earth Station Shògo, Òta -- 54. A Time Before Everything Dissolves. Taking along a Sunset Like the Morning Shòji, Kòkami -- 55. The Jigsaw Puzzle of Sex. Cloud 9 Churchill, Caryl -- 56. Surprising Things Happen. Comet Messenger Siegfried Hideki, Noda -- 57. The Dilemma of a Drama With a Chorus. Chorus Line Bennett, Michael -- 58. The Adventures of Nostalgia. Children of Night Yorozu, Ikuta -- 59. Medieval Preaching in an Outdoor Space. Oguri Hangan and Princess Terute Takurò, Endò -- 60. The Results of Practical Romance. I Bit The Green Seed Rei, Ichidò -- 61. A Crime Explained, a Crime Unexplainable Memo from the Aliens Tetsu, Yamazaki -- 62. A Quick Glimpse of the Meaning of the World. Wind Station Shògo, Òta -- 63. A Nest of Boxes at the Edge of Waking. The Tempest: A Rehearsal on a Nò Stage on Sado Island Shakespeare, William -- 64. Closing in on the Self: Zeami As “Performer”. Zeami Masakazu, Yamazaki -- 65. The Dynamism of “The City Multitudes”. Les Misérables Boublil, Alain / Claude-Michel -- 66. That First Kiss with the Taste of Radioactivity. Godzilla Yasuhiko, Òhashi -- 67. A Refreshing Wind Surpasses Its Domain. Alejo—to Praise the Wind Hiroshi, Koike -- Epilogue -- Restricted Access Controlled Vocabulary for Access Rights http://purl.org/coar/access_right/c_16ec online access with authorization star Senda Akihiko is one of Japan's finest and best-known modern drama critics. This collection of his essays, articles, and reviews from 1971 to 1987 presents international audiences with the first opportunity to experience the excitement and accomplishments of the theatrical revolution that has continued to sweep over the Japanese stage since the 1960s. Consistently judicious and honest, the essays reveal the excitement (or disappointment) of each phase in the unfolding "voyage" of contemporary Japanese theatre. 1997 Mode of access: Internet via World Wide Web. In English Japanese drama 20th century History and criticism Theater Japan History 20th century Theater Japan History 20th century Japanese drama 20th century History and criticism Japanese drama. Theater. DRAMA / General Rimer, J oth https://doi.org/10.1515/9780824865160 X:GRUY Resolving-System lizenzpflichtig https://www.degruyter.com/isbn/9780824865160 X:GRUY Verlag lizenzpflichtig https://www.degruyter.com/doc/cover/9780824865160.jpg Verlag Cover https://www.degruyter.com/cover/covers/9780824865160.jpg X:GRUY Verlag Cover EBA-BACKALL EBA-CL-LT EBA-EBACKALL EBA-EBKALL EBA-ECL-LT EBA-EEBKALL EBA-ESSHALL EBA-PPALL EBA-SSHALL GBV-deGruyter-alles GBV-23-DGG-HHKONS ZDB-23-DGG GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_120 ISIL_DE-715 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_2400 ISIL_DE-L152 BO 045F 792/.0954/0904 045F 792 22 01 0018 4406591524 00 --%%-- --%%-- s --%%-- ACQ zu 14-11-23 23 01 0830 4473976300 ACQ z 02-02-24 34 01 3551 4496055457 OLR-EBAKALL-EBS Zugriff nur im Netz der HAW Hamburg z 06-03-24 120 01 0715 3487322153 Campusweiter Zugriff (Universität Oldenburg). - Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. z 15-06-19 370 01 4370 4544808324 EBA degruyter 2022-2023 Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. i z 01-07-24 2400 01 DE-L152 4425588258 00 --%%-- --%%-- --%%-- n l01 05-12-23 22 01 0018 Volltextzugang Campus https://www.degruyter.com/isbn/… 22 01 0018 Volltextzugang von außerhalb des Campus http://emedien.sub.uni-hamburg.de/han/degruyterebooks/www.degruyter.com/isbn/… 23 01 0830 https://doi.org/10.1515/9780824865160 34 01 3551 https://doi.org/10.1515/9780824865160 120 01 0715 https://www.degruyter.com/doi/book/10.21313/9780824865160 370 01 4370 E-Book: Zugriff im HCU-Netz. Zugriff von außerhalb nur für HCU-Angehörige möglich https://doi.org/10.1515/9780824865160 2400 01 DE-L152 https://doi.org/10.1515/9780824865160 120 00 DE-715 99 ww 22 01 0018 ACQ 22 01 0018 SUBedeg 22 01 0018 ACQ 23 01 0830 ACQ 23 01 0830 olr-degruyter-crossaccess 23 01 0830 olr-degruyter3 23 01 0830 olr-degruyter4 34 01 3551 OLR-EBAKALL-EBS 34 01 3551 ACQ 370 01 4370 EBA degruyter 2022-2023 370 01 4370 olr-ebook degruyter 370 01 4370 ACQ |
| allfieldsSound |
9780824865160 978-0-8248-6516-0 9780824865160 978-0-8248-6516-0 10.21313/9780824865160 doi (DE-627)1066744629 (DE-576)51488326X (DE-599)GBV1066744629 (EBP)041877578 (DE-B1597)484100 DE-627 eng DE-627 rda eng XD-US PN2921 DRA000000 bisacsh DRA000000 bisacsh The Voyage of Contemporary Japanese Theatre J. Thomas Rimer Honolulu University of Hawaii Press 1997 ©1997 1 Online-Ressource Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Frontmatter -- Yutaka, Higashi -- 2. The Red Tent in Good Health. A Tale of Two Cities Jûrò, Kara -- 3. A Logic Surpassing Any Declaration of Determination. When We Go Down That Heartless River Kunio, Shimizu -- 4. Those Slight Stirrings of the Man in the Wind. A Tale of the Smallpox Tatsumi, Hijikata -- 5. A Ghastly Masterpiece with Cruel Intentions. The Great Doctor Yabuhara Hisashi, Inoue -- Scene II: 1974–1979 Tsuka Kòhei and After -- Jûrò, Kara -- 7. The Appearance of a New Talent. The Legend of a Flying Dragon: And Then a Crow Kòhei, Tsuka -- 8. Minus Dynamics, All Scooped Out. Chairs and a Legend Minoru, Betsuyaku -- 9. The Crouch as a Critique of the Modern. The Trojan Women Euripides -- 10. An Obstinacy Well Worth Mentioning. Tosa Genji Nagatoshi, Sakamoto -- 11. A Drama of a New and Fanciful Geography. Knock Shûji, Terayama -- 12. Harvest: After a Year and a Half. The Comic World of Shòwa Makoto, Satoh -- 13. A First Trip to a Distant Village. A Night’s Feast Tadashi, Suzuki -- 14. A Question to the Man Who Blew the Flute. The Rats of Hamelin Jûrò, Kara -- 15. The Nò Stage, Newly Activated. The Legend Of Komachi Shògo, Òta -- 16. Making The Connection: Killing the Beggar. Thirty Days Hath September Minoru, Betsuyaku -- 17. A Humble Self-Examination. The Dressing Room Kunio, Shimizu -- 18. A Scene of Ripening. The Bacchae Euripides -- 19. A Critique of Miyazawa Kenji as a Tableau Vivant. Directions to Servants Shûji, Terayama -- 20. The Conflagration of an Exploding Lemon. Lemon Jû’ichirò, Takeuchi -- 21. The Whirlings of a World at Birth. A Tale of the Original Japanese Kòdai, Okabe -- 22. Laughing Okinawa. Anthropology Museum Seishin, Chinen -- 23. A Ripening of Melody. Shanghai ’Vance King Ren, Saitò -- 24. Yohei Who Lives On. Double Suicide, after Chikamatsu Matsuyo, Akimoto -- 25. A Play Goes on “Outside The Walls”. Lemmings Shûji, Terayama -- 26. Obstacles to Abandonment. Two Women Jûrò, Kara -- 27. In the Midst of a Weakened Art. The Lady of the Camellias Fils, Alexandre Dumas -- Scene III: 1980–1987 The Period of Metatheatre -- Shakespeare, William -- 29. A Duck with Two Different Wings. The Seagull Chekhov, Anton -- 30. A Diffused Reflection. Travel of Twenty-seven Thousand Light Years Hideki, Noda -- 31. Deciphering Miyazawa Kenji with Criticism and Sympathy. The Theatre Train of Iihatòbo Hisashi, Inoue -- 32. The Bachelors Who Continue on. That Raven, Even Jû’ichirò, Takeuchi -- 33. Dreams That Are Ruffians. A Tale of Mannen-Town in Shitaya Jûrò, Kara -- 34. Two Blanches. A Streetcar Named Desire Williams, Tennessee -- 35. The Magic of Assorted Mirrors. Run, Merusu—A Girl’S Lips Are Dynamite! Hideki, Noda -- 36. Signposts along the Way. A Legend of Fish: A Teacher Kills His Student at Rikkyò University Tetsu, Yamazaki -- 37. A Snack Bar in the Woods of Athens. A Midsummer Night’s Dream Shakespeare, William -- 38. Laughter in a Gothic Musical. Sweeney Todd: The Demon Barber Of Fleet Street Wheeler, Hugh -- 39. The Power of the Older Sister, The Power of the Mirror. Night Shadows—A Gentle Ghost Story Eriko, Watanabe -- 40. Dining and a Sense of Freedom. Bubbling and Boiling Minoru, Betsuyaku -- 41. A World in Which the Composition is Now Complete. Song of Praise and Thanksgiving Sò, Kitamura -- 42. A Shock from Below the Belt. The Song of a Strange Family—the Case of the On-Line Fraud of Itò Motoko Tetsu, Yamazaki -- 43. Tsuka Kòhei’s “Staircase”. The Kamata Marching Song Kòhei, Tsuka -- 44. The Power of Imagination Lavished on a House. Melancholy When the Flowers Bloom Eriko, Watanabe -- 45. Malcontent Passions. Radical Party Takeshi, Kawamura -- 46. A Painful Sense of Distance. Afternoon of a Man and Woman Tetsu, Yamazaki -- 47. Mankind, and Those Theatrical Slippages. Man of La Mancha Darion, Joe -- 48. A World in Which That’s All We Can Do. Memories of the Little Finger Hideki, Noda -- 49. The Basic Principles of a Vision Already Experienced. Rules For Sleeping in the Universe Shòji, Kòkami -- 50. A Fight Against Fixed Forms. Japan Wars Takeshi, Kawamura -- 51. The Sympathies and Disjunctures of Nostalgia. Tango at the End of Winter Kunio, Shimizu -- 52. A Tale After the Myths Have Crumbled. Genocide Takeshi, Kawamura -- 53. Twenty-Five Hundred Years: Gazing at a Scrap Pile. Earth Station Shògo, Òta -- 54. A Time Before Everything Dissolves. Taking along a Sunset Like the Morning Shòji, Kòkami -- 55. The Jigsaw Puzzle of Sex. Cloud 9 Churchill, Caryl -- 56. Surprising Things Happen. Comet Messenger Siegfried Hideki, Noda -- 57. The Dilemma of a Drama With a Chorus. Chorus Line Bennett, Michael -- 58. The Adventures of Nostalgia. Children of Night Yorozu, Ikuta -- 59. Medieval Preaching in an Outdoor Space. Oguri Hangan and Princess Terute Takurò, Endò -- 60. The Results of Practical Romance. I Bit The Green Seed Rei, Ichidò -- 61. A Crime Explained, a Crime Unexplainable Memo from the Aliens Tetsu, Yamazaki -- 62. A Quick Glimpse of the Meaning of the World. Wind Station Shògo, Òta -- 63. A Nest of Boxes at the Edge of Waking. The Tempest: A Rehearsal on a Nò Stage on Sado Island Shakespeare, William -- 64. Closing in on the Self: Zeami As “Performer”. Zeami Masakazu, Yamazaki -- 65. The Dynamism of “The City Multitudes”. Les Misérables Boublil, Alain / Claude-Michel -- 66. That First Kiss with the Taste of Radioactivity. Godzilla Yasuhiko, Òhashi -- 67. A Refreshing Wind Surpasses Its Domain. Alejo—to Praise the Wind Hiroshi, Koike -- Epilogue -- Restricted Access Controlled Vocabulary for Access Rights http://purl.org/coar/access_right/c_16ec online access with authorization star Senda Akihiko is one of Japan's finest and best-known modern drama critics. This collection of his essays, articles, and reviews from 1971 to 1987 presents international audiences with the first opportunity to experience the excitement and accomplishments of the theatrical revolution that has continued to sweep over the Japanese stage since the 1960s. Consistently judicious and honest, the essays reveal the excitement (or disappointment) of each phase in the unfolding "voyage" of contemporary Japanese theatre. 1997 Mode of access: Internet via World Wide Web. In English Japanese drama 20th century History and criticism Theater Japan History 20th century Theater Japan History 20th century Japanese drama 20th century History and criticism Japanese drama. Theater. DRAMA / General Rimer, J oth https://doi.org/10.1515/9780824865160 X:GRUY Resolving-System lizenzpflichtig https://www.degruyter.com/isbn/9780824865160 X:GRUY Verlag lizenzpflichtig https://www.degruyter.com/doc/cover/9780824865160.jpg Verlag Cover https://www.degruyter.com/cover/covers/9780824865160.jpg X:GRUY Verlag Cover EBA-BACKALL EBA-CL-LT EBA-EBACKALL EBA-EBKALL EBA-ECL-LT EBA-EEBKALL EBA-ESSHALL EBA-PPALL EBA-SSHALL GBV-deGruyter-alles GBV-23-DGG-HHKONS ZDB-23-DGG GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_120 ISIL_DE-715 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_2400 ISIL_DE-L152 BO 045F 792/.0954/0904 045F 792 22 01 0018 4406591524 00 --%%-- --%%-- s --%%-- ACQ zu 14-11-23 23 01 0830 4473976300 ACQ z 02-02-24 34 01 3551 4496055457 OLR-EBAKALL-EBS Zugriff nur im Netz der HAW Hamburg z 06-03-24 120 01 0715 3487322153 Campusweiter Zugriff (Universität Oldenburg). - Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. z 15-06-19 370 01 4370 4544808324 EBA degruyter 2022-2023 Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. i z 01-07-24 2400 01 DE-L152 4425588258 00 --%%-- --%%-- --%%-- n l01 05-12-23 22 01 0018 Volltextzugang Campus https://www.degruyter.com/isbn/… 22 01 0018 Volltextzugang von außerhalb des Campus http://emedien.sub.uni-hamburg.de/han/degruyterebooks/www.degruyter.com/isbn/… 23 01 0830 https://doi.org/10.1515/9780824865160 34 01 3551 https://doi.org/10.1515/9780824865160 120 01 0715 https://www.degruyter.com/doi/book/10.21313/9780824865160 370 01 4370 E-Book: Zugriff im HCU-Netz. Zugriff von außerhalb nur für HCU-Angehörige möglich https://doi.org/10.1515/9780824865160 2400 01 DE-L152 https://doi.org/10.1515/9780824865160 120 00 DE-715 99 ww 22 01 0018 ACQ 22 01 0018 SUBedeg 22 01 0018 ACQ 23 01 0830 ACQ 23 01 0830 olr-degruyter-crossaccess 23 01 0830 olr-degruyter3 23 01 0830 olr-degruyter4 34 01 3551 OLR-EBAKALL-EBS 34 01 3551 ACQ 370 01 4370 EBA degruyter 2022-2023 370 01 4370 olr-ebook degruyter 370 01 4370 ACQ |
| language |
English |
| format_phy_str_mv |
Book |
| building |
22:u 23 34 120 370 2400:0 |
| institution |
findex.gbv.de |
| selectbib_iln_str_mv |
22@u 23@ 34@ 120@ 370@ 2400@01 |
| topic_facet |
Japanese drama Theater Japanese drama. Theater. DRAMA / General History and criticism History |
| isfreeaccess_bool |
false |
| authorswithroles_txt_mv |
Rimer, J @@oth@@ |
| publishDateDaySort_date |
1997-01-01T00:00:00Z |
| id |
1066744629 |
| language_de |
englisch |
| fullrecord |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01000cam a22002652 4500</leader><controlfield tag="001">1066744629</controlfield><controlfield tag="003">DE-627</controlfield><controlfield tag="005">20240715215536.0</controlfield><controlfield tag="007">cr uuu---uuuuu</controlfield><controlfield tag="008">190227r19971997xxu|||||o 00| ||eng c</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780824865160</subfield><subfield code="9">978-0-8248-6516-0</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780824865160</subfield><subfield code="9">978-0-8248-6516-0</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.21313/9780824865160</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-627)1066744629</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-576)51488326X</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)GBV1066744629</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(EBP)041877578</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)484100</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-627</subfield><subfield code="b">eng</subfield><subfield code="c">DE-627</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1=" " ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="c">XD-US</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">PN2921</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">DRA000000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">DRA000000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The Voyage of Contemporary Japanese Theatre</subfield><subfield code="c">J. Thomas Rimer</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Honolulu</subfield><subfield code="b">University of Hawaii Press</subfield><subfield code="c">1997</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©1997</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">Text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">Computermedien</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">Online-Ressource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">Frontmatter --</subfield><subfield code="r">Yutaka, Higashi --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">2. The Red Tent in Good Health. A Tale of Two Cities</subfield><subfield code="r">Jûrò, Kara --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">3. A Logic Surpassing Any Declaration of Determination. When We Go Down That Heartless River</subfield><subfield code="r">Kunio, Shimizu --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">4. Those Slight Stirrings of the Man in the Wind. A Tale of the Smallpox</subfield><subfield code="r">Tatsumi, Hijikata --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">5. A Ghastly Masterpiece with Cruel Intentions. The Great Doctor Yabuhara</subfield><subfield code="r">Hisashi, Inoue --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">Scene II: 1974–1979 Tsuka Kòhei and After --</subfield><subfield code="r">Jûrò, Kara --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">7. The Appearance of a New Talent. The Legend of a Flying Dragon: And Then a Crow</subfield><subfield code="r">Kòhei, Tsuka --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">8. Minus Dynamics, All Scooped Out. Chairs and a Legend</subfield><subfield code="r">Minoru, Betsuyaku --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">9. The Crouch as a Critique of the Modern. The Trojan Women</subfield><subfield code="r">Euripides --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">10. An Obstinacy Well Worth Mentioning. Tosa Genji</subfield><subfield code="r">Nagatoshi, Sakamoto --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">11. A Drama of a New and Fanciful Geography. Knock</subfield><subfield code="r">Shûji, Terayama --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">12. Harvest: After a Year and a Half. The Comic World of Shòwa</subfield><subfield code="r">Makoto, Satoh --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">13. A First Trip to a Distant Village. A Night’s Feast</subfield><subfield code="r">Tadashi, Suzuki --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">14. A Question to the Man Who Blew the Flute. The Rats of Hamelin</subfield><subfield code="r">Jûrò, Kara --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">15. The Nò Stage, Newly Activated. The Legend Of Komachi</subfield><subfield code="r">Shògo, Òta --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">16. Making The Connection: Killing the Beggar. Thirty Days Hath September</subfield><subfield code="r">Minoru, Betsuyaku --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">17. A Humble Self-Examination. The Dressing Room</subfield><subfield code="r">Kunio, Shimizu --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">18. A Scene of Ripening. The Bacchae</subfield><subfield code="r">Euripides --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">19. A Critique of Miyazawa Kenji as a Tableau Vivant. Directions to Servants</subfield><subfield code="r">Shûji, Terayama --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">20. The Conflagration of an Exploding Lemon. Lemon</subfield><subfield code="r">Jû’ichirò, Takeuchi --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">21. The Whirlings of a World at Birth. A Tale of the Original Japanese</subfield><subfield code="r">Kòdai, Okabe --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">22. Laughing Okinawa. Anthropology Museum</subfield><subfield code="r">Seishin, Chinen --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">23. A Ripening of Melody. Shanghai ’Vance King</subfield><subfield code="r">Ren, Saitò --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">24. Yohei Who Lives On. Double Suicide, after Chikamatsu</subfield><subfield code="r">Matsuyo, Akimoto --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">25. A Play Goes on “Outside The Walls”. Lemmings</subfield><subfield code="r">Shûji, Terayama --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">26. Obstacles to Abandonment. Two Women</subfield><subfield code="r">Jûrò, Kara --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">27. In the Midst of a Weakened Art. The Lady of the Camellias</subfield><subfield code="r">Fils, Alexandre Dumas --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">Scene III: 1980–1987 The Period of Metatheatre --</subfield><subfield code="r">Shakespeare, William --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">29. A Duck with Two Different Wings. The Seagull</subfield><subfield code="r">Chekhov, Anton --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">30. A Diffused Reflection. Travel of Twenty-seven Thousand Light Years</subfield><subfield code="r">Hideki, Noda --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">31. Deciphering Miyazawa Kenji with Criticism and Sympathy. The Theatre Train of Iihatòbo</subfield><subfield code="r">Hisashi, Inoue --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">32. The Bachelors Who Continue on. That Raven, Even</subfield><subfield code="r">Jû’ichirò, Takeuchi --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">33. Dreams That Are Ruffians. A Tale of Mannen-Town in Shitaya</subfield><subfield code="r">Jûrò, Kara --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">34. Two Blanches. A Streetcar Named Desire</subfield><subfield code="r">Williams, Tennessee --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">35. The Magic of Assorted Mirrors. Run, Merusu—A Girl’S Lips Are Dynamite!</subfield><subfield code="r">Hideki, Noda --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">36. Signposts along the Way. A Legend of Fish: A Teacher Kills His Student at Rikkyò University</subfield><subfield code="r">Tetsu, Yamazaki --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">37. A Snack Bar in the Woods of Athens. A Midsummer Night’s Dream</subfield><subfield code="r">Shakespeare, William --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">38. Laughter in a Gothic Musical. Sweeney Todd: The Demon Barber Of Fleet Street</subfield><subfield code="r">Wheeler, Hugh --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">39. The Power of the Older Sister, The Power of the Mirror. Night Shadows—A Gentle Ghost Story</subfield><subfield code="r">Eriko, Watanabe --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">40. Dining and a Sense of Freedom. Bubbling and Boiling</subfield><subfield code="r">Minoru, Betsuyaku --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">41. A World in Which the Composition is Now Complete. Song of Praise and Thanksgiving</subfield><subfield code="r">Sò, Kitamura --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">42. A Shock from Below the Belt. The Song of a Strange Family—the Case of the On-Line Fraud of Itò Motoko</subfield><subfield code="r">Tetsu, Yamazaki --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">43. Tsuka Kòhei’s “Staircase”. The Kamata Marching Song</subfield><subfield code="r">Kòhei, Tsuka --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">44. The Power of Imagination Lavished on a House. Melancholy When the Flowers Bloom</subfield><subfield code="r">Eriko, Watanabe --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">45. Malcontent Passions. Radical Party</subfield><subfield code="r">Takeshi, Kawamura --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">46. A Painful Sense of Distance. Afternoon of a Man and Woman</subfield><subfield code="r">Tetsu, Yamazaki --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">47. Mankind, and Those Theatrical Slippages. Man of La Mancha</subfield><subfield code="r">Darion, Joe --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">48. A World in Which That’s All We Can Do. Memories of the Little Finger</subfield><subfield code="r">Hideki, Noda --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">49. The Basic Principles of a Vision Already Experienced. Rules For Sleeping in the Universe</subfield><subfield code="r">Shòji, Kòkami --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">50. A Fight Against Fixed Forms. Japan Wars</subfield><subfield code="r">Takeshi, Kawamura --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">51. The Sympathies and Disjunctures of Nostalgia. Tango at the End of Winter</subfield><subfield code="r">Kunio, Shimizu --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">52. A Tale After the Myths Have Crumbled. Genocide</subfield><subfield code="r">Takeshi, Kawamura --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">53. Twenty-Five Hundred Years: Gazing at a Scrap Pile. Earth Station</subfield><subfield code="r">Shògo, Òta --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">54. A Time Before Everything Dissolves. Taking along a Sunset Like the Morning</subfield><subfield code="r">Shòji, Kòkami --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">55. The Jigsaw Puzzle of Sex. Cloud 9</subfield><subfield code="r">Churchill, Caryl --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">56. Surprising Things Happen. Comet Messenger Siegfried</subfield><subfield code="r">Hideki, Noda --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">57. The Dilemma of a Drama With a Chorus. Chorus Line</subfield><subfield code="r">Bennett, Michael --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">58. The Adventures of Nostalgia. Children of Night</subfield><subfield code="r">Yorozu, Ikuta --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">59. Medieval Preaching in an Outdoor Space. Oguri Hangan and Princess Terute</subfield><subfield code="r">Takurò, Endò --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">60. The Results of Practical Romance. I Bit The Green Seed</subfield><subfield code="r">Rei, Ichidò --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">61. A Crime Explained, a Crime Unexplainable Memo from the Aliens</subfield><subfield code="r">Tetsu, Yamazaki --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">62. A Quick Glimpse of the Meaning of the World. Wind Station</subfield><subfield code="r">Shògo, Òta --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">63. A Nest of Boxes at the Edge of Waking. The Tempest: A Rehearsal on a Nò Stage on Sado Island</subfield><subfield code="r">Shakespeare, William --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">64. Closing in on the Self: Zeami As “Performer”. Zeami</subfield><subfield code="r">Masakazu, Yamazaki --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">65. The Dynamism of “The City Multitudes”. Les Misérables</subfield><subfield code="r">Boublil, Alain / Claude-Michel --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">66. That First Kiss with the Taste of Radioactivity. Godzilla</subfield><subfield code="r">Yasuhiko, Òhashi --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">67. A Refreshing Wind Surpasses Its Domain. Alejo—to Praise the Wind</subfield><subfield code="r">Hiroshi, Koike --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">Epilogue --</subfield></datafield><datafield tag="506" ind1="1" ind2=" "><subfield code="a">Restricted Access</subfield><subfield code="e">Controlled Vocabulary for Access Rights</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Senda Akihiko is one of Japan's finest and best-known modern drama critics. This collection of his essays, articles, and reviews from 1971 to 1987 presents international audiences with the first opportunity to experience the excitement and accomplishments of the theatrical revolution that has continued to sweep over the Japanese stage since the 1960s. Consistently judicious and honest, the essays reveal the excitement (or disappointment) of each phase in the unfolding "voyage" of contemporary Japanese theatre.</subfield></datafield><datafield tag="534" ind1=" " ind2=" "><subfield code="c">1997</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Japanese drama</subfield><subfield code="y">20th century</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Theater</subfield><subfield code="z">Japan</subfield><subfield code="x">History</subfield><subfield code="y">20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Theater</subfield><subfield code="z">Japan</subfield><subfield code="x">History</subfield><subfield code="y">20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Japanese drama</subfield><subfield code="y">20th century</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Japanese drama.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Theater.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">DRAMA / General</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Rimer, J</subfield><subfield code="4">oth</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9780824865160</subfield><subfield code="m">X:GRUY</subfield><subfield code="x">Resolving-System</subfield><subfield code="z">lizenzpflichtig</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9780824865160</subfield><subfield code="m">X:GRUY</subfield><subfield code="x">Verlag</subfield><subfield code="z">lizenzpflichtig</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="u">https://www.degruyter.com/doc/cover/9780824865160.jpg</subfield><subfield code="x">Verlag</subfield><subfield code="3">Cover</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="u">https://www.degruyter.com/cover/covers/9780824865160.jpg</subfield><subfield code="m">X:GRUY</subfield><subfield code="x">Verlag</subfield><subfield code="3">Cover</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA-BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA-CL-LT</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA-EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA-EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA-ECL-LT</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA-EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA-ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA-PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA-SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-23-DGG-HHKONS</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_22</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-18</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">SYSFLAG_1</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_KXP</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_23</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-830</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_34</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-18-302</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_120</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-715</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_370</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-1373</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2400</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-L152</subfield></datafield><datafield tag="951" ind1=" " ind2=" "><subfield code="a">BO</subfield></datafield><datafield tag="953" ind1=" " ind2=" "><subfield code="2">045F</subfield><subfield code="a">792/.0954/0904</subfield></datafield><datafield tag="953" ind1=" " ind2=" "><subfield code="2">045F</subfield><subfield code="a">792</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">22</subfield><subfield code="1">01</subfield><subfield code="x">0018</subfield><subfield code="b">4406591524</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">s</subfield><subfield code="j">--%%--</subfield><subfield code="h">ACQ</subfield><subfield code="y">zu</subfield><subfield code="z">14-11-23</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">23</subfield><subfield code="1">01</subfield><subfield code="x">0830</subfield><subfield code="b">4473976300</subfield><subfield code="h">ACQ</subfield><subfield code="y">z</subfield><subfield code="z">02-02-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">34</subfield><subfield code="1">01</subfield><subfield code="x">3551</subfield><subfield code="b">4496055457</subfield><subfield code="h">OLR-EBAKALL-EBS</subfield><subfield code="k">Zugriff nur im Netz der HAW Hamburg</subfield><subfield code="y">z</subfield><subfield code="z">06-03-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">120</subfield><subfield code="1">01</subfield><subfield code="x">0715</subfield><subfield code="b">3487322153</subfield><subfield code="k">Campusweiter Zugriff (Universität Oldenburg). - Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots.</subfield><subfield code="y">z</subfield><subfield code="z">15-06-19</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">370</subfield><subfield code="1">01</subfield><subfield code="x">4370</subfield><subfield code="b">4544808324</subfield><subfield code="h">EBA degruyter 2022-2023</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots.</subfield><subfield code="u">i</subfield><subfield code="y">z</subfield><subfield code="z">01-07-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2400</subfield><subfield code="1">01</subfield><subfield code="x">DE-L152</subfield><subfield code="b">4425588258</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">n</subfield><subfield code="y">l01</subfield><subfield code="z">05-12-23</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">22</subfield><subfield code="1">01</subfield><subfield code="x">0018</subfield><subfield code="y">Volltextzugang Campus</subfield><subfield code="r">https://www.degruyter.com/isbn/…</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">22</subfield><subfield code="1">01</subfield><subfield code="x">0018</subfield><subfield code="y">Volltextzugang von außerhalb des Campus</subfield><subfield code="r">http://emedien.sub.uni-hamburg.de/han/degruyterebooks/www.degruyter.com/isbn/…</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">23</subfield><subfield code="1">01</subfield><subfield code="x">0830</subfield><subfield code="r">https://doi.org/10.1515/9780824865160</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">34</subfield><subfield code="1">01</subfield><subfield code="x">3551</subfield><subfield code="r">https://doi.org/10.1515/9780824865160</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">120</subfield><subfield code="1">01</subfield><subfield code="x">0715</subfield><subfield code="r">https://www.degruyter.com/doi/book/10.21313/9780824865160</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">370</subfield><subfield code="1">01</subfield><subfield code="x">4370</subfield><subfield code="y">E-Book: Zugriff im HCU-Netz. Zugriff von außerhalb nur für HCU-Angehörige möglich</subfield><subfield code="r">https://doi.org/10.1515/9780824865160</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">2400</subfield><subfield code="1">01</subfield><subfield code="x">DE-L152</subfield><subfield code="r">https://doi.org/10.1515/9780824865160</subfield></datafield><datafield tag="983" ind1=" " ind2=" "><subfield code="2">120</subfield><subfield code="1">00</subfield><subfield code="x">DE-715</subfield><subfield code="8">99</subfield><subfield code="a">ww</subfield></datafield><datafield tag="995" ind1=" " ind2=" "><subfield code="2">22</subfield><subfield code="1">01</subfield><subfield code="x">0018</subfield><subfield code="a">ACQ</subfield></datafield><datafield tag="995" ind1=" " ind2=" "><subfield code="2">22</subfield><subfield code="1">01</subfield><subfield code="x">0018</subfield><subfield code="a">SUBedeg</subfield></datafield><datafield tag="995" ind1=" " ind2=" "><subfield code="2">22</subfield><subfield code="1">01</subfield><subfield code="x">0018</subfield><subfield code="a">ACQ</subfield></datafield><datafield tag="995" ind1=" " ind2=" "><subfield code="2">23</subfield><subfield code="1">01</subfield><subfield code="x">0830</subfield><subfield code="a">ACQ</subfield></datafield><datafield tag="995" ind1=" " ind2=" "><subfield code="2">23</subfield><subfield code="1">01</subfield><subfield code="x">0830</subfield><subfield code="a">olr-degruyter-crossaccess</subfield></datafield><datafield tag="995" ind1=" " ind2=" "><subfield code="2">23</subfield><subfield code="1">01</subfield><subfield code="x">0830</subfield><subfield code="a">olr-degruyter3</subfield></datafield><datafield tag="995" ind1=" " ind2=" "><subfield code="2">23</subfield><subfield code="1">01</subfield><subfield code="x">0830</subfield><subfield code="a">olr-degruyter4</subfield></datafield><datafield tag="995" ind1=" " ind2=" "><subfield code="2">34</subfield><subfield code="1">01</subfield><subfield code="x">3551</subfield><subfield code="a">OLR-EBAKALL-EBS</subfield></datafield><datafield tag="995" ind1=" " ind2=" "><subfield code="2">34</subfield><subfield code="1">01</subfield><subfield code="x">3551</subfield><subfield code="a">ACQ</subfield></datafield><datafield tag="995" ind1=" " ind2=" "><subfield code="2">370</subfield><subfield code="1">01</subfield><subfield code="x">4370</subfield><subfield code="a">EBA degruyter 2022-2023</subfield></datafield><datafield tag="995" ind1=" " ind2=" "><subfield code="2">370</subfield><subfield code="1">01</subfield><subfield code="x">4370</subfield><subfield code="a">olr-ebook degruyter</subfield></datafield><datafield tag="995" ind1=" " ind2=" "><subfield code="2">370</subfield><subfield code="1">01</subfield><subfield code="x">4370</subfield><subfield code="a">ACQ</subfield></datafield></record></collection>
|
| standort_str_mv |
--%%-- |
| callnumber-first |
P - Language and Literature |
| standort_iln_str_mv |
22:--%%-- 0018:--%%-- 2400:--%%-- DE-L152:--%%-- |
| format |
eBook |
| delete_txt_mv |
keep |
| collection |
KXP GVK SWB |
| publishPlace |
Honolulu |
| remote_str |
true |
| abrufzeichen_iln_str_mv |
22@ACQ 22@SUBedeg 23@ACQ 23@olr-degruyter-crossaccess 23@olr-degruyter3 23@olr-degruyter4 34@OLR-EBAKALL-EBS 34@ACQ 370@EBA degruyter 2022-2023 370@olr-ebook degruyter 370@ACQ |
| abrufzeichen_iln_scis_mv |
22@ACQ 22@SUBedeg 23@ACQ 23@olr-degruyter-crossaccess 23@olr-degruyter3 23@olr-degruyter4 34@OLR-EBAKALL-EBS 34@ACQ 370@EBA degruyter 2022-2023 370@olr-ebook degruyter 370@ACQ |
| callnumber-label |
PN2921 |
| last_changed_iln_str_mv |
22@14-11-23 23@02-02-24 34@06-03-24 120@15-06-19 370@01-07-24 2400@05-12-23 |
| illustrated |
Not Illustrated |
| notation_local_iln_str_mv |
120:ww DE-715:ww |
| contents |
Frontmatter -- 2. The Red Tent in Good Health. A Tale of Two Cities 3. A Logic Surpassing Any Declaration of Determination. When We Go Down That Heartless River 4. Those Slight Stirrings of the Man in the Wind. A Tale of the Smallpox 5. A Ghastly Masterpiece with Cruel Intentions. The Great Doctor Yabuhara Scene II: 1974–1979 Tsuka Kòhei and After -- 7. The Appearance of a New Talent. The Legend of a Flying Dragon: And Then a Crow 8. Minus Dynamics, All Scooped Out. Chairs and a Legend 9. The Crouch as a Critique of the Modern. The Trojan Women 10. An Obstinacy Well Worth Mentioning. Tosa Genji 11. A Drama of a New and Fanciful Geography. Knock 12. Harvest: After a Year and a Half. The Comic World of Shòwa 13. A First Trip to a Distant Village. A Night’s Feast 14. A Question to the Man Who Blew the Flute. The Rats of Hamelin 15. The Nò Stage, Newly Activated. The Legend Of Komachi 16. Making The Connection: Killing the Beggar. Thirty Days Hath September 17. A Humble Self-Examination. The Dressing Room 18. A Scene of Ripening. The Bacchae 19. A Critique of Miyazawa Kenji as a Tableau Vivant. Directions to Servants 20. The Conflagration of an Exploding Lemon. Lemon 21. The Whirlings of a World at Birth. A Tale of the Original Japanese 22. Laughing Okinawa. Anthropology Museum 23. A Ripening of Melody. Shanghai ’Vance King 24. Yohei Who Lives On. Double Suicide, after Chikamatsu 25. A Play Goes on “Outside The Walls”. Lemmings 26. Obstacles to Abandonment. Two Women 27. In the Midst of a Weakened Art. The Lady of the Camellias Scene III: 1980–1987 The Period of Metatheatre -- 29. A Duck with Two Different Wings. The Seagull 30. A Diffused Reflection. Travel of Twenty-seven Thousand Light Years 31. Deciphering Miyazawa Kenji with Criticism and Sympathy. The Theatre Train of Iihatòbo 32. The Bachelors Who Continue on. That Raven, Even 33. Dreams That Are Ruffians. A Tale of Mannen-Town in Shitaya 34. Two Blanches. A Streetcar Named Desire 35. The Magic of Assorted Mirrors. Run, Merusu—A Girl’S Lips Are Dynamite! 36. Signposts along the Way. A Legend of Fish: A Teacher Kills His Student at Rikkyò University 37. A Snack Bar in the Woods of Athens. A Midsummer Night’s Dream 38. Laughter in a Gothic Musical. Sweeney Todd: The Demon Barber Of Fleet Street 39. The Power of the Older Sister, The Power of the Mirror. Night Shadows—A Gentle Ghost Story 40. Dining and a Sense of Freedom. Bubbling and Boiling 41. A World in Which the Composition is Now Complete. Song of Praise and Thanksgiving 42. A Shock from Below the Belt. The Song of a Strange Family—the Case of the On-Line Fraud of Itò Motoko 43. Tsuka Kòhei’s “Staircase”. The Kamata Marching Song 44. The Power of Imagination Lavished on a House. Melancholy When the Flowers Bloom 45. Malcontent Passions. Radical Party 46. A Painful Sense of Distance. Afternoon of a Man and Woman 47. Mankind, and Those Theatrical Slippages. Man of La Mancha 48. A World in Which That’s All We Can Do. Memories of the Little Finger 49. The Basic Principles of a Vision Already Experienced. Rules For Sleeping in the Universe 50. A Fight Against Fixed Forms. Japan Wars 51. The Sympathies and Disjunctures of Nostalgia. Tango at the End of Winter 52. A Tale After the Myths Have Crumbled. Genocide 53. Twenty-Five Hundred Years: Gazing at a Scrap Pile. Earth Station 54. A Time Before Everything Dissolves. Taking along a Sunset Like the Morning 55. The Jigsaw Puzzle of Sex. Cloud 9 56. Surprising Things Happen. Comet Messenger Siegfried 57. The Dilemma of a Drama With a Chorus. Chorus Line 58. The Adventures of Nostalgia. Children of Night 59. Medieval Preaching in an Outdoor Space. Oguri Hangan and Princess Terute 60. The Results of Practical Romance. I Bit The Green Seed 61. A Crime Explained, a Crime Unexplainable Memo from the Aliens 62. A Quick Glimpse of the Meaning of the World. Wind Station 63. A Nest of Boxes at the Edge of Waking. The Tempest: A Rehearsal on a Nò Stage on Sado Island 64. Closing in on the Self: Zeami As “Performer”. Zeami 65. The Dynamism of “The City Multitudes”. Les Misérables 66. That First Kiss with the Taste of Radioactivity. Godzilla 67. A Refreshing Wind Surpasses Its Domain. Alejo—to Praise the Wind Epilogue -- |
| spellingShingle |
Frontmatter -- 2. The Red Tent in Good Health. A Tale of Two Cities 3. A Logic Surpassing Any Declaration of Determination. When We Go Down That Heartless River 4. Those Slight Stirrings of the Man in the Wind. A Tale of the Smallpox 5. A Ghastly Masterpiece with Cruel Intentions. The Great Doctor Yabuhara Scene II: 1974–1979 Tsuka Kòhei and After -- 7. The Appearance of a New Talent. The Legend of a Flying Dragon: And Then a Crow 8. Minus Dynamics, All Scooped Out. Chairs and a Legend 9. The Crouch as a Critique of the Modern. The Trojan Women 10. An Obstinacy Well Worth Mentioning. Tosa Genji 11. A Drama of a New and Fanciful Geography. Knock 12. Harvest: After a Year and a Half. The Comic World of Shòwa 13. A First Trip to a Distant Village. A Night’s Feast 14. A Question to the Man Who Blew the Flute. The Rats of Hamelin 15. The Nò Stage, Newly Activated. The Legend Of Komachi 16. Making The Connection: Killing the Beggar. Thirty Days Hath September 17. A Humble Self-Examination. The Dressing Room 18. A Scene of Ripening. The Bacchae 19. A Critique of Miyazawa Kenji as a Tableau Vivant. Directions to Servants 20. The Conflagration of an Exploding Lemon. Lemon 21. The Whirlings of a World at Birth. A Tale of the Original Japanese 22. Laughing Okinawa. Anthropology Museum 23. A Ripening of Melody. Shanghai ’Vance King 24. Yohei Who Lives On. Double Suicide, after Chikamatsu 25. A Play Goes on “Outside The Walls”. Lemmings 26. Obstacles to Abandonment. Two Women 27. In the Midst of a Weakened Art. The Lady of the Camellias Scene III: 1980–1987 The Period of Metatheatre -- 29. A Duck with Two Different Wings. The Seagull 30. A Diffused Reflection. Travel of Twenty-seven Thousand Light Years 31. Deciphering Miyazawa Kenji with Criticism and Sympathy. The Theatre Train of Iihatòbo 32. The Bachelors Who Continue on. That Raven, Even 33. Dreams That Are Ruffians. A Tale of Mannen-Town in Shitaya 34. Two Blanches. A Streetcar Named Desire 35. The Magic of Assorted Mirrors. Run, Merusu—A Girl’S Lips Are Dynamite! 36. Signposts along the Way. A Legend of Fish: A Teacher Kills His Student at Rikkyò University 37. A Snack Bar in the Woods of Athens. A Midsummer Night’s Dream 38. Laughter in a Gothic Musical. Sweeney Todd: The Demon Barber Of Fleet Street 39. The Power of the Older Sister, The Power of the Mirror. Night Shadows—A Gentle Ghost Story 40. Dining and a Sense of Freedom. Bubbling and Boiling 41. A World in Which the Composition is Now Complete. Song of Praise and Thanksgiving 42. A Shock from Below the Belt. The Song of a Strange Family—the Case of the On-Line Fraud of Itò Motoko 43. Tsuka Kòhei’s “Staircase”. The Kamata Marching Song 44. The Power of Imagination Lavished on a House. Melancholy When the Flowers Bloom 45. Malcontent Passions. Radical Party 46. A Painful Sense of Distance. Afternoon of a Man and Woman 47. Mankind, and Those Theatrical Slippages. Man of La Mancha 48. A World in Which That’s All We Can Do. Memories of the Little Finger 49. The Basic Principles of a Vision Already Experienced. Rules For Sleeping in the Universe 50. A Fight Against Fixed Forms. Japan Wars 51. The Sympathies and Disjunctures of Nostalgia. Tango at the End of Winter 52. A Tale After the Myths Have Crumbled. Genocide 53. Twenty-Five Hundred Years: Gazing at a Scrap Pile. Earth Station 54. A Time Before Everything Dissolves. Taking along a Sunset Like the Morning 55. The Jigsaw Puzzle of Sex. Cloud 9 56. Surprising Things Happen. Comet Messenger Siegfried 57. The Dilemma of a Drama With a Chorus. Chorus Line 58. The Adventures of Nostalgia. Children of Night 59. Medieval Preaching in an Outdoor Space. Oguri Hangan and Princess Terute 60. The Results of Practical Romance. I Bit The Green Seed 61. A Crime Explained, a Crime Unexplainable Memo from the Aliens 62. A Quick Glimpse of the Meaning of the World. Wind Station 63. A Nest of Boxes at the Edge of Waking. The Tempest: A Rehearsal on a Nò Stage on Sado Island 64. Closing in on the Self: Zeami As “Performer”. Zeami 65. The Dynamism of “The City Multitudes”. Les Misérables 66. That First Kiss with the Taste of Radioactivity. Godzilla 67. A Refreshing Wind Surpasses Its Domain. Alejo—to Praise the Wind Epilogue -- misc PN2921 misc Japanese drama misc Theater misc Japanese drama. misc Theater. misc DRAMA / General The Voyage of Contemporary Japanese Theatre |
| topic_title |
PN2921 The Voyage of Contemporary Japanese Theatre J. Thomas Rimer Japanese drama 20th century History and criticism Theater Japan History 20th century Japanese drama Theater DRAMA / General |
| publisher |
University of Hawaii Press |
| publisherStr |
University of Hawaii Press |
| topic |
misc PN2921 misc Japanese drama misc Theater misc Japanese drama. misc Theater. misc DRAMA / General |
| topic_unstemmed |
misc PN2921 misc Japanese drama misc Theater misc Japanese drama. misc Theater. misc DRAMA / General |
| topic_browse |
misc PN2921 misc Japanese drama misc Theater misc Japanese drama. misc Theater. misc DRAMA / General |
| format_facet |
Elektronische Bücher Bücher Elektronische Ressource |
| standort_txtP_mv |
--%%-- |
| format_main_str_mv |
Text Buch |
| carriertype_str_mv |
cr |
| author2_variant |
j r jr |
| signature |
--%%-- |
| signature_str_mv |
--%%-- |
| isbn |
9780824865160 0824865162 |
| isfreeaccess_txt |
false |
| title |
The Voyage of Contemporary Japanese Theatre |
| ctrlnum |
(DE-627)1066744629 (DE-576)51488326X (DE-599)GBV1066744629 (EBP)041877578 (DE-B1597)484100 |
| geographic_facet |
Japan |
| exemplarkommentar_str_mv |
34@Zugriff nur im Netz der HAW Hamburg 120@Campusweiter Zugriff (Universität Oldenburg). - Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. 370@Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. |
| title_full |
The Voyage of Contemporary Japanese Theatre J. Thomas Rimer |
| callnumber-first-code |
P |
| lang_code |
eng |
| class_local |
120 00 DE-715 99 ww |
| era |
20th century |
| isOA_bool |
false |
| recordtype |
marc |
| publishDateSort |
1997 |
| contenttype_str_mv |
txt |
| class_local_iln |
120:ww DE-715:ww |
| selectkey |
22:z 23:z 34:z 120:z 370:z 2400:l |
| physical |
1 Online-Ressource |
| class |
PN2921 120 00 DE-715 99 ww |
| format_se |
Elektronische Bücher |
| countryofpublication_str_mv |
XD-US |
| author_additional |
Yutaka, Higashi -- Jûrò, Kara -- Kunio, Shimizu -- Tatsumi, Hijikata -- Hisashi, Inoue -- Kòhei, Tsuka -- Minoru, Betsuyaku -- Euripides -- Nagatoshi, Sakamoto -- Shûji, Terayama -- Makoto, Satoh -- Tadashi, Suzuki -- Shògo, Òta -- Jû’ichirò, Takeuchi -- Kòdai, Okabe -- Seishin, Chinen -- Ren, Saitò -- Matsuyo, Akimoto -- Fils, Alexandre Dumas -- Shakespeare, William -- Chekhov, Anton -- Hideki, Noda -- Williams, Tennessee -- Tetsu, Yamazaki -- Wheeler, Hugh -- Eriko, Watanabe -- Sò, Kitamura -- Takeshi, Kawamura -- Darion, Joe -- Shòji, Kòkami -- Churchill, Caryl -- Bennett, Michael -- Yorozu, Ikuta -- Takurò, Endò -- Rei, Ichidò -- Masakazu, Yamazaki -- Boublil, Alain / Claude-Michel -- Yasuhiko, Òhashi -- Hiroshi, Koike -- |
| author_additionalStr |
Yutaka, Higashi -- Jûrò, Kara -- Kunio, Shimizu -- Tatsumi, Hijikata -- Hisashi, Inoue -- Kòhei, Tsuka -- Minoru, Betsuyaku -- Euripides -- Nagatoshi, Sakamoto -- Shûji, Terayama -- Makoto, Satoh -- Tadashi, Suzuki -- Shògo, Òta -- Jû’ichirò, Takeuchi -- Kòdai, Okabe -- Seishin, Chinen -- Ren, Saitò -- Matsuyo, Akimoto -- Fils, Alexandre Dumas -- Shakespeare, William -- Chekhov, Anton -- Hideki, Noda -- Williams, Tennessee -- Tetsu, Yamazaki -- Wheeler, Hugh -- Eriko, Watanabe -- Sò, Kitamura -- Takeshi, Kawamura -- Darion, Joe -- Shòji, Kòkami -- Churchill, Caryl -- Bennett, Michael -- Yorozu, Ikuta -- Takurò, Endò -- Rei, Ichidò -- Masakazu, Yamazaki -- Boublil, Alain / Claude-Michel -- Yasuhiko, Òhashi -- Hiroshi, Koike -- |
| classname_local_iln_str_mv |
120: DE-715: |
| doi_str_mv |
10.21313/9780824865160 |
| era_facet |
20th century |
| title_sort |
the voyage of contemporary japanese theatre |
| callnumber |
PN2921 |
| title_auth |
The Voyage of Contemporary Japanese Theatre |
| abstract |
Senda Akihiko is one of Japan's finest and best-known modern drama critics. This collection of his essays, articles, and reviews from 1971 to 1987 presents international audiences with the first opportunity to experience the excitement and accomplishments of the theatrical revolution that has continued to sweep over the Japanese stage since the 1960s. Consistently judicious and honest, the essays reveal the excitement (or disappointment) of each phase in the unfolding "voyage" of contemporary Japanese theatre. |
| abstractGer |
Senda Akihiko is one of Japan's finest and best-known modern drama critics. This collection of his essays, articles, and reviews from 1971 to 1987 presents international audiences with the first opportunity to experience the excitement and accomplishments of the theatrical revolution that has continued to sweep over the Japanese stage since the 1960s. Consistently judicious and honest, the essays reveal the excitement (or disappointment) of each phase in the unfolding "voyage" of contemporary Japanese theatre. |
| abstract_unstemmed |
Senda Akihiko is one of Japan's finest and best-known modern drama critics. This collection of his essays, articles, and reviews from 1971 to 1987 presents international audiences with the first opportunity to experience the excitement and accomplishments of the theatrical revolution that has continued to sweep over the Japanese stage since the 1960s. Consistently judicious and honest, the essays reveal the excitement (or disappointment) of each phase in the unfolding "voyage" of contemporary Japanese theatre. |
| collection_details |
EBA-BACKALL EBA-CL-LT EBA-EBACKALL EBA-EBKALL EBA-ECL-LT EBA-EEBKALL EBA-ESSHALL EBA-PPALL EBA-SSHALL GBV-deGruyter-alles GBV-23-DGG-HHKONS ZDB-23-DGG GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_120 ISIL_DE-715 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_2400 ISIL_DE-L152 |
| title_short |
The Voyage of Contemporary Japanese Theatre |
| url |
https://doi.org/10.1515/9780824865160 https://www.degruyter.com/isbn/9780824865160 https://www.degruyter.com/doc/cover/9780824865160.jpg https://www.degruyter.com/cover/covers/9780824865160.jpg |
| ausleihindikator_str_mv |
22:s 23 34 120 370 2400:- |
| remote_bool |
true |
| author2 |
Rimer, J |
| author2Str |
Rimer, J |
| callnumber-subject |
PN - General Literature |
| mediatype_str_mv |
c |
| isOA_txt |
false |
| hochschulschrift_bool |
false |
| author2_role |
oth |
| doi_str |
10.21313/9780824865160 |
| callnumber-a |
PN2921 |
| up_date |
2024-08-02T08:10:26.441Z |
| _version_ |
1806262574980792320 |
| fullrecord_marcxml |
<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01000cam a22002652 4500</leader><controlfield tag="001">1066744629</controlfield><controlfield tag="003">DE-627</controlfield><controlfield tag="005">20240715215536.0</controlfield><controlfield tag="007">cr uuu---uuuuu</controlfield><controlfield tag="008">190227r19971997xxu|||||o 00| ||eng c</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780824865160</subfield><subfield code="9">978-0-8248-6516-0</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780824865160</subfield><subfield code="9">978-0-8248-6516-0</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.21313/9780824865160</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-627)1066744629</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-576)51488326X</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)GBV1066744629</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(EBP)041877578</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)484100</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-627</subfield><subfield code="b">eng</subfield><subfield code="c">DE-627</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1=" " ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="c">XD-US</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">PN2921</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">DRA000000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">DRA000000</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The Voyage of Contemporary Japanese Theatre</subfield><subfield code="c">J. Thomas Rimer</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Honolulu</subfield><subfield code="b">University of Hawaii Press</subfield><subfield code="c">1997</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©1997</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">Text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">Computermedien</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">Online-Ressource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">Frontmatter --</subfield><subfield code="r">Yutaka, Higashi --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">2. The Red Tent in Good Health. A Tale of Two Cities</subfield><subfield code="r">Jûrò, Kara --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">3. A Logic Surpassing Any Declaration of Determination. When We Go Down That Heartless River</subfield><subfield code="r">Kunio, Shimizu --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">4. Those Slight Stirrings of the Man in the Wind. A Tale of the Smallpox</subfield><subfield code="r">Tatsumi, Hijikata --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">5. A Ghastly Masterpiece with Cruel Intentions. The Great Doctor Yabuhara</subfield><subfield code="r">Hisashi, Inoue --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">Scene II: 1974–1979 Tsuka Kòhei and After --</subfield><subfield code="r">Jûrò, Kara --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">7. The Appearance of a New Talent. The Legend of a Flying Dragon: And Then a Crow</subfield><subfield code="r">Kòhei, Tsuka --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">8. Minus Dynamics, All Scooped Out. Chairs and a Legend</subfield><subfield code="r">Minoru, Betsuyaku --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">9. The Crouch as a Critique of the Modern. The Trojan Women</subfield><subfield code="r">Euripides --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">10. An Obstinacy Well Worth Mentioning. Tosa Genji</subfield><subfield code="r">Nagatoshi, Sakamoto --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">11. A Drama of a New and Fanciful Geography. Knock</subfield><subfield code="r">Shûji, Terayama --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">12. Harvest: After a Year and a Half. The Comic World of Shòwa</subfield><subfield code="r">Makoto, Satoh --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">13. A First Trip to a Distant Village. A Night’s Feast</subfield><subfield code="r">Tadashi, Suzuki --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">14. A Question to the Man Who Blew the Flute. The Rats of Hamelin</subfield><subfield code="r">Jûrò, Kara --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">15. The Nò Stage, Newly Activated. The Legend Of Komachi</subfield><subfield code="r">Shògo, Òta --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">16. Making The Connection: Killing the Beggar. Thirty Days Hath September</subfield><subfield code="r">Minoru, Betsuyaku --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">17. A Humble Self-Examination. The Dressing Room</subfield><subfield code="r">Kunio, Shimizu --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">18. A Scene of Ripening. The Bacchae</subfield><subfield code="r">Euripides --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">19. A Critique of Miyazawa Kenji as a Tableau Vivant. Directions to Servants</subfield><subfield code="r">Shûji, Terayama --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">20. The Conflagration of an Exploding Lemon. Lemon</subfield><subfield code="r">Jû’ichirò, Takeuchi --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">21. The Whirlings of a World at Birth. A Tale of the Original Japanese</subfield><subfield code="r">Kòdai, Okabe --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">22. Laughing Okinawa. Anthropology Museum</subfield><subfield code="r">Seishin, Chinen --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">23. A Ripening of Melody. Shanghai ’Vance King</subfield><subfield code="r">Ren, Saitò --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">24. Yohei Who Lives On. Double Suicide, after Chikamatsu</subfield><subfield code="r">Matsuyo, Akimoto --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">25. A Play Goes on “Outside The Walls”. Lemmings</subfield><subfield code="r">Shûji, Terayama --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">26. Obstacles to Abandonment. Two Women</subfield><subfield code="r">Jûrò, Kara --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">27. In the Midst of a Weakened Art. The Lady of the Camellias</subfield><subfield code="r">Fils, Alexandre Dumas --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">Scene III: 1980–1987 The Period of Metatheatre --</subfield><subfield code="r">Shakespeare, William --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">29. A Duck with Two Different Wings. The Seagull</subfield><subfield code="r">Chekhov, Anton --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">30. A Diffused Reflection. Travel of Twenty-seven Thousand Light Years</subfield><subfield code="r">Hideki, Noda --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">31. Deciphering Miyazawa Kenji with Criticism and Sympathy. The Theatre Train of Iihatòbo</subfield><subfield code="r">Hisashi, Inoue --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">32. The Bachelors Who Continue on. That Raven, Even</subfield><subfield code="r">Jû’ichirò, Takeuchi --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">33. Dreams That Are Ruffians. A Tale of Mannen-Town in Shitaya</subfield><subfield code="r">Jûrò, Kara --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">34. Two Blanches. A Streetcar Named Desire</subfield><subfield code="r">Williams, Tennessee --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">35. The Magic of Assorted Mirrors. Run, Merusu—A Girl’S Lips Are Dynamite!</subfield><subfield code="r">Hideki, Noda --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">36. Signposts along the Way. A Legend of Fish: A Teacher Kills His Student at Rikkyò University</subfield><subfield code="r">Tetsu, Yamazaki --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">37. A Snack Bar in the Woods of Athens. A Midsummer Night’s Dream</subfield><subfield code="r">Shakespeare, William --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">38. Laughter in a Gothic Musical. Sweeney Todd: The Demon Barber Of Fleet Street</subfield><subfield code="r">Wheeler, Hugh --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">39. The Power of the Older Sister, The Power of the Mirror. Night Shadows—A Gentle Ghost Story</subfield><subfield code="r">Eriko, Watanabe --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">40. Dining and a Sense of Freedom. Bubbling and Boiling</subfield><subfield code="r">Minoru, Betsuyaku --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">41. A World in Which the Composition is Now Complete. Song of Praise and Thanksgiving</subfield><subfield code="r">Sò, Kitamura --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">42. A Shock from Below the Belt. The Song of a Strange Family—the Case of the On-Line Fraud of Itò Motoko</subfield><subfield code="r">Tetsu, Yamazaki --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">43. Tsuka Kòhei’s “Staircase”. The Kamata Marching Song</subfield><subfield code="r">Kòhei, Tsuka --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">44. The Power of Imagination Lavished on a House. Melancholy When the Flowers Bloom</subfield><subfield code="r">Eriko, Watanabe --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">45. Malcontent Passions. Radical Party</subfield><subfield code="r">Takeshi, Kawamura --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">46. A Painful Sense of Distance. Afternoon of a Man and Woman</subfield><subfield code="r">Tetsu, Yamazaki --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">47. Mankind, and Those Theatrical Slippages. Man of La Mancha</subfield><subfield code="r">Darion, Joe --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">48. A World in Which That’s All We Can Do. Memories of the Little Finger</subfield><subfield code="r">Hideki, Noda --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">49. The Basic Principles of a Vision Already Experienced. Rules For Sleeping in the Universe</subfield><subfield code="r">Shòji, Kòkami --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">50. A Fight Against Fixed Forms. Japan Wars</subfield><subfield code="r">Takeshi, Kawamura --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">51. The Sympathies and Disjunctures of Nostalgia. Tango at the End of Winter</subfield><subfield code="r">Kunio, Shimizu --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">52. A Tale After the Myths Have Crumbled. Genocide</subfield><subfield code="r">Takeshi, Kawamura --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">53. Twenty-Five Hundred Years: Gazing at a Scrap Pile. Earth Station</subfield><subfield code="r">Shògo, Òta --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">54. A Time Before Everything Dissolves. Taking along a Sunset Like the Morning</subfield><subfield code="r">Shòji, Kòkami --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">55. The Jigsaw Puzzle of Sex. Cloud 9</subfield><subfield code="r">Churchill, Caryl --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">56. Surprising Things Happen. Comet Messenger Siegfried</subfield><subfield code="r">Hideki, Noda --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">57. The Dilemma of a Drama With a Chorus. Chorus Line</subfield><subfield code="r">Bennett, Michael --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">58. The Adventures of Nostalgia. Children of Night</subfield><subfield code="r">Yorozu, Ikuta --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">59. Medieval Preaching in an Outdoor Space. Oguri Hangan and Princess Terute</subfield><subfield code="r">Takurò, Endò --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">60. The Results of Practical Romance. I Bit The Green Seed</subfield><subfield code="r">Rei, Ichidò --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">61. A Crime Explained, a Crime Unexplainable Memo from the Aliens</subfield><subfield code="r">Tetsu, Yamazaki --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">62. A Quick Glimpse of the Meaning of the World. Wind Station</subfield><subfield code="r">Shògo, Òta --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">63. A Nest of Boxes at the Edge of Waking. The Tempest: A Rehearsal on a Nò Stage on Sado Island</subfield><subfield code="r">Shakespeare, William --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">64. Closing in on the Self: Zeami As “Performer”. Zeami</subfield><subfield code="r">Masakazu, Yamazaki --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">65. The Dynamism of “The City Multitudes”. Les Misérables</subfield><subfield code="r">Boublil, Alain / Claude-Michel --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">66. That First Kiss with the Taste of Radioactivity. Godzilla</subfield><subfield code="r">Yasuhiko, Òhashi --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">67. A Refreshing Wind Surpasses Its Domain. Alejo—to Praise the Wind</subfield><subfield code="r">Hiroshi, Koike --</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">Epilogue --</subfield></datafield><datafield tag="506" ind1="1" ind2=" "><subfield code="a">Restricted Access</subfield><subfield code="e">Controlled Vocabulary for Access Rights</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Senda Akihiko is one of Japan's finest and best-known modern drama critics. This collection of his essays, articles, and reviews from 1971 to 1987 presents international audiences with the first opportunity to experience the excitement and accomplishments of the theatrical revolution that has continued to sweep over the Japanese stage since the 1960s. Consistently judicious and honest, the essays reveal the excitement (or disappointment) of each phase in the unfolding "voyage" of contemporary Japanese theatre.</subfield></datafield><datafield tag="534" ind1=" " ind2=" "><subfield code="c">1997</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Japanese drama</subfield><subfield code="y">20th century</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Theater</subfield><subfield code="z">Japan</subfield><subfield code="x">History</subfield><subfield code="y">20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Theater</subfield><subfield code="z">Japan</subfield><subfield code="x">History</subfield><subfield code="y">20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Japanese drama</subfield><subfield code="y">20th century</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Japanese drama.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Theater.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">DRAMA / General</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Rimer, J</subfield><subfield code="4">oth</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9780824865160</subfield><subfield code="m">X:GRUY</subfield><subfield code="x">Resolving-System</subfield><subfield code="z">lizenzpflichtig</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9780824865160</subfield><subfield code="m">X:GRUY</subfield><subfield code="x">Verlag</subfield><subfield code="z">lizenzpflichtig</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="u">https://www.degruyter.com/doc/cover/9780824865160.jpg</subfield><subfield code="x">Verlag</subfield><subfield code="3">Cover</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="u">https://www.degruyter.com/cover/covers/9780824865160.jpg</subfield><subfield code="m">X:GRUY</subfield><subfield code="x">Verlag</subfield><subfield code="3">Cover</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA-BACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA-CL-LT</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA-EBACKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA-EBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA-ECL-LT</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA-EEBKALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA-ESSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA-PPALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">EBA-SSHALL</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-deGruyter-alles</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV-23-DGG-HHKONS</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_22</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-18</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">SYSFLAG_1</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_KXP</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_23</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-830</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_34</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-18-302</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_120</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-715</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_370</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-1373</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2400</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-L152</subfield></datafield><datafield tag="951" ind1=" " ind2=" "><subfield code="a">BO</subfield></datafield><datafield tag="953" ind1=" " ind2=" "><subfield code="2">045F</subfield><subfield code="a">792/.0954/0904</subfield></datafield><datafield tag="953" ind1=" " ind2=" "><subfield code="2">045F</subfield><subfield code="a">792</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">22</subfield><subfield code="1">01</subfield><subfield code="x">0018</subfield><subfield code="b">4406591524</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">s</subfield><subfield code="j">--%%--</subfield><subfield code="h">ACQ</subfield><subfield code="y">zu</subfield><subfield code="z">14-11-23</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">23</subfield><subfield code="1">01</subfield><subfield code="x">0830</subfield><subfield code="b">4473976300</subfield><subfield code="h">ACQ</subfield><subfield code="y">z</subfield><subfield code="z">02-02-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">34</subfield><subfield code="1">01</subfield><subfield code="x">3551</subfield><subfield code="b">4496055457</subfield><subfield code="h">OLR-EBAKALL-EBS</subfield><subfield code="k">Zugriff nur im Netz der HAW Hamburg</subfield><subfield code="y">z</subfield><subfield code="z">06-03-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">120</subfield><subfield code="1">01</subfield><subfield code="x">0715</subfield><subfield code="b">3487322153</subfield><subfield code="k">Campusweiter Zugriff (Universität Oldenburg). - Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots.</subfield><subfield code="y">z</subfield><subfield code="z">15-06-19</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">370</subfield><subfield code="1">01</subfield><subfield code="x">4370</subfield><subfield code="b">4544808324</subfield><subfield code="h">EBA degruyter 2022-2023</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots.</subfield><subfield code="u">i</subfield><subfield code="y">z</subfield><subfield code="z">01-07-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2400</subfield><subfield code="1">01</subfield><subfield code="x">DE-L152</subfield><subfield code="b">4425588258</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">n</subfield><subfield code="y">l01</subfield><subfield code="z">05-12-23</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">22</subfield><subfield code="1">01</subfield><subfield code="x">0018</subfield><subfield code="y">Volltextzugang Campus</subfield><subfield code="r">https://www.degruyter.com/isbn/…</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">22</subfield><subfield code="1">01</subfield><subfield code="x">0018</subfield><subfield code="y">Volltextzugang von außerhalb des Campus</subfield><subfield code="r">http://emedien.sub.uni-hamburg.de/han/degruyterebooks/www.degruyter.com/isbn/…</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">23</subfield><subfield code="1">01</subfield><subfield code="x">0830</subfield><subfield code="r">https://doi.org/10.1515/9780824865160</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">34</subfield><subfield code="1">01</subfield><subfield code="x">3551</subfield><subfield code="r">https://doi.org/10.1515/9780824865160</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">120</subfield><subfield code="1">01</subfield><subfield code="x">0715</subfield><subfield code="r">https://www.degruyter.com/doi/book/10.21313/9780824865160</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">370</subfield><subfield code="1">01</subfield><subfield code="x">4370</subfield><subfield code="y">E-Book: Zugriff im HCU-Netz. Zugriff von außerhalb nur für HCU-Angehörige möglich</subfield><subfield code="r">https://doi.org/10.1515/9780824865160</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">2400</subfield><subfield code="1">01</subfield><subfield code="x">DE-L152</subfield><subfield code="r">https://doi.org/10.1515/9780824865160</subfield></datafield><datafield tag="983" ind1=" " ind2=" "><subfield code="2">120</subfield><subfield code="1">00</subfield><subfield code="x">DE-715</subfield><subfield code="8">99</subfield><subfield code="a">ww</subfield></datafield><datafield tag="995" ind1=" " ind2=" "><subfield code="2">22</subfield><subfield code="1">01</subfield><subfield code="x">0018</subfield><subfield code="a">ACQ</subfield></datafield><datafield tag="995" ind1=" " ind2=" "><subfield code="2">22</subfield><subfield code="1">01</subfield><subfield code="x">0018</subfield><subfield code="a">SUBedeg</subfield></datafield><datafield tag="995" ind1=" " ind2=" "><subfield code="2">22</subfield><subfield code="1">01</subfield><subfield code="x">0018</subfield><subfield code="a">ACQ</subfield></datafield><datafield tag="995" ind1=" " ind2=" "><subfield code="2">23</subfield><subfield code="1">01</subfield><subfield code="x">0830</subfield><subfield code="a">ACQ</subfield></datafield><datafield tag="995" ind1=" " ind2=" "><subfield code="2">23</subfield><subfield code="1">01</subfield><subfield code="x">0830</subfield><subfield code="a">olr-degruyter-crossaccess</subfield></datafield><datafield tag="995" ind1=" " ind2=" "><subfield code="2">23</subfield><subfield code="1">01</subfield><subfield code="x">0830</subfield><subfield code="a">olr-degruyter3</subfield></datafield><datafield tag="995" ind1=" " ind2=" "><subfield code="2">23</subfield><subfield code="1">01</subfield><subfield code="x">0830</subfield><subfield code="a">olr-degruyter4</subfield></datafield><datafield tag="995" ind1=" " ind2=" "><subfield code="2">34</subfield><subfield code="1">01</subfield><subfield code="x">3551</subfield><subfield code="a">OLR-EBAKALL-EBS</subfield></datafield><datafield tag="995" ind1=" " ind2=" "><subfield code="2">34</subfield><subfield code="1">01</subfield><subfield code="x">3551</subfield><subfield code="a">ACQ</subfield></datafield><datafield tag="995" ind1=" " ind2=" "><subfield code="2">370</subfield><subfield code="1">01</subfield><subfield code="x">4370</subfield><subfield code="a">EBA degruyter 2022-2023</subfield></datafield><datafield tag="995" ind1=" " ind2=" "><subfield code="2">370</subfield><subfield code="1">01</subfield><subfield code="x">4370</subfield><subfield code="a">olr-ebook degruyter</subfield></datafield><datafield tag="995" ind1=" " ind2=" "><subfield code="2">370</subfield><subfield code="1">01</subfield><subfield code="x">4370</subfield><subfield code="a">ACQ</subfield></datafield></record></collection>
|
| score |
6.900713 |