Bad new days : art, criticism, emergency
"Bad New Days looks back at the last twenty-five years of artistic practice in Western Europe and North America, positioning it in relation to a general condition of emergency that neoliberalism and the war of terror have brought with them. Foster argues that art has actually anticipated this c...
Ausführliche Beschreibung
Gespeichert in:
| Autor*in: |
Foster, Hal - 1955- [verfasserIn] |
|---|
| Format: |
Buch |
|---|---|
| Sprache: |
Englisch |
| Erschienen: |
London New York: Verso ; 2015 |
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| Schlagwörter: | |
|---|---|
| Schlagwörter: |
Art and society, History, 20th century Art and society, History, 21st century |
| Systematik: |
|
|---|
| Anmerkung: |
Includes index |
|---|---|
| Umfang: |
196 S. ; Ill. ; 21 cm |
| Weitere Ausgabe: |
Rezensiert in Carey, Jean Marie: [Rezension von: Hal Foster, Bad new days: Art, criticism, emergency] - 2016 |
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| Links: | |
|---|---|
| ISBN: |
1-78478-145-2 978-1-78478-145-3 |
| Katalog-ID: |
1616493798 |
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| abstract |
"Bad New Days looks back at the last twenty-five years of artistic practice in Western Europe and North America, positioning it in relation to a general condition of emergency that neoliberalism and the war of terror have brought with them. Foster argues that art has actually anticipated this condition, at times miming the collapse of the social contract, at other times resisting it, and at still other times exacerbating it critically. Against the assumption that art no longer heeds any model, he also offers several paradigms of practice over this period, which he terms "abject," "archival," "mimetic," and "precarious.""-- Includes index [Rezension von: Hal Foster, Bad new days: Art, criticism, emergency] |
| abstractGer |
"Bad New Days looks back at the last twenty-five years of artistic practice in Western Europe and North America, positioning it in relation to a general condition of emergency that neoliberalism and the war of terror have brought with them. Foster argues that art has actually anticipated this condition, at times miming the collapse of the social contract, at other times resisting it, and at still other times exacerbating it critically. Against the assumption that art no longer heeds any model, he also offers several paradigms of practice over this period, which he terms "abject," "archival," "mimetic," and "precarious.""-- Includes index [Rezension von: Hal Foster, Bad new days: Art, criticism, emergency] |
| abstract_unstemmed |
"Bad New Days looks back at the last twenty-five years of artistic practice in Western Europe and North America, positioning it in relation to a general condition of emergency that neoliberalism and the war of terror have brought with them. Foster argues that art has actually anticipated this condition, at times miming the collapse of the social contract, at other times resisting it, and at still other times exacerbating it critically. Against the assumption that art no longer heeds any model, he also offers several paradigms of practice over this period, which he terms "abject," "archival," "mimetic," and "precarious.""-- Includes index [Rezension von: Hal Foster, Bad new days: Art, criticism, emergency] |
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GBB598812 UK 1784781452 hbk. 1-78478-145-2 9781784781453 hbk. 978-1-78478-145-3 9781784781453 (DE-627)1616493798 (DE-576)445480394 (DE-599)BSZ445480394 (OCoLC)930253996 (OCoLC)915156237 DE-627 ger DE-627 rakwb eng XA-GB N72.S6 701.030904 701/.030904 LOC 23 ART009000 ART037000 ART015000 bisacsh 9,11 ssgn LH 60240 rvk (DE-625)rvk/94184: LH 61060 OBV rvk (DE-625)rvk/94206: 20.10 bkl Foster, Hal 1955- verfasserin (DE-588)123940362 (DE-627)085537640 (DE-576)16098369X aut Bad new days art, criticism, emergency Hal Foster London New York Verso 2015 196 S. Ill. 21 cm Text txt rdacontent ohne Hilfsmittel zu benutzen n rdamedia Band nc rdacarrier Includes index "Bad New Days looks back at the last twenty-five years of artistic practice in Western Europe and North America, positioning it in relation to a general condition of emergency that neoliberalism and the war of terror have brought with them. Foster argues that art has actually anticipated this condition, at times miming the collapse of the social contract, at other times resisting it, and at still other times exacerbating it critically. Against the assumption that art no longer heeds any model, he also offers several paradigms of practice over this period, which he terms "abject," "archival," "mimetic," and "precarious.""-- Art and society History 20th century Art and society History 21st century Art Political aspects History 20th century Art Political aspects History 21st century Art and society History 20th century Art and society History 21st century Art Political aspects History 20th century Art Political aspects History 21st century s (DE-588)4114333-4 (DE-627)105822957 (DE-576)209483733 Kunst gnd s (DE-588)4020588-5 (DE-627)106317520 (DE-576)208933956 Gesellschaft gnd DE-101 s (DE-588)4114333-4 (DE-627)105822957 (DE-576)209483733 Kunst gnd s (DE-588)4020588-5 (DE-627)106317520 (DE-576)208933956 Gesellschaft gnd (DE-627) 9781784781470 Rezensiert in Carey, Jean Marie [Rezension von: Hal Foster, Bad new days: Art, criticism, emergency] 2016 (DE-627)1795315652 https://swbplus.bsz-bw.de/bsz445480394rez.htm B:DE-576;DE-16 application/pdf 20160620112330 Verlag Rezension http://www.sehepunkte.de/2016/06/28232.html V:DE-576;X:Sehepunkte text/html 20180419093551 Rezension (DE-576)9822990898 (DE-627)82299089X GBV_ILN_11 ISIL_DE-1a SYSFLAG_1 GBV_KXP SSG-OLC-PHA GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_2002 ISIL_DE-21-108 GBV_ILN_2006 ISIL_DE-14 GBV_ILN_2089 ISIL_DE-540 GBV_ILN_2483 ISIL_DE-16-977 GBV_ILN_2497 ISIL_DE-1973 mdedup LH 60240 21. Jahrhundert Kunstgeschichte Allgemeines. Allgemeine Kunstgeschichte Bildende Kunst in Staat und Gesellschaft Kunstsoziologie (sämtlicher oder mehrerer Kunstgattungen) Soziologie des Künstlers Neuzeit 21. Jahrhundert (DE-627)1391318935 (DE-625)rvk/94184: (DE-576)321318935 LH 61060 Kunstvergleichung und Kunstkritik Kunstgeschichte Allgemeines. Allgemeine Kunstgeschichte Theorie und Praxis der Bildenden Kunst Theorie der Bildenden Kunst Kunstvergleichung und Kunstkritik (DE-627)1270646443 (DE-625)rvk/94206: (DE-576)200646443 20.10 Kunst und Gesellschaft (DE-627)106406256 BO 045F 701.030904 045F 701/.030904 11 01 0001 1624694357 00 2 1 A 974551 u --%%-- k 02-03-17 110 01 3110 1594324964 00 CAM 16-10465 u --%%-- kz 01-02-16 370 01 4370 1573863742 00 EG LH 60240 007 u --%%-- z 23-10-15 2002 01 DE-21-108 3200653647 00 --%%-- Allg P 28/Fos 1 p l l01 07-12-15 2006 01 DE-14 3200653760 00 --%%-- --%%-- --%%-- --%%-- l01 17-09-15 2089 01 DE-540 320065385X 00 --%%-- 2015/1172 p --%%-- l01 28-09-15 2483 01 DE-16-977 4182326946 00 --%%-- --%%-- --%%-- --%%-- l01 23-08-22 2497 01 DE-1973 3200653892 00 --%%-- 14.35 2015 p --%%-- Ausleihbar nur für Angehörige der Städelschule l01 06-11-15 2483 01 DE-16-977 00 s (DE-627)177553961X Rezensiertes Werk 110 00 DE-Luen4 00 Ku 170 110 00 DE-Luen4 01 Ku 335 110 00 DE-Luen4 02 Ku 341 2089 01 DE-540 00 (DE-627)1350789232 TH 3220 11 01 0001 162967087010 110 01 3110 LUN4$07849060 370 01 4370 HC039833 110 01 3110 16-10465 370 01 4370 2015-2623 2002 01 DE-21-108 1602 Allgemein |
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GBB598812 UK 1784781452 hbk. 1-78478-145-2 9781784781453 hbk. 978-1-78478-145-3 9781784781453 (DE-627)1616493798 (DE-576)445480394 (DE-599)BSZ445480394 (OCoLC)930253996 (OCoLC)915156237 DE-627 ger DE-627 rakwb eng XA-GB N72.S6 701.030904 701/.030904 LOC 23 ART009000 ART037000 ART015000 bisacsh 9,11 ssgn LH 60240 rvk (DE-625)rvk/94184: LH 61060 OBV rvk (DE-625)rvk/94206: 20.10 bkl Foster, Hal 1955- verfasserin (DE-588)123940362 (DE-627)085537640 (DE-576)16098369X aut Bad new days art, criticism, emergency Hal Foster London New York Verso 2015 196 S. Ill. 21 cm Text txt rdacontent ohne Hilfsmittel zu benutzen n rdamedia Band nc rdacarrier Includes index "Bad New Days looks back at the last twenty-five years of artistic practice in Western Europe and North America, positioning it in relation to a general condition of emergency that neoliberalism and the war of terror have brought with them. Foster argues that art has actually anticipated this condition, at times miming the collapse of the social contract, at other times resisting it, and at still other times exacerbating it critically. Against the assumption that art no longer heeds any model, he also offers several paradigms of practice over this period, which he terms "abject," "archival," "mimetic," and "precarious.""-- Art and society History 20th century Art and society History 21st century Art Political aspects History 20th century Art Political aspects History 21st century Art and society History 20th century Art and society History 21st century Art Political aspects History 20th century Art Political aspects History 21st century s (DE-588)4114333-4 (DE-627)105822957 (DE-576)209483733 Kunst gnd s (DE-588)4020588-5 (DE-627)106317520 (DE-576)208933956 Gesellschaft gnd DE-101 s (DE-588)4114333-4 (DE-627)105822957 (DE-576)209483733 Kunst gnd s (DE-588)4020588-5 (DE-627)106317520 (DE-576)208933956 Gesellschaft gnd (DE-627) 9781784781470 Rezensiert in Carey, Jean Marie [Rezension von: Hal Foster, Bad new days: Art, criticism, emergency] 2016 (DE-627)1795315652 https://swbplus.bsz-bw.de/bsz445480394rez.htm B:DE-576;DE-16 application/pdf 20160620112330 Verlag Rezension http://www.sehepunkte.de/2016/06/28232.html V:DE-576;X:Sehepunkte text/html 20180419093551 Rezension (DE-576)9822990898 (DE-627)82299089X GBV_ILN_11 ISIL_DE-1a SYSFLAG_1 GBV_KXP SSG-OLC-PHA GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_2002 ISIL_DE-21-108 GBV_ILN_2006 ISIL_DE-14 GBV_ILN_2089 ISIL_DE-540 GBV_ILN_2483 ISIL_DE-16-977 GBV_ILN_2497 ISIL_DE-1973 mdedup LH 60240 21. Jahrhundert Kunstgeschichte Allgemeines. Allgemeine Kunstgeschichte Bildende Kunst in Staat und Gesellschaft Kunstsoziologie (sämtlicher oder mehrerer Kunstgattungen) Soziologie des Künstlers Neuzeit 21. Jahrhundert (DE-627)1391318935 (DE-625)rvk/94184: (DE-576)321318935 LH 61060 Kunstvergleichung und Kunstkritik Kunstgeschichte Allgemeines. Allgemeine Kunstgeschichte Theorie und Praxis der Bildenden Kunst Theorie der Bildenden Kunst Kunstvergleichung und Kunstkritik (DE-627)1270646443 (DE-625)rvk/94206: (DE-576)200646443 20.10 Kunst und Gesellschaft (DE-627)106406256 BO 045F 701.030904 045F 701/.030904 11 01 0001 1624694357 00 2 1 A 974551 u --%%-- k 02-03-17 110 01 3110 1594324964 00 CAM 16-10465 u --%%-- kz 01-02-16 370 01 4370 1573863742 00 EG LH 60240 007 u --%%-- z 23-10-15 2002 01 DE-21-108 3200653647 00 --%%-- Allg P 28/Fos 1 p l l01 07-12-15 2006 01 DE-14 3200653760 00 --%%-- --%%-- --%%-- --%%-- l01 17-09-15 2089 01 DE-540 320065385X 00 --%%-- 2015/1172 p --%%-- l01 28-09-15 2483 01 DE-16-977 4182326946 00 --%%-- --%%-- --%%-- --%%-- l01 23-08-22 2497 01 DE-1973 3200653892 00 --%%-- 14.35 2015 p --%%-- Ausleihbar nur für Angehörige der Städelschule l01 06-11-15 2483 01 DE-16-977 00 s (DE-627)177553961X Rezensiertes Werk 110 00 DE-Luen4 00 Ku 170 110 00 DE-Luen4 01 Ku 335 110 00 DE-Luen4 02 Ku 341 2089 01 DE-540 00 (DE-627)1350789232 TH 3220 11 01 0001 162967087010 110 01 3110 LUN4$07849060 370 01 4370 HC039833 110 01 3110 16-10465 370 01 4370 2015-2623 2002 01 DE-21-108 1602 Allgemein |
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GBB598812 UK 1784781452 hbk. 1-78478-145-2 9781784781453 hbk. 978-1-78478-145-3 9781784781453 (DE-627)1616493798 (DE-576)445480394 (DE-599)BSZ445480394 (OCoLC)930253996 (OCoLC)915156237 DE-627 ger DE-627 rakwb eng XA-GB N72.S6 701.030904 701/.030904 LOC 23 ART009000 ART037000 ART015000 bisacsh 9,11 ssgn LH 60240 rvk (DE-625)rvk/94184: LH 61060 OBV rvk (DE-625)rvk/94206: 20.10 bkl Foster, Hal 1955- verfasserin (DE-588)123940362 (DE-627)085537640 (DE-576)16098369X aut Bad new days art, criticism, emergency Hal Foster London New York Verso 2015 196 S. Ill. 21 cm Text txt rdacontent ohne Hilfsmittel zu benutzen n rdamedia Band nc rdacarrier Includes index "Bad New Days looks back at the last twenty-five years of artistic practice in Western Europe and North America, positioning it in relation to a general condition of emergency that neoliberalism and the war of terror have brought with them. Foster argues that art has actually anticipated this condition, at times miming the collapse of the social contract, at other times resisting it, and at still other times exacerbating it critically. Against the assumption that art no longer heeds any model, he also offers several paradigms of practice over this period, which he terms "abject," "archival," "mimetic," and "precarious.""-- Art and society History 20th century Art and society History 21st century Art Political aspects History 20th century Art Political aspects History 21st century Art and society History 20th century Art and society History 21st century Art Political aspects History 20th century Art Political aspects History 21st century s (DE-588)4114333-4 (DE-627)105822957 (DE-576)209483733 Kunst gnd s (DE-588)4020588-5 (DE-627)106317520 (DE-576)208933956 Gesellschaft gnd DE-101 s (DE-588)4114333-4 (DE-627)105822957 (DE-576)209483733 Kunst gnd s (DE-588)4020588-5 (DE-627)106317520 (DE-576)208933956 Gesellschaft gnd (DE-627) 9781784781470 Rezensiert in Carey, Jean Marie [Rezension von: Hal Foster, Bad new days: Art, criticism, emergency] 2016 (DE-627)1795315652 https://swbplus.bsz-bw.de/bsz445480394rez.htm B:DE-576;DE-16 application/pdf 20160620112330 Verlag Rezension http://www.sehepunkte.de/2016/06/28232.html V:DE-576;X:Sehepunkte text/html 20180419093551 Rezension (DE-576)9822990898 (DE-627)82299089X GBV_ILN_11 ISIL_DE-1a SYSFLAG_1 GBV_KXP SSG-OLC-PHA GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_2002 ISIL_DE-21-108 GBV_ILN_2006 ISIL_DE-14 GBV_ILN_2089 ISIL_DE-540 GBV_ILN_2483 ISIL_DE-16-977 GBV_ILN_2497 ISIL_DE-1973 mdedup LH 60240 21. Jahrhundert Kunstgeschichte Allgemeines. Allgemeine Kunstgeschichte Bildende Kunst in Staat und Gesellschaft Kunstsoziologie (sämtlicher oder mehrerer Kunstgattungen) Soziologie des Künstlers Neuzeit 21. Jahrhundert (DE-627)1391318935 (DE-625)rvk/94184: (DE-576)321318935 LH 61060 Kunstvergleichung und Kunstkritik Kunstgeschichte Allgemeines. Allgemeine Kunstgeschichte Theorie und Praxis der Bildenden Kunst Theorie der Bildenden Kunst Kunstvergleichung und Kunstkritik (DE-627)1270646443 (DE-625)rvk/94206: (DE-576)200646443 20.10 Kunst und Gesellschaft (DE-627)106406256 BO 045F 701.030904 045F 701/.030904 11 01 0001 1624694357 00 2 1 A 974551 u --%%-- k 02-03-17 110 01 3110 1594324964 00 CAM 16-10465 u --%%-- kz 01-02-16 370 01 4370 1573863742 00 EG LH 60240 007 u --%%-- z 23-10-15 2002 01 DE-21-108 3200653647 00 --%%-- Allg P 28/Fos 1 p l l01 07-12-15 2006 01 DE-14 3200653760 00 --%%-- --%%-- --%%-- --%%-- l01 17-09-15 2089 01 DE-540 320065385X 00 --%%-- 2015/1172 p --%%-- l01 28-09-15 2483 01 DE-16-977 4182326946 00 --%%-- --%%-- --%%-- --%%-- l01 23-08-22 2497 01 DE-1973 3200653892 00 --%%-- 14.35 2015 p --%%-- Ausleihbar nur für Angehörige der Städelschule l01 06-11-15 2483 01 DE-16-977 00 s (DE-627)177553961X Rezensiertes Werk 110 00 DE-Luen4 00 Ku 170 110 00 DE-Luen4 01 Ku 335 110 00 DE-Luen4 02 Ku 341 2089 01 DE-540 00 (DE-627)1350789232 TH 3220 11 01 0001 162967087010 110 01 3110 LUN4$07849060 370 01 4370 HC039833 110 01 3110 16-10465 370 01 4370 2015-2623 2002 01 DE-21-108 1602 Allgemein |
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misc N72.S6 ddc 701.030904 ddc 701/.030904 ddc ART009000 ssgn 9,11 rvk LH 60240 rvk LH 61060 bkl 20.10 misc Art and society misc Art gnd Kunst gnd Gesellschaft 2483 Rezensiertes Werk |
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misc N72.S6 ddc 701.030904 ddc 701/.030904 ddc ART009000 ssgn 9,11 rvk LH 60240 rvk LH 61060 bkl 20.10 misc Art and society misc Art gnd Kunst gnd Gesellschaft 2483 Rezensiertes Werk |
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misc N72.S6 ddc 701.030904 ddc 701/.030904 ddc ART009000 ssgn 9,11 rvk LH 60240 rvk LH 61060 bkl 20.10 misc Art and society misc Art gnd Kunst gnd Gesellschaft 2483 Rezensiertes Werk |
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700 - Arts |
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1784781452 9781784781453 9781784781470 1784781479 |
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Bad new days art, criticism, emergency |
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| author_browse |
Foster, Hal |
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196 S. Ill. 21 cm |
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| title_short |
Bad new days |
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11:u 110:u 370:u 2002:p 2006:- 2089:p 2483:- 2497:p |
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2024-07-15T02:05:00.538Z |
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sehepunkte … (2016), Nr. … Hal Foster: Bad New Days: Art, Criticism, Emergency The artistic genre that has come to be known as institutional critique - beginning with Hans Haacke's Shapolsky et al. Manhattan Real Estate Holdings, a Real-Time Social System, as of May … 1971 to the identity-driven commentaries of Daniel Martinez and Adrian Piper in the 1990s - differed from both the historical avant-garde and the neo-avant-gardes of the late 1950s and early 1960s in their approach to the width of the swath of scorched earth between the artist and the institution. The artists whose practices are scrutinized by Hal Foster in Bad New Days: Art, Criticism, Emergency … ] move instead from the concession that there is no "elsewhere", no realm outside art, beyond recuperation. Thus a reassessment of the terms of engagement is chief amid Hal Foster's concerns. The book is presented in five chapters denoted by words Hal Foster proposes as new models for the interpretation of art in the age of globalization and terrorism: Abject, Archival, Mimetic, Precarious, and Post-Critical. Prefaced with an introduction laying groundwork for this shift in approach, a coda, "In Praise of Criticality", and a generous … -page notes section, Bad New Days, at … pages total, has a remarkably tight construction and clarity of purpose and prose. Yet while triumphant in some respects, Bad New Days is by no means the procedural sequel to The Return of the Real: The Avant-Garde at the End of the Century, the 1996 incantation for reanimating the disruptive mission of art's radical pioneers. Hal Foster admits that the vocabulary of the postmodernism of the 1990s he helped create in Return of the Real and as an editor of October is no longer adequate for the task of evaluating the work of artists who today can be considered a wary vanguard. Means of analysis beyond the psychoanalytic and Marxist are required to address the cryptic oeuvres of Isa Genzken and Joachim Koester whose work "moves away from privileging of the imagistic and the textual." (7) Therefore it is a bit of a letdown after Foster's call to lexical action that the first chapter, "Abject", falls back on the theoretical frameworks of Jacques Lacan and Julia Kristeva in using Cindy Sherman's ostensibly gaze-neutralizing photographic series to make abjection "test the limits of sublimation" (35), through an exploration of body horror, deformity, and taboo. The essay, originally published in 1996 in October as "Obscene, Abject, Traumatic" as well in Return of the Real the same year, is out of phase with the other chapters. Viewed in the hindsight of two decades, Sherman's work, which today continues to mine the same vein, is too hermetic to have a proper dialogue with the artists discussed elsewhere in the book. Andres Serrano's ethically questionable "The Morgue" photographs and Mike Kelley's pathetic stuffed toy animals could have been better deployed to interrogate their latter-day counterparts, Sally Mann and Annette Messager, in an updated stock-taking of what if any place abjection holds in current studio practices. The remainder of the essays in Bad New Days are of the post-September … era. The second chapter, "Archival", (a version of which was also previously published in October, in 2004, as "An Archival Impulse"), considers the "artistic practice as an idiosyncratic probing into a particular figure, object, or event in modern art, philosophy, or history." (43) Here "sources … ] familiar enough to ensure a legibility that can then be disturbed or redirected" (44), such as Tacita Dean's video-and-narrative musing on the associations prompted by the tale of Jean Jeinnie, Girl Stowaway (1994) and Joachim Koester's 2005 16mm film loop Message from Andrée, consisting of found footage of an ill-fated attempt to circumnavigate the North Pole via hot air balloon that recovers the explorers' somehow sympathetic combination of hubris and curiosity, take up the role of archivist, enacting a détournement on behalf of lost or marginal historical events and figures as a "gesture of alternative knowledge or counter memory." (44) It is from this point in "Archival" that Hal Foster connects the elegant premise of "deferred action" from The Return of the Real with the contemporary urge "to turn belatedness into becomingness, to recoup failed visions in art, literature, philosophy, and life into possible scenarios for alternative kinds of social relations, to transform the no place of an archive into the new place of a utopia." (53) More connectivity to the present would have further elevated this ambition. Pierre Huyghe's 2001 One Million Kingdoms, art drawn from video game glitches vis à vis Cory Arcangel's Super Mario Clouds (2002) has however already lost its relevance. The inclusion of more urgently "archival" celebrated work such as The Clock (2010) by Christian Marclay would have given this chapter a smart update, as it embodies exactly Foster's "paranoia [as] a practice of forced connections" (61): it generates suspense, though enjoyable in real-time consumption, it also causes frustration, since it is difficult to consume the entire … hours uninterruptedly. Foster gets back on track with a thoughtful analysis of Thomas Hirschhorn's sculptures, altars, kiosks, and monuments. These passages steer clear of jargon and draw on a keen imaginative penetration of Hirschhorn's project to describe, for example, 1999's Direct Sculpture, a lopsided mixed-media obelisk inspired by the ad hoc memorials in Paris erected near the site of Princess Diana's 1997 fatal car wreck. Hirschhorn occupies key positions in the "Archival" chapter and the one that follows, "Precarious". Indeed a secondary narrative that emerges is Hal Foster's positioning of himself in relation to Hirschhorn in a role similar to the one occupied by Benjamin Buchloh to Gerhard Richter: as interlocutor, evaluator, and cultural biographer. In "Precarious" Foster describes how Hirschhorn extends the project of public memorialization in a series of ephemeral monuments to philosophers he admires (such as the one dedicated in 2013 to Antonio Gramsci in a public housing project in the Bronx). Acknowledging that these fragile reliquaries may agitate as likely as soothe those who encounter them, Hal Foster argues that in moving the construal of the precariat from one of victimhood to social movement, Hirschhorn emphasizes the difference between coffee-shop bohemians and undocumented migrant laborers. The "Mimetic" chapter connects with the Emergency of the book's subtitle, in the sense that post- … artistic imitations of life stand to comment most fully on its imperilment. Here it is Isa Genzken who delights as both the éminence grise and prognosticator of a cheeky capitalist doom. Genzken's 1980s and 1990s examinations of disintegration of the self (her 1991 photograph "X-Ray" decorates the book's cover) become, by 2003's Da Vinci, a neo-Dada "mimetic exacerbation" (100) in the form of vaporized bodies splashed across jet window panes. The latter third of the book presents Hal Foster's reclamation of the value of art criticism as a literary form and public obligation: Whether in praise or derision, trenchant criticism serves the purpose of introducing the public to contemporary art and opens up a place of dialogue to assess conceptual underpinnings and move the dialogue beyond aesthetic appearance and pleasure. This is a serious and good point since by and large the public tends to avoid contemporary art altogether, as it calls for more patience than many viewers are willing to give. An audience is needed to begin a dialogue - and thus, in light of Hal Foster's call for renewal through "post-criticality", what looks like a problem may actually be an asset. Finally, the book is profusely illustrated, ofttimes from the personal collections of those profiled. This speaks to the author's unparalleled access to the artists and encyclopedic knowledge of their lives and environments. Bad New Days marks Hal Foster's own "return" to the contents of the museum rather than its architectural space, and helps perioditize the art of the post-war period that falls within the large rubric of the contemporary. Note: … ] The book takes its name from the Bertolt Brecht aphorism, "Nicht an das Gute Alte anknüpfen, sondern an das schlechte Neue." As quoted in Walter Benjamin: Understanding Brecht, London 1983, … Rezension über: Hal Foster: Bad New Days: Art, Criticism, Emergency, London: Verso 2015, … S., ISBN … -78478- … Rezension von: Jean Marie Carey Abbey College, University of Otago, Dunedin Empfohlene Zitierweise: Jean Marie Carey: Rezension von: Hal Foster: Bad New Days: Art, Criticism, Emergency, London: Verso 2015, in: sehepunkte … (2016), Nr. … 2016], URL: … Bitte geben Sie beim Zitieren dieser Rezension die exakte URL und das Datum Ihres letzten Besuchs dieser Online-Adresse an. |
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code="f">EG</subfield><subfield code="d">LH 60240 007</subfield><subfield code="e">u</subfield><subfield code="j">--%%--</subfield><subfield code="y">z</subfield><subfield code="z">23-10-15</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2002</subfield><subfield code="1">01</subfield><subfield code="x">DE-21-108</subfield><subfield code="b">3200653647</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">Allg P 28/Fos 1</subfield><subfield code="e">p</subfield><subfield code="j">l</subfield><subfield code="y">l01</subfield><subfield code="z">07-12-15</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2006</subfield><subfield code="1">01</subfield><subfield code="x">DE-14</subfield><subfield code="b">3200653760</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">--%%--</subfield><subfield code="y">l01</subfield><subfield code="z">17-09-15</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2089</subfield><subfield code="1">01</subfield><subfield code="x">DE-540</subfield><subfield code="b">320065385X</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">2015/1172</subfield><subfield code="e">p</subfield><subfield code="j">--%%--</subfield><subfield code="y">l01</subfield><subfield code="z">28-09-15</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2483</subfield><subfield code="1">01</subfield><subfield code="x">DE-16-977</subfield><subfield code="b">4182326946</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">--%%--</subfield><subfield code="y">l01</subfield><subfield code="z">23-08-22</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2497</subfield><subfield code="1">01</subfield><subfield code="x">DE-1973</subfield><subfield code="b">3200653892</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">14.35 2015</subfield><subfield code="e">p</subfield><subfield code="j">--%%--</subfield><subfield code="k">Ausleihbar nur für Angehörige der Städelschule</subfield><subfield code="y">l01</subfield><subfield code="z">06-11-15</subfield></datafield><datafield tag="982" ind1=" " ind2=" "><subfield code="2">2483</subfield><subfield code="1">01</subfield><subfield code="x">DE-16-977</subfield><subfield code="8">00</subfield><subfield code="s">s</subfield><subfield code="0">(DE-627)177553961X</subfield><subfield code="a">Rezensiertes Werk</subfield></datafield><datafield tag="983" ind1=" " ind2=" "><subfield code="2">110</subfield><subfield code="1">00</subfield><subfield code="x">DE-Luen4</subfield><subfield code="8">00</subfield><subfield code="a">Ku 170</subfield></datafield><datafield tag="983" ind1=" " ind2=" "><subfield code="2">110</subfield><subfield code="1">00</subfield><subfield code="x">DE-Luen4</subfield><subfield code="8">01</subfield><subfield code="a">Ku 335</subfield></datafield><datafield tag="983" ind1=" " ind2=" "><subfield code="2">110</subfield><subfield code="1">00</subfield><subfield code="x">DE-Luen4</subfield><subfield code="8">02</subfield><subfield code="a">Ku 341</subfield></datafield><datafield tag="983" ind1=" " ind2=" "><subfield code="2">2089</subfield><subfield code="1">01</subfield><subfield code="x">DE-540</subfield><subfield code="8">00</subfield><subfield code="0">(DE-627)1350789232</subfield><subfield code="a">TH 3220</subfield></datafield><datafield tag="984" ind1=" " ind2=" "><subfield code="2">11</subfield><subfield code="1">01</subfield><subfield code="x">0001</subfield><subfield code="a">162967087010</subfield></datafield><datafield tag="984" ind1=" " ind2=" "><subfield code="2">110</subfield><subfield code="1">01</subfield><subfield code="x">3110</subfield><subfield code="a">LUN4$07849060</subfield></datafield><datafield tag="984" ind1=" " ind2=" "><subfield code="2">370</subfield><subfield code="1">01</subfield><subfield code="x">4370</subfield><subfield code="a">HC039833</subfield></datafield><datafield tag="985" ind1=" " ind2=" "><subfield code="2">110</subfield><subfield code="1">01</subfield><subfield code="x">3110</subfield><subfield code="a">16-10465</subfield></datafield><datafield tag="985" ind1=" " ind2=" "><subfield code="2">370</subfield><subfield code="1">01</subfield><subfield code="x">4370</subfield><subfield code="a">2015-2623</subfield></datafield><datafield tag="998" ind1=" " ind2=" "><subfield code="2">2002</subfield><subfield code="1">01</subfield><subfield code="x">DE-21-108</subfield><subfield code="0">1602</subfield><subfield code="f">Allgemein</subfield></datafield></record></collection>
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7.167445 |