The art of making do in Naples
""In Naples, there are more singers than there are unemployed people." These words echo through the neomelodica music scene, a vast undocumented economy animated by wedding singers, pirate TV, and tens of thousands of fans throughout southern Italy and beyond. In a city with chronic u...
Ausführliche Beschreibung
Gespeichert in:
| Autor*in: |
Pine, Jason [verfasserIn] |
|---|
| Format: |
Buch |
|---|---|
| Sprache: |
Englisch |
| Erschienen: |
Minneapolis London: University of Minnesota Press ; 2012 © 2012 |
|---|
| Schlagwörter: |
Neapel / Camorra / Organisiertes Verbrechen / Alltag / Massenkommunikation / Kultur Neapel / Schattenwirtschaft / Massenkultur / Volksmusik / Camorra |
|---|---|
| Schlagwörter: |
| Systematik: |
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|---|
| Anmerkung: |
Includes bibliographical references and index |
|---|---|
| Umfang: |
x, 360 Seiten ; Illustrationen ; 23 cm |
| Links: | |
|---|---|
| ISBN: |
978-0-8166-3631-0 978-0-8166-7601-9 |
| Katalog-ID: |
1620241803 |
|---|
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| 245 | 1 | 4 | |a The art of making do in Naples |c Jason Pine |
| 264 | 1 | |a Minneapolis |a London |b University of Minnesota Press |c [2012] | |
| 264 | 4 | |c © 2012 | |
| 300 | |a x, 360 Seiten |b Illustrationen |c 23 cm | ||
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| 505 | 8 | 0 | |a Machine generated contents note:Contents -- Acknowledgments -- Introduction. The Contact Zone: Where Organized Crime and Everyday Life Comingle -- 1. Where There's Money, There's the Camorra -- 2. Making Do with Art: Counterfeit Music, Pirated TV, and Crime Clan Weddings -- 3. The Sceneggiata: Melodramas of Manhood, Allegories of Violence -- 4. Family Affairs: Coming of Age on Stage: Act One - The Ventriloquist's Ventriloquist - Act Two: Betraying Secrets - Act Three: The Erotics of Exposure -- 5. Ethnographic Imbroglios -- 6. Who Am I and Who Are You? The Promise and Threat of Contact with the Camorra: Act One: Lying Together - Act Two: Seduction and Colonization - Act Three: Eye of the Storm -- Conclusion: Making Do with Indeterminacy. |
| 505 | 8 | 0 | |a Machine generated contents note: -- Contents -- Acknowledgments -- Introduction. The Contact Zone: Where Organized Crime and Everyday Life Comingle -- 1. Where There's Money, There's the Camorra -- 2. Making Do with Art: Counterfeit Music, Pirated TV, and Crime Clan Weddings -- 3. The Sceneggiata: Melodramas of Manhood, Allegories of Violence -- 4. Family Affairs: Coming of Age on Stage: Act One - The Ventriloquist's Ventriloquist - Act Two: Betraying Secrets - Act Three: The Erotics of Exposure -- 5. Ethnographic Imbroglios -- 6. Who Am I and Who Are You? The Promise and Threat of Contact with the Camorra: Act One: Lying Together - Act Two: Seduction and Colonization - Act Three: Eye of the Storm -- Conclusion: Making Do with Indeterminacy -- Notes -- Bibliography -- Index. |
| 520 | |a ""In Naples, there are more singers than there are unemployed people." These words echo through the neomelodica music scene, a vast undocumented economy animated by wedding singers, pirate TV, and tens of thousands of fans throughout southern Italy and beyond. In a city with chronic unemployment, this setting has attracted hundreds of aspiring singers trying to make a living--or even a fortune. In the process, they brush up against affiliates of the region's violent organized crime networks, the camorra. In The Art of Making Do in Naples, Jason Pine explores the murky neomelodica music scene and finds himself on uncertain ground.The "art of making do" refers to the informal and sometimes illicit entrepreneurial tactics of some Neapolitans who are pursuing a better life for themselves and their families. In the neomelodica music scene, the art of making do involves operating do-it-yourself recording studios and performing at the private parties of crime bosses. It can also require associating with crime boss-impresarios who guarantee their success by underwriting it with extortion, drug trafficking, and territorial influence. Pine, likewise "making do," gradually realized that the completion of his ethnographic work also depended on the aid of forbidding figures.The Art of Making Do in Naples offers a riveting ethnography of the lives of men who seek personal sovereignty in a shadow economy dominated, in incalculable ways, by the camorra. Pine navigates situations suffused with secrecy, moral ambiguity, and fears of ruin that undermine the anthropologist's sense of autonomy. Making his way through Naples's spectacular historic center and outer slums, on the trail of charmingly evasive neomelodici singers and unsettlingly elusive camorristi, Pine himself becomes a music video director and falls into the orbit of a shadowy music promoter who may or may not be a camorra affiliate.Pine's trenchant observations and his own improvised attempts at "making do" provide a fascinating look into the lives of people in the gray zones where organized crime blends into ordinary life. "-- | ||
| 520 | |a "The Art of Making Do in Naples offers a riveting ethnography of the lives of men seeking personal sovereignty in a shadow economy dominated by violent organized crime networks. Jason Pine's trenchant observations and his own improvised attempts at "making do" provide a fascinating look into the lives of people in the gray zones where organized crime blends into ordinary life"-- | ||
| 520 | |a Machine generated contents note: -- Contents -- Acknowledgments -- Introduction. The Contact Zone: Where Organized Crime and Everyday Life Comingle -- 1. Where There's Money, There's the Camorra -- 2. Making Do with Art: Counterfeit Music, Pirated TV, and Crime Clan Weddings -- 3. The Sceneggiata: Melodramas of Manhood, Allegories of Violence -- 4. Family Affairs: Coming of Age on Stage: Act One - The Ventriloquist's Ventriloquist - Act Two: Betraying Secrets - Act Three: The Erotics of Exposure -- 5. Ethnographic Imbroglios -- 6. Who Am I and Who Are You? The Promise and Threat of Contact with the Camorra: Act One: Lying Together - Act Two: Seduction and Colonization - Act Three: Eye of the Storm -- Conclusion: Making Do with Indeterminacy | ||
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Machine generated contents note:Contents -- Acknowledgments -- Introduction. The Contact Zone: Where Organized Crime and Everyday Life Comingle -- 1. Where There's Money, There's the Camorra -- 2. Making Do with Art: Counterfeit Music, Pirated TV, and Crime Clan Weddings -- 3. The Sceneggiata: Melodramas of Manhood, Allegories of Violence -- 4. Family Affairs: Coming of Age on Stage: Act One - The Ventriloquist's Ventriloquist - Act Two: Betraying Secrets - Act Three: The Erotics of Exposure -- 5. Ethnographic Imbroglios -- 6. Who Am I and Who Are You? The Promise and Threat of Contact with the Camorra: Act One: Lying Together - Act Two: Seduction and Colonization - Act Three: Eye of the Storm -- Conclusion: Making Do with Indeterminacy. Machine generated contents note: -- Contents -- Acknowledgments -- Introduction. The Contact Zone: Where Organized Crime and Everyday Life Comingle -- 1. Where There's Money, There's the Camorra -- 2. Making Do with Art: Counterfeit Music, Pirated TV, and Crime Clan Weddings -- 3. The Sceneggiata: Melodramas of Manhood, Allegories of Violence -- 4. Family Affairs: Coming of Age on Stage: Act One - The Ventriloquist's Ventriloquist - Act Two: Betraying Secrets - Act Three: The Erotics of Exposure -- 5. Ethnographic Imbroglios -- 6. Who Am I and Who Are You? The Promise and Threat of Contact with the Camorra: Act One: Lying Together - Act Two: Seduction and Colonization - Act Three: Eye of the Storm -- Conclusion: Making Do with Indeterminacy -- Notes -- Bibliography -- Index. |
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Machine generated contents note:Contents -- Acknowledgments -- Introduction. The Contact Zone: Where Organized Crime and Everyday Life Comingle -- 1. Where There's Money, There's the Camorra -- 2. Making Do with Art: Counterfeit Music, Pirated TV, and Crime Clan Weddings -- 3. The Sceneggiata: Melodramas of Manhood, Allegories of Violence -- 4. Family Affairs: Coming of Age on Stage: Act One - The Ventriloquist's Ventriloquist - Act Two: Betraying Secrets - Act Three: The Erotics of Exposure -- 5. Ethnographic Imbroglios -- 6. Who Am I and Who Are You? The Promise and Threat of Contact with the Camorra: Act One: Lying Together - Act Two: Seduction and Colonization - Act Three: Eye of the Storm -- Conclusion: Making Do with Indeterminacy. Machine generated contents note: -- Contents -- Acknowledgments -- Introduction. The Contact Zone: Where Organized Crime and Everyday Life Comingle -- 1. Where There's Money, There's the Camorra -- 2. Making Do with Art: Counterfeit Music, Pirated TV, and Crime Clan Weddings -- 3. The Sceneggiata: Melodramas of Manhood, Allegories of Violence -- 4. Family Affairs: Coming of Age on Stage: Act One - The Ventriloquist's Ventriloquist - Act Two: Betraying Secrets - Act Three: The Erotics of Exposure -- 5. Ethnographic Imbroglios -- 6. Who Am I and Who Are You? The Promise and Threat of Contact with the Camorra: Act One: Lying Together - Act Two: Seduction and Colonization - Act Three: Eye of the Storm -- Conclusion: Making Do with Indeterminacy -- Notes -- Bibliography -- Index. Pine, Jason misc HV6995.N3 ddc 364.1060945/731 ddc 364.106094573 ddc SOC002010 ssgn 8,2 ssgn 2,1 rvk MS 1870 misc Crime misc Camorra misc Organized crime misc Music trade misc Singers misc Ethnology gnd Neapel gnd Camorra gnd Organisiertes Verbrechen gnd Alltag gnd Massenkommunikation gnd Kultur gnd Schattenwirtschaft gnd Massenkultur gnd Volksmusik The art of making do in Naples |
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The art of making do in Naples |
| abstract |
""In Naples, there are more singers than there are unemployed people." These words echo through the neomelodica music scene, a vast undocumented economy animated by wedding singers, pirate TV, and tens of thousands of fans throughout southern Italy and beyond. In a city with chronic unemployment, this setting has attracted hundreds of aspiring singers trying to make a living--or even a fortune. In the process, they brush up against affiliates of the region's violent organized crime networks, the camorra. In The Art of Making Do in Naples, Jason Pine explores the murky neomelodica music scene and finds himself on uncertain ground.The "art of making do" refers to the informal and sometimes illicit entrepreneurial tactics of some Neapolitans who are pursuing a better life for themselves and their families. In the neomelodica music scene, the art of making do involves operating do-it-yourself recording studios and performing at the private parties of crime bosses. It can also require associating with crime boss-impresarios who guarantee their success by underwriting it with extortion, drug trafficking, and territorial influence. Pine, likewise "making do," gradually realized that the completion of his ethnographic work also depended on the aid of forbidding figures.The Art of Making Do in Naples offers a riveting ethnography of the lives of men who seek personal sovereignty in a shadow economy dominated, in incalculable ways, by the camorra. Pine navigates situations suffused with secrecy, moral ambiguity, and fears of ruin that undermine the anthropologist's sense of autonomy. Making his way through Naples's spectacular historic center and outer slums, on the trail of charmingly evasive neomelodici singers and unsettlingly elusive camorristi, Pine himself becomes a music video director and falls into the orbit of a shadowy music promoter who may or may not be a camorra affiliate.Pine's trenchant observations and his own improvised attempts at "making do" provide a fascinating look into the lives of people in the gray zones where organized crime blends into ordinary life. "-- "The Art of Making Do in Naples offers a riveting ethnography of the lives of men seeking personal sovereignty in a shadow economy dominated by violent organized crime networks. Jason Pine's trenchant observations and his own improvised attempts at "making do" provide a fascinating look into the lives of people in the gray zones where organized crime blends into ordinary life"-- Machine generated contents note: -- Contents -- Acknowledgments -- Introduction. The Contact Zone: Where Organized Crime and Everyday Life Comingle -- 1. Where There's Money, There's the Camorra -- 2. Making Do with Art: Counterfeit Music, Pirated TV, and Crime Clan Weddings -- 3. The Sceneggiata: Melodramas of Manhood, Allegories of Violence -- 4. Family Affairs: Coming of Age on Stage: Act One - The Ventriloquist's Ventriloquist - Act Two: Betraying Secrets - Act Three: The Erotics of Exposure -- 5. Ethnographic Imbroglios -- 6. Who Am I and Who Are You? The Promise and Threat of Contact with the Camorra: Act One: Lying Together - Act Two: Seduction and Colonization - Act Three: Eye of the Storm -- Conclusion: Making Do with Indeterminacy Includes bibliographical references and index |
| abstractGer |
""In Naples, there are more singers than there are unemployed people." These words echo through the neomelodica music scene, a vast undocumented economy animated by wedding singers, pirate TV, and tens of thousands of fans throughout southern Italy and beyond. In a city with chronic unemployment, this setting has attracted hundreds of aspiring singers trying to make a living--or even a fortune. In the process, they brush up against affiliates of the region's violent organized crime networks, the camorra. In The Art of Making Do in Naples, Jason Pine explores the murky neomelodica music scene and finds himself on uncertain ground.The "art of making do" refers to the informal and sometimes illicit entrepreneurial tactics of some Neapolitans who are pursuing a better life for themselves and their families. In the neomelodica music scene, the art of making do involves operating do-it-yourself recording studios and performing at the private parties of crime bosses. It can also require associating with crime boss-impresarios who guarantee their success by underwriting it with extortion, drug trafficking, and territorial influence. Pine, likewise "making do," gradually realized that the completion of his ethnographic work also depended on the aid of forbidding figures.The Art of Making Do in Naples offers a riveting ethnography of the lives of men who seek personal sovereignty in a shadow economy dominated, in incalculable ways, by the camorra. Pine navigates situations suffused with secrecy, moral ambiguity, and fears of ruin that undermine the anthropologist's sense of autonomy. Making his way through Naples's spectacular historic center and outer slums, on the trail of charmingly evasive neomelodici singers and unsettlingly elusive camorristi, Pine himself becomes a music video director and falls into the orbit of a shadowy music promoter who may or may not be a camorra affiliate.Pine's trenchant observations and his own improvised attempts at "making do" provide a fascinating look into the lives of people in the gray zones where organized crime blends into ordinary life. "-- "The Art of Making Do in Naples offers a riveting ethnography of the lives of men seeking personal sovereignty in a shadow economy dominated by violent organized crime networks. Jason Pine's trenchant observations and his own improvised attempts at "making do" provide a fascinating look into the lives of people in the gray zones where organized crime blends into ordinary life"-- Machine generated contents note: -- Contents -- Acknowledgments -- Introduction. The Contact Zone: Where Organized Crime and Everyday Life Comingle -- 1. Where There's Money, There's the Camorra -- 2. Making Do with Art: Counterfeit Music, Pirated TV, and Crime Clan Weddings -- 3. The Sceneggiata: Melodramas of Manhood, Allegories of Violence -- 4. Family Affairs: Coming of Age on Stage: Act One - The Ventriloquist's Ventriloquist - Act Two: Betraying Secrets - Act Three: The Erotics of Exposure -- 5. Ethnographic Imbroglios -- 6. Who Am I and Who Are You? The Promise and Threat of Contact with the Camorra: Act One: Lying Together - Act Two: Seduction and Colonization - Act Three: Eye of the Storm -- Conclusion: Making Do with Indeterminacy Includes bibliographical references and index |
| abstract_unstemmed |
""In Naples, there are more singers than there are unemployed people." These words echo through the neomelodica music scene, a vast undocumented economy animated by wedding singers, pirate TV, and tens of thousands of fans throughout southern Italy and beyond. In a city with chronic unemployment, this setting has attracted hundreds of aspiring singers trying to make a living--or even a fortune. In the process, they brush up against affiliates of the region's violent organized crime networks, the camorra. In The Art of Making Do in Naples, Jason Pine explores the murky neomelodica music scene and finds himself on uncertain ground.The "art of making do" refers to the informal and sometimes illicit entrepreneurial tactics of some Neapolitans who are pursuing a better life for themselves and their families. In the neomelodica music scene, the art of making do involves operating do-it-yourself recording studios and performing at the private parties of crime bosses. It can also require associating with crime boss-impresarios who guarantee their success by underwriting it with extortion, drug trafficking, and territorial influence. Pine, likewise "making do," gradually realized that the completion of his ethnographic work also depended on the aid of forbidding figures.The Art of Making Do in Naples offers a riveting ethnography of the lives of men who seek personal sovereignty in a shadow economy dominated, in incalculable ways, by the camorra. Pine navigates situations suffused with secrecy, moral ambiguity, and fears of ruin that undermine the anthropologist's sense of autonomy. Making his way through Naples's spectacular historic center and outer slums, on the trail of charmingly evasive neomelodici singers and unsettlingly elusive camorristi, Pine himself becomes a music video director and falls into the orbit of a shadowy music promoter who may or may not be a camorra affiliate.Pine's trenchant observations and his own improvised attempts at "making do" provide a fascinating look into the lives of people in the gray zones where organized crime blends into ordinary life. "-- "The Art of Making Do in Naples offers a riveting ethnography of the lives of men seeking personal sovereignty in a shadow economy dominated by violent organized crime networks. Jason Pine's trenchant observations and his own improvised attempts at "making do" provide a fascinating look into the lives of people in the gray zones where organized crime blends into ordinary life"-- Machine generated contents note: -- Contents -- Acknowledgments -- Introduction. The Contact Zone: Where Organized Crime and Everyday Life Comingle -- 1. Where There's Money, There's the Camorra -- 2. Making Do with Art: Counterfeit Music, Pirated TV, and Crime Clan Weddings -- 3. The Sceneggiata: Melodramas of Manhood, Allegories of Violence -- 4. Family Affairs: Coming of Age on Stage: Act One - The Ventriloquist's Ventriloquist - Act Two: Betraying Secrets - Act Three: The Erotics of Exposure -- 5. Ethnographic Imbroglios -- 6. Who Am I and Who Are You? The Promise and Threat of Contact with the Camorra: Act One: Lying Together - Act Two: Seduction and Colonization - Act Three: Eye of the Storm -- Conclusion: Making Do with Indeterminacy Includes bibliographical references and index |
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2012031590 9780816636310 : hardback 978-0-8166-3631-0 9780816676019 : pb 978-0-8166-7601-9 (DE-627)1620241803 (DE-576)37721230X (DE-599)BSZ37721230X (OCoLC)788274267 (OCoLC)827004511 DE-627 ger DE-627 rda eng XD-US XA-GB HV6995.N3 364.1060945/731 LOC 23 364.106094573 SOC002010 MUS015000 bisacsh 8,2 ssgn 2,1 ssgn MS 1870 rvk (DE-625)rvk/123622: Pine, Jason verfasserin aut The art of making do in Naples Jason Pine Minneapolis London University of Minnesota Press [2012] © 2012 x, 360 Seiten Illustrationen 23 cm Text txt rdacontent ohne Hilfsmittel zu benutzen n rdamedia Band nc rdacarrier Includes bibliographical references and index Machine generated contents note:Contents -- Acknowledgments -- Introduction. The Contact Zone: Where Organized Crime and Everyday Life Comingle -- 1. Where There's Money, There's the Camorra -- 2. Making Do with Art: Counterfeit Music, Pirated TV, and Crime Clan Weddings -- 3. The Sceneggiata: Melodramas of Manhood, Allegories of Violence -- 4. Family Affairs: Coming of Age on Stage: Act One - The Ventriloquist's Ventriloquist - Act Two: Betraying Secrets - Act Three: The Erotics of Exposure -- 5. Ethnographic Imbroglios -- 6. Who Am I and Who Are You? The Promise and Threat of Contact with the Camorra: Act One: Lying Together - Act Two: Seduction and Colonization - Act Three: Eye of the Storm -- Conclusion: Making Do with Indeterminacy. Machine generated contents note: -- Contents -- Acknowledgments -- Introduction. The Contact Zone: Where Organized Crime and Everyday Life Comingle -- 1. Where There's Money, There's the Camorra -- 2. Making Do with Art: Counterfeit Music, Pirated TV, and Crime Clan Weddings -- 3. The Sceneggiata: Melodramas of Manhood, Allegories of Violence -- 4. Family Affairs: Coming of Age on Stage: Act One - The Ventriloquist's Ventriloquist - Act Two: Betraying Secrets - Act Three: The Erotics of Exposure -- 5. Ethnographic Imbroglios -- 6. Who Am I and Who Are You? The Promise and Threat of Contact with the Camorra: Act One: Lying Together - Act Two: Seduction and Colonization - Act Three: Eye of the Storm -- Conclusion: Making Do with Indeterminacy -- Notes -- Bibliography -- Index. ""In Naples, there are more singers than there are unemployed people." These words echo through the neomelodica music scene, a vast undocumented economy animated by wedding singers, pirate TV, and tens of thousands of fans throughout southern Italy and beyond. In a city with chronic unemployment, this setting has attracted hundreds of aspiring singers trying to make a living--or even a fortune. In the process, they brush up against affiliates of the region's violent organized crime networks, the camorra. In The Art of Making Do in Naples, Jason Pine explores the murky neomelodica music scene and finds himself on uncertain ground.The "art of making do" refers to the informal and sometimes illicit entrepreneurial tactics of some Neapolitans who are pursuing a better life for themselves and their families. In the neomelodica music scene, the art of making do involves operating do-it-yourself recording studios and performing at the private parties of crime bosses. It can also require associating with crime boss-impresarios who guarantee their success by underwriting it with extortion, drug trafficking, and territorial influence. Pine, likewise "making do," gradually realized that the completion of his ethnographic work also depended on the aid of forbidding figures.The Art of Making Do in Naples offers a riveting ethnography of the lives of men who seek personal sovereignty in a shadow economy dominated, in incalculable ways, by the camorra. Pine navigates situations suffused with secrecy, moral ambiguity, and fears of ruin that undermine the anthropologist's sense of autonomy. Making his way through Naples's spectacular historic center and outer slums, on the trail of charmingly evasive neomelodici singers and unsettlingly elusive camorristi, Pine himself becomes a music video director and falls into the orbit of a shadowy music promoter who may or may not be a camorra affiliate.Pine's trenchant observations and his own improvised attempts at "making do" provide a fascinating look into the lives of people in the gray zones where organized crime blends into ordinary life. "-- "The Art of Making Do in Naples offers a riveting ethnography of the lives of men seeking personal sovereignty in a shadow economy dominated by violent organized crime networks. Jason Pine's trenchant observations and his own improvised attempts at "making do" provide a fascinating look into the lives of people in the gray zones where organized crime blends into ordinary life"-- Machine generated contents note: -- Contents -- Acknowledgments -- Introduction. The Contact Zone: Where Organized Crime and Everyday Life Comingle -- 1. Where There's Money, There's the Camorra -- 2. Making Do with Art: Counterfeit Music, Pirated TV, and Crime Clan Weddings -- 3. The Sceneggiata: Melodramas of Manhood, Allegories of Violence -- 4. Family Affairs: Coming of Age on Stage: Act One - The Ventriloquist's Ventriloquist - Act Two: Betraying Secrets - Act Three: The Erotics of Exposure -- 5. Ethnographic Imbroglios -- 6. Who Am I and Who Are You? The Promise and Threat of Contact with the Camorra: Act One: Lying Together - Act Two: Seduction and Colonization - Act Three: Eye of the Storm -- Conclusion: Making Do with Indeterminacy Archivierung/Langzeitarchivierung gewährleistet SSG XA-DE-BW pdager DE-21 Archivierung prüfen 20240324 DE-4165 1 pdager Crime Italy Naples Camorra Italy Naples Organized crime Italy Naples Music trade Italy Naples Singers Italy Naples Ethnology Italy Naples g (DE-588)4041476-0 (DE-627)106218999 (DE-576)209045191 Neapel gnd s (DE-588)4284675-4 (DE-627)104326026 (DE-576)210793058 Camorra gnd s (DE-588)4043830-2 (DE-627)104189177 (DE-576)209057513 Organisiertes Verbrechen gnd s (DE-588)4001307-8 (DE-627)106397591 (DE-576)20884225X Alltag gnd s (DE-588)4037875-5 (DE-627)106235087 (DE-576)209027010 Massenkommunikation gnd s (DE-588)4125698-0 (DE-627)104470348 (DE-576)209578750 Kultur gnd (DE-627) g (DE-588)4041476-0 (DE-627)106218999 (DE-576)209045191 Neapel gnd s (DE-588)4052105-9 (DE-627)106173669 (DE-576)209096810 Schattenwirtschaft gnd s (DE-588)4125858-7 (DE-627)105736864 (DE-576)209580143 Massenkultur gnd s (DE-588)4063854-6 (DE-627)106126113 (DE-576)209150769 Volksmusik gnd s (DE-588)4284675-4 (DE-627)104326026 (DE-576)210793058 Camorra gnd (DE-627) https://swbplus.bsz-bw.de/bsz37721230Xinh.htm B:DE-576;DE-21 application/pdf 20130129105702 Verlag Inhaltsverzeichnis http://www.gbv.de/dms/bowker/toc/9780816676019.pdf V:DE-601 X:Bowker pdf/application 2014-03-19 Verlag Inhaltsverzeichnis Inhaltsverzeichnis (DE-627)723821550 GBV_ILN_110 ISIL_DE-Luen4 SYSFLAG_1 GBV_KXP SSG-OLC-PHA GBV_ILN_370 ISIL_DE-1373 GBV_ILN_2001 ISIL_DE-21 mdedup MS 1870 Städte (Monografien) Soziologie Spezielle Soziologien Stadtsoziologie Städte (Monografien) (DE-627)1271440954 (DE-625)rvk/123622: (DE-576)201440954 BO 045F 364.1060945/731 045F 364.106094573 110 01 3110 162689342X 00 CAM 16-13597 u --%%-- kz 12-10-16 370 01 4370 1641818115 00 EG MS 1870 043 u --%%-- z 17-10-16 2001 01 DE-21 3231424895 00 --%%-- KB 20 A 6067 --%%-- --%%-- l01 02-01-13 110 00 DE-Luen4 00 Mus 160 110 00 DE-Luen4 01 Soz 213 2001 01 DE-21 00 k11.3.2 110 01 3110 LUN4$0858852X 370 01 4370 HC042970 110 01 3110 16-13597 370 01 4370 2016-2177 370 01 4370 2017.01.03 2001 01 DE-21 1301 34 |
| spelling |
2012031590 9780816636310 : hardback 978-0-8166-3631-0 9780816676019 : pb 978-0-8166-7601-9 (DE-627)1620241803 (DE-576)37721230X (DE-599)BSZ37721230X (OCoLC)788274267 (OCoLC)827004511 DE-627 ger DE-627 rda eng XD-US XA-GB HV6995.N3 364.1060945/731 LOC 23 364.106094573 SOC002010 MUS015000 bisacsh 8,2 ssgn 2,1 ssgn MS 1870 rvk (DE-625)rvk/123622: Pine, Jason verfasserin aut The art of making do in Naples Jason Pine Minneapolis London University of Minnesota Press [2012] © 2012 x, 360 Seiten Illustrationen 23 cm Text txt rdacontent ohne Hilfsmittel zu benutzen n rdamedia Band nc rdacarrier Includes bibliographical references and index Machine generated contents note:Contents -- Acknowledgments -- Introduction. The Contact Zone: Where Organized Crime and Everyday Life Comingle -- 1. Where There's Money, There's the Camorra -- 2. Making Do with Art: Counterfeit Music, Pirated TV, and Crime Clan Weddings -- 3. The Sceneggiata: Melodramas of Manhood, Allegories of Violence -- 4. Family Affairs: Coming of Age on Stage: Act One - The Ventriloquist's Ventriloquist - Act Two: Betraying Secrets - Act Three: The Erotics of Exposure -- 5. Ethnographic Imbroglios -- 6. Who Am I and Who Are You? The Promise and Threat of Contact with the Camorra: Act One: Lying Together - Act Two: Seduction and Colonization - Act Three: Eye of the Storm -- Conclusion: Making Do with Indeterminacy. Machine generated contents note: -- Contents -- Acknowledgments -- Introduction. The Contact Zone: Where Organized Crime and Everyday Life Comingle -- 1. Where There's Money, There's the Camorra -- 2. Making Do with Art: Counterfeit Music, Pirated TV, and Crime Clan Weddings -- 3. The Sceneggiata: Melodramas of Manhood, Allegories of Violence -- 4. Family Affairs: Coming of Age on Stage: Act One - The Ventriloquist's Ventriloquist - Act Two: Betraying Secrets - Act Three: The Erotics of Exposure -- 5. Ethnographic Imbroglios -- 6. Who Am I and Who Are You? The Promise and Threat of Contact with the Camorra: Act One: Lying Together - Act Two: Seduction and Colonization - Act Three: Eye of the Storm -- Conclusion: Making Do with Indeterminacy -- Notes -- Bibliography -- Index. ""In Naples, there are more singers than there are unemployed people." These words echo through the neomelodica music scene, a vast undocumented economy animated by wedding singers, pirate TV, and tens of thousands of fans throughout southern Italy and beyond. In a city with chronic unemployment, this setting has attracted hundreds of aspiring singers trying to make a living--or even a fortune. In the process, they brush up against affiliates of the region's violent organized crime networks, the camorra. In The Art of Making Do in Naples, Jason Pine explores the murky neomelodica music scene and finds himself on uncertain ground.The "art of making do" refers to the informal and sometimes illicit entrepreneurial tactics of some Neapolitans who are pursuing a better life for themselves and their families. In the neomelodica music scene, the art of making do involves operating do-it-yourself recording studios and performing at the private parties of crime bosses. It can also require associating with crime boss-impresarios who guarantee their success by underwriting it with extortion, drug trafficking, and territorial influence. Pine, likewise "making do," gradually realized that the completion of his ethnographic work also depended on the aid of forbidding figures.The Art of Making Do in Naples offers a riveting ethnography of the lives of men who seek personal sovereignty in a shadow economy dominated, in incalculable ways, by the camorra. Pine navigates situations suffused with secrecy, moral ambiguity, and fears of ruin that undermine the anthropologist's sense of autonomy. Making his way through Naples's spectacular historic center and outer slums, on the trail of charmingly evasive neomelodici singers and unsettlingly elusive camorristi, Pine himself becomes a music video director and falls into the orbit of a shadowy music promoter who may or may not be a camorra affiliate.Pine's trenchant observations and his own improvised attempts at "making do" provide a fascinating look into the lives of people in the gray zones where organized crime blends into ordinary life. "-- "The Art of Making Do in Naples offers a riveting ethnography of the lives of men seeking personal sovereignty in a shadow economy dominated by violent organized crime networks. Jason Pine's trenchant observations and his own improvised attempts at "making do" provide a fascinating look into the lives of people in the gray zones where organized crime blends into ordinary life"-- Machine generated contents note: -- Contents -- Acknowledgments -- Introduction. The Contact Zone: Where Organized Crime and Everyday Life Comingle -- 1. Where There's Money, There's the Camorra -- 2. Making Do with Art: Counterfeit Music, Pirated TV, and Crime Clan Weddings -- 3. The Sceneggiata: Melodramas of Manhood, Allegories of Violence -- 4. Family Affairs: Coming of Age on Stage: Act One - The Ventriloquist's Ventriloquist - Act Two: Betraying Secrets - Act Three: The Erotics of Exposure -- 5. Ethnographic Imbroglios -- 6. Who Am I and Who Are You? The Promise and Threat of Contact with the Camorra: Act One: Lying Together - Act Two: Seduction and Colonization - Act Three: Eye of the Storm -- Conclusion: Making Do with Indeterminacy Archivierung/Langzeitarchivierung gewährleistet SSG XA-DE-BW pdager DE-21 Archivierung prüfen 20240324 DE-4165 1 pdager Crime Italy Naples Camorra Italy Naples Organized crime Italy Naples Music trade Italy Naples Singers Italy Naples Ethnology Italy Naples g (DE-588)4041476-0 (DE-627)106218999 (DE-576)209045191 Neapel gnd s (DE-588)4284675-4 (DE-627)104326026 (DE-576)210793058 Camorra gnd s (DE-588)4043830-2 (DE-627)104189177 (DE-576)209057513 Organisiertes Verbrechen gnd s (DE-588)4001307-8 (DE-627)106397591 (DE-576)20884225X Alltag gnd s (DE-588)4037875-5 (DE-627)106235087 (DE-576)209027010 Massenkommunikation gnd s (DE-588)4125698-0 (DE-627)104470348 (DE-576)209578750 Kultur gnd (DE-627) g (DE-588)4041476-0 (DE-627)106218999 (DE-576)209045191 Neapel gnd s (DE-588)4052105-9 (DE-627)106173669 (DE-576)209096810 Schattenwirtschaft gnd s (DE-588)4125858-7 (DE-627)105736864 (DE-576)209580143 Massenkultur gnd s (DE-588)4063854-6 (DE-627)106126113 (DE-576)209150769 Volksmusik gnd s (DE-588)4284675-4 (DE-627)104326026 (DE-576)210793058 Camorra gnd (DE-627) https://swbplus.bsz-bw.de/bsz37721230Xinh.htm B:DE-576;DE-21 application/pdf 20130129105702 Verlag Inhaltsverzeichnis http://www.gbv.de/dms/bowker/toc/9780816676019.pdf V:DE-601 X:Bowker pdf/application 2014-03-19 Verlag Inhaltsverzeichnis Inhaltsverzeichnis (DE-627)723821550 GBV_ILN_110 ISIL_DE-Luen4 SYSFLAG_1 GBV_KXP SSG-OLC-PHA GBV_ILN_370 ISIL_DE-1373 GBV_ILN_2001 ISIL_DE-21 mdedup MS 1870 Städte (Monografien) Soziologie Spezielle Soziologien Stadtsoziologie Städte (Monografien) (DE-627)1271440954 (DE-625)rvk/123622: (DE-576)201440954 BO 045F 364.1060945/731 045F 364.106094573 110 01 3110 162689342X 00 CAM 16-13597 u --%%-- kz 12-10-16 370 01 4370 1641818115 00 EG MS 1870 043 u --%%-- z 17-10-16 2001 01 DE-21 3231424895 00 --%%-- KB 20 A 6067 --%%-- --%%-- l01 02-01-13 110 00 DE-Luen4 00 Mus 160 110 00 DE-Luen4 01 Soz 213 2001 01 DE-21 00 k11.3.2 110 01 3110 LUN4$0858852X 370 01 4370 HC042970 110 01 3110 16-13597 370 01 4370 2016-2177 370 01 4370 2017.01.03 2001 01 DE-21 1301 34 |
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2012031590 9780816636310 : hardback 978-0-8166-3631-0 9780816676019 : pb 978-0-8166-7601-9 (DE-627)1620241803 (DE-576)37721230X (DE-599)BSZ37721230X (OCoLC)788274267 (OCoLC)827004511 DE-627 ger DE-627 rda eng XD-US XA-GB HV6995.N3 364.1060945/731 LOC 23 364.106094573 SOC002010 MUS015000 bisacsh 8,2 ssgn 2,1 ssgn MS 1870 rvk (DE-625)rvk/123622: Pine, Jason verfasserin aut The art of making do in Naples Jason Pine Minneapolis London University of Minnesota Press [2012] © 2012 x, 360 Seiten Illustrationen 23 cm Text txt rdacontent ohne Hilfsmittel zu benutzen n rdamedia Band nc rdacarrier Includes bibliographical references and index Machine generated contents note:Contents -- Acknowledgments -- Introduction. The Contact Zone: Where Organized Crime and Everyday Life Comingle -- 1. Where There's Money, There's the Camorra -- 2. Making Do with Art: Counterfeit Music, Pirated TV, and Crime Clan Weddings -- 3. The Sceneggiata: Melodramas of Manhood, Allegories of Violence -- 4. Family Affairs: Coming of Age on Stage: Act One - The Ventriloquist's Ventriloquist - Act Two: Betraying Secrets - Act Three: The Erotics of Exposure -- 5. Ethnographic Imbroglios -- 6. Who Am I and Who Are You? The Promise and Threat of Contact with the Camorra: Act One: Lying Together - Act Two: Seduction and Colonization - Act Three: Eye of the Storm -- Conclusion: Making Do with Indeterminacy. Machine generated contents note: -- Contents -- Acknowledgments -- Introduction. The Contact Zone: Where Organized Crime and Everyday Life Comingle -- 1. Where There's Money, There's the Camorra -- 2. Making Do with Art: Counterfeit Music, Pirated TV, and Crime Clan Weddings -- 3. The Sceneggiata: Melodramas of Manhood, Allegories of Violence -- 4. Family Affairs: Coming of Age on Stage: Act One - The Ventriloquist's Ventriloquist - Act Two: Betraying Secrets - Act Three: The Erotics of Exposure -- 5. Ethnographic Imbroglios -- 6. Who Am I and Who Are You? The Promise and Threat of Contact with the Camorra: Act One: Lying Together - Act Two: Seduction and Colonization - Act Three: Eye of the Storm -- Conclusion: Making Do with Indeterminacy -- Notes -- Bibliography -- Index. ""In Naples, there are more singers than there are unemployed people." These words echo through the neomelodica music scene, a vast undocumented economy animated by wedding singers, pirate TV, and tens of thousands of fans throughout southern Italy and beyond. In a city with chronic unemployment, this setting has attracted hundreds of aspiring singers trying to make a living--or even a fortune. In the process, they brush up against affiliates of the region's violent organized crime networks, the camorra. In The Art of Making Do in Naples, Jason Pine explores the murky neomelodica music scene and finds himself on uncertain ground.The "art of making do" refers to the informal and sometimes illicit entrepreneurial tactics of some Neapolitans who are pursuing a better life for themselves and their families. In the neomelodica music scene, the art of making do involves operating do-it-yourself recording studios and performing at the private parties of crime bosses. It can also require associating with crime boss-impresarios who guarantee their success by underwriting it with extortion, drug trafficking, and territorial influence. Pine, likewise "making do," gradually realized that the completion of his ethnographic work also depended on the aid of forbidding figures.The Art of Making Do in Naples offers a riveting ethnography of the lives of men who seek personal sovereignty in a shadow economy dominated, in incalculable ways, by the camorra. Pine navigates situations suffused with secrecy, moral ambiguity, and fears of ruin that undermine the anthropologist's sense of autonomy. Making his way through Naples's spectacular historic center and outer slums, on the trail of charmingly evasive neomelodici singers and unsettlingly elusive camorristi, Pine himself becomes a music video director and falls into the orbit of a shadowy music promoter who may or may not be a camorra affiliate.Pine's trenchant observations and his own improvised attempts at "making do" provide a fascinating look into the lives of people in the gray zones where organized crime blends into ordinary life. "-- "The Art of Making Do in Naples offers a riveting ethnography of the lives of men seeking personal sovereignty in a shadow economy dominated by violent organized crime networks. Jason Pine's trenchant observations and his own improvised attempts at "making do" provide a fascinating look into the lives of people in the gray zones where organized crime blends into ordinary life"-- Machine generated contents note: -- Contents -- Acknowledgments -- Introduction. The Contact Zone: Where Organized Crime and Everyday Life Comingle -- 1. Where There's Money, There's the Camorra -- 2. Making Do with Art: Counterfeit Music, Pirated TV, and Crime Clan Weddings -- 3. The Sceneggiata: Melodramas of Manhood, Allegories of Violence -- 4. Family Affairs: Coming of Age on Stage: Act One - The Ventriloquist's Ventriloquist - Act Two: Betraying Secrets - Act Three: The Erotics of Exposure -- 5. Ethnographic Imbroglios -- 6. Who Am I and Who Are You? 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2012031590 9780816636310 : hardback 978-0-8166-3631-0 9780816676019 : pb 978-0-8166-7601-9 (DE-627)1620241803 (DE-576)37721230X (DE-599)BSZ37721230X (OCoLC)788274267 (OCoLC)827004511 DE-627 ger DE-627 rda eng XD-US XA-GB HV6995.N3 364.1060945/731 LOC 23 364.106094573 SOC002010 MUS015000 bisacsh 8,2 ssgn 2,1 ssgn MS 1870 rvk (DE-625)rvk/123622: Pine, Jason verfasserin aut The art of making do in Naples Jason Pine Minneapolis London University of Minnesota Press [2012] © 2012 x, 360 Seiten Illustrationen 23 cm Text txt rdacontent ohne Hilfsmittel zu benutzen n rdamedia Band nc rdacarrier Includes bibliographical references and index Machine generated contents note:Contents -- Acknowledgments -- Introduction. The Contact Zone: Where Organized Crime and Everyday Life Comingle -- 1. Where There's Money, There's the Camorra -- 2. Making Do with Art: Counterfeit Music, Pirated TV, and Crime Clan Weddings -- 3. The Sceneggiata: Melodramas of Manhood, Allegories of Violence -- 4. Family Affairs: Coming of Age on Stage: Act One - The Ventriloquist's Ventriloquist - Act Two: Betraying Secrets - Act Three: The Erotics of Exposure -- 5. Ethnographic Imbroglios -- 6. Who Am I and Who Are You? The Promise and Threat of Contact with the Camorra: Act One: Lying Together - Act Two: Seduction and Colonization - Act Three: Eye of the Storm -- Conclusion: Making Do with Indeterminacy. Machine generated contents note: -- Contents -- Acknowledgments -- Introduction. The Contact Zone: Where Organized Crime and Everyday Life Comingle -- 1. Where There's Money, There's the Camorra -- 2. Making Do with Art: Counterfeit Music, Pirated TV, and Crime Clan Weddings -- 3. The Sceneggiata: Melodramas of Manhood, Allegories of Violence -- 4. Family Affairs: Coming of Age on Stage: Act One - The Ventriloquist's Ventriloquist - Act Two: Betraying Secrets - Act Three: The Erotics of Exposure -- 5. Ethnographic Imbroglios -- 6. Who Am I and Who Are You? The Promise and Threat of Contact with the Camorra: Act One: Lying Together - Act Two: Seduction and Colonization - Act Three: Eye of the Storm -- Conclusion: Making Do with Indeterminacy -- Notes -- Bibliography -- Index. ""In Naples, there are more singers than there are unemployed people." These words echo through the neomelodica music scene, a vast undocumented economy animated by wedding singers, pirate TV, and tens of thousands of fans throughout southern Italy and beyond. In a city with chronic unemployment, this setting has attracted hundreds of aspiring singers trying to make a living--or even a fortune. In the process, they brush up against affiliates of the region's violent organized crime networks, the camorra. In The Art of Making Do in Naples, Jason Pine explores the murky neomelodica music scene and finds himself on uncertain ground.The "art of making do" refers to the informal and sometimes illicit entrepreneurial tactics of some Neapolitans who are pursuing a better life for themselves and their families. In the neomelodica music scene, the art of making do involves operating do-it-yourself recording studios and performing at the private parties of crime bosses. It can also require associating with crime boss-impresarios who guarantee their success by underwriting it with extortion, drug trafficking, and territorial influence. Pine, likewise "making do," gradually realized that the completion of his ethnographic work also depended on the aid of forbidding figures.The Art of Making Do in Naples offers a riveting ethnography of the lives of men who seek personal sovereignty in a shadow economy dominated, in incalculable ways, by the camorra. Pine navigates situations suffused with secrecy, moral ambiguity, and fears of ruin that undermine the anthropologist's sense of autonomy. Making his way through Naples's spectacular historic center and outer slums, on the trail of charmingly evasive neomelodici singers and unsettlingly elusive camorristi, Pine himself becomes a music video director and falls into the orbit of a shadowy music promoter who may or may not be a camorra affiliate.Pine's trenchant observations and his own improvised attempts at "making do" provide a fascinating look into the lives of people in the gray zones where organized crime blends into ordinary life. "-- "The Art of Making Do in Naples offers a riveting ethnography of the lives of men seeking personal sovereignty in a shadow economy dominated by violent organized crime networks. Jason Pine's trenchant observations and his own improvised attempts at "making do" provide a fascinating look into the lives of people in the gray zones where organized crime blends into ordinary life"-- Machine generated contents note: -- Contents -- Acknowledgments -- Introduction. The Contact Zone: Where Organized Crime and Everyday Life Comingle -- 1. Where There's Money, There's the Camorra -- 2. Making Do with Art: Counterfeit Music, Pirated TV, and Crime Clan Weddings -- 3. The Sceneggiata: Melodramas of Manhood, Allegories of Violence -- 4. Family Affairs: Coming of Age on Stage: Act One - The Ventriloquist's Ventriloquist - Act Two: Betraying Secrets - Act Three: The Erotics of Exposure -- 5. Ethnographic Imbroglios -- 6. Who Am I and Who Are You? The Promise and Threat of Contact with the Camorra: Act One: Lying Together - Act Two: Seduction and Colonization - Act Three: Eye of the Storm -- Conclusion: Making Do with Indeterminacy Archivierung/Langzeitarchivierung gewährleistet SSG XA-DE-BW pdager DE-21 Archivierung prüfen 20240324 DE-4165 1 pdager Crime Italy Naples Camorra Italy Naples Organized crime Italy Naples Music trade Italy Naples Singers Italy Naples Ethnology Italy Naples g (DE-588)4041476-0 (DE-627)106218999 (DE-576)209045191 Neapel gnd s (DE-588)4284675-4 (DE-627)104326026 (DE-576)210793058 Camorra gnd s (DE-588)4043830-2 (DE-627)104189177 (DE-576)209057513 Organisiertes Verbrechen gnd s (DE-588)4001307-8 (DE-627)106397591 (DE-576)20884225X Alltag gnd s (DE-588)4037875-5 (DE-627)106235087 (DE-576)209027010 Massenkommunikation gnd s (DE-588)4125698-0 (DE-627)104470348 (DE-576)209578750 Kultur gnd (DE-627) g (DE-588)4041476-0 (DE-627)106218999 (DE-576)209045191 Neapel gnd s (DE-588)4052105-9 (DE-627)106173669 (DE-576)209096810 Schattenwirtschaft gnd s (DE-588)4125858-7 (DE-627)105736864 (DE-576)209580143 Massenkultur gnd s (DE-588)4063854-6 (DE-627)106126113 (DE-576)209150769 Volksmusik gnd s (DE-588)4284675-4 (DE-627)104326026 (DE-576)210793058 Camorra gnd (DE-627) https://swbplus.bsz-bw.de/bsz37721230Xinh.htm B:DE-576;DE-21 application/pdf 20130129105702 Verlag Inhaltsverzeichnis http://www.gbv.de/dms/bowker/toc/9780816676019.pdf V:DE-601 X:Bowker pdf/application 2014-03-19 Verlag Inhaltsverzeichnis Inhaltsverzeichnis (DE-627)723821550 GBV_ILN_110 ISIL_DE-Luen4 SYSFLAG_1 GBV_KXP SSG-OLC-PHA GBV_ILN_370 ISIL_DE-1373 GBV_ILN_2001 ISIL_DE-21 mdedup MS 1870 Städte (Monografien) Soziologie Spezielle Soziologien Stadtsoziologie Städte (Monografien) (DE-627)1271440954 (DE-625)rvk/123622: (DE-576)201440954 BO 045F 364.1060945/731 045F 364.106094573 110 01 3110 162689342X 00 CAM 16-13597 u --%%-- kz 12-10-16 370 01 4370 1641818115 00 EG MS 1870 043 u --%%-- z 17-10-16 2001 01 DE-21 3231424895 00 --%%-- KB 20 A 6067 --%%-- --%%-- l01 02-01-13 110 00 DE-Luen4 00 Mus 160 110 00 DE-Luen4 01 Soz 213 2001 01 DE-21 00 k11.3.2 110 01 3110 LUN4$0858852X 370 01 4370 HC042970 110 01 3110 16-13597 370 01 4370 2016-2177 370 01 4370 2017.01.03 2001 01 DE-21 1301 34 |
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2012031590 9780816636310 : hardback 978-0-8166-3631-0 9780816676019 : pb 978-0-8166-7601-9 (DE-627)1620241803 (DE-576)37721230X (DE-599)BSZ37721230X (OCoLC)788274267 (OCoLC)827004511 DE-627 ger DE-627 rda eng XD-US XA-GB HV6995.N3 364.1060945/731 LOC 23 364.106094573 SOC002010 MUS015000 bisacsh 8,2 ssgn 2,1 ssgn MS 1870 rvk (DE-625)rvk/123622: Pine, Jason verfasserin aut The art of making do in Naples Jason Pine Minneapolis London University of Minnesota Press [2012] © 2012 x, 360 Seiten Illustrationen 23 cm Text txt rdacontent ohne Hilfsmittel zu benutzen n rdamedia Band nc rdacarrier Includes bibliographical references and index Machine generated contents note:Contents -- Acknowledgments -- Introduction. The Contact Zone: Where Organized Crime and Everyday Life Comingle -- 1. Where There's Money, There's the Camorra -- 2. Making Do with Art: Counterfeit Music, Pirated TV, and Crime Clan Weddings -- 3. The Sceneggiata: Melodramas of Manhood, Allegories of Violence -- 4. Family Affairs: Coming of Age on Stage: Act One - The Ventriloquist's Ventriloquist - Act Two: Betraying Secrets - Act Three: The Erotics of Exposure -- 5. Ethnographic Imbroglios -- 6. Who Am I and Who Are You? The Promise and Threat of Contact with the Camorra: Act One: Lying Together - Act Two: Seduction and Colonization - Act Three: Eye of the Storm -- Conclusion: Making Do with Indeterminacy. Machine generated contents note: -- Contents -- Acknowledgments -- Introduction. The Contact Zone: Where Organized Crime and Everyday Life Comingle -- 1. Where There's Money, There's the Camorra -- 2. Making Do with Art: Counterfeit Music, Pirated TV, and Crime Clan Weddings -- 3. The Sceneggiata: Melodramas of Manhood, Allegories of Violence -- 4. Family Affairs: Coming of Age on Stage: Act One - The Ventriloquist's Ventriloquist - Act Two: Betraying Secrets - Act Three: The Erotics of Exposure -- 5. Ethnographic Imbroglios -- 6. Who Am I and Who Are You? The Promise and Threat of Contact with the Camorra: Act One: Lying Together - Act Two: Seduction and Colonization - Act Three: Eye of the Storm -- Conclusion: Making Do with Indeterminacy -- Notes -- Bibliography -- Index. ""In Naples, there are more singers than there are unemployed people." These words echo through the neomelodica music scene, a vast undocumented economy animated by wedding singers, pirate TV, and tens of thousands of fans throughout southern Italy and beyond. In a city with chronic unemployment, this setting has attracted hundreds of aspiring singers trying to make a living--or even a fortune. In the process, they brush up against affiliates of the region's violent organized crime networks, the camorra. In The Art of Making Do in Naples, Jason Pine explores the murky neomelodica music scene and finds himself on uncertain ground.The "art of making do" refers to the informal and sometimes illicit entrepreneurial tactics of some Neapolitans who are pursuing a better life for themselves and their families. In the neomelodica music scene, the art of making do involves operating do-it-yourself recording studios and performing at the private parties of crime bosses. It can also require associating with crime boss-impresarios who guarantee their success by underwriting it with extortion, drug trafficking, and territorial influence. Pine, likewise "making do," gradually realized that the completion of his ethnographic work also depended on the aid of forbidding figures.The Art of Making Do in Naples offers a riveting ethnography of the lives of men who seek personal sovereignty in a shadow economy dominated, in incalculable ways, by the camorra. Pine navigates situations suffused with secrecy, moral ambiguity, and fears of ruin that undermine the anthropologist's sense of autonomy. Making his way through Naples's spectacular historic center and outer slums, on the trail of charmingly evasive neomelodici singers and unsettlingly elusive camorristi, Pine himself becomes a music video director and falls into the orbit of a shadowy music promoter who may or may not be a camorra affiliate.Pine's trenchant observations and his own improvised attempts at "making do" provide a fascinating look into the lives of people in the gray zones where organized crime blends into ordinary life. "-- "The Art of Making Do in Naples offers a riveting ethnography of the lives of men seeking personal sovereignty in a shadow economy dominated by violent organized crime networks. Jason Pine's trenchant observations and his own improvised attempts at "making do" provide a fascinating look into the lives of people in the gray zones where organized crime blends into ordinary life"-- Machine generated contents note: -- Contents -- Acknowledgments -- Introduction. The Contact Zone: Where Organized Crime and Everyday Life Comingle -- 1. Where There's Money, There's the Camorra -- 2. Making Do with Art: Counterfeit Music, Pirated TV, and Crime Clan Weddings -- 3. The Sceneggiata: Melodramas of Manhood, Allegories of Violence -- 4. Family Affairs: Coming of Age on Stage: Act One - The Ventriloquist's Ventriloquist - Act Two: Betraying Secrets - Act Three: The Erotics of Exposure -- 5. Ethnographic Imbroglios -- 6. Who Am I and Who Are You? The Promise and Threat of Contact with the Camorra: Act One: Lying Together - Act Two: Seduction and Colonization - Act Three: Eye of the Storm -- Conclusion: Making Do with Indeterminacy Archivierung/Langzeitarchivierung gewährleistet SSG XA-DE-BW pdager DE-21 Archivierung prüfen 20240324 DE-4165 1 pdager Crime Italy Naples Camorra Italy Naples Organized crime Italy Naples Music trade Italy Naples Singers Italy Naples Ethnology Italy Naples g (DE-588)4041476-0 (DE-627)106218999 (DE-576)209045191 Neapel gnd s (DE-588)4284675-4 (DE-627)104326026 (DE-576)210793058 Camorra gnd s (DE-588)4043830-2 (DE-627)104189177 (DE-576)209057513 Organisiertes Verbrechen gnd s (DE-588)4001307-8 (DE-627)106397591 (DE-576)20884225X Alltag gnd s (DE-588)4037875-5 (DE-627)106235087 (DE-576)209027010 Massenkommunikation gnd s (DE-588)4125698-0 (DE-627)104470348 (DE-576)209578750 Kultur gnd (DE-627) g (DE-588)4041476-0 (DE-627)106218999 (DE-576)209045191 Neapel gnd s (DE-588)4052105-9 (DE-627)106173669 (DE-576)209096810 Schattenwirtschaft gnd s (DE-588)4125858-7 (DE-627)105736864 (DE-576)209580143 Massenkultur gnd s (DE-588)4063854-6 (DE-627)106126113 (DE-576)209150769 Volksmusik gnd s (DE-588)4284675-4 (DE-627)104326026 (DE-576)210793058 Camorra gnd (DE-627) https://swbplus.bsz-bw.de/bsz37721230Xinh.htm B:DE-576;DE-21 application/pdf 20130129105702 Verlag Inhaltsverzeichnis http://www.gbv.de/dms/bowker/toc/9780816676019.pdf V:DE-601 X:Bowker pdf/application 2014-03-19 Verlag Inhaltsverzeichnis Inhaltsverzeichnis (DE-627)723821550 GBV_ILN_110 ISIL_DE-Luen4 SYSFLAG_1 GBV_KXP SSG-OLC-PHA GBV_ILN_370 ISIL_DE-1373 GBV_ILN_2001 ISIL_DE-21 mdedup MS 1870 Städte (Monografien) Soziologie Spezielle Soziologien Stadtsoziologie Städte (Monografien) (DE-627)1271440954 (DE-625)rvk/123622: (DE-576)201440954 BO 045F 364.1060945/731 045F 364.106094573 110 01 3110 162689342X 00 CAM 16-13597 u --%%-- kz 12-10-16 370 01 4370 1641818115 00 EG MS 1870 043 u --%%-- z 17-10-16 2001 01 DE-21 3231424895 00 --%%-- KB 20 A 6067 --%%-- --%%-- l01 02-01-13 110 00 DE-Luen4 00 Mus 160 110 00 DE-Luen4 01 Soz 213 2001 01 DE-21 00 k11.3.2 110 01 3110 LUN4$0858852X 370 01 4370 HC042970 110 01 3110 16-13597 370 01 4370 2016-2177 370 01 4370 2017.01.03 2001 01 DE-21 1301 34 |
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The art of making do in Naples |
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The Contact Zone: Where Organized Crime and Everyday Life Comingle -- 1. Where There's Money, There's the Camorra -- 2. Making Do with Art: Counterfeit Music, Pirated TV, and Crime Clan Weddings -- 3. The Sceneggiata: Melodramas of Manhood, Allegories of Violence -- 4. Family Affairs: Coming of Age on Stage: Act One - The Ventriloquist's Ventriloquist - Act Two: Betraying Secrets - Act Three: The Erotics of Exposure -- 5. Ethnographic Imbroglios -- 6. Who Am I and Who Are You? The Promise and Threat of Contact with the Camorra: Act One: Lying Together - Act Two: Seduction and Colonization - Act Three: Eye of the Storm -- Conclusion: Making Do with Indeterminacy.</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="a">Machine generated contents note: -- Contents -- Acknowledgments -- Introduction. The Contact Zone: Where Organized Crime and Everyday Life Comingle -- 1. Where There's Money, There's the Camorra -- 2. Making Do with Art: Counterfeit Music, Pirated TV, and Crime Clan Weddings -- 3. The Sceneggiata: Melodramas of Manhood, Allegories of Violence -- 4. Family Affairs: Coming of Age on Stage: Act One - The Ventriloquist's Ventriloquist - Act Two: Betraying Secrets - Act Three: The Erotics of Exposure -- 5. Ethnographic Imbroglios -- 6. Who Am I and Who Are You? The Promise and Threat of Contact with the Camorra: Act One: Lying Together - Act Two: Seduction and Colonization - Act Three: Eye of the Storm -- Conclusion: Making Do with Indeterminacy -- Notes -- Bibliography -- Index.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">""In Naples, there are more singers than there are unemployed people." These words echo through the neomelodica music scene, a vast undocumented economy animated by wedding singers, pirate TV, and tens of thousands of fans throughout southern Italy and beyond. In a city with chronic unemployment, this setting has attracted hundreds of aspiring singers trying to make a living--or even a fortune. In the process, they brush up against affiliates of the region's violent organized crime networks, the camorra. In The Art of Making Do in Naples, Jason Pine explores the murky neomelodica music scene and finds himself on uncertain ground.The "art of making do" refers to the informal and sometimes illicit entrepreneurial tactics of some Neapolitans who are pursuing a better life for themselves and their families. In the neomelodica music scene, the art of making do involves operating do-it-yourself recording studios and performing at the private parties of crime bosses. It can also require associating with crime boss-impresarios who guarantee their success by underwriting it with extortion, drug trafficking, and territorial influence. Pine, likewise "making do," gradually realized that the completion of his ethnographic work also depended on the aid of forbidding figures.The Art of Making Do in Naples offers a riveting ethnography of the lives of men who seek personal sovereignty in a shadow economy dominated, in incalculable ways, by the camorra. Pine navigates situations suffused with secrecy, moral ambiguity, and fears of ruin that undermine the anthropologist's sense of autonomy. Making his way through Naples's spectacular historic center and outer slums, on the trail of charmingly evasive neomelodici singers and unsettlingly elusive camorristi, Pine himself becomes a music video director and falls into the orbit of a shadowy music promoter who may or may not be a camorra affiliate.Pine's trenchant observations and his own improvised attempts at "making do" provide a fascinating look into the lives of people in the gray zones where organized crime blends into ordinary life. 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Acknowledgments p. ix Introduction: The Contact Zone: Where Organized Crime and Everyday Life Comingle … Where There's Money, There's the Camorra … Making Do with Art: Counterfeit Music, Pirate TV, and Crime Clan Weddings … The Sceneggiata: Melodramas of Manhood, Allegories of Violence … Family Affairs: Coming of Age Onstage … The Ventriloquist's Ventriloquist Betraying Secrets The Erotics of Self-Exposure Ethnographic Imbroglios … Who Am I and Who Are You? The Promise and Threat of Contact with the Camorra … Lying Together Seduction and Colonization Eye of the Storm Epilogue: Making Do with Indeterminacy … Notes … Bibliography … Index … Contents Acknowledgments INTRODUCTIO N The Contact Zone: Where Organized Crime and Everyday Life Comingle ON E Where There s Money, There's the Camorra TW O Making D o with Art : Counterfeit Music, Pirate TV, and Crime Clan Weddings THRE E The Sceneggiata: Melodramas of Manhood, Allegories of Violence FOU R Family Affairs: Coming of Age Onstage Act … The Ventriloquist s Ventriloquist Act … Betraying Secrets Act … The Erotics of Self-Exposure FIVE Ethnographiclmbroglios s IX Who A m I and Wh o Are You? The Promise and Threat of Contac t with the Camorra Act … Lying Together Act … Seduction and Colonization Act … Eye of the Storm EPILOGU E Making Do with Indeterminacy Notes Bibliography Index |
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<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01000cam a2200265 4500</leader><controlfield tag="001">1620241803</controlfield><controlfield tag="003">DE-627</controlfield><controlfield tag="005">20240510190309.0</controlfield><controlfield tag="007">tu</controlfield><controlfield tag="008">120904s2012 xxu||||| 00| ||eng c</controlfield><datafield tag="010" ind1=" " ind2=" "><subfield code="a"> 2012031590</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780816636310</subfield><subfield code="c">: hardback</subfield><subfield code="9">978-0-8166-3631-0</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780816676019</subfield><subfield code="c">: pb</subfield><subfield code="9">978-0-8166-7601-9</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-627)1620241803</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-576)37721230X</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BSZ37721230X</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)788274267</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)827004511</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-627</subfield><subfield code="b">ger</subfield><subfield code="c">DE-627</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1=" " ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="c">XD-US</subfield><subfield code="c">XA-GB</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">HV6995.N3</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">364.1060945/731</subfield><subfield code="q">LOC</subfield><subfield code="2">23</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">364.106094573</subfield></datafield><datafield tag="082" ind1="0" ind2="4"><subfield code="a">SOC002010</subfield><subfield code="a">MUS015000</subfield><subfield code="q">bisacsh</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">8,2</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">2,1</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MS 1870</subfield><subfield code="2">rvk</subfield><subfield code="0">(DE-625)rvk/123622:</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Pine, Jason</subfield><subfield code="e">verfasserin</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="4"><subfield code="a">The art of making do in Naples</subfield><subfield code="c">Jason Pine</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Minneapolis</subfield><subfield code="a">London</subfield><subfield code="b">University of Minnesota Press</subfield><subfield code="c">[2012]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2012</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">x, 360 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">23 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">Text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">ohne Hilfsmittel zu benutzen</subfield><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">Band</subfield><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Includes bibliographical references and index</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="a">Machine generated contents note:Contents -- Acknowledgments -- Introduction. The Contact Zone: Where Organized Crime and Everyday Life Comingle -- 1. Where There's Money, There's the Camorra -- 2. Making Do with Art: Counterfeit Music, Pirated TV, and Crime Clan Weddings -- 3. The Sceneggiata: Melodramas of Manhood, Allegories of Violence -- 4. Family Affairs: Coming of Age on Stage: Act One - The Ventriloquist's Ventriloquist - Act Two: Betraying Secrets - Act Three: The Erotics of Exposure -- 5. Ethnographic Imbroglios -- 6. Who Am I and Who Are You? The Promise and Threat of Contact with the Camorra: Act One: Lying Together - Act Two: Seduction and Colonization - Act Three: Eye of the Storm -- Conclusion: Making Do with Indeterminacy.</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="a">Machine generated contents note: -- Contents -- Acknowledgments -- Introduction. The Contact Zone: Where Organized Crime and Everyday Life Comingle -- 1. Where There's Money, There's the Camorra -- 2. Making Do with Art: Counterfeit Music, Pirated TV, and Crime Clan Weddings -- 3. The Sceneggiata: Melodramas of Manhood, Allegories of Violence -- 4. Family Affairs: Coming of Age on Stage: Act One - The Ventriloquist's Ventriloquist - Act Two: Betraying Secrets - Act Three: The Erotics of Exposure -- 5. Ethnographic Imbroglios -- 6. Who Am I and Who Are You? The Promise and Threat of Contact with the Camorra: Act One: Lying Together - Act Two: Seduction and Colonization - Act Three: Eye of the Storm -- Conclusion: Making Do with Indeterminacy -- Notes -- Bibliography -- Index.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">""In Naples, there are more singers than there are unemployed people." These words echo through the neomelodica music scene, a vast undocumented economy animated by wedding singers, pirate TV, and tens of thousands of fans throughout southern Italy and beyond. In a city with chronic unemployment, this setting has attracted hundreds of aspiring singers trying to make a living--or even a fortune. In the process, they brush up against affiliates of the region's violent organized crime networks, the camorra. In The Art of Making Do in Naples, Jason Pine explores the murky neomelodica music scene and finds himself on uncertain ground.The "art of making do" refers to the informal and sometimes illicit entrepreneurial tactics of some Neapolitans who are pursuing a better life for themselves and their families. In the neomelodica music scene, the art of making do involves operating do-it-yourself recording studios and performing at the private parties of crime bosses. It can also require associating with crime boss-impresarios who guarantee their success by underwriting it with extortion, drug trafficking, and territorial influence. Pine, likewise "making do," gradually realized that the completion of his ethnographic work also depended on the aid of forbidding figures.The Art of Making Do in Naples offers a riveting ethnography of the lives of men who seek personal sovereignty in a shadow economy dominated, in incalculable ways, by the camorra. Pine navigates situations suffused with secrecy, moral ambiguity, and fears of ruin that undermine the anthropologist's sense of autonomy. Making his way through Naples's spectacular historic center and outer slums, on the trail of charmingly evasive neomelodici singers and unsettlingly elusive camorristi, Pine himself becomes a music video director and falls into the orbit of a shadowy music promoter who may or may not be a camorra affiliate.Pine's trenchant observations and his own improvised attempts at "making do" provide a fascinating look into the lives of people in the gray zones where organized crime blends into ordinary life. "--</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"The Art of Making Do in Naples offers a riveting ethnography of the lives of men seeking personal sovereignty in a shadow economy dominated by violent organized crime networks. Jason Pine's trenchant observations and his own improvised attempts at "making do" provide a fascinating look into the lives of people in the gray zones where organized crime blends into ordinary life"--</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Machine generated contents note: -- Contents -- Acknowledgments -- Introduction. The Contact Zone: Where Organized Crime and Everyday Life Comingle -- 1. Where There's Money, There's the Camorra -- 2. Making Do with Art: Counterfeit Music, Pirated TV, and Crime Clan Weddings -- 3. The Sceneggiata: Melodramas of Manhood, Allegories of Violence -- 4. 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