Synthetic Aesthetics : investigating synthetic biology's desings on nature
Synthetic biology manipulates the stuff of life. For synthetic biologists, living matter is programmable material. In search of carbon-neutral fuels, sustainable manufacturing techniques, and innovative drugs, these researchers aim to redesign existing organisms and even construct completely novel b...
Ausführliche Beschreibung
Gespeichert in:
| Autor*in: |
Ginsberg, Alexandra Daisy - 1982- [verfasserIn] Calvert, Jane [verfasserIn] Schyfter, Pablo [verfasserIn] Elfick, Alistair [verfasserIn] Endy, Drew [verfasserIn] |
|---|
| Format: |
E-Book |
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| Sprache: |
Englisch |
| Erschienen: |
Cmbridge, Massachusetts London, England: The MIT Press ; 2014 © 2014 |
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| Schlagwörter: | |
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| Schlagwörter: | |
| Formangabe: |
Aufsatzsammlung |
| Systematik: |
|
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| Umfang: |
1 Online-Ressource (xxii, 349 Seiten) ; Illustrationen |
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| Weitere Ausgabe: |
Erscheint auch als Druck-Ausgabe: Synthetic aesthetics - Cambridge, Mass. : MIT Press, 2014 |
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| Reihe: |
IEEE Xplore Digital Library |
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| Links: | |
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| ISBN: |
978-0-262-32160-0 |
| Katalog-ID: |
1659379334 |
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| 520 | |a Synthetic biology manipulates the stuff of life. For synthetic biologists, living matter is programmable material. In search of carbon-neutral fuels, sustainable manufacturing techniques, and innovative drugs, these researchers aim to redesign existing organisms and even construct completely novel biological entities. Some synthetic biologists see themselves as designers, inventing new products and applications. But if biology is viewed as a malleable, engineerable, designable medium, what is the role of design and how will its values apply?In this book, synthetic biologists, artists, designers, and social scientists investigate synthetic biology and design. After chapters that introduce the science and set the terms of the discussion, the book follows six boundary-crossing collaborations between artists and designers and synthetic biologists from around the world, helping us understand what it might mean to 'design nature.' These collaborations have resulted in biological computers that calculate form; speculative packaging that builds its own contents; algae that feeds on circuit boards; and a sampling of human cheeses. They raise intriguing questions about the scientific process, the delegation of creativity, our relationship to designed matter, and, the importance of critical engagement. Should these projects be considered art, design, synthetic biology, or something else altogether?Synthetic biology is driven by its potential; some of these projects are fictions, beyond the current capabilities of the technology. Yet even as fictions, they help illuminate, question, and even shape the future of the field. | ||
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9780262321600 978-0-262-32160-0 (DE-627)1659379334 (DE-576)491129378 (DE-599)BSZ491129378 (OCoLC)1001523113 (OCoLC)1001523113 (MITPRESS)6757882 (EBP)055122353 DE-627 ger DE-627 rda eng XD-US XA-GB 610.284 23 WF 9780 rvk (DE-625)rvk/148466: 58.30 bkl 21.82 bkl 20.06 bkl 30.30 bkl Ginsberg, Alexandra Daisy 1982- verfasserin (DE-588)1050298233 (DE-627)783825811 (DE-576)40450437X aut Synthetic Aesthetics investigating synthetic biology's desings on nature Alexandra Daisy Ginsberg, Jane Calvert, Papblo Schyfter, Alistair Elfick, and Drew Endy, with additional contributors Cmbridge, Massachusetts London, England The MIT Press [2014] © 2014 1 Online-Ressource (xxii, 349 Seiten) Illustrationen Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier IEEE Xplore Digital Library Synthetic biology manipulates the stuff of life. For synthetic biologists, living matter is programmable material. In search of carbon-neutral fuels, sustainable manufacturing techniques, and innovative drugs, these researchers aim to redesign existing organisms and even construct completely novel biological entities. Some synthetic biologists see themselves as designers, inventing new products and applications. But if biology is viewed as a malleable, engineerable, designable medium, what is the role of design and how will its values apply?In this book, synthetic biologists, artists, designers, and social scientists investigate synthetic biology and design. After chapters that introduce the science and set the terms of the discussion, the book follows six boundary-crossing collaborations between artists and designers and synthetic biologists from around the world, helping us understand what it might mean to 'design nature.' These collaborations have resulted in biological computers that calculate form; speculative packaging that builds its own contents; algae that feeds on circuit boards; and a sampling of human cheeses. They raise intriguing questions about the scientific process, the delegation of creativity, our relationship to designed matter, and, the importance of critical engagement. Should these projects be considered art, design, synthetic biology, or something else altogether?Synthetic biology is driven by its potential; some of these projects are fictions, beyond the current capabilities of the technology. Yet even as fictions, they help illuminate, question, and even shape the future of the field. 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Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 26-02-20 100 01 3100 4472465531 09 --%%-- eBook MIT Press --%%-- --%%-- OLR-MIT-CEC Vervielfältigungen (z.B. Kopien, Downloads) sind nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. z 30-01-24 370 01 4370 4011219584 olr-ebook mitieee Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. 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Zugriff von außerhalb nur für HCU-Angehörige möglich https://ieeexplore.ieee.org/book/6757882 2015 01 DE-93 https://ieeexplore.ieee.org/book/6757882 23 01 0830 2018-01805, 2018-01806, 2018-01808 22 01 0018 olrm-h228-MITIEEE 23 01 0830 olr-MIT 62 01 0028 OLR-MIT 100 01 3100 OLR-MIT-CEC 370 01 4370 olr-ebook mitieee 370 01 4370 2021.12.01 |
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9780262321600 978-0-262-32160-0 (DE-627)1659379334 (DE-576)491129378 (DE-599)BSZ491129378 (OCoLC)1001523113 (OCoLC)1001523113 (MITPRESS)6757882 (EBP)055122353 DE-627 ger DE-627 rda eng XD-US XA-GB 610.284 23 WF 9780 rvk (DE-625)rvk/148466: 58.30 bkl 21.82 bkl 20.06 bkl 30.30 bkl Ginsberg, Alexandra Daisy 1982- verfasserin (DE-588)1050298233 (DE-627)783825811 (DE-576)40450437X aut Synthetic Aesthetics investigating synthetic biology's desings on nature Alexandra Daisy Ginsberg, Jane Calvert, Papblo Schyfter, Alistair Elfick, and Drew Endy, with additional contributors Cmbridge, Massachusetts London, England The MIT Press [2014] © 2014 1 Online-Ressource (xxii, 349 Seiten) Illustrationen Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier IEEE Xplore Digital Library Synthetic biology manipulates the stuff of life. For synthetic biologists, living matter is programmable material. In search of carbon-neutral fuels, sustainable manufacturing techniques, and innovative drugs, these researchers aim to redesign existing organisms and even construct completely novel biological entities. Some synthetic biologists see themselves as designers, inventing new products and applications. But if biology is viewed as a malleable, engineerable, designable medium, what is the role of design and how will its values apply?In this book, synthetic biologists, artists, designers, and social scientists investigate synthetic biology and design. After chapters that introduce the science and set the terms of the discussion, the book follows six boundary-crossing collaborations between artists and designers and synthetic biologists from around the world, helping us understand what it might mean to 'design nature.' These collaborations have resulted in biological computers that calculate form; speculative packaging that builds its own contents; algae that feeds on circuit boards; and a sampling of human cheeses. They raise intriguing questions about the scientific process, the delegation of creativity, our relationship to designed matter, and, the importance of critical engagement. Should these projects be considered art, design, synthetic biology, or something else altogether?Synthetic biology is driven by its potential; some of these projects are fictions, beyond the current capabilities of the technology. Yet even as fictions, they help illuminate, question, and even shape the future of the field. 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(DE-627)74108998X (DE-576)401662780 9780262019996 https://ieeexplore.ieee.org/book/6757882 X:MITPRESS Verlag lizenzpflichtig ZDB-37-IEM 2014 GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_22_i22818 GBV_ILN_23 ISIL_DE-830 GBV_ILN_62 ISIL_DE-28 GBV_ILN_100 ISIL_DE-Ma9 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_2015 ISIL_DE-93 WF 9780 Biotechnologische Produkte Biologie Biotechnologie Biotechnologische Produkte (DE-627)1271746867 (DE-625)rvk/148466: (DE-576)201746867 58.30 Biotechnologie SEPA (DE-627)106405365 21.82 Industriedesign SEPA (DE-627)106421298 20.06 Kunstphilosophie Kunsttheorie SEPA (DE-627)10641433X 30.30 Naturwissenschaften in Beziehung zu anderen Fachgebieten SEPA (DE-627)106409336 BO 045F 610.284 22 01 0018 3848472708 olrm-h228-MITIEEE zi22818 03-02-21 23 01 0830 3957239486 olr-MIT i z 23-07-21 62 01 0028 3598517831 OLR-MIT Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 26-02-20 100 01 3100 4472465531 09 --%%-- eBook MIT Press --%%-- --%%-- OLR-MIT-CEC Vervielfältigungen (z.B. Kopien, Downloads) sind nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. z 30-01-24 370 01 4370 4011219584 olr-ebook mitieee Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. 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9780262321600 978-0-262-32160-0 (DE-627)1659379334 (DE-576)491129378 (DE-599)BSZ491129378 (OCoLC)1001523113 (OCoLC)1001523113 (MITPRESS)6757882 (EBP)055122353 DE-627 ger DE-627 rda eng XD-US XA-GB 610.284 23 WF 9780 rvk (DE-625)rvk/148466: 58.30 bkl 21.82 bkl 20.06 bkl 30.30 bkl Ginsberg, Alexandra Daisy 1982- verfasserin (DE-588)1050298233 (DE-627)783825811 (DE-576)40450437X aut Synthetic Aesthetics investigating synthetic biology's desings on nature Alexandra Daisy Ginsberg, Jane Calvert, Papblo Schyfter, Alistair Elfick, and Drew Endy, with additional contributors Cmbridge, Massachusetts London, England The MIT Press [2014] © 2014 1 Online-Ressource (xxii, 349 Seiten) Illustrationen Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier IEEE Xplore Digital Library Synthetic biology manipulates the stuff of life. For synthetic biologists, living matter is programmable material. In search of carbon-neutral fuels, sustainable manufacturing techniques, and innovative drugs, these researchers aim to redesign existing organisms and even construct completely novel biological entities. Some synthetic biologists see themselves as designers, inventing new products and applications. But if biology is viewed as a malleable, engineerable, designable medium, what is the role of design and how will its values apply?In this book, synthetic biologists, artists, designers, and social scientists investigate synthetic biology and design. After chapters that introduce the science and set the terms of the discussion, the book follows six boundary-crossing collaborations between artists and designers and synthetic biologists from around the world, helping us understand what it might mean to 'design nature.' These collaborations have resulted in biological computers that calculate form; speculative packaging that builds its own contents; algae that feeds on circuit boards; and a sampling of human cheeses. They raise intriguing questions about the scientific process, the delegation of creativity, our relationship to designed matter, and, the importance of critical engagement. Should these projects be considered art, design, synthetic biology, or something else altogether?Synthetic biology is driven by its potential; some of these projects are fictions, beyond the current capabilities of the technology. Yet even as fictions, they help illuminate, question, and even shape the future of the field. 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In search of carbon-neutral fuels, sustainable manufacturing techniques, and innovative drugs, these researchers aim to redesign existing organisms and even construct completely novel biological entities. Some synthetic biologists see themselves as designers, inventing new products and applications. But if biology is viewed as a malleable, engineerable, designable medium, what is the role of design and how will its values apply?In this book, synthetic biologists, artists, designers, and social scientists investigate synthetic biology and design. After chapters that introduce the science and set the terms of the discussion, the book follows six boundary-crossing collaborations between artists and designers and synthetic biologists from around the world, helping us understand what it might mean to 'design nature.' These collaborations have resulted in biological computers that calculate form; speculative packaging that builds its own contents; algae that feeds on circuit boards; and a sampling of human cheeses. They raise intriguing questions about the scientific process, the delegation of creativity, our relationship to designed matter, and, the importance of critical engagement. Should these projects be considered art, design, synthetic biology, or something else altogether?Synthetic biology is driven by its potential; some of these projects are fictions, beyond the current capabilities of the technology. Yet even as fictions, they help illuminate, question, and even shape the future of the field. 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(DE-627)74108998X (DE-576)401662780 9780262019996 https://ieeexplore.ieee.org/book/6757882 X:MITPRESS Verlag lizenzpflichtig ZDB-37-IEM 2014 GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_22_i22818 GBV_ILN_23 ISIL_DE-830 GBV_ILN_62 ISIL_DE-28 GBV_ILN_100 ISIL_DE-Ma9 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_2015 ISIL_DE-93 WF 9780 Biotechnologische Produkte Biologie Biotechnologie Biotechnologische Produkte (DE-627)1271746867 (DE-625)rvk/148466: (DE-576)201746867 58.30 Biotechnologie SEPA (DE-627)106405365 21.82 Industriedesign SEPA (DE-627)106421298 20.06 Kunstphilosophie Kunsttheorie SEPA (DE-627)10641433X 30.30 Naturwissenschaften in Beziehung zu anderen Fachgebieten SEPA (DE-627)106409336 BO 045F 610.284 22 01 0018 3848472708 olrm-h228-MITIEEE zi22818 03-02-21 23 01 0830 3957239486 olr-MIT i z 23-07-21 62 01 0028 3598517831 OLR-MIT Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 26-02-20 100 01 3100 4472465531 09 --%%-- eBook MIT Press --%%-- --%%-- OLR-MIT-CEC Vervielfältigungen (z.B. Kopien, Downloads) sind nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. z 30-01-24 370 01 4370 4011219584 olr-ebook mitieee Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. i z 01-12-21 2015 01 DE-93 3409623655 00 --%%-- --%%-- p --%%-- Campuslizenz l01 24-07-17 22 01 0018 Volltextzugang Campus https://ieeexplore.ieee.org/book/6757882 22 01 0018 Nur für Angehörige der Universität Hamburg: Volltextzugang von außerhalb des Campus http://emedien.sub.uni-hamburg.de/han/ieee/ieeexplore.ieee.org/book/6757882 23 01 0830 MIT Press EBook https://ieeexplore.ieee.org/book/6757882 62 01 0028 https://ieeexplore.ieee.org/book/6757882 100 01 3100 https://ieeexplore.ieee.org/book/6757882 100 01 3100 für Uniangehörige: Zugang weltweit http://han.med.uni-magdeburg.de/han/mitvia-ieee/ieeexplore.ieee.org/book/6757882 370 01 4370 E-Book: Zugriff im HCU-Netz. Zugriff von außerhalb nur für HCU-Angehörige möglich https://ieeexplore.ieee.org/book/6757882 2015 01 DE-93 https://ieeexplore.ieee.org/book/6757882 23 01 0830 2018-01805, 2018-01806, 2018-01808 22 01 0018 olrm-h228-MITIEEE 23 01 0830 olr-MIT 62 01 0028 OLR-MIT 100 01 3100 OLR-MIT-CEC 370 01 4370 olr-ebook mitieee 370 01 4370 2021.12.01 |
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9780262321600 978-0-262-32160-0 (DE-627)1659379334 (DE-576)491129378 (DE-599)BSZ491129378 (OCoLC)1001523113 (OCoLC)1001523113 (MITPRESS)6757882 (EBP)055122353 DE-627 ger DE-627 rda eng XD-US XA-GB 610.284 23 WF 9780 rvk (DE-625)rvk/148466: 58.30 bkl 21.82 bkl 20.06 bkl 30.30 bkl Ginsberg, Alexandra Daisy 1982- verfasserin (DE-588)1050298233 (DE-627)783825811 (DE-576)40450437X aut Synthetic Aesthetics investigating synthetic biology's desings on nature Alexandra Daisy Ginsberg, Jane Calvert, Papblo Schyfter, Alistair Elfick, and Drew Endy, with additional contributors Cmbridge, Massachusetts London, England The MIT Press [2014] © 2014 1 Online-Ressource (xxii, 349 Seiten) Illustrationen Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier IEEE Xplore Digital Library Synthetic biology manipulates the stuff of life. For synthetic biologists, living matter is programmable material. In search of carbon-neutral fuels, sustainable manufacturing techniques, and innovative drugs, these researchers aim to redesign existing organisms and even construct completely novel biological entities. Some synthetic biologists see themselves as designers, inventing new products and applications. But if biology is viewed as a malleable, engineerable, designable medium, what is the role of design and how will its values apply?In this book, synthetic biologists, artists, designers, and social scientists investigate synthetic biology and design. After chapters that introduce the science and set the terms of the discussion, the book follows six boundary-crossing collaborations between artists and designers and synthetic biologists from around the world, helping us understand what it might mean to 'design nature.' These collaborations have resulted in biological computers that calculate form; speculative packaging that builds its own contents; algae that feeds on circuit boards; and a sampling of human cheeses. They raise intriguing questions about the scientific process, the delegation of creativity, our relationship to designed matter, and, the importance of critical engagement. Should these projects be considered art, design, synthetic biology, or something else altogether?Synthetic biology is driven by its potential; some of these projects are fictions, beyond the current capabilities of the technology. Yet even as fictions, they help illuminate, question, and even shape the future of the field. 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(DE-627)74108998X (DE-576)401662780 9780262019996 https://ieeexplore.ieee.org/book/6757882 X:MITPRESS Verlag lizenzpflichtig ZDB-37-IEM 2014 GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_22_i22818 GBV_ILN_23 ISIL_DE-830 GBV_ILN_62 ISIL_DE-28 GBV_ILN_100 ISIL_DE-Ma9 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_2015 ISIL_DE-93 WF 9780 Biotechnologische Produkte Biologie Biotechnologie Biotechnologische Produkte (DE-627)1271746867 (DE-625)rvk/148466: (DE-576)201746867 58.30 Biotechnologie SEPA (DE-627)106405365 21.82 Industriedesign SEPA (DE-627)106421298 20.06 Kunstphilosophie Kunsttheorie SEPA (DE-627)10641433X 30.30 Naturwissenschaften in Beziehung zu anderen Fachgebieten SEPA (DE-627)106409336 BO 045F 610.284 22 01 0018 3848472708 olrm-h228-MITIEEE zi22818 03-02-21 23 01 0830 3957239486 olr-MIT i z 23-07-21 62 01 0028 3598517831 OLR-MIT Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 26-02-20 100 01 3100 4472465531 09 --%%-- eBook MIT Press --%%-- --%%-- OLR-MIT-CEC Vervielfältigungen (z.B. Kopien, Downloads) sind nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. z 30-01-24 370 01 4370 4011219584 olr-ebook mitieee Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. 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610.284 23 WF 9780 rvk (DE-625)rvk/148466 58.30 bkl 21.82 bkl 20.06 bkl 30.30 bkl Synthetic Aesthetics investigating synthetic biology's desings on nature Alexandra Daisy Ginsberg, Jane Calvert, Papblo Schyfter, Alistair Elfick, and Drew Endy, with additional contributors Art and biology Synthetic biology Synthetic Biology ; trends Art Biotechnology ; trends Esthetics s (DE-588)7684405-5 (DE-627)614763894 (DE-576)314220917 Synthetische Biologie gnd s (DE-588)4011510-0 (DE-627)106352466 (DE-576)208893903 Design gnd s (DE-588)4000626-8 (DE-627)106400541 (DE-576)208838821 Ästhetik gnd s (DE-588)4006888-2 (DE-627)106375792 (DE-576)208867635 Bionik gnd (DE-627) |
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Synthetic Aesthetics investigating synthetic biology's desings on nature |
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Synthetic Aesthetics investigating synthetic biology's desings on nature Alexandra Daisy Ginsberg, Jane Calvert, Papblo Schyfter, Alistair Elfick, and Drew Endy, with additional contributors |
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Synthetic biology manipulates the stuff of life. For synthetic biologists, living matter is programmable material. In search of carbon-neutral fuels, sustainable manufacturing techniques, and innovative drugs, these researchers aim to redesign existing organisms and even construct completely novel biological entities. Some synthetic biologists see themselves as designers, inventing new products and applications. But if biology is viewed as a malleable, engineerable, designable medium, what is the role of design and how will its values apply?In this book, synthetic biologists, artists, designers, and social scientists investigate synthetic biology and design. After chapters that introduce the science and set the terms of the discussion, the book follows six boundary-crossing collaborations between artists and designers and synthetic biologists from around the world, helping us understand what it might mean to 'design nature.' These collaborations have resulted in biological computers that calculate form; speculative packaging that builds its own contents; algae that feeds on circuit boards; and a sampling of human cheeses. They raise intriguing questions about the scientific process, the delegation of creativity, our relationship to designed matter, and, the importance of critical engagement. Should these projects be considered art, design, synthetic biology, or something else altogether?Synthetic biology is driven by its potential; some of these projects are fictions, beyond the current capabilities of the technology. Yet even as fictions, they help illuminate, question, and even shape the future of the field. |
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Synthetic biology manipulates the stuff of life. For synthetic biologists, living matter is programmable material. In search of carbon-neutral fuels, sustainable manufacturing techniques, and innovative drugs, these researchers aim to redesign existing organisms and even construct completely novel biological entities. Some synthetic biologists see themselves as designers, inventing new products and applications. But if biology is viewed as a malleable, engineerable, designable medium, what is the role of design and how will its values apply?In this book, synthetic biologists, artists, designers, and social scientists investigate synthetic biology and design. After chapters that introduce the science and set the terms of the discussion, the book follows six boundary-crossing collaborations between artists and designers and synthetic biologists from around the world, helping us understand what it might mean to 'design nature.' These collaborations have resulted in biological computers that calculate form; speculative packaging that builds its own contents; algae that feeds on circuit boards; and a sampling of human cheeses. They raise intriguing questions about the scientific process, the delegation of creativity, our relationship to designed matter, and, the importance of critical engagement. Should these projects be considered art, design, synthetic biology, or something else altogether?Synthetic biology is driven by its potential; some of these projects are fictions, beyond the current capabilities of the technology. Yet even as fictions, they help illuminate, question, and even shape the future of the field. |
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Synthetic biology manipulates the stuff of life. For synthetic biologists, living matter is programmable material. In search of carbon-neutral fuels, sustainable manufacturing techniques, and innovative drugs, these researchers aim to redesign existing organisms and even construct completely novel biological entities. Some synthetic biologists see themselves as designers, inventing new products and applications. But if biology is viewed as a malleable, engineerable, designable medium, what is the role of design and how will its values apply?In this book, synthetic biologists, artists, designers, and social scientists investigate synthetic biology and design. After chapters that introduce the science and set the terms of the discussion, the book follows six boundary-crossing collaborations between artists and designers and synthetic biologists from around the world, helping us understand what it might mean to 'design nature.' These collaborations have resulted in biological computers that calculate form; speculative packaging that builds its own contents; algae that feeds on circuit boards; and a sampling of human cheeses. They raise intriguing questions about the scientific process, the delegation of creativity, our relationship to designed matter, and, the importance of critical engagement. Should these projects be considered art, design, synthetic biology, or something else altogether?Synthetic biology is driven by its potential; some of these projects are fictions, beyond the current capabilities of the technology. Yet even as fictions, they help illuminate, question, and even shape the future of the field. |
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