British Military Spectacle : From the Napoleonic Wars Through the Crimea
Biographical note: MyerlyScott: Scott Hughes Myerly is a cultural and military historian.
Gespeichert in:
| Autor*in: |
Myerly, Scott Hughes [verfasserIn] |
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| Format: |
E-Book |
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| Sprache: |
Englisch |
| Erschienen: |
s.l.: Harvard University Press ; 1996 ©1996 |
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| Rechteinformationen: |
Restricted Access |
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| Schlagwörter: |
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| Umfang: |
Online-Ressource (X, 293 S.) |
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| Reproduktion: |
1996 |
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| Links: | |
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| ISBN: |
978-0-674-18260-8 |
| DOI / URN: |
10.4159/harvard.9780674182608 |
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| Katalog-ID: |
1659449502 |
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| 245 | 1 | 0 | |a British Military Spectacle |b From the Napoleonic Wars Through the Crimea |c Scott Hughes Myerly |
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| 520 | |a Biographical note: MyerlyScott: Scott Hughes Myerly is a cultural and military historian. | ||
| 520 | |a In the theater of war, how important is costume? And in peacetime, what purpose does military spectacle serve? This book takes us behind the scenes of the British military at the height of its brilliance to show us how dress and discipline helped to mold the military man and attempted to seduce the hearts and minds of a nation while serving to intimidate civil rioters in peacetime. Often ridiculed for their constrictive splendor, British army uniforms of the early nineteenth century nonetheless played a powerful role in the troops' performance on campaign, in battle, and as dramatic entertainment in peacetime. Plumbing a wide variety of military sources, most tellingly the memoirs and letters of soldiers and civilians, Scott Hughes Myerly reveals how these ornate sartorial creations, combining symbols of solidarity and inspiration, vivid color, and physical restraint, enhanced the managerial effects of rigid discipline, drill, and torturous punishments, but also helped foster regimental esprit de corps. Encouraging recruitment, enforcing discipline within the military, and boosting morale were essential but not the only functions of martial dress. Myerly also explores the role of the resplendent uniform and its associated gaudy trappings and customs during civil peace and disorder--whether employed as public relations through spectacular free entertainment, or imitated by rioters and rebels opposing the status quo. Dress, drills, parades, inspections, pomp, and order: as this richly illustrated book conducts us through the details of the creation, design, functions, and meaning of these aspects of the martial image, it exposes the underpinnings of a mentality--and vision--that extends far beyond the military subculture into the civic and social order that we call modernity. | ||
| 520 | |a In the theater of war, how important is costume? And in peacetime, what purpose does military spectacle serve? This book takes us behind the scenes of the British military at the height of its brilliance to show us the role of dress in war and peace. | ||
| 520 | |a Review text: The book is well written [and] the research is excellent. Myerly has consulted a very wide range of materials, judiciously using secondary sources and drawing a wealth of information from primary sources. The abundance of fascinating detail alone makes this an attractive study to anyone remotely interested in the British military in particular or British culture in general.This is an original and fascinating discussion of a critical yet subtle subject heretofore completely overlooked by scholars of war history. This book studies the most visible aspect of British state imagery during the first half of the nineteenth century: military or martial spectacle as seen in uniforms, parades, pictures, music, art, and song. This is an account of how imagery was a vital part of nineteenth century military management in London's effort to mold the beliefs and actions of its soldiers into expert war tools. In doing this Myerly argues effectively that the imagery's effect held important consequences for British society as well as British soldiers.No other book has tried to look at how military dress and mannerism interacted with details of civil society like the circus! The energy of research behind this book is impressive. Myerly has read very widely...The theme he addresses is a real one: military show did matter in British life, and affected soldiers and civilians alike.[T]he work is thought provoking and...well illustrated.The British Army is well known for its pomp and pageantry, color and precision drill. Nowhere in its history is this more evident than the period from 1800 to 1857, when the army was at its pinnacle and almost continuously engaged in one campaign or another. This is the first book to take an in-depth look at the purpose and importance of military costume and spectacle in time of war and peace...Recommended.Myerly explores very effectively the psychological impact of military dress on both soldiers and civilians. His probing into the various meanings behind the sartorial finery, and its presentation in public as 'spectacle', reveals a complex picture in which the context of the presentation is all important...He makes too, a welcome contribution on the often puzzling, and at times paradoxical relationship between British soldiers and civilians. For those interested specifically in military dress, there is much comment drawn from primary sources, supported by a well chosen (and well reproduced) selection of contemporary illustrations, half of which are in colour...For the student of military history, and of the British Army and its uniforms in particular, this is a book that has much of interest. It can be interesting and insightful.This well-written and ably-argued study takes an apparently thankless subject--military uniform--and shows it can be employed to throw light on the military, society and politics of the period...Based on a most impressive and imaginative range of archival and published sources, [Myerly's] book offers not only valuable insights on military history, but also an important perspective on the issue of British exceptionalism.[A] beautifully produced volume...Myerly has written a book that is often innovative, fusing written evidence with that of pictures and artefacts, and linking antiquarianism to broad historical themes in the best manner of cultural history.[An] earnest foray into military aesthetics. There have been innumerable books about army uniforms and traditions, but Myerly, an American cultural and military historian, is concerned also with the impact on society of military spectacle and of those martial virtues and excellences...It is good to see American publishers backing research into facets of British history which our own publishers are eager to neglect.This book is as beautifully tailored as are the uniforms it describes...[It] is a most entertaining and scholarly work. Charm comes with the author's pleasure in anecdotes. | ||
| 533 | |d 1996 |7 |1996|||||||||| | ||
| 534 | |c 1996 | ||
| 546 | |a In English | ||
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| 650 | 0 | |a Aesthetics, British | |
| 650 | 0 | |a Guerres napoléoniennes, 1800-1815 | |
| 650 | 0 | |a Guerre de Crimée, 1853-1856 | |
| 650 | 0 | |a Militaire uniformen | |
| 650 | 0 | |a Militarisme | |
| 650 | 0 | |a Napoleonic Wars, 1800-1815 | |
| 650 | 0 | |a Rites and ceremonies | |
| 650 | 0 | |a Crimean War, 1853-1856 | |
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| 650 | 0 | |a Guerres napoléoniennes, 1800-1815 | |
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9780674182608 978-0-674-18260-8 10.4159/harvard.9780674182608 doi (DE-627)1659449502 (DE-576)416680933 (DE-599)GBV787723401 (OCoLC)897163134 (OCoLC)897163134 (EBP)005870631 (DE-B1597)248618 DE-627 ger DE-627 rakwb eng DA68 HIS 015000 bisacsh HIS 027130 bisacsh HIS 037060 bisacsh HIS015000 bisacsh HIS027130 bisacsh HIS037060 bisacsh HIS000000 bisacsh Myerly, Scott Hughes verfasserin aut British Military Spectacle From the Napoleonic Wars Through the Crimea Scott Hughes Myerly s.l. Harvard University Press 1996 ©1996 Online-Ressource (X, 293 S.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Restricted Access Controlled Vocabulary for Access Rights http://purl.org/coar/access_right/c_16ec online access with authorization coarar Biographical note: MyerlyScott: Scott Hughes Myerly is a cultural and military historian. In the theater of war, how important is costume? And in peacetime, what purpose does military spectacle serve? This book takes us behind the scenes of the British military at the height of its brilliance to show us how dress and discipline helped to mold the military man and attempted to seduce the hearts and minds of a nation while serving to intimidate civil rioters in peacetime. Often ridiculed for their constrictive splendor, British army uniforms of the early nineteenth century nonetheless played a powerful role in the troops' performance on campaign, in battle, and as dramatic entertainment in peacetime. Plumbing a wide variety of military sources, most tellingly the memoirs and letters of soldiers and civilians, Scott Hughes Myerly reveals how these ornate sartorial creations, combining symbols of solidarity and inspiration, vivid color, and physical restraint, enhanced the managerial effects of rigid discipline, drill, and torturous punishments, but also helped foster regimental esprit de corps. Encouraging recruitment, enforcing discipline within the military, and boosting morale were essential but not the only functions of martial dress. Myerly also explores the role of the resplendent uniform and its associated gaudy trappings and customs during civil peace and disorder--whether employed as public relations through spectacular free entertainment, or imitated by rioters and rebels opposing the status quo. Dress, drills, parades, inspections, pomp, and order: as this richly illustrated book conducts us through the details of the creation, design, functions, and meaning of these aspects of the martial image, it exposes the underpinnings of a mentality--and vision--that extends far beyond the military subculture into the civic and social order that we call modernity. In the theater of war, how important is costume? And in peacetime, what purpose does military spectacle serve? This book takes us behind the scenes of the British military at the height of its brilliance to show us the role of dress in war and peace. Review text: The book is well written [and] the research is excellent. Myerly has consulted a very wide range of materials, judiciously using secondary sources and drawing a wealth of information from primary sources. The abundance of fascinating detail alone makes this an attractive study to anyone remotely interested in the British military in particular or British culture in general.This is an original and fascinating discussion of a critical yet subtle subject heretofore completely overlooked by scholars of war history. This book studies the most visible aspect of British state imagery during the first half of the nineteenth century: military or martial spectacle as seen in uniforms, parades, pictures, music, art, and song. This is an account of how imagery was a vital part of nineteenth century military management in London's effort to mold the beliefs and actions of its soldiers into expert war tools. In doing this Myerly argues effectively that the imagery's effect held important consequences for British society as well as British soldiers.No other book has tried to look at how military dress and mannerism interacted with details of civil society like the circus! The energy of research behind this book is impressive. Myerly has read very widely...The theme he addresses is a real one: military show did matter in British life, and affected soldiers and civilians alike.[T]he work is thought provoking and...well illustrated.The British Army is well known for its pomp and pageantry, color and precision drill. Nowhere in its history is this more evident than the period from 1800 to 1857, when the army was at its pinnacle and almost continuously engaged in one campaign or another. This is the first book to take an in-depth look at the purpose and importance of military costume and spectacle in time of war and peace...Recommended.Myerly explores very effectively the psychological impact of military dress on both soldiers and civilians. His probing into the various meanings behind the sartorial finery, and its presentation in public as 'spectacle', reveals a complex picture in which the context of the presentation is all important...He makes too, a welcome contribution on the often puzzling, and at times paradoxical relationship between British soldiers and civilians. For those interested specifically in military dress, there is much comment drawn from primary sources, supported by a well chosen (and well reproduced) selection of contemporary illustrations, half of which are in colour...For the student of military history, and of the British Army and its uniforms in particular, this is a book that has much of interest. It can be interesting and insightful.This well-written and ably-argued study takes an apparently thankless subject--military uniform--and shows it can be employed to throw light on the military, society and politics of the period...Based on a most impressive and imaginative range of archival and published sources, [Myerly's] book offers not only valuable insights on military history, but also an important perspective on the issue of British exceptionalism.[A] beautifully produced volume...Myerly has written a book that is often innovative, fusing written evidence with that of pictures and artefacts, and linking antiquarianism to broad historical themes in the best manner of cultural history.[An] earnest foray into military aesthetics. There have been innumerable books about army uniforms and traditions, but Myerly, an American cultural and military historian, is concerned also with the impact on society of military spectacle and of those martial virtues and excellences...It is good to see American publishers backing research into facets of British history which our own publishers are eager to neglect.This book is as beautifully tailored as are the uniforms it describes...[It] is a most entertaining and scholarly work. Charm comes with the author's pleasure in anecdotes. 1996 |1996|||||||||| 1996 In English Spectacular, The Uniform Spectaculaire Aesthetics, British Guerres napoléoniennes, 1800-1815 Guerre de Crimée, 1853-1856 Militaire uniformen Militarisme Napoleonic Wars, 1800-1815 Rites and ceremonies Crimean War, 1853-1856 Militär Krijgsmacht Guerres napoléoniennes, 1800-1815 Guerre de Crimée, 1853-1856 Militär HISTORY / General 9780674182585 Erscheint auch als Druck-Ausgabe 978-0-674-18258-5 http://dx.doi.org/10.4159/harvard.9780674182608 X:De Gruyter Verlag Volltext https://doi.org/10.4159/harvard.9780674182608 X:GRUY X:De Gruyter Resolving-System lizenzpflichtig Volltext https://www.degruyter.com/isbn/9780674182608 X:GRUY Verlag lizenzpflichtig https://www.degruyter.com/doc/cover/9780674182608.jpg X:GRUY Cover https://www.degruyter.com/cover/covers/9780674182608.jpg X:GRUY Verlag Cover https://www.degruyter.com/document/cover/isbn/9780674182608/original X:GRUY Verlag Cover (DE-627)787723401 EBA-BACKALL EBA-CL-HICS EBA-EBACKALL EBA-EBKALL EBA-ECL-HICS EBA-EEBKALL EBA-ESSHALL EBA-PPALL EBA-SSHALL GBV-deGruyter-alles ZDB-23-DGG ZDB-23-HCO ZDB-23-HWH GBV_ILN_21 ISIL_DE-46 SYSFLAG_1 GBV_KXP GBV_ILN_22 ISIL_DE-18 GBV_ILN_23 ISIL_DE-830 GBV_ILN_24 ISIL_DE-8 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_65 ISIL_DE-3 GBV_ILN_69 ISIL_DE-9 GBV_ILN_72 ISIL_DE-35 GBV_ILN_90 ISIL_DE-Hil2 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_120 ISIL_DE-715 GBV_ILN_122 ISIL_DE-897 GBV_ILN_130 ISIL_DE-700 GBV_ILN_140 ISIL_DE-839 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_264 ISIL_DE-897-1 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_736 GBV_ILN_2001 ISIL_DE-21 GBV_ILN_2006 ISIL_DE-14 GBV_ILN_2010 ISIL_DE-15 GBV_ILN_2020 ISIL_DE-Ch1 GBV_ILN_2027 ISIL_DE-105 GBV_ILN_2044 ISIL_DE-751 GBV_ILN_2045 ISIL_DE-Mit1 GBV_ILN_2050 ISIL_DE-Zi4 GBV_ILN_2057 ISIL_DE-L189 GBV_ILN_2063 ISIL_DE-951 GBV_ILN_2118 ISIL_DE-Mh35 BO 045F 355.1/7/094109034 21 01 0046 3485402303 ebook_2023_degruyter_ebs Freie Nutzung im <a href="http://nbn-resolving.de/urn:nbn:de:gbv:46-campusnetz9" Target="_blank">Campusnetz</a> der Universitaet und der Hochschulen im Lande Bremen zza 11-06-19 22 01 0018 4109889847 00 --%%-- --%%-- s --%%-- SUBedegebs zu 01-04-22 23 01 0830 354528347X olr-degruyter3 i z 21-11-19 24 01 0008 3806315388 00 --%%-- --%%-- s --%%-- olr-dgebs Vervielfältigungen (z.B. 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9780674182608 978-0-674-18260-8 10.4159/harvard.9780674182608 doi (DE-627)1659449502 (DE-576)416680933 (DE-599)GBV787723401 (OCoLC)897163134 (OCoLC)897163134 (EBP)005870631 (DE-B1597)248618 DE-627 ger DE-627 rakwb eng DA68 HIS 015000 bisacsh HIS 027130 bisacsh HIS 037060 bisacsh HIS015000 bisacsh HIS027130 bisacsh HIS037060 bisacsh HIS000000 bisacsh Myerly, Scott Hughes verfasserin aut British Military Spectacle From the Napoleonic Wars Through the Crimea Scott Hughes Myerly s.l. Harvard University Press 1996 ©1996 Online-Ressource (X, 293 S.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Restricted Access Controlled Vocabulary for Access Rights http://purl.org/coar/access_right/c_16ec online access with authorization coarar Biographical note: MyerlyScott: Scott Hughes Myerly is a cultural and military historian. In the theater of war, how important is costume? And in peacetime, what purpose does military spectacle serve? This book takes us behind the scenes of the British military at the height of its brilliance to show us how dress and discipline helped to mold the military man and attempted to seduce the hearts and minds of a nation while serving to intimidate civil rioters in peacetime. Often ridiculed for their constrictive splendor, British army uniforms of the early nineteenth century nonetheless played a powerful role in the troops' performance on campaign, in battle, and as dramatic entertainment in peacetime. Plumbing a wide variety of military sources, most tellingly the memoirs and letters of soldiers and civilians, Scott Hughes Myerly reveals how these ornate sartorial creations, combining symbols of solidarity and inspiration, vivid color, and physical restraint, enhanced the managerial effects of rigid discipline, drill, and torturous punishments, but also helped foster regimental esprit de corps. Encouraging recruitment, enforcing discipline within the military, and boosting morale were essential but not the only functions of martial dress. Myerly also explores the role of the resplendent uniform and its associated gaudy trappings and customs during civil peace and disorder--whether employed as public relations through spectacular free entertainment, or imitated by rioters and rebels opposing the status quo. Dress, drills, parades, inspections, pomp, and order: as this richly illustrated book conducts us through the details of the creation, design, functions, and meaning of these aspects of the martial image, it exposes the underpinnings of a mentality--and vision--that extends far beyond the military subculture into the civic and social order that we call modernity. In the theater of war, how important is costume? And in peacetime, what purpose does military spectacle serve? This book takes us behind the scenes of the British military at the height of its brilliance to show us the role of dress in war and peace. Review text: The book is well written [and] the research is excellent. Myerly has consulted a very wide range of materials, judiciously using secondary sources and drawing a wealth of information from primary sources. The abundance of fascinating detail alone makes this an attractive study to anyone remotely interested in the British military in particular or British culture in general.This is an original and fascinating discussion of a critical yet subtle subject heretofore completely overlooked by scholars of war history. This book studies the most visible aspect of British state imagery during the first half of the nineteenth century: military or martial spectacle as seen in uniforms, parades, pictures, music, art, and song. This is an account of how imagery was a vital part of nineteenth century military management in London's effort to mold the beliefs and actions of its soldiers into expert war tools. In doing this Myerly argues effectively that the imagery's effect held important consequences for British society as well as British soldiers.No other book has tried to look at how military dress and mannerism interacted with details of civil society like the circus! The energy of research behind this book is impressive. Myerly has read very widely...The theme he addresses is a real one: military show did matter in British life, and affected soldiers and civilians alike.[T]he work is thought provoking and...well illustrated.The British Army is well known for its pomp and pageantry, color and precision drill. Nowhere in its history is this more evident than the period from 1800 to 1857, when the army was at its pinnacle and almost continuously engaged in one campaign or another. This is the first book to take an in-depth look at the purpose and importance of military costume and spectacle in time of war and peace...Recommended.Myerly explores very effectively the psychological impact of military dress on both soldiers and civilians. His probing into the various meanings behind the sartorial finery, and its presentation in public as 'spectacle', reveals a complex picture in which the context of the presentation is all important...He makes too, a welcome contribution on the often puzzling, and at times paradoxical relationship between British soldiers and civilians. For those interested specifically in military dress, there is much comment drawn from primary sources, supported by a well chosen (and well reproduced) selection of contemporary illustrations, half of which are in colour...For the student of military history, and of the British Army and its uniforms in particular, this is a book that has much of interest. It can be interesting and insightful.This well-written and ably-argued study takes an apparently thankless subject--military uniform--and shows it can be employed to throw light on the military, society and politics of the period...Based on a most impressive and imaginative range of archival and published sources, [Myerly's] book offers not only valuable insights on military history, but also an important perspective on the issue of British exceptionalism.[A] beautifully produced volume...Myerly has written a book that is often innovative, fusing written evidence with that of pictures and artefacts, and linking antiquarianism to broad historical themes in the best manner of cultural history.[An] earnest foray into military aesthetics. There have been innumerable books about army uniforms and traditions, but Myerly, an American cultural and military historian, is concerned also with the impact on society of military spectacle and of those martial virtues and excellences...It is good to see American publishers backing research into facets of British history which our own publishers are eager to neglect.This book is as beautifully tailored as are the uniforms it describes...[It] is a most entertaining and scholarly work. Charm comes with the author's pleasure in anecdotes. 1996 |1996|||||||||| 1996 In English Spectacular, The Uniform Spectaculaire Aesthetics, British Guerres napoléoniennes, 1800-1815 Guerre de Crimée, 1853-1856 Militaire uniformen Militarisme Napoleonic Wars, 1800-1815 Rites and ceremonies Crimean War, 1853-1856 Militär Krijgsmacht Guerres napoléoniennes, 1800-1815 Guerre de Crimée, 1853-1856 Militär HISTORY / General 9780674182585 Erscheint auch als Druck-Ausgabe 978-0-674-18258-5 http://dx.doi.org/10.4159/harvard.9780674182608 X:De Gruyter Verlag Volltext https://doi.org/10.4159/harvard.9780674182608 X:GRUY X:De Gruyter Resolving-System lizenzpflichtig Volltext https://www.degruyter.com/isbn/9780674182608 X:GRUY Verlag lizenzpflichtig https://www.degruyter.com/doc/cover/9780674182608.jpg X:GRUY Cover https://www.degruyter.com/cover/covers/9780674182608.jpg X:GRUY Verlag Cover https://www.degruyter.com/document/cover/isbn/9780674182608/original X:GRUY Verlag Cover (DE-627)787723401 EBA-BACKALL EBA-CL-HICS EBA-EBACKALL EBA-EBKALL EBA-ECL-HICS EBA-EEBKALL EBA-ESSHALL EBA-PPALL EBA-SSHALL GBV-deGruyter-alles ZDB-23-DGG ZDB-23-HCO ZDB-23-HWH GBV_ILN_21 ISIL_DE-46 SYSFLAG_1 GBV_KXP GBV_ILN_22 ISIL_DE-18 GBV_ILN_23 ISIL_DE-830 GBV_ILN_24 ISIL_DE-8 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_65 ISIL_DE-3 GBV_ILN_69 ISIL_DE-9 GBV_ILN_72 ISIL_DE-35 GBV_ILN_90 ISIL_DE-Hil2 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_120 ISIL_DE-715 GBV_ILN_122 ISIL_DE-897 GBV_ILN_130 ISIL_DE-700 GBV_ILN_140 ISIL_DE-839 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_264 ISIL_DE-897-1 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_736 GBV_ILN_2001 ISIL_DE-21 GBV_ILN_2006 ISIL_DE-14 GBV_ILN_2010 ISIL_DE-15 GBV_ILN_2020 ISIL_DE-Ch1 GBV_ILN_2027 ISIL_DE-105 GBV_ILN_2044 ISIL_DE-751 GBV_ILN_2045 ISIL_DE-Mit1 GBV_ILN_2050 ISIL_DE-Zi4 GBV_ILN_2057 ISIL_DE-L189 GBV_ILN_2063 ISIL_DE-951 GBV_ILN_2118 ISIL_DE-Mh35 BO 045F 355.1/7/094109034 21 01 0046 3485402303 ebook_2023_degruyter_ebs Freie Nutzung im <a href="http://nbn-resolving.de/urn:nbn:de:gbv:46-campusnetz9" Target="_blank">Campusnetz</a> der Universitaet und der Hochschulen im Lande Bremen zza 11-06-19 22 01 0018 4109889847 00 --%%-- --%%-- s --%%-- SUBedegebs zu 01-04-22 23 01 0830 354528347X olr-degruyter3 i z 21-11-19 24 01 0008 3806315388 00 --%%-- --%%-- s --%%-- olr-dgebs Vervielfältigungen (z.B. 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9780674182608 978-0-674-18260-8 10.4159/harvard.9780674182608 doi (DE-627)1659449502 (DE-576)416680933 (DE-599)GBV787723401 (OCoLC)897163134 (OCoLC)897163134 (EBP)005870631 (DE-B1597)248618 DE-627 ger DE-627 rakwb eng DA68 HIS 015000 bisacsh HIS 027130 bisacsh HIS 037060 bisacsh HIS015000 bisacsh HIS027130 bisacsh HIS037060 bisacsh HIS000000 bisacsh Myerly, Scott Hughes verfasserin aut British Military Spectacle From the Napoleonic Wars Through the Crimea Scott Hughes Myerly s.l. Harvard University Press 1996 ©1996 Online-Ressource (X, 293 S.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Restricted Access Controlled Vocabulary for Access Rights http://purl.org/coar/access_right/c_16ec online access with authorization coarar Biographical note: MyerlyScott: Scott Hughes Myerly is a cultural and military historian. In the theater of war, how important is costume? And in peacetime, what purpose does military spectacle serve? This book takes us behind the scenes of the British military at the height of its brilliance to show us how dress and discipline helped to mold the military man and attempted to seduce the hearts and minds of a nation while serving to intimidate civil rioters in peacetime. Often ridiculed for their constrictive splendor, British army uniforms of the early nineteenth century nonetheless played a powerful role in the troops' performance on campaign, in battle, and as dramatic entertainment in peacetime. Plumbing a wide variety of military sources, most tellingly the memoirs and letters of soldiers and civilians, Scott Hughes Myerly reveals how these ornate sartorial creations, combining symbols of solidarity and inspiration, vivid color, and physical restraint, enhanced the managerial effects of rigid discipline, drill, and torturous punishments, but also helped foster regimental esprit de corps. Encouraging recruitment, enforcing discipline within the military, and boosting morale were essential but not the only functions of martial dress. Myerly also explores the role of the resplendent uniform and its associated gaudy trappings and customs during civil peace and disorder--whether employed as public relations through spectacular free entertainment, or imitated by rioters and rebels opposing the status quo. Dress, drills, parades, inspections, pomp, and order: as this richly illustrated book conducts us through the details of the creation, design, functions, and meaning of these aspects of the martial image, it exposes the underpinnings of a mentality--and vision--that extends far beyond the military subculture into the civic and social order that we call modernity. In the theater of war, how important is costume? And in peacetime, what purpose does military spectacle serve? This book takes us behind the scenes of the British military at the height of its brilliance to show us the role of dress in war and peace. Review text: The book is well written [and] the research is excellent. Myerly has consulted a very wide range of materials, judiciously using secondary sources and drawing a wealth of information from primary sources. The abundance of fascinating detail alone makes this an attractive study to anyone remotely interested in the British military in particular or British culture in general.This is an original and fascinating discussion of a critical yet subtle subject heretofore completely overlooked by scholars of war history. This book studies the most visible aspect of British state imagery during the first half of the nineteenth century: military or martial spectacle as seen in uniforms, parades, pictures, music, art, and song. This is an account of how imagery was a vital part of nineteenth century military management in London's effort to mold the beliefs and actions of its soldiers into expert war tools. In doing this Myerly argues effectively that the imagery's effect held important consequences for British society as well as British soldiers.No other book has tried to look at how military dress and mannerism interacted with details of civil society like the circus! The energy of research behind this book is impressive. Myerly has read very widely...The theme he addresses is a real one: military show did matter in British life, and affected soldiers and civilians alike.[T]he work is thought provoking and...well illustrated.The British Army is well known for its pomp and pageantry, color and precision drill. Nowhere in its history is this more evident than the period from 1800 to 1857, when the army was at its pinnacle and almost continuously engaged in one campaign or another. This is the first book to take an in-depth look at the purpose and importance of military costume and spectacle in time of war and peace...Recommended.Myerly explores very effectively the psychological impact of military dress on both soldiers and civilians. His probing into the various meanings behind the sartorial finery, and its presentation in public as 'spectacle', reveals a complex picture in which the context of the presentation is all important...He makes too, a welcome contribution on the often puzzling, and at times paradoxical relationship between British soldiers and civilians. For those interested specifically in military dress, there is much comment drawn from primary sources, supported by a well chosen (and well reproduced) selection of contemporary illustrations, half of which are in colour...For the student of military history, and of the British Army and its uniforms in particular, this is a book that has much of interest. It can be interesting and insightful.This well-written and ably-argued study takes an apparently thankless subject--military uniform--and shows it can be employed to throw light on the military, society and politics of the period...Based on a most impressive and imaginative range of archival and published sources, [Myerly's] book offers not only valuable insights on military history, but also an important perspective on the issue of British exceptionalism.[A] beautifully produced volume...Myerly has written a book that is often innovative, fusing written evidence with that of pictures and artefacts, and linking antiquarianism to broad historical themes in the best manner of cultural history.[An] earnest foray into military aesthetics. There have been innumerable books about army uniforms and traditions, but Myerly, an American cultural and military historian, is concerned also with the impact on society of military spectacle and of those martial virtues and excellences...It is good to see American publishers backing research into facets of British history which our own publishers are eager to neglect.This book is as beautifully tailored as are the uniforms it describes...[It] is a most entertaining and scholarly work. Charm comes with the author's pleasure in anecdotes. 1996 |1996|||||||||| 1996 In English Spectacular, The Uniform Spectaculaire Aesthetics, British Guerres napoléoniennes, 1800-1815 Guerre de Crimée, 1853-1856 Militaire uniformen Militarisme Napoleonic Wars, 1800-1815 Rites and ceremonies Crimean War, 1853-1856 Militär Krijgsmacht Guerres napoléoniennes, 1800-1815 Guerre de Crimée, 1853-1856 Militär HISTORY / General 9780674182585 Erscheint auch als Druck-Ausgabe 978-0-674-18258-5 http://dx.doi.org/10.4159/harvard.9780674182608 X:De Gruyter Verlag Volltext https://doi.org/10.4159/harvard.9780674182608 X:GRUY X:De Gruyter Resolving-System lizenzpflichtig Volltext https://www.degruyter.com/isbn/9780674182608 X:GRUY Verlag lizenzpflichtig https://www.degruyter.com/doc/cover/9780674182608.jpg X:GRUY Cover https://www.degruyter.com/cover/covers/9780674182608.jpg X:GRUY Verlag Cover https://www.degruyter.com/document/cover/isbn/9780674182608/original X:GRUY Verlag Cover (DE-627)787723401 EBA-BACKALL EBA-CL-HICS EBA-EBACKALL EBA-EBKALL EBA-ECL-HICS EBA-EEBKALL EBA-ESSHALL EBA-PPALL EBA-SSHALL GBV-deGruyter-alles ZDB-23-DGG ZDB-23-HCO ZDB-23-HWH GBV_ILN_21 ISIL_DE-46 SYSFLAG_1 GBV_KXP GBV_ILN_22 ISIL_DE-18 GBV_ILN_23 ISIL_DE-830 GBV_ILN_24 ISIL_DE-8 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_65 ISIL_DE-3 GBV_ILN_69 ISIL_DE-9 GBV_ILN_72 ISIL_DE-35 GBV_ILN_90 ISIL_DE-Hil2 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_120 ISIL_DE-715 GBV_ILN_122 ISIL_DE-897 GBV_ILN_130 ISIL_DE-700 GBV_ILN_140 ISIL_DE-839 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_264 ISIL_DE-897-1 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_736 GBV_ILN_2001 ISIL_DE-21 GBV_ILN_2006 ISIL_DE-14 GBV_ILN_2010 ISIL_DE-15 GBV_ILN_2020 ISIL_DE-Ch1 GBV_ILN_2027 ISIL_DE-105 GBV_ILN_2044 ISIL_DE-751 GBV_ILN_2045 ISIL_DE-Mit1 GBV_ILN_2050 ISIL_DE-Zi4 GBV_ILN_2057 ISIL_DE-L189 GBV_ILN_2063 ISIL_DE-951 GBV_ILN_2118 ISIL_DE-Mh35 BO 045F 355.1/7/094109034 21 01 0046 3485402303 ebook_2023_degruyter_ebs Freie Nutzung im <a href="http://nbn-resolving.de/urn:nbn:de:gbv:46-campusnetz9" Target="_blank">Campusnetz</a> der Universitaet und der Hochschulen im Lande Bremen zza 11-06-19 22 01 0018 4109889847 00 --%%-- --%%-- s --%%-- SUBedegebs zu 01-04-22 23 01 0830 354528347X olr-degruyter3 i z 21-11-19 24 01 0008 3806315388 00 --%%-- --%%-- s --%%-- olr-dgebs Vervielfältigungen (z.B. 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| allfieldsGer |
9780674182608 978-0-674-18260-8 10.4159/harvard.9780674182608 doi (DE-627)1659449502 (DE-576)416680933 (DE-599)GBV787723401 (OCoLC)897163134 (OCoLC)897163134 (EBP)005870631 (DE-B1597)248618 DE-627 ger DE-627 rakwb eng DA68 HIS 015000 bisacsh HIS 027130 bisacsh HIS 037060 bisacsh HIS015000 bisacsh HIS027130 bisacsh HIS037060 bisacsh HIS000000 bisacsh Myerly, Scott Hughes verfasserin aut British Military Spectacle From the Napoleonic Wars Through the Crimea Scott Hughes Myerly s.l. Harvard University Press 1996 ©1996 Online-Ressource (X, 293 S.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Restricted Access Controlled Vocabulary for Access Rights http://purl.org/coar/access_right/c_16ec online access with authorization coarar Biographical note: MyerlyScott: Scott Hughes Myerly is a cultural and military historian. In the theater of war, how important is costume? And in peacetime, what purpose does military spectacle serve? This book takes us behind the scenes of the British military at the height of its brilliance to show us how dress and discipline helped to mold the military man and attempted to seduce the hearts and minds of a nation while serving to intimidate civil rioters in peacetime. Often ridiculed for their constrictive splendor, British army uniforms of the early nineteenth century nonetheless played a powerful role in the troops' performance on campaign, in battle, and as dramatic entertainment in peacetime. Plumbing a wide variety of military sources, most tellingly the memoirs and letters of soldiers and civilians, Scott Hughes Myerly reveals how these ornate sartorial creations, combining symbols of solidarity and inspiration, vivid color, and physical restraint, enhanced the managerial effects of rigid discipline, drill, and torturous punishments, but also helped foster regimental esprit de corps. Encouraging recruitment, enforcing discipline within the military, and boosting morale were essential but not the only functions of martial dress. Myerly also explores the role of the resplendent uniform and its associated gaudy trappings and customs during civil peace and disorder--whether employed as public relations through spectacular free entertainment, or imitated by rioters and rebels opposing the status quo. Dress, drills, parades, inspections, pomp, and order: as this richly illustrated book conducts us through the details of the creation, design, functions, and meaning of these aspects of the martial image, it exposes the underpinnings of a mentality--and vision--that extends far beyond the military subculture into the civic and social order that we call modernity. In the theater of war, how important is costume? And in peacetime, what purpose does military spectacle serve? This book takes us behind the scenes of the British military at the height of its brilliance to show us the role of dress in war and peace. Review text: The book is well written [and] the research is excellent. Myerly has consulted a very wide range of materials, judiciously using secondary sources and drawing a wealth of information from primary sources. The abundance of fascinating detail alone makes this an attractive study to anyone remotely interested in the British military in particular or British culture in general.This is an original and fascinating discussion of a critical yet subtle subject heretofore completely overlooked by scholars of war history. This book studies the most visible aspect of British state imagery during the first half of the nineteenth century: military or martial spectacle as seen in uniforms, parades, pictures, music, art, and song. This is an account of how imagery was a vital part of nineteenth century military management in London's effort to mold the beliefs and actions of its soldiers into expert war tools. In doing this Myerly argues effectively that the imagery's effect held important consequences for British society as well as British soldiers.No other book has tried to look at how military dress and mannerism interacted with details of civil society like the circus! The energy of research behind this book is impressive. Myerly has read very widely...The theme he addresses is a real one: military show did matter in British life, and affected soldiers and civilians alike.[T]he work is thought provoking and...well illustrated.The British Army is well known for its pomp and pageantry, color and precision drill. Nowhere in its history is this more evident than the period from 1800 to 1857, when the army was at its pinnacle and almost continuously engaged in one campaign or another. This is the first book to take an in-depth look at the purpose and importance of military costume and spectacle in time of war and peace...Recommended.Myerly explores very effectively the psychological impact of military dress on both soldiers and civilians. His probing into the various meanings behind the sartorial finery, and its presentation in public as 'spectacle', reveals a complex picture in which the context of the presentation is all important...He makes too, a welcome contribution on the often puzzling, and at times paradoxical relationship between British soldiers and civilians. For those interested specifically in military dress, there is much comment drawn from primary sources, supported by a well chosen (and well reproduced) selection of contemporary illustrations, half of which are in colour...For the student of military history, and of the British Army and its uniforms in particular, this is a book that has much of interest. It can be interesting and insightful.This well-written and ably-argued study takes an apparently thankless subject--military uniform--and shows it can be employed to throw light on the military, society and politics of the period...Based on a most impressive and imaginative range of archival and published sources, [Myerly's] book offers not only valuable insights on military history, but also an important perspective on the issue of British exceptionalism.[A] beautifully produced volume...Myerly has written a book that is often innovative, fusing written evidence with that of pictures and artefacts, and linking antiquarianism to broad historical themes in the best manner of cultural history.[An] earnest foray into military aesthetics. There have been innumerable books about army uniforms and traditions, but Myerly, an American cultural and military historian, is concerned also with the impact on society of military spectacle and of those martial virtues and excellences...It is good to see American publishers backing research into facets of British history which our own publishers are eager to neglect.This book is as beautifully tailored as are the uniforms it describes...[It] is a most entertaining and scholarly work. Charm comes with the author's pleasure in anecdotes. 1996 |1996|||||||||| 1996 In English Spectacular, The Uniform Spectaculaire Aesthetics, British Guerres napoléoniennes, 1800-1815 Guerre de Crimée, 1853-1856 Militaire uniformen Militarisme Napoleonic Wars, 1800-1815 Rites and ceremonies Crimean War, 1853-1856 Militär Krijgsmacht Guerres napoléoniennes, 1800-1815 Guerre de Crimée, 1853-1856 Militär HISTORY / General 9780674182585 Erscheint auch als Druck-Ausgabe 978-0-674-18258-5 http://dx.doi.org/10.4159/harvard.9780674182608 X:De Gruyter Verlag Volltext https://doi.org/10.4159/harvard.9780674182608 X:GRUY X:De Gruyter Resolving-System lizenzpflichtig Volltext https://www.degruyter.com/isbn/9780674182608 X:GRUY Verlag lizenzpflichtig https://www.degruyter.com/doc/cover/9780674182608.jpg X:GRUY Cover https://www.degruyter.com/cover/covers/9780674182608.jpg X:GRUY Verlag Cover https://www.degruyter.com/document/cover/isbn/9780674182608/original X:GRUY Verlag Cover (DE-627)787723401 EBA-BACKALL EBA-CL-HICS EBA-EBACKALL EBA-EBKALL EBA-ECL-HICS EBA-EEBKALL EBA-ESSHALL EBA-PPALL EBA-SSHALL GBV-deGruyter-alles ZDB-23-DGG ZDB-23-HCO ZDB-23-HWH GBV_ILN_21 ISIL_DE-46 SYSFLAG_1 GBV_KXP GBV_ILN_22 ISIL_DE-18 GBV_ILN_23 ISIL_DE-830 GBV_ILN_24 ISIL_DE-8 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_65 ISIL_DE-3 GBV_ILN_69 ISIL_DE-9 GBV_ILN_72 ISIL_DE-35 GBV_ILN_90 ISIL_DE-Hil2 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_120 ISIL_DE-715 GBV_ILN_122 ISIL_DE-897 GBV_ILN_130 ISIL_DE-700 GBV_ILN_140 ISIL_DE-839 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_264 ISIL_DE-897-1 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_736 GBV_ILN_2001 ISIL_DE-21 GBV_ILN_2006 ISIL_DE-14 GBV_ILN_2010 ISIL_DE-15 GBV_ILN_2020 ISIL_DE-Ch1 GBV_ILN_2027 ISIL_DE-105 GBV_ILN_2044 ISIL_DE-751 GBV_ILN_2045 ISIL_DE-Mit1 GBV_ILN_2050 ISIL_DE-Zi4 GBV_ILN_2057 ISIL_DE-L189 GBV_ILN_2063 ISIL_DE-951 GBV_ILN_2118 ISIL_DE-Mh35 BO 045F 355.1/7/094109034 21 01 0046 3485402303 ebook_2023_degruyter_ebs Freie Nutzung im <a href="http://nbn-resolving.de/urn:nbn:de:gbv:46-campusnetz9" Target="_blank">Campusnetz</a> der Universitaet und der Hochschulen im Lande Bremen zza 11-06-19 22 01 0018 4109889847 00 --%%-- --%%-- s --%%-- SUBedegebs zu 01-04-22 23 01 0830 354528347X olr-degruyter3 i z 21-11-19 24 01 0008 3806315388 00 --%%-- --%%-- s --%%-- olr-dgebs Vervielfältigungen (z.B. 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9780674182608 978-0-674-18260-8 10.4159/harvard.9780674182608 doi (DE-627)1659449502 (DE-576)416680933 (DE-599)GBV787723401 (OCoLC)897163134 (OCoLC)897163134 (EBP)005870631 (DE-B1597)248618 DE-627 ger DE-627 rakwb eng DA68 HIS 015000 bisacsh HIS 027130 bisacsh HIS 037060 bisacsh HIS015000 bisacsh HIS027130 bisacsh HIS037060 bisacsh HIS000000 bisacsh Myerly, Scott Hughes verfasserin aut British Military Spectacle From the Napoleonic Wars Through the Crimea Scott Hughes Myerly s.l. Harvard University Press 1996 ©1996 Online-Ressource (X, 293 S.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Restricted Access Controlled Vocabulary for Access Rights http://purl.org/coar/access_right/c_16ec online access with authorization coarar Biographical note: MyerlyScott: Scott Hughes Myerly is a cultural and military historian. In the theater of war, how important is costume? And in peacetime, what purpose does military spectacle serve? This book takes us behind the scenes of the British military at the height of its brilliance to show us how dress and discipline helped to mold the military man and attempted to seduce the hearts and minds of a nation while serving to intimidate civil rioters in peacetime. Often ridiculed for their constrictive splendor, British army uniforms of the early nineteenth century nonetheless played a powerful role in the troops' performance on campaign, in battle, and as dramatic entertainment in peacetime. Plumbing a wide variety of military sources, most tellingly the memoirs and letters of soldiers and civilians, Scott Hughes Myerly reveals how these ornate sartorial creations, combining symbols of solidarity and inspiration, vivid color, and physical restraint, enhanced the managerial effects of rigid discipline, drill, and torturous punishments, but also helped foster regimental esprit de corps. Encouraging recruitment, enforcing discipline within the military, and boosting morale were essential but not the only functions of martial dress. Myerly also explores the role of the resplendent uniform and its associated gaudy trappings and customs during civil peace and disorder--whether employed as public relations through spectacular free entertainment, or imitated by rioters and rebels opposing the status quo. Dress, drills, parades, inspections, pomp, and order: as this richly illustrated book conducts us through the details of the creation, design, functions, and meaning of these aspects of the martial image, it exposes the underpinnings of a mentality--and vision--that extends far beyond the military subculture into the civic and social order that we call modernity. In the theater of war, how important is costume? And in peacetime, what purpose does military spectacle serve? This book takes us behind the scenes of the British military at the height of its brilliance to show us the role of dress in war and peace. Review text: The book is well written [and] the research is excellent. Myerly has consulted a very wide range of materials, judiciously using secondary sources and drawing a wealth of information from primary sources. The abundance of fascinating detail alone makes this an attractive study to anyone remotely interested in the British military in particular or British culture in general.This is an original and fascinating discussion of a critical yet subtle subject heretofore completely overlooked by scholars of war history. This book studies the most visible aspect of British state imagery during the first half of the nineteenth century: military or martial spectacle as seen in uniforms, parades, pictures, music, art, and song. This is an account of how imagery was a vital part of nineteenth century military management in London's effort to mold the beliefs and actions of its soldiers into expert war tools. In doing this Myerly argues effectively that the imagery's effect held important consequences for British society as well as British soldiers.No other book has tried to look at how military dress and mannerism interacted with details of civil society like the circus! The energy of research behind this book is impressive. Myerly has read very widely...The theme he addresses is a real one: military show did matter in British life, and affected soldiers and civilians alike.[T]he work is thought provoking and...well illustrated.The British Army is well known for its pomp and pageantry, color and precision drill. Nowhere in its history is this more evident than the period from 1800 to 1857, when the army was at its pinnacle and almost continuously engaged in one campaign or another. This is the first book to take an in-depth look at the purpose and importance of military costume and spectacle in time of war and peace...Recommended.Myerly explores very effectively the psychological impact of military dress on both soldiers and civilians. His probing into the various meanings behind the sartorial finery, and its presentation in public as 'spectacle', reveals a complex picture in which the context of the presentation is all important...He makes too, a welcome contribution on the often puzzling, and at times paradoxical relationship between British soldiers and civilians. For those interested specifically in military dress, there is much comment drawn from primary sources, supported by a well chosen (and well reproduced) selection of contemporary illustrations, half of which are in colour...For the student of military history, and of the British Army and its uniforms in particular, this is a book that has much of interest. It can be interesting and insightful.This well-written and ably-argued study takes an apparently thankless subject--military uniform--and shows it can be employed to throw light on the military, society and politics of the period...Based on a most impressive and imaginative range of archival and published sources, [Myerly's] book offers not only valuable insights on military history, but also an important perspective on the issue of British exceptionalism.[A] beautifully produced volume...Myerly has written a book that is often innovative, fusing written evidence with that of pictures and artefacts, and linking antiquarianism to broad historical themes in the best manner of cultural history.[An] earnest foray into military aesthetics. There have been innumerable books about army uniforms and traditions, but Myerly, an American cultural and military historian, is concerned also with the impact on society of military spectacle and of those martial virtues and excellences...It is good to see American publishers backing research into facets of British history which our own publishers are eager to neglect.This book is as beautifully tailored as are the uniforms it describes...[It] is a most entertaining and scholarly work. Charm comes with the author's pleasure in anecdotes. 1996 |1996|||||||||| 1996 In English Spectacular, The Uniform Spectaculaire Aesthetics, British Guerres napoléoniennes, 1800-1815 Guerre de Crimée, 1853-1856 Militaire uniformen Militarisme Napoleonic Wars, 1800-1815 Rites and ceremonies Crimean War, 1853-1856 Militär Krijgsmacht Guerres napoléoniennes, 1800-1815 Guerre de Crimée, 1853-1856 Militär HISTORY / General 9780674182585 Erscheint auch als Druck-Ausgabe 978-0-674-18258-5 http://dx.doi.org/10.4159/harvard.9780674182608 X:De Gruyter Verlag Volltext https://doi.org/10.4159/harvard.9780674182608 X:GRUY X:De Gruyter Resolving-System lizenzpflichtig Volltext https://www.degruyter.com/isbn/9780674182608 X:GRUY Verlag lizenzpflichtig https://www.degruyter.com/doc/cover/9780674182608.jpg X:GRUY Cover https://www.degruyter.com/cover/covers/9780674182608.jpg X:GRUY Verlag Cover https://www.degruyter.com/document/cover/isbn/9780674182608/original X:GRUY Verlag Cover (DE-627)787723401 EBA-BACKALL EBA-CL-HICS EBA-EBACKALL EBA-EBKALL EBA-ECL-HICS EBA-EEBKALL EBA-ESSHALL EBA-PPALL EBA-SSHALL GBV-deGruyter-alles ZDB-23-DGG ZDB-23-HCO ZDB-23-HWH GBV_ILN_21 ISIL_DE-46 SYSFLAG_1 GBV_KXP GBV_ILN_22 ISIL_DE-18 GBV_ILN_23 ISIL_DE-830 GBV_ILN_24 ISIL_DE-8 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_65 ISIL_DE-3 GBV_ILN_69 ISIL_DE-9 GBV_ILN_72 ISIL_DE-35 GBV_ILN_90 ISIL_DE-Hil2 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_120 ISIL_DE-715 GBV_ILN_122 ISIL_DE-897 GBV_ILN_130 ISIL_DE-700 GBV_ILN_140 ISIL_DE-839 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_264 ISIL_DE-897-1 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_736 GBV_ILN_2001 ISIL_DE-21 GBV_ILN_2006 ISIL_DE-14 GBV_ILN_2010 ISIL_DE-15 GBV_ILN_2020 ISIL_DE-Ch1 GBV_ILN_2027 ISIL_DE-105 GBV_ILN_2044 ISIL_DE-751 GBV_ILN_2045 ISIL_DE-Mit1 GBV_ILN_2050 ISIL_DE-Zi4 GBV_ILN_2057 ISIL_DE-L189 GBV_ILN_2063 ISIL_DE-951 GBV_ILN_2118 ISIL_DE-Mh35 BO 045F 355.1/7/094109034 21 01 0046 3485402303 ebook_2023_degruyter_ebs Freie Nutzung im <a href="http://nbn-resolving.de/urn:nbn:de:gbv:46-campusnetz9" Target="_blank">Campusnetz</a> der Universitaet und der Hochschulen im Lande Bremen zza 11-06-19 22 01 0018 4109889847 00 --%%-- --%%-- s --%%-- SUBedegebs zu 01-04-22 23 01 0830 354528347X olr-degruyter3 i z 21-11-19 24 01 0008 3806315388 00 --%%-- --%%-- s --%%-- olr-dgebs Vervielfältigungen (z.B. 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And in peacetime, what purpose does military spectacle serve? This book takes us behind the scenes of the British military at the height of its brilliance to show us how dress and discipline helped to mold the military man and attempted to seduce the hearts and minds of a nation while serving to intimidate civil rioters in peacetime. Often ridiculed for their constrictive splendor, British army uniforms of the early nineteenth century nonetheless played a powerful role in the troops' performance on campaign, in battle, and as dramatic entertainment in peacetime. Plumbing a wide variety of military sources, most tellingly the memoirs and letters of soldiers and civilians, Scott Hughes Myerly reveals how these ornate sartorial creations, combining symbols of solidarity and inspiration, vivid color, and physical restraint, enhanced the managerial effects of rigid discipline, drill, and torturous punishments, but also helped foster regimental esprit de corps. Encouraging recruitment, enforcing discipline within the military, and boosting morale were essential but not the only functions of martial dress. Myerly also explores the role of the resplendent uniform and its associated gaudy trappings and customs during civil peace and disorder--whether employed as public relations through spectacular free entertainment, or imitated by rioters and rebels opposing the status quo. Dress, drills, parades, inspections, pomp, and order: as this richly illustrated book conducts us through the details of the creation, design, functions, and meaning of these aspects of the martial image, it exposes the underpinnings of a mentality--and vision--that extends far beyond the military subculture into the civic and social order that we call modernity.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In the theater of war, how important is costume? And in peacetime, what purpose does military spectacle serve? This book takes us behind the scenes of the British military at the height of its brilliance to show us the role of dress in war and peace.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Review text: The book is well written [and] the research is excellent. Myerly has consulted a very wide range of materials, judiciously using secondary sources and drawing a wealth of information from primary sources. The abundance of fascinating detail alone makes this an attractive study to anyone remotely interested in the British military in particular or British culture in general.This is an original and fascinating discussion of a critical yet subtle subject heretofore completely overlooked by scholars of war history. This book studies the most visible aspect of British state imagery during the first half of the nineteenth century: military or martial spectacle as seen in uniforms, parades, pictures, music, art, and song. This is an account of how imagery was a vital part of nineteenth century military management in London's effort to mold the beliefs and actions of its soldiers into expert war tools. In doing this Myerly argues effectively that the imagery's effect held important consequences for British society as well as British soldiers.No other book has tried to look at how military dress and mannerism interacted with details of civil society like the circus! The energy of research behind this book is impressive. Myerly has read very widely...The theme he addresses is a real one: military show did matter in British life, and affected soldiers and civilians alike.[T]he work is thought provoking and...well illustrated.The British Army is well known for its pomp and pageantry, color and precision drill. Nowhere in its history is this more evident than the period from 1800 to 1857, when the army was at its pinnacle and almost continuously engaged in one campaign or another. This is the first book to take an in-depth look at the purpose and importance of military costume and spectacle in time of war and peace...Recommended.Myerly explores very effectively the psychological impact of military dress on both soldiers and civilians. His probing into the various meanings behind the sartorial finery, and its presentation in public as 'spectacle', reveals a complex picture in which the context of the presentation is all important...He makes too, a welcome contribution on the often puzzling, and at times paradoxical relationship between British soldiers and civilians. For those interested specifically in military dress, there is much comment drawn from primary sources, supported by a well chosen (and well reproduced) selection of contemporary illustrations, half of which are in colour...For the student of military history, and of the British Army and its uniforms in particular, this is a book that has much of interest. It can be interesting and insightful.This well-written and ably-argued study takes an apparently thankless subject--military uniform--and shows it can be employed to throw light on the military, society and politics of the period...Based on a most impressive and imaginative range of archival and published sources, [Myerly's] book offers not only valuable insights on military history, but also an important perspective on the issue of British exceptionalism.[A] beautifully produced volume...Myerly has written a book that is often innovative, fusing written evidence with that of pictures and artefacts, and linking antiquarianism to broad historical themes in the best manner of cultural history.[An] earnest foray into military aesthetics. There have been innumerable books about army uniforms and traditions, but Myerly, an American cultural and military historian, is concerned also with the impact on society of military spectacle and of those martial virtues and excellences...It is good to see American publishers backing research into facets of British history which our own publishers are eager to neglect.This book is as beautifully tailored as are the uniforms it describes...[It] is a most entertaining and scholarly work. 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Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="y">z</subfield><subfield code="z">01-11-19</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">95</subfield><subfield code="1">01</subfield><subfield code="x">3095</subfield><subfield code="b">3544375133</subfield><subfield code="h">OLR-DEGRUYTER</subfield><subfield code="k">Ausdruck und Kopien sind ausschließlich für den eigenen wissenschaftlichen Gebrauch gestattet</subfield><subfield code="y">z1</subfield><subfield code="z">21-11-19</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">110</subfield><subfield code="1">01</subfield><subfield code="x">3110</subfield><subfield code="b">3515505040</subfield><subfield code="h">OLR-DEGRUYTER-EBS-2018</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. 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Kein systematisches Downloaden durch Robots.</subfield><subfield code="y">z</subfield><subfield code="z">21-12-19</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">120</subfield><subfield code="1">02</subfield><subfield code="x">0715</subfield><subfield code="b">3577008288</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">g</subfield><subfield code="j">--%%--</subfield><subfield code="h">alma</subfield><subfield code="y">z</subfield><subfield code="z">20-01-20</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">120</subfield><subfield code="1">03</subfield><subfield code="x">0715</subfield><subfield code="b">1543788556</subfield><subfield code="k">Campusweiter Zugriff (Universität Oldenburg). - Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots.</subfield><subfield code="y">z</subfield><subfield code="z">31-05-15</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">120</subfield><subfield code="1">05</subfield><subfield code="x">0715</subfield><subfield code="b">3582309576</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">g</subfield><subfield code="j">--%%--</subfield><subfield code="h">alma</subfield><subfield code="y">z</subfield><subfield code="z">24-01-20</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">122</subfield><subfield code="1">01</subfield><subfield code="x">0897</subfield><subfield code="b">3544767791</subfield><subfield code="h">OLR-deGruyter-EBS</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots</subfield><subfield code="y">z</subfield><subfield code="z">21-11-19</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">130</subfield><subfield code="1">01</subfield><subfield code="x">0700</subfield><subfield code="b">3986612203</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">s</subfield><subfield code="j">--%%--</subfield><subfield code="h">OLR-deGruyter-EBA-EBKALL</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="y">z</subfield><subfield code="z">10-10-21</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">140</subfield><subfield code="1">01</subfield><subfield code="x">0839</subfield><subfield code="b">3568797666</subfield><subfield code="h">OLR-deGruyter-EBS</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots</subfield><subfield code="y">z</subfield><subfield code="z">20-12-19</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">147</subfield><subfield code="1">01</subfield><subfield code="x">3528</subfield><subfield code="b">3788760435</subfield><subfield code="h">OLR-EBS-DG</subfield><subfield code="k">Multiuser | freigeschaltet für Europa-Universität Flensburg, Hochschule Flensburg und Zentrale Hochschulbibliothek</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="y">z</subfield><subfield code="z">28-10-20</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">264</subfield><subfield code="1">01</subfield><subfield code="x">3264</subfield><subfield code="b">3571282531</subfield><subfield code="h">OLR-deGruyter-EBS</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots</subfield><subfield code="y">z</subfield><subfield code="z">02-01-20</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">370</subfield><subfield code="1">01</subfield><subfield code="x">4370</subfield><subfield code="b">4087194809</subfield><subfield code="h">EBS deGruyter</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots.</subfield><subfield code="u">i</subfield><subfield code="y">z</subfield><subfield code="z">10-03-22</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">736</subfield><subfield code="1">01</subfield><subfield code="x">4736</subfield><subfield code="b">4492888152</subfield><subfield code="h">DeGryuterEBS2024</subfield><subfield code="u">verv</subfield><subfield code="y">zeg</subfield><subfield code="z">28-02-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2001</subfield><subfield code="1">01</subfield><subfield code="x">DE-21</subfield><subfield code="b">3937492267</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">kp</subfield><subfield code="y">l01</subfield><subfield code="z">12-06-21</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2006</subfield><subfield code="1">01</subfield><subfield code="x">DE-14</subfield><subfield code="b">4433851213</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">--%%--</subfield><subfield code="y">l01</subfield><subfield code="z">13-12-23</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2010</subfield><subfield code="1">01</subfield><subfield code="x">DE-15</subfield><subfield code="b">4433812986</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">n</subfield><subfield code="k">Elektronischer Volltext - Campuslizenz</subfield><subfield code="y">l01</subfield><subfield code="z">13-12-23</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2020</subfield><subfield code="1">01</subfield><subfield code="x">DE-Ch1</subfield><subfield code="b">4441618360</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">n</subfield><subfield code="k">Campuslizenz</subfield><subfield code="y">l01</subfield><subfield code="z">19-12-23</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2027</subfield><subfield code="1">01</subfield><subfield code="x">DE-105</subfield><subfield code="b">4463827140</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">n</subfield><subfield code="k">Campuslizenz</subfield><subfield code="y">l01</subfield><subfield code="z">19-01-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2044</subfield><subfield code="1">01</subfield><subfield code="x">DE-751</subfield><subfield code="b">4589230100</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">eBook de Gruyter</subfield><subfield code="e">--%%--</subfield><subfield code="j">n</subfield><subfield code="k">Campuslizenz bis 30.09.2025. Bitte beachten Sie die Nutzungshinweise auf unserer Homepage (de Gruyter)</subfield><subfield code="y">l01</subfield><subfield code="z">08-10-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2045</subfield><subfield code="1">01</subfield><subfield code="x">DE-Mit1</subfield><subfield code="b">4491585776</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">n</subfield><subfield code="k">Volltext - Campuslizenz</subfield><subfield code="y">l01</subfield><subfield code="z">27-02-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2050</subfield><subfield code="1">01</subfield><subfield code="x">DE-Zi4</subfield><subfield code="b">4441618379</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">n</subfield><subfield code="k">Zugriff im HSZG-Campusnetz. 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| abstract |
Biographical note: MyerlyScott: Scott Hughes Myerly is a cultural and military historian. In the theater of war, how important is costume? And in peacetime, what purpose does military spectacle serve? This book takes us behind the scenes of the British military at the height of its brilliance to show us how dress and discipline helped to mold the military man and attempted to seduce the hearts and minds of a nation while serving to intimidate civil rioters in peacetime. Often ridiculed for their constrictive splendor, British army uniforms of the early nineteenth century nonetheless played a powerful role in the troops' performance on campaign, in battle, and as dramatic entertainment in peacetime. Plumbing a wide variety of military sources, most tellingly the memoirs and letters of soldiers and civilians, Scott Hughes Myerly reveals how these ornate sartorial creations, combining symbols of solidarity and inspiration, vivid color, and physical restraint, enhanced the managerial effects of rigid discipline, drill, and torturous punishments, but also helped foster regimental esprit de corps. Encouraging recruitment, enforcing discipline within the military, and boosting morale were essential but not the only functions of martial dress. Myerly also explores the role of the resplendent uniform and its associated gaudy trappings and customs during civil peace and disorder--whether employed as public relations through spectacular free entertainment, or imitated by rioters and rebels opposing the status quo. Dress, drills, parades, inspections, pomp, and order: as this richly illustrated book conducts us through the details of the creation, design, functions, and meaning of these aspects of the martial image, it exposes the underpinnings of a mentality--and vision--that extends far beyond the military subculture into the civic and social order that we call modernity. In the theater of war, how important is costume? And in peacetime, what purpose does military spectacle serve? This book takes us behind the scenes of the British military at the height of its brilliance to show us the role of dress in war and peace. Review text: The book is well written [and] the research is excellent. Myerly has consulted a very wide range of materials, judiciously using secondary sources and drawing a wealth of information from primary sources. The abundance of fascinating detail alone makes this an attractive study to anyone remotely interested in the British military in particular or British culture in general.This is an original and fascinating discussion of a critical yet subtle subject heretofore completely overlooked by scholars of war history. This book studies the most visible aspect of British state imagery during the first half of the nineteenth century: military or martial spectacle as seen in uniforms, parades, pictures, music, art, and song. This is an account of how imagery was a vital part of nineteenth century military management in London's effort to mold the beliefs and actions of its soldiers into expert war tools. In doing this Myerly argues effectively that the imagery's effect held important consequences for British society as well as British soldiers.No other book has tried to look at how military dress and mannerism interacted with details of civil society like the circus! The energy of research behind this book is impressive. Myerly has read very widely...The theme he addresses is a real one: military show did matter in British life, and affected soldiers and civilians alike.[T]he work is thought provoking and...well illustrated.The British Army is well known for its pomp and pageantry, color and precision drill. Nowhere in its history is this more evident than the period from 1800 to 1857, when the army was at its pinnacle and almost continuously engaged in one campaign or another. This is the first book to take an in-depth look at the purpose and importance of military costume and spectacle in time of war and peace...Recommended.Myerly explores very effectively the psychological impact of military dress on both soldiers and civilians. His probing into the various meanings behind the sartorial finery, and its presentation in public as 'spectacle', reveals a complex picture in which the context of the presentation is all important...He makes too, a welcome contribution on the often puzzling, and at times paradoxical relationship between British soldiers and civilians. For those interested specifically in military dress, there is much comment drawn from primary sources, supported by a well chosen (and well reproduced) selection of contemporary illustrations, half of which are in colour...For the student of military history, and of the British Army and its uniforms in particular, this is a book that has much of interest. It can be interesting and insightful.This well-written and ably-argued study takes an apparently thankless subject--military uniform--and shows it can be employed to throw light on the military, society and politics of the period...Based on a most impressive and imaginative range of archival and published sources, [Myerly's] book offers not only valuable insights on military history, but also an important perspective on the issue of British exceptionalism.[A] beautifully produced volume...Myerly has written a book that is often innovative, fusing written evidence with that of pictures and artefacts, and linking antiquarianism to broad historical themes in the best manner of cultural history.[An] earnest foray into military aesthetics. There have been innumerable books about army uniforms and traditions, but Myerly, an American cultural and military historian, is concerned also with the impact on society of military spectacle and of those martial virtues and excellences...It is good to see American publishers backing research into facets of British history which our own publishers are eager to neglect.This book is as beautifully tailored as are the uniforms it describes...[It] is a most entertaining and scholarly work. Charm comes with the author's pleasure in anecdotes. |
| abstractGer |
Biographical note: MyerlyScott: Scott Hughes Myerly is a cultural and military historian. In the theater of war, how important is costume? And in peacetime, what purpose does military spectacle serve? This book takes us behind the scenes of the British military at the height of its brilliance to show us how dress and discipline helped to mold the military man and attempted to seduce the hearts and minds of a nation while serving to intimidate civil rioters in peacetime. Often ridiculed for their constrictive splendor, British army uniforms of the early nineteenth century nonetheless played a powerful role in the troops' performance on campaign, in battle, and as dramatic entertainment in peacetime. Plumbing a wide variety of military sources, most tellingly the memoirs and letters of soldiers and civilians, Scott Hughes Myerly reveals how these ornate sartorial creations, combining symbols of solidarity and inspiration, vivid color, and physical restraint, enhanced the managerial effects of rigid discipline, drill, and torturous punishments, but also helped foster regimental esprit de corps. Encouraging recruitment, enforcing discipline within the military, and boosting morale were essential but not the only functions of martial dress. Myerly also explores the role of the resplendent uniform and its associated gaudy trappings and customs during civil peace and disorder--whether employed as public relations through spectacular free entertainment, or imitated by rioters and rebels opposing the status quo. Dress, drills, parades, inspections, pomp, and order: as this richly illustrated book conducts us through the details of the creation, design, functions, and meaning of these aspects of the martial image, it exposes the underpinnings of a mentality--and vision--that extends far beyond the military subculture into the civic and social order that we call modernity. In the theater of war, how important is costume? And in peacetime, what purpose does military spectacle serve? This book takes us behind the scenes of the British military at the height of its brilliance to show us the role of dress in war and peace. Review text: The book is well written [and] the research is excellent. Myerly has consulted a very wide range of materials, judiciously using secondary sources and drawing a wealth of information from primary sources. The abundance of fascinating detail alone makes this an attractive study to anyone remotely interested in the British military in particular or British culture in general.This is an original and fascinating discussion of a critical yet subtle subject heretofore completely overlooked by scholars of war history. This book studies the most visible aspect of British state imagery during the first half of the nineteenth century: military or martial spectacle as seen in uniforms, parades, pictures, music, art, and song. This is an account of how imagery was a vital part of nineteenth century military management in London's effort to mold the beliefs and actions of its soldiers into expert war tools. In doing this Myerly argues effectively that the imagery's effect held important consequences for British society as well as British soldiers.No other book has tried to look at how military dress and mannerism interacted with details of civil society like the circus! The energy of research behind this book is impressive. Myerly has read very widely...The theme he addresses is a real one: military show did matter in British life, and affected soldiers and civilians alike.[T]he work is thought provoking and...well illustrated.The British Army is well known for its pomp and pageantry, color and precision drill. Nowhere in its history is this more evident than the period from 1800 to 1857, when the army was at its pinnacle and almost continuously engaged in one campaign or another. This is the first book to take an in-depth look at the purpose and importance of military costume and spectacle in time of war and peace...Recommended.Myerly explores very effectively the psychological impact of military dress on both soldiers and civilians. His probing into the various meanings behind the sartorial finery, and its presentation in public as 'spectacle', reveals a complex picture in which the context of the presentation is all important...He makes too, a welcome contribution on the often puzzling, and at times paradoxical relationship between British soldiers and civilians. For those interested specifically in military dress, there is much comment drawn from primary sources, supported by a well chosen (and well reproduced) selection of contemporary illustrations, half of which are in colour...For the student of military history, and of the British Army and its uniforms in particular, this is a book that has much of interest. It can be interesting and insightful.This well-written and ably-argued study takes an apparently thankless subject--military uniform--and shows it can be employed to throw light on the military, society and politics of the period...Based on a most impressive and imaginative range of archival and published sources, [Myerly's] book offers not only valuable insights on military history, but also an important perspective on the issue of British exceptionalism.[A] beautifully produced volume...Myerly has written a book that is often innovative, fusing written evidence with that of pictures and artefacts, and linking antiquarianism to broad historical themes in the best manner of cultural history.[An] earnest foray into military aesthetics. There have been innumerable books about army uniforms and traditions, but Myerly, an American cultural and military historian, is concerned also with the impact on society of military spectacle and of those martial virtues and excellences...It is good to see American publishers backing research into facets of British history which our own publishers are eager to neglect.This book is as beautifully tailored as are the uniforms it describes...[It] is a most entertaining and scholarly work. Charm comes with the author's pleasure in anecdotes. |
| abstract_unstemmed |
Biographical note: MyerlyScott: Scott Hughes Myerly is a cultural and military historian. In the theater of war, how important is costume? And in peacetime, what purpose does military spectacle serve? This book takes us behind the scenes of the British military at the height of its brilliance to show us how dress and discipline helped to mold the military man and attempted to seduce the hearts and minds of a nation while serving to intimidate civil rioters in peacetime. Often ridiculed for their constrictive splendor, British army uniforms of the early nineteenth century nonetheless played a powerful role in the troops' performance on campaign, in battle, and as dramatic entertainment in peacetime. Plumbing a wide variety of military sources, most tellingly the memoirs and letters of soldiers and civilians, Scott Hughes Myerly reveals how these ornate sartorial creations, combining symbols of solidarity and inspiration, vivid color, and physical restraint, enhanced the managerial effects of rigid discipline, drill, and torturous punishments, but also helped foster regimental esprit de corps. Encouraging recruitment, enforcing discipline within the military, and boosting morale were essential but not the only functions of martial dress. Myerly also explores the role of the resplendent uniform and its associated gaudy trappings and customs during civil peace and disorder--whether employed as public relations through spectacular free entertainment, or imitated by rioters and rebels opposing the status quo. Dress, drills, parades, inspections, pomp, and order: as this richly illustrated book conducts us through the details of the creation, design, functions, and meaning of these aspects of the martial image, it exposes the underpinnings of a mentality--and vision--that extends far beyond the military subculture into the civic and social order that we call modernity. In the theater of war, how important is costume? And in peacetime, what purpose does military spectacle serve? This book takes us behind the scenes of the British military at the height of its brilliance to show us the role of dress in war and peace. Review text: The book is well written [and] the research is excellent. Myerly has consulted a very wide range of materials, judiciously using secondary sources and drawing a wealth of information from primary sources. The abundance of fascinating detail alone makes this an attractive study to anyone remotely interested in the British military in particular or British culture in general.This is an original and fascinating discussion of a critical yet subtle subject heretofore completely overlooked by scholars of war history. This book studies the most visible aspect of British state imagery during the first half of the nineteenth century: military or martial spectacle as seen in uniforms, parades, pictures, music, art, and song. This is an account of how imagery was a vital part of nineteenth century military management in London's effort to mold the beliefs and actions of its soldiers into expert war tools. In doing this Myerly argues effectively that the imagery's effect held important consequences for British society as well as British soldiers.No other book has tried to look at how military dress and mannerism interacted with details of civil society like the circus! The energy of research behind this book is impressive. Myerly has read very widely...The theme he addresses is a real one: military show did matter in British life, and affected soldiers and civilians alike.[T]he work is thought provoking and...well illustrated.The British Army is well known for its pomp and pageantry, color and precision drill. Nowhere in its history is this more evident than the period from 1800 to 1857, when the army was at its pinnacle and almost continuously engaged in one campaign or another. This is the first book to take an in-depth look at the purpose and importance of military costume and spectacle in time of war and peace...Recommended.Myerly explores very effectively the psychological impact of military dress on both soldiers and civilians. His probing into the various meanings behind the sartorial finery, and its presentation in public as 'spectacle', reveals a complex picture in which the context of the presentation is all important...He makes too, a welcome contribution on the often puzzling, and at times paradoxical relationship between British soldiers and civilians. For those interested specifically in military dress, there is much comment drawn from primary sources, supported by a well chosen (and well reproduced) selection of contemporary illustrations, half of which are in colour...For the student of military history, and of the British Army and its uniforms in particular, this is a book that has much of interest. It can be interesting and insightful.This well-written and ably-argued study takes an apparently thankless subject--military uniform--and shows it can be employed to throw light on the military, society and politics of the period...Based on a most impressive and imaginative range of archival and published sources, [Myerly's] book offers not only valuable insights on military history, but also an important perspective on the issue of British exceptionalism.[A] beautifully produced volume...Myerly has written a book that is often innovative, fusing written evidence with that of pictures and artefacts, and linking antiquarianism to broad historical themes in the best manner of cultural history.[An] earnest foray into military aesthetics. There have been innumerable books about army uniforms and traditions, but Myerly, an American cultural and military historian, is concerned also with the impact on society of military spectacle and of those martial virtues and excellences...It is good to see American publishers backing research into facets of British history which our own publishers are eager to neglect.This book is as beautifully tailored as are the uniforms it describes...[It] is a most entertaining and scholarly work. Charm comes with the author's pleasure in anecdotes. |
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ind1=" " ind2=" "><subfield code="a">GBV_ILN_24</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-8</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_31</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-27</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_34</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-18-302</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_65</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-3</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_69</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-9</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_72</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-35</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_90</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-Hil2</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_95</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-542</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_110</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-Luen4</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_120</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-715</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_122</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-897</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_130</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-700</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_140</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-839</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_147</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-Fl3</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_264</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-897-1</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_370</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-1373</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_736</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2001</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-21</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2006</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-14</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2010</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-15</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2020</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-Ch1</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2027</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-105</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2044</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-751</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2045</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-Mit1</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2050</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-Zi4</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2057</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-L189</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2063</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-951</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2118</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-Mh35</subfield></datafield><datafield tag="951" ind1=" " ind2=" "><subfield code="a">BO</subfield></datafield><datafield tag="953" ind1=" " ind2=" "><subfield code="2">045F</subfield><subfield code="a">355.1/7/094109034</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">21</subfield><subfield code="1">01</subfield><subfield code="x">0046</subfield><subfield code="b">3485402303</subfield><subfield code="h">ebook_2023_degruyter_ebs</subfield><subfield code="k">Freie Nutzung im <a href="http://nbn-resolving.de/urn:nbn:de:gbv:46-campusnetz9" Target="_blank">Campusnetz</a> der Universitaet und der Hochschulen im Lande Bremen</subfield><subfield code="y">zza</subfield><subfield code="z">11-06-19</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">22</subfield><subfield code="1">01</subfield><subfield code="x">0018</subfield><subfield code="b">4109889847</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">s</subfield><subfield code="j">--%%--</subfield><subfield code="h">SUBedegebs</subfield><subfield code="y">zu</subfield><subfield code="z">01-04-22</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">23</subfield><subfield code="1">01</subfield><subfield code="x">0830</subfield><subfield code="b">354528347X</subfield><subfield code="h">olr-degruyter3</subfield><subfield code="u">i</subfield><subfield code="y">z</subfield><subfield code="z">21-11-19</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">24</subfield><subfield code="1">01</subfield><subfield code="x">0008</subfield><subfield code="b">3806315388</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">s</subfield><subfield code="j">--%%--</subfield><subfield code="h">olr-dgebs</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="k">Zugriff auf den Volltext nur für Universitätsangehörige innerhalb des Netzes der Universität Kiel (Campuslizenz).</subfield><subfield code="y">z</subfield><subfield code="z">18-11-20</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">31</subfield><subfield code="1">01</subfield><subfield code="x">0027</subfield><subfield code="b">3869052457</subfield><subfield code="h">OLR-DeGruyterEBS</subfield><subfield code="k">Zugang zeitlich begrenzt. Dauerhaften Zugang über Formular für Anschaffungsvorschläge anfragen.</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="y">z</subfield><subfield code="z">21-02-21</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">34</subfield><subfield code="1">01</subfield><subfield code="x">3551</subfield><subfield code="b">4080099525</subfield><subfield code="h">OLR-EBAKALL-EBS</subfield><subfield code="k">Zugriff nur im Netz der HAW Hamburg</subfield><subfield code="y">z</subfield><subfield code="z">05-03-22</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">65</subfield><subfield code="1">01</subfield><subfield code="x">0003</subfield><subfield code="b">4418949976</subfield><subfield code="h">DeGruyter-EBA</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="y">z</subfield><subfield code="z">27-11-23</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">69</subfield><subfield code="1">01</subfield><subfield code="x">0009</subfield><subfield code="b">3756895548</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="u">BF_dG</subfield><subfield code="y">z</subfield><subfield code="z">17-09-20</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">72</subfield><subfield code="1">01</subfield><subfield code="x">0035</subfield><subfield code="b">3540038663</subfield><subfield code="h">OLR-DG-PDA11SSHE</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots.</subfield><subfield code="y">z</subfield><subfield code="z">13-11-19</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">90</subfield><subfield code="1">01</subfield><subfield code="x">3090</subfield><subfield code="b">3533887499</subfield><subfield code="h">OLR-HILdegruyter</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="y">z</subfield><subfield code="z">01-11-19</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">95</subfield><subfield code="1">01</subfield><subfield code="x">3095</subfield><subfield code="b">3544375133</subfield><subfield code="h">OLR-DEGRUYTER</subfield><subfield code="k">Ausdruck und Kopien sind ausschließlich für den eigenen wissenschaftlichen Gebrauch gestattet</subfield><subfield code="y">z1</subfield><subfield code="z">21-11-19</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">110</subfield><subfield code="1">01</subfield><subfield code="x">3110</subfield><subfield code="b">3515505040</subfield><subfield code="h">OLR-DEGRUYTER-EBS-2018</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="k">Volltextzugriff nur für berechtigte Personen über das Campusnetz</subfield><subfield code="y">z</subfield><subfield code="z">13-09-19</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">120</subfield><subfield code="1">01</subfield><subfield code="x">0715</subfield><subfield code="b">3569557898</subfield><subfield code="k">Campusweiter Zugriff (Universität Oldenburg). - Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots.</subfield><subfield code="y">z</subfield><subfield code="z">21-12-19</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">120</subfield><subfield code="1">02</subfield><subfield code="x">0715</subfield><subfield code="b">3577008288</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">g</subfield><subfield code="j">--%%--</subfield><subfield code="h">alma</subfield><subfield code="y">z</subfield><subfield code="z">20-01-20</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">120</subfield><subfield code="1">03</subfield><subfield code="x">0715</subfield><subfield code="b">1543788556</subfield><subfield code="k">Campusweiter Zugriff (Universität Oldenburg). - Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots.</subfield><subfield code="y">z</subfield><subfield code="z">31-05-15</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">120</subfield><subfield code="1">05</subfield><subfield code="x">0715</subfield><subfield code="b">3582309576</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">g</subfield><subfield code="j">--%%--</subfield><subfield code="h">alma</subfield><subfield code="y">z</subfield><subfield code="z">24-01-20</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">122</subfield><subfield code="1">01</subfield><subfield code="x">0897</subfield><subfield code="b">3544767791</subfield><subfield code="h">OLR-deGruyter-EBS</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots</subfield><subfield code="y">z</subfield><subfield code="z">21-11-19</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">130</subfield><subfield code="1">01</subfield><subfield code="x">0700</subfield><subfield code="b">3986612203</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">s</subfield><subfield code="j">--%%--</subfield><subfield code="h">OLR-deGruyter-EBA-EBKALL</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="y">z</subfield><subfield code="z">10-10-21</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">140</subfield><subfield code="1">01</subfield><subfield code="x">0839</subfield><subfield code="b">3568797666</subfield><subfield code="h">OLR-deGruyter-EBS</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots</subfield><subfield code="y">z</subfield><subfield code="z">20-12-19</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">147</subfield><subfield code="1">01</subfield><subfield code="x">3528</subfield><subfield code="b">3788760435</subfield><subfield code="h">OLR-EBS-DG</subfield><subfield code="k">Multiuser | freigeschaltet für Europa-Universität Flensburg, Hochschule Flensburg und Zentrale Hochschulbibliothek</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="y">z</subfield><subfield code="z">28-10-20</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">264</subfield><subfield code="1">01</subfield><subfield code="x">3264</subfield><subfield code="b">3571282531</subfield><subfield code="h">OLR-deGruyter-EBS</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots</subfield><subfield code="y">z</subfield><subfield code="z">02-01-20</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">370</subfield><subfield code="1">01</subfield><subfield code="x">4370</subfield><subfield code="b">4087194809</subfield><subfield code="h">EBS deGruyter</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots.</subfield><subfield code="u">i</subfield><subfield code="y">z</subfield><subfield code="z">10-03-22</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">736</subfield><subfield code="1">01</subfield><subfield code="x">4736</subfield><subfield code="b">4492888152</subfield><subfield code="h">DeGryuterEBS2024</subfield><subfield code="u">verv</subfield><subfield code="y">zeg</subfield><subfield code="z">28-02-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2001</subfield><subfield code="1">01</subfield><subfield code="x">DE-21</subfield><subfield code="b">3937492267</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">kp</subfield><subfield code="y">l01</subfield><subfield code="z">12-06-21</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2006</subfield><subfield code="1">01</subfield><subfield code="x">DE-14</subfield><subfield code="b">4433851213</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">--%%--</subfield><subfield code="y">l01</subfield><subfield code="z">13-12-23</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2010</subfield><subfield code="1">01</subfield><subfield code="x">DE-15</subfield><subfield code="b">4433812986</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">n</subfield><subfield code="k">Elektronischer Volltext - Campuslizenz</subfield><subfield code="y">l01</subfield><subfield code="z">13-12-23</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2020</subfield><subfield code="1">01</subfield><subfield code="x">DE-Ch1</subfield><subfield code="b">4441618360</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">n</subfield><subfield code="k">Campuslizenz</subfield><subfield code="y">l01</subfield><subfield code="z">19-12-23</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2027</subfield><subfield code="1">01</subfield><subfield code="x">DE-105</subfield><subfield code="b">4463827140</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">n</subfield><subfield code="k">Campuslizenz</subfield><subfield code="y">l01</subfield><subfield code="z">19-01-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2044</subfield><subfield code="1">01</subfield><subfield code="x">DE-751</subfield><subfield code="b">4589230100</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">eBook de Gruyter</subfield><subfield code="e">--%%--</subfield><subfield code="j">n</subfield><subfield code="k">Campuslizenz bis 30.09.2025. 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