Photographic Architecture in the Twentieth Century.
One hundred years ago, architects found in the medium of photography-so good at representing a building's lines and planes-a necessary way to promote their practices. It soon became apparent, however, that photography did more than reproduce what it depicted. It altered both subject and recepti...
Ausführliche Beschreibung
Gespeichert in:
| Autor*in: |
Zimmerman, Claire [verfasserIn] |
|---|
| Format: |
E-Book |
|---|---|
| Sprache: |
Englisch |
| Erschienen: |
Minneapolis: University of Minnesota Press ; 2014 ©2014. |
|---|
| Schlagwörter: |
Architectural photography -- History -- 20th century Architecture, Modern -- 20th century Architectural photography ; History ; 20th century |
|---|
| Anmerkung: |
Description based on publisher supplied metadata and other sources |
|---|---|
| Umfang: |
1 online resource (408 pages) |
| Links: | |
|---|---|
| ISBN: |
978-1-4529-3996-4 |
| Katalog-ID: |
1682440982 |
|---|
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| 520 | |a One hundred years ago, architects found in the medium of photography-so good at representing a building's lines and planes-a necessary way to promote their practices. It soon became apparent, however, that photography did more than reproduce what it depicted. It altered both subject and reception, as architecture in the twentieth century was enlisted as a form of mass communication. Claire Zimmerman reveals how photography profoundly influenced architectural design in the past century, playing an instrumental role in the evolution of modern architecture. Her "picture anthropology" demonstrates how buildings changed irrevocably and substantially through their interaction with photography, beginning with the emergence of mass-printed photographically illustrated texts in Germany before World War II and concluding with the postwar age of commercial advertising. In taking up "photographic architecture," Zimmerman considers two interconnected topics: first, architectural photography and its circulation; and second, the impact of photography on architectural design. She describes how architectural photographic protocols developed in Germany in the early twentieth century, expanded significantly in the wartime and postwar diaspora, and accelerated dramatically with the advent of postmodernism. In modern architecture, she argues, how buildings looked and how photographs made them look overlapped in consequential ways. In architecture and photography, the modernist concepts that were visible to the largest number over the widest terrain with the greatest clarity carried the day. This richly illustrated work shows, for the first time, how new ideas and new buildings arose from the interplay of photography and architecture-transforming how we see the world and how we act on it. | ||
| 520 | |a Cover -- Contents -- Preface -- Introduction: BEYOND VISIBILITY: Modern Architecture in the Photographic Image -- I. ARCHITECTURE AFTER PHOTOGRAPHY -- 1. BILDARCHITEKTUREN: Architectural Surface, circa 1914 -- 2. PHOTOGRAPHY INTO BUILDING: Mies in Barcelona -- 3. ARCHITECTURAL ABSTRACTION: The Tugendhat Photographs -- II. ARCHITECTS AND ARCHITECTURAL PHOTOGRAPHS -- 4. TYPE-PHOTO: Architectural Photography in Germany -- 5. AURA DEFERRED: Bauhausbauten Dessau -- 6. THE FUTURE IN THE PRESENT: Erscheinungsform and "The Dwelling," 1927 -- III. IMAGEABILITY -- 7. PROMISE AND THREAT: American Photographs in Postwar Germany -- 8. THE PHOTOGRAPHIC ARCHITECTURE OF THE HUNSTANTON SCHOOL -- 9. FROM PHOTOGRAPHIC SURFACE TO IMAGE OBJECT: James Stirling's Postmodernism -- Conclusion: SURFACE DIVIDES -- Acknowledgments -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W. | ||
| 650 | 0 | |a Architecture and photography | |
| 650 | 0 | |a Architectural photography -- History -- 20th century | |
| 650 | 0 | |a Architecture, Modern -- 20th century | |
| 650 | 4 | |a Architectural photography ; History ; 20th century | |
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Claire Zimmerman reveals how photography profoundly influenced architectural design in the past century, playing an instrumental role in the evolution of modern architecture. Her "picture anthropology" demonstrates how buildings changed irrevocably and substantially through their interaction with photography, beginning with the emergence of mass-printed photographically illustrated texts in Germany before World War II and concluding with the postwar age of commercial advertising. In taking up "photographic architecture," Zimmerman considers two interconnected topics: first, architectural photography and its circulation; and second, the impact of photography on architectural design. She describes how architectural photographic protocols developed in Germany in the early twentieth century, expanded significantly in the wartime and postwar diaspora, and accelerated dramatically with the advent of postmodernism. 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Claire Zimmerman reveals how photography profoundly influenced architectural design in the past century, playing an instrumental role in the evolution of modern architecture. Her "picture anthropology" demonstrates how buildings changed irrevocably and substantially through their interaction with photography, beginning with the emergence of mass-printed photographically illustrated texts in Germany before World War II and concluding with the postwar age of commercial advertising. In taking up "photographic architecture," Zimmerman considers two interconnected topics: first, architectural photography and its circulation; and second, the impact of photography on architectural design. She describes how architectural photographic protocols developed in Germany in the early twentieth century, expanded significantly in the wartime and postwar diaspora, and accelerated dramatically with the advent of postmodernism. In modern architecture, she argues, how buildings looked and how photographs made them look overlapped in consequential ways. In architecture and photography, the modernist concepts that were visible to the largest number over the widest terrain with the greatest clarity carried the day. This richly illustrated work shows, for the first time, how new ideas and new buildings arose from the interplay of photography and architecture-transforming how we see the world and how we act on it. Cover -- Contents -- Preface -- Introduction: BEYOND VISIBILITY: Modern Architecture in the Photographic Image -- I. ARCHITECTURE AFTER PHOTOGRAPHY -- 1. BILDARCHITEKTUREN: Architectural Surface, circa 1914 -- 2. PHOTOGRAPHY INTO BUILDING: Mies in Barcelona -- 3. ARCHITECTURAL ABSTRACTION: The Tugendhat Photographs -- II. ARCHITECTS AND ARCHITECTURAL PHOTOGRAPHS -- 4. TYPE-PHOTO: Architectural Photography in Germany -- 5. AURA DEFERRED: Bauhausbauten Dessau -- 6. THE FUTURE IN THE PRESENT: Erscheinungsform and "The Dwelling," 1927 -- III. IMAGEABILITY -- 7. PROMISE AND THREAT: American Photographs in Postwar Germany -- 8. THE PHOTOGRAPHIC ARCHITECTURE OF THE HUNSTANTON SCHOOL -- 9. FROM PHOTOGRAPHIC SURFACE TO IMAGE OBJECT: James Stirling's Postmodernism -- Conclusion: SURFACE DIVIDES -- Acknowledgments -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W. Architecture and photography Architectural photography -- History -- 20th century Architecture, Modern -- 20th century Architectural photography ; History ; 20th century Architecture and photography Architecture, Modern ; 20th century Electronic books 9780816683352 Erscheint auch als Druck-Ausgabe 9780816683352 https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=1762169 X:EBC Aggregator lizenzpflichtig ZDB-30-PAD ZDB-30-PQE ZDB-30-PAA GBV_ILN_24 ISIL_DE-8 SYSFLAG_1 GBV_KXP GBV_ILN_39 ISIL_DE-547 GBV_ILN_60 ISIL_DE-705 GBV_ILN_65 ISIL_DE-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_808 GBV_ILN_2026 ISIL_DE-100 GBV_ILN_2148 ISIL_DE-950 BO 045F 720.1/08 24 01 0008 3647734349 00 --%%-- --%%-- s --%%-- olr-mieteebc Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. 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Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. i z 09-09-21 808 01 4808 3546401646 olr-ebc-sichtbar Ebook noch nicht erworben! Nach dem Kauf: Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. 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Claire Zimmerman reveals how photography profoundly influenced architectural design in the past century, playing an instrumental role in the evolution of modern architecture. Her "picture anthropology" demonstrates how buildings changed irrevocably and substantially through their interaction with photography, beginning with the emergence of mass-printed photographically illustrated texts in Germany before World War II and concluding with the postwar age of commercial advertising. In taking up "photographic architecture," Zimmerman considers two interconnected topics: first, architectural photography and its circulation; and second, the impact of photography on architectural design. She describes how architectural photographic protocols developed in Germany in the early twentieth century, expanded significantly in the wartime and postwar diaspora, and accelerated dramatically with the advent of postmodernism. In modern architecture, she argues, how buildings looked and how photographs made them look overlapped in consequential ways. In architecture and photography, the modernist concepts that were visible to the largest number over the widest terrain with the greatest clarity carried the day. This richly illustrated work shows, for the first time, how new ideas and new buildings arose from the interplay of photography and architecture-transforming how we see the world and how we act on it. Cover -- Contents -- Preface -- Introduction: BEYOND VISIBILITY: Modern Architecture in the Photographic Image -- I. ARCHITECTURE AFTER PHOTOGRAPHY -- 1. BILDARCHITEKTUREN: Architectural Surface, circa 1914 -- 2. PHOTOGRAPHY INTO BUILDING: Mies in Barcelona -- 3. ARCHITECTURAL ABSTRACTION: The Tugendhat Photographs -- II. ARCHITECTS AND ARCHITECTURAL PHOTOGRAPHS -- 4. TYPE-PHOTO: Architectural Photography in Germany -- 5. AURA DEFERRED: Bauhausbauten Dessau -- 6. THE FUTURE IN THE PRESENT: Erscheinungsform and "The Dwelling," 1927 -- III. IMAGEABILITY -- 7. PROMISE AND THREAT: American Photographs in Postwar Germany -- 8. THE PHOTOGRAPHIC ARCHITECTURE OF THE HUNSTANTON SCHOOL -- 9. FROM PHOTOGRAPHIC SURFACE TO IMAGE OBJECT: James Stirling's Postmodernism -- Conclusion: SURFACE DIVIDES -- Acknowledgments -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W. Architecture and photography Architectural photography -- History -- 20th century Architecture, Modern -- 20th century Architectural photography ; History ; 20th century Architecture and photography Architecture, Modern ; 20th century Electronic books 9780816683352 Erscheint auch als Druck-Ausgabe 9780816683352 https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=1762169 X:EBC Aggregator lizenzpflichtig ZDB-30-PAD ZDB-30-PQE ZDB-30-PAA GBV_ILN_24 ISIL_DE-8 SYSFLAG_1 GBV_KXP GBV_ILN_39 ISIL_DE-547 GBV_ILN_60 ISIL_DE-705 GBV_ILN_65 ISIL_DE-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_808 GBV_ILN_2026 ISIL_DE-100 GBV_ILN_2148 ISIL_DE-950 BO 045F 720.1/08 24 01 0008 3647734349 00 --%%-- --%%-- s --%%-- olr-mieteebc Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. 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Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. i z 09-09-21 808 01 4808 3546401646 olr-ebc-sichtbar Ebook noch nicht erworben! Nach dem Kauf: Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. 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Claire Zimmerman reveals how photography profoundly influenced architectural design in the past century, playing an instrumental role in the evolution of modern architecture. Her "picture anthropology" demonstrates how buildings changed irrevocably and substantially through their interaction with photography, beginning with the emergence of mass-printed photographically illustrated texts in Germany before World War II and concluding with the postwar age of commercial advertising. In taking up "photographic architecture," Zimmerman considers two interconnected topics: first, architectural photography and its circulation; and second, the impact of photography on architectural design. She describes how architectural photographic protocols developed in Germany in the early twentieth century, expanded significantly in the wartime and postwar diaspora, and accelerated dramatically with the advent of postmodernism. In modern architecture, she argues, how buildings looked and how photographs made them look overlapped in consequential ways. In architecture and photography, the modernist concepts that were visible to the largest number over the widest terrain with the greatest clarity carried the day. This richly illustrated work shows, for the first time, how new ideas and new buildings arose from the interplay of photography and architecture-transforming how we see the world and how we act on it. Cover -- Contents -- Preface -- Introduction: BEYOND VISIBILITY: Modern Architecture in the Photographic Image -- I. ARCHITECTURE AFTER PHOTOGRAPHY -- 1. BILDARCHITEKTUREN: Architectural Surface, circa 1914 -- 2. PHOTOGRAPHY INTO BUILDING: Mies in Barcelona -- 3. ARCHITECTURAL ABSTRACTION: The Tugendhat Photographs -- II. ARCHITECTS AND ARCHITECTURAL PHOTOGRAPHS -- 4. TYPE-PHOTO: Architectural Photography in Germany -- 5. AURA DEFERRED: Bauhausbauten Dessau -- 6. THE FUTURE IN THE PRESENT: Erscheinungsform and "The Dwelling," 1927 -- III. IMAGEABILITY -- 7. PROMISE AND THREAT: American Photographs in Postwar Germany -- 8. THE PHOTOGRAPHIC ARCHITECTURE OF THE HUNSTANTON SCHOOL -- 9. FROM PHOTOGRAPHIC SURFACE TO IMAGE OBJECT: James Stirling's Postmodernism -- Conclusion: SURFACE DIVIDES -- Acknowledgments -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W. Architecture and photography Architectural photography -- History -- 20th century Architecture, Modern -- 20th century Architectural photography ; History ; 20th century Architecture and photography Architecture, Modern ; 20th century Electronic books 9780816683352 Erscheint auch als Druck-Ausgabe 9780816683352 https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=1762169 X:EBC Aggregator lizenzpflichtig ZDB-30-PAD ZDB-30-PQE ZDB-30-PAA GBV_ILN_24 ISIL_DE-8 SYSFLAG_1 GBV_KXP GBV_ILN_39 ISIL_DE-547 GBV_ILN_60 ISIL_DE-705 GBV_ILN_65 ISIL_DE-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_808 GBV_ILN_2026 ISIL_DE-100 GBV_ILN_2148 ISIL_DE-950 BO 045F 720.1/08 24 01 0008 3647734349 00 --%%-- --%%-- s --%%-- olr-mieteebc Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. 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Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. i z 09-09-21 808 01 4808 3546401646 olr-ebc-sichtbar Ebook noch nicht erworben! Nach dem Kauf: Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. 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Claire Zimmerman reveals how photography profoundly influenced architectural design in the past century, playing an instrumental role in the evolution of modern architecture. Her "picture anthropology" demonstrates how buildings changed irrevocably and substantially through their interaction with photography, beginning with the emergence of mass-printed photographically illustrated texts in Germany before World War II and concluding with the postwar age of commercial advertising. In taking up "photographic architecture," Zimmerman considers two interconnected topics: first, architectural photography and its circulation; and second, the impact of photography on architectural design. She describes how architectural photographic protocols developed in Germany in the early twentieth century, expanded significantly in the wartime and postwar diaspora, and accelerated dramatically with the advent of postmodernism. In modern architecture, she argues, how buildings looked and how photographs made them look overlapped in consequential ways. In architecture and photography, the modernist concepts that were visible to the largest number over the widest terrain with the greatest clarity carried the day. This richly illustrated work shows, for the first time, how new ideas and new buildings arose from the interplay of photography and architecture-transforming how we see the world and how we act on it. Cover -- Contents -- Preface -- Introduction: BEYOND VISIBILITY: Modern Architecture in the Photographic Image -- I. ARCHITECTURE AFTER PHOTOGRAPHY -- 1. BILDARCHITEKTUREN: Architectural Surface, circa 1914 -- 2. PHOTOGRAPHY INTO BUILDING: Mies in Barcelona -- 3. ARCHITECTURAL ABSTRACTION: The Tugendhat Photographs -- II. ARCHITECTS AND ARCHITECTURAL PHOTOGRAPHS -- 4. TYPE-PHOTO: Architectural Photography in Germany -- 5. AURA DEFERRED: Bauhausbauten Dessau -- 6. THE FUTURE IN THE PRESENT: Erscheinungsform and "The Dwelling," 1927 -- III. IMAGEABILITY -- 7. PROMISE AND THREAT: American Photographs in Postwar Germany -- 8. THE PHOTOGRAPHIC ARCHITECTURE OF THE HUNSTANTON SCHOOL -- 9. FROM PHOTOGRAPHIC SURFACE TO IMAGE OBJECT: James Stirling's Postmodernism -- Conclusion: SURFACE DIVIDES -- Acknowledgments -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W. Architecture and photography Architectural photography -- History -- 20th century Architecture, Modern -- 20th century Architectural photography ; History ; 20th century Architecture and photography Architecture, Modern ; 20th century Electronic books 9780816683352 Erscheint auch als Druck-Ausgabe 9780816683352 https://ebookcentral.proquest.com/lib/kxp/detail.action?docID=1762169 X:EBC Aggregator lizenzpflichtig ZDB-30-PAD ZDB-30-PQE ZDB-30-PAA GBV_ILN_24 ISIL_DE-8 SYSFLAG_1 GBV_KXP GBV_ILN_39 ISIL_DE-547 GBV_ILN_60 ISIL_DE-705 GBV_ILN_65 ISIL_DE-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_808 GBV_ILN_2026 ISIL_DE-100 GBV_ILN_2148 ISIL_DE-950 BO 045F 720.1/08 24 01 0008 3647734349 00 --%%-- --%%-- s --%%-- olr-mieteebc Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. Zugriff auf den Volltext nur für Universitätsangehörige innerhalb des Netzes der Universität Kiel (Campuslizenz). z 30-04-20 39 01 0547 445766636X 00 --%%-- --%%-- s --%%-- Proquest_AC pq ke 13-01-24 60 01 0705 4457002364 00 --%%-- --%%-- s --%%-- Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. Nur für Angehörige der HSU: Volltextzugang von außerhalb des Campus mit Anmeldung über Shibboleth mit Ihrer Bibliothekskennung z 12-01-24 65 01 0003 3739427345 Proquest-AcadCompl Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. k3o 13-08-20 370 01 4370 3976604461 olr-dda ebc Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. i z 09-09-21 808 01 4808 3546401646 olr-ebc-sichtbar Ebook noch nicht erworben! Nach dem Kauf: Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. 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Photographic Architecture in the Twentieth Century |
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photographic architecture in the twentieth century |
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Photographic Architecture in the Twentieth Century. |
| abstract |
One hundred years ago, architects found in the medium of photography-so good at representing a building's lines and planes-a necessary way to promote their practices. It soon became apparent, however, that photography did more than reproduce what it depicted. It altered both subject and reception, as architecture in the twentieth century was enlisted as a form of mass communication. Claire Zimmerman reveals how photography profoundly influenced architectural design in the past century, playing an instrumental role in the evolution of modern architecture. Her "picture anthropology" demonstrates how buildings changed irrevocably and substantially through their interaction with photography, beginning with the emergence of mass-printed photographically illustrated texts in Germany before World War II and concluding with the postwar age of commercial advertising. In taking up "photographic architecture," Zimmerman considers two interconnected topics: first, architectural photography and its circulation; and second, the impact of photography on architectural design. She describes how architectural photographic protocols developed in Germany in the early twentieth century, expanded significantly in the wartime and postwar diaspora, and accelerated dramatically with the advent of postmodernism. In modern architecture, she argues, how buildings looked and how photographs made them look overlapped in consequential ways. In architecture and photography, the modernist concepts that were visible to the largest number over the widest terrain with the greatest clarity carried the day. This richly illustrated work shows, for the first time, how new ideas and new buildings arose from the interplay of photography and architecture-transforming how we see the world and how we act on it. Cover -- Contents -- Preface -- Introduction: BEYOND VISIBILITY: Modern Architecture in the Photographic Image -- I. ARCHITECTURE AFTER PHOTOGRAPHY -- 1. BILDARCHITEKTUREN: Architectural Surface, circa 1914 -- 2. PHOTOGRAPHY INTO BUILDING: Mies in Barcelona -- 3. ARCHITECTURAL ABSTRACTION: The Tugendhat Photographs -- II. ARCHITECTS AND ARCHITECTURAL PHOTOGRAPHS -- 4. TYPE-PHOTO: Architectural Photography in Germany -- 5. AURA DEFERRED: Bauhausbauten Dessau -- 6. THE FUTURE IN THE PRESENT: Erscheinungsform and "The Dwelling," 1927 -- III. IMAGEABILITY -- 7. PROMISE AND THREAT: American Photographs in Postwar Germany -- 8. THE PHOTOGRAPHIC ARCHITECTURE OF THE HUNSTANTON SCHOOL -- 9. FROM PHOTOGRAPHIC SURFACE TO IMAGE OBJECT: James Stirling's Postmodernism -- Conclusion: SURFACE DIVIDES -- Acknowledgments -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W. Description based on publisher supplied metadata and other sources |
| abstractGer |
One hundred years ago, architects found in the medium of photography-so good at representing a building's lines and planes-a necessary way to promote their practices. It soon became apparent, however, that photography did more than reproduce what it depicted. It altered both subject and reception, as architecture in the twentieth century was enlisted as a form of mass communication. Claire Zimmerman reveals how photography profoundly influenced architectural design in the past century, playing an instrumental role in the evolution of modern architecture. Her "picture anthropology" demonstrates how buildings changed irrevocably and substantially through their interaction with photography, beginning with the emergence of mass-printed photographically illustrated texts in Germany before World War II and concluding with the postwar age of commercial advertising. In taking up "photographic architecture," Zimmerman considers two interconnected topics: first, architectural photography and its circulation; and second, the impact of photography on architectural design. She describes how architectural photographic protocols developed in Germany in the early twentieth century, expanded significantly in the wartime and postwar diaspora, and accelerated dramatically with the advent of postmodernism. In modern architecture, she argues, how buildings looked and how photographs made them look overlapped in consequential ways. In architecture and photography, the modernist concepts that were visible to the largest number over the widest terrain with the greatest clarity carried the day. This richly illustrated work shows, for the first time, how new ideas and new buildings arose from the interplay of photography and architecture-transforming how we see the world and how we act on it. Cover -- Contents -- Preface -- Introduction: BEYOND VISIBILITY: Modern Architecture in the Photographic Image -- I. ARCHITECTURE AFTER PHOTOGRAPHY -- 1. BILDARCHITEKTUREN: Architectural Surface, circa 1914 -- 2. PHOTOGRAPHY INTO BUILDING: Mies in Barcelona -- 3. ARCHITECTURAL ABSTRACTION: The Tugendhat Photographs -- II. ARCHITECTS AND ARCHITECTURAL PHOTOGRAPHS -- 4. TYPE-PHOTO: Architectural Photography in Germany -- 5. AURA DEFERRED: Bauhausbauten Dessau -- 6. THE FUTURE IN THE PRESENT: Erscheinungsform and "The Dwelling," 1927 -- III. IMAGEABILITY -- 7. PROMISE AND THREAT: American Photographs in Postwar Germany -- 8. THE PHOTOGRAPHIC ARCHITECTURE OF THE HUNSTANTON SCHOOL -- 9. FROM PHOTOGRAPHIC SURFACE TO IMAGE OBJECT: James Stirling's Postmodernism -- Conclusion: SURFACE DIVIDES -- Acknowledgments -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W. Description based on publisher supplied metadata and other sources |
| abstract_unstemmed |
One hundred years ago, architects found in the medium of photography-so good at representing a building's lines and planes-a necessary way to promote their practices. It soon became apparent, however, that photography did more than reproduce what it depicted. It altered both subject and reception, as architecture in the twentieth century was enlisted as a form of mass communication. Claire Zimmerman reveals how photography profoundly influenced architectural design in the past century, playing an instrumental role in the evolution of modern architecture. Her "picture anthropology" demonstrates how buildings changed irrevocably and substantially through their interaction with photography, beginning with the emergence of mass-printed photographically illustrated texts in Germany before World War II and concluding with the postwar age of commercial advertising. In taking up "photographic architecture," Zimmerman considers two interconnected topics: first, architectural photography and its circulation; and second, the impact of photography on architectural design. She describes how architectural photographic protocols developed in Germany in the early twentieth century, expanded significantly in the wartime and postwar diaspora, and accelerated dramatically with the advent of postmodernism. In modern architecture, she argues, how buildings looked and how photographs made them look overlapped in consequential ways. In architecture and photography, the modernist concepts that were visible to the largest number over the widest terrain with the greatest clarity carried the day. This richly illustrated work shows, for the first time, how new ideas and new buildings arose from the interplay of photography and architecture-transforming how we see the world and how we act on it. Cover -- Contents -- Preface -- Introduction: BEYOND VISIBILITY: Modern Architecture in the Photographic Image -- I. ARCHITECTURE AFTER PHOTOGRAPHY -- 1. BILDARCHITEKTUREN: Architectural Surface, circa 1914 -- 2. PHOTOGRAPHY INTO BUILDING: Mies in Barcelona -- 3. ARCHITECTURAL ABSTRACTION: The Tugendhat Photographs -- II. ARCHITECTS AND ARCHITECTURAL PHOTOGRAPHS -- 4. TYPE-PHOTO: Architectural Photography in Germany -- 5. AURA DEFERRED: Bauhausbauten Dessau -- 6. THE FUTURE IN THE PRESENT: Erscheinungsform and "The Dwelling," 1927 -- III. IMAGEABILITY -- 7. PROMISE AND THREAT: American Photographs in Postwar Germany -- 8. THE PHOTOGRAPHIC ARCHITECTURE OF THE HUNSTANTON SCHOOL -- 9. FROM PHOTOGRAPHIC SURFACE TO IMAGE OBJECT: James Stirling's Postmodernism -- Conclusion: SURFACE DIVIDES -- Acknowledgments -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W. Description based on publisher supplied metadata and other sources |
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Photographic Architecture in the Twentieth Century. |
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