Zoning China : online video, popular culture, and the state

An examination of “cultural zoning” in China considers why government regulation of online video is so much more lenient than regulation of broadcast television. In Zoning China, Luzhou Li investigates why the Chinese government regulates online video relatively leniently while tightly controlling w...
Ausführliche Beschreibung

Gespeichert in:

Autor*in:	Li, Luzhou [verfasserIn]
Körperschaften:	IEEE Xplore (Online Service)distributor MIT Presspublisher [Verlag]

Format:	E-Book
Sprache:	Englisch

Erschienen:	Cambridge: The MIT Press ; 2019 Piscataqay, New Jersey: IEEE Xplore

Rechteinformationen:	Restricted to subscribers or individual electronic text purchasers. Restricted to subscribers or individual electronic text purchasers

Schlagwörter:	Internet videos, Law and legislation, China China

Umfang:	1 Online-Ressource (1 PDF (264 pages))
Beschreibung:	Mode of access: World Wide Web.

Reihe:	Information policy series

Links:	Link aufrufen Link aufrufen
ISBN:	978-0-262-35587-2

Katalog-ID:	1700359029

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Indexfelder

author_variant	l l ll
matchkey_str	book:9780262355872:2019----
oclc_num	1176348138
hierarchy_sort_str	2019
callnumber-subject-code	TK
publishDate	2019
allfields	9780262355872 electronic bk 978-0-262-35587-2 0262355876 9780262043175 (DE-627)1700359029 (DE-599)KEP052922758 (OCoLC)1176348138 (MITPRESS)8925388 (EBP)052922758 DE-627 eng DE-627 rda eng XD-US TK5105.8867 006.7 Li, Luzhou verfasserin aut Zoning China online video, popular culture, and the state by Luzhou Li Cambridge The MIT Press 2019 [Piscataqay, New Jersey] IEEE Xplore 1 Online-Ressource (1 PDF (264 pages)) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Information policy series Restricted to subscribers or individual electronic text purchasers. An examination of “cultural zoning” in China considers why government regulation of online video is so much more lenient than regulation of broadcast television. In Zoning China, Luzhou Li investigates why the Chinese government regulates online video relatively leniently while tightly controlling what appears on broadcast television. Li argues that television has largely been the province of the state, even as the market has dominated the development of online video. Thus online video became a space where people could question state media and the state's preferred ideological narratives about the nation, history, and society. Li connects this relatively unregulated arena to the “second channel” that opened up in the early days of economic reform—piracy in all its permutations. She compares the dual cultural sphere to China's economic zoning; the marketized domain of online video is the cultural equivalent of the Special Economic Zones, which were developed according to market principles in China's coastal cities. Li explains that although the relaxed oversight of online video may seem to represent a loosening of the party-state's grip on media, the practice of cultural zoning in fact demonstrates the the state's strategic control of the media environment. She describes how China's online video industry developed into an original, creative force of production and distribution that connected domestic private production companies, transnational corporations, and a vast network of creative labor from amateurs to professional content creators. Li notes that China has increased state management of the internet since 2014, signaling that online and offline censorship standards may be unified. Cultural zoning as a technique of cultural governance, however, will likely remain Also available in print. Also available in print Mode of access: World Wide Web. Restricted to subscribers or individual electronic text purchasers Internet videos Law and legislation China China IEEE Xplore (Online Service)distributor oth MIT Presspublisher Verlag pbl https://ieeexplore.ieee.org/book/8925388 X:MITPRESS Verlag lizenzpflichtig ZDB-37-IEM ZDB-37-IEM 2019 GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_22_i22818 GBV_ILN_23 ISIL_DE-830 GBV_ILN_62 ISIL_DE-28 GBV_ILN_100 ISIL_DE-Ma9 GBV_ILN_370 ISIL_DE-1373 BO 045F 006.7 22 01 0018 3848473453 olrm-h228-MITIEEE zi22818 03-02-21 23 01 0830 3685760378 olr-MIT i z 11-06-20 62 01 0028 3755859408 OLR-MIT Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 16-09-20 100 01 3100 4472466074 09 --%%-- eBook MIT Press --%%-- --%%-- OLR-MIT-CEC Vervielfältigungen (z.B. Kopien, Downloads) sind nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. z 30-01-24 370 01 4370 4011220353 olr-ebook mitieee Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. i z 01-12-21 22 01 0018 Volltextzugang Campus https://ieeexplore.ieee.org/book/8925388 22 01 0018 Nur für Angehörige der Universität Hamburg: Volltextzugang von außerhalb des Campus http://emedien.sub.uni-hamburg.de/han/ieee/ieeexplore.ieee.org/book/8925388 23 01 0830 MIT Press EBook https://ieeexplore.ieee.org/book/8925388 62 01 0028 https://ieeexplore.ieee.org/book/8925388 100 01 3100 https://ieeexplore.ieee.org/book/8925388 100 01 3100 für Uniangehörige: Zugang weltweit http://han.med.uni-magdeburg.de/han/mitvia-ieee/ieeexplore.ieee.org/book/8925388 370 01 4370 E-Book: Zugriff im HCU-Netz. Zugriff von außerhalb nur für HCU-Angehörige möglich https://ieeexplore.ieee.org/book/8925388 23 01 0830 2018-01805, 2018-01806, 2018-01808 22 01 0018 olrm-h228-MITIEEE 23 01 0830 olr-MIT 62 01 0028 OLR-MIT 100 01 3100 OLR-MIT-CEC 370 01 4370 olr-ebook mitieee 370 01 4370 2021.12.01
spelling	9780262355872 electronic bk 978-0-262-35587-2 0262355876 9780262043175 (DE-627)1700359029 (DE-599)KEP052922758 (OCoLC)1176348138 (MITPRESS)8925388 (EBP)052922758 DE-627 eng DE-627 rda eng XD-US TK5105.8867 006.7 Li, Luzhou verfasserin aut Zoning China online video, popular culture, and the state by Luzhou Li Cambridge The MIT Press 2019 [Piscataqay, New Jersey] IEEE Xplore 1 Online-Ressource (1 PDF (264 pages)) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Information policy series Restricted to subscribers or individual electronic text purchasers. An examination of “cultural zoning” in China considers why government regulation of online video is so much more lenient than regulation of broadcast television. In Zoning China, Luzhou Li investigates why the Chinese government regulates online video relatively leniently while tightly controlling what appears on broadcast television. Li argues that television has largely been the province of the state, even as the market has dominated the development of online video. Thus online video became a space where people could question state media and the state's preferred ideological narratives about the nation, history, and society. Li connects this relatively unregulated arena to the “second channel” that opened up in the early days of economic reform—piracy in all its permutations. She compares the dual cultural sphere to China's economic zoning; the marketized domain of online video is the cultural equivalent of the Special Economic Zones, which were developed according to market principles in China's coastal cities. Li explains that although the relaxed oversight of online video may seem to represent a loosening of the party-state's grip on media, the practice of cultural zoning in fact demonstrates the the state's strategic control of the media environment. She describes how China's online video industry developed into an original, creative force of production and distribution that connected domestic private production companies, transnational corporations, and a vast network of creative labor from amateurs to professional content creators. Li notes that China has increased state management of the internet since 2014, signaling that online and offline censorship standards may be unified. Cultural zoning as a technique of cultural governance, however, will likely remain Also available in print. Also available in print Mode of access: World Wide Web. Restricted to subscribers or individual electronic text purchasers Internet videos Law and legislation China China IEEE Xplore (Online Service)distributor oth MIT Presspublisher Verlag pbl https://ieeexplore.ieee.org/book/8925388 X:MITPRESS Verlag lizenzpflichtig ZDB-37-IEM ZDB-37-IEM 2019 GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_22_i22818 GBV_ILN_23 ISIL_DE-830 GBV_ILN_62 ISIL_DE-28 GBV_ILN_100 ISIL_DE-Ma9 GBV_ILN_370 ISIL_DE-1373 BO 045F 006.7 22 01 0018 3848473453 olrm-h228-MITIEEE zi22818 03-02-21 23 01 0830 3685760378 olr-MIT i z 11-06-20 62 01 0028 3755859408 OLR-MIT Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 16-09-20 100 01 3100 4472466074 09 --%%-- eBook MIT Press --%%-- --%%-- OLR-MIT-CEC Vervielfältigungen (z.B. Kopien, Downloads) sind nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. z 30-01-24 370 01 4370 4011220353 olr-ebook mitieee Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. i z 01-12-21 22 01 0018 Volltextzugang Campus https://ieeexplore.ieee.org/book/8925388 22 01 0018 Nur für Angehörige der Universität Hamburg: Volltextzugang von außerhalb des Campus http://emedien.sub.uni-hamburg.de/han/ieee/ieeexplore.ieee.org/book/8925388 23 01 0830 MIT Press EBook https://ieeexplore.ieee.org/book/8925388 62 01 0028 https://ieeexplore.ieee.org/book/8925388 100 01 3100 https://ieeexplore.ieee.org/book/8925388 100 01 3100 für Uniangehörige: Zugang weltweit http://han.med.uni-magdeburg.de/han/mitvia-ieee/ieeexplore.ieee.org/book/8925388 370 01 4370 E-Book: Zugriff im HCU-Netz. Zugriff von außerhalb nur für HCU-Angehörige möglich https://ieeexplore.ieee.org/book/8925388 23 01 0830 2018-01805, 2018-01806, 2018-01808 22 01 0018 olrm-h228-MITIEEE 23 01 0830 olr-MIT 62 01 0028 OLR-MIT 100 01 3100 OLR-MIT-CEC 370 01 4370 olr-ebook mitieee 370 01 4370 2021.12.01
allfields_unstemmed	9780262355872 electronic bk 978-0-262-35587-2 0262355876 9780262043175 (DE-627)1700359029 (DE-599)KEP052922758 (OCoLC)1176348138 (MITPRESS)8925388 (EBP)052922758 DE-627 eng DE-627 rda eng XD-US TK5105.8867 006.7 Li, Luzhou verfasserin aut Zoning China online video, popular culture, and the state by Luzhou Li Cambridge The MIT Press 2019 [Piscataqay, New Jersey] IEEE Xplore 1 Online-Ressource (1 PDF (264 pages)) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Information policy series Restricted to subscribers or individual electronic text purchasers. An examination of “cultural zoning” in China considers why government regulation of online video is so much more lenient than regulation of broadcast television. In Zoning China, Luzhou Li investigates why the Chinese government regulates online video relatively leniently while tightly controlling what appears on broadcast television. Li argues that television has largely been the province of the state, even as the market has dominated the development of online video. Thus online video became a space where people could question state media and the state's preferred ideological narratives about the nation, history, and society. Li connects this relatively unregulated arena to the “second channel” that opened up in the early days of economic reform—piracy in all its permutations. She compares the dual cultural sphere to China's economic zoning; the marketized domain of online video is the cultural equivalent of the Special Economic Zones, which were developed according to market principles in China's coastal cities. Li explains that although the relaxed oversight of online video may seem to represent a loosening of the party-state's grip on media, the practice of cultural zoning in fact demonstrates the the state's strategic control of the media environment. She describes how China's online video industry developed into an original, creative force of production and distribution that connected domestic private production companies, transnational corporations, and a vast network of creative labor from amateurs to professional content creators. Li notes that China has increased state management of the internet since 2014, signaling that online and offline censorship standards may be unified. Cultural zoning as a technique of cultural governance, however, will likely remain Also available in print. Also available in print Mode of access: World Wide Web. Restricted to subscribers or individual electronic text purchasers Internet videos Law and legislation China China IEEE Xplore (Online Service)distributor oth MIT Presspublisher Verlag pbl https://ieeexplore.ieee.org/book/8925388 X:MITPRESS Verlag lizenzpflichtig ZDB-37-IEM ZDB-37-IEM 2019 GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_22_i22818 GBV_ILN_23 ISIL_DE-830 GBV_ILN_62 ISIL_DE-28 GBV_ILN_100 ISIL_DE-Ma9 GBV_ILN_370 ISIL_DE-1373 BO 045F 006.7 22 01 0018 3848473453 olrm-h228-MITIEEE zi22818 03-02-21 23 01 0830 3685760378 olr-MIT i z 11-06-20 62 01 0028 3755859408 OLR-MIT Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 16-09-20 100 01 3100 4472466074 09 --%%-- eBook MIT Press --%%-- --%%-- OLR-MIT-CEC Vervielfältigungen (z.B. Kopien, Downloads) sind nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. z 30-01-24 370 01 4370 4011220353 olr-ebook mitieee Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. i z 01-12-21 22 01 0018 Volltextzugang Campus https://ieeexplore.ieee.org/book/8925388 22 01 0018 Nur für Angehörige der Universität Hamburg: Volltextzugang von außerhalb des Campus http://emedien.sub.uni-hamburg.de/han/ieee/ieeexplore.ieee.org/book/8925388 23 01 0830 MIT Press EBook https://ieeexplore.ieee.org/book/8925388 62 01 0028 https://ieeexplore.ieee.org/book/8925388 100 01 3100 https://ieeexplore.ieee.org/book/8925388 100 01 3100 für Uniangehörige: Zugang weltweit http://han.med.uni-magdeburg.de/han/mitvia-ieee/ieeexplore.ieee.org/book/8925388 370 01 4370 E-Book: Zugriff im HCU-Netz. Zugriff von außerhalb nur für HCU-Angehörige möglich https://ieeexplore.ieee.org/book/8925388 23 01 0830 2018-01805, 2018-01806, 2018-01808 22 01 0018 olrm-h228-MITIEEE 23 01 0830 olr-MIT 62 01 0028 OLR-MIT 100 01 3100 OLR-MIT-CEC 370 01 4370 olr-ebook mitieee 370 01 4370 2021.12.01
allfieldsGer	9780262355872 electronic bk 978-0-262-35587-2 0262355876 9780262043175 (DE-627)1700359029 (DE-599)KEP052922758 (OCoLC)1176348138 (MITPRESS)8925388 (EBP)052922758 DE-627 eng DE-627 rda eng XD-US TK5105.8867 006.7 Li, Luzhou verfasserin aut Zoning China online video, popular culture, and the state by Luzhou Li Cambridge The MIT Press 2019 [Piscataqay, New Jersey] IEEE Xplore 1 Online-Ressource (1 PDF (264 pages)) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Information policy series Restricted to subscribers or individual electronic text purchasers. An examination of “cultural zoning” in China considers why government regulation of online video is so much more lenient than regulation of broadcast television. In Zoning China, Luzhou Li investigates why the Chinese government regulates online video relatively leniently while tightly controlling what appears on broadcast television. Li argues that television has largely been the province of the state, even as the market has dominated the development of online video. Thus online video became a space where people could question state media and the state's preferred ideological narratives about the nation, history, and society. Li connects this relatively unregulated arena to the “second channel” that opened up in the early days of economic reform—piracy in all its permutations. She compares the dual cultural sphere to China's economic zoning; the marketized domain of online video is the cultural equivalent of the Special Economic Zones, which were developed according to market principles in China's coastal cities. Li explains that although the relaxed oversight of online video may seem to represent a loosening of the party-state's grip on media, the practice of cultural zoning in fact demonstrates the the state's strategic control of the media environment. She describes how China's online video industry developed into an original, creative force of production and distribution that connected domestic private production companies, transnational corporations, and a vast network of creative labor from amateurs to professional content creators. Li notes that China has increased state management of the internet since 2014, signaling that online and offline censorship standards may be unified. Cultural zoning as a technique of cultural governance, however, will likely remain Also available in print. Also available in print Mode of access: World Wide Web. Restricted to subscribers or individual electronic text purchasers Internet videos Law and legislation China China IEEE Xplore (Online Service)distributor oth MIT Presspublisher Verlag pbl https://ieeexplore.ieee.org/book/8925388 X:MITPRESS Verlag lizenzpflichtig ZDB-37-IEM ZDB-37-IEM 2019 GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_22_i22818 GBV_ILN_23 ISIL_DE-830 GBV_ILN_62 ISIL_DE-28 GBV_ILN_100 ISIL_DE-Ma9 GBV_ILN_370 ISIL_DE-1373 BO 045F 006.7 22 01 0018 3848473453 olrm-h228-MITIEEE zi22818 03-02-21 23 01 0830 3685760378 olr-MIT i z 11-06-20 62 01 0028 3755859408 OLR-MIT Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 16-09-20 100 01 3100 4472466074 09 --%%-- eBook MIT Press --%%-- --%%-- OLR-MIT-CEC Vervielfältigungen (z.B. Kopien, Downloads) sind nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. z 30-01-24 370 01 4370 4011220353 olr-ebook mitieee Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. i z 01-12-21 22 01 0018 Volltextzugang Campus https://ieeexplore.ieee.org/book/8925388 22 01 0018 Nur für Angehörige der Universität Hamburg: Volltextzugang von außerhalb des Campus http://emedien.sub.uni-hamburg.de/han/ieee/ieeexplore.ieee.org/book/8925388 23 01 0830 MIT Press EBook https://ieeexplore.ieee.org/book/8925388 62 01 0028 https://ieeexplore.ieee.org/book/8925388 100 01 3100 https://ieeexplore.ieee.org/book/8925388 100 01 3100 für Uniangehörige: Zugang weltweit http://han.med.uni-magdeburg.de/han/mitvia-ieee/ieeexplore.ieee.org/book/8925388 370 01 4370 E-Book: Zugriff im HCU-Netz. Zugriff von außerhalb nur für HCU-Angehörige möglich https://ieeexplore.ieee.org/book/8925388 23 01 0830 2018-01805, 2018-01806, 2018-01808 22 01 0018 olrm-h228-MITIEEE 23 01 0830 olr-MIT 62 01 0028 OLR-MIT 100 01 3100 OLR-MIT-CEC 370 01 4370 olr-ebook mitieee 370 01 4370 2021.12.01
allfieldsSound	9780262355872 electronic bk 978-0-262-35587-2 0262355876 9780262043175 (DE-627)1700359029 (DE-599)KEP052922758 (OCoLC)1176348138 (MITPRESS)8925388 (EBP)052922758 DE-627 eng DE-627 rda eng XD-US TK5105.8867 006.7 Li, Luzhou verfasserin aut Zoning China online video, popular culture, and the state by Luzhou Li Cambridge The MIT Press 2019 [Piscataqay, New Jersey] IEEE Xplore 1 Online-Ressource (1 PDF (264 pages)) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Information policy series Restricted to subscribers or individual electronic text purchasers. An examination of “cultural zoning” in China considers why government regulation of online video is so much more lenient than regulation of broadcast television. In Zoning China, Luzhou Li investigates why the Chinese government regulates online video relatively leniently while tightly controlling what appears on broadcast television. Li argues that television has largely been the province of the state, even as the market has dominated the development of online video. Thus online video became a space where people could question state media and the state's preferred ideological narratives about the nation, history, and society. Li connects this relatively unregulated arena to the “second channel” that opened up in the early days of economic reform—piracy in all its permutations. She compares the dual cultural sphere to China's economic zoning; the marketized domain of online video is the cultural equivalent of the Special Economic Zones, which were developed according to market principles in China's coastal cities. Li explains that although the relaxed oversight of online video may seem to represent a loosening of the party-state's grip on media, the practice of cultural zoning in fact demonstrates the the state's strategic control of the media environment. She describes how China's online video industry developed into an original, creative force of production and distribution that connected domestic private production companies, transnational corporations, and a vast network of creative labor from amateurs to professional content creators. Li notes that China has increased state management of the internet since 2014, signaling that online and offline censorship standards may be unified. Cultural zoning as a technique of cultural governance, however, will likely remain Also available in print. Also available in print Mode of access: World Wide Web. Restricted to subscribers or individual electronic text purchasers Internet videos Law and legislation China China IEEE Xplore (Online Service)distributor oth MIT Presspublisher Verlag pbl https://ieeexplore.ieee.org/book/8925388 X:MITPRESS Verlag lizenzpflichtig ZDB-37-IEM ZDB-37-IEM 2019 GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_22_i22818 GBV_ILN_23 ISIL_DE-830 GBV_ILN_62 ISIL_DE-28 GBV_ILN_100 ISIL_DE-Ma9 GBV_ILN_370 ISIL_DE-1373 BO 045F 006.7 22 01 0018 3848473453 olrm-h228-MITIEEE zi22818 03-02-21 23 01 0830 3685760378 olr-MIT i z 11-06-20 62 01 0028 3755859408 OLR-MIT Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 16-09-20 100 01 3100 4472466074 09 --%%-- eBook MIT Press --%%-- --%%-- OLR-MIT-CEC Vervielfältigungen (z.B. Kopien, Downloads) sind nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. z 30-01-24 370 01 4370 4011220353 olr-ebook mitieee Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. i z 01-12-21 22 01 0018 Volltextzugang Campus https://ieeexplore.ieee.org/book/8925388 22 01 0018 Nur für Angehörige der Universität Hamburg: Volltextzugang von außerhalb des Campus http://emedien.sub.uni-hamburg.de/han/ieee/ieeexplore.ieee.org/book/8925388 23 01 0830 MIT Press EBook https://ieeexplore.ieee.org/book/8925388 62 01 0028 https://ieeexplore.ieee.org/book/8925388 100 01 3100 https://ieeexplore.ieee.org/book/8925388 100 01 3100 für Uniangehörige: Zugang weltweit http://han.med.uni-magdeburg.de/han/mitvia-ieee/ieeexplore.ieee.org/book/8925388 370 01 4370 E-Book: Zugriff im HCU-Netz. Zugriff von außerhalb nur für HCU-Angehörige möglich https://ieeexplore.ieee.org/book/8925388 23 01 0830 2018-01805, 2018-01806, 2018-01808 22 01 0018 olrm-h228-MITIEEE 23 01 0830 olr-MIT 62 01 0028 OLR-MIT 100 01 3100 OLR-MIT-CEC 370 01 4370 olr-ebook mitieee 370 01 4370 2021.12.01
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authorswithroles_txt_mv	Li, Luzhou @@aut@@
publishDateDaySort_date	2019-01-01T00:00:00Z
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title_auth	Zoning China online video, popular culture, and the state
abstract	An examination of “cultural zoning” in China considers why government regulation of online video is so much more lenient than regulation of broadcast television. In Zoning China, Luzhou Li investigates why the Chinese government regulates online video relatively leniently while tightly controlling what appears on broadcast television. Li argues that television has largely been the province of the state, even as the market has dominated the development of online video. Thus online video became a space where people could question state media and the state's preferred ideological narratives about the nation, history, and society. Li connects this relatively unregulated arena to the “second channel” that opened up in the early days of economic reform—piracy in all its permutations. She compares the dual cultural sphere to China's economic zoning; the marketized domain of online video is the cultural equivalent of the Special Economic Zones, which were developed according to market principles in China's coastal cities. Li explains that although the relaxed oversight of online video may seem to represent a loosening of the party-state's grip on media, the practice of cultural zoning in fact demonstrates the the state's strategic control of the media environment. She describes how China's online video industry developed into an original, creative force of production and distribution that connected domestic private production companies, transnational corporations, and a vast network of creative labor from amateurs to professional content creators. Li notes that China has increased state management of the internet since 2014, signaling that online and offline censorship standards may be unified. Cultural zoning as a technique of cultural governance, however, will likely remain
abstractGer	An examination of “cultural zoning” in China considers why government regulation of online video is so much more lenient than regulation of broadcast television. In Zoning China, Luzhou Li investigates why the Chinese government regulates online video relatively leniently while tightly controlling what appears on broadcast television. Li argues that television has largely been the province of the state, even as the market has dominated the development of online video. Thus online video became a space where people could question state media and the state's preferred ideological narratives about the nation, history, and society. Li connects this relatively unregulated arena to the “second channel” that opened up in the early days of economic reform—piracy in all its permutations. She compares the dual cultural sphere to China's economic zoning; the marketized domain of online video is the cultural equivalent of the Special Economic Zones, which were developed according to market principles in China's coastal cities. Li explains that although the relaxed oversight of online video may seem to represent a loosening of the party-state's grip on media, the practice of cultural zoning in fact demonstrates the the state's strategic control of the media environment. She describes how China's online video industry developed into an original, creative force of production and distribution that connected domestic private production companies, transnational corporations, and a vast network of creative labor from amateurs to professional content creators. Li notes that China has increased state management of the internet since 2014, signaling that online and offline censorship standards may be unified. Cultural zoning as a technique of cultural governance, however, will likely remain
abstract_unstemmed	An examination of “cultural zoning” in China considers why government regulation of online video is so much more lenient than regulation of broadcast television. In Zoning China, Luzhou Li investigates why the Chinese government regulates online video relatively leniently while tightly controlling what appears on broadcast television. Li argues that television has largely been the province of the state, even as the market has dominated the development of online video. Thus online video became a space where people could question state media and the state's preferred ideological narratives about the nation, history, and society. Li connects this relatively unregulated arena to the “second channel” that opened up in the early days of economic reform—piracy in all its permutations. She compares the dual cultural sphere to China's economic zoning; the marketized domain of online video is the cultural equivalent of the Special Economic Zones, which were developed according to market principles in China's coastal cities. Li explains that although the relaxed oversight of online video may seem to represent a loosening of the party-state's grip on media, the practice of cultural zoning in fact demonstrates the the state's strategic control of the media environment. She describes how China's online video industry developed into an original, creative force of production and distribution that connected domestic private production companies, transnational corporations, and a vast network of creative labor from amateurs to professional content creators. Li notes that China has increased state management of the internet since 2014, signaling that online and offline censorship standards may be unified. Cultural zoning as a technique of cultural governance, however, will likely remain
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