From fingers to digits : an artificial aesthetic
Introduction -- A taxonomy of computer art -- Explaining the ineffable -- Art appreciation and creative skills -- Can evolutionary art provide radical novelty? -- Collingwood, emotion, and computer art -- The gothic and computer art -- Computer art and the art world -- Formal ways of making art: cod...
Ausführliche Beschreibung
Gespeichert in:
| Autor*in: |
Boden, Margaret A. [verfasserIn] Edmonds, Ernest A. - 1942- [verfasserIn] |
|---|---|
| Körperschaften: |
IEEE Xplore (Online Service)distributor MIT Presspublisher [Verlag] |
| Format: |
E-Book |
|---|---|
| Sprache: |
Englisch |
| Erschienen: |
Cambridge: The MIT Press ; 2019 Piscataqay, New Jersey: IEEE Xplore |
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| Rechteinformationen: |
Restricted to subscribers or individual electronic text purchasers. Restricted to subscribers or individual electronic text purchasers |
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| Schlagwörter: |
|---|
| Umfang: |
1 Online-Ressource (1 PDF (384 pages)) |
|---|---|
| Beschreibung: |
Mode of access: World Wide Web. |
| Reihe: |
Leonardo |
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| Links: | |
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| ISBN: |
978-0-262-35209-3 |
| Katalog-ID: |
1700359118 |
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| 520 | |a Introduction -- A taxonomy of computer art -- Explaining the ineffable -- Art appreciation and creative skills -- Can evolutionary art provide radical novelty? -- Collingwood, emotion, and computer art -- The gothic and computer art -- Computer art and the art world -- Formal ways of making art: code as an answer to a dream -- Programming as art -- Diversities of interaction -- Correspondences: uniting image and sound -- Diversities of engagement -- Conversations with computer artists. | ||
| 520 | |a Essays on computer art and its relation to more traditional art, by a pioneering practitioner and a philosopher of artificial intelligence. In From Fingers to Digits , a practicing artist and a philosopher examine computer art and how it has been both accepted and rejected by the mainstream art world. In a series of essays, Margaret Boden, a philosopher and expert in artificial intelligence, and Ernest Edmonds, a pioneering and internationally recognized computer artist, grapple with key questions about the aesthetics of computer art. Other modern technologies--photography and film--have been accepted by critics as ways of doing art. Does the use of computers compromise computer art's aesthetic credentials in ways that the use of cameras does not Is writing a computer program equivalent to painting with a brush Essays by Boden identify types of computer art, describe the study of creativity in AI, and explore links between computer art and traditional views in philosophical aesthetics. Essays by Edmonds offer a practitioner's perspective, considering, among other things, how the experience of creating computer art compares to that of traditional art making. Finally, the book presents interviews in which contemporary computer artists offer a wide range of comments on the issues raised in Boden's and Edmonds's essays | ||
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9780262352093 electronic bk 978-0-262-35209-3 0262352095 9780262039628 0262039621 (DE-627)1700359118 (DE-599)KEP052922650 (OCoLC)1191850686 (MITPRESS)8746070 (EBP)052922650 DE-627 eng DE-627 rda eng XD-US N7433.8 700.1 Boden, Margaret A. verfasserin aut From fingers to digits an artificial aesthetic Margaret A. Boden and Ernest Edmonds Cambridge The MIT Press 2019 [Piscataqay, New Jersey] IEEE Xplore 1 Online-Ressource (1 PDF (384 pages)) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Leonardo Restricted to subscribers or individual electronic text purchasers. Introduction -- A taxonomy of computer art -- Explaining the ineffable -- Art appreciation and creative skills -- Can evolutionary art provide radical novelty? -- Collingwood, emotion, and computer art -- The gothic and computer art -- Computer art and the art world -- Formal ways of making art: code as an answer to a dream -- Programming as art -- Diversities of interaction -- Correspondences: uniting image and sound -- Diversities of engagement -- Conversations with computer artists. Essays on computer art and its relation to more traditional art, by a pioneering practitioner and a philosopher of artificial intelligence. In From Fingers to Digits , a practicing artist and a philosopher examine computer art and how it has been both accepted and rejected by the mainstream art world. In a series of essays, Margaret Boden, a philosopher and expert in artificial intelligence, and Ernest Edmonds, a pioneering and internationally recognized computer artist, grapple with key questions about the aesthetics of computer art. Other modern technologies--photography and film--have been accepted by critics as ways of doing art. Does the use of computers compromise computer art's aesthetic credentials in ways that the use of cameras does not Is writing a computer program equivalent to painting with a brush Essays by Boden identify types of computer art, describe the study of creativity in AI, and explore links between computer art and traditional views in philosophical aesthetics. Essays by Edmonds offer a practitioner's perspective, considering, among other things, how the experience of creating computer art compares to that of traditional art making. Finally, the book presents interviews in which contemporary computer artists offer a wide range of comments on the issues raised in Boden's and Edmonds's essays Also available in print. Also available in print Mode of access: World Wide Web. Restricted to subscribers or individual electronic text purchasers Computer art Art Philosophy Edmonds, Ernest A. 1942- verfasserin aut IEEE Xplore (Online Service)distributor oth MIT Presspublisher Verlag pbl 9780262039628 Erscheint auch als Druck-Ausgabe Boden, Margaret A., author From fingers to digits (DLC)2018029639 https://ieeexplore.ieee.org/book/8746070 X:MITPRESS Verlag lizenzpflichtig ZDB-37-IEM ZDB-37-IEM 2019 GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_22_i22818 GBV_ILN_23 ISIL_DE-830 GBV_ILN_62 ISIL_DE-28 GBV_ILN_100 ISIL_DE-Ma9 GBV_ILN_370 ISIL_DE-1373 BO 045F 700.1 22 01 0018 3848473542 olrm-h228-MITIEEE zi22818 03-02-21 23 01 0830 3685760467 olr-MIT i z 11-06-20 62 01 0028 3755859491 OLR-MIT Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 16-09-20 100 01 3100 4472466163 09 --%%-- eBook MIT Press --%%-- --%%-- OLR-MIT-CEC Vervielfältigungen (z.B. Kopien, Downloads) sind nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. z 30-01-24 370 01 4370 4011220442 olr-ebook mitieee Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. i z 01-12-21 22 01 0018 Volltextzugang Campus https://ieeexplore.ieee.org/book/8746070 22 01 0018 Nur für Angehörige der Universität Hamburg: Volltextzugang von außerhalb des Campus http://emedien.sub.uni-hamburg.de/han/ieee/ieeexplore.ieee.org/book/8746070 23 01 0830 MIT Press EBook https://ieeexplore.ieee.org/book/8746070 62 01 0028 https://ieeexplore.ieee.org/book/8746070 100 01 3100 https://ieeexplore.ieee.org/book/8746070 100 01 3100 für Uniangehörige: Zugang weltweit http://han.med.uni-magdeburg.de/han/mitvia-ieee/ieeexplore.ieee.org/book/8746070 370 01 4370 E-Book: Zugriff im HCU-Netz. Zugriff von außerhalb nur für HCU-Angehörige möglich https://ieeexplore.ieee.org/book/8746070 23 01 0830 2018-01805, 2018-01806, 2018-01808 22 01 0018 olrm-h228-MITIEEE 23 01 0830 olr-MIT 62 01 0028 OLR-MIT 100 01 3100 OLR-MIT-CEC 370 01 4370 olr-ebook mitieee 370 01 4370 2021.12.01 |
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9780262352093 electronic bk 978-0-262-35209-3 0262352095 9780262039628 0262039621 (DE-627)1700359118 (DE-599)KEP052922650 (OCoLC)1191850686 (MITPRESS)8746070 (EBP)052922650 DE-627 eng DE-627 rda eng XD-US N7433.8 700.1 Boden, Margaret A. verfasserin aut From fingers to digits an artificial aesthetic Margaret A. Boden and Ernest Edmonds Cambridge The MIT Press 2019 [Piscataqay, New Jersey] IEEE Xplore 1 Online-Ressource (1 PDF (384 pages)) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Leonardo Restricted to subscribers or individual electronic text purchasers. Introduction -- A taxonomy of computer art -- Explaining the ineffable -- Art appreciation and creative skills -- Can evolutionary art provide radical novelty? -- Collingwood, emotion, and computer art -- The gothic and computer art -- Computer art and the art world -- Formal ways of making art: code as an answer to a dream -- Programming as art -- Diversities of interaction -- Correspondences: uniting image and sound -- Diversities of engagement -- Conversations with computer artists. Essays on computer art and its relation to more traditional art, by a pioneering practitioner and a philosopher of artificial intelligence. In From Fingers to Digits , a practicing artist and a philosopher examine computer art and how it has been both accepted and rejected by the mainstream art world. In a series of essays, Margaret Boden, a philosopher and expert in artificial intelligence, and Ernest Edmonds, a pioneering and internationally recognized computer artist, grapple with key questions about the aesthetics of computer art. Other modern technologies--photography and film--have been accepted by critics as ways of doing art. Does the use of computers compromise computer art's aesthetic credentials in ways that the use of cameras does not Is writing a computer program equivalent to painting with a brush Essays by Boden identify types of computer art, describe the study of creativity in AI, and explore links between computer art and traditional views in philosophical aesthetics. Essays by Edmonds offer a practitioner's perspective, considering, among other things, how the experience of creating computer art compares to that of traditional art making. Finally, the book presents interviews in which contemporary computer artists offer a wide range of comments on the issues raised in Boden's and Edmonds's essays Also available in print. Also available in print Mode of access: World Wide Web. Restricted to subscribers or individual electronic text purchasers Computer art Art Philosophy Edmonds, Ernest A. 1942- verfasserin aut IEEE Xplore (Online Service)distributor oth MIT Presspublisher Verlag pbl 9780262039628 Erscheint auch als Druck-Ausgabe Boden, Margaret A., author From fingers to digits (DLC)2018029639 https://ieeexplore.ieee.org/book/8746070 X:MITPRESS Verlag lizenzpflichtig ZDB-37-IEM ZDB-37-IEM 2019 GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_22_i22818 GBV_ILN_23 ISIL_DE-830 GBV_ILN_62 ISIL_DE-28 GBV_ILN_100 ISIL_DE-Ma9 GBV_ILN_370 ISIL_DE-1373 BO 045F 700.1 22 01 0018 3848473542 olrm-h228-MITIEEE zi22818 03-02-21 23 01 0830 3685760467 olr-MIT i z 11-06-20 62 01 0028 3755859491 OLR-MIT Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 16-09-20 100 01 3100 4472466163 09 --%%-- eBook MIT Press --%%-- --%%-- OLR-MIT-CEC Vervielfältigungen (z.B. Kopien, Downloads) sind nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. z 30-01-24 370 01 4370 4011220442 olr-ebook mitieee Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. i z 01-12-21 22 01 0018 Volltextzugang Campus https://ieeexplore.ieee.org/book/8746070 22 01 0018 Nur für Angehörige der Universität Hamburg: Volltextzugang von außerhalb des Campus http://emedien.sub.uni-hamburg.de/han/ieee/ieeexplore.ieee.org/book/8746070 23 01 0830 MIT Press EBook https://ieeexplore.ieee.org/book/8746070 62 01 0028 https://ieeexplore.ieee.org/book/8746070 100 01 3100 https://ieeexplore.ieee.org/book/8746070 100 01 3100 für Uniangehörige: Zugang weltweit http://han.med.uni-magdeburg.de/han/mitvia-ieee/ieeexplore.ieee.org/book/8746070 370 01 4370 E-Book: Zugriff im HCU-Netz. Zugriff von außerhalb nur für HCU-Angehörige möglich https://ieeexplore.ieee.org/book/8746070 23 01 0830 2018-01805, 2018-01806, 2018-01808 22 01 0018 olrm-h228-MITIEEE 23 01 0830 olr-MIT 62 01 0028 OLR-MIT 100 01 3100 OLR-MIT-CEC 370 01 4370 olr-ebook mitieee 370 01 4370 2021.12.01 |
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9780262352093 electronic bk 978-0-262-35209-3 0262352095 9780262039628 0262039621 (DE-627)1700359118 (DE-599)KEP052922650 (OCoLC)1191850686 (MITPRESS)8746070 (EBP)052922650 DE-627 eng DE-627 rda eng XD-US N7433.8 700.1 Boden, Margaret A. verfasserin aut From fingers to digits an artificial aesthetic Margaret A. Boden and Ernest Edmonds Cambridge The MIT Press 2019 [Piscataqay, New Jersey] IEEE Xplore 1 Online-Ressource (1 PDF (384 pages)) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Leonardo Restricted to subscribers or individual electronic text purchasers. Introduction -- A taxonomy of computer art -- Explaining the ineffable -- Art appreciation and creative skills -- Can evolutionary art provide radical novelty? -- Collingwood, emotion, and computer art -- The gothic and computer art -- Computer art and the art world -- Formal ways of making art: code as an answer to a dream -- Programming as art -- Diversities of interaction -- Correspondences: uniting image and sound -- Diversities of engagement -- Conversations with computer artists. Essays on computer art and its relation to more traditional art, by a pioneering practitioner and a philosopher of artificial intelligence. In From Fingers to Digits , a practicing artist and a philosopher examine computer art and how it has been both accepted and rejected by the mainstream art world. In a series of essays, Margaret Boden, a philosopher and expert in artificial intelligence, and Ernest Edmonds, a pioneering and internationally recognized computer artist, grapple with key questions about the aesthetics of computer art. Other modern technologies--photography and film--have been accepted by critics as ways of doing art. Does the use of computers compromise computer art's aesthetic credentials in ways that the use of cameras does not Is writing a computer program equivalent to painting with a brush Essays by Boden identify types of computer art, describe the study of creativity in AI, and explore links between computer art and traditional views in philosophical aesthetics. Essays by Edmonds offer a practitioner's perspective, considering, among other things, how the experience of creating computer art compares to that of traditional art making. Finally, the book presents interviews in which contemporary computer artists offer a wide range of comments on the issues raised in Boden's and Edmonds's essays Also available in print. Also available in print Mode of access: World Wide Web. Restricted to subscribers or individual electronic text purchasers Computer art Art Philosophy Edmonds, Ernest A. 1942- verfasserin aut IEEE Xplore (Online Service)distributor oth MIT Presspublisher Verlag pbl 9780262039628 Erscheint auch als Druck-Ausgabe Boden, Margaret A., author From fingers to digits (DLC)2018029639 https://ieeexplore.ieee.org/book/8746070 X:MITPRESS Verlag lizenzpflichtig ZDB-37-IEM ZDB-37-IEM 2019 GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_22_i22818 GBV_ILN_23 ISIL_DE-830 GBV_ILN_62 ISIL_DE-28 GBV_ILN_100 ISIL_DE-Ma9 GBV_ILN_370 ISIL_DE-1373 BO 045F 700.1 22 01 0018 3848473542 olrm-h228-MITIEEE zi22818 03-02-21 23 01 0830 3685760467 olr-MIT i z 11-06-20 62 01 0028 3755859491 OLR-MIT Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 16-09-20 100 01 3100 4472466163 09 --%%-- eBook MIT Press --%%-- --%%-- OLR-MIT-CEC Vervielfältigungen (z.B. Kopien, Downloads) sind nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. z 30-01-24 370 01 4370 4011220442 olr-ebook mitieee Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. i z 01-12-21 22 01 0018 Volltextzugang Campus https://ieeexplore.ieee.org/book/8746070 22 01 0018 Nur für Angehörige der Universität Hamburg: Volltextzugang von außerhalb des Campus http://emedien.sub.uni-hamburg.de/han/ieee/ieeexplore.ieee.org/book/8746070 23 01 0830 MIT Press EBook https://ieeexplore.ieee.org/book/8746070 62 01 0028 https://ieeexplore.ieee.org/book/8746070 100 01 3100 https://ieeexplore.ieee.org/book/8746070 100 01 3100 für Uniangehörige: Zugang weltweit http://han.med.uni-magdeburg.de/han/mitvia-ieee/ieeexplore.ieee.org/book/8746070 370 01 4370 E-Book: Zugriff im HCU-Netz. Zugriff von außerhalb nur für HCU-Angehörige möglich https://ieeexplore.ieee.org/book/8746070 23 01 0830 2018-01805, 2018-01806, 2018-01808 22 01 0018 olrm-h228-MITIEEE 23 01 0830 olr-MIT 62 01 0028 OLR-MIT 100 01 3100 OLR-MIT-CEC 370 01 4370 olr-ebook mitieee 370 01 4370 2021.12.01 |
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Introduction -- A taxonomy of computer art -- Explaining the ineffable -- Art appreciation and creative skills -- Can evolutionary art provide radical novelty? -- Collingwood, emotion, and computer art -- The gothic and computer art -- Computer art and the art world -- Formal ways of making art: code as an answer to a dream -- Programming as art -- Diversities of interaction -- Correspondences: uniting image and sound -- Diversities of engagement -- Conversations with computer artists. Essays on computer art and its relation to more traditional art, by a pioneering practitioner and a philosopher of artificial intelligence. In From Fingers to Digits , a practicing artist and a philosopher examine computer art and how it has been both accepted and rejected by the mainstream art world. In a series of essays, Margaret Boden, a philosopher and expert in artificial intelligence, and Ernest Edmonds, a pioneering and internationally recognized computer artist, grapple with key questions about the aesthetics of computer art. Other modern technologies--photography and film--have been accepted by critics as ways of doing art. Does the use of computers compromise computer art's aesthetic credentials in ways that the use of cameras does not Is writing a computer program equivalent to painting with a brush Essays by Boden identify types of computer art, describe the study of creativity in AI, and explore links between computer art and traditional views in philosophical aesthetics. Essays by Edmonds offer a practitioner's perspective, considering, among other things, how the experience of creating computer art compares to that of traditional art making. Finally, the book presents interviews in which contemporary computer artists offer a wide range of comments on the issues raised in Boden's and Edmonds's essays |
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In From Fingers to Digits , a practicing artist and a philosopher examine computer art and how it has been both accepted and rejected by the mainstream art world. In a series of essays, Margaret Boden, a philosopher and expert in artificial intelligence, and Ernest Edmonds, a pioneering and internationally recognized computer artist, grapple with key questions about the aesthetics of computer art. Other modern technologies--photography and film--have been accepted by critics as ways of doing art. Does the use of computers compromise computer art's aesthetic credentials in ways that the use of cameras does not Is writing a computer program equivalent to painting with a brush Essays by Boden identify types of computer art, describe the study of creativity in AI, and explore links between computer art and traditional views in philosophical aesthetics. Essays by Edmonds offer a practitioner's perspective, considering, among other things, how the experience of creating computer art compares to that of traditional art making. Finally, the book presents interviews in which contemporary computer artists offer a wide range of comments on the issues raised in Boden's and Edmonds's essays</subfield></datafield><datafield tag="530" ind1=" " ind2=" "><subfield code="a">Also available in print.</subfield></datafield><datafield tag="533" ind1=" " ind2=" "><subfield code="n">Also available in print</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: World Wide Web.</subfield></datafield><datafield tag="540" ind1=" " ind2=" "><subfield code="a">Restricted to subscribers or individual electronic text purchasers</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Computer art</subfield></datafield><datafield tag="650" ind1=" " ind2="0"><subfield code="a">Art</subfield><subfield code="x">Philosophy</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Edmonds, Ernest A.</subfield><subfield code="d">1942-</subfield><subfield code="e">verfasserin</subfield><subfield code="4">aut</subfield></datafield><datafield tag="710" ind1="2" ind2=" "><subfield code="a">IEEE Xplore (Online Service)distributor</subfield><subfield code="4">oth</subfield></datafield><datafield tag="710" ind1="2" ind2=" "><subfield code="a">MIT Presspublisher</subfield><subfield code="e">Verlag</subfield><subfield code="4">pbl</subfield></datafield><datafield tag="776" ind1="1" ind2=" "><subfield code="z">9780262039628</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="a">Boden, Margaret A., author</subfield><subfield code="t">From fingers to digits</subfield><subfield code="w">(DLC)2018029639</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://ieeexplore.ieee.org/book/8746070</subfield><subfield code="m">X:MITPRESS</subfield><subfield code="x">Verlag</subfield><subfield code="z">lizenzpflichtig</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-37-IEM</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-37-IEM</subfield><subfield code="b">2019</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_22</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-18</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">SYSFLAG_1</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_KXP</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_22_i22818</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_23</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-830</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_62</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-28</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_100</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-Ma9</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_370</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-1373</subfield></datafield><datafield tag="951" ind1=" " ind2=" "><subfield code="a">BO</subfield></datafield><datafield tag="953" ind1=" " ind2=" "><subfield code="2">045F</subfield><subfield code="a">700.1</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">22</subfield><subfield code="1">01</subfield><subfield code="x">0018</subfield><subfield code="b">3848473542</subfield><subfield code="h">olrm-h228-MITIEEE</subfield><subfield code="y">zi22818</subfield><subfield code="z">03-02-21</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">23</subfield><subfield code="1">01</subfield><subfield code="x">0830</subfield><subfield code="b">3685760467</subfield><subfield code="h">olr-MIT</subfield><subfield code="u">i</subfield><subfield code="y">z</subfield><subfield code="z">11-06-20</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">62</subfield><subfield code="1">01</subfield><subfield code="x">0028</subfield><subfield code="b">3755859491</subfield><subfield code="h">OLR-MIT</subfield><subfield code="k">Vervielfältigungen (z.B. 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