London : A History in Verse

Frontmatter -- Contents -- Preface -- Acknowledgments -- Introduction -- John Gower (1330?-1408) from Confessio Amantis -- William Langland (1330?-1386?) from The Vision of Piers Plowman -- Geoffrey Chaucer (1343?-1400) from The Canterbury Tales -- Thomas Hoccleve (1367?-1426) from La Male Regle de T. Hoccleue -- John Lydgate (1370?-1449/50) from King Henry VI's Triumphal Entry into London -- Anon. (15th century) London Lickpenny -- John Skelton (1460?-1529) from Collyn Clout -- Anon. (1500?) "London, thou art of townes A per se" -- Sir Thomas Wyatt (1503-1542) "Tagus, farewell, that westward with thy streams" -- "Who list his wealth and ease retain" -- Henry Howard, Earl of Surrey (1517?-1547) "London, hast thou accusèd me" -- Anne Askew (1521-1546) The Ballad Which Anne Askew Made and Sang When She Was in Newgate -- George Turberville (1544?-1597?) The Lover to the Thames of London, to Favour His Lady Passing Thereon -- Isabella Whitney (1548?-?) The Manner of Her Will, and What She Left to London and to All Those in It, at Her Departing -- Edmund Spenser (1552?-1599) Prothalamion -- George Peele (1556-1596) from King Edward the First -- Chidiock Tichborne (1558?-1586) Tichborne's Elegy -- Michael Drayton (1563-1631) from Poly-Olbion -- William Shakespeare (1564-1616) from Henry VI, Part II -- from Henry V -- from Henry VIII -- Thomas Nashe (1567?-1601) from Summer's Last Will and Testament -- Everard Guilpin (1572?-?) from Skialetheia -- Ben Jonson (1572?-1637) from The Devil Is an Ass -- On the Famous Voyage -- John Donne (1572-1631) Satire 1 -- To Mr. E. G. -- Epithalamion Made at Lincoln's Inn -- Satire 4 -- Twickenham Garden -- John Taylor (1580-1653) from The Sculler -- from Sir Gregory Nonsense's News from No Place -- Philip Massinger (1583-1640) from The City Madam -- Francis Beaumont (1584-1616) and John Fletcher (1579-1625) from The Knight of the Burning Pestle -- Francis Beaumont (1584-1616) Letter to Ben Jonson -- On the Tombs in Westminster Abbey -- Thomas Freeman (1590?-1630?) from London's Progress -- W. Turner (?) from Turner's Dish of Lenten Stuff, or a Gallimaufry -- Abraham Holland (?-1626) from London, Look Back -- Robert Herrick (1591-1674) An Ode for Him [Ben Jonson] -- His Return to London -- His Tears to Thamasis -- Anon. (1640s, pub. 1662) London Sad London: An Echo -- Edmund Waller (1606-1687) On the Statue of King Charles I at Charing Cross -- On St. James's Park, As Lately Improved by His Majesty -- John Milton (1608-1674) When the Assault Was Intended to the City -- Sir John Suckling (1609-1642) A Ballad upon a Wedding -- Thomas Jordan (1612?-1685) from The Cheaters Cheated -- from The Triumphs of London -- A Song Sung at the Lord Mayor's Table in Honour of the City and the Goldsmiths Company -- Sir John Denham (1615-1669) from Cooper's Hill -- Abraham Cowley (1618-1667) from The Civil War -- Richard Lovelace (1618-1657/8) To Althea, from Prison: Song -- Simon Ford (1619?-1699) from London's Resurrection -- Henry Vaughan (1621-1695) A Rhapsody -- Anon. (17th century) The Cries of London -- Andrew Marvell (1621-1678) An Horatian Ode upon Cromwell's Return from Ireland -- John Dryden (1631-1700) from Annus Mirabilis -- from MacFlecknoe -- Anon. (pub. 1680) In the Fields of Lincoln's Inn -- John Wilmot, Earl of Rochester (1647-1680) from A Letter from Artemisa in the Town to Chloe in the Country -- Song ("Quoth the Duchess of Cleveland to Counselor Knight") -- A Ramble in St. James's Park -- John Oldham (1653-1683) from A Satire in Imitation of the Third of Juvenal -- Anon. (1684) A Winter Wonder; or, the Thames Frozen Over, with Remarks on the Resort There -- Anon. (1684) from The Wonders of the Deep -- Pierre Antoine Motteux (1660-1718) A Song -- Jonathan Swift (1667-1745) A Description of the Morning -- A Description of a City Shower -- Clever Tom Clinch -- A Beautiful Young Nymph Going to Bed -- from On Poetry: A Rhapsody -- John Gay (1685-1732) from Trivia: or, The Art of Walking the Streets of London -- from The Beggar's Opera -- Anon. (pub. 1719) The Fair Lass of Islington -- Alexander Pope (1688-1744) The Alley. An Imitation of Spenser -- A Farewell to London in the Year 1715 -- Epistle to Miss Blount, on her Leaving the Town, after the Coronation -- from The Dunciad -- Lady Mary Wortley Montagu (1689-1762) from Six Town Eclogues -- Elizabeth Tollet (1694-1754) On the Prospect from Westminster Bridge, March 1750 -- John Bancks (1709-1751) A Description of London -- Anon. (1739) Hail, London! -- Samuel Johnson (1709-1784) from London -- Nursery Rhymes (pub. 18th-19th centuries) London Bridge -- Oranges and Lemons -- "Pussy cat, pussy cat, where have you been?" -- "Poussie, poussie, baudrons" -- "Up at Piccadilly oh!" -- "See-saw, sacradown" -- "Upon Paul's steeple stands a tree" -- "As I was going o'er London Bridge" -- "As I was going o'er London Bridge" -- "I had a little hobby horse, it was well shod" -- Pop Goes the Weasel -- William Whitehead (1715-1785) The Sweepers -- Oliver Goldsmith (1729-1774) Description of an Author's Bedchamber -- William Cowper (1731-1800) from The Task -- Charles Jenner (1736-1774) from Town Eclogues -- Anna Letitia Barbauld (1743-1825) Song for the London Volunteers -- West End Fair -- Charles Dibdin (1745?-1814) The Jolly Young Waterman -- Poll of Wapping -- Hannah More (1745-1833) from The Gin-Shop; or, A Peep into Prison -- Mary Robinson (1757-1800) London's Summer Morning -- William Blake (1757-1827) Holy Thursday -- The Chimney Sweeper -- London -- from Jerusalem -- Joanna Baillie (1762-1851) London -- William Wordsworth (1770-1850) The Farmer of Tilsbury Vale -- The Reverie of Poor Susan -- Composed Upon Westminster Bridge, September 3, 1802 -- from The Prelude -- James Smith (1775-1839) and Horace Smith (1779-1849) from Horace in London -- Leigh Hunt (1784-1859) To Hampstead -- Description of Hampstead -- Lord Byron (1788-1824) from Childe Harold's Pilgrimage -- from Don Juan -- Percy Bysshe Shelley (1792-1822) from Letter to Maria Gisborne -- from Peter Bell the Third -- John Hamilton Reynolds (1794-1852) Sonnet -- John Keats (1795-1821) "To one who has been long in city pent" -- On Seeing the Elgin Marbles -- Lines on the Mermaid Tavern -- Thomas Hood (1799-1845) Moral Reflections on the Cross of St. Paul's -- The Lord Mayor's Show -- Sonnet to Vauxhall -- The Workhouse Clock: An Allegory -- Letitia Elizabeth Landon (1802-1838) Scenes in London: Piccadilly -- Winthrop Mackworth Praed (1802-1839) Goodnight to the Season -- Elizabeth Barrett Browning (1806-1861) from Aurora Leigh -- Alfred, Lord Tennyson (1809-1892) from In Memoriam -- from Ode on the Death of the Duke of Wellington -- Cleopatra's Needle -- Anon. (1851) Have You Been to the Crystal Palace? -- Robert Browning (1812-1889) from Waring -- Edward Lear (1812-1888) There Was an Old Person of Putney -- There Was an Old Man of Blackheath -- There Was a Young Person of Kew -- There Was an Old Person of Bow -- There Was a Young Lady of Greenwich -- There Was an Old Person of Ealing -- There Was an Old Person of Bromley -- There Was an Old Person of Sheen -- There Was an Old Man of Thames Ditton -- Arthur Hugh Clough (1819-1861) To the Great Metropolis -- In the Great Metropolis -- "Blessed are those who have not seen" -- "Ye flags of Piccadilly" -- Anon. (19th century) from The Cries of London -- George Eliot (1819-1880) In a London Drawingroom -- Anon. (1869) Strike of the London Cabmen -- Frederick Locker-Lampson (1821-1895) St. James's Street -- Matthew Arnold (1822-1888) Lines Written in Kensington Gardens -- West London -- East London -- Dante Gabriel Rossetti (1828-1882) Tiber, Nile, and Thames -- Coventry Patmore (1823-1896) A London Fête -- James Thomson (1834-1882) from Sunday at Hampstead -- Henry S. Leigh (1837-1883) A Cockney's Evening Song -- Anon. Ausführliche Beschreibung

Gespeichert in:

Autor*in:	Ford, Mark [herausgeberIn]

Format:	E-Book
Sprache:	Englisch

Erschienen:	Cambridge, MA: Harvard University Press ; 2015

Rechteinformationen:	Restricted Access

Schlagwörter:	POETRY / European / English, Irish, Scottish, Welsh

Umfang:	1 Online-Ressource (784 p)
Beschreibung:	Mode of access: Internet via World Wide Web.

Reproduktion:	[Online-Ausgabe]

Links:	Link aufrufen Link aufrufen Link aufrufen Cover
ISBN:	978-0-674-27370-2

DOI / URN:	10.4159/9780674273702

Katalog-ID:	1795220333

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245	1	0	\|a London \|b A History in Verse \|c ed. by Mark Ford
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520			\|a Frontmatter -- Contents -- Preface -- Acknowledgments -- Introduction -- John Gower (1330?-1408) from Confessio Amantis -- William Langland (1330?-1386?) from The Vision of Piers Plowman -- Geoffrey Chaucer (1343?-1400) from The Canterbury Tales -- Thomas Hoccleve (1367?-1426) from La Male Regle de T. Hoccleue -- John Lydgate (1370?-1449/50) from King Henry VI's Triumphal Entry into London -- Anon. (15th century) London Lickpenny -- John Skelton (1460?-1529) from Collyn Clout -- Anon. (1500?) "London, thou art of townes A per se" -- Sir Thomas Wyatt (1503-1542) "Tagus, farewell, that westward with thy streams" -- "Who list his wealth and ease retain" -- Henry Howard, Earl of Surrey (1517?-1547) "London, hast thou accusèd me" -- Anne Askew (1521-1546) The Ballad Which Anne Askew Made and Sang When She Was in Newgate -- George Turberville (1544?-1597?) The Lover to the Thames of London, to Favour His Lady Passing Thereon -- Isabella Whitney (1548?-?) The Manner of Her Will, and What She Left to London and to All Those in It, at Her Departing -- Edmund Spenser (1552?-1599) Prothalamion -- George Peele (1556-1596) from King Edward the First -- Chidiock Tichborne (1558?-1586) Tichborne's Elegy -- Michael Drayton (1563-1631) from Poly-Olbion -- William Shakespeare (1564-1616) from Henry VI, Part II -- from Henry V -- from Henry VIII -- Thomas Nashe (1567?-1601) from Summer's Last Will and Testament -- Everard Guilpin (1572?-?) from Skialetheia -- Ben Jonson (1572?-1637) from The Devil Is an Ass -- On the Famous Voyage -- John Donne (1572-1631) Satire 1 -- To Mr. E. G. -- Epithalamion Made at Lincoln's Inn -- Satire 4 -- Twickenham Garden -- John Taylor (1580-1653) from The Sculler -- from Sir Gregory Nonsense's News from No Place -- Philip Massinger (1583-1640) from The City Madam -- Francis Beaumont (1584-1616) and John Fletcher (1579-1625) from The Knight of the Burning Pestle -- Francis Beaumont (1584-1616) Letter to Ben Jonson -- On the Tombs in Westminster Abbey -- Thomas Freeman (1590?-1630?) from London's Progress -- W. Turner (?) from Turner's Dish of Lenten Stuff, or a Gallimaufry -- Abraham Holland (?-1626) from London, Look Back -- Robert Herrick (1591-1674) An Ode for Him [Ben Jonson] -- His Return to London -- His Tears to Thamasis -- Anon. (1640s, pub. 1662) London Sad London: An Echo -- Edmund Waller (1606-1687) On the Statue of King Charles I at Charing Cross -- On St. James's Park, As Lately Improved by His Majesty -- John Milton (1608-1674) When the Assault Was Intended to the City -- Sir John Suckling (1609-1642) A Ballad upon a Wedding -- Thomas Jordan (1612?-1685) from The Cheaters Cheated -- from The Triumphs of London -- A Song Sung at the Lord Mayor's Table in Honour of the City and the Goldsmiths Company -- Sir John Denham (1615-1669) from Cooper's Hill -- Abraham Cowley (1618-1667) from The Civil War -- Richard Lovelace (1618-1657/8) To Althea, from Prison: Song -- Simon Ford (1619?-1699) from London's Resurrection -- Henry Vaughan (1621-1695) A Rhapsody -- Anon. (17th century) The Cries of London -- Andrew Marvell (1621-1678) An Horatian Ode upon Cromwell's Return from Ireland -- John Dryden (1631-1700) from Annus Mirabilis -- from MacFlecknoe -- Anon. (pub. 1680) In the Fields of Lincoln's Inn -- John Wilmot, Earl of Rochester (1647-1680) from A Letter from Artemisa in the Town to Chloe in the Country -- Song ("Quoth the Duchess of Cleveland to Counselor Knight") -- A Ramble in St. James's Park -- John Oldham (1653-1683) from A Satire in Imitation of the Third of Juvenal -- Anon. (1684) A Winter Wonder; or, the Thames Frozen Over, with Remarks on the Resort There -- Anon. (1684) from The Wonders of the Deep -- Pierre Antoine Motteux (1660-1718) A Song -- Jonathan Swift (1667-1745) A Description of the Morning -- A Description of a City Shower -- Clever Tom Clinch -- A Beautiful Young Nymph Going to Bed -- from On Poetry: A Rhapsody -- John Gay (1685-1732) from Trivia: or, The Art of Walking the Streets of London -- from The Beggar's Opera -- Anon. (pub. 1719) The Fair Lass of Islington -- Alexander Pope (1688-1744) The Alley. An Imitation of Spenser -- A Farewell to London in the Year 1715 -- Epistle to Miss Blount, on her Leaving the Town, after the Coronation -- from The Dunciad -- Lady Mary Wortley Montagu (1689-1762) from Six Town Eclogues -- Elizabeth Tollet (1694-1754) On the Prospect from Westminster Bridge, March 1750 -- John Bancks (1709-1751) A Description of London -- Anon. (1739) Hail, London! -- Samuel Johnson (1709-1784) from London -- Nursery Rhymes (pub. 18th-19th centuries) London Bridge -- Oranges and Lemons -- "Pussy cat, pussy cat, where have you been?" -- "Poussie, poussie, baudrons" -- "Up at Piccadilly oh!" -- "See-saw, sacradown" -- "Upon Paul's steeple stands a tree" -- "As I was going o'er London Bridge" -- "As I was going o'er London Bridge" -- "I had a little hobby horse, it was well shod" -- Pop Goes the Weasel -- William Whitehead (1715-1785) The Sweepers -- Oliver Goldsmith (1729-1774) Description of an Author's Bedchamber -- William Cowper (1731-1800) from The Task -- Charles Jenner (1736-1774) from Town Eclogues -- Anna Letitia Barbauld (1743-1825) Song for the London Volunteers -- West End Fair -- Charles Dibdin (1745?-1814) The Jolly Young Waterman -- Poll of Wapping -- Hannah More (1745-1833) from The Gin-Shop; or, A Peep into Prison -- Mary Robinson (1757-1800) London's Summer Morning -- William Blake (1757-1827) Holy Thursday -- The Chimney Sweeper -- London -- from Jerusalem -- Joanna Baillie (1762-1851) London -- William Wordsworth (1770-1850) The Farmer of Tilsbury Vale -- The Reverie of Poor Susan -- Composed Upon Westminster Bridge, September 3, 1802 -- from The Prelude -- James Smith (1775-1839) and Horace Smith (1779-1849) from Horace in London -- Leigh Hunt (1784-1859) To Hampstead -- Description of Hampstead -- Lord Byron (1788-1824) from Childe Harold's Pilgrimage -- from Don Juan -- Percy Bysshe Shelley (1792-1822) from Letter to Maria Gisborne -- from Peter Bell the Third -- John Hamilton Reynolds (1794-1852) Sonnet -- John Keats (1795-1821) "To one who has been long in city pent" -- On Seeing the Elgin Marbles -- Lines on the Mermaid Tavern -- Thomas Hood (1799-1845) Moral Reflections on the Cross of St. Paul's -- The Lord Mayor's Show -- Sonnet to Vauxhall -- The Workhouse Clock: An Allegory -- Letitia Elizabeth Landon (1802-1838) Scenes in London: Piccadilly -- Winthrop Mackworth Praed (1802-1839) Goodnight to the Season -- Elizabeth Barrett Browning (1806-1861) from Aurora Leigh -- Alfred, Lord Tennyson (1809-1892) from In Memoriam -- from Ode on the Death of the Duke of Wellington -- Cleopatra's Needle -- Anon. (1851) Have You Been to the Crystal Palace? -- Robert Browning (1812-1889) from Waring -- Edward Lear (1812-1888) There Was an Old Person of Putney -- There Was an Old Man of Blackheath -- There Was a Young Person of Kew -- There Was an Old Person of Bow -- There Was a Young Lady of Greenwich -- There Was an Old Person of Ealing -- There Was an Old Person of Bromley -- There Was an Old Person of Sheen -- There Was an Old Man of Thames Ditton -- Arthur Hugh Clough (1819-1861) To the Great Metropolis -- In the Great Metropolis -- "Blessed are those who have not seen" -- "Ye flags of Piccadilly" -- Anon. (19th century) from The Cries of London -- George Eliot (1819-1880) In a London Drawingroom -- Anon. (1869) Strike of the London Cabmen -- Frederick Locker-Lampson (1821-1895) St. James's Street -- Matthew Arnold (1822-1888) Lines Written in Kensington Gardens -- West London -- East London -- Dante Gabriel Rossetti (1828-1882) Tiber, Nile, and Thames -- Coventry Patmore (1823-1896) A London Fête -- James Thomson (1834-1882) from Sunday at Hampstead -- Henry S. Leigh (1837-1883) A Cockney's Evening Song -- Anon.
520			\|a (1893) Bloomsbury -- Austin Dobson (1840-1921) A New Song of the Spring Garden -- Thomas Hardy (1840-1928) Beyond the Last Lamp -- The Coronation -- In the British Museum -- In St. Paul's a While Ago -- Coming Up Oxford Street: Evening -- A Refusal -- To a Tree in London -- Christmas in the Elgin Room -- W. H. Hudson (1841-1922) To a London Sparrow -- Robert Bridges (1844-1930) London Snow -- Trafalgar Square -- W. E. Henley (1849-1903) from London Voluntaries -- from London Types -- Oscar Wilde (1854-1900) Impression du Matin -- John Davidson (1857-1909) London -- Thirty Bob a Week -- In the Isle of Dogs -- Fog -- from The Thames Embankment -- A. E. Housman (1859-1936) "From the wash the laundress sends" -- Mary E. Coleridge (1861-1907) In London Town -- Amy Levy (1861-1889) A March Day in London -- Straw in the Street -- London Poets -- Rudyard Kipling (1865-1936) In Partibus -- The River's Tale -- London Stone -- The Craftsman -- from Epitaphs of the War -- Arthur Symons (1865-1945) from London Nights -- from Décor de Théâtre -- London -- W. B. Yeats (1865-1939) from Vacillation -- Lionel Johnson (1867-1902) London Town -- By the Statue of King Charles at Charing Cross -- Charlotte Mew (1869-1928) In Nunhead Cemetery -- Laurence Binyon (1869-1943) As I Walked Through London -- T. E. Hulme (1883-1917) The Embankment -- Ezra Pound (1885-1972) -- D. H. Lawrence (1885-1930) -- Frances Cornford (1886-1960) -- Siegfried Sassoon (1886-1967) Monody on the Demolition of Devonshire House -- T. S. Eliot (1888-1965) -- Isaac Rosenberg (1890-1918) Fleet Street -- Richard Aldington (1892-1962) -- Wilfred Owen (1893-1918) "I am the ghost of Shadwell Stair" -- Sylvia Townsend Warner (1893-1978) -- John Rodker (1894-1955) -- Robert Graves (1895-1985) Armistice Day, 1918 -- A. S. J. Tessimond (1902-1962) -- Stevie Smith (1902-1971) Suburb -- William Empson (1906-1984) Homage to the British Museum -- John Betjeman (1906-1984) -- Louis MacNeice (1907-1963) -- Stephen Spender (1909-1995) -- Bernard Spencer (1909-1963) -- Mervyn Peake (1911-1968) London Buses -- Kenneth Allott (1912-1973) Memento Mori -- Roy Fuller (1912-1991) -- Anne Ridler (1912-2001) Wentworth Place: Keats Grove -- George Barker (1913-1991) Kew Gardens -- Alun Lewis (1915-1944) Westminster Abbey -- Robert Lowell (1917-1977) -- Nicholas Moore (1918-1986) Monmouth Street -- John Heath-Stubbs (1918-2006) -- W. S. Graham (1918-1986) The Night City -- Muriel Spark (1918-2006) from A Tour of London -- Keith Douglas (1920-1944) from The "Bête Noire" Fragments -- D. J. Enright - Ahren Warner (1986-) -- Credits und Index
520			\|a Called "the flour of Cities all," London has long been understood through the poetry it has inspired. Now poet Mark Ford has assembled the most capacious and wide-ranging anthology of poems about London to date, from Chaucer to Wordsworth to the present day, providing a chronological tour of urban life and of English literature. Nearly all of the major poets of British literature have left some poetic record of London: Chaucer, Spenser, Shakespeare, Donne, Milton, Dryden, Pope, Johnson, Wordsworth, Keats, Byron, and T. S. Eliot. Ford goes well beyond these figures, however, to gather significant verse of all kinds, from Jacobean city comedies to nursery rhymes, from topical satire to anonymous ballads. The result is a cultural history of the city in verse, one that represents all classes of London's population over some seven centuries, mingling the high and low, the elegant and the salacious, the courtly and the street smart. Many of the poems respond to large events in the city's history-the beheading of Charles I, the Great Fire, the Blitz-but the majority reflect the quieter routines and anxieties of everyday life through the centuries. Ford's selections are arranged chronologically, thus preserving a sense of the strata of the capital's history. An introductory essay by the poet explores in detail the cultural, political, and aesthetic significance of the verse inspired by this great city. The result is a volume as rich and vibrant and diverse as London itself
533			\|a [Online-Ausgabe]
538			\|a Mode of access: Internet via World Wide Web.
546			\|a In English
650		4	\|a POETRY / European / English, Irish, Scottish, Welsh
700	1		\|a Ford, Mark \|e herausgeberin \|4 edt
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Indexfelder

matchkey_str	book:9780674273702:2015----
hierarchy_sort_str	[2015]
publishDate	2015
allfields	9780674273702 978-0-674-27370-2 10.4159/9780674273702 doi (DE-627)1795220333 (DE-599)KEP076916561 (DE-B1597)613879 (EBP)076916561 DE-627 eng DE-627 rda eng XD-US POE005020 bisacsh London A History in Verse ed. by Mark Ford Cambridge, MA Harvard University Press [2015] 1 Online-Ressource (784 p) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Restricted Access Controlled Vocabulary for Access Rights http://purl.org/coar/access_right/c_16ec online access with authorization star Frontmatter -- Contents -- Preface -- Acknowledgments -- Introduction -- John Gower (1330?-1408) from Confessio Amantis -- William Langland (1330?-1386?) from The Vision of Piers Plowman -- Geoffrey Chaucer (1343?-1400) from The Canterbury Tales -- Thomas Hoccleve (1367?-1426) from La Male Regle de T. Hoccleue -- John Lydgate (1370?-1449/50) from King Henry VI's Triumphal Entry into London -- Anon. (15th century) London Lickpenny -- John Skelton (1460?-1529) from Collyn Clout -- Anon. (1500?) "London, thou art of townes A per se" -- Sir Thomas Wyatt (1503-1542) "Tagus, farewell, that westward with thy streams" -- "Who list his wealth and ease retain" -- Henry Howard, Earl of Surrey (1517?-1547) "London, hast thou accusèd me" -- Anne Askew (1521-1546) The Ballad Which Anne Askew Made and Sang When She Was in Newgate -- George Turberville (1544?-1597?) The Lover to the Thames of London, to Favour His Lady Passing Thereon -- Isabella Whitney (1548?-?) The Manner of Her Will, and What She Left to London and to All Those in It, at Her Departing -- Edmund Spenser (1552?-1599) Prothalamion -- George Peele (1556-1596) from King Edward the First -- Chidiock Tichborne (1558?-1586) Tichborne's Elegy -- Michael Drayton (1563-1631) from Poly-Olbion -- William Shakespeare (1564-1616) from Henry VI, Part II -- from Henry V -- from Henry VIII -- Thomas Nashe (1567?-1601) from Summer's Last Will and Testament -- Everard Guilpin (1572?-?) from Skialetheia -- Ben Jonson (1572?-1637) from The Devil Is an Ass -- On the Famous Voyage -- John Donne (1572-1631) Satire 1 -- To Mr. E. G. -- Epithalamion Made at Lincoln's Inn -- Satire 4 -- Twickenham Garden -- John Taylor (1580-1653) from The Sculler -- from Sir Gregory Nonsense's News from No Place -- Philip Massinger (1583-1640) from The City Madam -- Francis Beaumont (1584-1616) and John Fletcher (1579-1625) from The Knight of the Burning Pestle -- Francis Beaumont (1584-1616) Letter to Ben Jonson -- On the Tombs in Westminster Abbey -- Thomas Freeman (1590?-1630?) from London's Progress -- W. Turner (?) from Turner's Dish of Lenten Stuff, or a Gallimaufry -- Abraham Holland (?-1626) from London, Look Back -- Robert Herrick (1591-1674) An Ode for Him [Ben Jonson] -- His Return to London -- His Tears to Thamasis -- Anon. (1640s, pub. 1662) London Sad London: An Echo -- Edmund Waller (1606-1687) On the Statue of King Charles I at Charing Cross -- On St. James's Park, As Lately Improved by His Majesty -- John Milton (1608-1674) When the Assault Was Intended to the City -- Sir John Suckling (1609-1642) A Ballad upon a Wedding -- Thomas Jordan (1612?-1685) from The Cheaters Cheated -- from The Triumphs of London -- A Song Sung at the Lord Mayor's Table in Honour of the City and the Goldsmiths Company -- Sir John Denham (1615-1669) from Cooper's Hill -- Abraham Cowley (1618-1667) from The Civil War -- Richard Lovelace (1618-1657/8) To Althea, from Prison: Song -- Simon Ford (1619?-1699) from London's Resurrection -- Henry Vaughan (1621-1695) A Rhapsody -- Anon. (17th century) The Cries of London -- Andrew Marvell (1621-1678) An Horatian Ode upon Cromwell's Return from Ireland -- John Dryden (1631-1700) from Annus Mirabilis -- from MacFlecknoe -- Anon. (pub. 1680) In the Fields of Lincoln's Inn -- John Wilmot, Earl of Rochester (1647-1680) from A Letter from Artemisa in the Town to Chloe in the Country -- Song ("Quoth the Duchess of Cleveland to Counselor Knight") -- A Ramble in St. James's Park -- John Oldham (1653-1683) from A Satire in Imitation of the Third of Juvenal -- Anon. (1684) A Winter Wonder; or, the Thames Frozen Over, with Remarks on the Resort There -- Anon. (1684) from The Wonders of the Deep -- Pierre Antoine Motteux (1660-1718) A Song -- Jonathan Swift (1667-1745) A Description of the Morning -- A Description of a City Shower -- Clever Tom Clinch -- A Beautiful Young Nymph Going to Bed -- from On Poetry: A Rhapsody -- John Gay (1685-1732) from Trivia: or, The Art of Walking the Streets of London -- from The Beggar's Opera -- Anon. (pub. 1719) The Fair Lass of Islington -- Alexander Pope (1688-1744) The Alley. An Imitation of Spenser -- A Farewell to London in the Year 1715 -- Epistle to Miss Blount, on her Leaving the Town, after the Coronation -- from The Dunciad -- Lady Mary Wortley Montagu (1689-1762) from Six Town Eclogues -- Elizabeth Tollet (1694-1754) On the Prospect from Westminster Bridge, March 1750 -- John Bancks (1709-1751) A Description of London -- Anon. (1739) Hail, London! -- Samuel Johnson (1709-1784) from London -- Nursery Rhymes (pub. 18th-19th centuries) London Bridge -- Oranges and Lemons -- "Pussy cat, pussy cat, where have you been?" -- "Poussie, poussie, baudrons" -- "Up at Piccadilly oh!" -- "See-saw, sacradown" -- "Upon Paul's steeple stands a tree" -- "As I was going o'er London Bridge" -- "As I was going o'er London Bridge" -- "I had a little hobby horse, it was well shod" -- Pop Goes the Weasel -- William Whitehead (1715-1785) The Sweepers -- Oliver Goldsmith (1729-1774) Description of an Author's Bedchamber -- William Cowper (1731-1800) from The Task -- Charles Jenner (1736-1774) from Town Eclogues -- Anna Letitia Barbauld (1743-1825) Song for the London Volunteers -- West End Fair -- Charles Dibdin (1745?-1814) The Jolly Young Waterman -- Poll of Wapping -- Hannah More (1745-1833) from The Gin-Shop; or, A Peep into Prison -- Mary Robinson (1757-1800) London's Summer Morning -- William Blake (1757-1827) Holy Thursday -- The Chimney Sweeper -- London -- from Jerusalem -- Joanna Baillie (1762-1851) London -- William Wordsworth (1770-1850) The Farmer of Tilsbury Vale -- The Reverie of Poor Susan -- Composed Upon Westminster Bridge, September 3, 1802 -- from The Prelude -- James Smith (1775-1839) and Horace Smith (1779-1849) from Horace in London -- Leigh Hunt (1784-1859) To Hampstead -- Description of Hampstead -- Lord Byron (1788-1824) from Childe Harold's Pilgrimage -- from Don Juan -- Percy Bysshe Shelley (1792-1822) from Letter to Maria Gisborne -- from Peter Bell the Third -- John Hamilton Reynolds (1794-1852) Sonnet -- John Keats (1795-1821) "To one who has been long in city pent" -- On Seeing the Elgin Marbles -- Lines on the Mermaid Tavern -- Thomas Hood (1799-1845) Moral Reflections on the Cross of St. Paul's -- The Lord Mayor's Show -- Sonnet to Vauxhall -- The Workhouse Clock: An Allegory -- Letitia Elizabeth Landon (1802-1838) Scenes in London: Piccadilly -- Winthrop Mackworth Praed (1802-1839) Goodnight to the Season -- Elizabeth Barrett Browning (1806-1861) from Aurora Leigh -- Alfred, Lord Tennyson (1809-1892) from In Memoriam -- from Ode on the Death of the Duke of Wellington -- Cleopatra's Needle -- Anon. (1851) Have You Been to the Crystal Palace? -- Robert Browning (1812-1889) from Waring -- Edward Lear (1812-1888) There Was an Old Person of Putney -- There Was an Old Man of Blackheath -- There Was a Young Person of Kew -- There Was an Old Person of Bow -- There Was a Young Lady of Greenwich -- There Was an Old Person of Ealing -- There Was an Old Person of Bromley -- There Was an Old Person of Sheen -- There Was an Old Man of Thames Ditton -- Arthur Hugh Clough (1819-1861) To the Great Metropolis -- In the Great Metropolis -- "Blessed are those who have not seen" -- "Ye flags of Piccadilly" -- Anon. (19th century) from The Cries of London -- George Eliot (1819-1880) In a London Drawingroom -- Anon. (1869) Strike of the London Cabmen -- Frederick Locker-Lampson (1821-1895) St. James's Street -- Matthew Arnold (1822-1888) Lines Written in Kensington Gardens -- West London -- East London -- Dante Gabriel Rossetti (1828-1882) Tiber, Nile, and Thames -- Coventry Patmore (1823-1896) A London Fête -- James Thomson (1834-1882) from Sunday at Hampstead -- Henry S. Leigh (1837-1883) A Cockney's Evening Song -- Anon. (1893) Bloomsbury -- Austin Dobson (1840-1921) A New Song of the Spring Garden -- Thomas Hardy (1840-1928) Beyond the Last Lamp -- The Coronation -- In the British Museum -- In St. Paul's a While Ago -- Coming Up Oxford Street: Evening -- A Refusal -- To a Tree in London -- Christmas in the Elgin Room -- W. H. Hudson (1841-1922) To a London Sparrow -- Robert Bridges (1844-1930) London Snow -- Trafalgar Square -- W. E. Henley (1849-1903) from London Voluntaries -- from London Types -- Oscar Wilde (1854-1900) Impression du Matin -- John Davidson (1857-1909) London -- Thirty Bob a Week -- In the Isle of Dogs -- Fog -- from The Thames Embankment -- A. E. Housman (1859-1936) "From the wash the laundress sends" -- Mary E. Coleridge (1861-1907) In London Town -- Amy Levy (1861-1889) A March Day in London -- Straw in the Street -- London Poets -- Rudyard Kipling (1865-1936) In Partibus -- The River's Tale -- London Stone -- The Craftsman -- from Epitaphs of the War -- Arthur Symons (1865-1945) from London Nights -- from Décor de Théâtre -- London -- W. B. Yeats (1865-1939) from Vacillation -- Lionel Johnson (1867-1902) London Town -- By the Statue of King Charles at Charing Cross -- Charlotte Mew (1869-1928) In Nunhead Cemetery -- Laurence Binyon (1869-1943) As I Walked Through London -- T. E. Hulme (1883-1917) The Embankment -- Ezra Pound (1885-1972) -- D. H. Lawrence (1885-1930) -- Frances Cornford (1886-1960) -- Siegfried Sassoon (1886-1967) Monody on the Demolition of Devonshire House -- T. S. Eliot (1888-1965) -- Isaac Rosenberg (1890-1918) Fleet Street -- Richard Aldington (1892-1962) -- Wilfred Owen (1893-1918) "I am the ghost of Shadwell Stair" -- Sylvia Townsend Warner (1893-1978) -- John Rodker (1894-1955) -- Robert Graves (1895-1985) Armistice Day, 1918 -- A. S. J. Tessimond (1902-1962) -- Stevie Smith (1902-1971) Suburb -- William Empson (1906-1984) Homage to the British Museum -- John Betjeman (1906-1984) -- Louis MacNeice (1907-1963) -- Stephen Spender (1909-1995) -- Bernard Spencer (1909-1963) -- Mervyn Peake (1911-1968) London Buses -- Kenneth Allott (1912-1973) Memento Mori -- Roy Fuller (1912-1991) -- Anne Ridler (1912-2001) Wentworth Place: Keats Grove -- George Barker (1913-1991) Kew Gardens -- Alun Lewis (1915-1944) Westminster Abbey -- Robert Lowell (1917-1977) -- Nicholas Moore (1918-1986) Monmouth Street -- John Heath-Stubbs (1918-2006) -- W. S. Graham (1918-1986) The Night City -- Muriel Spark (1918-2006) from A Tour of London -- Keith Douglas (1920-1944) from The "Bête Noire" Fragments -- D. J. Enright - Ahren Warner (1986-) -- Credits und Index Called "the flour of Cities all," London has long been understood through the poetry it has inspired. Now poet Mark Ford has assembled the most capacious and wide-ranging anthology of poems about London to date, from Chaucer to Wordsworth to the present day, providing a chronological tour of urban life and of English literature. Nearly all of the major poets of British literature have left some poetic record of London: Chaucer, Spenser, Shakespeare, Donne, Milton, Dryden, Pope, Johnson, Wordsworth, Keats, Byron, and T. S. Eliot. Ford goes well beyond these figures, however, to gather significant verse of all kinds, from Jacobean city comedies to nursery rhymes, from topical satire to anonymous ballads. The result is a cultural history of the city in verse, one that represents all classes of London's population over some seven centuries, mingling the high and low, the elegant and the salacious, the courtly and the street smart. Many of the poems respond to large events in the city's history-the beheading of Charles I, the Great Fire, the Blitz-but the majority reflect the quieter routines and anxieties of everyday life through the centuries. Ford's selections are arranged chronologically, thus preserving a sense of the strata of the capital's history. An introductory essay by the poet explores in detail the cultural, political, and aesthetic significance of the verse inspired by this great city. The result is a volume as rich and vibrant and diverse as London itself [Online-Ausgabe] Mode of access: Internet via World Wide Web. 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spelling	9780674273702 978-0-674-27370-2 10.4159/9780674273702 doi (DE-627)1795220333 (DE-599)KEP076916561 (DE-B1597)613879 (EBP)076916561 DE-627 eng DE-627 rda eng XD-US POE005020 bisacsh London A History in Verse ed. by Mark Ford Cambridge, MA Harvard University Press [2015] 1 Online-Ressource (784 p) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Restricted Access Controlled Vocabulary for Access Rights http://purl.org/coar/access_right/c_16ec online access with authorization star Frontmatter -- Contents -- Preface -- Acknowledgments -- Introduction -- John Gower (1330?-1408) from Confessio Amantis -- William Langland (1330?-1386?) from The Vision of Piers Plowman -- Geoffrey Chaucer (1343?-1400) from The Canterbury Tales -- Thomas Hoccleve (1367?-1426) from La Male Regle de T. Hoccleue -- John Lydgate (1370?-1449/50) from King Henry VI's Triumphal Entry into London -- Anon. (15th century) London Lickpenny -- John Skelton (1460?-1529) from Collyn Clout -- Anon. (1500?) "London, thou art of townes A per se" -- Sir Thomas Wyatt (1503-1542) "Tagus, farewell, that westward with thy streams" -- "Who list his wealth and ease retain" -- Henry Howard, Earl of Surrey (1517?-1547) "London, hast thou accusèd me" -- Anne Askew (1521-1546) The Ballad Which Anne Askew Made and Sang When She Was in Newgate -- George Turberville (1544?-1597?) The Lover to the Thames of London, to Favour His Lady Passing Thereon -- Isabella Whitney (1548?-?) The Manner of Her Will, and What She Left to London and to All Those in It, at Her Departing -- Edmund Spenser (1552?-1599) Prothalamion -- George Peele (1556-1596) from King Edward the First -- Chidiock Tichborne (1558?-1586) Tichborne's Elegy -- Michael Drayton (1563-1631) from Poly-Olbion -- William Shakespeare (1564-1616) from Henry VI, Part II -- from Henry V -- from Henry VIII -- Thomas Nashe (1567?-1601) from Summer's Last Will and Testament -- Everard Guilpin (1572?-?) from Skialetheia -- Ben Jonson (1572?-1637) from The Devil Is an Ass -- On the Famous Voyage -- John Donne (1572-1631) Satire 1 -- To Mr. E. G. -- Epithalamion Made at Lincoln's Inn -- Satire 4 -- Twickenham Garden -- John Taylor (1580-1653) from The Sculler -- from Sir Gregory Nonsense's News from No Place -- Philip Massinger (1583-1640) from The City Madam -- Francis Beaumont (1584-1616) and John Fletcher (1579-1625) from The Knight of the Burning Pestle -- Francis Beaumont (1584-1616) Letter to Ben Jonson -- On the Tombs in Westminster Abbey -- Thomas Freeman (1590?-1630?) from London's Progress -- W. Turner (?) from Turner's Dish of Lenten Stuff, or a Gallimaufry -- Abraham Holland (?-1626) from London, Look Back -- Robert Herrick (1591-1674) An Ode for Him [Ben Jonson] -- His Return to London -- His Tears to Thamasis -- Anon. (1640s, pub. 1662) London Sad London: An Echo -- Edmund Waller (1606-1687) On the Statue of King Charles I at Charing Cross -- On St. James's Park, As Lately Improved by His Majesty -- John Milton (1608-1674) When the Assault Was Intended to the City -- Sir John Suckling (1609-1642) A Ballad upon a Wedding -- Thomas Jordan (1612?-1685) from The Cheaters Cheated -- from The Triumphs of London -- A Song Sung at the Lord Mayor's Table in Honour of the City and the Goldsmiths Company -- Sir John Denham (1615-1669) from Cooper's Hill -- Abraham Cowley (1618-1667) from The Civil War -- Richard Lovelace (1618-1657/8) To Althea, from Prison: Song -- Simon Ford (1619?-1699) from London's Resurrection -- Henry Vaughan (1621-1695) A Rhapsody -- Anon. (17th century) The Cries of London -- Andrew Marvell (1621-1678) An Horatian Ode upon Cromwell's Return from Ireland -- John Dryden (1631-1700) from Annus Mirabilis -- from MacFlecknoe -- Anon. (pub. 1680) In the Fields of Lincoln's Inn -- John Wilmot, Earl of Rochester (1647-1680) from A Letter from Artemisa in the Town to Chloe in the Country -- Song ("Quoth the Duchess of Cleveland to Counselor Knight") -- A Ramble in St. James's Park -- John Oldham (1653-1683) from A Satire in Imitation of the Third of Juvenal -- Anon. (1684) A Winter Wonder; or, the Thames Frozen Over, with Remarks on the Resort There -- Anon. (1684) from The Wonders of the Deep -- Pierre Antoine Motteux (1660-1718) A Song -- Jonathan Swift (1667-1745) A Description of the Morning -- A Description of a City Shower -- Clever Tom Clinch -- A Beautiful Young Nymph Going to Bed -- from On Poetry: A Rhapsody -- John Gay (1685-1732) from Trivia: or, The Art of Walking the Streets of London -- from The Beggar's Opera -- Anon. (pub. 1719) The Fair Lass of Islington -- Alexander Pope (1688-1744) The Alley. An Imitation of Spenser -- A Farewell to London in the Year 1715 -- Epistle to Miss Blount, on her Leaving the Town, after the Coronation -- from The Dunciad -- Lady Mary Wortley Montagu (1689-1762) from Six Town Eclogues -- Elizabeth Tollet (1694-1754) On the Prospect from Westminster Bridge, March 1750 -- John Bancks (1709-1751) A Description of London -- Anon. (1739) Hail, London! -- Samuel Johnson (1709-1784) from London -- Nursery Rhymes (pub. 18th-19th centuries) London Bridge -- Oranges and Lemons -- "Pussy cat, pussy cat, where have you been?" -- "Poussie, poussie, baudrons" -- "Up at Piccadilly oh!" -- "See-saw, sacradown" -- "Upon Paul's steeple stands a tree" -- "As I was going o'er London Bridge" -- "As I was going o'er London Bridge" -- "I had a little hobby horse, it was well shod" -- Pop Goes the Weasel -- William Whitehead (1715-1785) The Sweepers -- Oliver Goldsmith (1729-1774) Description of an Author's Bedchamber -- William Cowper (1731-1800) from The Task -- Charles Jenner (1736-1774) from Town Eclogues -- Anna Letitia Barbauld (1743-1825) Song for the London Volunteers -- West End Fair -- Charles Dibdin (1745?-1814) The Jolly Young Waterman -- Poll of Wapping -- Hannah More (1745-1833) from The Gin-Shop; or, A Peep into Prison -- Mary Robinson (1757-1800) London's Summer Morning -- William Blake (1757-1827) Holy Thursday -- The Chimney Sweeper -- London -- from Jerusalem -- Joanna Baillie (1762-1851) London -- William Wordsworth (1770-1850) The Farmer of Tilsbury Vale -- The Reverie of Poor Susan -- Composed Upon Westminster Bridge, September 3, 1802 -- from The Prelude -- James Smith (1775-1839) and Horace Smith (1779-1849) from Horace in London -- Leigh Hunt (1784-1859) To Hampstead -- Description of Hampstead -- Lord Byron (1788-1824) from Childe Harold's Pilgrimage -- from Don Juan -- Percy Bysshe Shelley (1792-1822) from Letter to Maria Gisborne -- from Peter Bell the Third -- John Hamilton Reynolds (1794-1852) Sonnet -- John Keats (1795-1821) "To one who has been long in city pent" -- On Seeing the Elgin Marbles -- Lines on the Mermaid Tavern -- Thomas Hood (1799-1845) Moral Reflections on the Cross of St. Paul's -- The Lord Mayor's Show -- Sonnet to Vauxhall -- The Workhouse Clock: An Allegory -- Letitia Elizabeth Landon (1802-1838) Scenes in London: Piccadilly -- Winthrop Mackworth Praed (1802-1839) Goodnight to the Season -- Elizabeth Barrett Browning (1806-1861) from Aurora Leigh -- Alfred, Lord Tennyson (1809-1892) from In Memoriam -- from Ode on the Death of the Duke of Wellington -- Cleopatra's Needle -- Anon. (1851) Have You Been to the Crystal Palace? -- Robert Browning (1812-1889) from Waring -- Edward Lear (1812-1888) There Was an Old Person of Putney -- There Was an Old Man of Blackheath -- There Was a Young Person of Kew -- There Was an Old Person of Bow -- There Was a Young Lady of Greenwich -- There Was an Old Person of Ealing -- There Was an Old Person of Bromley -- There Was an Old Person of Sheen -- There Was an Old Man of Thames Ditton -- Arthur Hugh Clough (1819-1861) To the Great Metropolis -- In the Great Metropolis -- "Blessed are those who have not seen" -- "Ye flags of Piccadilly" -- Anon. (19th century) from The Cries of London -- George Eliot (1819-1880) In a London Drawingroom -- Anon. (1869) Strike of the London Cabmen -- Frederick Locker-Lampson (1821-1895) St. James's Street -- Matthew Arnold (1822-1888) Lines Written in Kensington Gardens -- West London -- East London -- Dante Gabriel Rossetti (1828-1882) Tiber, Nile, and Thames -- Coventry Patmore (1823-1896) A London Fête -- James Thomson (1834-1882) from Sunday at Hampstead -- Henry S. Leigh (1837-1883) A Cockney's Evening Song -- Anon. (1893) Bloomsbury -- Austin Dobson (1840-1921) A New Song of the Spring Garden -- Thomas Hardy (1840-1928) Beyond the Last Lamp -- The Coronation -- In the British Museum -- In St. Paul's a While Ago -- Coming Up Oxford Street: Evening -- A Refusal -- To a Tree in London -- Christmas in the Elgin Room -- W. H. Hudson (1841-1922) To a London Sparrow -- Robert Bridges (1844-1930) London Snow -- Trafalgar Square -- W. E. Henley (1849-1903) from London Voluntaries -- from London Types -- Oscar Wilde (1854-1900) Impression du Matin -- John Davidson (1857-1909) London -- Thirty Bob a Week -- In the Isle of Dogs -- Fog -- from The Thames Embankment -- A. E. Housman (1859-1936) "From the wash the laundress sends" -- Mary E. Coleridge (1861-1907) In London Town -- Amy Levy (1861-1889) A March Day in London -- Straw in the Street -- London Poets -- Rudyard Kipling (1865-1936) In Partibus -- The River's Tale -- London Stone -- The Craftsman -- from Epitaphs of the War -- Arthur Symons (1865-1945) from London Nights -- from Décor de Théâtre -- London -- W. B. Yeats (1865-1939) from Vacillation -- Lionel Johnson (1867-1902) London Town -- By the Statue of King Charles at Charing Cross -- Charlotte Mew (1869-1928) In Nunhead Cemetery -- Laurence Binyon (1869-1943) As I Walked Through London -- T. E. Hulme (1883-1917) The Embankment -- Ezra Pound (1885-1972) -- D. H. Lawrence (1885-1930) -- Frances Cornford (1886-1960) -- Siegfried Sassoon (1886-1967) Monody on the Demolition of Devonshire House -- T. S. Eliot (1888-1965) -- Isaac Rosenberg (1890-1918) Fleet Street -- Richard Aldington (1892-1962) -- Wilfred Owen (1893-1918) "I am the ghost of Shadwell Stair" -- Sylvia Townsend Warner (1893-1978) -- John Rodker (1894-1955) -- Robert Graves (1895-1985) Armistice Day, 1918 -- A. S. J. Tessimond (1902-1962) -- Stevie Smith (1902-1971) Suburb -- William Empson (1906-1984) Homage to the British Museum -- John Betjeman (1906-1984) -- Louis MacNeice (1907-1963) -- Stephen Spender (1909-1995) -- Bernard Spencer (1909-1963) -- Mervyn Peake (1911-1968) London Buses -- Kenneth Allott (1912-1973) Memento Mori -- Roy Fuller (1912-1991) -- Anne Ridler (1912-2001) Wentworth Place: Keats Grove -- George Barker (1913-1991) Kew Gardens -- Alun Lewis (1915-1944) Westminster Abbey -- Robert Lowell (1917-1977) -- Nicholas Moore (1918-1986) Monmouth Street -- John Heath-Stubbs (1918-2006) -- W. S. Graham (1918-1986) The Night City -- Muriel Spark (1918-2006) from A Tour of London -- Keith Douglas (1920-1944) from The "Bête Noire" Fragments -- D. J. Enright - Ahren Warner (1986-) -- Credits und Index Called "the flour of Cities all," London has long been understood through the poetry it has inspired. Now poet Mark Ford has assembled the most capacious and wide-ranging anthology of poems about London to date, from Chaucer to Wordsworth to the present day, providing a chronological tour of urban life and of English literature. Nearly all of the major poets of British literature have left some poetic record of London: Chaucer, Spenser, Shakespeare, Donne, Milton, Dryden, Pope, Johnson, Wordsworth, Keats, Byron, and T. S. Eliot. Ford goes well beyond these figures, however, to gather significant verse of all kinds, from Jacobean city comedies to nursery rhymes, from topical satire to anonymous ballads. The result is a cultural history of the city in verse, one that represents all classes of London's population over some seven centuries, mingling the high and low, the elegant and the salacious, the courtly and the street smart. Many of the poems respond to large events in the city's history-the beheading of Charles I, the Great Fire, the Blitz-but the majority reflect the quieter routines and anxieties of everyday life through the centuries. Ford's selections are arranged chronologically, thus preserving a sense of the strata of the capital's history. An introductory essay by the poet explores in detail the cultural, political, and aesthetic significance of the verse inspired by this great city. The result is a volume as rich and vibrant and diverse as London itself [Online-Ausgabe] Mode of access: Internet via World Wide Web. 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allfields_unstemmed	9780674273702 978-0-674-27370-2 10.4159/9780674273702 doi (DE-627)1795220333 (DE-599)KEP076916561 (DE-B1597)613879 (EBP)076916561 DE-627 eng DE-627 rda eng XD-US POE005020 bisacsh London A History in Verse ed. by Mark Ford Cambridge, MA Harvard University Press [2015] 1 Online-Ressource (784 p) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Restricted Access Controlled Vocabulary for Access Rights http://purl.org/coar/access_right/c_16ec online access with authorization star Frontmatter -- Contents -- Preface -- Acknowledgments -- Introduction -- John Gower (1330?-1408) from Confessio Amantis -- William Langland (1330?-1386?) from The Vision of Piers Plowman -- Geoffrey Chaucer (1343?-1400) from The Canterbury Tales -- Thomas Hoccleve (1367?-1426) from La Male Regle de T. Hoccleue -- John Lydgate (1370?-1449/50) from King Henry VI's Triumphal Entry into London -- Anon. (15th century) London Lickpenny -- John Skelton (1460?-1529) from Collyn Clout -- Anon. (1500?) "London, thou art of townes A per se" -- Sir Thomas Wyatt (1503-1542) "Tagus, farewell, that westward with thy streams" -- "Who list his wealth and ease retain" -- Henry Howard, Earl of Surrey (1517?-1547) "London, hast thou accusèd me" -- Anne Askew (1521-1546) The Ballad Which Anne Askew Made and Sang When She Was in Newgate -- George Turberville (1544?-1597?) The Lover to the Thames of London, to Favour His Lady Passing Thereon -- Isabella Whitney (1548?-?) The Manner of Her Will, and What She Left to London and to All Those in It, at Her Departing -- Edmund Spenser (1552?-1599) Prothalamion -- George Peele (1556-1596) from King Edward the First -- Chidiock Tichborne (1558?-1586) Tichborne's Elegy -- Michael Drayton (1563-1631) from Poly-Olbion -- William Shakespeare (1564-1616) from Henry VI, Part II -- from Henry V -- from Henry VIII -- Thomas Nashe (1567?-1601) from Summer's Last Will and Testament -- Everard Guilpin (1572?-?) from Skialetheia -- Ben Jonson (1572?-1637) from The Devil Is an Ass -- On the Famous Voyage -- John Donne (1572-1631) Satire 1 -- To Mr. E. G. -- Epithalamion Made at Lincoln's Inn -- Satire 4 -- Twickenham Garden -- John Taylor (1580-1653) from The Sculler -- from Sir Gregory Nonsense's News from No Place -- Philip Massinger (1583-1640) from The City Madam -- Francis Beaumont (1584-1616) and John Fletcher (1579-1625) from The Knight of the Burning Pestle -- Francis Beaumont (1584-1616) Letter to Ben Jonson -- On the Tombs in Westminster Abbey -- Thomas Freeman (1590?-1630?) from London's Progress -- W. Turner (?) from Turner's Dish of Lenten Stuff, or a Gallimaufry -- Abraham Holland (?-1626) from London, Look Back -- Robert Herrick (1591-1674) An Ode for Him [Ben Jonson] -- His Return to London -- His Tears to Thamasis -- Anon. (1640s, pub. 1662) London Sad London: An Echo -- Edmund Waller (1606-1687) On the Statue of King Charles I at Charing Cross -- On St. James's Park, As Lately Improved by His Majesty -- John Milton (1608-1674) When the Assault Was Intended to the City -- Sir John Suckling (1609-1642) A Ballad upon a Wedding -- Thomas Jordan (1612?-1685) from The Cheaters Cheated -- from The Triumphs of London -- A Song Sung at the Lord Mayor's Table in Honour of the City and the Goldsmiths Company -- Sir John Denham (1615-1669) from Cooper's Hill -- Abraham Cowley (1618-1667) from The Civil War -- Richard Lovelace (1618-1657/8) To Althea, from Prison: Song -- Simon Ford (1619?-1699) from London's Resurrection -- Henry Vaughan (1621-1695) A Rhapsody -- Anon. (17th century) The Cries of London -- Andrew Marvell (1621-1678) An Horatian Ode upon Cromwell's Return from Ireland -- John Dryden (1631-1700) from Annus Mirabilis -- from MacFlecknoe -- Anon. (pub. 1680) In the Fields of Lincoln's Inn -- John Wilmot, Earl of Rochester (1647-1680) from A Letter from Artemisa in the Town to Chloe in the Country -- Song ("Quoth the Duchess of Cleveland to Counselor Knight") -- A Ramble in St. James's Park -- John Oldham (1653-1683) from A Satire in Imitation of the Third of Juvenal -- Anon. (1684) A Winter Wonder; or, the Thames Frozen Over, with Remarks on the Resort There -- Anon. (1684) from The Wonders of the Deep -- Pierre Antoine Motteux (1660-1718) A Song -- Jonathan Swift (1667-1745) A Description of the Morning -- A Description of a City Shower -- Clever Tom Clinch -- A Beautiful Young Nymph Going to Bed -- from On Poetry: A Rhapsody -- John Gay (1685-1732) from Trivia: or, The Art of Walking the Streets of London -- from The Beggar's Opera -- Anon. (pub. 1719) The Fair Lass of Islington -- Alexander Pope (1688-1744) The Alley. An Imitation of Spenser -- A Farewell to London in the Year 1715 -- Epistle to Miss Blount, on her Leaving the Town, after the Coronation -- from The Dunciad -- Lady Mary Wortley Montagu (1689-1762) from Six Town Eclogues -- Elizabeth Tollet (1694-1754) On the Prospect from Westminster Bridge, March 1750 -- John Bancks (1709-1751) A Description of London -- Anon. (1739) Hail, London! -- Samuel Johnson (1709-1784) from London -- Nursery Rhymes (pub. 18th-19th centuries) London Bridge -- Oranges and Lemons -- "Pussy cat, pussy cat, where have you been?" -- "Poussie, poussie, baudrons" -- "Up at Piccadilly oh!" -- "See-saw, sacradown" -- "Upon Paul's steeple stands a tree" -- "As I was going o'er London Bridge" -- "As I was going o'er London Bridge" -- "I had a little hobby horse, it was well shod" -- Pop Goes the Weasel -- William Whitehead (1715-1785) The Sweepers -- Oliver Goldsmith (1729-1774) Description of an Author's Bedchamber -- William Cowper (1731-1800) from The Task -- Charles Jenner (1736-1774) from Town Eclogues -- Anna Letitia Barbauld (1743-1825) Song for the London Volunteers -- West End Fair -- Charles Dibdin (1745?-1814) The Jolly Young Waterman -- Poll of Wapping -- Hannah More (1745-1833) from The Gin-Shop; or, A Peep into Prison -- Mary Robinson (1757-1800) London's Summer Morning -- William Blake (1757-1827) Holy Thursday -- The Chimney Sweeper -- London -- from Jerusalem -- Joanna Baillie (1762-1851) London -- William Wordsworth (1770-1850) The Farmer of Tilsbury Vale -- The Reverie of Poor Susan -- Composed Upon Westminster Bridge, September 3, 1802 -- from The Prelude -- James Smith (1775-1839) and Horace Smith (1779-1849) from Horace in London -- Leigh Hunt (1784-1859) To Hampstead -- Description of Hampstead -- Lord Byron (1788-1824) from Childe Harold's Pilgrimage -- from Don Juan -- Percy Bysshe Shelley (1792-1822) from Letter to Maria Gisborne -- from Peter Bell the Third -- John Hamilton Reynolds (1794-1852) Sonnet -- John Keats (1795-1821) "To one who has been long in city pent" -- On Seeing the Elgin Marbles -- Lines on the Mermaid Tavern -- Thomas Hood (1799-1845) Moral Reflections on the Cross of St. Paul's -- The Lord Mayor's Show -- Sonnet to Vauxhall -- The Workhouse Clock: An Allegory -- Letitia Elizabeth Landon (1802-1838) Scenes in London: Piccadilly -- Winthrop Mackworth Praed (1802-1839) Goodnight to the Season -- Elizabeth Barrett Browning (1806-1861) from Aurora Leigh -- Alfred, Lord Tennyson (1809-1892) from In Memoriam -- from Ode on the Death of the Duke of Wellington -- Cleopatra's Needle -- Anon. (1851) Have You Been to the Crystal Palace? -- Robert Browning (1812-1889) from Waring -- Edward Lear (1812-1888) There Was an Old Person of Putney -- There Was an Old Man of Blackheath -- There Was a Young Person of Kew -- There Was an Old Person of Bow -- There Was a Young Lady of Greenwich -- There Was an Old Person of Ealing -- There Was an Old Person of Bromley -- There Was an Old Person of Sheen -- There Was an Old Man of Thames Ditton -- Arthur Hugh Clough (1819-1861) To the Great Metropolis -- In the Great Metropolis -- "Blessed are those who have not seen" -- "Ye flags of Piccadilly" -- Anon. (19th century) from The Cries of London -- George Eliot (1819-1880) In a London Drawingroom -- Anon. (1869) Strike of the London Cabmen -- Frederick Locker-Lampson (1821-1895) St. James's Street -- Matthew Arnold (1822-1888) Lines Written in Kensington Gardens -- West London -- East London -- Dante Gabriel Rossetti (1828-1882) Tiber, Nile, and Thames -- Coventry Patmore (1823-1896) A London Fête -- James Thomson (1834-1882) from Sunday at Hampstead -- Henry S. Leigh (1837-1883) A Cockney's Evening Song -- Anon. (1893) Bloomsbury -- Austin Dobson (1840-1921) A New Song of the Spring Garden -- Thomas Hardy (1840-1928) Beyond the Last Lamp -- The Coronation -- In the British Museum -- In St. Paul's a While Ago -- Coming Up Oxford Street: Evening -- A Refusal -- To a Tree in London -- Christmas in the Elgin Room -- W. H. Hudson (1841-1922) To a London Sparrow -- Robert Bridges (1844-1930) London Snow -- Trafalgar Square -- W. E. Henley (1849-1903) from London Voluntaries -- from London Types -- Oscar Wilde (1854-1900) Impression du Matin -- John Davidson (1857-1909) London -- Thirty Bob a Week -- In the Isle of Dogs -- Fog -- from The Thames Embankment -- A. E. Housman (1859-1936) "From the wash the laundress sends" -- Mary E. Coleridge (1861-1907) In London Town -- Amy Levy (1861-1889) A March Day in London -- Straw in the Street -- London Poets -- Rudyard Kipling (1865-1936) In Partibus -- The River's Tale -- London Stone -- The Craftsman -- from Epitaphs of the War -- Arthur Symons (1865-1945) from London Nights -- from Décor de Théâtre -- London -- W. B. Yeats (1865-1939) from Vacillation -- Lionel Johnson (1867-1902) London Town -- By the Statue of King Charles at Charing Cross -- Charlotte Mew (1869-1928) In Nunhead Cemetery -- Laurence Binyon (1869-1943) As I Walked Through London -- T. E. Hulme (1883-1917) The Embankment -- Ezra Pound (1885-1972) -- D. H. Lawrence (1885-1930) -- Frances Cornford (1886-1960) -- Siegfried Sassoon (1886-1967) Monody on the Demolition of Devonshire House -- T. S. Eliot (1888-1965) -- Isaac Rosenberg (1890-1918) Fleet Street -- Richard Aldington (1892-1962) -- Wilfred Owen (1893-1918) "I am the ghost of Shadwell Stair" -- Sylvia Townsend Warner (1893-1978) -- John Rodker (1894-1955) -- Robert Graves (1895-1985) Armistice Day, 1918 -- A. S. J. Tessimond (1902-1962) -- Stevie Smith (1902-1971) Suburb -- William Empson (1906-1984) Homage to the British Museum -- John Betjeman (1906-1984) -- Louis MacNeice (1907-1963) -- Stephen Spender (1909-1995) -- Bernard Spencer (1909-1963) -- Mervyn Peake (1911-1968) London Buses -- Kenneth Allott (1912-1973) Memento Mori -- Roy Fuller (1912-1991) -- Anne Ridler (1912-2001) Wentworth Place: Keats Grove -- George Barker (1913-1991) Kew Gardens -- Alun Lewis (1915-1944) Westminster Abbey -- Robert Lowell (1917-1977) -- Nicholas Moore (1918-1986) Monmouth Street -- John Heath-Stubbs (1918-2006) -- W. S. Graham (1918-1986) The Night City -- Muriel Spark (1918-2006) from A Tour of London -- Keith Douglas (1920-1944) from The "Bête Noire" Fragments -- D. J. Enright - Ahren Warner (1986-) -- Credits und Index Called "the flour of Cities all," London has long been understood through the poetry it has inspired. Now poet Mark Ford has assembled the most capacious and wide-ranging anthology of poems about London to date, from Chaucer to Wordsworth to the present day, providing a chronological tour of urban life and of English literature. Nearly all of the major poets of British literature have left some poetic record of London: Chaucer, Spenser, Shakespeare, Donne, Milton, Dryden, Pope, Johnson, Wordsworth, Keats, Byron, and T. S. Eliot. Ford goes well beyond these figures, however, to gather significant verse of all kinds, from Jacobean city comedies to nursery rhymes, from topical satire to anonymous ballads. The result is a cultural history of the city in verse, one that represents all classes of London's population over some seven centuries, mingling the high and low, the elegant and the salacious, the courtly and the street smart. Many of the poems respond to large events in the city's history-the beheading of Charles I, the Great Fire, the Blitz-but the majority reflect the quieter routines and anxieties of everyday life through the centuries. Ford's selections are arranged chronologically, thus preserving a sense of the strata of the capital's history. An introductory essay by the poet explores in detail the cultural, political, and aesthetic significance of the verse inspired by this great city. The result is a volume as rich and vibrant and diverse as London itself [Online-Ausgabe] Mode of access: Internet via World Wide Web. 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allfieldsGer	9780674273702 978-0-674-27370-2 10.4159/9780674273702 doi (DE-627)1795220333 (DE-599)KEP076916561 (DE-B1597)613879 (EBP)076916561 DE-627 eng DE-627 rda eng XD-US POE005020 bisacsh London A History in Verse ed. by Mark Ford Cambridge, MA Harvard University Press [2015] 1 Online-Ressource (784 p) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Restricted Access Controlled Vocabulary for Access Rights http://purl.org/coar/access_right/c_16ec online access with authorization star Frontmatter -- Contents -- Preface -- Acknowledgments -- Introduction -- John Gower (1330?-1408) from Confessio Amantis -- William Langland (1330?-1386?) from The Vision of Piers Plowman -- Geoffrey Chaucer (1343?-1400) from The Canterbury Tales -- Thomas Hoccleve (1367?-1426) from La Male Regle de T. Hoccleue -- John Lydgate (1370?-1449/50) from King Henry VI's Triumphal Entry into London -- Anon. (15th century) London Lickpenny -- John Skelton (1460?-1529) from Collyn Clout -- Anon. (1500?) "London, thou art of townes A per se" -- Sir Thomas Wyatt (1503-1542) "Tagus, farewell, that westward with thy streams" -- "Who list his wealth and ease retain" -- Henry Howard, Earl of Surrey (1517?-1547) "London, hast thou accusèd me" -- Anne Askew (1521-1546) The Ballad Which Anne Askew Made and Sang When She Was in Newgate -- George Turberville (1544?-1597?) The Lover to the Thames of London, to Favour His Lady Passing Thereon -- Isabella Whitney (1548?-?) The Manner of Her Will, and What She Left to London and to All Those in It, at Her Departing -- Edmund Spenser (1552?-1599) Prothalamion -- George Peele (1556-1596) from King Edward the First -- Chidiock Tichborne (1558?-1586) Tichborne's Elegy -- Michael Drayton (1563-1631) from Poly-Olbion -- William Shakespeare (1564-1616) from Henry VI, Part II -- from Henry V -- from Henry VIII -- Thomas Nashe (1567?-1601) from Summer's Last Will and Testament -- Everard Guilpin (1572?-?) from Skialetheia -- Ben Jonson (1572?-1637) from The Devil Is an Ass -- On the Famous Voyage -- John Donne (1572-1631) Satire 1 -- To Mr. E. G. -- Epithalamion Made at Lincoln's Inn -- Satire 4 -- Twickenham Garden -- John Taylor (1580-1653) from The Sculler -- from Sir Gregory Nonsense's News from No Place -- Philip Massinger (1583-1640) from The City Madam -- Francis Beaumont (1584-1616) and John Fletcher (1579-1625) from The Knight of the Burning Pestle -- Francis Beaumont (1584-1616) Letter to Ben Jonson -- On the Tombs in Westminster Abbey -- Thomas Freeman (1590?-1630?) from London's Progress -- W. Turner (?) from Turner's Dish of Lenten Stuff, or a Gallimaufry -- Abraham Holland (?-1626) from London, Look Back -- Robert Herrick (1591-1674) An Ode for Him [Ben Jonson] -- His Return to London -- His Tears to Thamasis -- Anon. (1640s, pub. 1662) London Sad London: An Echo -- Edmund Waller (1606-1687) On the Statue of King Charles I at Charing Cross -- On St. James's Park, As Lately Improved by His Majesty -- John Milton (1608-1674) When the Assault Was Intended to the City -- Sir John Suckling (1609-1642) A Ballad upon a Wedding -- Thomas Jordan (1612?-1685) from The Cheaters Cheated -- from The Triumphs of London -- A Song Sung at the Lord Mayor's Table in Honour of the City and the Goldsmiths Company -- Sir John Denham (1615-1669) from Cooper's Hill -- Abraham Cowley (1618-1667) from The Civil War -- Richard Lovelace (1618-1657/8) To Althea, from Prison: Song -- Simon Ford (1619?-1699) from London's Resurrection -- Henry Vaughan (1621-1695) A Rhapsody -- Anon. (17th century) The Cries of London -- Andrew Marvell (1621-1678) An Horatian Ode upon Cromwell's Return from Ireland -- John Dryden (1631-1700) from Annus Mirabilis -- from MacFlecknoe -- Anon. (pub. 1680) In the Fields of Lincoln's Inn -- John Wilmot, Earl of Rochester (1647-1680) from A Letter from Artemisa in the Town to Chloe in the Country -- Song ("Quoth the Duchess of Cleveland to Counselor Knight") -- A Ramble in St. James's Park -- John Oldham (1653-1683) from A Satire in Imitation of the Third of Juvenal -- Anon. (1684) A Winter Wonder; or, the Thames Frozen Over, with Remarks on the Resort There -- Anon. (1684) from The Wonders of the Deep -- Pierre Antoine Motteux (1660-1718) A Song -- Jonathan Swift (1667-1745) A Description of the Morning -- A Description of a City Shower -- Clever Tom Clinch -- A Beautiful Young Nymph Going to Bed -- from On Poetry: A Rhapsody -- John Gay (1685-1732) from Trivia: or, The Art of Walking the Streets of London -- from The Beggar's Opera -- Anon. (pub. 1719) The Fair Lass of Islington -- Alexander Pope (1688-1744) The Alley. An Imitation of Spenser -- A Farewell to London in the Year 1715 -- Epistle to Miss Blount, on her Leaving the Town, after the Coronation -- from The Dunciad -- Lady Mary Wortley Montagu (1689-1762) from Six Town Eclogues -- Elizabeth Tollet (1694-1754) On the Prospect from Westminster Bridge, March 1750 -- John Bancks (1709-1751) A Description of London -- Anon. (1739) Hail, London! -- Samuel Johnson (1709-1784) from London -- Nursery Rhymes (pub. 18th-19th centuries) London Bridge -- Oranges and Lemons -- "Pussy cat, pussy cat, where have you been?" -- "Poussie, poussie, baudrons" -- "Up at Piccadilly oh!" -- "See-saw, sacradown" -- "Upon Paul's steeple stands a tree" -- "As I was going o'er London Bridge" -- "As I was going o'er London Bridge" -- "I had a little hobby horse, it was well shod" -- Pop Goes the Weasel -- William Whitehead (1715-1785) The Sweepers -- Oliver Goldsmith (1729-1774) Description of an Author's Bedchamber -- William Cowper (1731-1800) from The Task -- Charles Jenner (1736-1774) from Town Eclogues -- Anna Letitia Barbauld (1743-1825) Song for the London Volunteers -- West End Fair -- Charles Dibdin (1745?-1814) The Jolly Young Waterman -- Poll of Wapping -- Hannah More (1745-1833) from The Gin-Shop; or, A Peep into Prison -- Mary Robinson (1757-1800) London's Summer Morning -- William Blake (1757-1827) Holy Thursday -- The Chimney Sweeper -- London -- from Jerusalem -- Joanna Baillie (1762-1851) London -- William Wordsworth (1770-1850) The Farmer of Tilsbury Vale -- The Reverie of Poor Susan -- Composed Upon Westminster Bridge, September 3, 1802 -- from The Prelude -- James Smith (1775-1839) and Horace Smith (1779-1849) from Horace in London -- Leigh Hunt (1784-1859) To Hampstead -- Description of Hampstead -- Lord Byron (1788-1824) from Childe Harold's Pilgrimage -- from Don Juan -- Percy Bysshe Shelley (1792-1822) from Letter to Maria Gisborne -- from Peter Bell the Third -- John Hamilton Reynolds (1794-1852) Sonnet -- John Keats (1795-1821) "To one who has been long in city pent" -- On Seeing the Elgin Marbles -- Lines on the Mermaid Tavern -- Thomas Hood (1799-1845) Moral Reflections on the Cross of St. Paul's -- The Lord Mayor's Show -- Sonnet to Vauxhall -- The Workhouse Clock: An Allegory -- Letitia Elizabeth Landon (1802-1838) Scenes in London: Piccadilly -- Winthrop Mackworth Praed (1802-1839) Goodnight to the Season -- Elizabeth Barrett Browning (1806-1861) from Aurora Leigh -- Alfred, Lord Tennyson (1809-1892) from In Memoriam -- from Ode on the Death of the Duke of Wellington -- Cleopatra's Needle -- Anon. (1851) Have You Been to the Crystal Palace? -- Robert Browning (1812-1889) from Waring -- Edward Lear (1812-1888) There Was an Old Person of Putney -- There Was an Old Man of Blackheath -- There Was a Young Person of Kew -- There Was an Old Person of Bow -- There Was a Young Lady of Greenwich -- There Was an Old Person of Ealing -- There Was an Old Person of Bromley -- There Was an Old Person of Sheen -- There Was an Old Man of Thames Ditton -- Arthur Hugh Clough (1819-1861) To the Great Metropolis -- In the Great Metropolis -- "Blessed are those who have not seen" -- "Ye flags of Piccadilly" -- Anon. (19th century) from The Cries of London -- George Eliot (1819-1880) In a London Drawingroom -- Anon. (1869) Strike of the London Cabmen -- Frederick Locker-Lampson (1821-1895) St. James's Street -- Matthew Arnold (1822-1888) Lines Written in Kensington Gardens -- West London -- East London -- Dante Gabriel Rossetti (1828-1882) Tiber, Nile, and Thames -- Coventry Patmore (1823-1896) A London Fête -- James Thomson (1834-1882) from Sunday at Hampstead -- Henry S. Leigh (1837-1883) A Cockney's Evening Song -- Anon. (1893) Bloomsbury -- Austin Dobson (1840-1921) A New Song of the Spring Garden -- Thomas Hardy (1840-1928) Beyond the Last Lamp -- The Coronation -- In the British Museum -- In St. Paul's a While Ago -- Coming Up Oxford Street: Evening -- A Refusal -- To a Tree in London -- Christmas in the Elgin Room -- W. H. Hudson (1841-1922) To a London Sparrow -- Robert Bridges (1844-1930) London Snow -- Trafalgar Square -- W. E. Henley (1849-1903) from London Voluntaries -- from London Types -- Oscar Wilde (1854-1900) Impression du Matin -- John Davidson (1857-1909) London -- Thirty Bob a Week -- In the Isle of Dogs -- Fog -- from The Thames Embankment -- A. E. Housman (1859-1936) "From the wash the laundress sends" -- Mary E. Coleridge (1861-1907) In London Town -- Amy Levy (1861-1889) A March Day in London -- Straw in the Street -- London Poets -- Rudyard Kipling (1865-1936) In Partibus -- The River's Tale -- London Stone -- The Craftsman -- from Epitaphs of the War -- Arthur Symons (1865-1945) from London Nights -- from Décor de Théâtre -- London -- W. B. Yeats (1865-1939) from Vacillation -- Lionel Johnson (1867-1902) London Town -- By the Statue of King Charles at Charing Cross -- Charlotte Mew (1869-1928) In Nunhead Cemetery -- Laurence Binyon (1869-1943) As I Walked Through London -- T. E. Hulme (1883-1917) The Embankment -- Ezra Pound (1885-1972) -- D. H. Lawrence (1885-1930) -- Frances Cornford (1886-1960) -- Siegfried Sassoon (1886-1967) Monody on the Demolition of Devonshire House -- T. S. Eliot (1888-1965) -- Isaac Rosenberg (1890-1918) Fleet Street -- Richard Aldington (1892-1962) -- Wilfred Owen (1893-1918) "I am the ghost of Shadwell Stair" -- Sylvia Townsend Warner (1893-1978) -- John Rodker (1894-1955) -- Robert Graves (1895-1985) Armistice Day, 1918 -- A. S. J. Tessimond (1902-1962) -- Stevie Smith (1902-1971) Suburb -- William Empson (1906-1984) Homage to the British Museum -- John Betjeman (1906-1984) -- Louis MacNeice (1907-1963) -- Stephen Spender (1909-1995) -- Bernard Spencer (1909-1963) -- Mervyn Peake (1911-1968) London Buses -- Kenneth Allott (1912-1973) Memento Mori -- Roy Fuller (1912-1991) -- Anne Ridler (1912-2001) Wentworth Place: Keats Grove -- George Barker (1913-1991) Kew Gardens -- Alun Lewis (1915-1944) Westminster Abbey -- Robert Lowell (1917-1977) -- Nicholas Moore (1918-1986) Monmouth Street -- John Heath-Stubbs (1918-2006) -- W. S. Graham (1918-1986) The Night City -- Muriel Spark (1918-2006) from A Tour of London -- Keith Douglas (1920-1944) from The "Bête Noire" Fragments -- D. J. Enright - Ahren Warner (1986-) -- Credits und Index Called "the flour of Cities all," London has long been understood through the poetry it has inspired. Now poet Mark Ford has assembled the most capacious and wide-ranging anthology of poems about London to date, from Chaucer to Wordsworth to the present day, providing a chronological tour of urban life and of English literature. Nearly all of the major poets of British literature have left some poetic record of London: Chaucer, Spenser, Shakespeare, Donne, Milton, Dryden, Pope, Johnson, Wordsworth, Keats, Byron, and T. S. Eliot. Ford goes well beyond these figures, however, to gather significant verse of all kinds, from Jacobean city comedies to nursery rhymes, from topical satire to anonymous ballads. The result is a cultural history of the city in verse, one that represents all classes of London's population over some seven centuries, mingling the high and low, the elegant and the salacious, the courtly and the street smart. Many of the poems respond to large events in the city's history-the beheading of Charles I, the Great Fire, the Blitz-but the majority reflect the quieter routines and anxieties of everyday life through the centuries. Ford's selections are arranged chronologically, thus preserving a sense of the strata of the capital's history. An introductory essay by the poet explores in detail the cultural, political, and aesthetic significance of the verse inspired by this great city. The result is a volume as rich and vibrant and diverse as London itself [Online-Ausgabe] Mode of access: Internet via World Wide Web. 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allfieldsSound	9780674273702 978-0-674-27370-2 10.4159/9780674273702 doi (DE-627)1795220333 (DE-599)KEP076916561 (DE-B1597)613879 (EBP)076916561 DE-627 eng DE-627 rda eng XD-US POE005020 bisacsh London A History in Verse ed. by Mark Ford Cambridge, MA Harvard University Press [2015] 1 Online-Ressource (784 p) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Restricted Access Controlled Vocabulary for Access Rights http://purl.org/coar/access_right/c_16ec online access with authorization star Frontmatter -- Contents -- Preface -- Acknowledgments -- Introduction -- John Gower (1330?-1408) from Confessio Amantis -- William Langland (1330?-1386?) from The Vision of Piers Plowman -- Geoffrey Chaucer (1343?-1400) from The Canterbury Tales -- Thomas Hoccleve (1367?-1426) from La Male Regle de T. Hoccleue -- John Lydgate (1370?-1449/50) from King Henry VI's Triumphal Entry into London -- Anon. (15th century) London Lickpenny -- John Skelton (1460?-1529) from Collyn Clout -- Anon. (1500?) "London, thou art of townes A per se" -- Sir Thomas Wyatt (1503-1542) "Tagus, farewell, that westward with thy streams" -- "Who list his wealth and ease retain" -- Henry Howard, Earl of Surrey (1517?-1547) "London, hast thou accusèd me" -- Anne Askew (1521-1546) The Ballad Which Anne Askew Made and Sang When She Was in Newgate -- George Turberville (1544?-1597?) The Lover to the Thames of London, to Favour His Lady Passing Thereon -- Isabella Whitney (1548?-?) The Manner of Her Will, and What She Left to London and to All Those in It, at Her Departing -- Edmund Spenser (1552?-1599) Prothalamion -- George Peele (1556-1596) from King Edward the First -- Chidiock Tichborne (1558?-1586) Tichborne's Elegy -- Michael Drayton (1563-1631) from Poly-Olbion -- William Shakespeare (1564-1616) from Henry VI, Part II -- from Henry V -- from Henry VIII -- Thomas Nashe (1567?-1601) from Summer's Last Will and Testament -- Everard Guilpin (1572?-?) from Skialetheia -- Ben Jonson (1572?-1637) from The Devil Is an Ass -- On the Famous Voyage -- John Donne (1572-1631) Satire 1 -- To Mr. E. G. -- Epithalamion Made at Lincoln's Inn -- Satire 4 -- Twickenham Garden -- John Taylor (1580-1653) from The Sculler -- from Sir Gregory Nonsense's News from No Place -- Philip Massinger (1583-1640) from The City Madam -- Francis Beaumont (1584-1616) and John Fletcher (1579-1625) from The Knight of the Burning Pestle -- Francis Beaumont (1584-1616) Letter to Ben Jonson -- On the Tombs in Westminster Abbey -- Thomas Freeman (1590?-1630?) from London's Progress -- W. Turner (?) from Turner's Dish of Lenten Stuff, or a Gallimaufry -- Abraham Holland (?-1626) from London, Look Back -- Robert Herrick (1591-1674) An Ode for Him [Ben Jonson] -- His Return to London -- His Tears to Thamasis -- Anon. (1640s, pub. 1662) London Sad London: An Echo -- Edmund Waller (1606-1687) On the Statue of King Charles I at Charing Cross -- On St. James's Park, As Lately Improved by His Majesty -- John Milton (1608-1674) When the Assault Was Intended to the City -- Sir John Suckling (1609-1642) A Ballad upon a Wedding -- Thomas Jordan (1612?-1685) from The Cheaters Cheated -- from The Triumphs of London -- A Song Sung at the Lord Mayor's Table in Honour of the City and the Goldsmiths Company -- Sir John Denham (1615-1669) from Cooper's Hill -- Abraham Cowley (1618-1667) from The Civil War -- Richard Lovelace (1618-1657/8) To Althea, from Prison: Song -- Simon Ford (1619?-1699) from London's Resurrection -- Henry Vaughan (1621-1695) A Rhapsody -- Anon. (17th century) The Cries of London -- Andrew Marvell (1621-1678) An Horatian Ode upon Cromwell's Return from Ireland -- John Dryden (1631-1700) from Annus Mirabilis -- from MacFlecknoe -- Anon. (pub. 1680) In the Fields of Lincoln's Inn -- John Wilmot, Earl of Rochester (1647-1680) from A Letter from Artemisa in the Town to Chloe in the Country -- Song ("Quoth the Duchess of Cleveland to Counselor Knight") -- A Ramble in St. James's Park -- John Oldham (1653-1683) from A Satire in Imitation of the Third of Juvenal -- Anon. (1684) A Winter Wonder; or, the Thames Frozen Over, with Remarks on the Resort There -- Anon. (1684) from The Wonders of the Deep -- Pierre Antoine Motteux (1660-1718) A Song -- Jonathan Swift (1667-1745) A Description of the Morning -- A Description of a City Shower -- Clever Tom Clinch -- A Beautiful Young Nymph Going to Bed -- from On Poetry: A Rhapsody -- John Gay (1685-1732) from Trivia: or, The Art of Walking the Streets of London -- from The Beggar's Opera -- Anon. (pub. 1719) The Fair Lass of Islington -- Alexander Pope (1688-1744) The Alley. An Imitation of Spenser -- A Farewell to London in the Year 1715 -- Epistle to Miss Blount, on her Leaving the Town, after the Coronation -- from The Dunciad -- Lady Mary Wortley Montagu (1689-1762) from Six Town Eclogues -- Elizabeth Tollet (1694-1754) On the Prospect from Westminster Bridge, March 1750 -- John Bancks (1709-1751) A Description of London -- Anon. (1739) Hail, London! -- Samuel Johnson (1709-1784) from London -- Nursery Rhymes (pub. 18th-19th centuries) London Bridge -- Oranges and Lemons -- "Pussy cat, pussy cat, where have you been?" -- "Poussie, poussie, baudrons" -- "Up at Piccadilly oh!" -- "See-saw, sacradown" -- "Upon Paul's steeple stands a tree" -- "As I was going o'er London Bridge" -- "As I was going o'er London Bridge" -- "I had a little hobby horse, it was well shod" -- Pop Goes the Weasel -- William Whitehead (1715-1785) The Sweepers -- Oliver Goldsmith (1729-1774) Description of an Author's Bedchamber -- William Cowper (1731-1800) from The Task -- Charles Jenner (1736-1774) from Town Eclogues -- Anna Letitia Barbauld (1743-1825) Song for the London Volunteers -- West End Fair -- Charles Dibdin (1745?-1814) The Jolly Young Waterman -- Poll of Wapping -- Hannah More (1745-1833) from The Gin-Shop; or, A Peep into Prison -- Mary Robinson (1757-1800) London's Summer Morning -- William Blake (1757-1827) Holy Thursday -- The Chimney Sweeper -- London -- from Jerusalem -- Joanna Baillie (1762-1851) London -- William Wordsworth (1770-1850) The Farmer of Tilsbury Vale -- The Reverie of Poor Susan -- Composed Upon Westminster Bridge, September 3, 1802 -- from The Prelude -- James Smith (1775-1839) and Horace Smith (1779-1849) from Horace in London -- Leigh Hunt (1784-1859) To Hampstead -- Description of Hampstead -- Lord Byron (1788-1824) from Childe Harold's Pilgrimage -- from Don Juan -- Percy Bysshe Shelley (1792-1822) from Letter to Maria Gisborne -- from Peter Bell the Third -- John Hamilton Reynolds (1794-1852) Sonnet -- John Keats (1795-1821) "To one who has been long in city pent" -- On Seeing the Elgin Marbles -- Lines on the Mermaid Tavern -- Thomas Hood (1799-1845) Moral Reflections on the Cross of St. Paul's -- The Lord Mayor's Show -- Sonnet to Vauxhall -- The Workhouse Clock: An Allegory -- Letitia Elizabeth Landon (1802-1838) Scenes in London: Piccadilly -- Winthrop Mackworth Praed (1802-1839) Goodnight to the Season -- Elizabeth Barrett Browning (1806-1861) from Aurora Leigh -- Alfred, Lord Tennyson (1809-1892) from In Memoriam -- from Ode on the Death of the Duke of Wellington -- Cleopatra's Needle -- Anon. (1851) Have You Been to the Crystal Palace? -- Robert Browning (1812-1889) from Waring -- Edward Lear (1812-1888) There Was an Old Person of Putney -- There Was an Old Man of Blackheath -- There Was a Young Person of Kew -- There Was an Old Person of Bow -- There Was a Young Lady of Greenwich -- There Was an Old Person of Ealing -- There Was an Old Person of Bromley -- There Was an Old Person of Sheen -- There Was an Old Man of Thames Ditton -- Arthur Hugh Clough (1819-1861) To the Great Metropolis -- In the Great Metropolis -- "Blessed are those who have not seen" -- "Ye flags of Piccadilly" -- Anon. (19th century) from The Cries of London -- George Eliot (1819-1880) In a London Drawingroom -- Anon. (1869) Strike of the London Cabmen -- Frederick Locker-Lampson (1821-1895) St. James's Street -- Matthew Arnold (1822-1888) Lines Written in Kensington Gardens -- West London -- East London -- Dante Gabriel Rossetti (1828-1882) Tiber, Nile, and Thames -- Coventry Patmore (1823-1896) A London Fête -- James Thomson (1834-1882) from Sunday at Hampstead -- Henry S. Leigh (1837-1883) A Cockney's Evening Song -- Anon. (1893) Bloomsbury -- Austin Dobson (1840-1921) A New Song of the Spring Garden -- Thomas Hardy (1840-1928) Beyond the Last Lamp -- The Coronation -- In the British Museum -- In St. Paul's a While Ago -- Coming Up Oxford Street: Evening -- A Refusal -- To a Tree in London -- Christmas in the Elgin Room -- W. H. Hudson (1841-1922) To a London Sparrow -- Robert Bridges (1844-1930) London Snow -- Trafalgar Square -- W. E. Henley (1849-1903) from London Voluntaries -- from London Types -- Oscar Wilde (1854-1900) Impression du Matin -- John Davidson (1857-1909) London -- Thirty Bob a Week -- In the Isle of Dogs -- Fog -- from The Thames Embankment -- A. E. Housman (1859-1936) "From the wash the laundress sends" -- Mary E. Coleridge (1861-1907) In London Town -- Amy Levy (1861-1889) A March Day in London -- Straw in the Street -- London Poets -- Rudyard Kipling (1865-1936) In Partibus -- The River's Tale -- London Stone -- The Craftsman -- from Epitaphs of the War -- Arthur Symons (1865-1945) from London Nights -- from Décor de Théâtre -- London -- W. B. Yeats (1865-1939) from Vacillation -- Lionel Johnson (1867-1902) London Town -- By the Statue of King Charles at Charing Cross -- Charlotte Mew (1869-1928) In Nunhead Cemetery -- Laurence Binyon (1869-1943) As I Walked Through London -- T. E. Hulme (1883-1917) The Embankment -- Ezra Pound (1885-1972) -- D. H. Lawrence (1885-1930) -- Frances Cornford (1886-1960) -- Siegfried Sassoon (1886-1967) Monody on the Demolition of Devonshire House -- T. S. Eliot (1888-1965) -- Isaac Rosenberg (1890-1918) Fleet Street -- Richard Aldington (1892-1962) -- Wilfred Owen (1893-1918) "I am the ghost of Shadwell Stair" -- Sylvia Townsend Warner (1893-1978) -- John Rodker (1894-1955) -- Robert Graves (1895-1985) Armistice Day, 1918 -- A. S. J. Tessimond (1902-1962) -- Stevie Smith (1902-1971) Suburb -- William Empson (1906-1984) Homage to the British Museum -- John Betjeman (1906-1984) -- Louis MacNeice (1907-1963) -- Stephen Spender (1909-1995) -- Bernard Spencer (1909-1963) -- Mervyn Peake (1911-1968) London Buses -- Kenneth Allott (1912-1973) Memento Mori -- Roy Fuller (1912-1991) -- Anne Ridler (1912-2001) Wentworth Place: Keats Grove -- George Barker (1913-1991) Kew Gardens -- Alun Lewis (1915-1944) Westminster Abbey -- Robert Lowell (1917-1977) -- Nicholas Moore (1918-1986) Monmouth Street -- John Heath-Stubbs (1918-2006) -- W. S. Graham (1918-1986) The Night City -- Muriel Spark (1918-2006) from A Tour of London -- Keith Douglas (1920-1944) from The "Bête Noire" Fragments -- D. J. Enright - Ahren Warner (1986-) -- Credits und Index Called "the flour of Cities all," London has long been understood through the poetry it has inspired. Now poet Mark Ford has assembled the most capacious and wide-ranging anthology of poems about London to date, from Chaucer to Wordsworth to the present day, providing a chronological tour of urban life and of English literature. Nearly all of the major poets of British literature have left some poetic record of London: Chaucer, Spenser, Shakespeare, Donne, Milton, Dryden, Pope, Johnson, Wordsworth, Keats, Byron, and T. S. Eliot. Ford goes well beyond these figures, however, to gather significant verse of all kinds, from Jacobean city comedies to nursery rhymes, from topical satire to anonymous ballads. The result is a cultural history of the city in verse, one that represents all classes of London's population over some seven centuries, mingling the high and low, the elegant and the salacious, the courtly and the street smart. Many of the poems respond to large events in the city's history-the beheading of Charles I, the Great Fire, the Blitz-but the majority reflect the quieter routines and anxieties of everyday life through the centuries. Ford's selections are arranged chronologically, thus preserving a sense of the strata of the capital's history. An introductory essay by the poet explores in detail the cultural, political, and aesthetic significance of the verse inspired by this great city. The result is a volume as rich and vibrant and diverse as London itself [Online-Ausgabe] Mode of access: Internet via World Wide Web. In English POETRY / European / English, Irish, Scottish, Welsh Ford, Mark herausgeberin edt https://www.degruyter.com/isbn/9780674273702 X:GRUY Verlag lizenzpflichtig https://doi.org/10.4159/9780674273702?locatt=mode:legacy X:GRUY Resolving-System lizenzpflichtig https://www.degruyter.com/document/cover/isbn/9780674273702/original X:GRUY Verlag Cover EBA-BACKALL EBA-CL-LT EBA-EBACKALL EBA-EBKALL EBA-ECL-LT EBA-EEBKALL EBA-ESSHALL EBA-PPALL EBA-SSHALL GBV-deGruyter-alles GBV_ILN_21 ISIL_DE-46 SYSFLAG_1 GBV_KXP GBV_ILN_22 ISIL_DE-18 GBV_ILN_23 ISIL_DE-830 GBV_ILN_24 ISIL_DE-8 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_65 ISIL_DE-3 GBV_ILN_69 ISIL_DE-9 GBV_ILN_72 ISIL_DE-35 GBV_ILN_90 ISIL_DE-Hil2 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_120 ISIL_DE-715 GBV_ILN_122 ISIL_DE-897 GBV_ILN_130 ISIL_DE-700 GBV_ILN_140 ISIL_DE-839 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_264 ISIL_DE-897-1 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_736 GBV_ILN_2001 ISIL_DE-21 GBV_ILN_2006 ISIL_DE-14 GBV_ILN_2010 ISIL_DE-15 GBV_ILN_2020 ISIL_DE-Ch1 GBV_ILN_2027 ISIL_DE-105 GBV_ILN_2044 ISIL_DE-751 GBV_ILN_2045 ISIL_DE-Mit1 GBV_ILN_2050 ISIL_DE-Zi4 GBV_ILN_2063 ISIL_DE-951 GBV_ILN_2118 ISIL_DE-Mh35 BO 21 01 0046 4101099332 ebook_2023_degruyter_ebs Freie Nutzung im <a href="http://nbn-resolving.de/urn:nbn:de:gbv:46-campusnetz9" Target="_blank">Campusnetz</a> der Universitaet und der Hochschulen im Lande Bremen zza 25-03-22 22 01 0018 4109798752 00 --%%-- --%%-- s --%%-- SUBedegebs zu 01-04-22 23 01 0830 4091723810 olr-degruyter3 i z 16-03-22 24 01 0008 4094879986 00 --%%-- --%%-- s --%%-- olr-dgebs Vervielfältigungen (z.B. 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fullrecord	<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01000cam a22002652 4500</leader><controlfield tag="001">1795220333</controlfield><controlfield tag="003">DE-627</controlfield><controlfield tag="005">20241002172435.0</controlfield><controlfield tag="007">cr uuu---uuuuu</controlfield><controlfield tag="008">220310s2015 xxu\|\|\|\|\|o 00\| \|\|eng c</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780674273702</subfield><subfield code="9">978-0-674-27370-2</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.4159/9780674273702</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-627)1795220333</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)KEP076916561</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)613879</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(EBP)076916561</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-627</subfield><subfield code="b">eng</subfield><subfield code="c">DE-627</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1=" " ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="c">XD-US</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">POE005020</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">London</subfield><subfield code="b">A History in Verse</subfield><subfield code="c">ed. by Mark Ford</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge, MA</subfield><subfield code="b">Harvard University Press</subfield><subfield code="c">[2015]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (784 p)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">Text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">Computermedien</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">Online-Ressource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="506" ind1="1" ind2=" "><subfield code="a">Restricted Access</subfield><subfield code="e">Controlled Vocabulary for Access Rights</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Frontmatter -- Contents -- Preface -- Acknowledgments -- Introduction -- John Gower (1330?-1408) from Confessio Amantis -- William Langland (1330?-1386?) from The Vision of Piers Plowman -- Geoffrey Chaucer (1343?-1400) from The Canterbury Tales -- Thomas Hoccleve (1367?-1426) from La Male Regle de T. Hoccleue -- John Lydgate (1370?-1449/50) from King Henry VI's Triumphal Entry into London -- Anon. (15th century) London Lickpenny -- John Skelton (1460?-1529) from Collyn Clout -- Anon. (1500?) "London, thou art of townes A per se" -- Sir Thomas Wyatt (1503-1542) "Tagus, farewell, that westward with thy streams" -- "Who list his wealth and ease retain" -- Henry Howard, Earl of Surrey (1517?-1547) "London, hast thou accusèd me" -- Anne Askew (1521-1546) The Ballad Which Anne Askew Made and Sang When She Was in Newgate -- George Turberville (1544?-1597?) The Lover to the Thames of London, to Favour His Lady Passing Thereon -- Isabella Whitney (1548?-?) The Manner of Her Will, and What She Left to London and to All Those in It, at Her Departing -- Edmund Spenser (1552?-1599) Prothalamion -- George Peele (1556-1596) from King Edward the First -- Chidiock Tichborne (1558?-1586) Tichborne's Elegy -- Michael Drayton (1563-1631) from Poly-Olbion -- William Shakespeare (1564-1616) from Henry VI, Part II -- from Henry V -- from Henry VIII -- Thomas Nashe (1567?-1601) from Summer's Last Will and Testament -- Everard Guilpin (1572?-?) from Skialetheia -- Ben Jonson (1572?-1637) from The Devil Is an Ass -- On the Famous Voyage -- John Donne (1572-1631) Satire 1 -- To Mr. E. G. -- Epithalamion Made at Lincoln's Inn -- Satire 4 -- Twickenham Garden -- John Taylor (1580-1653) from The Sculler -- from Sir Gregory Nonsense's News from No Place -- Philip Massinger (1583-1640) from The City Madam -- Francis Beaumont (1584-1616) and John Fletcher (1579-1625) from The Knight of the Burning Pestle -- Francis Beaumont (1584-1616) Letter to Ben Jonson -- On the Tombs in Westminster Abbey -- Thomas Freeman (1590?-1630?) from London's Progress -- W. Turner (?) from Turner's Dish of Lenten Stuff, or a Gallimaufry -- Abraham Holland (?-1626) from London, Look Back -- Robert Herrick (1591-1674) An Ode for Him [Ben Jonson] -- His Return to London -- His Tears to Thamasis -- Anon. (1640s, pub. 1662) London Sad London: An Echo -- Edmund Waller (1606-1687) On the Statue of King Charles I at Charing Cross -- On St. James's Park, As Lately Improved by His Majesty -- John Milton (1608-1674) When the Assault Was Intended to the City -- Sir John Suckling (1609-1642) A Ballad upon a Wedding -- Thomas Jordan (1612?-1685) from The Cheaters Cheated -- from The Triumphs of London -- A Song Sung at the Lord Mayor's Table in Honour of the City and the Goldsmiths Company -- Sir John Denham (1615-1669) from Cooper's Hill -- Abraham Cowley (1618-1667) from The Civil War -- Richard Lovelace (1618-1657/8) To Althea, from Prison: Song -- Simon Ford (1619?-1699) from London's Resurrection -- Henry Vaughan (1621-1695) A Rhapsody -- Anon. (17th century) The Cries of London -- Andrew Marvell (1621-1678) An Horatian Ode upon Cromwell's Return from Ireland -- John Dryden (1631-1700) from Annus Mirabilis -- from MacFlecknoe -- Anon. (pub. 1680) In the Fields of Lincoln's Inn -- John Wilmot, Earl of Rochester (1647-1680) from A Letter from Artemisa in the Town to Chloe in the Country -- Song ("Quoth the Duchess of Cleveland to Counselor Knight") -- A Ramble in St. James's Park -- John Oldham (1653-1683) from A Satire in Imitation of the Third of Juvenal -- Anon. (1684) A Winter Wonder; or, the Thames Frozen Over, with Remarks on the Resort There -- Anon. (1684) from The Wonders of the Deep -- Pierre Antoine Motteux (1660-1718) A Song -- Jonathan Swift (1667-1745) A Description of the Morning -- A Description of a City Shower -- Clever Tom Clinch -- A Beautiful Young Nymph Going to Bed -- from On Poetry: A Rhapsody -- John Gay (1685-1732) from Trivia: or, The Art of Walking the Streets of London -- from The Beggar's Opera -- Anon. (pub. 1719) The Fair Lass of Islington -- Alexander Pope (1688-1744) The Alley. An Imitation of Spenser -- A Farewell to London in the Year 1715 -- Epistle to Miss Blount, on her Leaving the Town, after the Coronation -- from The Dunciad -- Lady Mary Wortley Montagu (1689-1762) from Six Town Eclogues -- Elizabeth Tollet (1694-1754) On the Prospect from Westminster Bridge, March 1750 -- John Bancks (1709-1751) A Description of London -- Anon. (1739) Hail, London! -- Samuel Johnson (1709-1784) from London -- Nursery Rhymes (pub. 18th-19th centuries) London Bridge -- Oranges and Lemons -- "Pussy cat, pussy cat, where have you been?" -- "Poussie, poussie, baudrons" -- "Up at Piccadilly oh!" -- "See-saw, sacradown" -- "Upon Paul's steeple stands a tree" -- "As I was going o'er London Bridge" -- "As I was going o'er London Bridge" -- "I had a little hobby horse, it was well shod" -- Pop Goes the Weasel -- William Whitehead (1715-1785) The Sweepers -- Oliver Goldsmith (1729-1774) Description of an Author's Bedchamber -- William Cowper (1731-1800) from The Task -- Charles Jenner (1736-1774) from Town Eclogues -- Anna Letitia Barbauld (1743-1825) Song for the London Volunteers -- West End Fair -- Charles Dibdin (1745?-1814) The Jolly Young Waterman -- Poll of Wapping -- Hannah More (1745-1833) from The Gin-Shop; or, A Peep into Prison -- Mary Robinson (1757-1800) London's Summer Morning -- William Blake (1757-1827) Holy Thursday -- The Chimney Sweeper -- London -- from Jerusalem -- Joanna Baillie (1762-1851) London -- William Wordsworth (1770-1850) The Farmer of Tilsbury Vale -- The Reverie of Poor Susan -- Composed Upon Westminster Bridge, September 3, 1802 -- from The Prelude -- James Smith (1775-1839) and Horace Smith (1779-1849) from Horace in London -- Leigh Hunt (1784-1859) To Hampstead -- Description of Hampstead -- Lord Byron (1788-1824) from Childe Harold's Pilgrimage -- from Don Juan -- Percy Bysshe Shelley (1792-1822) from Letter to Maria Gisborne -- from Peter Bell the Third -- John Hamilton Reynolds (1794-1852) Sonnet -- John Keats (1795-1821) "To one who has been long in city pent" -- On Seeing the Elgin Marbles -- Lines on the Mermaid Tavern -- Thomas Hood (1799-1845) Moral Reflections on the Cross of St. Paul's -- The Lord Mayor's Show -- Sonnet to Vauxhall -- The Workhouse Clock: An Allegory -- Letitia Elizabeth Landon (1802-1838) Scenes in London: Piccadilly -- Winthrop Mackworth Praed (1802-1839) Goodnight to the Season -- Elizabeth Barrett Browning (1806-1861) from Aurora Leigh -- Alfred, Lord Tennyson (1809-1892) from In Memoriam -- from Ode on the Death of the Duke of Wellington -- Cleopatra's Needle -- Anon. (1851) Have You Been to the Crystal Palace? -- Robert Browning (1812-1889) from Waring -- Edward Lear (1812-1888) There Was an Old Person of Putney -- There Was an Old Man of Blackheath -- There Was a Young Person of Kew -- There Was an Old Person of Bow -- There Was a Young Lady of Greenwich -- There Was an Old Person of Ealing -- There Was an Old Person of Bromley -- There Was an Old Person of Sheen -- There Was an Old Man of Thames Ditton -- Arthur Hugh Clough (1819-1861) To the Great Metropolis -- In the Great Metropolis -- "Blessed are those who have not seen" -- "Ye flags of Piccadilly" -- Anon. (19th century) from The Cries of London -- George Eliot (1819-1880) In a London Drawingroom -- Anon. (1869) Strike of the London Cabmen -- Frederick Locker-Lampson (1821-1895) St. James's Street -- Matthew Arnold (1822-1888) Lines Written in Kensington Gardens -- West London -- East London -- Dante Gabriel Rossetti (1828-1882) Tiber, Nile, and Thames -- Coventry Patmore (1823-1896) A London Fête -- James Thomson (1834-1882) from Sunday at Hampstead -- Henry S. Leigh (1837-1883) A Cockney's Evening Song -- Anon.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">(1893) Bloomsbury -- Austin Dobson (1840-1921) A New Song of the Spring Garden -- Thomas Hardy (1840-1928) Beyond the Last Lamp -- The Coronation -- In the British Museum -- In St. Paul's a While Ago -- Coming Up Oxford Street: Evening -- A Refusal -- To a Tree in London -- Christmas in the Elgin Room -- W. H. Hudson (1841-1922) To a London Sparrow -- Robert Bridges (1844-1930) London Snow -- Trafalgar Square -- W. E. Henley (1849-1903) from London Voluntaries -- from London Types -- Oscar Wilde (1854-1900) Impression du Matin -- John Davidson (1857-1909) London -- Thirty Bob a Week -- In the Isle of Dogs -- Fog -- from The Thames Embankment -- A. E. Housman (1859-1936) "From the wash the laundress sends" -- Mary E. Coleridge (1861-1907) In London Town -- Amy Levy (1861-1889) A March Day in London -- Straw in the Street -- London Poets -- Rudyard Kipling (1865-1936) In Partibus -- The River's Tale -- London Stone -- The Craftsman -- from Epitaphs of the War -- Arthur Symons (1865-1945) from London Nights -- from Décor de Théâtre -- London -- W. B. Yeats (1865-1939) from Vacillation -- Lionel Johnson (1867-1902) London Town -- By the Statue of King Charles at Charing Cross -- Charlotte Mew (1869-1928) In Nunhead Cemetery -- Laurence Binyon (1869-1943) As I Walked Through London -- T. E. Hulme (1883-1917) The Embankment -- Ezra Pound (1885-1972) -- D. H. Lawrence (1885-1930) -- Frances Cornford (1886-1960) -- Siegfried Sassoon (1886-1967) Monody on the Demolition of Devonshire House -- T. S. Eliot (1888-1965) -- Isaac Rosenberg (1890-1918) Fleet Street -- Richard Aldington (1892-1962) -- Wilfred Owen (1893-1918) "I am the ghost of Shadwell Stair" -- Sylvia Townsend Warner (1893-1978) -- John Rodker (1894-1955) -- Robert Graves (1895-1985) Armistice Day, 1918 -- A. S. J. Tessimond (1902-1962) -- Stevie Smith (1902-1971) Suburb -- William Empson (1906-1984) Homage to the British Museum -- John Betjeman (1906-1984) -- Louis MacNeice (1907-1963) -- Stephen Spender (1909-1995) -- Bernard Spencer (1909-1963) -- Mervyn Peake (1911-1968) London Buses -- Kenneth Allott (1912-1973) Memento Mori -- Roy Fuller (1912-1991) -- Anne Ridler (1912-2001) Wentworth Place: Keats Grove -- George Barker (1913-1991) Kew Gardens -- Alun Lewis (1915-1944) Westminster Abbey -- Robert Lowell (1917-1977) -- Nicholas Moore (1918-1986) Monmouth Street -- John Heath-Stubbs (1918-2006) -- W. S. Graham (1918-1986) The Night City -- Muriel Spark (1918-2006) from A Tour of London -- Keith Douglas (1920-1944) from The "Bête Noire" Fragments -- D. J. Enright - Ahren Warner (1986-) -- Credits und Index</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Called "the flour of Cities all," London has long been understood through the poetry it has inspired. Now poet Mark Ford has assembled the most capacious and wide-ranging anthology of poems about London to date, from Chaucer to Wordsworth to the present day, providing a chronological tour of urban life and of English literature. Nearly all of the major poets of British literature have left some poetic record of London: Chaucer, Spenser, Shakespeare, Donne, Milton, Dryden, Pope, Johnson, Wordsworth, Keats, Byron, and T. S. Eliot. Ford goes well beyond these figures, however, to gather significant verse of all kinds, from Jacobean city comedies to nursery rhymes, from topical satire to anonymous ballads. The result is a cultural history of the city in verse, one that represents all classes of London's population over some seven centuries, mingling the high and low, the elegant and the salacious, the courtly and the street smart. Many of the poems respond to large events in the city's history-the beheading of Charles I, the Great Fire, the Blitz-but the majority reflect the quieter routines and anxieties of everyday life through the centuries. Ford's selections are arranged chronologically, thus preserving a sense of the strata of the capital's history. An introductory essay by the poet explores in detail the cultural, political, and aesthetic significance of the verse inspired by this great city. The result is a volume as rich and vibrant and diverse as London itself</subfield></datafield><datafield tag="533" ind1=" " ind2=" "><subfield code="a">[Online-Ausgabe]</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">POETRY / European / English, Irish, Scottish, Welsh</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Ford, Mark</subfield><subfield code="e">herausgeberin</subfield><subfield code="4">edt</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9780674273702</subfield><subfield code="m">X:GRUY</subfield><subfield code="x">Verlag</subfield><subfield code="z">lizenzpflichtig</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield 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Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="k">Volltextzugriff nur für berechtigte Personen über das Campusnetz</subfield><subfield code="y">z</subfield><subfield code="z">22-03-22</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">120</subfield><subfield code="1">01</subfield><subfield code="x">0715</subfield><subfield code="b">4112990987</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">g</subfield><subfield code="j">--%%--</subfield><subfield code="h">alma</subfield><subfield code="y">z</subfield><subfield code="z">07-04-22</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">122</subfield><subfield code="1">01</subfield><subfield code="x">0897</subfield><subfield code="b">4094573410</subfield><subfield code="h">OLR-deGruyter-EBS</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="y">z</subfield><subfield code="z">17-03-22</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">130</subfield><subfield code="1">01</subfield><subfield code="x">0700</subfield><subfield code="b">4094924388</subfield><subfield code="h">OLR-deGruyter-EBA-EBKALL</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="y">z</subfield><subfield code="z">18-03-22</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">140</subfield><subfield code="1">01</subfield><subfield code="x">0839</subfield><subfield code="b">4094639055</subfield><subfield code="h">OLR-deGruyter-EBS</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="y">z</subfield><subfield code="z">18-03-22</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">147</subfield><subfield code="1">01</subfield><subfield code="x">3528</subfield><subfield code="b">4094997008</subfield><subfield code="h">OLR-EBS-DG</subfield><subfield code="k">Multiuser \| freigeschaltet für Europa-Universität Flensburg, Hochschule Flensburg und Zentrale Hochschulbibliothek</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="y">z</subfield><subfield code="z">18-03-22</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">264</subfield><subfield code="1">01</subfield><subfield code="x">3264</subfield><subfield code="b">4094687602</subfield><subfield code="h">OLR-deGruyter-EBS</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="y">z</subfield><subfield code="z">18-03-22</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">370</subfield><subfield code="1">01</subfield><subfield code="x">4370</subfield><subfield code="b">409431864X</subfield><subfield code="h">EBS deGruyter</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots.</subfield><subfield code="u">i</subfield><subfield code="y">z</subfield><subfield code="z">17-03-22</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">736</subfield><subfield code="1">01</subfield><subfield code="x">4736</subfield><subfield code="b">4494027618</subfield><subfield code="h">DeGryuterEBS2024</subfield><subfield code="u">verv</subfield><subfield code="y">zeg</subfield><subfield code="z">29-02-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2001</subfield><subfield code="1">01</subfield><subfield code="x">DE-21</subfield><subfield code="b">4086078848</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">kp</subfield><subfield code="y">l01</subfield><subfield code="z">10-03-22</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2006</subfield><subfield code="1">01</subfield><subfield code="x">DE-14</subfield><subfield code="b">4426935555</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">--%%--</subfield><subfield code="y">l01</subfield><subfield code="z">05-12-23</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2010</subfield><subfield code="1">01</subfield><subfield code="x">DE-15</subfield><subfield code="b">4426487161</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">n</subfield><subfield code="k">Elektronischer Volltext - Campuslizenz</subfield><subfield code="y">l01</subfield><subfield code="z">05-12-23</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2020</subfield><subfield code="1">01</subfield><subfield code="x">DE-Ch1</subfield><subfield code="b">4440227864</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">n</subfield><subfield code="k">Campuslizenz</subfield><subfield code="y">l01</subfield><subfield code="z">18-12-23</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2027</subfield><subfield code="1">01</subfield><subfield code="x">DE-105</subfield><subfield code="b">4462385047</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">n</subfield><subfield code="k">Campuslizenz</subfield><subfield code="y">l01</subfield><subfield code="z">18-01-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2044</subfield><subfield code="1">01</subfield><subfield code="x">DE-751</subfield><subfield code="b">458637232X</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">eBook de Gruyter</subfield><subfield code="e">--%%--</subfield><subfield code="j">n</subfield><subfield code="k">Campuslizenz bis 30.09.2025. Bitte beachten Sie die Nutzungshinweise auf unserer Homepage (de Gruyter)</subfield><subfield code="y">l01</subfield><subfield code="z">02-10-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2045</subfield><subfield code="1">01</subfield><subfield code="x">DE-Mit1</subfield><subfield code="b">4490849389</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">n</subfield><subfield code="k">Volltext - Campuslizenz</subfield><subfield code="y">l01</subfield><subfield code="z">25-02-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2050</subfield><subfield code="1">01</subfield><subfield code="x">DE-Zi4</subfield><subfield code="b">4440227872</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">n</subfield><subfield code="k">Zugriff im HSZG-Campusnetz. Zugriff von auβerhalb nur für HSZG-Angehörige.</subfield><subfield code="y">l01</subfield><subfield code="z">18-12-23</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2063</subfield><subfield code="1">01</subfield><subfield code="x">DE-951</subfield><subfield code="b">4086078872</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">eBook de Gruyter</subfield><subfield code="e">n</subfield><subfield code="j">n</subfield><subfield code="k">Elektronischer Volltext - Campuslizenz</subfield><subfield code="y">l01</subfield><subfield code="z">10-03-22</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2118</subfield><subfield code="1">01</subfield><subfield code="x">DE-Mh35</subfield><subfield code="b">4443571507</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">eBook de Gruyter</subfield><subfield code="e">--%%--</subfield><subfield code="j">n</subfield><subfield code="k">Elektronischer Volltext - Campuslizenz</subfield><subfield code="y">l01</subfield><subfield code="z">23-12-23</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">21</subfield><subfield code="1">01</subfield><subfield code="x">0046</subfield><subfield code="r">https://www.degruyter.com/isbn/9780674273702</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">22</subfield><subfield code="1">01</subfield><subfield code="x">0018</subfield><subfield code="y">Volltextzugang Campus</subfield><subfield code="r">https://www.degruyter.com/isbn/9780674273702</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">22</subfield><subfield code="1">01</subfield><subfield code="x">0018</subfield><subfield code="y">Volltextzugang von außerhalb des Campus</subfield><subfield code="r">http://emedien.sub.uni-hamburg.de/han/degruyterebooks/www.degruyter.com/isbn/9780674273702</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">23</subfield><subfield code="1">01</subfield><subfield code="x">0830</subfield><subfield code="y">E-books (deGruyter)</subfield><subfield code="r">https://www.degruyter.com/isbn/9780674273702</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">24</subfield><subfield code="1">01</subfield><subfield code="x">0008</subfield><subfield code="r">https://doi.org/10.4159/9780674273702?locatt=mode:legacy</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">31</subfield><subfield code="1">01</subfield><subfield code="x">0027</subfield><subfield code="r">https://www.degruyter.com/isbn/9780674273702</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">34</subfield><subfield code="1">01</subfield><subfield code="x">3551</subfield><subfield code="r">https://doi.org/10.4159/9780674273702?locatt=mode:legacy</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">65</subfield><subfield code="1">01</subfield><subfield code="x">0003</subfield><subfield code="r">https://www.degruyter.com/isbn/9780674273702</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">69</subfield><subfield code="1">01</subfield><subfield code="x">0009</subfield><subfield code="r">https://doi.org/10.4159/9780674273702?locatt=mode:legacy</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">72</subfield><subfield code="1">01</subfield><subfield code="x">0035</subfield><subfield code="r">http://hanproxy.gwlb.de/han/degruyter/www.degruyter.com/isbn/9780674273702</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">90</subfield><subfield code="1">01</subfield><subfield code="x">3090</subfield><subfield code="r">https://doi.org/10.4159/9780674273702?locatt=mode:legacy</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">110</subfield><subfield code="1">01</subfield><subfield code="x">3110</subfield><subfield code="r">https://doi.org/10.4159/9780674273702?locatt=mode:legacy</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">120</subfield><subfield code="1">01</subfield><subfield code="x">0715</subfield><subfield code="r">http://49gbv-uob-primo.hosted.exlibrisgroup.com/openurl/49GBV_UOB/UOB_services_page?u.ignore_date_coverage=true&rft.mms_id=991015749785503501</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">122</subfield><subfield code="1">01</subfield><subfield code="x">0897</subfield><subfield code="r">https://www.degruyter.com/isbn/9780674273702</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">130</subfield><subfield code="1">01</subfield><subfield code="x">0700</subfield><subfield code="r">https://www.degruyter.com/isbn/9780674273702</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">140</subfield><subfield code="1">01</subfield><subfield code="x">0839</subfield><subfield code="r">https://www.degruyter.com/isbn/9780674273702</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">147</subfield><subfield code="1">01</subfield><subfield code="x">3528</subfield><subfield code="r">https://www.degruyter.com/isbn/9780674273702</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">264</subfield><subfield code="1">01</subfield><subfield code="x">3264</subfield><subfield code="r">https://www.degruyter.com/isbn/9780674273702</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">370</subfield><subfield code="1">01</subfield><subfield code="x">4370</subfield><subfield code="y">E-Book: Zugriff im HCU-Netz. 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abstract	Frontmatter -- Contents -- Preface -- Acknowledgments -- Introduction -- John Gower (1330?-1408) from Confessio Amantis -- William Langland (1330?-1386?) from The Vision of Piers Plowman -- Geoffrey Chaucer (1343?-1400) from The Canterbury Tales -- Thomas Hoccleve (1367?-1426) from La Male Regle de T. Hoccleue -- John Lydgate (1370?-1449/50) from King Henry VI's Triumphal Entry into London -- Anon. (15th century) London Lickpenny -- John Skelton (1460?-1529) from Collyn Clout -- Anon. (1500?) "London, thou art of townes A per se" -- Sir Thomas Wyatt (1503-1542) "Tagus, farewell, that westward with thy streams" -- "Who list his wealth and ease retain" -- Henry Howard, Earl of Surrey (1517?-1547) "London, hast thou accusèd me" -- Anne Askew (1521-1546) The Ballad Which Anne Askew Made and Sang When She Was in Newgate -- George Turberville (1544?-1597?) The Lover to the Thames of London, to Favour His Lady Passing Thereon -- Isabella Whitney (1548?-?) The Manner of Her Will, and What She Left to London and to All Those in It, at Her Departing -- Edmund Spenser (1552?-1599) Prothalamion -- George Peele (1556-1596) from King Edward the First -- Chidiock Tichborne (1558?-1586) Tichborne's Elegy -- Michael Drayton (1563-1631) from Poly-Olbion -- William Shakespeare (1564-1616) from Henry VI, Part II -- from Henry V -- from Henry VIII -- Thomas Nashe (1567?-1601) from Summer's Last Will and Testament -- Everard Guilpin (1572?-?) from Skialetheia -- Ben Jonson (1572?-1637) from The Devil Is an Ass -- On the Famous Voyage -- John Donne (1572-1631) Satire 1 -- To Mr. E. G. -- Epithalamion Made at Lincoln's Inn -- Satire 4 -- Twickenham Garden -- John Taylor (1580-1653) from The Sculler -- from Sir Gregory Nonsense's News from No Place -- Philip Massinger (1583-1640) from The City Madam -- Francis Beaumont (1584-1616) and John Fletcher (1579-1625) from The Knight of the Burning Pestle -- Francis Beaumont (1584-1616) Letter to Ben Jonson -- On the Tombs in Westminster Abbey -- Thomas Freeman (1590?-1630?) from London's Progress -- W. Turner (?) from Turner's Dish of Lenten Stuff, or a Gallimaufry -- Abraham Holland (?-1626) from London, Look Back -- Robert Herrick (1591-1674) An Ode for Him [Ben Jonson] -- His Return to London -- His Tears to Thamasis -- Anon. (1640s, pub. 1662) London Sad London: An Echo -- Edmund Waller (1606-1687) On the Statue of King Charles I at Charing Cross -- On St. James's Park, As Lately Improved by His Majesty -- John Milton (1608-1674) When the Assault Was Intended to the City -- Sir John Suckling (1609-1642) A Ballad upon a Wedding -- Thomas Jordan (1612?-1685) from The Cheaters Cheated -- from The Triumphs of London -- A Song Sung at the Lord Mayor's Table in Honour of the City and the Goldsmiths Company -- Sir John Denham (1615-1669) from Cooper's Hill -- Abraham Cowley (1618-1667) from The Civil War -- Richard Lovelace (1618-1657/8) To Althea, from Prison: Song -- Simon Ford (1619?-1699) from London's Resurrection -- Henry Vaughan (1621-1695) A Rhapsody -- Anon. (17th century) The Cries of London -- Andrew Marvell (1621-1678) An Horatian Ode upon Cromwell's Return from Ireland -- John Dryden (1631-1700) from Annus Mirabilis -- from MacFlecknoe -- Anon. (pub. 1680) In the Fields of Lincoln's Inn -- John Wilmot, Earl of Rochester (1647-1680) from A Letter from Artemisa in the Town to Chloe in the Country -- Song ("Quoth the Duchess of Cleveland to Counselor Knight") -- A Ramble in St. James's Park -- John Oldham (1653-1683) from A Satire in Imitation of the Third of Juvenal -- Anon. (1684) A Winter Wonder; or, the Thames Frozen Over, with Remarks on the Resort There -- Anon. (1684) from The Wonders of the Deep -- Pierre Antoine Motteux (1660-1718) A Song -- Jonathan Swift (1667-1745) A Description of the Morning -- A Description of a City Shower -- Clever Tom Clinch -- A Beautiful Young Nymph Going to Bed -- from On Poetry: A Rhapsody -- John Gay (1685-1732) from Trivia: or, The Art of Walking the Streets of London -- from The Beggar's Opera -- Anon. (pub. 1719) The Fair Lass of Islington -- Alexander Pope (1688-1744) The Alley. An Imitation of Spenser -- A Farewell to London in the Year 1715 -- Epistle to Miss Blount, on her Leaving the Town, after the Coronation -- from The Dunciad -- Lady Mary Wortley Montagu (1689-1762) from Six Town Eclogues -- Elizabeth Tollet (1694-1754) On the Prospect from Westminster Bridge, March 1750 -- John Bancks (1709-1751) A Description of London -- Anon. (1739) Hail, London! -- Samuel Johnson (1709-1784) from London -- Nursery Rhymes (pub. 18th-19th centuries) London Bridge -- Oranges and Lemons -- "Pussy cat, pussy cat, where have you been?" -- "Poussie, poussie, baudrons" -- "Up at Piccadilly oh!" -- "See-saw, sacradown" -- "Upon Paul's steeple stands a tree" -- "As I was going o'er London Bridge" -- "As I was going o'er London Bridge" -- "I had a little hobby horse, it was well shod" -- Pop Goes the Weasel -- William Whitehead (1715-1785) The Sweepers -- Oliver Goldsmith (1729-1774) Description of an Author's Bedchamber -- William Cowper (1731-1800) from The Task -- Charles Jenner (1736-1774) from Town Eclogues -- Anna Letitia Barbauld (1743-1825) Song for the London Volunteers -- West End Fair -- Charles Dibdin (1745?-1814) The Jolly Young Waterman -- Poll of Wapping -- Hannah More (1745-1833) from The Gin-Shop; or, A Peep into Prison -- Mary Robinson (1757-1800) London's Summer Morning -- William Blake (1757-1827) Holy Thursday -- The Chimney Sweeper -- London -- from Jerusalem -- Joanna Baillie (1762-1851) London -- William Wordsworth (1770-1850) The Farmer of Tilsbury Vale -- The Reverie of Poor Susan -- Composed Upon Westminster Bridge, September 3, 1802 -- from The Prelude -- James Smith (1775-1839) and Horace Smith (1779-1849) from Horace in London -- Leigh Hunt (1784-1859) To Hampstead -- Description of Hampstead -- Lord Byron (1788-1824) from Childe Harold's Pilgrimage -- from Don Juan -- Percy Bysshe Shelley (1792-1822) from Letter to Maria Gisborne -- from Peter Bell the Third -- John Hamilton Reynolds (1794-1852) Sonnet -- John Keats (1795-1821) "To one who has been long in city pent" -- On Seeing the Elgin Marbles -- Lines on the Mermaid Tavern -- Thomas Hood (1799-1845) Moral Reflections on the Cross of St. Paul's -- The Lord Mayor's Show -- Sonnet to Vauxhall -- The Workhouse Clock: An Allegory -- Letitia Elizabeth Landon (1802-1838) Scenes in London: Piccadilly -- Winthrop Mackworth Praed (1802-1839) Goodnight to the Season -- Elizabeth Barrett Browning (1806-1861) from Aurora Leigh -- Alfred, Lord Tennyson (1809-1892) from In Memoriam -- from Ode on the Death of the Duke of Wellington -- Cleopatra's Needle -- Anon. (1851) Have You Been to the Crystal Palace? -- Robert Browning (1812-1889) from Waring -- Edward Lear (1812-1888) There Was an Old Person of Putney -- There Was an Old Man of Blackheath -- There Was a Young Person of Kew -- There Was an Old Person of Bow -- There Was a Young Lady of Greenwich -- There Was an Old Person of Ealing -- There Was an Old Person of Bromley -- There Was an Old Person of Sheen -- There Was an Old Man of Thames Ditton -- Arthur Hugh Clough (1819-1861) To the Great Metropolis -- In the Great Metropolis -- "Blessed are those who have not seen" -- "Ye flags of Piccadilly" -- Anon. (19th century) from The Cries of London -- George Eliot (1819-1880) In a London Drawingroom -- Anon. (1869) Strike of the London Cabmen -- Frederick Locker-Lampson (1821-1895) St. James's Street -- Matthew Arnold (1822-1888) Lines Written in Kensington Gardens -- West London -- East London -- Dante Gabriel Rossetti (1828-1882) Tiber, Nile, and Thames -- Coventry Patmore (1823-1896) A London Fête -- James Thomson (1834-1882) from Sunday at Hampstead -- Henry S. Leigh (1837-1883) A Cockney's Evening Song -- Anon. (1893) Bloomsbury -- Austin Dobson (1840-1921) A New Song of the Spring Garden -- Thomas Hardy (1840-1928) Beyond the Last Lamp -- The Coronation -- In the British Museum -- In St. Paul's a While Ago -- Coming Up Oxford Street: Evening -- A Refusal -- To a Tree in London -- Christmas in the Elgin Room -- W. H. Hudson (1841-1922) To a London Sparrow -- Robert Bridges (1844-1930) London Snow -- Trafalgar Square -- W. E. Henley (1849-1903) from London Voluntaries -- from London Types -- Oscar Wilde (1854-1900) Impression du Matin -- John Davidson (1857-1909) London -- Thirty Bob a Week -- In the Isle of Dogs -- Fog -- from The Thames Embankment -- A. E. Housman (1859-1936) "From the wash the laundress sends" -- Mary E. Coleridge (1861-1907) In London Town -- Amy Levy (1861-1889) A March Day in London -- Straw in the Street -- London Poets -- Rudyard Kipling (1865-1936) In Partibus -- The River's Tale -- London Stone -- The Craftsman -- from Epitaphs of the War -- Arthur Symons (1865-1945) from London Nights -- from Décor de Théâtre -- London -- W. B. Yeats (1865-1939) from Vacillation -- Lionel Johnson (1867-1902) London Town -- By the Statue of King Charles at Charing Cross -- Charlotte Mew (1869-1928) In Nunhead Cemetery -- Laurence Binyon (1869-1943) As I Walked Through London -- T. E. Hulme (1883-1917) The Embankment -- Ezra Pound (1885-1972) -- D. H. Lawrence (1885-1930) -- Frances Cornford (1886-1960) -- Siegfried Sassoon (1886-1967) Monody on the Demolition of Devonshire House -- T. S. Eliot (1888-1965) -- Isaac Rosenberg (1890-1918) Fleet Street -- Richard Aldington (1892-1962) -- Wilfred Owen (1893-1918) "I am the ghost of Shadwell Stair" -- Sylvia Townsend Warner (1893-1978) -- John Rodker (1894-1955) -- Robert Graves (1895-1985) Armistice Day, 1918 -- A. S. J. Tessimond (1902-1962) -- Stevie Smith (1902-1971) Suburb -- William Empson (1906-1984) Homage to the British Museum -- John Betjeman (1906-1984) -- Louis MacNeice (1907-1963) -- Stephen Spender (1909-1995) -- Bernard Spencer (1909-1963) -- Mervyn Peake (1911-1968) London Buses -- Kenneth Allott (1912-1973) Memento Mori -- Roy Fuller (1912-1991) -- Anne Ridler (1912-2001) Wentworth Place: Keats Grove -- George Barker (1913-1991) Kew Gardens -- Alun Lewis (1915-1944) Westminster Abbey -- Robert Lowell (1917-1977) -- Nicholas Moore (1918-1986) Monmouth Street -- John Heath-Stubbs (1918-2006) -- W. S. Graham (1918-1986) The Night City -- Muriel Spark (1918-2006) from A Tour of London -- Keith Douglas (1920-1944) from The "Bête Noire" Fragments -- D. J. Enright - Ahren Warner (1986-) -- Credits und Index Called "the flour of Cities all," London has long been understood through the poetry it has inspired. Now poet Mark Ford has assembled the most capacious and wide-ranging anthology of poems about London to date, from Chaucer to Wordsworth to the present day, providing a chronological tour of urban life and of English literature. Nearly all of the major poets of British literature have left some poetic record of London: Chaucer, Spenser, Shakespeare, Donne, Milton, Dryden, Pope, Johnson, Wordsworth, Keats, Byron, and T. S. Eliot. Ford goes well beyond these figures, however, to gather significant verse of all kinds, from Jacobean city comedies to nursery rhymes, from topical satire to anonymous ballads. The result is a cultural history of the city in verse, one that represents all classes of London's population over some seven centuries, mingling the high and low, the elegant and the salacious, the courtly and the street smart. Many of the poems respond to large events in the city's history-the beheading of Charles I, the Great Fire, the Blitz-but the majority reflect the quieter routines and anxieties of everyday life through the centuries. Ford's selections are arranged chronologically, thus preserving a sense of the strata of the capital's history. An introductory essay by the poet explores in detail the cultural, political, and aesthetic significance of the verse inspired by this great city. The result is a volume as rich and vibrant and diverse as London itself
abstractGer	Frontmatter -- Contents -- Preface -- Acknowledgments -- Introduction -- John Gower (1330?-1408) from Confessio Amantis -- William Langland (1330?-1386?) from The Vision of Piers Plowman -- Geoffrey Chaucer (1343?-1400) from The Canterbury Tales -- Thomas Hoccleve (1367?-1426) from La Male Regle de T. Hoccleue -- John Lydgate (1370?-1449/50) from King Henry VI's Triumphal Entry into London -- Anon. (15th century) London Lickpenny -- John Skelton (1460?-1529) from Collyn Clout -- Anon. (1500?) "London, thou art of townes A per se" -- Sir Thomas Wyatt (1503-1542) "Tagus, farewell, that westward with thy streams" -- "Who list his wealth and ease retain" -- Henry Howard, Earl of Surrey (1517?-1547) "London, hast thou accusèd me" -- Anne Askew (1521-1546) The Ballad Which Anne Askew Made and Sang When She Was in Newgate -- George Turberville (1544?-1597?) The Lover to the Thames of London, to Favour His Lady Passing Thereon -- Isabella Whitney (1548?-?) The Manner of Her Will, and What She Left to London and to All Those in It, at Her Departing -- Edmund Spenser (1552?-1599) Prothalamion -- George Peele (1556-1596) from King Edward the First -- Chidiock Tichborne (1558?-1586) Tichborne's Elegy -- Michael Drayton (1563-1631) from Poly-Olbion -- William Shakespeare (1564-1616) from Henry VI, Part II -- from Henry V -- from Henry VIII -- Thomas Nashe (1567?-1601) from Summer's Last Will and Testament -- Everard Guilpin (1572?-?) from Skialetheia -- Ben Jonson (1572?-1637) from The Devil Is an Ass -- On the Famous Voyage -- John Donne (1572-1631) Satire 1 -- To Mr. E. G. -- Epithalamion Made at Lincoln's Inn -- Satire 4 -- Twickenham Garden -- John Taylor (1580-1653) from The Sculler -- from Sir Gregory Nonsense's News from No Place -- Philip Massinger (1583-1640) from The City Madam -- Francis Beaumont (1584-1616) and John Fletcher (1579-1625) from The Knight of the Burning Pestle -- Francis Beaumont (1584-1616) Letter to Ben Jonson -- On the Tombs in Westminster Abbey -- Thomas Freeman (1590?-1630?) from London's Progress -- W. Turner (?) from Turner's Dish of Lenten Stuff, or a Gallimaufry -- Abraham Holland (?-1626) from London, Look Back -- Robert Herrick (1591-1674) An Ode for Him [Ben Jonson] -- His Return to London -- His Tears to Thamasis -- Anon. (1640s, pub. 1662) London Sad London: An Echo -- Edmund Waller (1606-1687) On the Statue of King Charles I at Charing Cross -- On St. James's Park, As Lately Improved by His Majesty -- John Milton (1608-1674) When the Assault Was Intended to the City -- Sir John Suckling (1609-1642) A Ballad upon a Wedding -- Thomas Jordan (1612?-1685) from The Cheaters Cheated -- from The Triumphs of London -- A Song Sung at the Lord Mayor's Table in Honour of the City and the Goldsmiths Company -- Sir John Denham (1615-1669) from Cooper's Hill -- Abraham Cowley (1618-1667) from The Civil War -- Richard Lovelace (1618-1657/8) To Althea, from Prison: Song -- Simon Ford (1619?-1699) from London's Resurrection -- Henry Vaughan (1621-1695) A Rhapsody -- Anon. (17th century) The Cries of London -- Andrew Marvell (1621-1678) An Horatian Ode upon Cromwell's Return from Ireland -- John Dryden (1631-1700) from Annus Mirabilis -- from MacFlecknoe -- Anon. (pub. 1680) In the Fields of Lincoln's Inn -- John Wilmot, Earl of Rochester (1647-1680) from A Letter from Artemisa in the Town to Chloe in the Country -- Song ("Quoth the Duchess of Cleveland to Counselor Knight") -- A Ramble in St. James's Park -- John Oldham (1653-1683) from A Satire in Imitation of the Third of Juvenal -- Anon. (1684) A Winter Wonder; or, the Thames Frozen Over, with Remarks on the Resort There -- Anon. (1684) from The Wonders of the Deep -- Pierre Antoine Motteux (1660-1718) A Song -- Jonathan Swift (1667-1745) A Description of the Morning -- A Description of a City Shower -- Clever Tom Clinch -- A Beautiful Young Nymph Going to Bed -- from On Poetry: A Rhapsody -- John Gay (1685-1732) from Trivia: or, The Art of Walking the Streets of London -- from The Beggar's Opera -- Anon. (pub. 1719) The Fair Lass of Islington -- Alexander Pope (1688-1744) The Alley. An Imitation of Spenser -- A Farewell to London in the Year 1715 -- Epistle to Miss Blount, on her Leaving the Town, after the Coronation -- from The Dunciad -- Lady Mary Wortley Montagu (1689-1762) from Six Town Eclogues -- Elizabeth Tollet (1694-1754) On the Prospect from Westminster Bridge, March 1750 -- John Bancks (1709-1751) A Description of London -- Anon. (1739) Hail, London! -- Samuel Johnson (1709-1784) from London -- Nursery Rhymes (pub. 18th-19th centuries) London Bridge -- Oranges and Lemons -- "Pussy cat, pussy cat, where have you been?" -- "Poussie, poussie, baudrons" -- "Up at Piccadilly oh!" -- "See-saw, sacradown" -- "Upon Paul's steeple stands a tree" -- "As I was going o'er London Bridge" -- "As I was going o'er London Bridge" -- "I had a little hobby horse, it was well shod" -- Pop Goes the Weasel -- William Whitehead (1715-1785) The Sweepers -- Oliver Goldsmith (1729-1774) Description of an Author's Bedchamber -- William Cowper (1731-1800) from The Task -- Charles Jenner (1736-1774) from Town Eclogues -- Anna Letitia Barbauld (1743-1825) Song for the London Volunteers -- West End Fair -- Charles Dibdin (1745?-1814) The Jolly Young Waterman -- Poll of Wapping -- Hannah More (1745-1833) from The Gin-Shop; or, A Peep into Prison -- Mary Robinson (1757-1800) London's Summer Morning -- William Blake (1757-1827) Holy Thursday -- The Chimney Sweeper -- London -- from Jerusalem -- Joanna Baillie (1762-1851) London -- William Wordsworth (1770-1850) The Farmer of Tilsbury Vale -- The Reverie of Poor Susan -- Composed Upon Westminster Bridge, September 3, 1802 -- from The Prelude -- James Smith (1775-1839) and Horace Smith (1779-1849) from Horace in London -- Leigh Hunt (1784-1859) To Hampstead -- Description of Hampstead -- Lord Byron (1788-1824) from Childe Harold's Pilgrimage -- from Don Juan -- Percy Bysshe Shelley (1792-1822) from Letter to Maria Gisborne -- from Peter Bell the Third -- John Hamilton Reynolds (1794-1852) Sonnet -- John Keats (1795-1821) "To one who has been long in city pent" -- On Seeing the Elgin Marbles -- Lines on the Mermaid Tavern -- Thomas Hood (1799-1845) Moral Reflections on the Cross of St. Paul's -- The Lord Mayor's Show -- Sonnet to Vauxhall -- The Workhouse Clock: An Allegory -- Letitia Elizabeth Landon (1802-1838) Scenes in London: Piccadilly -- Winthrop Mackworth Praed (1802-1839) Goodnight to the Season -- Elizabeth Barrett Browning (1806-1861) from Aurora Leigh -- Alfred, Lord Tennyson (1809-1892) from In Memoriam -- from Ode on the Death of the Duke of Wellington -- Cleopatra's Needle -- Anon. (1851) Have You Been to the Crystal Palace? -- Robert Browning (1812-1889) from Waring -- Edward Lear (1812-1888) There Was an Old Person of Putney -- There Was an Old Man of Blackheath -- There Was a Young Person of Kew -- There Was an Old Person of Bow -- There Was a Young Lady of Greenwich -- There Was an Old Person of Ealing -- There Was an Old Person of Bromley -- There Was an Old Person of Sheen -- There Was an Old Man of Thames Ditton -- Arthur Hugh Clough (1819-1861) To the Great Metropolis -- In the Great Metropolis -- "Blessed are those who have not seen" -- "Ye flags of Piccadilly" -- Anon. (19th century) from The Cries of London -- George Eliot (1819-1880) In a London Drawingroom -- Anon. (1869) Strike of the London Cabmen -- Frederick Locker-Lampson (1821-1895) St. James's Street -- Matthew Arnold (1822-1888) Lines Written in Kensington Gardens -- West London -- East London -- Dante Gabriel Rossetti (1828-1882) Tiber, Nile, and Thames -- Coventry Patmore (1823-1896) A London Fête -- James Thomson (1834-1882) from Sunday at Hampstead -- Henry S. Leigh (1837-1883) A Cockney's Evening Song -- Anon. (1893) Bloomsbury -- Austin Dobson (1840-1921) A New Song of the Spring Garden -- Thomas Hardy (1840-1928) Beyond the Last Lamp -- The Coronation -- In the British Museum -- In St. Paul's a While Ago -- Coming Up Oxford Street: Evening -- A Refusal -- To a Tree in London -- Christmas in the Elgin Room -- W. H. Hudson (1841-1922) To a London Sparrow -- Robert Bridges (1844-1930) London Snow -- Trafalgar Square -- W. E. Henley (1849-1903) from London Voluntaries -- from London Types -- Oscar Wilde (1854-1900) Impression du Matin -- John Davidson (1857-1909) London -- Thirty Bob a Week -- In the Isle of Dogs -- Fog -- from The Thames Embankment -- A. E. Housman (1859-1936) "From the wash the laundress sends" -- Mary E. Coleridge (1861-1907) In London Town -- Amy Levy (1861-1889) A March Day in London -- Straw in the Street -- London Poets -- Rudyard Kipling (1865-1936) In Partibus -- The River's Tale -- London Stone -- The Craftsman -- from Epitaphs of the War -- Arthur Symons (1865-1945) from London Nights -- from Décor de Théâtre -- London -- W. B. Yeats (1865-1939) from Vacillation -- Lionel Johnson (1867-1902) London Town -- By the Statue of King Charles at Charing Cross -- Charlotte Mew (1869-1928) In Nunhead Cemetery -- Laurence Binyon (1869-1943) As I Walked Through London -- T. E. Hulme (1883-1917) The Embankment -- Ezra Pound (1885-1972) -- D. H. Lawrence (1885-1930) -- Frances Cornford (1886-1960) -- Siegfried Sassoon (1886-1967) Monody on the Demolition of Devonshire House -- T. S. Eliot (1888-1965) -- Isaac Rosenberg (1890-1918) Fleet Street -- Richard Aldington (1892-1962) -- Wilfred Owen (1893-1918) "I am the ghost of Shadwell Stair" -- Sylvia Townsend Warner (1893-1978) -- John Rodker (1894-1955) -- Robert Graves (1895-1985) Armistice Day, 1918 -- A. S. J. Tessimond (1902-1962) -- Stevie Smith (1902-1971) Suburb -- William Empson (1906-1984) Homage to the British Museum -- John Betjeman (1906-1984) -- Louis MacNeice (1907-1963) -- Stephen Spender (1909-1995) -- Bernard Spencer (1909-1963) -- Mervyn Peake (1911-1968) London Buses -- Kenneth Allott (1912-1973) Memento Mori -- Roy Fuller (1912-1991) -- Anne Ridler (1912-2001) Wentworth Place: Keats Grove -- George Barker (1913-1991) Kew Gardens -- Alun Lewis (1915-1944) Westminster Abbey -- Robert Lowell (1917-1977) -- Nicholas Moore (1918-1986) Monmouth Street -- John Heath-Stubbs (1918-2006) -- W. S. Graham (1918-1986) The Night City -- Muriel Spark (1918-2006) from A Tour of London -- Keith Douglas (1920-1944) from The "Bête Noire" Fragments -- D. J. Enright - Ahren Warner (1986-) -- Credits und Index Called "the flour of Cities all," London has long been understood through the poetry it has inspired. Now poet Mark Ford has assembled the most capacious and wide-ranging anthology of poems about London to date, from Chaucer to Wordsworth to the present day, providing a chronological tour of urban life and of English literature. Nearly all of the major poets of British literature have left some poetic record of London: Chaucer, Spenser, Shakespeare, Donne, Milton, Dryden, Pope, Johnson, Wordsworth, Keats, Byron, and T. S. Eliot. Ford goes well beyond these figures, however, to gather significant verse of all kinds, from Jacobean city comedies to nursery rhymes, from topical satire to anonymous ballads. The result is a cultural history of the city in verse, one that represents all classes of London's population over some seven centuries, mingling the high and low, the elegant and the salacious, the courtly and the street smart. Many of the poems respond to large events in the city's history-the beheading of Charles I, the Great Fire, the Blitz-but the majority reflect the quieter routines and anxieties of everyday life through the centuries. Ford's selections are arranged chronologically, thus preserving a sense of the strata of the capital's history. An introductory essay by the poet explores in detail the cultural, political, and aesthetic significance of the verse inspired by this great city. The result is a volume as rich and vibrant and diverse as London itself
abstract_unstemmed	Frontmatter -- Contents -- Preface -- Acknowledgments -- Introduction -- John Gower (1330?-1408) from Confessio Amantis -- William Langland (1330?-1386?) from The Vision of Piers Plowman -- Geoffrey Chaucer (1343?-1400) from The Canterbury Tales -- Thomas Hoccleve (1367?-1426) from La Male Regle de T. Hoccleue -- John Lydgate (1370?-1449/50) from King Henry VI's Triumphal Entry into London -- Anon. (15th century) London Lickpenny -- John Skelton (1460?-1529) from Collyn Clout -- Anon. (1500?) "London, thou art of townes A per se" -- Sir Thomas Wyatt (1503-1542) "Tagus, farewell, that westward with thy streams" -- "Who list his wealth and ease retain" -- Henry Howard, Earl of Surrey (1517?-1547) "London, hast thou accusèd me" -- Anne Askew (1521-1546) The Ballad Which Anne Askew Made and Sang When She Was in Newgate -- George Turberville (1544?-1597?) The Lover to the Thames of London, to Favour His Lady Passing Thereon -- Isabella Whitney (1548?-?) The Manner of Her Will, and What She Left to London and to All Those in It, at Her Departing -- Edmund Spenser (1552?-1599) Prothalamion -- George Peele (1556-1596) from King Edward the First -- Chidiock Tichborne (1558?-1586) Tichborne's Elegy -- Michael Drayton (1563-1631) from Poly-Olbion -- William Shakespeare (1564-1616) from Henry VI, Part II -- from Henry V -- from Henry VIII -- Thomas Nashe (1567?-1601) from Summer's Last Will and Testament -- Everard Guilpin (1572?-?) from Skialetheia -- Ben Jonson (1572?-1637) from The Devil Is an Ass -- On the Famous Voyage -- John Donne (1572-1631) Satire 1 -- To Mr. E. G. -- Epithalamion Made at Lincoln's Inn -- Satire 4 -- Twickenham Garden -- John Taylor (1580-1653) from The Sculler -- from Sir Gregory Nonsense's News from No Place -- Philip Massinger (1583-1640) from The City Madam -- Francis Beaumont (1584-1616) and John Fletcher (1579-1625) from The Knight of the Burning Pestle -- Francis Beaumont (1584-1616) Letter to Ben Jonson -- On the Tombs in Westminster Abbey -- Thomas Freeman (1590?-1630?) from London's Progress -- W. Turner (?) from Turner's Dish of Lenten Stuff, or a Gallimaufry -- Abraham Holland (?-1626) from London, Look Back -- Robert Herrick (1591-1674) An Ode for Him [Ben Jonson] -- His Return to London -- His Tears to Thamasis -- Anon. (1640s, pub. 1662) London Sad London: An Echo -- Edmund Waller (1606-1687) On the Statue of King Charles I at Charing Cross -- On St. James's Park, As Lately Improved by His Majesty -- John Milton (1608-1674) When the Assault Was Intended to the City -- Sir John Suckling (1609-1642) A Ballad upon a Wedding -- Thomas Jordan (1612?-1685) from The Cheaters Cheated -- from The Triumphs of London -- A Song Sung at the Lord Mayor's Table in Honour of the City and the Goldsmiths Company -- Sir John Denham (1615-1669) from Cooper's Hill -- Abraham Cowley (1618-1667) from The Civil War -- Richard Lovelace (1618-1657/8) To Althea, from Prison: Song -- Simon Ford (1619?-1699) from London's Resurrection -- Henry Vaughan (1621-1695) A Rhapsody -- Anon. (17th century) The Cries of London -- Andrew Marvell (1621-1678) An Horatian Ode upon Cromwell's Return from Ireland -- John Dryden (1631-1700) from Annus Mirabilis -- from MacFlecknoe -- Anon. (pub. 1680) In the Fields of Lincoln's Inn -- John Wilmot, Earl of Rochester (1647-1680) from A Letter from Artemisa in the Town to Chloe in the Country -- Song ("Quoth the Duchess of Cleveland to Counselor Knight") -- A Ramble in St. James's Park -- John Oldham (1653-1683) from A Satire in Imitation of the Third of Juvenal -- Anon. (1684) A Winter Wonder; or, the Thames Frozen Over, with Remarks on the Resort There -- Anon. (1684) from The Wonders of the Deep -- Pierre Antoine Motteux (1660-1718) A Song -- Jonathan Swift (1667-1745) A Description of the Morning -- A Description of a City Shower -- Clever Tom Clinch -- A Beautiful Young Nymph Going to Bed -- from On Poetry: A Rhapsody -- John Gay (1685-1732) from Trivia: or, The Art of Walking the Streets of London -- from The Beggar's Opera -- Anon. (pub. 1719) The Fair Lass of Islington -- Alexander Pope (1688-1744) The Alley. An Imitation of Spenser -- A Farewell to London in the Year 1715 -- Epistle to Miss Blount, on her Leaving the Town, after the Coronation -- from The Dunciad -- Lady Mary Wortley Montagu (1689-1762) from Six Town Eclogues -- Elizabeth Tollet (1694-1754) On the Prospect from Westminster Bridge, March 1750 -- John Bancks (1709-1751) A Description of London -- Anon. (1739) Hail, London! -- Samuel Johnson (1709-1784) from London -- Nursery Rhymes (pub. 18th-19th centuries) London Bridge -- Oranges and Lemons -- "Pussy cat, pussy cat, where have you been?" -- "Poussie, poussie, baudrons" -- "Up at Piccadilly oh!" -- "See-saw, sacradown" -- "Upon Paul's steeple stands a tree" -- "As I was going o'er London Bridge" -- "As I was going o'er London Bridge" -- "I had a little hobby horse, it was well shod" -- Pop Goes the Weasel -- William Whitehead (1715-1785) The Sweepers -- Oliver Goldsmith (1729-1774) Description of an Author's Bedchamber -- William Cowper (1731-1800) from The Task -- Charles Jenner (1736-1774) from Town Eclogues -- Anna Letitia Barbauld (1743-1825) Song for the London Volunteers -- West End Fair -- Charles Dibdin (1745?-1814) The Jolly Young Waterman -- Poll of Wapping -- Hannah More (1745-1833) from The Gin-Shop; or, A Peep into Prison -- Mary Robinson (1757-1800) London's Summer Morning -- William Blake (1757-1827) Holy Thursday -- The Chimney Sweeper -- London -- from Jerusalem -- Joanna Baillie (1762-1851) London -- William Wordsworth (1770-1850) The Farmer of Tilsbury Vale -- The Reverie of Poor Susan -- Composed Upon Westminster Bridge, September 3, 1802 -- from The Prelude -- James Smith (1775-1839) and Horace Smith (1779-1849) from Horace in London -- Leigh Hunt (1784-1859) To Hampstead -- Description of Hampstead -- Lord Byron (1788-1824) from Childe Harold's Pilgrimage -- from Don Juan -- Percy Bysshe Shelley (1792-1822) from Letter to Maria Gisborne -- from Peter Bell the Third -- John Hamilton Reynolds (1794-1852) Sonnet -- John Keats (1795-1821) "To one who has been long in city pent" -- On Seeing the Elgin Marbles -- Lines on the Mermaid Tavern -- Thomas Hood (1799-1845) Moral Reflections on the Cross of St. Paul's -- The Lord Mayor's Show -- Sonnet to Vauxhall -- The Workhouse Clock: An Allegory -- Letitia Elizabeth Landon (1802-1838) Scenes in London: Piccadilly -- Winthrop Mackworth Praed (1802-1839) Goodnight to the Season -- Elizabeth Barrett Browning (1806-1861) from Aurora Leigh -- Alfred, Lord Tennyson (1809-1892) from In Memoriam -- from Ode on the Death of the Duke of Wellington -- Cleopatra's Needle -- Anon. (1851) Have You Been to the Crystal Palace? -- Robert Browning (1812-1889) from Waring -- Edward Lear (1812-1888) There Was an Old Person of Putney -- There Was an Old Man of Blackheath -- There Was a Young Person of Kew -- There Was an Old Person of Bow -- There Was a Young Lady of Greenwich -- There Was an Old Person of Ealing -- There Was an Old Person of Bromley -- There Was an Old Person of Sheen -- There Was an Old Man of Thames Ditton -- Arthur Hugh Clough (1819-1861) To the Great Metropolis -- In the Great Metropolis -- "Blessed are those who have not seen" -- "Ye flags of Piccadilly" -- Anon. (19th century) from The Cries of London -- George Eliot (1819-1880) In a London Drawingroom -- Anon. (1869) Strike of the London Cabmen -- Frederick Locker-Lampson (1821-1895) St. James's Street -- Matthew Arnold (1822-1888) Lines Written in Kensington Gardens -- West London -- East London -- Dante Gabriel Rossetti (1828-1882) Tiber, Nile, and Thames -- Coventry Patmore (1823-1896) A London Fête -- James Thomson (1834-1882) from Sunday at Hampstead -- Henry S. Leigh (1837-1883) A Cockney's Evening Song -- Anon. (1893) Bloomsbury -- Austin Dobson (1840-1921) A New Song of the Spring Garden -- Thomas Hardy (1840-1928) Beyond the Last Lamp -- The Coronation -- In the British Museum -- In St. Paul's a While Ago -- Coming Up Oxford Street: Evening -- A Refusal -- To a Tree in London -- Christmas in the Elgin Room -- W. H. Hudson (1841-1922) To a London Sparrow -- Robert Bridges (1844-1930) London Snow -- Trafalgar Square -- W. E. Henley (1849-1903) from London Voluntaries -- from London Types -- Oscar Wilde (1854-1900) Impression du Matin -- John Davidson (1857-1909) London -- Thirty Bob a Week -- In the Isle of Dogs -- Fog -- from The Thames Embankment -- A. E. Housman (1859-1936) "From the wash the laundress sends" -- Mary E. Coleridge (1861-1907) In London Town -- Amy Levy (1861-1889) A March Day in London -- Straw in the Street -- London Poets -- Rudyard Kipling (1865-1936) In Partibus -- The River's Tale -- London Stone -- The Craftsman -- from Epitaphs of the War -- Arthur Symons (1865-1945) from London Nights -- from Décor de Théâtre -- London -- W. B. Yeats (1865-1939) from Vacillation -- Lionel Johnson (1867-1902) London Town -- By the Statue of King Charles at Charing Cross -- Charlotte Mew (1869-1928) In Nunhead Cemetery -- Laurence Binyon (1869-1943) As I Walked Through London -- T. E. Hulme (1883-1917) The Embankment -- Ezra Pound (1885-1972) -- D. H. Lawrence (1885-1930) -- Frances Cornford (1886-1960) -- Siegfried Sassoon (1886-1967) Monody on the Demolition of Devonshire House -- T. S. Eliot (1888-1965) -- Isaac Rosenberg (1890-1918) Fleet Street -- Richard Aldington (1892-1962) -- Wilfred Owen (1893-1918) "I am the ghost of Shadwell Stair" -- Sylvia Townsend Warner (1893-1978) -- John Rodker (1894-1955) -- Robert Graves (1895-1985) Armistice Day, 1918 -- A. S. J. Tessimond (1902-1962) -- Stevie Smith (1902-1971) Suburb -- William Empson (1906-1984) Homage to the British Museum -- John Betjeman (1906-1984) -- Louis MacNeice (1907-1963) -- Stephen Spender (1909-1995) -- Bernard Spencer (1909-1963) -- Mervyn Peake (1911-1968) London Buses -- Kenneth Allott (1912-1973) Memento Mori -- Roy Fuller (1912-1991) -- Anne Ridler (1912-2001) Wentworth Place: Keats Grove -- George Barker (1913-1991) Kew Gardens -- Alun Lewis (1915-1944) Westminster Abbey -- Robert Lowell (1917-1977) -- Nicholas Moore (1918-1986) Monmouth Street -- John Heath-Stubbs (1918-2006) -- W. S. Graham (1918-1986) The Night City -- Muriel Spark (1918-2006) from A Tour of London -- Keith Douglas (1920-1944) from The "Bête Noire" Fragments -- D. J. Enright - Ahren Warner (1986-) -- Credits und Index Called "the flour of Cities all," London has long been understood through the poetry it has inspired. Now poet Mark Ford has assembled the most capacious and wide-ranging anthology of poems about London to date, from Chaucer to Wordsworth to the present day, providing a chronological tour of urban life and of English literature. Nearly all of the major poets of British literature have left some poetic record of London: Chaucer, Spenser, Shakespeare, Donne, Milton, Dryden, Pope, Johnson, Wordsworth, Keats, Byron, and T. S. Eliot. Ford goes well beyond these figures, however, to gather significant verse of all kinds, from Jacobean city comedies to nursery rhymes, from topical satire to anonymous ballads. The result is a cultural history of the city in verse, one that represents all classes of London's population over some seven centuries, mingling the high and low, the elegant and the salacious, the courtly and the street smart. Many of the poems respond to large events in the city's history-the beheading of Charles I, the Great Fire, the Blitz-but the majority reflect the quieter routines and anxieties of everyday life through the centuries. Ford's selections are arranged chronologically, thus preserving a sense of the strata of the capital's history. An introductory essay by the poet explores in detail the cultural, political, and aesthetic significance of the verse inspired by this great city. The result is a volume as rich and vibrant and diverse as London itself
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title_short	London
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up_date	2024-10-19T04:57:47.864Z
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fullrecord_marcxml	<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01000cam a22002652 4500</leader><controlfield tag="001">1795220333</controlfield><controlfield tag="003">DE-627</controlfield><controlfield tag="005">20241002172435.0</controlfield><controlfield tag="007">cr uuu---uuuuu</controlfield><controlfield tag="008">220310s2015 xxu\|\|\|\|\|o 00\| \|\|eng c</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780674273702</subfield><subfield code="9">978-0-674-27370-2</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.4159/9780674273702</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-627)1795220333</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)KEP076916561</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-B1597)613879</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(EBP)076916561</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-627</subfield><subfield code="b">eng</subfield><subfield code="c">DE-627</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1=" " ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="c">XD-US</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">POE005020</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">London</subfield><subfield code="b">A History in Verse</subfield><subfield code="c">ed. by Mark Ford</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Cambridge, MA</subfield><subfield code="b">Harvard University Press</subfield><subfield code="c">[2015]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (784 p)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">Text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">Computermedien</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">Online-Ressource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="506" ind1="1" ind2=" "><subfield code="a">Restricted Access</subfield><subfield code="e">Controlled Vocabulary for Access Rights</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Frontmatter -- Contents -- Preface -- Acknowledgments -- Introduction -- John Gower (1330?-1408) from Confessio Amantis -- William Langland (1330?-1386?) from The Vision of Piers Plowman -- Geoffrey Chaucer (1343?-1400) from The Canterbury Tales -- Thomas Hoccleve (1367?-1426) from La Male Regle de T. Hoccleue -- John Lydgate (1370?-1449/50) from King Henry VI's Triumphal Entry into London -- Anon. (15th century) London Lickpenny -- John Skelton (1460?-1529) from Collyn Clout -- Anon. (1500?) "London, thou art of townes A per se" -- Sir Thomas Wyatt (1503-1542) "Tagus, farewell, that westward with thy streams" -- "Who list his wealth and ease retain" -- Henry Howard, Earl of Surrey (1517?-1547) "London, hast thou accusèd me" -- Anne Askew (1521-1546) The Ballad Which Anne Askew Made and Sang When She Was in Newgate -- George Turberville (1544?-1597?) The Lover to the Thames of London, to Favour His Lady Passing Thereon -- Isabella Whitney (1548?-?) The Manner of Her Will, and What She Left to London and to All Those in It, at Her Departing -- Edmund Spenser (1552?-1599) Prothalamion -- George Peele (1556-1596) from King Edward the First -- Chidiock Tichborne (1558?-1586) Tichborne's Elegy -- Michael Drayton (1563-1631) from Poly-Olbion -- William Shakespeare (1564-1616) from Henry VI, Part II -- from Henry V -- from Henry VIII -- Thomas Nashe (1567?-1601) from Summer's Last Will and Testament -- Everard Guilpin (1572?-?) from Skialetheia -- Ben Jonson (1572?-1637) from The Devil Is an Ass -- On the Famous Voyage -- John Donne (1572-1631) Satire 1 -- To Mr. E. G. -- Epithalamion Made at Lincoln's Inn -- Satire 4 -- Twickenham Garden -- John Taylor (1580-1653) from The Sculler -- from Sir Gregory Nonsense's News from No Place -- Philip Massinger (1583-1640) from The City Madam -- Francis Beaumont (1584-1616) and John Fletcher (1579-1625) from The Knight of the Burning Pestle -- Francis Beaumont (1584-1616) Letter to Ben Jonson -- On the Tombs in Westminster Abbey -- Thomas Freeman (1590?-1630?) from London's Progress -- W. Turner (?) from Turner's Dish of Lenten Stuff, or a Gallimaufry -- Abraham Holland (?-1626) from London, Look Back -- Robert Herrick (1591-1674) An Ode for Him [Ben Jonson] -- His Return to London -- His Tears to Thamasis -- Anon. (1640s, pub. 1662) London Sad London: An Echo -- Edmund Waller (1606-1687) On the Statue of King Charles I at Charing Cross -- On St. James's Park, As Lately Improved by His Majesty -- John Milton (1608-1674) When the Assault Was Intended to the City -- Sir John Suckling (1609-1642) A Ballad upon a Wedding -- Thomas Jordan (1612?-1685) from The Cheaters Cheated -- from The Triumphs of London -- A Song Sung at the Lord Mayor's Table in Honour of the City and the Goldsmiths Company -- Sir John Denham (1615-1669) from Cooper's Hill -- Abraham Cowley (1618-1667) from The Civil War -- Richard Lovelace (1618-1657/8) To Althea, from Prison: Song -- Simon Ford (1619?-1699) from London's Resurrection -- Henry Vaughan (1621-1695) A Rhapsody -- Anon. (17th century) The Cries of London -- Andrew Marvell (1621-1678) An Horatian Ode upon Cromwell's Return from Ireland -- John Dryden (1631-1700) from Annus Mirabilis -- from MacFlecknoe -- Anon. (pub. 1680) In the Fields of Lincoln's Inn -- John Wilmot, Earl of Rochester (1647-1680) from A Letter from Artemisa in the Town to Chloe in the Country -- Song ("Quoth the Duchess of Cleveland to Counselor Knight") -- A Ramble in St. James's Park -- John Oldham (1653-1683) from A Satire in Imitation of the Third of Juvenal -- Anon. (1684) A Winter Wonder; or, the Thames Frozen Over, with Remarks on the Resort There -- Anon. (1684) from The Wonders of the Deep -- Pierre Antoine Motteux (1660-1718) A Song -- Jonathan Swift (1667-1745) A Description of the Morning -- A Description of a City Shower -- Clever Tom Clinch -- A Beautiful Young Nymph Going to Bed -- from On Poetry: A Rhapsody -- John Gay (1685-1732) from Trivia: or, The Art of Walking the Streets of London -- from The Beggar's Opera -- Anon. (pub. 1719) The Fair Lass of Islington -- Alexander Pope (1688-1744) The Alley. An Imitation of Spenser -- A Farewell to London in the Year 1715 -- Epistle to Miss Blount, on her Leaving the Town, after the Coronation -- from The Dunciad -- Lady Mary Wortley Montagu (1689-1762) from Six Town Eclogues -- Elizabeth Tollet (1694-1754) On the Prospect from Westminster Bridge, March 1750 -- John Bancks (1709-1751) A Description of London -- Anon. (1739) Hail, London! -- Samuel Johnson (1709-1784) from London -- Nursery Rhymes (pub. 18th-19th centuries) London Bridge -- Oranges and Lemons -- "Pussy cat, pussy cat, where have you been?" -- "Poussie, poussie, baudrons" -- "Up at Piccadilly oh!" -- "See-saw, sacradown" -- "Upon Paul's steeple stands a tree" -- "As I was going o'er London Bridge" -- "As I was going o'er London Bridge" -- "I had a little hobby horse, it was well shod" -- Pop Goes the Weasel -- William Whitehead (1715-1785) The Sweepers -- Oliver Goldsmith (1729-1774) Description of an Author's Bedchamber -- William Cowper (1731-1800) from The Task -- Charles Jenner (1736-1774) from Town Eclogues -- Anna Letitia Barbauld (1743-1825) Song for the London Volunteers -- West End Fair -- Charles Dibdin (1745?-1814) The Jolly Young Waterman -- Poll of Wapping -- Hannah More (1745-1833) from The Gin-Shop; or, A Peep into Prison -- Mary Robinson (1757-1800) London's Summer Morning -- William Blake (1757-1827) Holy Thursday -- The Chimney Sweeper -- London -- from Jerusalem -- Joanna Baillie (1762-1851) London -- William Wordsworth (1770-1850) The Farmer of Tilsbury Vale -- The Reverie of Poor Susan -- Composed Upon Westminster Bridge, September 3, 1802 -- from The Prelude -- James Smith (1775-1839) and Horace Smith (1779-1849) from Horace in London -- Leigh Hunt (1784-1859) To Hampstead -- Description of Hampstead -- Lord Byron (1788-1824) from Childe Harold's Pilgrimage -- from Don Juan -- Percy Bysshe Shelley (1792-1822) from Letter to Maria Gisborne -- from Peter Bell the Third -- John Hamilton Reynolds (1794-1852) Sonnet -- John Keats (1795-1821) "To one who has been long in city pent" -- On Seeing the Elgin Marbles -- Lines on the Mermaid Tavern -- Thomas Hood (1799-1845) Moral Reflections on the Cross of St. Paul's -- The Lord Mayor's Show -- Sonnet to Vauxhall -- The Workhouse Clock: An Allegory -- Letitia Elizabeth Landon (1802-1838) Scenes in London: Piccadilly -- Winthrop Mackworth Praed (1802-1839) Goodnight to the Season -- Elizabeth Barrett Browning (1806-1861) from Aurora Leigh -- Alfred, Lord Tennyson (1809-1892) from In Memoriam -- from Ode on the Death of the Duke of Wellington -- Cleopatra's Needle -- Anon. (1851) Have You Been to the Crystal Palace? -- Robert Browning (1812-1889) from Waring -- Edward Lear (1812-1888) There Was an Old Person of Putney -- There Was an Old Man of Blackheath -- There Was a Young Person of Kew -- There Was an Old Person of Bow -- There Was a Young Lady of Greenwich -- There Was an Old Person of Ealing -- There Was an Old Person of Bromley -- There Was an Old Person of Sheen -- There Was an Old Man of Thames Ditton -- Arthur Hugh Clough (1819-1861) To the Great Metropolis -- In the Great Metropolis -- "Blessed are those who have not seen" -- "Ye flags of Piccadilly" -- Anon. (19th century) from The Cries of London -- George Eliot (1819-1880) In a London Drawingroom -- Anon. (1869) Strike of the London Cabmen -- Frederick Locker-Lampson (1821-1895) St. James's Street -- Matthew Arnold (1822-1888) Lines Written in Kensington Gardens -- West London -- East London -- Dante Gabriel Rossetti (1828-1882) Tiber, Nile, and Thames -- Coventry Patmore (1823-1896) A London Fête -- James Thomson (1834-1882) from Sunday at Hampstead -- Henry S. Leigh (1837-1883) A Cockney's Evening Song -- Anon.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">(1893) Bloomsbury -- Austin Dobson (1840-1921) A New Song of the Spring Garden -- Thomas Hardy (1840-1928) Beyond the Last Lamp -- The Coronation -- In the British Museum -- In St. Paul's a While Ago -- Coming Up Oxford Street: Evening -- A Refusal -- To a Tree in London -- Christmas in the Elgin Room -- W. H. Hudson (1841-1922) To a London Sparrow -- Robert Bridges (1844-1930) London Snow -- Trafalgar Square -- W. E. Henley (1849-1903) from London Voluntaries -- from London Types -- Oscar Wilde (1854-1900) Impression du Matin -- John Davidson (1857-1909) London -- Thirty Bob a Week -- In the Isle of Dogs -- Fog -- from The Thames Embankment -- A. E. Housman (1859-1936) "From the wash the laundress sends" -- Mary E. Coleridge (1861-1907) In London Town -- Amy Levy (1861-1889) A March Day in London -- Straw in the Street -- London Poets -- Rudyard Kipling (1865-1936) In Partibus -- The River's Tale -- London Stone -- The Craftsman -- from Epitaphs of the War -- Arthur Symons (1865-1945) from London Nights -- from Décor de Théâtre -- London -- W. B. Yeats (1865-1939) from Vacillation -- Lionel Johnson (1867-1902) London Town -- By the Statue of King Charles at Charing Cross -- Charlotte Mew (1869-1928) In Nunhead Cemetery -- Laurence Binyon (1869-1943) As I Walked Through London -- T. E. Hulme (1883-1917) The Embankment -- Ezra Pound (1885-1972) -- D. H. Lawrence (1885-1930) -- Frances Cornford (1886-1960) -- Siegfried Sassoon (1886-1967) Monody on the Demolition of Devonshire House -- T. S. Eliot (1888-1965) -- Isaac Rosenberg (1890-1918) Fleet Street -- Richard Aldington (1892-1962) -- Wilfred Owen (1893-1918) "I am the ghost of Shadwell Stair" -- Sylvia Townsend Warner (1893-1978) -- John Rodker (1894-1955) -- Robert Graves (1895-1985) Armistice Day, 1918 -- A. S. J. Tessimond (1902-1962) -- Stevie Smith (1902-1971) Suburb -- William Empson (1906-1984) Homage to the British Museum -- John Betjeman (1906-1984) -- Louis MacNeice (1907-1963) -- Stephen Spender (1909-1995) -- Bernard Spencer (1909-1963) -- Mervyn Peake (1911-1968) London Buses -- Kenneth Allott (1912-1973) Memento Mori -- Roy Fuller (1912-1991) -- Anne Ridler (1912-2001) Wentworth Place: Keats Grove -- George Barker (1913-1991) Kew Gardens -- Alun Lewis (1915-1944) Westminster Abbey -- Robert Lowell (1917-1977) -- Nicholas Moore (1918-1986) Monmouth Street -- John Heath-Stubbs (1918-2006) -- W. S. Graham (1918-1986) The Night City -- Muriel Spark (1918-2006) from A Tour of London -- Keith Douglas (1920-1944) from The "Bête Noire" Fragments -- D. J. Enright - Ahren Warner (1986-) -- Credits und Index</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Called "the flour of Cities all," London has long been understood through the poetry it has inspired. Now poet Mark Ford has assembled the most capacious and wide-ranging anthology of poems about London to date, from Chaucer to Wordsworth to the present day, providing a chronological tour of urban life and of English literature. Nearly all of the major poets of British literature have left some poetic record of London: Chaucer, Spenser, Shakespeare, Donne, Milton, Dryden, Pope, Johnson, Wordsworth, Keats, Byron, and T. S. Eliot. Ford goes well beyond these figures, however, to gather significant verse of all kinds, from Jacobean city comedies to nursery rhymes, from topical satire to anonymous ballads. The result is a cultural history of the city in verse, one that represents all classes of London's population over some seven centuries, mingling the high and low, the elegant and the salacious, the courtly and the street smart. Many of the poems respond to large events in the city's history-the beheading of Charles I, the Great Fire, the Blitz-but the majority reflect the quieter routines and anxieties of everyday life through the centuries. Ford's selections are arranged chronologically, thus preserving a sense of the strata of the capital's history. An introductory essay by the poet explores in detail the cultural, political, and aesthetic significance of the verse inspired by this great city. The result is a volume as rich and vibrant and diverse as London itself</subfield></datafield><datafield tag="533" ind1=" " ind2=" "><subfield code="a">[Online-Ausgabe]</subfield></datafield><datafield tag="538" ind1=" " ind2=" "><subfield code="a">Mode of access: Internet via World Wide Web.</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">POETRY / European / English, Irish, Scottish, Welsh</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Ford, Mark</subfield><subfield code="e">herausgeberin</subfield><subfield code="4">edt</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.degruyter.com/isbn/9780674273702</subfield><subfield code="m">X:GRUY</subfield><subfield code="x">Verlag</subfield><subfield code="z">lizenzpflichtig</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield 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"><subfield code="2">23</subfield><subfield code="1">01</subfield><subfield code="x">0830</subfield><subfield code="b">4091723810</subfield><subfield code="h">olr-degruyter3</subfield><subfield code="u">i</subfield><subfield code="y">z</subfield><subfield code="z">16-03-22</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">24</subfield><subfield code="1">01</subfield><subfield code="x">0008</subfield><subfield code="b">4094879986</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">s</subfield><subfield code="j">--%%--</subfield><subfield code="h">olr-dgebs</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="k">Zugriff auf den Volltext nur für Universitätsangehörige innerhalb des Netzes der Universität Kiel (Campuslizenz).</subfield><subfield code="y">z</subfield><subfield code="z">18-03-22</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">31</subfield><subfield code="1">01</subfield><subfield code="x">0027</subfield><subfield code="b">4094748644</subfield><subfield code="h">OLR-DeGruyterEBS</subfield><subfield code="k">Zugang zeitlich begrenzt. Dauerhaften Zugang über Formular für Anschaffungsvorschläge anfragen.</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="y">z</subfield><subfield code="z">18-03-22</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">34</subfield><subfield code="1">01</subfield><subfield code="x">3551</subfield><subfield code="b">4094117288</subfield><subfield code="h">OLR-EBAKALL-EBS</subfield><subfield code="k">Zugriff nur im Netz der HAW Hamburg</subfield><subfield code="y">z</subfield><subfield code="z">17-03-22</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">65</subfield><subfield code="1">01</subfield><subfield code="x">0003</subfield><subfield code="b">4420427841</subfield><subfield code="h">DeGruyter-EBA</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="y">z</subfield><subfield code="z">28-11-23</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">69</subfield><subfield code="1">01</subfield><subfield code="x">0009</subfield><subfield code="b">4094791868</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="u">BF_dG</subfield><subfield code="y">z</subfield><subfield code="z">18-03-22</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">72</subfield><subfield code="1">01</subfield><subfield code="x">0035</subfield><subfield code="b">4117590774</subfield><subfield code="h">OLR-DG-PDA11SSHE</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots.</subfield><subfield code="y">z</subfield><subfield code="z">13-04-22</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">90</subfield><subfield code="1">01</subfield><subfield code="x">3090</subfield><subfield code="b">4094835911</subfield><subfield code="h">OLR-HILdegruyter</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="y">z</subfield><subfield code="z">18-03-22</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">110</subfield><subfield code="1">01</subfield><subfield code="x">3110</subfield><subfield code="b">4097748351</subfield><subfield code="h">OLR-DEGRUYTER-EBS-2018</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="k">Volltextzugriff nur für berechtigte Personen über das Campusnetz</subfield><subfield code="y">z</subfield><subfield code="z">22-03-22</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">120</subfield><subfield code="1">01</subfield><subfield code="x">0715</subfield><subfield code="b">4112990987</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">g</subfield><subfield code="j">--%%--</subfield><subfield code="h">alma</subfield><subfield code="y">z</subfield><subfield code="z">07-04-22</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">122</subfield><subfield code="1">01</subfield><subfield code="x">0897</subfield><subfield code="b">4094573410</subfield><subfield code="h">OLR-deGruyter-EBS</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="y">z</subfield><subfield code="z">17-03-22</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">130</subfield><subfield code="1">01</subfield><subfield code="x">0700</subfield><subfield code="b">4094924388</subfield><subfield code="h">OLR-deGruyter-EBA-EBKALL</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="y">z</subfield><subfield code="z">18-03-22</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">140</subfield><subfield code="1">01</subfield><subfield code="x">0839</subfield><subfield code="b">4094639055</subfield><subfield code="h">OLR-deGruyter-EBS</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="y">z</subfield><subfield code="z">18-03-22</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">147</subfield><subfield code="1">01</subfield><subfield code="x">3528</subfield><subfield code="b">4094997008</subfield><subfield code="h">OLR-EBS-DG</subfield><subfield code="k">Multiuser \| freigeschaltet für Europa-Universität Flensburg, Hochschule Flensburg und Zentrale Hochschulbibliothek</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="y">z</subfield><subfield code="z">18-03-22</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">264</subfield><subfield code="1">01</subfield><subfield code="x">3264</subfield><subfield code="b">4094687602</subfield><subfield code="h">OLR-deGruyter-EBS</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="y">z</subfield><subfield code="z">18-03-22</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">370</subfield><subfield code="1">01</subfield><subfield code="x">4370</subfield><subfield code="b">409431864X</subfield><subfield code="h">EBS deGruyter</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots.</subfield><subfield code="u">i</subfield><subfield code="y">z</subfield><subfield code="z">17-03-22</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">736</subfield><subfield code="1">01</subfield><subfield code="x">4736</subfield><subfield code="b">4494027618</subfield><subfield code="h">DeGryuterEBS2024</subfield><subfield code="u">verv</subfield><subfield code="y">zeg</subfield><subfield code="z">29-02-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2001</subfield><subfield code="1">01</subfield><subfield code="x">DE-21</subfield><subfield code="b">4086078848</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">kp</subfield><subfield code="y">l01</subfield><subfield code="z">10-03-22</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2006</subfield><subfield code="1">01</subfield><subfield code="x">DE-14</subfield><subfield code="b">4426935555</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">--%%--</subfield><subfield code="y">l01</subfield><subfield code="z">05-12-23</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2010</subfield><subfield code="1">01</subfield><subfield code="x">DE-15</subfield><subfield code="b">4426487161</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">n</subfield><subfield code="k">Elektronischer Volltext - Campuslizenz</subfield><subfield code="y">l01</subfield><subfield code="z">05-12-23</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2020</subfield><subfield code="1">01</subfield><subfield code="x">DE-Ch1</subfield><subfield code="b">4440227864</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">n</subfield><subfield code="k">Campuslizenz</subfield><subfield code="y">l01</subfield><subfield code="z">18-12-23</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2027</subfield><subfield code="1">01</subfield><subfield code="x">DE-105</subfield><subfield code="b">4462385047</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">n</subfield><subfield code="k">Campuslizenz</subfield><subfield code="y">l01</subfield><subfield code="z">18-01-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2044</subfield><subfield code="1">01</subfield><subfield code="x">DE-751</subfield><subfield code="b">458637232X</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">eBook de Gruyter</subfield><subfield code="e">--%%--</subfield><subfield code="j">n</subfield><subfield code="k">Campuslizenz bis 30.09.2025. Bitte beachten Sie die Nutzungshinweise auf unserer Homepage (de Gruyter)</subfield><subfield code="y">l01</subfield><subfield code="z">02-10-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2045</subfield><subfield code="1">01</subfield><subfield code="x">DE-Mit1</subfield><subfield code="b">4490849389</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">n</subfield><subfield code="k">Volltext - Campuslizenz</subfield><subfield code="y">l01</subfield><subfield code="z">25-02-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2050</subfield><subfield code="1">01</subfield><subfield code="x">DE-Zi4</subfield><subfield code="b">4440227872</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">n</subfield><subfield code="k">Zugriff im HSZG-Campusnetz. Zugriff von auβerhalb nur für HSZG-Angehörige.</subfield><subfield code="y">l01</subfield><subfield code="z">18-12-23</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2063</subfield><subfield code="1">01</subfield><subfield code="x">DE-951</subfield><subfield code="b">4086078872</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">eBook de Gruyter</subfield><subfield code="e">n</subfield><subfield code="j">n</subfield><subfield code="k">Elektronischer Volltext - Campuslizenz</subfield><subfield code="y">l01</subfield><subfield code="z">10-03-22</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2118</subfield><subfield code="1">01</subfield><subfield code="x">DE-Mh35</subfield><subfield code="b">4443571507</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">eBook de Gruyter</subfield><subfield code="e">--%%--</subfield><subfield code="j">n</subfield><subfield code="k">Elektronischer Volltext - 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