Crisis Vision : Race and the Cultural Production of Surveillance
In Crisis Vision, Torin Monahan explores how artists confront the racializing dimensions of contemporary surveillance. He focuses on artists ranging from Kai Wiedenhöfer, Paolo Cirio, and Hank Willis Thomas to Claudia Rankine and Dread Scott, who engage with what he calls crisis vision—the regimes o...
Ausführliche Beschreibung
Gespeichert in:
| Autor*in: |
Monahan, Torin [verfasserIn] |
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| Format: |
E-Book |
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| Sprache: |
Englisch |
| Erschienen: |
Durham: Duke University Press ; 2022 ©2022 |
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| Rechteinformationen: |
Restricted Access |
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| Umfang: |
1 Online-Ressource (228 p.) |
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| Reihe: |
Errantries ; 10 |
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| Links: | |
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| ISBN: |
978-1-4780-2338-8 |
| DOI / URN: |
10.1515/9781478023388 |
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| Katalog-ID: |
182246613X |
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| 505 | 8 | 0 | |t Contents |
| 505 | 8 | 0 | |t Acknowledgments |
| 505 | 8 | 0 | |t Introduction |
| 505 | 8 | 0 | |t 1. Avoidance |
| 505 | 8 | 0 | |t 2. Transparency |
| 505 | 8 | 0 | |t 3. Complicity |
| 505 | 8 | 0 | |t 4. Violence |
| 505 | 8 | 0 | |t 5. Disruption |
| 505 | 8 | 0 | |t Conclusion |
| 505 | 8 | 0 | |t Notes |
| 505 | 8 | 0 | |t Bibliography |
| 505 | 8 | 0 | |t Index |
| 506 | 1 | |a Restricted Access |e Controlled Vocabulary for Access Rights |u http://purl.org/coar/access_right/c_16ec |f online access with authorization |2 star | |
| 520 | |a In Crisis Vision, Torin Monahan explores how artists confront the racializing dimensions of contemporary surveillance. He focuses on artists ranging from Kai Wiedenhöfer, Paolo Cirio, and Hank Willis Thomas to Claudia Rankine and Dread Scott, who engage with what he calls crisis vision—the regimes of racializing surveillance that position black and brown bodies as targets for police and state violence. Many artists, Monahan contends, remain invested in frameworks that privilege transparency, universality, and individual responsibility in ways that often occlude racial difference. Other artists, however, disrupt crisis vision by confronting white supremacy and destabilizing hierarchies through the performance of opacity. Whether fostering a recognition of a shared responsibility and complicity for the violence of crisis vision or critiquing how vulnerable groups are constructed and treated globally, these artists emphasize ethical relations between strangers and ask viewers to question their own place within unjust social orders | ||
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| spelling |
9781478023388 978-1-4780-2338-8 10.1515/9781478023388 doi (DE-627)182246613X (DE-599)KEP082577331 (DE-B1597)637811 (EBP)082577331 DE-627 eng DE-627 rda eng XD-US HV7936.T4 SOC063000 bisacsh Monahan, Torin verfasserin aut Crisis Vision Race and the Cultural Production of Surveillance Torin Monahan Durham Duke University Press [2022] ©2022 1 Online-Ressource (228 p.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Errantries 10 Frontmatter Contents Acknowledgments Introduction 1. Avoidance 2. Transparency 3. Complicity 4. Violence 5. Disruption Conclusion Notes Bibliography Index Restricted Access Controlled Vocabulary for Access Rights http://purl.org/coar/access_right/c_16ec online access with authorization star In Crisis Vision, Torin Monahan explores how artists confront the racializing dimensions of contemporary surveillance. He focuses on artists ranging from Kai Wiedenhöfer, Paolo Cirio, and Hank Willis Thomas to Claudia Rankine and Dread Scott, who engage with what he calls crisis vision—the regimes of racializing surveillance that position black and brown bodies as targets for police and state violence. Many artists, Monahan contends, remain invested in frameworks that privilege transparency, universality, and individual responsibility in ways that often occlude racial difference. Other artists, however, disrupt crisis vision by confronting white supremacy and destabilizing hierarchies through the performance of opacity. Whether fostering a recognition of a shared responsibility and complicity for the violence of crisis vision or critiquing how vulnerable groups are constructed and treated globally, these artists emphasize ethical relations between strangers and ask viewers to question their own place within unjust social orders In English Art and race Art and society History 21st century Art Political aspects Electronic surveillance Social aspects Social practice (Art) Surveillance in art Social aspects SOCIAL SCIENCE / Privacy & Surveillance (see also POLITICAL SCIENCE / Privacy & Surveillance) 9781478018759 : print Erscheint auch als print 9781478018759 https://doi.org/10.1515/9781478023388?locatt=mode:legacy X:GRUY Resolving-System lizenzpflichtig https://www.degruyter.com/isbn/9781478023388 X:GRUY Verlag lizenzpflichtig https://www.degruyter.com/document/cover/isbn/9781478023388/original X:GRUY Verlag Cover EBA-DUK-ALL EBA-DUK-EALL EBA-DUK-SSHALL GBV-deGruyter-alles GBV-23-DGG-HHKONS EBA-EMB ZDB-23-DGG 2022 ZDB-23-DSL 2022 GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_60 ISIL_DE-705 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_120 ISIL_DE-715 GBV_ILN_164 ISIL_DE-916 GBV_ILN_370 ISIL_DE-1373 BO 22 01 0018 4214239393 00 --%%-- --%%-- s --%%-- ACQ zu 17-11-22 23 01 0830 4214287207 ACQ i z 17-11-22 60 01 0705 450001537X 00 --%%-- --%%-- s --%%-- DeGruyter verv shib z 14-03-24 110 01 3110 4598625996 OLR-DEGRUYTER-EBS-2018 Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. Volltextzugriff nur für berechtigte Personen über das Campusnetz z 18-10-24 120 01 0715 4241432085 00 --%%-- --%%-- g --%%-- alma z 28-12-22 164 01 0916 4500011641 OLR-DEGRUYTER Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 13-03-24 370 01 4370 4544808693 EBA degruyter 2022-2023 Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. i z 01-07-24 22 01 0018 Volltextzugang Campus https://doi.org/10.1515/9781478023388?locatt=mode:legacy 22 01 0018 Volltextzugang von außerhalb des Campus http://emedien.sub.uni-hamburg.de/han/degruyterebooks/doi.org/10.1515/9781478023388?locatt=mode:legacy 23 01 0830 https://doi.org/10.1515/9781478023388?locatt=mode:legacy 60 01 0705 https://doi.org/10.1515/9781478023388?locatt=mode:legacy 110 01 3110 https://www.degruyter.com/isbn/9781478023388 120 01 0715 http://49gbv-uob-primo.hosted.exlibrisgroup.com/openurl/49GBV_UOB/UOB_services_page?u.ignore_date_coverage=true&rft.mms_id=991016036599403501 164 01 0916 https://doi.org/10.1515/9781478023388?locatt=mode:legacy 370 01 4370 E-Book: Zugriff im HCU-Netz. Zugriff von außerhalb nur für HCU-Angehörige möglich https://doi.org/10.1515/9781478023388?locatt=mode:legacy 22 01 0018 ACQ 22 01 0018 SUBedeg 23 01 0830 ACQ 23 01 0830 olr-degruyter-crossaccess 23 01 0830 olr-degruyter3 23 01 0830 olr-degruyter4 60 01 0705 DeGruyter 110 01 3110 OLR-DEGRUYTER-EBS-2018 120 01 0715 alma 164 01 0916 OLR-DEGRUYTER 370 01 4370 EBA degruyter 2022-2023 370 01 4370 olr-ebook degruyter 370 01 4370 ACQ 23 01 0830 2022.11.17 |
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9781478023388 978-1-4780-2338-8 10.1515/9781478023388 doi (DE-627)182246613X (DE-599)KEP082577331 (DE-B1597)637811 (EBP)082577331 DE-627 eng DE-627 rda eng XD-US HV7936.T4 SOC063000 bisacsh Monahan, Torin verfasserin aut Crisis Vision Race and the Cultural Production of Surveillance Torin Monahan Durham Duke University Press [2022] ©2022 1 Online-Ressource (228 p.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Errantries 10 Frontmatter Contents Acknowledgments Introduction 1. Avoidance 2. Transparency 3. Complicity 4. Violence 5. Disruption Conclusion Notes Bibliography Index Restricted Access Controlled Vocabulary for Access Rights http://purl.org/coar/access_right/c_16ec online access with authorization star In Crisis Vision, Torin Monahan explores how artists confront the racializing dimensions of contemporary surveillance. He focuses on artists ranging from Kai Wiedenhöfer, Paolo Cirio, and Hank Willis Thomas to Claudia Rankine and Dread Scott, who engage with what he calls crisis vision—the regimes of racializing surveillance that position black and brown bodies as targets for police and state violence. Many artists, Monahan contends, remain invested in frameworks that privilege transparency, universality, and individual responsibility in ways that often occlude racial difference. Other artists, however, disrupt crisis vision by confronting white supremacy and destabilizing hierarchies through the performance of opacity. Whether fostering a recognition of a shared responsibility and complicity for the violence of crisis vision or critiquing how vulnerable groups are constructed and treated globally, these artists emphasize ethical relations between strangers and ask viewers to question their own place within unjust social orders In English Art and race Art and society History 21st century Art Political aspects Electronic surveillance Social aspects Social practice (Art) Surveillance in art Social aspects SOCIAL SCIENCE / Privacy & Surveillance (see also POLITICAL SCIENCE / Privacy & Surveillance) 9781478018759 : print Erscheint auch als print 9781478018759 https://doi.org/10.1515/9781478023388?locatt=mode:legacy X:GRUY Resolving-System lizenzpflichtig https://www.degruyter.com/isbn/9781478023388 X:GRUY Verlag lizenzpflichtig https://www.degruyter.com/document/cover/isbn/9781478023388/original X:GRUY Verlag Cover EBA-DUK-ALL EBA-DUK-EALL EBA-DUK-SSHALL GBV-deGruyter-alles GBV-23-DGG-HHKONS EBA-EMB ZDB-23-DGG 2022 ZDB-23-DSL 2022 GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_60 ISIL_DE-705 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_120 ISIL_DE-715 GBV_ILN_164 ISIL_DE-916 GBV_ILN_370 ISIL_DE-1373 BO 22 01 0018 4214239393 00 --%%-- --%%-- s --%%-- ACQ zu 17-11-22 23 01 0830 4214287207 ACQ i z 17-11-22 60 01 0705 450001537X 00 --%%-- --%%-- s --%%-- DeGruyter verv shib z 14-03-24 110 01 3110 4598625996 OLR-DEGRUYTER-EBS-2018 Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. Volltextzugriff nur für berechtigte Personen über das Campusnetz z 18-10-24 120 01 0715 4241432085 00 --%%-- --%%-- g --%%-- alma z 28-12-22 164 01 0916 4500011641 OLR-DEGRUYTER Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 13-03-24 370 01 4370 4544808693 EBA degruyter 2022-2023 Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. i z 01-07-24 22 01 0018 Volltextzugang Campus https://doi.org/10.1515/9781478023388?locatt=mode:legacy 22 01 0018 Volltextzugang von außerhalb des Campus http://emedien.sub.uni-hamburg.de/han/degruyterebooks/doi.org/10.1515/9781478023388?locatt=mode:legacy 23 01 0830 https://doi.org/10.1515/9781478023388?locatt=mode:legacy 60 01 0705 https://doi.org/10.1515/9781478023388?locatt=mode:legacy 110 01 3110 https://www.degruyter.com/isbn/9781478023388 120 01 0715 http://49gbv-uob-primo.hosted.exlibrisgroup.com/openurl/49GBV_UOB/UOB_services_page?u.ignore_date_coverage=true&rft.mms_id=991016036599403501 164 01 0916 https://doi.org/10.1515/9781478023388?locatt=mode:legacy 370 01 4370 E-Book: Zugriff im HCU-Netz. Zugriff von außerhalb nur für HCU-Angehörige möglich https://doi.org/10.1515/9781478023388?locatt=mode:legacy 22 01 0018 ACQ 22 01 0018 SUBedeg 23 01 0830 ACQ 23 01 0830 olr-degruyter-crossaccess 23 01 0830 olr-degruyter3 23 01 0830 olr-degruyter4 60 01 0705 DeGruyter 110 01 3110 OLR-DEGRUYTER-EBS-2018 120 01 0715 alma 164 01 0916 OLR-DEGRUYTER 370 01 4370 EBA degruyter 2022-2023 370 01 4370 olr-ebook degruyter 370 01 4370 ACQ 23 01 0830 2022.11.17 |
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9781478023388 978-1-4780-2338-8 10.1515/9781478023388 doi (DE-627)182246613X (DE-599)KEP082577331 (DE-B1597)637811 (EBP)082577331 DE-627 eng DE-627 rda eng XD-US HV7936.T4 SOC063000 bisacsh Monahan, Torin verfasserin aut Crisis Vision Race and the Cultural Production of Surveillance Torin Monahan Durham Duke University Press [2022] ©2022 1 Online-Ressource (228 p.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Errantries 10 Frontmatter Contents Acknowledgments Introduction 1. Avoidance 2. Transparency 3. Complicity 4. Violence 5. Disruption Conclusion Notes Bibliography Index Restricted Access Controlled Vocabulary for Access Rights http://purl.org/coar/access_right/c_16ec online access with authorization star In Crisis Vision, Torin Monahan explores how artists confront the racializing dimensions of contemporary surveillance. He focuses on artists ranging from Kai Wiedenhöfer, Paolo Cirio, and Hank Willis Thomas to Claudia Rankine and Dread Scott, who engage with what he calls crisis vision—the regimes of racializing surveillance that position black and brown bodies as targets for police and state violence. Many artists, Monahan contends, remain invested in frameworks that privilege transparency, universality, and individual responsibility in ways that often occlude racial difference. Other artists, however, disrupt crisis vision by confronting white supremacy and destabilizing hierarchies through the performance of opacity. Whether fostering a recognition of a shared responsibility and complicity for the violence of crisis vision or critiquing how vulnerable groups are constructed and treated globally, these artists emphasize ethical relations between strangers and ask viewers to question their own place within unjust social orders In English Art and race Art and society History 21st century Art Political aspects Electronic surveillance Social aspects Social practice (Art) Surveillance in art Social aspects SOCIAL SCIENCE / Privacy & Surveillance (see also POLITICAL SCIENCE / Privacy & Surveillance) 9781478018759 : print Erscheint auch als print 9781478018759 https://doi.org/10.1515/9781478023388?locatt=mode:legacy X:GRUY Resolving-System lizenzpflichtig https://www.degruyter.com/isbn/9781478023388 X:GRUY Verlag lizenzpflichtig https://www.degruyter.com/document/cover/isbn/9781478023388/original X:GRUY Verlag Cover EBA-DUK-ALL EBA-DUK-EALL EBA-DUK-SSHALL GBV-deGruyter-alles GBV-23-DGG-HHKONS EBA-EMB ZDB-23-DGG 2022 ZDB-23-DSL 2022 GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_60 ISIL_DE-705 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_120 ISIL_DE-715 GBV_ILN_164 ISIL_DE-916 GBV_ILN_370 ISIL_DE-1373 BO 22 01 0018 4214239393 00 --%%-- --%%-- s --%%-- ACQ zu 17-11-22 23 01 0830 4214287207 ACQ i z 17-11-22 60 01 0705 450001537X 00 --%%-- --%%-- s --%%-- DeGruyter verv shib z 14-03-24 110 01 3110 4598625996 OLR-DEGRUYTER-EBS-2018 Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. Volltextzugriff nur für berechtigte Personen über das Campusnetz z 18-10-24 120 01 0715 4241432085 00 --%%-- --%%-- g --%%-- alma z 28-12-22 164 01 0916 4500011641 OLR-DEGRUYTER Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 13-03-24 370 01 4370 4544808693 EBA degruyter 2022-2023 Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. i z 01-07-24 22 01 0018 Volltextzugang Campus https://doi.org/10.1515/9781478023388?locatt=mode:legacy 22 01 0018 Volltextzugang von außerhalb des Campus http://emedien.sub.uni-hamburg.de/han/degruyterebooks/doi.org/10.1515/9781478023388?locatt=mode:legacy 23 01 0830 https://doi.org/10.1515/9781478023388?locatt=mode:legacy 60 01 0705 https://doi.org/10.1515/9781478023388?locatt=mode:legacy 110 01 3110 https://www.degruyter.com/isbn/9781478023388 120 01 0715 http://49gbv-uob-primo.hosted.exlibrisgroup.com/openurl/49GBV_UOB/UOB_services_page?u.ignore_date_coverage=true&rft.mms_id=991016036599403501 164 01 0916 https://doi.org/10.1515/9781478023388?locatt=mode:legacy 370 01 4370 E-Book: Zugriff im HCU-Netz. Zugriff von außerhalb nur für HCU-Angehörige möglich https://doi.org/10.1515/9781478023388?locatt=mode:legacy 22 01 0018 ACQ 22 01 0018 SUBedeg 23 01 0830 ACQ 23 01 0830 olr-degruyter-crossaccess 23 01 0830 olr-degruyter3 23 01 0830 olr-degruyter4 60 01 0705 DeGruyter 110 01 3110 OLR-DEGRUYTER-EBS-2018 120 01 0715 alma 164 01 0916 OLR-DEGRUYTER 370 01 4370 EBA degruyter 2022-2023 370 01 4370 olr-ebook degruyter 370 01 4370 ACQ 23 01 0830 2022.11.17 |
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Avoidance</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">2. Transparency</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">3. Complicity</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">4. Violence</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">5. Disruption</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">Conclusion</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">Notes</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">Bibliography</subfield></datafield><datafield tag="505" ind1="8" ind2="0"><subfield code="t">Index</subfield></datafield><datafield tag="506" ind1="1" ind2=" "><subfield code="a">Restricted Access</subfield><subfield code="e">Controlled Vocabulary for Access Rights</subfield><subfield code="u">http://purl.org/coar/access_right/c_16ec</subfield><subfield code="f">online access with authorization</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In Crisis Vision, Torin Monahan explores how artists confront the racializing dimensions of contemporary surveillance. 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Monahan, Torin |
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Race and the Cultural Production of Surveillance |
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10.1515/9781478023388 |
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21st century |
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2022.11.17 |
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2022.11.17 |
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crisis visionrace and the cultural production of surveillance |
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Crisis Vision Race and the Cultural Production of Surveillance |
| abstract |
In Crisis Vision, Torin Monahan explores how artists confront the racializing dimensions of contemporary surveillance. He focuses on artists ranging from Kai Wiedenhöfer, Paolo Cirio, and Hank Willis Thomas to Claudia Rankine and Dread Scott, who engage with what he calls crisis vision—the regimes of racializing surveillance that position black and brown bodies as targets for police and state violence. Many artists, Monahan contends, remain invested in frameworks that privilege transparency, universality, and individual responsibility in ways that often occlude racial difference. Other artists, however, disrupt crisis vision by confronting white supremacy and destabilizing hierarchies through the performance of opacity. Whether fostering a recognition of a shared responsibility and complicity for the violence of crisis vision or critiquing how vulnerable groups are constructed and treated globally, these artists emphasize ethical relations between strangers and ask viewers to question their own place within unjust social orders |
| abstractGer |
In Crisis Vision, Torin Monahan explores how artists confront the racializing dimensions of contemporary surveillance. He focuses on artists ranging from Kai Wiedenhöfer, Paolo Cirio, and Hank Willis Thomas to Claudia Rankine and Dread Scott, who engage with what he calls crisis vision—the regimes of racializing surveillance that position black and brown bodies as targets for police and state violence. Many artists, Monahan contends, remain invested in frameworks that privilege transparency, universality, and individual responsibility in ways that often occlude racial difference. Other artists, however, disrupt crisis vision by confronting white supremacy and destabilizing hierarchies through the performance of opacity. Whether fostering a recognition of a shared responsibility and complicity for the violence of crisis vision or critiquing how vulnerable groups are constructed and treated globally, these artists emphasize ethical relations between strangers and ask viewers to question their own place within unjust social orders |
| abstract_unstemmed |
In Crisis Vision, Torin Monahan explores how artists confront the racializing dimensions of contemporary surveillance. He focuses on artists ranging from Kai Wiedenhöfer, Paolo Cirio, and Hank Willis Thomas to Claudia Rankine and Dread Scott, who engage with what he calls crisis vision—the regimes of racializing surveillance that position black and brown bodies as targets for police and state violence. Many artists, Monahan contends, remain invested in frameworks that privilege transparency, universality, and individual responsibility in ways that often occlude racial difference. Other artists, however, disrupt crisis vision by confronting white supremacy and destabilizing hierarchies through the performance of opacity. Whether fostering a recognition of a shared responsibility and complicity for the violence of crisis vision or critiquing how vulnerable groups are constructed and treated globally, these artists emphasize ethical relations between strangers and ask viewers to question their own place within unjust social orders |
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Crisis Vision |
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https://doi.org/10.1515/9781478023388?locatt=mode:legacy https://www.degruyter.com/isbn/9781478023388 https://www.degruyter.com/document/cover/isbn/9781478023388/original |
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