La performance des images

The image, before representing, to signify, acts and makes act. The performance of images, which this book undertakes exploration, is to be understood first of all as the evaluation of their effectiveness: what are the effects of images? It is then their agency: in what way are images living beings?...
Ausführliche Beschreibung

Gespeichert in:

Autor*in:	Dierkens, Alain [verfasserIn] Bartholeyns, Gil [herausgeberIn] Golsenne, Thomas [herausgeberIn]

Format:	E-Book
Sprache:	Französisch

Erschienen:	Bruxelles: Editions de l'Université de Bruxelles ; 2010

Rechteinformationen:	Open Access Creative Commons ; by-nc-nd/4.0

Schlagwörter:	History of art / art & design styles History of art

Umfang:	1 Online-Ressource (264 p.)

Reihe:	Problèmes d'histoire des religions ; 19

Links:	Link aufrufen Link aufrufen Link aufrufen

Katalog-ID:	1836377541

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Indexfelder

author_variant	a d ad
matchkey_str	dierkensalainbartholeynsgilgolsennethoma:2010----:aefracd
oclc_num	1286426443
hierarchy_sort_str	2010
publishDate	2010
allfields	(DE-627)1836377541 (DE-599)KEP062098519 (OCoLC)1286426443 (OAPEN)24359 (EBP)062098519 DE-627 fre DE-627 rda fre AC bicssc AGA bicssc Dierkens, Alain verfasserin aut La performance des images Bruxelles Editions de l'Université de Bruxelles 2010 1 Online-Ressource (264 p.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Problèmes d'histoire des religions 19 Open Access Unrestricted online access star The image, before representing, to signify, acts and makes act. The performance of images, which this book undertakes exploration, is to be understood first of all as the evaluation of their effectiveness: what are the effects of images? It is then their agency: in what way are images living beings? It is also their performativity: as there are acts of speech, there are acts of image whose modalities can be detailed. Finally, it is their power: what can an image, including a text, for example, be incapable? <br> <br> Christian image holds a special place here because, far from being a simple "Bible of illiterate "subject to the reign of the text, it permeates all aspects of the life and thought of Christian societies, from their theological and anthropological foundations - God created man in his image; the Son is the image of the Father - up to the most diverse uses of visual objects. But in the West it is not only in the Middle Ages that the images are active: this book is also devoted to the new forms of visual performances that appeared with the Renaissance or the mass-media society L’image, avant de représenter, de signifier, agit et fait agir. La performance des images, dont ce livre entreprend l’exploration, est à comprendre d’abord comme l’évaluation de leur efficacité : quels sont les effets des images ? C’est ensuite leur agentivité : en quelle manière les images sont-elles des êtres vivants ? C’est aussi leur performativité : comme il y a des actes de parole, il y a des actes d’image dont les modalités peuvent être détaillées. Enfin, c’est leur puissance : que peut une image, dont un texte, par exemple, serait incapable ?<br><br>L’image chrétienne tient ici une place à part car, loin d’être une simple « Bible des illettrés » soumise au règne du texte, elle imprègne tous les aspects de la vie et de la pensée des sociétés chrétiennes, depuis leurs fondements théologiques et anthropologiques – Dieu créa l’homme à son image ; le Fils est l’image du Père – jusqu’aux utilisations les plus diverses des objets visuels. Mais en Occident ce n’est pas seulement au Moyen Âge que les images sont actives : ce livre est aussi consacré aux nouvelles formes de performances visuelles qui sont apparues avec la Renaissance ou la société mass-médiatique Creative Commons by-nc-nd/4.0 cc French History of art / art & design styles History of art Bartholeyns, Gil herausgeberin edt Golsenne, Thomas herausgeberin edt https://library.oapen.org/bitstream/id/5a3ca5c8-a310-425c-8754-0ba7c18dcd5b/9782800414744.pdf X:OAPEN Verlag OAPEN Library: download the publication kostenfrei http://library.oapen.org/handle/20.500.12657/24359 X:OAPEN Verlag OAPEN Library: description of the publication kostenfrei ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER BO 22 01 0018 4280033013 OLR-ZDB-94-OAL OAPEN Library zu 01-03-23 23 01 0830 4280587922 OLR-OAPEN f z 01-03-23 30 01 0104 4280947554 GBV-OAPEN z 01-03-23 31 01 0027 4280219508 z 01-03-23 34 01 3551 4278787030 OLR-OAPEN zi002 01-03-23 39 01 0547 428113851X GBV-OAPEN ke 01-03-23 40 01 0007 4279855536 OLR-OAPEN xsn 01-03-23 63 01 3401 428151810X E-Books LF GBV-OAPEN z 01-03-23 65 01 0003 428173449X OLR-OAPEN z 01-03-23 70 01 0089 4280409129 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 72 01 0035 4278605692 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 95 01 3095 4343128873 OLR-OAL Vervielfältigungen (z.B. 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Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 01-03-23 161 01 0960 4278043120 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 187 01 3520 427841739X JSTOR Open Access eBook z 28-02-23 213 01 0551 4279142203 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 230 01 0552 4279319391 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 283 01 3283 4279678308 OLR-OAL z 01-03-23 293 01 3293 4278221460 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 370 01 4370 4278964773 OLR-FREE Kostenloser Zugriff z 01-03-23 603 01 4603 427786533X OLR-OAPEN Bitte beachten Sie die Nutzungsbedingungen und Copyright-Bestimmungen des Verlages/Herausgebers. z 28-02-23 808 01 4808 4280767203 OLR-OAPEN OAPEN Library zg 01-03-23 2403 01 DE-LFER 4307137515 00 --%%-- --%%-- n --%%-- l01 10-04-23 22 01 0018 Volltextzugang http://library.oapen.org/handle/20.500.12657/24359 23 01 0830 http://library.oapen.org/handle/20.500.12657/24359 30 01 0104 Open Access http://library.oapen.org/handle/20.500.12657/24359 31 01 0027 eBook GBV-OAPEN http://library.oapen.org/handle/20.500.12657/24359 34 01 3551 OpenAccess http://library.oapen.org/handle/20.500.12657/24359 40 01 0007 Volltext, Open Access http://library.oapen.org/handle/20.500.12657/24359 63 01 3401 E-Book http://library.oapen.org/handle/20.500.12657/24359 65 01 0003 Open Access http://library.oapen.org/handle/20.500.12657/24359 65 01 0003 Dieser Titel ist Teil einer Datenbank http://www.bibliothek.uni-regensburg.de/dbinfo/detail.php?titel_id=10728&bib_id=ulb_hal 70 01 0089 http://library.oapen.org/handle/20.500.12657/24359 LF 72 01 0035 http://library.oapen.org/handle/20.500.12657/24359 95 01 3095 http://library.oapen.org/handle/20.500.12657/24359 110 01 3110 Open Access http://library.oapen.org/handle/20.500.12657/24359 136 01 3526 Open Access http://library.oapen.org/handle/20.500.12657/24359 147 01 3528 http://library.oapen.org/handle/20.500.12657/24359 161 01 0960 http://library.oapen.org/handle/20.500.12657/24359 LF 187 01 3520 http://library.oapen.org/handle/20.500.12657/24359 213 01 0551 http://library.oapen.org/handle/20.500.12657/24359 230 01 0552 http://library.oapen.org/handle/20.500.12657/24359 283 01 3283 http://library.oapen.org/handle/20.500.12657/24359 293 01 3293 http://library.oapen.org/handle/20.500.12657/24359 LF 370 01 4370 http://library.oapen.org/handle/20.500.12657/24359 603 01 4603 http://library.oapen.org/handle/20.500.12657/24359 808 01 4808 Volltextzugang http://library.oapen.org/handle/20.500.12657/24359 2403 01 DE-LFER https://library.oapen.org/bitstream/id/5a3ca5c8-a310-425c-8754-0ba7c18dcd5b/9782800414744.pdf 31 01 0027 00 eBook GBV-OAPEN 22 01 0018 OLR-ZDB-94-OAL 23 01 0830 OLR-OAPEN 30 01 0104 GBV-OAPEN 34 01 3551 OLR-OAPEN 39 01 0547 GBV-OAPEN 39 01 0547 LF 40 01 0007 OLR-OAPEN 63 01 3401 E-Books LF GBV-OAPEN 65 01 0003 OLR-OAPEN 70 01 0089 OLR-OAPEN-OA 72 01 0035 OLR-OAPEN-OA 95 01 3095 OLR-OAL 110 01 3110 OLR-GBV-OAPEN 136 01 3526 OLR-OAPEN 147 01 3528 OLR-OAPEN 161 01 0960 OLR-OAPEN 213 01 0551 OLR-OAPEN 230 01 0552 OLR-OAPEN 283 01 3283 OLR-OAL 293 01 3293 OLR-OAPEN 370 01 4370 OLR-FREE 370 01 4370 olr-ebook GBV-OAPEN 603 01 4603 OLR-OAPEN 808 01 4808 OLR-OAPEN
spelling	(DE-627)1836377541 (DE-599)KEP062098519 (OCoLC)1286426443 (OAPEN)24359 (EBP)062098519 DE-627 fre DE-627 rda fre AC bicssc AGA bicssc Dierkens, Alain verfasserin aut La performance des images Bruxelles Editions de l'Université de Bruxelles 2010 1 Online-Ressource (264 p.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Problèmes d'histoire des religions 19 Open Access Unrestricted online access star The image, before representing, to signify, acts and makes act. The performance of images, which this book undertakes exploration, is to be understood first of all as the evaluation of their effectiveness: what are the effects of images? It is then their agency: in what way are images living beings? It is also their performativity: as there are acts of speech, there are acts of image whose modalities can be detailed. Finally, it is their power: what can an image, including a text, for example, be incapable? <br> <br> Christian image holds a special place here because, far from being a simple "Bible of illiterate "subject to the reign of the text, it permeates all aspects of the life and thought of Christian societies, from their theological and anthropological foundations - God created man in his image; the Son is the image of the Father - up to the most diverse uses of visual objects. But in the West it is not only in the Middle Ages that the images are active: this book is also devoted to the new forms of visual performances that appeared with the Renaissance or the mass-media society L’image, avant de représenter, de signifier, agit et fait agir. La performance des images, dont ce livre entreprend l’exploration, est à comprendre d’abord comme l’évaluation de leur efficacité : quels sont les effets des images ? C’est ensuite leur agentivité : en quelle manière les images sont-elles des êtres vivants ? C’est aussi leur performativité : comme il y a des actes de parole, il y a des actes d’image dont les modalités peuvent être détaillées. Enfin, c’est leur puissance : que peut une image, dont un texte, par exemple, serait incapable ?<br><br>L’image chrétienne tient ici une place à part car, loin d’être une simple « Bible des illettrés » soumise au règne du texte, elle imprègne tous les aspects de la vie et de la pensée des sociétés chrétiennes, depuis leurs fondements théologiques et anthropologiques – Dieu créa l’homme à son image ; le Fils est l’image du Père – jusqu’aux utilisations les plus diverses des objets visuels. Mais en Occident ce n’est pas seulement au Moyen Âge que les images sont actives : ce livre est aussi consacré aux nouvelles formes de performances visuelles qui sont apparues avec la Renaissance ou la société mass-médiatique Creative Commons by-nc-nd/4.0 cc French History of art / art & design styles History of art Bartholeyns, Gil herausgeberin edt Golsenne, Thomas herausgeberin edt https://library.oapen.org/bitstream/id/5a3ca5c8-a310-425c-8754-0ba7c18dcd5b/9782800414744.pdf X:OAPEN Verlag OAPEN Library: download the publication kostenfrei http://library.oapen.org/handle/20.500.12657/24359 X:OAPEN Verlag OAPEN Library: description of the publication kostenfrei ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER BO 22 01 0018 4280033013 OLR-ZDB-94-OAL OAPEN Library zu 01-03-23 23 01 0830 4280587922 OLR-OAPEN f z 01-03-23 30 01 0104 4280947554 GBV-OAPEN z 01-03-23 31 01 0027 4280219508 z 01-03-23 34 01 3551 4278787030 OLR-OAPEN zi002 01-03-23 39 01 0547 428113851X GBV-OAPEN ke 01-03-23 40 01 0007 4279855536 OLR-OAPEN xsn 01-03-23 63 01 3401 428151810X E-Books LF GBV-OAPEN z 01-03-23 65 01 0003 428173449X OLR-OAPEN z 01-03-23 70 01 0089 4280409129 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 72 01 0035 4278605692 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 95 01 3095 4343128873 OLR-OAL Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 24-06-23 110 01 3110 4281323074 OLR-GBV-OAPEN Open Access z 01-03-23 136 01 3526 4279496609 OLR-OAPEN z 01-03-23 147 01 3528 4281964592 OLR-OAPEN frei verfügbar für Europa-Universität Flensburg, Hochschule Flensburg und Zentrale Hochschulbibliothek Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 01-03-23 161 01 0960 4278043120 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 187 01 3520 427841739X JSTOR Open Access eBook z 28-02-23 213 01 0551 4279142203 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 230 01 0552 4279319391 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 283 01 3283 4279678308 OLR-OAL z 01-03-23 293 01 3293 4278221460 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 370 01 4370 4278964773 OLR-FREE Kostenloser Zugriff z 01-03-23 603 01 4603 427786533X OLR-OAPEN Bitte beachten Sie die Nutzungsbedingungen und Copyright-Bestimmungen des Verlages/Herausgebers. z 28-02-23 808 01 4808 4280767203 OLR-OAPEN OAPEN Library zg 01-03-23 2403 01 DE-LFER 4307137515 00 --%%-- --%%-- n --%%-- l01 10-04-23 22 01 0018 Volltextzugang http://library.oapen.org/handle/20.500.12657/24359 23 01 0830 http://library.oapen.org/handle/20.500.12657/24359 30 01 0104 Open Access http://library.oapen.org/handle/20.500.12657/24359 31 01 0027 eBook GBV-OAPEN http://library.oapen.org/handle/20.500.12657/24359 34 01 3551 OpenAccess http://library.oapen.org/handle/20.500.12657/24359 40 01 0007 Volltext, Open Access http://library.oapen.org/handle/20.500.12657/24359 63 01 3401 E-Book http://library.oapen.org/handle/20.500.12657/24359 65 01 0003 Open Access http://library.oapen.org/handle/20.500.12657/24359 65 01 0003 Dieser Titel ist Teil einer Datenbank http://www.bibliothek.uni-regensburg.de/dbinfo/detail.php?titel_id=10728&bib_id=ulb_hal 70 01 0089 http://library.oapen.org/handle/20.500.12657/24359 LF 72 01 0035 http://library.oapen.org/handle/20.500.12657/24359 95 01 3095 http://library.oapen.org/handle/20.500.12657/24359 110 01 3110 Open Access http://library.oapen.org/handle/20.500.12657/24359 136 01 3526 Open Access http://library.oapen.org/handle/20.500.12657/24359 147 01 3528 http://library.oapen.org/handle/20.500.12657/24359 161 01 0960 http://library.oapen.org/handle/20.500.12657/24359 LF 187 01 3520 http://library.oapen.org/handle/20.500.12657/24359 213 01 0551 http://library.oapen.org/handle/20.500.12657/24359 230 01 0552 http://library.oapen.org/handle/20.500.12657/24359 283 01 3283 http://library.oapen.org/handle/20.500.12657/24359 293 01 3293 http://library.oapen.org/handle/20.500.12657/24359 LF 370 01 4370 http://library.oapen.org/handle/20.500.12657/24359 603 01 4603 http://library.oapen.org/handle/20.500.12657/24359 808 01 4808 Volltextzugang http://library.oapen.org/handle/20.500.12657/24359 2403 01 DE-LFER https://library.oapen.org/bitstream/id/5a3ca5c8-a310-425c-8754-0ba7c18dcd5b/9782800414744.pdf 31 01 0027 00 eBook GBV-OAPEN 22 01 0018 OLR-ZDB-94-OAL 23 01 0830 OLR-OAPEN 30 01 0104 GBV-OAPEN 34 01 3551 OLR-OAPEN 39 01 0547 GBV-OAPEN 39 01 0547 LF 40 01 0007 OLR-OAPEN 63 01 3401 E-Books LF GBV-OAPEN 65 01 0003 OLR-OAPEN 70 01 0089 OLR-OAPEN-OA 72 01 0035 OLR-OAPEN-OA 95 01 3095 OLR-OAL 110 01 3110 OLR-GBV-OAPEN 136 01 3526 OLR-OAPEN 147 01 3528 OLR-OAPEN 161 01 0960 OLR-OAPEN 213 01 0551 OLR-OAPEN 230 01 0552 OLR-OAPEN 283 01 3283 OLR-OAL 293 01 3293 OLR-OAPEN 370 01 4370 OLR-FREE 370 01 4370 olr-ebook GBV-OAPEN 603 01 4603 OLR-OAPEN 808 01 4808 OLR-OAPEN
allfields_unstemmed	(DE-627)1836377541 (DE-599)KEP062098519 (OCoLC)1286426443 (OAPEN)24359 (EBP)062098519 DE-627 fre DE-627 rda fre AC bicssc AGA bicssc Dierkens, Alain verfasserin aut La performance des images Bruxelles Editions de l'Université de Bruxelles 2010 1 Online-Ressource (264 p.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Problèmes d'histoire des religions 19 Open Access Unrestricted online access star The image, before representing, to signify, acts and makes act. The performance of images, which this book undertakes exploration, is to be understood first of all as the evaluation of their effectiveness: what are the effects of images? It is then their agency: in what way are images living beings? It is also their performativity: as there are acts of speech, there are acts of image whose modalities can be detailed. Finally, it is their power: what can an image, including a text, for example, be incapable? <br> <br> Christian image holds a special place here because, far from being a simple "Bible of illiterate "subject to the reign of the text, it permeates all aspects of the life and thought of Christian societies, from their theological and anthropological foundations - God created man in his image; the Son is the image of the Father - up to the most diverse uses of visual objects. But in the West it is not only in the Middle Ages that the images are active: this book is also devoted to the new forms of visual performances that appeared with the Renaissance or the mass-media society L’image, avant de représenter, de signifier, agit et fait agir. La performance des images, dont ce livre entreprend l’exploration, est à comprendre d’abord comme l’évaluation de leur efficacité : quels sont les effets des images ? C’est ensuite leur agentivité : en quelle manière les images sont-elles des êtres vivants ? C’est aussi leur performativité : comme il y a des actes de parole, il y a des actes d’image dont les modalités peuvent être détaillées. Enfin, c’est leur puissance : que peut une image, dont un texte, par exemple, serait incapable ?<br><br>L’image chrétienne tient ici une place à part car, loin d’être une simple « Bible des illettrés » soumise au règne du texte, elle imprègne tous les aspects de la vie et de la pensée des sociétés chrétiennes, depuis leurs fondements théologiques et anthropologiques – Dieu créa l’homme à son image ; le Fils est l’image du Père – jusqu’aux utilisations les plus diverses des objets visuels. Mais en Occident ce n’est pas seulement au Moyen Âge que les images sont actives : ce livre est aussi consacré aux nouvelles formes de performances visuelles qui sont apparues avec la Renaissance ou la société mass-médiatique Creative Commons by-nc-nd/4.0 cc French History of art / art & design styles History of art Bartholeyns, Gil herausgeberin edt Golsenne, Thomas herausgeberin edt https://library.oapen.org/bitstream/id/5a3ca5c8-a310-425c-8754-0ba7c18dcd5b/9782800414744.pdf X:OAPEN Verlag OAPEN Library: download the publication kostenfrei http://library.oapen.org/handle/20.500.12657/24359 X:OAPEN Verlag OAPEN Library: description of the publication kostenfrei ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER BO 22 01 0018 4280033013 OLR-ZDB-94-OAL OAPEN Library zu 01-03-23 23 01 0830 4280587922 OLR-OAPEN f z 01-03-23 30 01 0104 4280947554 GBV-OAPEN z 01-03-23 31 01 0027 4280219508 z 01-03-23 34 01 3551 4278787030 OLR-OAPEN zi002 01-03-23 39 01 0547 428113851X GBV-OAPEN ke 01-03-23 40 01 0007 4279855536 OLR-OAPEN xsn 01-03-23 63 01 3401 428151810X E-Books LF GBV-OAPEN z 01-03-23 65 01 0003 428173449X OLR-OAPEN z 01-03-23 70 01 0089 4280409129 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 72 01 0035 4278605692 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 95 01 3095 4343128873 OLR-OAL Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 24-06-23 110 01 3110 4281323074 OLR-GBV-OAPEN Open Access z 01-03-23 136 01 3526 4279496609 OLR-OAPEN z 01-03-23 147 01 3528 4281964592 OLR-OAPEN frei verfügbar für Europa-Universität Flensburg, Hochschule Flensburg und Zentrale Hochschulbibliothek Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 01-03-23 161 01 0960 4278043120 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 187 01 3520 427841739X JSTOR Open Access eBook z 28-02-23 213 01 0551 4279142203 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 230 01 0552 4279319391 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 283 01 3283 4279678308 OLR-OAL z 01-03-23 293 01 3293 4278221460 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 370 01 4370 4278964773 OLR-FREE Kostenloser Zugriff z 01-03-23 603 01 4603 427786533X OLR-OAPEN Bitte beachten Sie die Nutzungsbedingungen und Copyright-Bestimmungen des Verlages/Herausgebers. z 28-02-23 808 01 4808 4280767203 OLR-OAPEN OAPEN Library zg 01-03-23 2403 01 DE-LFER 4307137515 00 --%%-- --%%-- n --%%-- l01 10-04-23 22 01 0018 Volltextzugang http://library.oapen.org/handle/20.500.12657/24359 23 01 0830 http://library.oapen.org/handle/20.500.12657/24359 30 01 0104 Open Access http://library.oapen.org/handle/20.500.12657/24359 31 01 0027 eBook GBV-OAPEN http://library.oapen.org/handle/20.500.12657/24359 34 01 3551 OpenAccess http://library.oapen.org/handle/20.500.12657/24359 40 01 0007 Volltext, Open Access http://library.oapen.org/handle/20.500.12657/24359 63 01 3401 E-Book http://library.oapen.org/handle/20.500.12657/24359 65 01 0003 Open Access http://library.oapen.org/handle/20.500.12657/24359 65 01 0003 Dieser Titel ist Teil einer Datenbank http://www.bibliothek.uni-regensburg.de/dbinfo/detail.php?titel_id=10728&bib_id=ulb_hal 70 01 0089 http://library.oapen.org/handle/20.500.12657/24359 LF 72 01 0035 http://library.oapen.org/handle/20.500.12657/24359 95 01 3095 http://library.oapen.org/handle/20.500.12657/24359 110 01 3110 Open Access http://library.oapen.org/handle/20.500.12657/24359 136 01 3526 Open Access http://library.oapen.org/handle/20.500.12657/24359 147 01 3528 http://library.oapen.org/handle/20.500.12657/24359 161 01 0960 http://library.oapen.org/handle/20.500.12657/24359 LF 187 01 3520 http://library.oapen.org/handle/20.500.12657/24359 213 01 0551 http://library.oapen.org/handle/20.500.12657/24359 230 01 0552 http://library.oapen.org/handle/20.500.12657/24359 283 01 3283 http://library.oapen.org/handle/20.500.12657/24359 293 01 3293 http://library.oapen.org/handle/20.500.12657/24359 LF 370 01 4370 http://library.oapen.org/handle/20.500.12657/24359 603 01 4603 http://library.oapen.org/handle/20.500.12657/24359 808 01 4808 Volltextzugang http://library.oapen.org/handle/20.500.12657/24359 2403 01 DE-LFER https://library.oapen.org/bitstream/id/5a3ca5c8-a310-425c-8754-0ba7c18dcd5b/9782800414744.pdf 31 01 0027 00 eBook GBV-OAPEN 22 01 0018 OLR-ZDB-94-OAL 23 01 0830 OLR-OAPEN 30 01 0104 GBV-OAPEN 34 01 3551 OLR-OAPEN 39 01 0547 GBV-OAPEN 39 01 0547 LF 40 01 0007 OLR-OAPEN 63 01 3401 E-Books LF GBV-OAPEN 65 01 0003 OLR-OAPEN 70 01 0089 OLR-OAPEN-OA 72 01 0035 OLR-OAPEN-OA 95 01 3095 OLR-OAL 110 01 3110 OLR-GBV-OAPEN 136 01 3526 OLR-OAPEN 147 01 3528 OLR-OAPEN 161 01 0960 OLR-OAPEN 213 01 0551 OLR-OAPEN 230 01 0552 OLR-OAPEN 283 01 3283 OLR-OAL 293 01 3293 OLR-OAPEN 370 01 4370 OLR-FREE 370 01 4370 olr-ebook GBV-OAPEN 603 01 4603 OLR-OAPEN 808 01 4808 OLR-OAPEN
allfieldsGer	(DE-627)1836377541 (DE-599)KEP062098519 (OCoLC)1286426443 (OAPEN)24359 (EBP)062098519 DE-627 fre DE-627 rda fre AC bicssc AGA bicssc Dierkens, Alain verfasserin aut La performance des images Bruxelles Editions de l'Université de Bruxelles 2010 1 Online-Ressource (264 p.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Problèmes d'histoire des religions 19 Open Access Unrestricted online access star The image, before representing, to signify, acts and makes act. The performance of images, which this book undertakes exploration, is to be understood first of all as the evaluation of their effectiveness: what are the effects of images? It is then their agency: in what way are images living beings? It is also their performativity: as there are acts of speech, there are acts of image whose modalities can be detailed. Finally, it is their power: what can an image, including a text, for example, be incapable? <br> <br> Christian image holds a special place here because, far from being a simple "Bible of illiterate "subject to the reign of the text, it permeates all aspects of the life and thought of Christian societies, from their theological and anthropological foundations - God created man in his image; the Son is the image of the Father - up to the most diverse uses of visual objects. But in the West it is not only in the Middle Ages that the images are active: this book is also devoted to the new forms of visual performances that appeared with the Renaissance or the mass-media society L’image, avant de représenter, de signifier, agit et fait agir. La performance des images, dont ce livre entreprend l’exploration, est à comprendre d’abord comme l’évaluation de leur efficacité : quels sont les effets des images ? C’est ensuite leur agentivité : en quelle manière les images sont-elles des êtres vivants ? C’est aussi leur performativité : comme il y a des actes de parole, il y a des actes d’image dont les modalités peuvent être détaillées. Enfin, c’est leur puissance : que peut une image, dont un texte, par exemple, serait incapable ?<br><br>L’image chrétienne tient ici une place à part car, loin d’être une simple « Bible des illettrés » soumise au règne du texte, elle imprègne tous les aspects de la vie et de la pensée des sociétés chrétiennes, depuis leurs fondements théologiques et anthropologiques – Dieu créa l’homme à son image ; le Fils est l’image du Père – jusqu’aux utilisations les plus diverses des objets visuels. Mais en Occident ce n’est pas seulement au Moyen Âge que les images sont actives : ce livre est aussi consacré aux nouvelles formes de performances visuelles qui sont apparues avec la Renaissance ou la société mass-médiatique Creative Commons by-nc-nd/4.0 cc French History of art / art & design styles History of art Bartholeyns, Gil herausgeberin edt Golsenne, Thomas herausgeberin edt https://library.oapen.org/bitstream/id/5a3ca5c8-a310-425c-8754-0ba7c18dcd5b/9782800414744.pdf X:OAPEN Verlag OAPEN Library: download the publication kostenfrei http://library.oapen.org/handle/20.500.12657/24359 X:OAPEN Verlag OAPEN Library: description of the publication kostenfrei ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER BO 22 01 0018 4280033013 OLR-ZDB-94-OAL OAPEN Library zu 01-03-23 23 01 0830 4280587922 OLR-OAPEN f z 01-03-23 30 01 0104 4280947554 GBV-OAPEN z 01-03-23 31 01 0027 4280219508 z 01-03-23 34 01 3551 4278787030 OLR-OAPEN zi002 01-03-23 39 01 0547 428113851X GBV-OAPEN ke 01-03-23 40 01 0007 4279855536 OLR-OAPEN xsn 01-03-23 63 01 3401 428151810X E-Books LF GBV-OAPEN z 01-03-23 65 01 0003 428173449X OLR-OAPEN z 01-03-23 70 01 0089 4280409129 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 72 01 0035 4278605692 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 95 01 3095 4343128873 OLR-OAL Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 24-06-23 110 01 3110 4281323074 OLR-GBV-OAPEN Open Access z 01-03-23 136 01 3526 4279496609 OLR-OAPEN z 01-03-23 147 01 3528 4281964592 OLR-OAPEN frei verfügbar für Europa-Universität Flensburg, Hochschule Flensburg und Zentrale Hochschulbibliothek Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 01-03-23 161 01 0960 4278043120 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 187 01 3520 427841739X JSTOR Open Access eBook z 28-02-23 213 01 0551 4279142203 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 230 01 0552 4279319391 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 283 01 3283 4279678308 OLR-OAL z 01-03-23 293 01 3293 4278221460 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 370 01 4370 4278964773 OLR-FREE Kostenloser Zugriff z 01-03-23 603 01 4603 427786533X OLR-OAPEN Bitte beachten Sie die Nutzungsbedingungen und Copyright-Bestimmungen des Verlages/Herausgebers. z 28-02-23 808 01 4808 4280767203 OLR-OAPEN OAPEN Library zg 01-03-23 2403 01 DE-LFER 4307137515 00 --%%-- --%%-- n --%%-- l01 10-04-23 22 01 0018 Volltextzugang http://library.oapen.org/handle/20.500.12657/24359 23 01 0830 http://library.oapen.org/handle/20.500.12657/24359 30 01 0104 Open Access http://library.oapen.org/handle/20.500.12657/24359 31 01 0027 eBook GBV-OAPEN http://library.oapen.org/handle/20.500.12657/24359 34 01 3551 OpenAccess http://library.oapen.org/handle/20.500.12657/24359 40 01 0007 Volltext, Open Access http://library.oapen.org/handle/20.500.12657/24359 63 01 3401 E-Book http://library.oapen.org/handle/20.500.12657/24359 65 01 0003 Open Access http://library.oapen.org/handle/20.500.12657/24359 65 01 0003 Dieser Titel ist Teil einer Datenbank http://www.bibliothek.uni-regensburg.de/dbinfo/detail.php?titel_id=10728&bib_id=ulb_hal 70 01 0089 http://library.oapen.org/handle/20.500.12657/24359 LF 72 01 0035 http://library.oapen.org/handle/20.500.12657/24359 95 01 3095 http://library.oapen.org/handle/20.500.12657/24359 110 01 3110 Open Access http://library.oapen.org/handle/20.500.12657/24359 136 01 3526 Open Access http://library.oapen.org/handle/20.500.12657/24359 147 01 3528 http://library.oapen.org/handle/20.500.12657/24359 161 01 0960 http://library.oapen.org/handle/20.500.12657/24359 LF 187 01 3520 http://library.oapen.org/handle/20.500.12657/24359 213 01 0551 http://library.oapen.org/handle/20.500.12657/24359 230 01 0552 http://library.oapen.org/handle/20.500.12657/24359 283 01 3283 http://library.oapen.org/handle/20.500.12657/24359 293 01 3293 http://library.oapen.org/handle/20.500.12657/24359 LF 370 01 4370 http://library.oapen.org/handle/20.500.12657/24359 603 01 4603 http://library.oapen.org/handle/20.500.12657/24359 808 01 4808 Volltextzugang http://library.oapen.org/handle/20.500.12657/24359 2403 01 DE-LFER https://library.oapen.org/bitstream/id/5a3ca5c8-a310-425c-8754-0ba7c18dcd5b/9782800414744.pdf 31 01 0027 00 eBook GBV-OAPEN 22 01 0018 OLR-ZDB-94-OAL 23 01 0830 OLR-OAPEN 30 01 0104 GBV-OAPEN 34 01 3551 OLR-OAPEN 39 01 0547 GBV-OAPEN 39 01 0547 LF 40 01 0007 OLR-OAPEN 63 01 3401 E-Books LF GBV-OAPEN 65 01 0003 OLR-OAPEN 70 01 0089 OLR-OAPEN-OA 72 01 0035 OLR-OAPEN-OA 95 01 3095 OLR-OAL 110 01 3110 OLR-GBV-OAPEN 136 01 3526 OLR-OAPEN 147 01 3528 OLR-OAPEN 161 01 0960 OLR-OAPEN 213 01 0551 OLR-OAPEN 230 01 0552 OLR-OAPEN 283 01 3283 OLR-OAL 293 01 3293 OLR-OAPEN 370 01 4370 OLR-FREE 370 01 4370 olr-ebook GBV-OAPEN 603 01 4603 OLR-OAPEN 808 01 4808 OLR-OAPEN
allfieldsSound	(DE-627)1836377541 (DE-599)KEP062098519 (OCoLC)1286426443 (OAPEN)24359 (EBP)062098519 DE-627 fre DE-627 rda fre AC bicssc AGA bicssc Dierkens, Alain verfasserin aut La performance des images Bruxelles Editions de l'Université de Bruxelles 2010 1 Online-Ressource (264 p.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Problèmes d'histoire des religions 19 Open Access Unrestricted online access star The image, before representing, to signify, acts and makes act. The performance of images, which this book undertakes exploration, is to be understood first of all as the evaluation of their effectiveness: what are the effects of images? It is then their agency: in what way are images living beings? It is also their performativity: as there are acts of speech, there are acts of image whose modalities can be detailed. Finally, it is their power: what can an image, including a text, for example, be incapable? <br> <br> Christian image holds a special place here because, far from being a simple "Bible of illiterate "subject to the reign of the text, it permeates all aspects of the life and thought of Christian societies, from their theological and anthropological foundations - God created man in his image; the Son is the image of the Father - up to the most diverse uses of visual objects. But in the West it is not only in the Middle Ages that the images are active: this book is also devoted to the new forms of visual performances that appeared with the Renaissance or the mass-media society L’image, avant de représenter, de signifier, agit et fait agir. La performance des images, dont ce livre entreprend l’exploration, est à comprendre d’abord comme l’évaluation de leur efficacité : quels sont les effets des images ? C’est ensuite leur agentivité : en quelle manière les images sont-elles des êtres vivants ? C’est aussi leur performativité : comme il y a des actes de parole, il y a des actes d’image dont les modalités peuvent être détaillées. Enfin, c’est leur puissance : que peut une image, dont un texte, par exemple, serait incapable ?<br><br>L’image chrétienne tient ici une place à part car, loin d’être une simple « Bible des illettrés » soumise au règne du texte, elle imprègne tous les aspects de la vie et de la pensée des sociétés chrétiennes, depuis leurs fondements théologiques et anthropologiques – Dieu créa l’homme à son image ; le Fils est l’image du Père – jusqu’aux utilisations les plus diverses des objets visuels. Mais en Occident ce n’est pas seulement au Moyen Âge que les images sont actives : ce livre est aussi consacré aux nouvelles formes de performances visuelles qui sont apparues avec la Renaissance ou la société mass-médiatique Creative Commons by-nc-nd/4.0 cc French History of art / art & design styles History of art Bartholeyns, Gil herausgeberin edt Golsenne, Thomas herausgeberin edt https://library.oapen.org/bitstream/id/5a3ca5c8-a310-425c-8754-0ba7c18dcd5b/9782800414744.pdf X:OAPEN Verlag OAPEN Library: download the publication kostenfrei http://library.oapen.org/handle/20.500.12657/24359 X:OAPEN Verlag OAPEN Library: description of the publication kostenfrei ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER BO 22 01 0018 4280033013 OLR-ZDB-94-OAL OAPEN Library zu 01-03-23 23 01 0830 4280587922 OLR-OAPEN f z 01-03-23 30 01 0104 4280947554 GBV-OAPEN z 01-03-23 31 01 0027 4280219508 z 01-03-23 34 01 3551 4278787030 OLR-OAPEN zi002 01-03-23 39 01 0547 428113851X GBV-OAPEN ke 01-03-23 40 01 0007 4279855536 OLR-OAPEN xsn 01-03-23 63 01 3401 428151810X E-Books LF GBV-OAPEN z 01-03-23 65 01 0003 428173449X OLR-OAPEN z 01-03-23 70 01 0089 4280409129 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 72 01 0035 4278605692 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 95 01 3095 4343128873 OLR-OAL Vervielfältigungen (z.B. 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fullrecord	<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01000cam a22002652 4500</leader><controlfield tag="001">1836377541</controlfield><controlfield tag="003">DE-627</controlfield><controlfield tag="005">20241010070405.0</controlfield><controlfield tag="007">cr uuu---uuuuu</controlfield><controlfield tag="008">210309s2010 xx \|\|\|\|\|o 00\| \|\|fre c</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-627)1836377541</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)KEP062098519</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1286426443</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OAPEN)24359</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(EBP)062098519</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-627</subfield><subfield code="b">fre</subfield><subfield code="c">DE-627</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1=" " ind2=" "><subfield code="a">fre</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">AC</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">AGA</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Dierkens, Alain</subfield><subfield code="e">verfasserin</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">La performance des images</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Bruxelles</subfield><subfield code="b">Editions de l'Université de Bruxelles</subfield><subfield code="c">2010</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (264 p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">Text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">Computermedien</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">Online-Ressource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Problèmes d'histoire des religions</subfield><subfield code="v">19</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">Open Access</subfield><subfield code="f">Unrestricted online access</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The image, before representing, to signify, acts and makes act. The performance of images, which this book undertakes exploration, is to be understood first of all as the evaluation of their effectiveness: what are the effects of images? It is then their agency: in what way are images living beings? It is also their performativity: as there are acts of speech, there are acts of image whose modalities can be detailed. Finally, it is their power: what can an image, including a text, for example, be incapable? <br> <br> Christian image holds a special place here because, far from being a simple "Bible of illiterate "subject to the reign of the text, it permeates all aspects of the life and thought of Christian societies, from their theological and anthropological foundations - God created man in his image; the Son is the image of the Father - up to the most diverse uses of visual objects. But in the West it is not only in the Middle Ages that the images are active: this book is also devoted to the new forms of visual performances that appeared with the Renaissance or the mass-media society</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">L’image, avant de représenter, de signifier, agit et fait agir. La performance des images, dont ce livre entreprend l’exploration, est à comprendre d’abord comme l’évaluation de leur efficacité : quels sont les effets des images ? C’est ensuite leur agentivité : en quelle manière les images sont-elles des êtres vivants ? C’est aussi leur performativité : comme il y a des actes de parole, il y a des actes d’image dont les modalités peuvent être détaillées. 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title_sort	la performance des images
title_auth	La performance des images
abstract	The image, before representing, to signify, acts and makes act. The performance of images, which this book undertakes exploration, is to be understood first of all as the evaluation of their effectiveness: what are the effects of images? It is then their agency: in what way are images living beings? It is also their performativity: as there are acts of speech, there are acts of image whose modalities can be detailed. Finally, it is their power: what can an image, including a text, for example, be incapable? <br> <br> Christian image holds a special place here because, far from being a simple "Bible of illiterate "subject to the reign of the text, it permeates all aspects of the life and thought of Christian societies, from their theological and anthropological foundations - God created man in his image; the Son is the image of the Father - up to the most diverse uses of visual objects. But in the West it is not only in the Middle Ages that the images are active: this book is also devoted to the new forms of visual performances that appeared with the Renaissance or the mass-media society L’image, avant de représenter, de signifier, agit et fait agir. La performance des images, dont ce livre entreprend l’exploration, est à comprendre d’abord comme l’évaluation de leur efficacité : quels sont les effets des images ? C’est ensuite leur agentivité : en quelle manière les images sont-elles des êtres vivants ? C’est aussi leur performativité : comme il y a des actes de parole, il y a des actes d’image dont les modalités peuvent être détaillées. Enfin, c’est leur puissance : que peut une image, dont un texte, par exemple, serait incapable ?<br><br>L’image chrétienne tient ici une place à part car, loin d’être une simple « Bible des illettrés » soumise au règne du texte, elle imprègne tous les aspects de la vie et de la pensée des sociétés chrétiennes, depuis leurs fondements théologiques et anthropologiques – Dieu créa l’homme à son image ; le Fils est l’image du Père – jusqu’aux utilisations les plus diverses des objets visuels. Mais en Occident ce n’est pas seulement au Moyen Âge que les images sont actives : ce livre est aussi consacré aux nouvelles formes de performances visuelles qui sont apparues avec la Renaissance ou la société mass-médiatique
abstractGer	The image, before representing, to signify, acts and makes act. The performance of images, which this book undertakes exploration, is to be understood first of all as the evaluation of their effectiveness: what are the effects of images? It is then their agency: in what way are images living beings? It is also their performativity: as there are acts of speech, there are acts of image whose modalities can be detailed. Finally, it is their power: what can an image, including a text, for example, be incapable? <br> <br> Christian image holds a special place here because, far from being a simple "Bible of illiterate "subject to the reign of the text, it permeates all aspects of the life and thought of Christian societies, from their theological and anthropological foundations - God created man in his image; the Son is the image of the Father - up to the most diverse uses of visual objects. But in the West it is not only in the Middle Ages that the images are active: this book is also devoted to the new forms of visual performances that appeared with the Renaissance or the mass-media society L’image, avant de représenter, de signifier, agit et fait agir. La performance des images, dont ce livre entreprend l’exploration, est à comprendre d’abord comme l’évaluation de leur efficacité : quels sont les effets des images ? C’est ensuite leur agentivité : en quelle manière les images sont-elles des êtres vivants ? C’est aussi leur performativité : comme il y a des actes de parole, il y a des actes d’image dont les modalités peuvent être détaillées. Enfin, c’est leur puissance : que peut une image, dont un texte, par exemple, serait incapable ?<br><br>L’image chrétienne tient ici une place à part car, loin d’être une simple « Bible des illettrés » soumise au règne du texte, elle imprègne tous les aspects de la vie et de la pensée des sociétés chrétiennes, depuis leurs fondements théologiques et anthropologiques – Dieu créa l’homme à son image ; le Fils est l’image du Père – jusqu’aux utilisations les plus diverses des objets visuels. Mais en Occident ce n’est pas seulement au Moyen Âge que les images sont actives : ce livre est aussi consacré aux nouvelles formes de performances visuelles qui sont apparues avec la Renaissance ou la société mass-médiatique
abstract_unstemmed	The image, before representing, to signify, acts and makes act. The performance of images, which this book undertakes exploration, is to be understood first of all as the evaluation of their effectiveness: what are the effects of images? It is then their agency: in what way are images living beings? It is also their performativity: as there are acts of speech, there are acts of image whose modalities can be detailed. Finally, it is their power: what can an image, including a text, for example, be incapable? <br> <br> Christian image holds a special place here because, far from being a simple "Bible of illiterate "subject to the reign of the text, it permeates all aspects of the life and thought of Christian societies, from their theological and anthropological foundations - God created man in his image; the Son is the image of the Father - up to the most diverse uses of visual objects. But in the West it is not only in the Middle Ages that the images are active: this book is also devoted to the new forms of visual performances that appeared with the Renaissance or the mass-media society L’image, avant de représenter, de signifier, agit et fait agir. La performance des images, dont ce livre entreprend l’exploration, est à comprendre d’abord comme l’évaluation de leur efficacité : quels sont les effets des images ? C’est ensuite leur agentivité : en quelle manière les images sont-elles des êtres vivants ? C’est aussi leur performativité : comme il y a des actes de parole, il y a des actes d’image dont les modalités peuvent être détaillées. Enfin, c’est leur puissance : que peut une image, dont un texte, par exemple, serait incapable ?<br><br>L’image chrétienne tient ici une place à part car, loin d’être une simple « Bible des illettrés » soumise au règne du texte, elle imprègne tous les aspects de la vie et de la pensée des sociétés chrétiennes, depuis leurs fondements théologiques et anthropologiques – Dieu créa l’homme à son image ; le Fils est l’image du Père – jusqu’aux utilisations les plus diverses des objets visuels. Mais en Occident ce n’est pas seulement au Moyen Âge que les images sont actives : ce livre est aussi consacré aux nouvelles formes de performances visuelles qui sont apparues avec la Renaissance ou la société mass-médiatique
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title_short	La performance des images
url	https://library.oapen.org/bitstream/id/5a3ca5c8-a310-425c-8754-0ba7c18dcd5b/9782800414744.pdf http://library.oapen.org/handle/20.500.12657/24359
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