Improvising Cinema

This spirited volume explores the history and diversity of improvisation in the cinema, including works by Jean Renoir, Jean-Luc Godard, and Nobuhiro Suwa. Gilles Mouëllic examines improvisational practices that can be specifically attributed to the cinema and argues in favors of their powers as ins...
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Gespeichert in:

Autor*in:	Mouëllic, Gilles [verfasserIn]

Format:	E-Book
Sprache:	Französisch

Erschienen:	Amsterdam: Amsterdam University Press ; 2014

Rechteinformationen:	Open Access Creative Commons ; https://creativecommons.org/licenses/by-nc-nd/4.0

Schlagwörter:	The arts: general issues Electronic, holographic & video art The arts: general topics Digital, video and new media arts

Umfang:	1 Online-Ressource (200 p.)

Reihe:	Film Culture in Transition

Links:	Link aufrufen Link aufrufen Link aufrufen
ISBN:	978-90-8964-551-7

Katalog-ID:	1836377827

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spelling	9789089645517 9789089645159 978-90-8964-551-7 (DE-627)1836377827 (DE-599)KEP062098799 (OCoLC)1286378978 (OAPEN)24480 (EBP)062098799 DE-627 fre DE-627 rda fre AB bicssc AFKV bicssc Mouëllic, Gilles verfasserin aut Improvising Cinema Amsterdam Amsterdam University Press 2014 1 Online-Ressource (200 p.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Film Culture in Transition Open Access Unrestricted online access star This spirited volume explores the history and diversity of improvisation in the cinema, including works by Jean Renoir, Jean-Luc Godard, and Nobuhiro Suwa. Gilles Mouëllic examines improvisational practices that can be specifically attributed to the cinema and argues in favors of their powers as instigators of unprecedented forms of expression. Improvising Cinema reflects both on the permanence of attempting improvisation and the relationship between technology and aesthetics. Mouëllic concludes preservation becomes even more invaluable in the case of improvisation, as the creative act exists only within the brief time span of the performance Creative Commons https://creativecommons.org/licenses/by-nc-nd/4.0 cc French English The arts: general issues Electronic, holographic & video art The arts: general topics Digital, video and new media arts https://library.oapen.org/bitstream/id/6fc06779-be6a-4257-b4ba-3d50e6b9892c/1005635.pdf X:OAPEN Verlag OAPEN Library: download the publication kostenfrei http://library.oapen.org/handle/20.500.12657/24480 X:OAPEN Verlag OAPEN Library: description of the publication kostenfrei ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER BO 22 01 0018 4280033293 OLR-ZDB-94-OAL OAPEN Library zu 01-03-23 23 01 0830 4280588201 OLR-OAPEN f z 01-03-23 30 01 0104 428094783X GBV-OAPEN z 01-03-23 31 01 0027 4280219788 z 01-03-23 34 01 3551 4278787316 OLR-OAPEN zi002 01-03-23 39 01 0547 428113879X GBV-OAPEN ke 01-03-23 40 01 0007 4279855811 OLR-OAPEN xsn 01-03-23 63 01 3401 428151838X E-Books LF GBV-OAPEN z 01-03-23 65 01 0003 4281734929 OLR-OAPEN z 01-03-23 70 01 0089 4280409404 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 72 01 0035 4278605978 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 95 01 3095 4343129152 OLR-OAL Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 24-06-23 110 01 3110 428132335X OLR-GBV-OAPEN Open Access z 01-03-23 136 01 3526 4279496889 OLR-OAPEN z 01-03-23 147 01 3528 4281964886 OLR-OAPEN frei verfügbar für Europa-Universität Flensburg, Hochschule Flensburg und Zentrale Hochschulbibliothek Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 01-03-23 161 01 0960 4278043406 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 187 01 3520 4278417675 JSTOR Open Access eBook z 28-02-23 213 01 0551 4279142483 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 230 01 0552 4279319677 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 283 01 3283 4279678588 OLR-OAL z 01-03-23 293 01 3293 4278221940 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 370 01 4370 4278965052 OLR-FREE Kostenloser Zugriff z 01-03-23 603 01 4603 4277865615 OLR-OAPEN Bitte beachten Sie die Nutzungsbedingungen und Copyright-Bestimmungen des Verlages/Herausgebers. z 28-02-23 808 01 4808 4280767483 OLR-OAPEN OAPEN Library zg 01-03-23 2403 01 DE-LFER 4307137795 00 --%%-- --%%-- n --%%-- l01 10-04-23 22 01 0018 Volltextzugang http://library.oapen.org/handle/20.500.12657/24480 23 01 0830 http://library.oapen.org/handle/20.500.12657/24480 30 01 0104 Open Access http://library.oapen.org/handle/20.500.12657/24480 31 01 0027 eBook GBV-OAPEN http://library.oapen.org/handle/20.500.12657/24480 34 01 3551 OpenAccess http://library.oapen.org/handle/20.500.12657/24480 40 01 0007 Volltext, Open Access http://library.oapen.org/handle/20.500.12657/24480 63 01 3401 E-Book http://library.oapen.org/handle/20.500.12657/24480 65 01 0003 Open Access http://library.oapen.org/handle/20.500.12657/24480 65 01 0003 Dieser Titel ist Teil einer Datenbank http://www.bibliothek.uni-regensburg.de/dbinfo/detail.php?titel_id=10728&bib_id=ulb_hal 70 01 0089 http://library.oapen.org/handle/20.500.12657/24480 LF 72 01 0035 http://library.oapen.org/handle/20.500.12657/24480 95 01 3095 http://library.oapen.org/handle/20.500.12657/24480 110 01 3110 Open Access http://library.oapen.org/handle/20.500.12657/24480 136 01 3526 Open Access http://library.oapen.org/handle/20.500.12657/24480 147 01 3528 http://library.oapen.org/handle/20.500.12657/24480 161 01 0960 http://library.oapen.org/handle/20.500.12657/24480 LF 187 01 3520 http://library.oapen.org/handle/20.500.12657/24480 213 01 0551 http://library.oapen.org/handle/20.500.12657/24480 230 01 0552 http://library.oapen.org/handle/20.500.12657/24480 283 01 3283 http://library.oapen.org/handle/20.500.12657/24480 293 01 3293 http://library.oapen.org/handle/20.500.12657/24480 LF 370 01 4370 http://library.oapen.org/handle/20.500.12657/24480 603 01 4603 http://library.oapen.org/handle/20.500.12657/24480 808 01 4808 Volltextzugang http://library.oapen.org/handle/20.500.12657/24480 2403 01 DE-LFER https://library.oapen.org/bitstream/id/6fc06779-be6a-4257-b4ba-3d50e6b9892c/1005635.pdf 31 01 0027 00 eBook GBV-OAPEN 22 01 0018 OLR-ZDB-94-OAL 23 01 0830 OLR-OAPEN 30 01 0104 GBV-OAPEN 34 01 3551 OLR-OAPEN 39 01 0547 GBV-OAPEN 39 01 0547 LF 40 01 0007 OLR-OAPEN 63 01 3401 E-Books LF GBV-OAPEN 65 01 0003 OLR-OAPEN 70 01 0089 OLR-OAPEN-OA 72 01 0035 OLR-OAPEN-OA 95 01 3095 OLR-OAL 110 01 3110 OLR-GBV-OAPEN 136 01 3526 OLR-OAPEN 147 01 3528 OLR-OAPEN 161 01 0960 OLR-OAPEN 213 01 0551 OLR-OAPEN 230 01 0552 OLR-OAPEN 283 01 3283 OLR-OAL 293 01 3293 OLR-OAPEN 370 01 4370 OLR-FREE 370 01 4370 olr-ebook GBV-OAPEN 603 01 4603 OLR-OAPEN 808 01 4808 OLR-OAPEN
allfields_unstemmed	9789089645517 9789089645159 978-90-8964-551-7 (DE-627)1836377827 (DE-599)KEP062098799 (OCoLC)1286378978 (OAPEN)24480 (EBP)062098799 DE-627 fre DE-627 rda fre AB bicssc AFKV bicssc Mouëllic, Gilles verfasserin aut Improvising Cinema Amsterdam Amsterdam University Press 2014 1 Online-Ressource (200 p.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Film Culture in Transition Open Access Unrestricted online access star This spirited volume explores the history and diversity of improvisation in the cinema, including works by Jean Renoir, Jean-Luc Godard, and Nobuhiro Suwa. Gilles Mouëllic examines improvisational practices that can be specifically attributed to the cinema and argues in favors of their powers as instigators of unprecedented forms of expression. Improvising Cinema reflects both on the permanence of attempting improvisation and the relationship between technology and aesthetics. Mouëllic concludes preservation becomes even more invaluable in the case of improvisation, as the creative act exists only within the brief time span of the performance Creative Commons https://creativecommons.org/licenses/by-nc-nd/4.0 cc French English The arts: general issues Electronic, holographic & video art The arts: general topics Digital, video and new media arts https://library.oapen.org/bitstream/id/6fc06779-be6a-4257-b4ba-3d50e6b9892c/1005635.pdf X:OAPEN Verlag OAPEN Library: download the publication kostenfrei http://library.oapen.org/handle/20.500.12657/24480 X:OAPEN Verlag OAPEN Library: description of the publication kostenfrei ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER BO 22 01 0018 4280033293 OLR-ZDB-94-OAL OAPEN Library zu 01-03-23 23 01 0830 4280588201 OLR-OAPEN f z 01-03-23 30 01 0104 428094783X GBV-OAPEN z 01-03-23 31 01 0027 4280219788 z 01-03-23 34 01 3551 4278787316 OLR-OAPEN zi002 01-03-23 39 01 0547 428113879X GBV-OAPEN ke 01-03-23 40 01 0007 4279855811 OLR-OAPEN xsn 01-03-23 63 01 3401 428151838X E-Books LF GBV-OAPEN z 01-03-23 65 01 0003 4281734929 OLR-OAPEN z 01-03-23 70 01 0089 4280409404 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 72 01 0035 4278605978 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 95 01 3095 4343129152 OLR-OAL Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 24-06-23 110 01 3110 428132335X OLR-GBV-OAPEN Open Access z 01-03-23 136 01 3526 4279496889 OLR-OAPEN z 01-03-23 147 01 3528 4281964886 OLR-OAPEN frei verfügbar für Europa-Universität Flensburg, Hochschule Flensburg und Zentrale Hochschulbibliothek Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 01-03-23 161 01 0960 4278043406 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 187 01 3520 4278417675 JSTOR Open Access eBook z 28-02-23 213 01 0551 4279142483 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 230 01 0552 4279319677 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 283 01 3283 4279678588 OLR-OAL z 01-03-23 293 01 3293 4278221940 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 370 01 4370 4278965052 OLR-FREE Kostenloser Zugriff z 01-03-23 603 01 4603 4277865615 OLR-OAPEN Bitte beachten Sie die Nutzungsbedingungen und Copyright-Bestimmungen des Verlages/Herausgebers. z 28-02-23 808 01 4808 4280767483 OLR-OAPEN OAPEN Library zg 01-03-23 2403 01 DE-LFER 4307137795 00 --%%-- --%%-- n --%%-- l01 10-04-23 22 01 0018 Volltextzugang http://library.oapen.org/handle/20.500.12657/24480 23 01 0830 http://library.oapen.org/handle/20.500.12657/24480 30 01 0104 Open Access http://library.oapen.org/handle/20.500.12657/24480 31 01 0027 eBook GBV-OAPEN http://library.oapen.org/handle/20.500.12657/24480 34 01 3551 OpenAccess http://library.oapen.org/handle/20.500.12657/24480 40 01 0007 Volltext, Open Access http://library.oapen.org/handle/20.500.12657/24480 63 01 3401 E-Book http://library.oapen.org/handle/20.500.12657/24480 65 01 0003 Open Access http://library.oapen.org/handle/20.500.12657/24480 65 01 0003 Dieser Titel ist Teil einer Datenbank http://www.bibliothek.uni-regensburg.de/dbinfo/detail.php?titel_id=10728&bib_id=ulb_hal 70 01 0089 http://library.oapen.org/handle/20.500.12657/24480 LF 72 01 0035 http://library.oapen.org/handle/20.500.12657/24480 95 01 3095 http://library.oapen.org/handle/20.500.12657/24480 110 01 3110 Open Access http://library.oapen.org/handle/20.500.12657/24480 136 01 3526 Open Access http://library.oapen.org/handle/20.500.12657/24480 147 01 3528 http://library.oapen.org/handle/20.500.12657/24480 161 01 0960 http://library.oapen.org/handle/20.500.12657/24480 LF 187 01 3520 http://library.oapen.org/handle/20.500.12657/24480 213 01 0551 http://library.oapen.org/handle/20.500.12657/24480 230 01 0552 http://library.oapen.org/handle/20.500.12657/24480 283 01 3283 http://library.oapen.org/handle/20.500.12657/24480 293 01 3293 http://library.oapen.org/handle/20.500.12657/24480 LF 370 01 4370 http://library.oapen.org/handle/20.500.12657/24480 603 01 4603 http://library.oapen.org/handle/20.500.12657/24480 808 01 4808 Volltextzugang http://library.oapen.org/handle/20.500.12657/24480 2403 01 DE-LFER https://library.oapen.org/bitstream/id/6fc06779-be6a-4257-b4ba-3d50e6b9892c/1005635.pdf 31 01 0027 00 eBook GBV-OAPEN 22 01 0018 OLR-ZDB-94-OAL 23 01 0830 OLR-OAPEN 30 01 0104 GBV-OAPEN 34 01 3551 OLR-OAPEN 39 01 0547 GBV-OAPEN 39 01 0547 LF 40 01 0007 OLR-OAPEN 63 01 3401 E-Books LF GBV-OAPEN 65 01 0003 OLR-OAPEN 70 01 0089 OLR-OAPEN-OA 72 01 0035 OLR-OAPEN-OA 95 01 3095 OLR-OAL 110 01 3110 OLR-GBV-OAPEN 136 01 3526 OLR-OAPEN 147 01 3528 OLR-OAPEN 161 01 0960 OLR-OAPEN 213 01 0551 OLR-OAPEN 230 01 0552 OLR-OAPEN 283 01 3283 OLR-OAL 293 01 3293 OLR-OAPEN 370 01 4370 OLR-FREE 370 01 4370 olr-ebook GBV-OAPEN 603 01 4603 OLR-OAPEN 808 01 4808 OLR-OAPEN
allfieldsGer	9789089645517 9789089645159 978-90-8964-551-7 (DE-627)1836377827 (DE-599)KEP062098799 (OCoLC)1286378978 (OAPEN)24480 (EBP)062098799 DE-627 fre DE-627 rda fre AB bicssc AFKV bicssc Mouëllic, Gilles verfasserin aut Improvising Cinema Amsterdam Amsterdam University Press 2014 1 Online-Ressource (200 p.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Film Culture in Transition Open Access Unrestricted online access star This spirited volume explores the history and diversity of improvisation in the cinema, including works by Jean Renoir, Jean-Luc Godard, and Nobuhiro Suwa. Gilles Mouëllic examines improvisational practices that can be specifically attributed to the cinema and argues in favors of their powers as instigators of unprecedented forms of expression. Improvising Cinema reflects both on the permanence of attempting improvisation and the relationship between technology and aesthetics. Mouëllic concludes preservation becomes even more invaluable in the case of improvisation, as the creative act exists only within the brief time span of the performance Creative Commons https://creativecommons.org/licenses/by-nc-nd/4.0 cc French English The arts: general issues Electronic, holographic & video art The arts: general topics Digital, video and new media arts https://library.oapen.org/bitstream/id/6fc06779-be6a-4257-b4ba-3d50e6b9892c/1005635.pdf X:OAPEN Verlag OAPEN Library: download the publication kostenfrei http://library.oapen.org/handle/20.500.12657/24480 X:OAPEN Verlag OAPEN Library: description of the publication kostenfrei ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER BO 22 01 0018 4280033293 OLR-ZDB-94-OAL OAPEN Library zu 01-03-23 23 01 0830 4280588201 OLR-OAPEN f z 01-03-23 30 01 0104 428094783X GBV-OAPEN z 01-03-23 31 01 0027 4280219788 z 01-03-23 34 01 3551 4278787316 OLR-OAPEN zi002 01-03-23 39 01 0547 428113879X GBV-OAPEN ke 01-03-23 40 01 0007 4279855811 OLR-OAPEN xsn 01-03-23 63 01 3401 428151838X E-Books LF GBV-OAPEN z 01-03-23 65 01 0003 4281734929 OLR-OAPEN z 01-03-23 70 01 0089 4280409404 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 72 01 0035 4278605978 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 95 01 3095 4343129152 OLR-OAL Vervielfältigungen (z.B. 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abstract	This spirited volume explores the history and diversity of improvisation in the cinema, including works by Jean Renoir, Jean-Luc Godard, and Nobuhiro Suwa. Gilles Mouëllic examines improvisational practices that can be specifically attributed to the cinema and argues in favors of their powers as instigators of unprecedented forms of expression. Improvising Cinema reflects both on the permanence of attempting improvisation and the relationship between technology and aesthetics. Mouëllic concludes preservation becomes even more invaluable in the case of improvisation, as the creative act exists only within the brief time span of the performance
abstractGer	This spirited volume explores the history and diversity of improvisation in the cinema, including works by Jean Renoir, Jean-Luc Godard, and Nobuhiro Suwa. Gilles Mouëllic examines improvisational practices that can be specifically attributed to the cinema and argues in favors of their powers as instigators of unprecedented forms of expression. Improvising Cinema reflects both on the permanence of attempting improvisation and the relationship between technology and aesthetics. Mouëllic concludes preservation becomes even more invaluable in the case of improvisation, as the creative act exists only within the brief time span of the performance
abstract_unstemmed	This spirited volume explores the history and diversity of improvisation in the cinema, including works by Jean Renoir, Jean-Luc Godard, and Nobuhiro Suwa. Gilles Mouëllic examines improvisational practices that can be specifically attributed to the cinema and argues in favors of their powers as instigators of unprecedented forms of expression. Improvising Cinema reflects both on the permanence of attempting improvisation and the relationship between technology and aesthetics. Mouëllic concludes preservation becomes even more invaluable in the case of improvisation, as the creative act exists only within the brief time span of the performance
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