Cold War Cosmopolitanism : Period Style in 1950s Korean Cinema
"Han Hyung-mo was a major figure within South Korea’s Golden Age cinema. The director of Madame Freedom (1956), the most famous film of the 1950s, Han made popular films that explored women’s relationship to modernity. He was also a master stylist who introduced technological innovations and...
Ausführliche Beschreibung
Autor*in: |
Klein, Christina [verfasserIn] |
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Format: |
E-Book |
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Sprache: |
Englisch |
Erschienen: |
Oakland: University of California Press ; 2020 |
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Rechteinformationen: |
Open Access Creative Commons ; by-nc-nd/4.0 |
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Schlagwörter: |
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Umfang: |
1 Online-Ressource (321 p.) |
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Links: | |
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ISBN: |
978-0-520-29650-3 |
Katalog-ID: |
183638193X |
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9780520296503 978-0-520-29650-3 (DE-627)183638193X (DE-599)KEP062102907 (OCoLC)1286318204 (OAPEN)22399 (EBP)062102907 DE-627 eng DE-627 rda eng APF bicssc HBJF bicssc JFD bicssc ATF bicssc NHF bicssc JBCT bicssc Klein, Christina verfasserin aut Cold War Cosmopolitanism Period Style in 1950s Korean Cinema Oakland University of California Press 2020 1 Online-Ressource (321 p.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star "Han Hyung-mo was a major figure within South Korea’s Golden Age cinema. The director of Madame Freedom (1956), the most famous film of the 1950s, Han made popular films that explored women’s relationship to modernity. He was also a master stylist who introduced technological innovations and fresh ideas about film form and genre into Korean cinema. This book offers a transnational cultural history of Han’s films, one that foregrounds questions of gender and style. Han’s films embody a period style that Klein calls “Cold War cosmopolitanism.” The waging of the Cold War enmeshed South Korea within a network of ties to the Free World. Fostered by political leaders like Syngman Rhee, American institutions such as the US military and the Asia Foundation, and ordinary Koreans, these networks created channels through which material resources, liberal ideas, and cultural texts flowed into and out of Korea. Han and other cultural producers tapped into these networks to create new forms of commercial culture that meshed local concerns with foreign trends. Combining extensive archival research and in-depth analyses of individual films, Cold War Cosmopolitanism offers a fresh, interdisciplinary perspective on the waging of the cultural Cold War in Asia." 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spelling |
9780520296503 978-0-520-29650-3 (DE-627)183638193X (DE-599)KEP062102907 (OCoLC)1286318204 (OAPEN)22399 (EBP)062102907 DE-627 eng DE-627 rda eng APF bicssc HBJF bicssc JFD bicssc ATF bicssc NHF bicssc JBCT bicssc Klein, Christina verfasserin aut Cold War Cosmopolitanism Period Style in 1950s Korean Cinema Oakland University of California Press 2020 1 Online-Ressource (321 p.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star "Han Hyung-mo was a major figure within South Korea’s Golden Age cinema. The director of Madame Freedom (1956), the most famous film of the 1950s, Han made popular films that explored women’s relationship to modernity. He was also a master stylist who introduced technological innovations and fresh ideas about film form and genre into Korean cinema. This book offers a transnational cultural history of Han’s films, one that foregrounds questions of gender and style. Han’s films embody a period style that Klein calls “Cold War cosmopolitanism.” The waging of the Cold War enmeshed South Korea within a network of ties to the Free World. Fostered by political leaders like Syngman Rhee, American institutions such as the US military and the Asia Foundation, and ordinary Koreans, these networks created channels through which material resources, liberal ideas, and cultural texts flowed into and out of Korea. Han and other cultural producers tapped into these networks to create new forms of commercial culture that meshed local concerns with foreign trends. Combining extensive archival research and in-depth analyses of individual films, Cold War Cosmopolitanism offers a fresh, interdisciplinary perspective on the waging of the cultural Cold War in Asia." Creative Commons by-nc-nd/4.0 cc English Films, cinema Asian history Media studies https://library.oapen.org/bitstream/id/b34574e1-a5fe-41f8-9f36-cf9cecda981a/cold-war-cosmopolitanism.pdf X:OAPEN Verlag OAPEN Library: download the publication kostenfrei http://library.oapen.org/handle/20.500.12657/22399 X:OAPEN Verlag OAPEN Library: description of the publication kostenfrei ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER BO 22 01 0018 428003740X OLR-ZDB-94-OAL OAPEN Library zu 01-03-23 23 01 0830 4280592667 OLR-OAPEN f z 01-03-23 30 01 0104 4280951977 GBV-OAPEN z 01-03-23 31 01 0027 4280224056 z 01-03-23 34 01 3551 4278791429 OLR-OAPEN zi002 01-03-23 39 01 0547 4281142967 GBV-OAPEN ke 01-03-23 40 01 0007 4279859922 OLR-OAPEN xsn 01-03-23 63 01 3401 4281522689 E-Books LF GBV-OAPEN z 01-03-23 65 01 0003 4281741291 OLR-OAPEN z 01-03-23 70 01 0089 4280413649 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 72 01 0035 4278610084 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 95 01 3095 4343133400 OLR-OAL Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 24-06-23 110 01 3110 4281327541 OLR-GBV-OAPEN Open Access z 01-03-23 136 01 3526 4279500991 OLR-OAPEN z 01-03-23 147 01 3528 4281969144 OLR-OAPEN frei verfügbar für Europa-Universität Flensburg, Hochschule Flensburg und Zentrale Hochschulbibliothek Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 01-03-23 161 01 0960 4278047525 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 187 01 3520 4278423543 JSTOR Open Access eBook z 28-02-23 213 01 0551 4279146594 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 230 01 0552 427932378X OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 283 01 3283 4279682690 OLR-OAL z 01-03-23 293 01 3293 4278226810 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 370 01 4370 4278969163 OLR-FREE Kostenloser Zugriff z 01-03-23 603 01 4603 4277869734 OLR-OAPEN Bitte beachten Sie die Nutzungsbedingungen und Copyright-Bestimmungen des Verlages/Herausgebers. z 28-02-23 808 01 4808 428077160X OLR-OAPEN OAPEN Library zg 01-03-23 2403 01 DE-LFER 4307141903 00 --%%-- --%%-- n --%%-- l01 10-04-23 22 01 0018 Volltextzugang http://library.oapen.org/handle/20.500.12657/22399 23 01 0830 http://library.oapen.org/handle/20.500.12657/22399 30 01 0104 Open Access http://library.oapen.org/handle/20.500.12657/22399 31 01 0027 eBook GBV-OAPEN http://library.oapen.org/handle/20.500.12657/22399 34 01 3551 OpenAccess http://library.oapen.org/handle/20.500.12657/22399 40 01 0007 Volltext, Open Access http://library.oapen.org/handle/20.500.12657/22399 63 01 3401 E-Book http://library.oapen.org/handle/20.500.12657/22399 65 01 0003 Open Access http://library.oapen.org/handle/20.500.12657/22399 65 01 0003 Dieser Titel ist Teil einer Datenbank http://www.bibliothek.uni-regensburg.de/dbinfo/detail.php?titel_id=10728&bib_id=ulb_hal 70 01 0089 http://library.oapen.org/handle/20.500.12657/22399 LF 72 01 0035 http://library.oapen.org/handle/20.500.12657/22399 95 01 3095 http://library.oapen.org/handle/20.500.12657/22399 110 01 3110 Open Access http://library.oapen.org/handle/20.500.12657/22399 136 01 3526 Open Access http://library.oapen.org/handle/20.500.12657/22399 147 01 3528 http://library.oapen.org/handle/20.500.12657/22399 161 01 0960 http://library.oapen.org/handle/20.500.12657/22399 LF 187 01 3520 http://library.oapen.org/handle/20.500.12657/22399 213 01 0551 http://library.oapen.org/handle/20.500.12657/22399 230 01 0552 http://library.oapen.org/handle/20.500.12657/22399 283 01 3283 http://library.oapen.org/handle/20.500.12657/22399 293 01 3293 http://library.oapen.org/handle/20.500.12657/22399 LF 370 01 4370 http://library.oapen.org/handle/20.500.12657/22399 603 01 4603 http://library.oapen.org/handle/20.500.12657/22399 808 01 4808 Volltextzugang http://library.oapen.org/handle/20.500.12657/22399 2403 01 DE-LFER https://library.oapen.org/bitstream/id/b34574e1-a5fe-41f8-9f36-cf9cecda981a/cold-war-cosmopolitanism.pdf 31 01 0027 00 eBook GBV-OAPEN 22 01 0018 OLR-ZDB-94-OAL 23 01 0830 OLR-OAPEN 30 01 0104 GBV-OAPEN 34 01 3551 OLR-OAPEN 39 01 0547 GBV-OAPEN 39 01 0547 LF 40 01 0007 OLR-OAPEN 63 01 3401 E-Books LF GBV-OAPEN 65 01 0003 OLR-OAPEN 70 01 0089 OLR-OAPEN-OA 72 01 0035 OLR-OAPEN-OA 95 01 3095 OLR-OAL 110 01 3110 OLR-GBV-OAPEN 136 01 3526 OLR-OAPEN 147 01 3528 OLR-OAPEN 161 01 0960 OLR-OAPEN 213 01 0551 OLR-OAPEN 230 01 0552 OLR-OAPEN 283 01 3283 OLR-OAL 293 01 3293 OLR-OAPEN 370 01 4370 OLR-FREE 370 01 4370 olr-ebook GBV-OAPEN 603 01 4603 OLR-OAPEN 808 01 4808 OLR-OAPEN |
allfields_unstemmed |
9780520296503 978-0-520-29650-3 (DE-627)183638193X (DE-599)KEP062102907 (OCoLC)1286318204 (OAPEN)22399 (EBP)062102907 DE-627 eng DE-627 rda eng APF bicssc HBJF bicssc JFD bicssc ATF bicssc NHF bicssc JBCT bicssc Klein, Christina verfasserin aut Cold War Cosmopolitanism Period Style in 1950s Korean Cinema Oakland University of California Press 2020 1 Online-Ressource (321 p.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star "Han Hyung-mo was a major figure within South Korea’s Golden Age cinema. The director of Madame Freedom (1956), the most famous film of the 1950s, Han made popular films that explored women’s relationship to modernity. He was also a master stylist who introduced technological innovations and fresh ideas about film form and genre into Korean cinema. This book offers a transnational cultural history of Han’s films, one that foregrounds questions of gender and style. Han’s films embody a period style that Klein calls “Cold War cosmopolitanism.” The waging of the Cold War enmeshed South Korea within a network of ties to the Free World. Fostered by political leaders like Syngman Rhee, American institutions such as the US military and the Asia Foundation, and ordinary Koreans, these networks created channels through which material resources, liberal ideas, and cultural texts flowed into and out of Korea. Han and other cultural producers tapped into these networks to create new forms of commercial culture that meshed local concerns with foreign trends. Combining extensive archival research and in-depth analyses of individual films, Cold War Cosmopolitanism offers a fresh, interdisciplinary perspective on the waging of the cultural Cold War in Asia." Creative Commons by-nc-nd/4.0 cc English Films, cinema Asian history Media studies https://library.oapen.org/bitstream/id/b34574e1-a5fe-41f8-9f36-cf9cecda981a/cold-war-cosmopolitanism.pdf X:OAPEN Verlag OAPEN Library: download the publication kostenfrei http://library.oapen.org/handle/20.500.12657/22399 X:OAPEN Verlag OAPEN Library: description of the publication kostenfrei ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER BO 22 01 0018 428003740X OLR-ZDB-94-OAL OAPEN Library zu 01-03-23 23 01 0830 4280592667 OLR-OAPEN f z 01-03-23 30 01 0104 4280951977 GBV-OAPEN z 01-03-23 31 01 0027 4280224056 z 01-03-23 34 01 3551 4278791429 OLR-OAPEN zi002 01-03-23 39 01 0547 4281142967 GBV-OAPEN ke 01-03-23 40 01 0007 4279859922 OLR-OAPEN xsn 01-03-23 63 01 3401 4281522689 E-Books LF GBV-OAPEN z 01-03-23 65 01 0003 4281741291 OLR-OAPEN z 01-03-23 70 01 0089 4280413649 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 72 01 0035 4278610084 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 95 01 3095 4343133400 OLR-OAL Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 24-06-23 110 01 3110 4281327541 OLR-GBV-OAPEN Open Access z 01-03-23 136 01 3526 4279500991 OLR-OAPEN z 01-03-23 147 01 3528 4281969144 OLR-OAPEN frei verfügbar für Europa-Universität Flensburg, Hochschule Flensburg und Zentrale Hochschulbibliothek Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 01-03-23 161 01 0960 4278047525 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 187 01 3520 4278423543 JSTOR Open Access eBook z 28-02-23 213 01 0551 4279146594 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 230 01 0552 427932378X OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 283 01 3283 4279682690 OLR-OAL z 01-03-23 293 01 3293 4278226810 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 370 01 4370 4278969163 OLR-FREE Kostenloser Zugriff z 01-03-23 603 01 4603 4277869734 OLR-OAPEN Bitte beachten Sie die Nutzungsbedingungen und Copyright-Bestimmungen des Verlages/Herausgebers. z 28-02-23 808 01 4808 428077160X OLR-OAPEN OAPEN Library zg 01-03-23 2403 01 DE-LFER 4307141903 00 --%%-- --%%-- n --%%-- l01 10-04-23 22 01 0018 Volltextzugang http://library.oapen.org/handle/20.500.12657/22399 23 01 0830 http://library.oapen.org/handle/20.500.12657/22399 30 01 0104 Open Access http://library.oapen.org/handle/20.500.12657/22399 31 01 0027 eBook GBV-OAPEN http://library.oapen.org/handle/20.500.12657/22399 34 01 3551 OpenAccess http://library.oapen.org/handle/20.500.12657/22399 40 01 0007 Volltext, Open Access http://library.oapen.org/handle/20.500.12657/22399 63 01 3401 E-Book http://library.oapen.org/handle/20.500.12657/22399 65 01 0003 Open Access http://library.oapen.org/handle/20.500.12657/22399 65 01 0003 Dieser Titel ist Teil einer Datenbank http://www.bibliothek.uni-regensburg.de/dbinfo/detail.php?titel_id=10728&bib_id=ulb_hal 70 01 0089 http://library.oapen.org/handle/20.500.12657/22399 LF 72 01 0035 http://library.oapen.org/handle/20.500.12657/22399 95 01 3095 http://library.oapen.org/handle/20.500.12657/22399 110 01 3110 Open Access http://library.oapen.org/handle/20.500.12657/22399 136 01 3526 Open Access http://library.oapen.org/handle/20.500.12657/22399 147 01 3528 http://library.oapen.org/handle/20.500.12657/22399 161 01 0960 http://library.oapen.org/handle/20.500.12657/22399 LF 187 01 3520 http://library.oapen.org/handle/20.500.12657/22399 213 01 0551 http://library.oapen.org/handle/20.500.12657/22399 230 01 0552 http://library.oapen.org/handle/20.500.12657/22399 283 01 3283 http://library.oapen.org/handle/20.500.12657/22399 293 01 3293 http://library.oapen.org/handle/20.500.12657/22399 LF 370 01 4370 http://library.oapen.org/handle/20.500.12657/22399 603 01 4603 http://library.oapen.org/handle/20.500.12657/22399 808 01 4808 Volltextzugang http://library.oapen.org/handle/20.500.12657/22399 2403 01 DE-LFER https://library.oapen.org/bitstream/id/b34574e1-a5fe-41f8-9f36-cf9cecda981a/cold-war-cosmopolitanism.pdf 31 01 0027 00 eBook GBV-OAPEN 22 01 0018 OLR-ZDB-94-OAL 23 01 0830 OLR-OAPEN 30 01 0104 GBV-OAPEN 34 01 3551 OLR-OAPEN 39 01 0547 GBV-OAPEN 39 01 0547 LF 40 01 0007 OLR-OAPEN 63 01 3401 E-Books LF GBV-OAPEN 65 01 0003 OLR-OAPEN 70 01 0089 OLR-OAPEN-OA 72 01 0035 OLR-OAPEN-OA 95 01 3095 OLR-OAL 110 01 3110 OLR-GBV-OAPEN 136 01 3526 OLR-OAPEN 147 01 3528 OLR-OAPEN 161 01 0960 OLR-OAPEN 213 01 0551 OLR-OAPEN 230 01 0552 OLR-OAPEN 283 01 3283 OLR-OAL 293 01 3293 OLR-OAPEN 370 01 4370 OLR-FREE 370 01 4370 olr-ebook GBV-OAPEN 603 01 4603 OLR-OAPEN 808 01 4808 OLR-OAPEN |
allfieldsGer |
9780520296503 978-0-520-29650-3 (DE-627)183638193X (DE-599)KEP062102907 (OCoLC)1286318204 (OAPEN)22399 (EBP)062102907 DE-627 eng DE-627 rda eng APF bicssc HBJF bicssc JFD bicssc ATF bicssc NHF bicssc JBCT bicssc Klein, Christina verfasserin aut Cold War Cosmopolitanism Period Style in 1950s Korean Cinema Oakland University of California Press 2020 1 Online-Ressource (321 p.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star "Han Hyung-mo was a major figure within South Korea’s Golden Age cinema. The director of Madame Freedom (1956), the most famous film of the 1950s, Han made popular films that explored women’s relationship to modernity. He was also a master stylist who introduced technological innovations and fresh ideas about film form and genre into Korean cinema. This book offers a transnational cultural history of Han’s films, one that foregrounds questions of gender and style. Han’s films embody a period style that Klein calls “Cold War cosmopolitanism.” The waging of the Cold War enmeshed South Korea within a network of ties to the Free World. Fostered by political leaders like Syngman Rhee, American institutions such as the US military and the Asia Foundation, and ordinary Koreans, these networks created channels through which material resources, liberal ideas, and cultural texts flowed into and out of Korea. Han and other cultural producers tapped into these networks to create new forms of commercial culture that meshed local concerns with foreign trends. Combining extensive archival research and in-depth analyses of individual films, Cold War Cosmopolitanism offers a fresh, interdisciplinary perspective on the waging of the cultural Cold War in Asia." Creative Commons by-nc-nd/4.0 cc English Films, cinema Asian history Media studies https://library.oapen.org/bitstream/id/b34574e1-a5fe-41f8-9f36-cf9cecda981a/cold-war-cosmopolitanism.pdf X:OAPEN Verlag OAPEN Library: download the publication kostenfrei http://library.oapen.org/handle/20.500.12657/22399 X:OAPEN Verlag OAPEN Library: description of the publication kostenfrei ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER BO 22 01 0018 428003740X OLR-ZDB-94-OAL OAPEN Library zu 01-03-23 23 01 0830 4280592667 OLR-OAPEN f z 01-03-23 30 01 0104 4280951977 GBV-OAPEN z 01-03-23 31 01 0027 4280224056 z 01-03-23 34 01 3551 4278791429 OLR-OAPEN zi002 01-03-23 39 01 0547 4281142967 GBV-OAPEN ke 01-03-23 40 01 0007 4279859922 OLR-OAPEN xsn 01-03-23 63 01 3401 4281522689 E-Books LF GBV-OAPEN z 01-03-23 65 01 0003 4281741291 OLR-OAPEN z 01-03-23 70 01 0089 4280413649 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 72 01 0035 4278610084 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 95 01 3095 4343133400 OLR-OAL Vervielfältigungen (z.B. 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9780520296503 978-0-520-29650-3 (DE-627)183638193X (DE-599)KEP062102907 (OCoLC)1286318204 (OAPEN)22399 (EBP)062102907 DE-627 eng DE-627 rda eng APF bicssc HBJF bicssc JFD bicssc ATF bicssc NHF bicssc JBCT bicssc Klein, Christina verfasserin aut Cold War Cosmopolitanism Period Style in 1950s Korean Cinema Oakland University of California Press 2020 1 Online-Ressource (321 p.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star "Han Hyung-mo was a major figure within South Korea’s Golden Age cinema. The director of Madame Freedom (1956), the most famous film of the 1950s, Han made popular films that explored women’s relationship to modernity. He was also a master stylist who introduced technological innovations and fresh ideas about film form and genre into Korean cinema. This book offers a transnational cultural history of Han’s films, one that foregrounds questions of gender and style. Han’s films embody a period style that Klein calls “Cold War cosmopolitanism.” The waging of the Cold War enmeshed South Korea within a network of ties to the Free World. Fostered by political leaders like Syngman Rhee, American institutions such as the US military and the Asia Foundation, and ordinary Koreans, these networks created channels through which material resources, liberal ideas, and cultural texts flowed into and out of Korea. Han and other cultural producers tapped into these networks to create new forms of commercial culture that meshed local concerns with foreign trends. Combining extensive archival research and in-depth analyses of individual films, Cold War Cosmopolitanism offers a fresh, interdisciplinary perspective on the waging of the cultural Cold War in Asia." Creative Commons by-nc-nd/4.0 cc English Films, cinema Asian history Media studies https://library.oapen.org/bitstream/id/b34574e1-a5fe-41f8-9f36-cf9cecda981a/cold-war-cosmopolitanism.pdf X:OAPEN Verlag OAPEN Library: download the publication kostenfrei http://library.oapen.org/handle/20.500.12657/22399 X:OAPEN Verlag OAPEN Library: description of the publication kostenfrei ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER BO 22 01 0018 428003740X OLR-ZDB-94-OAL OAPEN Library zu 01-03-23 23 01 0830 4280592667 OLR-OAPEN f z 01-03-23 30 01 0104 4280951977 GBV-OAPEN z 01-03-23 31 01 0027 4280224056 z 01-03-23 34 01 3551 4278791429 OLR-OAPEN zi002 01-03-23 39 01 0547 4281142967 GBV-OAPEN ke 01-03-23 40 01 0007 4279859922 OLR-OAPEN xsn 01-03-23 63 01 3401 4281522689 E-Books LF GBV-OAPEN z 01-03-23 65 01 0003 4281741291 OLR-OAPEN z 01-03-23 70 01 0089 4280413649 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 72 01 0035 4278610084 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 95 01 3095 4343133400 OLR-OAL Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 24-06-23 110 01 3110 4281327541 OLR-GBV-OAPEN Open Access z 01-03-23 136 01 3526 4279500991 OLR-OAPEN z 01-03-23 147 01 3528 4281969144 OLR-OAPEN frei verfügbar für Europa-Universität Flensburg, Hochschule Flensburg und Zentrale Hochschulbibliothek Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. 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"Han Hyung-mo was a major figure within South Korea’s Golden Age cinema. The director of Madame Freedom (1956), the most famous film of the 1950s, Han made popular films that explored women’s relationship to modernity. He was also a master stylist who introduced technological innovations and fresh ideas about film form and genre into Korean cinema. This book offers a transnational cultural history of Han’s films, one that foregrounds questions of gender and style. Han’s films embody a period style that Klein calls “Cold War cosmopolitanism.” The waging of the Cold War enmeshed South Korea within a network of ties to the Free World. Fostered by political leaders like Syngman Rhee, American institutions such as the US military and the Asia Foundation, and ordinary Koreans, these networks created channels through which material resources, liberal ideas, and cultural texts flowed into and out of Korea. Han and other cultural producers tapped into these networks to create new forms of commercial culture that meshed local concerns with foreign trends. Combining extensive archival research and in-depth analyses of individual films, Cold War Cosmopolitanism offers a fresh, interdisciplinary perspective on the waging of the cultural Cold War in Asia." |
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"Han Hyung-mo was a major figure within South Korea’s Golden Age cinema. The director of Madame Freedom (1956), the most famous film of the 1950s, Han made popular films that explored women’s relationship to modernity. He was also a master stylist who introduced technological innovations and fresh ideas about film form and genre into Korean cinema. This book offers a transnational cultural history of Han’s films, one that foregrounds questions of gender and style. Han’s films embody a period style that Klein calls “Cold War cosmopolitanism.” The waging of the Cold War enmeshed South Korea within a network of ties to the Free World. Fostered by political leaders like Syngman Rhee, American institutions such as the US military and the Asia Foundation, and ordinary Koreans, these networks created channels through which material resources, liberal ideas, and cultural texts flowed into and out of Korea. Han and other cultural producers tapped into these networks to create new forms of commercial culture that meshed local concerns with foreign trends. Combining extensive archival research and in-depth analyses of individual films, Cold War Cosmopolitanism offers a fresh, interdisciplinary perspective on the waging of the cultural Cold War in Asia." |
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score |
7.167675 |