How to Study Art Worlds : On the Societal Functioning of aesthetic Values
This necessary and thought-provoking study brings together the organisational side of the world of the arts and the understanding of the many functions art fulfi lls in our culture. The author sets out to establish how the organisation of art worlds serves the functioning of the arts in society. The...
Ausführliche Beschreibung
Autor*in: |
van Maanen, Hans [verfasserIn] |
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Format: |
E-Book |
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Sprache: |
Englisch |
Erschienen: |
Erscheinungsort nicht ermittelbar: Amsterdam University Press ; 2009 |
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Rechteinformationen: |
Open Access Creative Commons ; https://creativecommons.org/licenses/by-nc/3.0 |
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Schlagwörter: |
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Umfang: |
1 Online-Ressource (312 p.) |
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Links: | |
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ISBN: |
978-90-8964-152-6 |
Katalog-ID: |
1836426011 |
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The second part focuses on the philosphical debates concerning 'aesthetic experience'. Besides Kant, scholars such as Gadamer, Foster, Shustermann, Schaeffer and Carroll come to the fore. In the third part, the author traces the consequences of these theoretical approaches for the organization of art world practices In deze studie onderzoekt Hans van Maanen hoe de organisatie van kunstwerelden het functioneren van kunst in de maatschappij ondersteunt en mogelijk maakt. Hij bespreekt en vergelijkt verschillende benaderingen (van Dickie, Becker, Bourdieu, Heinich en anderen) op de kunstwereld. Vervolgens gaat hij in op het kunstfi losofi - sche debat en vooral de notie van de 'esthetische ervaring'. Naast Kant komen academici als Gadamer, Foster, Shustermann, Schaeffer en Carroll aan bod. Tot slot bespreekt hij de theoretische benaderingen in een praktischer kader. 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9789089641526 978-90-8964-152-6 (DE-627)1836426011 (DE-599)KEP06215768X (OCoLC)874354004 (OAPEN)35329 (EBP)06215768X DE-627 eng DE-627 rda eng AC bicssc ABA bicssc AGA bicssc van Maanen, Hans verfasserin aut How to Study Art Worlds On the Societal Functioning of aesthetic Values [Erscheinungsort nicht ermittelbar] Amsterdam University Press 2009 1 Online-Ressource (312 p.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star This necessary and thought-provoking study brings together the organisational side of the world of the arts and the understanding of the many functions art fulfi lls in our culture. The author sets out to establish how the organisation of art worlds serves the functioning of the arts in society. The book is divided into three sections, the first of which presents a comparative study of approaches to the art world as practiced by Dickie, Becker, Bourdieu, Heinich, and Luhmann, among others. The second part focuses on the philosphical debates concerning 'aesthetic experience'. Besides Kant, scholars such as Gadamer, Foster, Shustermann, Schaeffer and Carroll come to the fore. In the third part, the author traces the consequences of these theoretical approaches for the organization of art world practices In deze studie onderzoekt Hans van Maanen hoe de organisatie van kunstwerelden het functioneren van kunst in de maatschappij ondersteunt en mogelijk maakt. Hij bespreekt en vergelijkt verschillende benaderingen (van Dickie, Becker, Bourdieu, Heinich en anderen) op de kunstwereld. Vervolgens gaat hij in op het kunstfi losofi - sche debat en vooral de notie van de 'esthetische ervaring'. Naast Kant komen academici als Gadamer, Foster, Shustermann, Schaeffer en Carroll aan bod. Tot slot bespreekt hij de theoretische benaderingen in een praktischer kader. 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9789089641526 978-90-8964-152-6 (DE-627)1836426011 (DE-599)KEP06215768X (OCoLC)874354004 (OAPEN)35329 (EBP)06215768X DE-627 eng DE-627 rda eng AC bicssc ABA bicssc AGA bicssc van Maanen, Hans verfasserin aut How to Study Art Worlds On the Societal Functioning of aesthetic Values [Erscheinungsort nicht ermittelbar] Amsterdam University Press 2009 1 Online-Ressource (312 p.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star This necessary and thought-provoking study brings together the organisational side of the world of the arts and the understanding of the many functions art fulfi lls in our culture. The author sets out to establish how the organisation of art worlds serves the functioning of the arts in society. The book is divided into three sections, the first of which presents a comparative study of approaches to the art world as practiced by Dickie, Becker, Bourdieu, Heinich, and Luhmann, among others. The second part focuses on the philosphical debates concerning 'aesthetic experience'. Besides Kant, scholars such as Gadamer, Foster, Shustermann, Schaeffer and Carroll come to the fore. In the third part, the author traces the consequences of these theoretical approaches for the organization of art world practices In deze studie onderzoekt Hans van Maanen hoe de organisatie van kunstwerelden het functioneren van kunst in de maatschappij ondersteunt en mogelijk maakt. Hij bespreekt en vergelijkt verschillende benaderingen (van Dickie, Becker, Bourdieu, Heinich en anderen) op de kunstwereld. Vervolgens gaat hij in op het kunstfi losofi - sche debat en vooral de notie van de 'esthetische ervaring'. Naast Kant komen academici als Gadamer, Foster, Shustermann, Schaeffer en Carroll aan bod. Tot slot bespreekt hij de theoretische benaderingen in een praktischer kader. Zo wordt het belang hiervan voor de kunstwereld duidelijk Creative Commons https://creativecommons.org/licenses/by-nc/3.0 cc English History of art / art & design styles Theory of art History of art https://library.oapen.org/bitstream/id/ebc98d65-d74e-47f2-bea9-06af72d57a42/339994.pdf X:OAPEN Verlag OAPEN Library: download the publication kostenfrei http://library.oapen.org/handle/20.500.12657/35329 X:OAPEN Verlag OAPEN Library: description of the publication kostenfrei ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER BO 22 01 0018 4280084548 OLR-ZDB-94-OAL OAPEN Library zu 01-03-23 23 01 0830 4280636400 OLR-OAPEN f z 01-03-23 30 01 0104 4280996652 GBV-OAPEN z 01-03-23 31 01 0027 4280279276 z 01-03-23 34 01 3551 4278834810 OLR-OAPEN zi002 01-03-23 39 01 0547 4281187316 GBV-OAPEN ke 01-03-23 40 01 0007 427990331X OLR-OAPEN xsn 01-03-23 63 01 3401 4281567550 E-Books LF GBV-OAPEN z 01-03-23 65 01 0003 4281809570 OLR-OAPEN z 01-03-23 70 01 0089 4280457476 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 72 01 0035 4278653611 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 95 01 3095 4343182843 OLR-OAL Vervielfältigungen (z.B. 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Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 01-03-23 161 01 0960 4278090994 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 187 01 3520 4278475985 JSTOR Open Access eBook z 28-02-23 213 01 0551 4279189994 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 230 01 0552 4279367175 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 283 01 3283 4279726086 OLR-OAL z 01-03-23 293 01 3293 4278270208 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 370 01 4370 4279012563 OLR-FREE Kostenloser Zugriff z 01-03-23 603 01 4603 4277913156 OLR-OAPEN Bitte beachten Sie die Nutzungsbedingungen und Copyright-Bestimmungen des Verlages/Herausgebers. z 28-02-23 808 01 4808 4280815321 OLR-OAPEN OAPEN Library zg 01-03-23 2403 01 DE-LFER 4307499654 00 --%%-- --%%-- n --%%-- l01 11-04-23 22 01 0018 Volltextzugang http://library.oapen.org/handle/20.500.12657/35329 23 01 0830 http://library.oapen.org/handle/20.500.12657/35329 30 01 0104 Open Access http://library.oapen.org/handle/20.500.12657/35329 31 01 0027 eBook GBV-OAPEN http://library.oapen.org/handle/20.500.12657/35329 34 01 3551 OpenAccess http://library.oapen.org/handle/20.500.12657/35329 40 01 0007 Volltext, Open Access http://library.oapen.org/handle/20.500.12657/35329 63 01 3401 E-Book http://library.oapen.org/handle/20.500.12657/35329 65 01 0003 Open Access http://library.oapen.org/handle/20.500.12657/35329 65 01 0003 Dieser Titel ist Teil einer Datenbank http://www.bibliothek.uni-regensburg.de/dbinfo/detail.php?titel_id=10728&bib_id=ulb_hal 70 01 0089 http://library.oapen.org/handle/20.500.12657/35329 LF 72 01 0035 http://library.oapen.org/handle/20.500.12657/35329 95 01 3095 http://library.oapen.org/handle/20.500.12657/35329 110 01 3110 Open Access http://library.oapen.org/handle/20.500.12657/35329 136 01 3526 Open Access http://library.oapen.org/handle/20.500.12657/35329 147 01 3528 http://library.oapen.org/handle/20.500.12657/35329 161 01 0960 http://library.oapen.org/handle/20.500.12657/35329 LF 187 01 3520 http://library.oapen.org/handle/20.500.12657/35329 213 01 0551 http://library.oapen.org/handle/20.500.12657/35329 230 01 0552 http://library.oapen.org/handle/20.500.12657/35329 283 01 3283 http://library.oapen.org/handle/20.500.12657/35329 293 01 3293 http://library.oapen.org/handle/20.500.12657/35329 LF 370 01 4370 http://library.oapen.org/handle/20.500.12657/35329 603 01 4603 http://library.oapen.org/handle/20.500.12657/35329 808 01 4808 Volltextzugang http://library.oapen.org/handle/20.500.12657/35329 2403 01 DE-LFER https://library.oapen.org/bitstream/id/ebc98d65-d74e-47f2-bea9-06af72d57a42/339994.pdf 31 01 0027 00 eBook GBV-OAPEN 22 01 0018 OLR-ZDB-94-OAL 23 01 0830 OLR-OAPEN 30 01 0104 GBV-OAPEN 34 01 3551 OLR-OAPEN 39 01 0547 GBV-OAPEN 39 01 0547 LF 40 01 0007 OLR-OAPEN 63 01 3401 E-Books LF GBV-OAPEN 65 01 0003 OLR-OAPEN 70 01 0089 OLR-OAPEN-OA 72 01 0035 OLR-OAPEN-OA 95 01 3095 OLR-OAL 110 01 3110 OLR-GBV-OAPEN 136 01 3526 OLR-OAPEN 147 01 3528 OLR-OAPEN 161 01 0960 OLR-OAPEN 213 01 0551 OLR-OAPEN 230 01 0552 OLR-OAPEN 283 01 3283 OLR-OAL 293 01 3293 OLR-OAPEN 370 01 4370 OLR-FREE 370 01 4370 olr-ebook GBV-OAPEN 603 01 4603 OLR-OAPEN 808 01 4808 OLR-OAPEN |
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The second part focuses on the philosphical debates concerning 'aesthetic experience'. Besides Kant, scholars such as Gadamer, Foster, Shustermann, Schaeffer and Carroll come to the fore. In the third part, the author traces the consequences of these theoretical approaches for the organization of art world practices In deze studie onderzoekt Hans van Maanen hoe de organisatie van kunstwerelden het functioneren van kunst in de maatschappij ondersteunt en mogelijk maakt. Hij bespreekt en vergelijkt verschillende benaderingen (van Dickie, Becker, Bourdieu, Heinich en anderen) op de kunstwereld. Vervolgens gaat hij in op het kunstfi losofi - sche debat en vooral de notie van de 'esthetische ervaring'. Naast Kant komen academici als Gadamer, Foster, Shustermann, Schaeffer en Carroll aan bod. Tot slot bespreekt hij de theoretische benaderingen in een praktischer kader. 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This necessary and thought-provoking study brings together the organisational side of the world of the arts and the understanding of the many functions art fulfi lls in our culture. The author sets out to establish how the organisation of art worlds serves the functioning of the arts in society. The book is divided into three sections, the first of which presents a comparative study of approaches to the art world as practiced by Dickie, Becker, Bourdieu, Heinich, and Luhmann, among others. The second part focuses on the philosphical debates concerning 'aesthetic experience'. Besides Kant, scholars such as Gadamer, Foster, Shustermann, Schaeffer and Carroll come to the fore. In the third part, the author traces the consequences of these theoretical approaches for the organization of art world practices In deze studie onderzoekt Hans van Maanen hoe de organisatie van kunstwerelden het functioneren van kunst in de maatschappij ondersteunt en mogelijk maakt. Hij bespreekt en vergelijkt verschillende benaderingen (van Dickie, Becker, Bourdieu, Heinich en anderen) op de kunstwereld. Vervolgens gaat hij in op het kunstfi losofi - sche debat en vooral de notie van de 'esthetische ervaring'. Naast Kant komen academici als Gadamer, Foster, Shustermann, Schaeffer en Carroll aan bod. Tot slot bespreekt hij de theoretische benaderingen in een praktischer kader. Zo wordt het belang hiervan voor de kunstwereld duidelijk |
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This necessary and thought-provoking study brings together the organisational side of the world of the arts and the understanding of the many functions art fulfi lls in our culture. The author sets out to establish how the organisation of art worlds serves the functioning of the arts in society. The book is divided into three sections, the first of which presents a comparative study of approaches to the art world as practiced by Dickie, Becker, Bourdieu, Heinich, and Luhmann, among others. The second part focuses on the philosphical debates concerning 'aesthetic experience'. Besides Kant, scholars such as Gadamer, Foster, Shustermann, Schaeffer and Carroll come to the fore. In the third part, the author traces the consequences of these theoretical approaches for the organization of art world practices In deze studie onderzoekt Hans van Maanen hoe de organisatie van kunstwerelden het functioneren van kunst in de maatschappij ondersteunt en mogelijk maakt. Hij bespreekt en vergelijkt verschillende benaderingen (van Dickie, Becker, Bourdieu, Heinich en anderen) op de kunstwereld. Vervolgens gaat hij in op het kunstfi losofi - sche debat en vooral de notie van de 'esthetische ervaring'. Naast Kant komen academici als Gadamer, Foster, Shustermann, Schaeffer en Carroll aan bod. Tot slot bespreekt hij de theoretische benaderingen in een praktischer kader. Zo wordt het belang hiervan voor de kunstwereld duidelijk |
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