The Modernist Bestiary : Translating Animals and the Arts through Guillaume Apollinaire, Raoul Dufy and Graham Sutherland
The Modernist Bestiary centres on Le Bestiaire ou Cortège d’Orphée (1911), a multimedia collaborative work by French-Polish poet Guillaume Apollinaire and French artist Raoul Dufy, and its homonym, The Bestiary or Procession of Orpheus (1979), by British artist Graham Sutherland. Rather than reconst...
Ausführliche Beschreibung
Autor*in: |
Kay, Sarah [verfasserIn] Mathews, Timothy [herausgeberIn] |
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Format: |
E-Book |
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Sprache: |
Englisch |
Erschienen: |
London: UCL Press ; 2020 |
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Rechteinformationen: |
Open Access Creative Commons ; https://creativecommons.org/licenses/by/4.0 |
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Schlagwörter: |
Literature: history & criticism History of art / art & design styles |
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Umfang: |
1 Online-Ressource |
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Reihe: |
Comparative Literature and Culture |
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Links: |
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Katalog-ID: |
1836429827 |
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The Apollinaire and Dufy Bestiary is an open-ended collaboration, a feature that Sutherland develops in his re-visiting, and this book shows how these neglected works are caught up in many-faceted networks of traditions and genres. These include Orphic poetry from the past, contemporary musical settings, and bestiary writing from its origins to the present. The nature of productive dialogue between thought and art, and the refracted light they throw on each other are explored in each of the pieces in the book, and the aesthetic experience emerges as generative rather than reductive or complacent. The contributors’ encounters with these works take the form of poetry and essays, all moving freely between different disciplines and practices, humanistic and posthumanist critical dimensions, as well as different animals and art forms. They draw on disciplines ranging from music, art history, translation, Classical poetry and French poetry, and are nurtured by approaches including phenomenology, cultural studies, sound studies, and critical animal studies. Collectively the book shows that the aesthetic encounter, by nature affective, is by nature also interdisciplinary and motivating, and that it spurs the critical in addressing the complex issues of 'humananimality'. 'Enacting in multiple compelling ways the mobility and relationality at the heart of its concerns, this collection makes a major contribution to the various fields into which it intervenes, including modernist studies, translation studies, critical animal studies, and research into intermedial transmission, especially between text and image and text and music.’ - Martin Crowley, University of Cambridge Creative Commons https://creativecommons.org/licenses/by/4.0 cc English Literature: history & criticism History of art / art & design styles Literature: history and criticism History of art Mathews, Timothy herausgeberin edt https://library.oapen.org/bitstream/id/5802bea8-7eb3-4bac-8789-d45ef92218ab/9781787351516.pdf X:OAPEN Verlag OAPEN Library: download the publication kostenfrei http://library.oapen.org/handle/20.500.12657/39433 X:OAPEN Verlag OAPEN Library: description of the publication kostenfrei ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER BO 22 01 0018 4280088160 OLR-ZDB-94-OAL OAPEN Library zu 01-03-23 23 01 0830 4280640033 OLR-OAPEN f z 01-03-23 30 01 0104 4281000348 GBV-OAPEN z 01-03-23 31 01 0027 4280282897 z 01-03-23 34 01 3551 4278838433 OLR-OAPEN zi002 01-03-23 39 01 0547 4281190996 GBV-OAPEN ke 01-03-23 40 01 0007 4279906939 OLR-OAPEN xsn 01-03-23 63 01 3401 4281571337 E-Books LF GBV-OAPEN z 01-03-23 65 01 0003 4281815392 OLR-OAPEN z 01-03-23 70 01 0089 4280461090 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 72 01 0035 4278657234 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 95 01 3095 4343186458 OLR-OAL Vervielfältigungen (z.B. 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Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 01-03-23 161 01 0960 4278094612 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 187 01 3520 4278479603 JSTOR Open Access eBook z 28-02-23 213 01 0551 4279193614 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 230 01 0552 4279370796 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 283 01 3283 4279729700 OLR-OAL z 01-03-23 293 01 3293 4278273827 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 370 01 4370 4279016186 OLR-FREE Kostenloser Zugriff z 01-03-23 603 01 4603 4277916775 OLR-OAPEN Bitte beachten Sie die Nutzungsbedingungen und Copyright-Bestimmungen des Verlages/Herausgebers. z 28-02-23 808 01 4808 4280818940 OLR-OAPEN OAPEN Library zg 01-03-23 2403 01 DE-LFER 4307503422 00 --%%-- --%%-- n --%%-- l01 11-04-23 22 01 0018 Volltextzugang http://library.oapen.org/handle/20.500.12657/39433 23 01 0830 http://library.oapen.org/handle/20.500.12657/39433 30 01 0104 Open Access http://library.oapen.org/handle/20.500.12657/39433 31 01 0027 eBook GBV-OAPEN http://library.oapen.org/handle/20.500.12657/39433 34 01 3551 OpenAccess http://library.oapen.org/handle/20.500.12657/39433 40 01 0007 Volltext, Open Access http://library.oapen.org/handle/20.500.12657/39433 63 01 3401 E-Book http://library.oapen.org/handle/20.500.12657/39433 65 01 0003 Open Access http://library.oapen.org/handle/20.500.12657/39433 65 01 0003 Dieser Titel ist Teil einer Datenbank http://www.bibliothek.uni-regensburg.de/dbinfo/detail.php?titel_id=10728&bib_id=ulb_hal 70 01 0089 http://library.oapen.org/handle/20.500.12657/39433 LF 72 01 0035 http://library.oapen.org/handle/20.500.12657/39433 95 01 3095 http://library.oapen.org/handle/20.500.12657/39433 110 01 3110 Open Access http://library.oapen.org/handle/20.500.12657/39433 136 01 3526 Open Access http://library.oapen.org/handle/20.500.12657/39433 147 01 3528 http://library.oapen.org/handle/20.500.12657/39433 161 01 0960 http://library.oapen.org/handle/20.500.12657/39433 LF 187 01 3520 http://library.oapen.org/handle/20.500.12657/39433 213 01 0551 http://library.oapen.org/handle/20.500.12657/39433 230 01 0552 http://library.oapen.org/handle/20.500.12657/39433 283 01 3283 http://library.oapen.org/handle/20.500.12657/39433 293 01 3293 http://library.oapen.org/handle/20.500.12657/39433 LF 370 01 4370 http://library.oapen.org/handle/20.500.12657/39433 603 01 4603 http://library.oapen.org/handle/20.500.12657/39433 808 01 4808 Volltextzugang http://library.oapen.org/handle/20.500.12657/39433 2403 01 DE-LFER https://library.oapen.org/bitstream/id/5802bea8-7eb3-4bac-8789-d45ef92218ab/9781787351516.pdf 31 01 0027 00 eBook GBV-OAPEN 22 01 0018 OLR-ZDB-94-OAL 23 01 0830 OLR-OAPEN 30 01 0104 GBV-OAPEN 34 01 3551 OLR-OAPEN 39 01 0547 GBV-OAPEN 39 01 0547 LF 40 01 0007 OLR-OAPEN 63 01 3401 E-Books LF GBV-OAPEN 65 01 0003 OLR-OAPEN 70 01 0089 OLR-OAPEN-OA 72 01 0035 OLR-OAPEN-OA 95 01 3095 OLR-OAL 110 01 3110 OLR-GBV-OAPEN 136 01 3526 OLR-OAPEN 147 01 3528 OLR-OAPEN 161 01 0960 OLR-OAPEN 213 01 0551 OLR-OAPEN 230 01 0552 OLR-OAPEN 283 01 3283 OLR-OAL 293 01 3293 OLR-OAPEN 370 01 4370 OLR-FREE 370 01 4370 olr-ebook GBV-OAPEN 603 01 4603 OLR-OAPEN 808 01 4808 OLR-OAPEN |
spelling |
(DE-627)1836429827 (DE-599)KEP06216841X (OCoLC)1286318250 (OAPEN)39433 (EBP)06216841X DE-627 eng DE-627 rda eng AC bicssc DS bicssc AGA bicssc Kay, Sarah verfasserin aut The Modernist Bestiary Translating Animals and the Arts through Guillaume Apollinaire, Raoul Dufy and Graham Sutherland London UCL Press 2020 1 Online-Ressource Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Comparative Literature and Culture Open Access Unrestricted online access star The Modernist Bestiary centres on Le Bestiaire ou Cortège d’Orphée (1911), a multimedia collaborative work by French-Polish poet Guillaume Apollinaire and French artist Raoul Dufy, and its homonym, The Bestiary or Procession of Orpheus (1979), by British artist Graham Sutherland. Rather than reconstructing the lineage of these two compositions, the book uncovers the aesthetic and intellectual processes involved that operate in different times, places and media. The Apollinaire and Dufy Bestiary is an open-ended collaboration, a feature that Sutherland develops in his re-visiting, and this book shows how these neglected works are caught up in many-faceted networks of traditions and genres. These include Orphic poetry from the past, contemporary musical settings, and bestiary writing from its origins to the present. The nature of productive dialogue between thought and art, and the refracted light they throw on each other are explored in each of the pieces in the book, and the aesthetic experience emerges as generative rather than reductive or complacent. The contributors’ encounters with these works take the form of poetry and essays, all moving freely between different disciplines and practices, humanistic and posthumanist critical dimensions, as well as different animals and art forms. They draw on disciplines ranging from music, art history, translation, Classical poetry and French poetry, and are nurtured by approaches including phenomenology, cultural studies, sound studies, and critical animal studies. Collectively the book shows that the aesthetic encounter, by nature affective, is by nature also interdisciplinary and motivating, and that it spurs the critical in addressing the complex issues of 'humananimality'. 'Enacting in multiple compelling ways the mobility and relationality at the heart of its concerns, this collection makes a major contribution to the various fields into which it intervenes, including modernist studies, translation studies, critical animal studies, and research into intermedial transmission, especially between text and image and text and music.’ - Martin Crowley, University of Cambridge Creative Commons https://creativecommons.org/licenses/by/4.0 cc English Literature: history & criticism History of art / art & design styles Literature: history and criticism History of art Mathews, Timothy herausgeberin edt https://library.oapen.org/bitstream/id/5802bea8-7eb3-4bac-8789-d45ef92218ab/9781787351516.pdf X:OAPEN Verlag OAPEN Library: download the publication kostenfrei http://library.oapen.org/handle/20.500.12657/39433 X:OAPEN Verlag OAPEN Library: description of the publication kostenfrei ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER BO 22 01 0018 4280088160 OLR-ZDB-94-OAL OAPEN Library zu 01-03-23 23 01 0830 4280640033 OLR-OAPEN f z 01-03-23 30 01 0104 4281000348 GBV-OAPEN z 01-03-23 31 01 0027 4280282897 z 01-03-23 34 01 3551 4278838433 OLR-OAPEN zi002 01-03-23 39 01 0547 4281190996 GBV-OAPEN ke 01-03-23 40 01 0007 4279906939 OLR-OAPEN xsn 01-03-23 63 01 3401 4281571337 E-Books LF GBV-OAPEN z 01-03-23 65 01 0003 4281815392 OLR-OAPEN z 01-03-23 70 01 0089 4280461090 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 72 01 0035 4278657234 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 95 01 3095 4343186458 OLR-OAL Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 24-06-23 110 01 3110 4281375848 OLR-GBV-OAPEN Open Access z 01-03-23 136 01 3526 4279548005 OLR-OAPEN z 01-03-23 147 01 3528 4282020016 OLR-OAPEN frei verfügbar für Europa-Universität Flensburg, Hochschule Flensburg und Zentrale Hochschulbibliothek Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 01-03-23 161 01 0960 4278094612 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 187 01 3520 4278479603 JSTOR Open Access eBook z 28-02-23 213 01 0551 4279193614 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 230 01 0552 4279370796 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 283 01 3283 4279729700 OLR-OAL z 01-03-23 293 01 3293 4278273827 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 370 01 4370 4279016186 OLR-FREE Kostenloser Zugriff z 01-03-23 603 01 4603 4277916775 OLR-OAPEN Bitte beachten Sie die Nutzungsbedingungen und Copyright-Bestimmungen des Verlages/Herausgebers. z 28-02-23 808 01 4808 4280818940 OLR-OAPEN OAPEN Library zg 01-03-23 2403 01 DE-LFER 4307503422 00 --%%-- --%%-- n --%%-- l01 11-04-23 22 01 0018 Volltextzugang http://library.oapen.org/handle/20.500.12657/39433 23 01 0830 http://library.oapen.org/handle/20.500.12657/39433 30 01 0104 Open Access http://library.oapen.org/handle/20.500.12657/39433 31 01 0027 eBook GBV-OAPEN http://library.oapen.org/handle/20.500.12657/39433 34 01 3551 OpenAccess http://library.oapen.org/handle/20.500.12657/39433 40 01 0007 Volltext, Open Access http://library.oapen.org/handle/20.500.12657/39433 63 01 3401 E-Book http://library.oapen.org/handle/20.500.12657/39433 65 01 0003 Open Access http://library.oapen.org/handle/20.500.12657/39433 65 01 0003 Dieser Titel ist Teil einer Datenbank http://www.bibliothek.uni-regensburg.de/dbinfo/detail.php?titel_id=10728&bib_id=ulb_hal 70 01 0089 http://library.oapen.org/handle/20.500.12657/39433 LF 72 01 0035 http://library.oapen.org/handle/20.500.12657/39433 95 01 3095 http://library.oapen.org/handle/20.500.12657/39433 110 01 3110 Open Access http://library.oapen.org/handle/20.500.12657/39433 136 01 3526 Open Access http://library.oapen.org/handle/20.500.12657/39433 147 01 3528 http://library.oapen.org/handle/20.500.12657/39433 161 01 0960 http://library.oapen.org/handle/20.500.12657/39433 LF 187 01 3520 http://library.oapen.org/handle/20.500.12657/39433 213 01 0551 http://library.oapen.org/handle/20.500.12657/39433 230 01 0552 http://library.oapen.org/handle/20.500.12657/39433 283 01 3283 http://library.oapen.org/handle/20.500.12657/39433 293 01 3293 http://library.oapen.org/handle/20.500.12657/39433 LF 370 01 4370 http://library.oapen.org/handle/20.500.12657/39433 603 01 4603 http://library.oapen.org/handle/20.500.12657/39433 808 01 4808 Volltextzugang http://library.oapen.org/handle/20.500.12657/39433 2403 01 DE-LFER https://library.oapen.org/bitstream/id/5802bea8-7eb3-4bac-8789-d45ef92218ab/9781787351516.pdf 31 01 0027 00 eBook GBV-OAPEN 22 01 0018 OLR-ZDB-94-OAL 23 01 0830 OLR-OAPEN 30 01 0104 GBV-OAPEN 34 01 3551 OLR-OAPEN 39 01 0547 GBV-OAPEN 39 01 0547 LF 40 01 0007 OLR-OAPEN 63 01 3401 E-Books LF GBV-OAPEN 65 01 0003 OLR-OAPEN 70 01 0089 OLR-OAPEN-OA 72 01 0035 OLR-OAPEN-OA 95 01 3095 OLR-OAL 110 01 3110 OLR-GBV-OAPEN 136 01 3526 OLR-OAPEN 147 01 3528 OLR-OAPEN 161 01 0960 OLR-OAPEN 213 01 0551 OLR-OAPEN 230 01 0552 OLR-OAPEN 283 01 3283 OLR-OAL 293 01 3293 OLR-OAPEN 370 01 4370 OLR-FREE 370 01 4370 olr-ebook GBV-OAPEN 603 01 4603 OLR-OAPEN 808 01 4808 OLR-OAPEN |
allfields_unstemmed |
(DE-627)1836429827 (DE-599)KEP06216841X (OCoLC)1286318250 (OAPEN)39433 (EBP)06216841X DE-627 eng DE-627 rda eng AC bicssc DS bicssc AGA bicssc Kay, Sarah verfasserin aut The Modernist Bestiary Translating Animals and the Arts through Guillaume Apollinaire, Raoul Dufy and Graham Sutherland London UCL Press 2020 1 Online-Ressource Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Comparative Literature and Culture Open Access Unrestricted online access star The Modernist Bestiary centres on Le Bestiaire ou Cortège d’Orphée (1911), a multimedia collaborative work by French-Polish poet Guillaume Apollinaire and French artist Raoul Dufy, and its homonym, The Bestiary or Procession of Orpheus (1979), by British artist Graham Sutherland. Rather than reconstructing the lineage of these two compositions, the book uncovers the aesthetic and intellectual processes involved that operate in different times, places and media. The Apollinaire and Dufy Bestiary is an open-ended collaboration, a feature that Sutherland develops in his re-visiting, and this book shows how these neglected works are caught up in many-faceted networks of traditions and genres. These include Orphic poetry from the past, contemporary musical settings, and bestiary writing from its origins to the present. The nature of productive dialogue between thought and art, and the refracted light they throw on each other are explored in each of the pieces in the book, and the aesthetic experience emerges as generative rather than reductive or complacent. The contributors’ encounters with these works take the form of poetry and essays, all moving freely between different disciplines and practices, humanistic and posthumanist critical dimensions, as well as different animals and art forms. They draw on disciplines ranging from music, art history, translation, Classical poetry and French poetry, and are nurtured by approaches including phenomenology, cultural studies, sound studies, and critical animal studies. Collectively the book shows that the aesthetic encounter, by nature affective, is by nature also interdisciplinary and motivating, and that it spurs the critical in addressing the complex issues of 'humananimality'. 'Enacting in multiple compelling ways the mobility and relationality at the heart of its concerns, this collection makes a major contribution to the various fields into which it intervenes, including modernist studies, translation studies, critical animal studies, and research into intermedial transmission, especially between text and image and text and music.’ - Martin Crowley, University of Cambridge Creative Commons https://creativecommons.org/licenses/by/4.0 cc English Literature: history & criticism History of art / art & design styles Literature: history and criticism History of art Mathews, Timothy herausgeberin edt https://library.oapen.org/bitstream/id/5802bea8-7eb3-4bac-8789-d45ef92218ab/9781787351516.pdf X:OAPEN Verlag OAPEN Library: download the publication kostenfrei http://library.oapen.org/handle/20.500.12657/39433 X:OAPEN Verlag OAPEN Library: description of the publication kostenfrei ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER BO 22 01 0018 4280088160 OLR-ZDB-94-OAL OAPEN Library zu 01-03-23 23 01 0830 4280640033 OLR-OAPEN f z 01-03-23 30 01 0104 4281000348 GBV-OAPEN z 01-03-23 31 01 0027 4280282897 z 01-03-23 34 01 3551 4278838433 OLR-OAPEN zi002 01-03-23 39 01 0547 4281190996 GBV-OAPEN ke 01-03-23 40 01 0007 4279906939 OLR-OAPEN xsn 01-03-23 63 01 3401 4281571337 E-Books LF GBV-OAPEN z 01-03-23 65 01 0003 4281815392 OLR-OAPEN z 01-03-23 70 01 0089 4280461090 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 72 01 0035 4278657234 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 95 01 3095 4343186458 OLR-OAL Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 24-06-23 110 01 3110 4281375848 OLR-GBV-OAPEN Open Access z 01-03-23 136 01 3526 4279548005 OLR-OAPEN z 01-03-23 147 01 3528 4282020016 OLR-OAPEN frei verfügbar für Europa-Universität Flensburg, Hochschule Flensburg und Zentrale Hochschulbibliothek Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 01-03-23 161 01 0960 4278094612 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 187 01 3520 4278479603 JSTOR Open Access eBook z 28-02-23 213 01 0551 4279193614 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 230 01 0552 4279370796 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 283 01 3283 4279729700 OLR-OAL z 01-03-23 293 01 3293 4278273827 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 370 01 4370 4279016186 OLR-FREE Kostenloser Zugriff z 01-03-23 603 01 4603 4277916775 OLR-OAPEN Bitte beachten Sie die Nutzungsbedingungen und Copyright-Bestimmungen des Verlages/Herausgebers. z 28-02-23 808 01 4808 4280818940 OLR-OAPEN OAPEN Library zg 01-03-23 2403 01 DE-LFER 4307503422 00 --%%-- --%%-- n --%%-- l01 11-04-23 22 01 0018 Volltextzugang http://library.oapen.org/handle/20.500.12657/39433 23 01 0830 http://library.oapen.org/handle/20.500.12657/39433 30 01 0104 Open Access http://library.oapen.org/handle/20.500.12657/39433 31 01 0027 eBook GBV-OAPEN http://library.oapen.org/handle/20.500.12657/39433 34 01 3551 OpenAccess http://library.oapen.org/handle/20.500.12657/39433 40 01 0007 Volltext, Open Access http://library.oapen.org/handle/20.500.12657/39433 63 01 3401 E-Book http://library.oapen.org/handle/20.500.12657/39433 65 01 0003 Open Access http://library.oapen.org/handle/20.500.12657/39433 65 01 0003 Dieser Titel ist Teil einer Datenbank http://www.bibliothek.uni-regensburg.de/dbinfo/detail.php?titel_id=10728&bib_id=ulb_hal 70 01 0089 http://library.oapen.org/handle/20.500.12657/39433 LF 72 01 0035 http://library.oapen.org/handle/20.500.12657/39433 95 01 3095 http://library.oapen.org/handle/20.500.12657/39433 110 01 3110 Open Access http://library.oapen.org/handle/20.500.12657/39433 136 01 3526 Open Access http://library.oapen.org/handle/20.500.12657/39433 147 01 3528 http://library.oapen.org/handle/20.500.12657/39433 161 01 0960 http://library.oapen.org/handle/20.500.12657/39433 LF 187 01 3520 http://library.oapen.org/handle/20.500.12657/39433 213 01 0551 http://library.oapen.org/handle/20.500.12657/39433 230 01 0552 http://library.oapen.org/handle/20.500.12657/39433 283 01 3283 http://library.oapen.org/handle/20.500.12657/39433 293 01 3293 http://library.oapen.org/handle/20.500.12657/39433 LF 370 01 4370 http://library.oapen.org/handle/20.500.12657/39433 603 01 4603 http://library.oapen.org/handle/20.500.12657/39433 808 01 4808 Volltextzugang http://library.oapen.org/handle/20.500.12657/39433 2403 01 DE-LFER https://library.oapen.org/bitstream/id/5802bea8-7eb3-4bac-8789-d45ef92218ab/9781787351516.pdf 31 01 0027 00 eBook GBV-OAPEN 22 01 0018 OLR-ZDB-94-OAL 23 01 0830 OLR-OAPEN 30 01 0104 GBV-OAPEN 34 01 3551 OLR-OAPEN 39 01 0547 GBV-OAPEN 39 01 0547 LF 40 01 0007 OLR-OAPEN 63 01 3401 E-Books LF GBV-OAPEN 65 01 0003 OLR-OAPEN 70 01 0089 OLR-OAPEN-OA 72 01 0035 OLR-OAPEN-OA 95 01 3095 OLR-OAL 110 01 3110 OLR-GBV-OAPEN 136 01 3526 OLR-OAPEN 147 01 3528 OLR-OAPEN 161 01 0960 OLR-OAPEN 213 01 0551 OLR-OAPEN 230 01 0552 OLR-OAPEN 283 01 3283 OLR-OAL 293 01 3293 OLR-OAPEN 370 01 4370 OLR-FREE 370 01 4370 olr-ebook GBV-OAPEN 603 01 4603 OLR-OAPEN 808 01 4808 OLR-OAPEN |
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(DE-627)1836429827 (DE-599)KEP06216841X (OCoLC)1286318250 (OAPEN)39433 (EBP)06216841X DE-627 eng DE-627 rda eng AC bicssc DS bicssc AGA bicssc Kay, Sarah verfasserin aut The Modernist Bestiary Translating Animals and the Arts through Guillaume Apollinaire, Raoul Dufy and Graham Sutherland London UCL Press 2020 1 Online-Ressource Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Comparative Literature and Culture Open Access Unrestricted online access star The Modernist Bestiary centres on Le Bestiaire ou Cortège d’Orphée (1911), a multimedia collaborative work by French-Polish poet Guillaume Apollinaire and French artist Raoul Dufy, and its homonym, The Bestiary or Procession of Orpheus (1979), by British artist Graham Sutherland. Rather than reconstructing the lineage of these two compositions, the book uncovers the aesthetic and intellectual processes involved that operate in different times, places and media. The Apollinaire and Dufy Bestiary is an open-ended collaboration, a feature that Sutherland develops in his re-visiting, and this book shows how these neglected works are caught up in many-faceted networks of traditions and genres. These include Orphic poetry from the past, contemporary musical settings, and bestiary writing from its origins to the present. The nature of productive dialogue between thought and art, and the refracted light they throw on each other are explored in each of the pieces in the book, and the aesthetic experience emerges as generative rather than reductive or complacent. The contributors’ encounters with these works take the form of poetry and essays, all moving freely between different disciplines and practices, humanistic and posthumanist critical dimensions, as well as different animals and art forms. They draw on disciplines ranging from music, art history, translation, Classical poetry and French poetry, and are nurtured by approaches including phenomenology, cultural studies, sound studies, and critical animal studies. Collectively the book shows that the aesthetic encounter, by nature affective, is by nature also interdisciplinary and motivating, and that it spurs the critical in addressing the complex issues of 'humananimality'. 'Enacting in multiple compelling ways the mobility and relationality at the heart of its concerns, this collection makes a major contribution to the various fields into which it intervenes, including modernist studies, translation studies, critical animal studies, and research into intermedial transmission, especially between text and image and text and music.’ - Martin Crowley, University of Cambridge Creative Commons https://creativecommons.org/licenses/by/4.0 cc English Literature: history & criticism History of art / art & design styles Literature: history and criticism History of art Mathews, Timothy herausgeberin edt https://library.oapen.org/bitstream/id/5802bea8-7eb3-4bac-8789-d45ef92218ab/9781787351516.pdf X:OAPEN Verlag OAPEN Library: download the publication kostenfrei http://library.oapen.org/handle/20.500.12657/39433 X:OAPEN Verlag OAPEN Library: description of the publication kostenfrei ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER BO 22 01 0018 4280088160 OLR-ZDB-94-OAL OAPEN Library zu 01-03-23 23 01 0830 4280640033 OLR-OAPEN f z 01-03-23 30 01 0104 4281000348 GBV-OAPEN z 01-03-23 31 01 0027 4280282897 z 01-03-23 34 01 3551 4278838433 OLR-OAPEN zi002 01-03-23 39 01 0547 4281190996 GBV-OAPEN ke 01-03-23 40 01 0007 4279906939 OLR-OAPEN xsn 01-03-23 63 01 3401 4281571337 E-Books LF GBV-OAPEN z 01-03-23 65 01 0003 4281815392 OLR-OAPEN z 01-03-23 70 01 0089 4280461090 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 72 01 0035 4278657234 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 95 01 3095 4343186458 OLR-OAL Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 24-06-23 110 01 3110 4281375848 OLR-GBV-OAPEN Open Access z 01-03-23 136 01 3526 4279548005 OLR-OAPEN z 01-03-23 147 01 3528 4282020016 OLR-OAPEN frei verfügbar für Europa-Universität Flensburg, Hochschule Flensburg und Zentrale Hochschulbibliothek Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 01-03-23 161 01 0960 4278094612 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 187 01 3520 4278479603 JSTOR Open Access eBook z 28-02-23 213 01 0551 4279193614 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 230 01 0552 4279370796 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 283 01 3283 4279729700 OLR-OAL z 01-03-23 293 01 3293 4278273827 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 370 01 4370 4279016186 OLR-FREE Kostenloser Zugriff z 01-03-23 603 01 4603 4277916775 OLR-OAPEN Bitte beachten Sie die Nutzungsbedingungen und Copyright-Bestimmungen des Verlages/Herausgebers. z 28-02-23 808 01 4808 4280818940 OLR-OAPEN OAPEN Library zg 01-03-23 2403 01 DE-LFER 4307503422 00 --%%-- --%%-- n --%%-- l01 11-04-23 22 01 0018 Volltextzugang http://library.oapen.org/handle/20.500.12657/39433 23 01 0830 http://library.oapen.org/handle/20.500.12657/39433 30 01 0104 Open Access http://library.oapen.org/handle/20.500.12657/39433 31 01 0027 eBook GBV-OAPEN http://library.oapen.org/handle/20.500.12657/39433 34 01 3551 OpenAccess http://library.oapen.org/handle/20.500.12657/39433 40 01 0007 Volltext, Open Access http://library.oapen.org/handle/20.500.12657/39433 63 01 3401 E-Book http://library.oapen.org/handle/20.500.12657/39433 65 01 0003 Open Access http://library.oapen.org/handle/20.500.12657/39433 65 01 0003 Dieser Titel ist Teil einer Datenbank http://www.bibliothek.uni-regensburg.de/dbinfo/detail.php?titel_id=10728&bib_id=ulb_hal 70 01 0089 http://library.oapen.org/handle/20.500.12657/39433 LF 72 01 0035 http://library.oapen.org/handle/20.500.12657/39433 95 01 3095 http://library.oapen.org/handle/20.500.12657/39433 110 01 3110 Open Access http://library.oapen.org/handle/20.500.12657/39433 136 01 3526 Open Access http://library.oapen.org/handle/20.500.12657/39433 147 01 3528 http://library.oapen.org/handle/20.500.12657/39433 161 01 0960 http://library.oapen.org/handle/20.500.12657/39433 LF 187 01 3520 http://library.oapen.org/handle/20.500.12657/39433 213 01 0551 http://library.oapen.org/handle/20.500.12657/39433 230 01 0552 http://library.oapen.org/handle/20.500.12657/39433 283 01 3283 http://library.oapen.org/handle/20.500.12657/39433 293 01 3293 http://library.oapen.org/handle/20.500.12657/39433 LF 370 01 4370 http://library.oapen.org/handle/20.500.12657/39433 603 01 4603 http://library.oapen.org/handle/20.500.12657/39433 808 01 4808 Volltextzugang http://library.oapen.org/handle/20.500.12657/39433 2403 01 DE-LFER https://library.oapen.org/bitstream/id/5802bea8-7eb3-4bac-8789-d45ef92218ab/9781787351516.pdf 31 01 0027 00 eBook GBV-OAPEN 22 01 0018 OLR-ZDB-94-OAL 23 01 0830 OLR-OAPEN 30 01 0104 GBV-OAPEN 34 01 3551 OLR-OAPEN 39 01 0547 GBV-OAPEN 39 01 0547 LF 40 01 0007 OLR-OAPEN 63 01 3401 E-Books LF GBV-OAPEN 65 01 0003 OLR-OAPEN 70 01 0089 OLR-OAPEN-OA 72 01 0035 OLR-OAPEN-OA 95 01 3095 OLR-OAL 110 01 3110 OLR-GBV-OAPEN 136 01 3526 OLR-OAPEN 147 01 3528 OLR-OAPEN 161 01 0960 OLR-OAPEN 213 01 0551 OLR-OAPEN 230 01 0552 OLR-OAPEN 283 01 3283 OLR-OAL 293 01 3293 OLR-OAPEN 370 01 4370 OLR-FREE 370 01 4370 olr-ebook GBV-OAPEN 603 01 4603 OLR-OAPEN 808 01 4808 OLR-OAPEN |
allfieldsSound |
(DE-627)1836429827 (DE-599)KEP06216841X (OCoLC)1286318250 (OAPEN)39433 (EBP)06216841X DE-627 eng DE-627 rda eng AC bicssc DS bicssc AGA bicssc Kay, Sarah verfasserin aut The Modernist Bestiary Translating Animals and the Arts through Guillaume Apollinaire, Raoul Dufy and Graham Sutherland London UCL Press 2020 1 Online-Ressource Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Comparative Literature and Culture Open Access Unrestricted online access star The Modernist Bestiary centres on Le Bestiaire ou Cortège d’Orphée (1911), a multimedia collaborative work by French-Polish poet Guillaume Apollinaire and French artist Raoul Dufy, and its homonym, The Bestiary or Procession of Orpheus (1979), by British artist Graham Sutherland. Rather than reconstructing the lineage of these two compositions, the book uncovers the aesthetic and intellectual processes involved that operate in different times, places and media. The Apollinaire and Dufy Bestiary is an open-ended collaboration, a feature that Sutherland develops in his re-visiting, and this book shows how these neglected works are caught up in many-faceted networks of traditions and genres. These include Orphic poetry from the past, contemporary musical settings, and bestiary writing from its origins to the present. The nature of productive dialogue between thought and art, and the refracted light they throw on each other are explored in each of the pieces in the book, and the aesthetic experience emerges as generative rather than reductive or complacent. The contributors’ encounters with these works take the form of poetry and essays, all moving freely between different disciplines and practices, humanistic and posthumanist critical dimensions, as well as different animals and art forms. They draw on disciplines ranging from music, art history, translation, Classical poetry and French poetry, and are nurtured by approaches including phenomenology, cultural studies, sound studies, and critical animal studies. Collectively the book shows that the aesthetic encounter, by nature affective, is by nature also interdisciplinary and motivating, and that it spurs the critical in addressing the complex issues of 'humananimality'. 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<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01000cam a22002652 4500</leader><controlfield tag="001">1836429827</controlfield><controlfield tag="003">DE-627</controlfield><controlfield tag="005">20241008150306.0</controlfield><controlfield tag="007">cr uuu---uuuuu</controlfield><controlfield tag="008">210309s2020 xx |||||o 00| ||eng c</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-627)1836429827</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)KEP06216841X</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1286318250</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OAPEN)39433</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(EBP)06216841X</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-627</subfield><subfield code="b">eng</subfield><subfield code="c">DE-627</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1=" " ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">AC</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">DS</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">AGA</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Kay, Sarah</subfield><subfield code="e">verfasserin</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">The Modernist Bestiary</subfield><subfield code="b">Translating Animals and the Arts through Guillaume Apollinaire, Raoul Dufy and Graham Sutherland</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">London</subfield><subfield code="b">UCL Press</subfield><subfield code="c">2020</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">Text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">Computermedien</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">Online-Ressource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Comparative Literature and Culture</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">Open Access</subfield><subfield code="f">Unrestricted online access</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The Modernist Bestiary centres on Le Bestiaire ou Cortège d’Orphée (1911), a multimedia collaborative work by French-Polish poet Guillaume Apollinaire and French artist Raoul Dufy, and its homonym, The Bestiary or Procession of Orpheus (1979), by British artist Graham Sutherland. 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title_auth |
The Modernist Bestiary Translating Animals and the Arts through Guillaume Apollinaire, Raoul Dufy and Graham Sutherland |
abstract |
The Modernist Bestiary centres on Le Bestiaire ou Cortège d’Orphée (1911), a multimedia collaborative work by French-Polish poet Guillaume Apollinaire and French artist Raoul Dufy, and its homonym, The Bestiary or Procession of Orpheus (1979), by British artist Graham Sutherland. Rather than reconstructing the lineage of these two compositions, the book uncovers the aesthetic and intellectual processes involved that operate in different times, places and media. The Apollinaire and Dufy Bestiary is an open-ended collaboration, a feature that Sutherland develops in his re-visiting, and this book shows how these neglected works are caught up in many-faceted networks of traditions and genres. These include Orphic poetry from the past, contemporary musical settings, and bestiary writing from its origins to the present. The nature of productive dialogue between thought and art, and the refracted light they throw on each other are explored in each of the pieces in the book, and the aesthetic experience emerges as generative rather than reductive or complacent. The contributors’ encounters with these works take the form of poetry and essays, all moving freely between different disciplines and practices, humanistic and posthumanist critical dimensions, as well as different animals and art forms. They draw on disciplines ranging from music, art history, translation, Classical poetry and French poetry, and are nurtured by approaches including phenomenology, cultural studies, sound studies, and critical animal studies. Collectively the book shows that the aesthetic encounter, by nature affective, is by nature also interdisciplinary and motivating, and that it spurs the critical in addressing the complex issues of 'humananimality'. 'Enacting in multiple compelling ways the mobility and relationality at the heart of its concerns, this collection makes a major contribution to the various fields into which it intervenes, including modernist studies, translation studies, critical animal studies, and research into intermedial transmission, especially between text and image and text and music.’ - Martin Crowley, University of Cambridge |
abstractGer |
The Modernist Bestiary centres on Le Bestiaire ou Cortège d’Orphée (1911), a multimedia collaborative work by French-Polish poet Guillaume Apollinaire and French artist Raoul Dufy, and its homonym, The Bestiary or Procession of Orpheus (1979), by British artist Graham Sutherland. Rather than reconstructing the lineage of these two compositions, the book uncovers the aesthetic and intellectual processes involved that operate in different times, places and media. The Apollinaire and Dufy Bestiary is an open-ended collaboration, a feature that Sutherland develops in his re-visiting, and this book shows how these neglected works are caught up in many-faceted networks of traditions and genres. These include Orphic poetry from the past, contemporary musical settings, and bestiary writing from its origins to the present. The nature of productive dialogue between thought and art, and the refracted light they throw on each other are explored in each of the pieces in the book, and the aesthetic experience emerges as generative rather than reductive or complacent. The contributors’ encounters with these works take the form of poetry and essays, all moving freely between different disciplines and practices, humanistic and posthumanist critical dimensions, as well as different animals and art forms. They draw on disciplines ranging from music, art history, translation, Classical poetry and French poetry, and are nurtured by approaches including phenomenology, cultural studies, sound studies, and critical animal studies. Collectively the book shows that the aesthetic encounter, by nature affective, is by nature also interdisciplinary and motivating, and that it spurs the critical in addressing the complex issues of 'humananimality'. 'Enacting in multiple compelling ways the mobility and relationality at the heart of its concerns, this collection makes a major contribution to the various fields into which it intervenes, including modernist studies, translation studies, critical animal studies, and research into intermedial transmission, especially between text and image and text and music.’ - Martin Crowley, University of Cambridge |
abstract_unstemmed |
The Modernist Bestiary centres on Le Bestiaire ou Cortège d’Orphée (1911), a multimedia collaborative work by French-Polish poet Guillaume Apollinaire and French artist Raoul Dufy, and its homonym, The Bestiary or Procession of Orpheus (1979), by British artist Graham Sutherland. Rather than reconstructing the lineage of these two compositions, the book uncovers the aesthetic and intellectual processes involved that operate in different times, places and media. The Apollinaire and Dufy Bestiary is an open-ended collaboration, a feature that Sutherland develops in his re-visiting, and this book shows how these neglected works are caught up in many-faceted networks of traditions and genres. These include Orphic poetry from the past, contemporary musical settings, and bestiary writing from its origins to the present. The nature of productive dialogue between thought and art, and the refracted light they throw on each other are explored in each of the pieces in the book, and the aesthetic experience emerges as generative rather than reductive or complacent. The contributors’ encounters with these works take the form of poetry and essays, all moving freely between different disciplines and practices, humanistic and posthumanist critical dimensions, as well as different animals and art forms. They draw on disciplines ranging from music, art history, translation, Classical poetry and French poetry, and are nurtured by approaches including phenomenology, cultural studies, sound studies, and critical animal studies. Collectively the book shows that the aesthetic encounter, by nature affective, is by nature also interdisciplinary and motivating, and that it spurs the critical in addressing the complex issues of 'humananimality'. 'Enacting in multiple compelling ways the mobility and relationality at the heart of its concerns, this collection makes a major contribution to the various fields into which it intervenes, including modernist studies, translation studies, critical animal studies, and research into intermedial transmission, especially between text and image and text and music.’ - Martin Crowley, University of Cambridge |
collection_details |
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title_short |
The Modernist Bestiary |
url |
https://library.oapen.org/bitstream/id/5802bea8-7eb3-4bac-8789-d45ef92218ab/9781787351516.pdf http://library.oapen.org/handle/20.500.12657/39433 |
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