The senses in early modern England, 1558–1660

This book attempts to interrogate the literary, artistic and cultural output of early modern England. Following Constance Classen's view that understandings of the senses, and sensory experience itself, are culturally and historically contingent; it explores the culturally specific role of the...
Ausführliche Beschreibung

Gespeichert in:

Autor*in:	Watson, Jackie [verfasserIn] Smith, Simon [herausgeberIn]

Format:	E-Book
Sprache:	Englisch

Erschienen:	Erscheinungsort nicht ermittelbar: Manchester University Press ; 2020

Rechteinformationen:	Open Access Creative Commons ; https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode

Schlagwörter:	Agriculture & farming Agriculture and farming

Umfang:	1 Online-Ressource

Links:	Link aufrufen Link aufrufen Link aufrufen
ISBN:	978-1-5261-4646-5

Katalog-ID:	1836440588

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spelling	9781526146465 978-1-5261-4646-5 (DE-627)1836440588 (DE-599)KEP062179314 (OCoLC)1286318190 (OAPEN)44041 (EBP)062179314 DE-627 eng DE-627 rda eng TV bicssc Watson, Jackie verfasserin aut The senses in early modern England, 1558–1660 [Erscheinungsort nicht ermittelbar] Manchester University Press 2020 1 Online-Ressource Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star This book attempts to interrogate the literary, artistic and cultural output of early modern England. Following Constance Classen's view that understandings of the senses, and sensory experience itself, are culturally and historically contingent; it explores the culturally specific role of the senses in textual and aesthetic encounters in England. The book follows Joachim-Ernst Berendt's call for 'a democracy of the senses' in preference to the various sensory hierarchies that have often shaped theory and criticism. It argues that the playhouse itself challenged its audiences' reliance on the evidence of their own eyes, teaching early modern playgoers how to see and how to interpret the validity of the visual. The book offers an essay on each of the five senses, beginning and ending with two senses, taste and smell, that are often overlooked in studies of early modern culture. It investigates Robert Herrick's accounts in "Hesperides" of how the senses function during sexual pleasure and contact. The book also explores sensory experiences, interrogating textual accounts of the senses at night in writings from the English Renaissance. It offers a picture of early modern thought in which sensory encounters are unstable, suggesting ways in which the senses are influenced by the contexts in which they are experienced: at night, in states of sexual excitement, or even when melancholic. The book looks at the works of art themselves and considers the significance of the senses for early modern subjects attending a play, regarding a painting, and reading a printed volume Creative Commons https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode cc English Agriculture & farming Agriculture and farming Smith, Simon herausgeberin edt https://library.oapen.org/bitstream/id/34c9b572-8f72-405b-88ab-882c18384433/external_content.pdf X:OAPEN Verlag OAPEN Library: download the publication kostenfrei https://library.oapen.org/handle/20.500.12657/44041 X:OAPEN Verlag OAPEN Library: description of the publication kostenfrei ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER BO 22 01 0018 4280098832 OLR-ZDB-94-OAL OAPEN Library zu 01-03-23 23 01 0830 4280650802 OLR-OAPEN f z 01-03-23 30 01 0104 4281011129 GBV-OAPEN z 01-03-23 31 01 0027 4280293562 z 01-03-23 34 01 3551 4278849109 OLR-OAPEN zi002 01-03-23 39 01 0547 4281201874 GBV-OAPEN ke 01-03-23 40 01 0007 4279917604 OLR-OAPEN xsn 01-03-23 63 01 3401 4281582622 E-Books LF GBV-OAPEN z 01-03-23 65 01 0003 4281831797 OLR-OAPEN z 01-03-23 70 01 0089 4280471797 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 72 01 0035 4278667949 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 95 01 3095 4343197573 OLR-OAL Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 24-06-23 110 01 3110 4281386815 OLR-GBV-OAPEN Open Access z 01-03-23 136 01 3526 4279558671 OLR-OAPEN z 01-03-23 147 01 3528 4282031344 OLR-OAPEN frei verfügbar für Europa-Universität Flensburg, Hochschule Flensburg und Zentrale Hochschulbibliothek Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 01-03-23 161 01 0960 4278105290 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 187 01 3520 4278490275 JSTOR Open Access eBook z 28-02-23 213 01 0551 4279204284 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 230 01 0552 4279381461 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 283 01 3283 4279740372 OLR-OAL z 01-03-23 293 01 3293 4278284497 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 370 01 4370 4279026858 OLR-FREE Kostenloser Zugriff z 01-03-23 603 01 4603 4277927459 OLR-OAPEN Bitte beachten Sie die Nutzungsbedingungen und Copyright-Bestimmungen des Verlages/Herausgebers. z 28-02-23 808 01 4808 4280829675 OLR-OAPEN OAPEN Library zg 01-03-23 2403 01 DE-LFER 4307514580 00 --%%-- --%%-- n --%%-- l01 11-04-23 22 01 0018 Volltextzugang https://library.oapen.org/handle/20.500.12657/44041 23 01 0830 https://library.oapen.org/handle/20.500.12657/44041 30 01 0104 Open Access https://library.oapen.org/handle/20.500.12657/44041 31 01 0027 eBook GBV-OAPEN https://library.oapen.org/handle/20.500.12657/44041 34 01 3551 OpenAccess https://library.oapen.org/handle/20.500.12657/44041 40 01 0007 Volltext, Open Access https://library.oapen.org/handle/20.500.12657/44041 63 01 3401 E-Book https://library.oapen.org/handle/20.500.12657/44041 65 01 0003 Open Access https://library.oapen.org/handle/20.500.12657/44041 65 01 0003 Dieser Titel ist Teil einer Datenbank http://www.bibliothek.uni-regensburg.de/dbinfo/detail.php?titel_id=10728&bib_id=ulb_hal 70 01 0089 https://library.oapen.org/handle/20.500.12657/44041 LF 72 01 0035 https://library.oapen.org/handle/20.500.12657/44041 95 01 3095 https://library.oapen.org/handle/20.500.12657/44041 110 01 3110 Open Access https://library.oapen.org/handle/20.500.12657/44041 136 01 3526 Open Access https://library.oapen.org/handle/20.500.12657/44041 147 01 3528 https://library.oapen.org/handle/20.500.12657/44041 161 01 0960 https://library.oapen.org/handle/20.500.12657/44041 LF 187 01 3520 https://library.oapen.org/handle/20.500.12657/44041 213 01 0551 https://library.oapen.org/handle/20.500.12657/44041 230 01 0552 https://library.oapen.org/handle/20.500.12657/44041 283 01 3283 https://library.oapen.org/handle/20.500.12657/44041 293 01 3293 https://library.oapen.org/handle/20.500.12657/44041 LF 370 01 4370 https://library.oapen.org/handle/20.500.12657/44041 603 01 4603 https://library.oapen.org/handle/20.500.12657/44041 808 01 4808 Volltextzugang https://library.oapen.org/handle/20.500.12657/44041 2403 01 DE-LFER https://library.oapen.org/bitstream/id/34c9b572-8f72-405b-88ab-882c18384433/external_content.pdf 31 01 0027 00 eBook GBV-OAPEN 22 01 0018 OLR-ZDB-94-OAL 23 01 0830 OLR-OAPEN 30 01 0104 GBV-OAPEN 34 01 3551 OLR-OAPEN 39 01 0547 GBV-OAPEN 39 01 0547 LF 40 01 0007 OLR-OAPEN 63 01 3401 E-Books LF GBV-OAPEN 65 01 0003 OLR-OAPEN 70 01 0089 OLR-OAPEN-OA 72 01 0035 OLR-OAPEN-OA 95 01 3095 OLR-OAL 110 01 3110 OLR-GBV-OAPEN 136 01 3526 OLR-OAPEN 147 01 3528 OLR-OAPEN 161 01 0960 OLR-OAPEN 213 01 0551 OLR-OAPEN 230 01 0552 OLR-OAPEN 283 01 3283 OLR-OAL 293 01 3293 OLR-OAPEN 370 01 4370 OLR-FREE 370 01 4370 olr-ebook GBV-OAPEN 603 01 4603 OLR-OAPEN 808 01 4808 OLR-OAPEN
allfields_unstemmed	9781526146465 978-1-5261-4646-5 (DE-627)1836440588 (DE-599)KEP062179314 (OCoLC)1286318190 (OAPEN)44041 (EBP)062179314 DE-627 eng DE-627 rda eng TV bicssc Watson, Jackie verfasserin aut The senses in early modern England, 1558–1660 [Erscheinungsort nicht ermittelbar] Manchester University Press 2020 1 Online-Ressource Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star This book attempts to interrogate the literary, artistic and cultural output of early modern England. Following Constance Classen's view that understandings of the senses, and sensory experience itself, are culturally and historically contingent; it explores the culturally specific role of the senses in textual and aesthetic encounters in England. The book follows Joachim-Ernst Berendt's call for 'a democracy of the senses' in preference to the various sensory hierarchies that have often shaped theory and criticism. It argues that the playhouse itself challenged its audiences' reliance on the evidence of their own eyes, teaching early modern playgoers how to see and how to interpret the validity of the visual. The book offers an essay on each of the five senses, beginning and ending with two senses, taste and smell, that are often overlooked in studies of early modern culture. It investigates Robert Herrick's accounts in "Hesperides" of how the senses function during sexual pleasure and contact. The book also explores sensory experiences, interrogating textual accounts of the senses at night in writings from the English Renaissance. It offers a picture of early modern thought in which sensory encounters are unstable, suggesting ways in which the senses are influenced by the contexts in which they are experienced: at night, in states of sexual excitement, or even when melancholic. The book looks at the works of art themselves and considers the significance of the senses for early modern subjects attending a play, regarding a painting, and reading a printed volume Creative Commons https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode cc English Agriculture & farming Agriculture and farming Smith, Simon herausgeberin edt https://library.oapen.org/bitstream/id/34c9b572-8f72-405b-88ab-882c18384433/external_content.pdf X:OAPEN Verlag OAPEN Library: download the publication kostenfrei https://library.oapen.org/handle/20.500.12657/44041 X:OAPEN Verlag OAPEN Library: description of the publication kostenfrei ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER BO 22 01 0018 4280098832 OLR-ZDB-94-OAL OAPEN Library zu 01-03-23 23 01 0830 4280650802 OLR-OAPEN f z 01-03-23 30 01 0104 4281011129 GBV-OAPEN z 01-03-23 31 01 0027 4280293562 z 01-03-23 34 01 3551 4278849109 OLR-OAPEN zi002 01-03-23 39 01 0547 4281201874 GBV-OAPEN ke 01-03-23 40 01 0007 4279917604 OLR-OAPEN xsn 01-03-23 63 01 3401 4281582622 E-Books LF GBV-OAPEN z 01-03-23 65 01 0003 4281831797 OLR-OAPEN z 01-03-23 70 01 0089 4280471797 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 72 01 0035 4278667949 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 95 01 3095 4343197573 OLR-OAL Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 24-06-23 110 01 3110 4281386815 OLR-GBV-OAPEN Open Access z 01-03-23 136 01 3526 4279558671 OLR-OAPEN z 01-03-23 147 01 3528 4282031344 OLR-OAPEN frei verfügbar für Europa-Universität Flensburg, Hochschule Flensburg und Zentrale Hochschulbibliothek Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 01-03-23 161 01 0960 4278105290 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 187 01 3520 4278490275 JSTOR Open Access eBook z 28-02-23 213 01 0551 4279204284 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 230 01 0552 4279381461 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 283 01 3283 4279740372 OLR-OAL z 01-03-23 293 01 3293 4278284497 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 370 01 4370 4279026858 OLR-FREE Kostenloser Zugriff z 01-03-23 603 01 4603 4277927459 OLR-OAPEN Bitte beachten Sie die Nutzungsbedingungen und Copyright-Bestimmungen des Verlages/Herausgebers. z 28-02-23 808 01 4808 4280829675 OLR-OAPEN OAPEN Library zg 01-03-23 2403 01 DE-LFER 4307514580 00 --%%-- --%%-- n --%%-- l01 11-04-23 22 01 0018 Volltextzugang https://library.oapen.org/handle/20.500.12657/44041 23 01 0830 https://library.oapen.org/handle/20.500.12657/44041 30 01 0104 Open Access https://library.oapen.org/handle/20.500.12657/44041 31 01 0027 eBook GBV-OAPEN https://library.oapen.org/handle/20.500.12657/44041 34 01 3551 OpenAccess https://library.oapen.org/handle/20.500.12657/44041 40 01 0007 Volltext, Open Access https://library.oapen.org/handle/20.500.12657/44041 63 01 3401 E-Book https://library.oapen.org/handle/20.500.12657/44041 65 01 0003 Open Access https://library.oapen.org/handle/20.500.12657/44041 65 01 0003 Dieser Titel ist Teil einer Datenbank http://www.bibliothek.uni-regensburg.de/dbinfo/detail.php?titel_id=10728&bib_id=ulb_hal 70 01 0089 https://library.oapen.org/handle/20.500.12657/44041 LF 72 01 0035 https://library.oapen.org/handle/20.500.12657/44041 95 01 3095 https://library.oapen.org/handle/20.500.12657/44041 110 01 3110 Open Access https://library.oapen.org/handle/20.500.12657/44041 136 01 3526 Open Access https://library.oapen.org/handle/20.500.12657/44041 147 01 3528 https://library.oapen.org/handle/20.500.12657/44041 161 01 0960 https://library.oapen.org/handle/20.500.12657/44041 LF 187 01 3520 https://library.oapen.org/handle/20.500.12657/44041 213 01 0551 https://library.oapen.org/handle/20.500.12657/44041 230 01 0552 https://library.oapen.org/handle/20.500.12657/44041 283 01 3283 https://library.oapen.org/handle/20.500.12657/44041 293 01 3293 https://library.oapen.org/handle/20.500.12657/44041 LF 370 01 4370 https://library.oapen.org/handle/20.500.12657/44041 603 01 4603 https://library.oapen.org/handle/20.500.12657/44041 808 01 4808 Volltextzugang https://library.oapen.org/handle/20.500.12657/44041 2403 01 DE-LFER https://library.oapen.org/bitstream/id/34c9b572-8f72-405b-88ab-882c18384433/external_content.pdf 31 01 0027 00 eBook GBV-OAPEN 22 01 0018 OLR-ZDB-94-OAL 23 01 0830 OLR-OAPEN 30 01 0104 GBV-OAPEN 34 01 3551 OLR-OAPEN 39 01 0547 GBV-OAPEN 39 01 0547 LF 40 01 0007 OLR-OAPEN 63 01 3401 E-Books LF GBV-OAPEN 65 01 0003 OLR-OAPEN 70 01 0089 OLR-OAPEN-OA 72 01 0035 OLR-OAPEN-OA 95 01 3095 OLR-OAL 110 01 3110 OLR-GBV-OAPEN 136 01 3526 OLR-OAPEN 147 01 3528 OLR-OAPEN 161 01 0960 OLR-OAPEN 213 01 0551 OLR-OAPEN 230 01 0552 OLR-OAPEN 283 01 3283 OLR-OAL 293 01 3293 OLR-OAPEN 370 01 4370 OLR-FREE 370 01 4370 olr-ebook GBV-OAPEN 603 01 4603 OLR-OAPEN 808 01 4808 OLR-OAPEN
allfieldsGer	9781526146465 978-1-5261-4646-5 (DE-627)1836440588 (DE-599)KEP062179314 (OCoLC)1286318190 (OAPEN)44041 (EBP)062179314 DE-627 eng DE-627 rda eng TV bicssc Watson, Jackie verfasserin aut The senses in early modern England, 1558–1660 [Erscheinungsort nicht ermittelbar] Manchester University Press 2020 1 Online-Ressource Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star This book attempts to interrogate the literary, artistic and cultural output of early modern England. Following Constance Classen's view that understandings of the senses, and sensory experience itself, are culturally and historically contingent; it explores the culturally specific role of the senses in textual and aesthetic encounters in England. The book follows Joachim-Ernst Berendt's call for 'a democracy of the senses' in preference to the various sensory hierarchies that have often shaped theory and criticism. It argues that the playhouse itself challenged its audiences' reliance on the evidence of their own eyes, teaching early modern playgoers how to see and how to interpret the validity of the visual. The book offers an essay on each of the five senses, beginning and ending with two senses, taste and smell, that are often overlooked in studies of early modern culture. It investigates Robert Herrick's accounts in "Hesperides" of how the senses function during sexual pleasure and contact. The book also explores sensory experiences, interrogating textual accounts of the senses at night in writings from the English Renaissance. It offers a picture of early modern thought in which sensory encounters are unstable, suggesting ways in which the senses are influenced by the contexts in which they are experienced: at night, in states of sexual excitement, or even when melancholic. The book looks at the works of art themselves and considers the significance of the senses for early modern subjects attending a play, regarding a painting, and reading a printed volume Creative Commons https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode cc English Agriculture & farming Agriculture and farming Smith, Simon herausgeberin edt https://library.oapen.org/bitstream/id/34c9b572-8f72-405b-88ab-882c18384433/external_content.pdf X:OAPEN Verlag OAPEN Library: download the publication kostenfrei https://library.oapen.org/handle/20.500.12657/44041 X:OAPEN Verlag OAPEN Library: description of the publication kostenfrei ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER BO 22 01 0018 4280098832 OLR-ZDB-94-OAL OAPEN Library zu 01-03-23 23 01 0830 4280650802 OLR-OAPEN f z 01-03-23 30 01 0104 4281011129 GBV-OAPEN z 01-03-23 31 01 0027 4280293562 z 01-03-23 34 01 3551 4278849109 OLR-OAPEN zi002 01-03-23 39 01 0547 4281201874 GBV-OAPEN ke 01-03-23 40 01 0007 4279917604 OLR-OAPEN xsn 01-03-23 63 01 3401 4281582622 E-Books LF GBV-OAPEN z 01-03-23 65 01 0003 4281831797 OLR-OAPEN z 01-03-23 70 01 0089 4280471797 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 72 01 0035 4278667949 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 95 01 3095 4343197573 OLR-OAL Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 24-06-23 110 01 3110 4281386815 OLR-GBV-OAPEN Open Access z 01-03-23 136 01 3526 4279558671 OLR-OAPEN z 01-03-23 147 01 3528 4282031344 OLR-OAPEN frei verfügbar für Europa-Universität Flensburg, Hochschule Flensburg und Zentrale Hochschulbibliothek Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. 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allfieldsSound	9781526146465 978-1-5261-4646-5 (DE-627)1836440588 (DE-599)KEP062179314 (OCoLC)1286318190 (OAPEN)44041 (EBP)062179314 DE-627 eng DE-627 rda eng TV bicssc Watson, Jackie verfasserin aut The senses in early modern England, 1558–1660 [Erscheinungsort nicht ermittelbar] Manchester University Press 2020 1 Online-Ressource Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star This book attempts to interrogate the literary, artistic and cultural output of early modern England. Following Constance Classen's view that understandings of the senses, and sensory experience itself, are culturally and historically contingent; it explores the culturally specific role of the senses in textual and aesthetic encounters in England. The book follows Joachim-Ernst Berendt's call for 'a democracy of the senses' in preference to the various sensory hierarchies that have often shaped theory and criticism. 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The book looks at the works of art themselves and considers the significance of the senses for early modern subjects attending a play, regarding a painting, and reading a printed volume Creative Commons https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode cc English Agriculture & farming Agriculture and farming Smith, Simon herausgeberin edt https://library.oapen.org/bitstream/id/34c9b572-8f72-405b-88ab-882c18384433/external_content.pdf X:OAPEN Verlag OAPEN Library: download the publication kostenfrei https://library.oapen.org/handle/20.500.12657/44041 X:OAPEN Verlag OAPEN Library: description of the publication kostenfrei ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER BO 22 01 0018 4280098832 OLR-ZDB-94-OAL OAPEN Library zu 01-03-23 23 01 0830 4280650802 OLR-OAPEN f z 01-03-23 30 01 0104 4281011129 GBV-OAPEN z 01-03-23 31 01 0027 4280293562 z 01-03-23 34 01 3551 4278849109 OLR-OAPEN zi002 01-03-23 39 01 0547 4281201874 GBV-OAPEN ke 01-03-23 40 01 0007 4279917604 OLR-OAPEN xsn 01-03-23 63 01 3401 4281582622 E-Books LF GBV-OAPEN z 01-03-23 65 01 0003 4281831797 OLR-OAPEN z 01-03-23 70 01 0089 4280471797 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 72 01 0035 4278667949 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 95 01 3095 4343197573 OLR-OAL Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 24-06-23 110 01 3110 4281386815 OLR-GBV-OAPEN Open Access z 01-03-23 136 01 3526 4279558671 OLR-OAPEN z 01-03-23 147 01 3528 4282031344 OLR-OAPEN frei verfügbar für Europa-Universität Flensburg, Hochschule Flensburg und Zentrale Hochschulbibliothek Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. 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abstract	This book attempts to interrogate the literary, artistic and cultural output of early modern England. Following Constance Classen's view that understandings of the senses, and sensory experience itself, are culturally and historically contingent; it explores the culturally specific role of the senses in textual and aesthetic encounters in England. The book follows Joachim-Ernst Berendt's call for 'a democracy of the senses' in preference to the various sensory hierarchies that have often shaped theory and criticism. It argues that the playhouse itself challenged its audiences' reliance on the evidence of their own eyes, teaching early modern playgoers how to see and how to interpret the validity of the visual. The book offers an essay on each of the five senses, beginning and ending with two senses, taste and smell, that are often overlooked in studies of early modern culture. It investigates Robert Herrick's accounts in "Hesperides" of how the senses function during sexual pleasure and contact. The book also explores sensory experiences, interrogating textual accounts of the senses at night in writings from the English Renaissance. It offers a picture of early modern thought in which sensory encounters are unstable, suggesting ways in which the senses are influenced by the contexts in which they are experienced: at night, in states of sexual excitement, or even when melancholic. The book looks at the works of art themselves and considers the significance of the senses for early modern subjects attending a play, regarding a painting, and reading a printed volume
abstractGer	This book attempts to interrogate the literary, artistic and cultural output of early modern England. Following Constance Classen's view that understandings of the senses, and sensory experience itself, are culturally and historically contingent; it explores the culturally specific role of the senses in textual and aesthetic encounters in England. The book follows Joachim-Ernst Berendt's call for 'a democracy of the senses' in preference to the various sensory hierarchies that have often shaped theory and criticism. It argues that the playhouse itself challenged its audiences' reliance on the evidence of their own eyes, teaching early modern playgoers how to see and how to interpret the validity of the visual. The book offers an essay on each of the five senses, beginning and ending with two senses, taste and smell, that are often overlooked in studies of early modern culture. It investigates Robert Herrick's accounts in "Hesperides" of how the senses function during sexual pleasure and contact. The book also explores sensory experiences, interrogating textual accounts of the senses at night in writings from the English Renaissance. It offers a picture of early modern thought in which sensory encounters are unstable, suggesting ways in which the senses are influenced by the contexts in which they are experienced: at night, in states of sexual excitement, or even when melancholic. The book looks at the works of art themselves and considers the significance of the senses for early modern subjects attending a play, regarding a painting, and reading a printed volume
abstract_unstemmed	This book attempts to interrogate the literary, artistic and cultural output of early modern England. Following Constance Classen's view that understandings of the senses, and sensory experience itself, are culturally and historically contingent; it explores the culturally specific role of the senses in textual and aesthetic encounters in England. The book follows Joachim-Ernst Berendt's call for 'a democracy of the senses' in preference to the various sensory hierarchies that have often shaped theory and criticism. It argues that the playhouse itself challenged its audiences' reliance on the evidence of their own eyes, teaching early modern playgoers how to see and how to interpret the validity of the visual. The book offers an essay on each of the five senses, beginning and ending with two senses, taste and smell, that are often overlooked in studies of early modern culture. It investigates Robert Herrick's accounts in "Hesperides" of how the senses function during sexual pleasure and contact. The book also explores sensory experiences, interrogating textual accounts of the senses at night in writings from the English Renaissance. It offers a picture of early modern thought in which sensory encounters are unstable, suggesting ways in which the senses are influenced by the contexts in which they are experienced: at night, in states of sexual excitement, or even when melancholic. The book looks at the works of art themselves and considers the significance of the senses for early modern subjects attending a play, regarding a painting, and reading a printed volume
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title_short	The senses in early modern England, 1558–1660
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score	7.0144615

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The senses in early modern England, 1558–1660

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Vorhandene Bände

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