Musikkfilosofiske tekster : Tanker om musikk – og språk, tolkning, erfaring, tid, klang, stillhet m.m

"To pursue the philosophy of music is to contemplate music’s nature, essence, purpose, value, and function in our lives. While the aesthetics of music looks at music’s content, quality, meaning and importance, music philosophy often goes one step further. Ideas about something one perhaps belie...
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Gespeichert in:

Autor*in:	Varkøy, Øivind [verfasserIn] Holm, Henrik [herausgeberIn]

Format:	E-Book
Sprache:	Norwegisch

Erschienen:	Oslo: Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing) ; 2020

Rechteinformationen:	Open Access Creative Commons ; https://creativecommons.org/licenses/by/4.0

Schlagwörter:	Theory of music & musicology Theory of music and musicology

Umfang:	1 Online-Ressource (351 p.)

Links:	Link aufrufen Link aufrufen Link aufrufen

Katalog-ID:	1836458207

Internformat


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520			\|a "To pursue the philosophy of music is to contemplate music’s nature, essence, purpose, value, and function in our lives. While the aesthetics of music looks at music’s content, quality, meaning and importance, music philosophy often goes one step further. Ideas about something one perhaps believes is ‘purely aesthetical’ will of course always require consideration in relation to ideas about humanity, the world, politics and religion. In this sense, music aesthetics and music philosophy are two sides of the same coin. This is reflected in the texts presented in this collection, which provides a broad view of the current state of ideas about music in Norway. The authors, from PhD fellows to emeriti, represent different higher educational music institutions in Norway as well as different fields within music and philosophy. Their texts are on topics ranging from musical experience, music and language, meaning and interpretation of music, music and view of life, and others. The anthology’s editors Øivind Varkøy and Henrik Holm are, respectively, professor of music education and director of the PhD program at the Norwegian Academy of Music and adjunct professor of music at Oslo Metropolitan University, and professor of philosophy and head of research at Rudolf Steiner University College in Oslo."
520			\|a "Å bedrive musikkfilosofi er å tenke omkring musikkens natur, vesen, hensikt, verdi, og funksjon i menneskelivet. Mens musikkestetikken arbeider med spørsmål om musikkens innhold, kvalitet, mening og betydning, går musikkfilosofien ofte ett skritt lenger. Tenkning om noe man muligens innbiller seg er «rent estetisk», vil nemlig alltid måtte vurderes i relasjon til forestillinger om mennesket, verden, politikk og religion. Slik sett blir musikkestetikk og musikkfilosofi to sider av samme sak. Dette avspeiles i denne samlingen av tekster – som gir et bredt bilde av norsk musikktenkning anno 2020. Forfatterne er tilknyttet forskjellige høyere musikkutdanningsinstitusjoner i Norge som alt fra ph.d.-stipendiater til fast ansatte og emeriti, og de representerer ulike musikalske og filosofiske fagfelt. Her finnes tekster om musikalsk erfaring, musikk og språk, musikalsk mening og tolkning, musikk og livsanskuelse m.m. Redaktørene Øivind Varkøy og Henrik Holm er henholdsvis professor i musikkpedagogikk og leder av ph.d.-programmet ved Norges musikkhøgskole, samt professor II i musikk ved OsloMet - Storbyuniversitetet, og professor i filosofi og forskningsleder ved Steinerhøyskolen i Oslo."
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Indexfelder

author_variant	ø v øv
matchkey_str	varkyivindholmhenrik:2020----:uikiooikt
oclc_num	1286319849
hierarchy_sort_str	2020
publishDate	2020
allfields	(DE-627)1836458207 (DE-599)KEP062197118 (OCoLC)1286319849 (OAPEN)46228 (EBP)062197118 DE-627 nor DE-627 rda nor AVA bicssc Varkøy, Øivind verfasserin aut Musikkfilosofiske tekster Tanker om musikk – og språk, tolkning, erfaring, tid, klang, stillhet m.m Oslo Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing) 2020 1 Online-Ressource (351 p.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star "To pursue the philosophy of music is to contemplate music’s nature, essence, purpose, value, and function in our lives. While the aesthetics of music looks at music’s content, quality, meaning and importance, music philosophy often goes one step further. Ideas about something one perhaps believes is ‘purely aesthetical’ will of course always require consideration in relation to ideas about humanity, the world, politics and religion. In this sense, music aesthetics and music philosophy are two sides of the same coin. This is reflected in the texts presented in this collection, which provides a broad view of the current state of ideas about music in Norway. The authors, from PhD fellows to emeriti, represent different higher educational music institutions in Norway as well as different fields within music and philosophy. Their texts are on topics ranging from musical experience, music and language, meaning and interpretation of music, music and view of life, and others. The anthology’s editors Øivind Varkøy and Henrik Holm are, respectively, professor of music education and director of the PhD program at the Norwegian Academy of Music and adjunct professor of music at Oslo Metropolitan University, and professor of philosophy and head of research at Rudolf Steiner University College in Oslo." "Å bedrive musikkfilosofi er å tenke omkring musikkens natur, vesen, hensikt, verdi, og funksjon i menneskelivet. Mens musikkestetikken arbeider med spørsmål om musikkens innhold, kvalitet, mening og betydning, går musikkfilosofien ofte ett skritt lenger. Tenkning om noe man muligens innbiller seg er «rent estetisk», vil nemlig alltid måtte vurderes i relasjon til forestillinger om mennesket, verden, politikk og religion. Slik sett blir musikkestetikk og musikkfilosofi to sider av samme sak. Dette avspeiles i denne samlingen av tekster – som gir et bredt bilde av norsk musikktenkning anno 2020. Forfatterne er tilknyttet forskjellige høyere musikkutdanningsinstitusjoner i Norge som alt fra ph.d.-stipendiater til fast ansatte og emeriti, og de representerer ulike musikalske og filosofiske fagfelt. Her finnes tekster om musikalsk erfaring, musikk og språk, musikalsk mening og tolkning, musikk og livsanskuelse m.m. Redaktørene Øivind Varkøy og Henrik Holm er henholdsvis professor i musikkpedagogikk og leder av ph.d.-programmet ved Norges musikkhøgskole, samt professor II i musikk ved OsloMet - Storbyuniversitetet, og professor i filosofi og forskningsleder ved Steinerhøyskolen i Oslo." Creative Commons https://creativecommons.org/licenses/by/4.0 cc Norwegian Theory of music & musicology Theory of music and musicology Holm, Henrik herausgeberin edt https://library.oapen.org/bitstream/id/7f3641c4-4e30-476e-b56b-2538247c9565/Musikkfil_PDF.pdf X:OAPEN Verlag OAPEN Library: download the publication kostenfrei https://library.oapen.org/handle/20.500.12657/46228 X:OAPEN Verlag OAPEN Library: description of the publication kostenfrei ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER BO 22 01 0018 428011627X OLR-ZDB-94-OAL OAPEN Library zu 01-03-23 23 01 0830 4280668310 OLR-OAPEN f z 01-03-23 30 01 0104 4281028854 GBV-OAPEN z 01-03-23 31 01 0027 4280311021 z 01-03-23 34 01 3551 4278866550 OLR-OAPEN zi002 01-03-23 39 01 0547 4281219838 GBV-OAPEN ke 01-03-23 40 01 0007 4279935041 OLR-OAPEN xsn 01-03-23 63 01 3401 4281601422 E-Books LF GBV-OAPEN z 01-03-23 65 01 0003 4281851801 OLR-OAPEN z 01-03-23 70 01 0089 4280489319 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 72 01 0035 4278689160 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 95 01 3095 4343215067 OLR-OAL Vervielfältigungen (z.B. 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Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 01-03-23 161 01 0960 4278122918 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 187 01 3520 4278507712 JSTOR Open Access eBook z 28-02-23 213 01 0551 4279221723 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 230 01 0552 4279398909 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 283 01 3283 427975781X OLR-OAL z 01-03-23 293 01 3293 4278301936 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 370 01 4370 4279044295 OLR-FREE Kostenloser Zugriff z 01-03-23 603 01 4603 4277944965 OLR-OAPEN Bitte beachten Sie die Nutzungsbedingungen und Copyright-Bestimmungen des Verlages/Herausgebers. z 28-02-23 808 01 4808 428084724X OLR-OAPEN OAPEN Library zg 01-03-23 2403 01 DE-LFER 4307796810 00 --%%-- --%%-- n --%%-- l01 12-04-23 22 01 0018 Volltextzugang https://library.oapen.org/handle/20.500.12657/46228 23 01 0830 https://library.oapen.org/handle/20.500.12657/46228 30 01 0104 Open Access https://library.oapen.org/handle/20.500.12657/46228 31 01 0027 eBook GBV-OAPEN https://library.oapen.org/handle/20.500.12657/46228 34 01 3551 OpenAccess https://library.oapen.org/handle/20.500.12657/46228 40 01 0007 Volltext, Open Access https://library.oapen.org/handle/20.500.12657/46228 63 01 3401 E-Book https://library.oapen.org/handle/20.500.12657/46228 65 01 0003 Open Access https://library.oapen.org/handle/20.500.12657/46228 65 01 0003 Dieser Titel ist Teil einer Datenbank http://www.bibliothek.uni-regensburg.de/dbinfo/detail.php?titel_id=10728&bib_id=ulb_hal 70 01 0089 https://library.oapen.org/handle/20.500.12657/46228 LF 72 01 0035 https://library.oapen.org/handle/20.500.12657/46228 95 01 3095 https://library.oapen.org/handle/20.500.12657/46228 110 01 3110 Open Access https://library.oapen.org/handle/20.500.12657/46228 136 01 3526 Open Access https://library.oapen.org/handle/20.500.12657/46228 147 01 3528 https://library.oapen.org/handle/20.500.12657/46228 161 01 0960 https://library.oapen.org/handle/20.500.12657/46228 LF 187 01 3520 https://library.oapen.org/handle/20.500.12657/46228 213 01 0551 https://library.oapen.org/handle/20.500.12657/46228 230 01 0552 https://library.oapen.org/handle/20.500.12657/46228 283 01 3283 https://library.oapen.org/handle/20.500.12657/46228 293 01 3293 https://library.oapen.org/handle/20.500.12657/46228 LF 370 01 4370 https://library.oapen.org/handle/20.500.12657/46228 603 01 4603 https://library.oapen.org/handle/20.500.12657/46228 808 01 4808 Volltextzugang https://library.oapen.org/handle/20.500.12657/46228 2403 01 DE-LFER https://library.oapen.org/bitstream/id/7f3641c4-4e30-476e-b56b-2538247c9565/Musikkfil_PDF.pdf 31 01 0027 00 eBook GBV-OAPEN 22 01 0018 OLR-ZDB-94-OAL 23 01 0830 OLR-OAPEN 30 01 0104 GBV-OAPEN 34 01 3551 OLR-OAPEN 39 01 0547 GBV-OAPEN 39 01 0547 LF 40 01 0007 OLR-OAPEN 63 01 3401 E-Books LF GBV-OAPEN 65 01 0003 OLR-OAPEN 70 01 0089 OLR-OAPEN-OA 72 01 0035 OLR-OAPEN-OA 95 01 3095 OLR-OAL 110 01 3110 OLR-GBV-OAPEN 136 01 3526 OLR-OAPEN 147 01 3528 OLR-OAPEN 161 01 0960 OLR-OAPEN 213 01 0551 OLR-OAPEN 230 01 0552 OLR-OAPEN 283 01 3283 OLR-OAL 293 01 3293 OLR-OAPEN 370 01 4370 OLR-FREE 370 01 4370 olr-ebook GBV-OAPEN 603 01 4603 OLR-OAPEN 808 01 4808 OLR-OAPEN
spelling	(DE-627)1836458207 (DE-599)KEP062197118 (OCoLC)1286319849 (OAPEN)46228 (EBP)062197118 DE-627 nor DE-627 rda nor AVA bicssc Varkøy, Øivind verfasserin aut Musikkfilosofiske tekster Tanker om musikk – og språk, tolkning, erfaring, tid, klang, stillhet m.m Oslo Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing) 2020 1 Online-Ressource (351 p.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star "To pursue the philosophy of music is to contemplate music’s nature, essence, purpose, value, and function in our lives. While the aesthetics of music looks at music’s content, quality, meaning and importance, music philosophy often goes one step further. Ideas about something one perhaps believes is ‘purely aesthetical’ will of course always require consideration in relation to ideas about humanity, the world, politics and religion. In this sense, music aesthetics and music philosophy are two sides of the same coin. This is reflected in the texts presented in this collection, which provides a broad view of the current state of ideas about music in Norway. The authors, from PhD fellows to emeriti, represent different higher educational music institutions in Norway as well as different fields within music and philosophy. Their texts are on topics ranging from musical experience, music and language, meaning and interpretation of music, music and view of life, and others. The anthology’s editors Øivind Varkøy and Henrik Holm are, respectively, professor of music education and director of the PhD program at the Norwegian Academy of Music and adjunct professor of music at Oslo Metropolitan University, and professor of philosophy and head of research at Rudolf Steiner University College in Oslo." "Å bedrive musikkfilosofi er å tenke omkring musikkens natur, vesen, hensikt, verdi, og funksjon i menneskelivet. Mens musikkestetikken arbeider med spørsmål om musikkens innhold, kvalitet, mening og betydning, går musikkfilosofien ofte ett skritt lenger. Tenkning om noe man muligens innbiller seg er «rent estetisk», vil nemlig alltid måtte vurderes i relasjon til forestillinger om mennesket, verden, politikk og religion. Slik sett blir musikkestetikk og musikkfilosofi to sider av samme sak. Dette avspeiles i denne samlingen av tekster – som gir et bredt bilde av norsk musikktenkning anno 2020. Forfatterne er tilknyttet forskjellige høyere musikkutdanningsinstitusjoner i Norge som alt fra ph.d.-stipendiater til fast ansatte og emeriti, og de representerer ulike musikalske og filosofiske fagfelt. Her finnes tekster om musikalsk erfaring, musikk og språk, musikalsk mening og tolkning, musikk og livsanskuelse m.m. Redaktørene Øivind Varkøy og Henrik Holm er henholdsvis professor i musikkpedagogikk og leder av ph.d.-programmet ved Norges musikkhøgskole, samt professor II i musikk ved OsloMet - Storbyuniversitetet, og professor i filosofi og forskningsleder ved Steinerhøyskolen i Oslo." Creative Commons https://creativecommons.org/licenses/by/4.0 cc Norwegian Theory of music & musicology Theory of music and musicology Holm, Henrik herausgeberin edt https://library.oapen.org/bitstream/id/7f3641c4-4e30-476e-b56b-2538247c9565/Musikkfil_PDF.pdf X:OAPEN Verlag OAPEN Library: download the publication kostenfrei https://library.oapen.org/handle/20.500.12657/46228 X:OAPEN Verlag OAPEN Library: description of the publication kostenfrei ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER BO 22 01 0018 428011627X OLR-ZDB-94-OAL OAPEN Library zu 01-03-23 23 01 0830 4280668310 OLR-OAPEN f z 01-03-23 30 01 0104 4281028854 GBV-OAPEN z 01-03-23 31 01 0027 4280311021 z 01-03-23 34 01 3551 4278866550 OLR-OAPEN zi002 01-03-23 39 01 0547 4281219838 GBV-OAPEN ke 01-03-23 40 01 0007 4279935041 OLR-OAPEN xsn 01-03-23 63 01 3401 4281601422 E-Books LF GBV-OAPEN z 01-03-23 65 01 0003 4281851801 OLR-OAPEN z 01-03-23 70 01 0089 4280489319 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 72 01 0035 4278689160 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 95 01 3095 4343215067 OLR-OAL Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 24-06-23 110 01 3110 4281404759 OLR-GBV-OAPEN Open Access z 01-03-23 136 01 3526 4279576114 OLR-OAPEN z 01-03-23 147 01 3528 4282050144 OLR-OAPEN frei verfügbar für Europa-Universität Flensburg, Hochschule Flensburg und Zentrale Hochschulbibliothek Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 01-03-23 161 01 0960 4278122918 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 187 01 3520 4278507712 JSTOR Open Access eBook z 28-02-23 213 01 0551 4279221723 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 230 01 0552 4279398909 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 283 01 3283 427975781X OLR-OAL z 01-03-23 293 01 3293 4278301936 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 370 01 4370 4279044295 OLR-FREE Kostenloser Zugriff z 01-03-23 603 01 4603 4277944965 OLR-OAPEN Bitte beachten Sie die Nutzungsbedingungen und Copyright-Bestimmungen des Verlages/Herausgebers. z 28-02-23 808 01 4808 428084724X OLR-OAPEN OAPEN Library zg 01-03-23 2403 01 DE-LFER 4307796810 00 --%%-- --%%-- n --%%-- l01 12-04-23 22 01 0018 Volltextzugang https://library.oapen.org/handle/20.500.12657/46228 23 01 0830 https://library.oapen.org/handle/20.500.12657/46228 30 01 0104 Open Access https://library.oapen.org/handle/20.500.12657/46228 31 01 0027 eBook GBV-OAPEN https://library.oapen.org/handle/20.500.12657/46228 34 01 3551 OpenAccess https://library.oapen.org/handle/20.500.12657/46228 40 01 0007 Volltext, Open Access https://library.oapen.org/handle/20.500.12657/46228 63 01 3401 E-Book https://library.oapen.org/handle/20.500.12657/46228 65 01 0003 Open Access https://library.oapen.org/handle/20.500.12657/46228 65 01 0003 Dieser Titel ist Teil einer Datenbank http://www.bibliothek.uni-regensburg.de/dbinfo/detail.php?titel_id=10728&bib_id=ulb_hal 70 01 0089 https://library.oapen.org/handle/20.500.12657/46228 LF 72 01 0035 https://library.oapen.org/handle/20.500.12657/46228 95 01 3095 https://library.oapen.org/handle/20.500.12657/46228 110 01 3110 Open Access https://library.oapen.org/handle/20.500.12657/46228 136 01 3526 Open Access https://library.oapen.org/handle/20.500.12657/46228 147 01 3528 https://library.oapen.org/handle/20.500.12657/46228 161 01 0960 https://library.oapen.org/handle/20.500.12657/46228 LF 187 01 3520 https://library.oapen.org/handle/20.500.12657/46228 213 01 0551 https://library.oapen.org/handle/20.500.12657/46228 230 01 0552 https://library.oapen.org/handle/20.500.12657/46228 283 01 3283 https://library.oapen.org/handle/20.500.12657/46228 293 01 3293 https://library.oapen.org/handle/20.500.12657/46228 LF 370 01 4370 https://library.oapen.org/handle/20.500.12657/46228 603 01 4603 https://library.oapen.org/handle/20.500.12657/46228 808 01 4808 Volltextzugang https://library.oapen.org/handle/20.500.12657/46228 2403 01 DE-LFER https://library.oapen.org/bitstream/id/7f3641c4-4e30-476e-b56b-2538247c9565/Musikkfil_PDF.pdf 31 01 0027 00 eBook GBV-OAPEN 22 01 0018 OLR-ZDB-94-OAL 23 01 0830 OLR-OAPEN 30 01 0104 GBV-OAPEN 34 01 3551 OLR-OAPEN 39 01 0547 GBV-OAPEN 39 01 0547 LF 40 01 0007 OLR-OAPEN 63 01 3401 E-Books LF GBV-OAPEN 65 01 0003 OLR-OAPEN 70 01 0089 OLR-OAPEN-OA 72 01 0035 OLR-OAPEN-OA 95 01 3095 OLR-OAL 110 01 3110 OLR-GBV-OAPEN 136 01 3526 OLR-OAPEN 147 01 3528 OLR-OAPEN 161 01 0960 OLR-OAPEN 213 01 0551 OLR-OAPEN 230 01 0552 OLR-OAPEN 283 01 3283 OLR-OAL 293 01 3293 OLR-OAPEN 370 01 4370 OLR-FREE 370 01 4370 olr-ebook GBV-OAPEN 603 01 4603 OLR-OAPEN 808 01 4808 OLR-OAPEN
allfields_unstemmed	(DE-627)1836458207 (DE-599)KEP062197118 (OCoLC)1286319849 (OAPEN)46228 (EBP)062197118 DE-627 nor DE-627 rda nor AVA bicssc Varkøy, Øivind verfasserin aut Musikkfilosofiske tekster Tanker om musikk – og språk, tolkning, erfaring, tid, klang, stillhet m.m Oslo Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing) 2020 1 Online-Ressource (351 p.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star "To pursue the philosophy of music is to contemplate music’s nature, essence, purpose, value, and function in our lives. While the aesthetics of music looks at music’s content, quality, meaning and importance, music philosophy often goes one step further. Ideas about something one perhaps believes is ‘purely aesthetical’ will of course always require consideration in relation to ideas about humanity, the world, politics and religion. In this sense, music aesthetics and music philosophy are two sides of the same coin. This is reflected in the texts presented in this collection, which provides a broad view of the current state of ideas about music in Norway. The authors, from PhD fellows to emeriti, represent different higher educational music institutions in Norway as well as different fields within music and philosophy. Their texts are on topics ranging from musical experience, music and language, meaning and interpretation of music, music and view of life, and others. The anthology’s editors Øivind Varkøy and Henrik Holm are, respectively, professor of music education and director of the PhD program at the Norwegian Academy of Music and adjunct professor of music at Oslo Metropolitan University, and professor of philosophy and head of research at Rudolf Steiner University College in Oslo." "Å bedrive musikkfilosofi er å tenke omkring musikkens natur, vesen, hensikt, verdi, og funksjon i menneskelivet. Mens musikkestetikken arbeider med spørsmål om musikkens innhold, kvalitet, mening og betydning, går musikkfilosofien ofte ett skritt lenger. Tenkning om noe man muligens innbiller seg er «rent estetisk», vil nemlig alltid måtte vurderes i relasjon til forestillinger om mennesket, verden, politikk og religion. Slik sett blir musikkestetikk og musikkfilosofi to sider av samme sak. Dette avspeiles i denne samlingen av tekster – som gir et bredt bilde av norsk musikktenkning anno 2020. Forfatterne er tilknyttet forskjellige høyere musikkutdanningsinstitusjoner i Norge som alt fra ph.d.-stipendiater til fast ansatte og emeriti, og de representerer ulike musikalske og filosofiske fagfelt. Her finnes tekster om musikalsk erfaring, musikk og språk, musikalsk mening og tolkning, musikk og livsanskuelse m.m. Redaktørene Øivind Varkøy og Henrik Holm er henholdsvis professor i musikkpedagogikk og leder av ph.d.-programmet ved Norges musikkhøgskole, samt professor II i musikk ved OsloMet - Storbyuniversitetet, og professor i filosofi og forskningsleder ved Steinerhøyskolen i Oslo." Creative Commons https://creativecommons.org/licenses/by/4.0 cc Norwegian Theory of music & musicology Theory of music and musicology Holm, Henrik herausgeberin edt https://library.oapen.org/bitstream/id/7f3641c4-4e30-476e-b56b-2538247c9565/Musikkfil_PDF.pdf X:OAPEN Verlag OAPEN Library: download the publication kostenfrei https://library.oapen.org/handle/20.500.12657/46228 X:OAPEN Verlag OAPEN Library: description of the publication kostenfrei ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER BO 22 01 0018 428011627X OLR-ZDB-94-OAL OAPEN Library zu 01-03-23 23 01 0830 4280668310 OLR-OAPEN f z 01-03-23 30 01 0104 4281028854 GBV-OAPEN z 01-03-23 31 01 0027 4280311021 z 01-03-23 34 01 3551 4278866550 OLR-OAPEN zi002 01-03-23 39 01 0547 4281219838 GBV-OAPEN ke 01-03-23 40 01 0007 4279935041 OLR-OAPEN xsn 01-03-23 63 01 3401 4281601422 E-Books LF GBV-OAPEN z 01-03-23 65 01 0003 4281851801 OLR-OAPEN z 01-03-23 70 01 0089 4280489319 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 72 01 0035 4278689160 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 95 01 3095 4343215067 OLR-OAL Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 24-06-23 110 01 3110 4281404759 OLR-GBV-OAPEN Open Access z 01-03-23 136 01 3526 4279576114 OLR-OAPEN z 01-03-23 147 01 3528 4282050144 OLR-OAPEN frei verfügbar für Europa-Universität Flensburg, Hochschule Flensburg und Zentrale Hochschulbibliothek Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 01-03-23 161 01 0960 4278122918 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 187 01 3520 4278507712 JSTOR Open Access eBook z 28-02-23 213 01 0551 4279221723 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 230 01 0552 4279398909 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 283 01 3283 427975781X OLR-OAL z 01-03-23 293 01 3293 4278301936 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 370 01 4370 4279044295 OLR-FREE Kostenloser Zugriff z 01-03-23 603 01 4603 4277944965 OLR-OAPEN Bitte beachten Sie die Nutzungsbedingungen und Copyright-Bestimmungen des Verlages/Herausgebers. z 28-02-23 808 01 4808 428084724X OLR-OAPEN OAPEN Library zg 01-03-23 2403 01 DE-LFER 4307796810 00 --%%-- --%%-- n --%%-- l01 12-04-23 22 01 0018 Volltextzugang https://library.oapen.org/handle/20.500.12657/46228 23 01 0830 https://library.oapen.org/handle/20.500.12657/46228 30 01 0104 Open Access https://library.oapen.org/handle/20.500.12657/46228 31 01 0027 eBook GBV-OAPEN https://library.oapen.org/handle/20.500.12657/46228 34 01 3551 OpenAccess https://library.oapen.org/handle/20.500.12657/46228 40 01 0007 Volltext, Open Access https://library.oapen.org/handle/20.500.12657/46228 63 01 3401 E-Book https://library.oapen.org/handle/20.500.12657/46228 65 01 0003 Open Access https://library.oapen.org/handle/20.500.12657/46228 65 01 0003 Dieser Titel ist Teil einer Datenbank http://www.bibliothek.uni-regensburg.de/dbinfo/detail.php?titel_id=10728&bib_id=ulb_hal 70 01 0089 https://library.oapen.org/handle/20.500.12657/46228 LF 72 01 0035 https://library.oapen.org/handle/20.500.12657/46228 95 01 3095 https://library.oapen.org/handle/20.500.12657/46228 110 01 3110 Open Access https://library.oapen.org/handle/20.500.12657/46228 136 01 3526 Open Access https://library.oapen.org/handle/20.500.12657/46228 147 01 3528 https://library.oapen.org/handle/20.500.12657/46228 161 01 0960 https://library.oapen.org/handle/20.500.12657/46228 LF 187 01 3520 https://library.oapen.org/handle/20.500.12657/46228 213 01 0551 https://library.oapen.org/handle/20.500.12657/46228 230 01 0552 https://library.oapen.org/handle/20.500.12657/46228 283 01 3283 https://library.oapen.org/handle/20.500.12657/46228 293 01 3293 https://library.oapen.org/handle/20.500.12657/46228 LF 370 01 4370 https://library.oapen.org/handle/20.500.12657/46228 603 01 4603 https://library.oapen.org/handle/20.500.12657/46228 808 01 4808 Volltextzugang https://library.oapen.org/handle/20.500.12657/46228 2403 01 DE-LFER https://library.oapen.org/bitstream/id/7f3641c4-4e30-476e-b56b-2538247c9565/Musikkfil_PDF.pdf 31 01 0027 00 eBook GBV-OAPEN 22 01 0018 OLR-ZDB-94-OAL 23 01 0830 OLR-OAPEN 30 01 0104 GBV-OAPEN 34 01 3551 OLR-OAPEN 39 01 0547 GBV-OAPEN 39 01 0547 LF 40 01 0007 OLR-OAPEN 63 01 3401 E-Books LF GBV-OAPEN 65 01 0003 OLR-OAPEN 70 01 0089 OLR-OAPEN-OA 72 01 0035 OLR-OAPEN-OA 95 01 3095 OLR-OAL 110 01 3110 OLR-GBV-OAPEN 136 01 3526 OLR-OAPEN 147 01 3528 OLR-OAPEN 161 01 0960 OLR-OAPEN 213 01 0551 OLR-OAPEN 230 01 0552 OLR-OAPEN 283 01 3283 OLR-OAL 293 01 3293 OLR-OAPEN 370 01 4370 OLR-FREE 370 01 4370 olr-ebook GBV-OAPEN 603 01 4603 OLR-OAPEN 808 01 4808 OLR-OAPEN
allfieldsGer	(DE-627)1836458207 (DE-599)KEP062197118 (OCoLC)1286319849 (OAPEN)46228 (EBP)062197118 DE-627 nor DE-627 rda nor AVA bicssc Varkøy, Øivind verfasserin aut Musikkfilosofiske tekster Tanker om musikk – og språk, tolkning, erfaring, tid, klang, stillhet m.m Oslo Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing) 2020 1 Online-Ressource (351 p.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star "To pursue the philosophy of music is to contemplate music’s nature, essence, purpose, value, and function in our lives. While the aesthetics of music looks at music’s content, quality, meaning and importance, music philosophy often goes one step further. Ideas about something one perhaps believes is ‘purely aesthetical’ will of course always require consideration in relation to ideas about humanity, the world, politics and religion. In this sense, music aesthetics and music philosophy are two sides of the same coin. This is reflected in the texts presented in this collection, which provides a broad view of the current state of ideas about music in Norway. The authors, from PhD fellows to emeriti, represent different higher educational music institutions in Norway as well as different fields within music and philosophy. Their texts are on topics ranging from musical experience, music and language, meaning and interpretation of music, music and view of life, and others. The anthology’s editors Øivind Varkøy and Henrik Holm are, respectively, professor of music education and director of the PhD program at the Norwegian Academy of Music and adjunct professor of music at Oslo Metropolitan University, and professor of philosophy and head of research at Rudolf Steiner University College in Oslo." "Å bedrive musikkfilosofi er å tenke omkring musikkens natur, vesen, hensikt, verdi, og funksjon i menneskelivet. Mens musikkestetikken arbeider med spørsmål om musikkens innhold, kvalitet, mening og betydning, går musikkfilosofien ofte ett skritt lenger. Tenkning om noe man muligens innbiller seg er «rent estetisk», vil nemlig alltid måtte vurderes i relasjon til forestillinger om mennesket, verden, politikk og religion. Slik sett blir musikkestetikk og musikkfilosofi to sider av samme sak. Dette avspeiles i denne samlingen av tekster – som gir et bredt bilde av norsk musikktenkning anno 2020. Forfatterne er tilknyttet forskjellige høyere musikkutdanningsinstitusjoner i Norge som alt fra ph.d.-stipendiater til fast ansatte og emeriti, og de representerer ulike musikalske og filosofiske fagfelt. Her finnes tekster om musikalsk erfaring, musikk og språk, musikalsk mening og tolkning, musikk og livsanskuelse m.m. Redaktørene Øivind Varkøy og Henrik Holm er henholdsvis professor i musikkpedagogikk og leder av ph.d.-programmet ved Norges musikkhøgskole, samt professor II i musikk ved OsloMet - Storbyuniversitetet, og professor i filosofi og forskningsleder ved Steinerhøyskolen i Oslo." Creative Commons https://creativecommons.org/licenses/by/4.0 cc Norwegian Theory of music & musicology Theory of music and musicology Holm, Henrik herausgeberin edt https://library.oapen.org/bitstream/id/7f3641c4-4e30-476e-b56b-2538247c9565/Musikkfil_PDF.pdf X:OAPEN Verlag OAPEN Library: download the publication kostenfrei https://library.oapen.org/handle/20.500.12657/46228 X:OAPEN Verlag OAPEN Library: description of the publication kostenfrei ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER BO 22 01 0018 428011627X OLR-ZDB-94-OAL OAPEN Library zu 01-03-23 23 01 0830 4280668310 OLR-OAPEN f z 01-03-23 30 01 0104 4281028854 GBV-OAPEN z 01-03-23 31 01 0027 4280311021 z 01-03-23 34 01 3551 4278866550 OLR-OAPEN zi002 01-03-23 39 01 0547 4281219838 GBV-OAPEN ke 01-03-23 40 01 0007 4279935041 OLR-OAPEN xsn 01-03-23 63 01 3401 4281601422 E-Books LF GBV-OAPEN z 01-03-23 65 01 0003 4281851801 OLR-OAPEN z 01-03-23 70 01 0089 4280489319 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 72 01 0035 4278689160 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 95 01 3095 4343215067 OLR-OAL Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 24-06-23 110 01 3110 4281404759 OLR-GBV-OAPEN Open Access z 01-03-23 136 01 3526 4279576114 OLR-OAPEN z 01-03-23 147 01 3528 4282050144 OLR-OAPEN frei verfügbar für Europa-Universität Flensburg, Hochschule Flensburg und Zentrale Hochschulbibliothek Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 01-03-23 161 01 0960 4278122918 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 187 01 3520 4278507712 JSTOR Open Access eBook z 28-02-23 213 01 0551 4279221723 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 230 01 0552 4279398909 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 283 01 3283 427975781X OLR-OAL z 01-03-23 293 01 3293 4278301936 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 370 01 4370 4279044295 OLR-FREE Kostenloser Zugriff z 01-03-23 603 01 4603 4277944965 OLR-OAPEN Bitte beachten Sie die Nutzungsbedingungen und Copyright-Bestimmungen des Verlages/Herausgebers. z 28-02-23 808 01 4808 428084724X OLR-OAPEN OAPEN Library zg 01-03-23 2403 01 DE-LFER 4307796810 00 --%%-- --%%-- n --%%-- l01 12-04-23 22 01 0018 Volltextzugang https://library.oapen.org/handle/20.500.12657/46228 23 01 0830 https://library.oapen.org/handle/20.500.12657/46228 30 01 0104 Open Access https://library.oapen.org/handle/20.500.12657/46228 31 01 0027 eBook GBV-OAPEN https://library.oapen.org/handle/20.500.12657/46228 34 01 3551 OpenAccess https://library.oapen.org/handle/20.500.12657/46228 40 01 0007 Volltext, Open Access https://library.oapen.org/handle/20.500.12657/46228 63 01 3401 E-Book https://library.oapen.org/handle/20.500.12657/46228 65 01 0003 Open Access https://library.oapen.org/handle/20.500.12657/46228 65 01 0003 Dieser Titel ist Teil einer Datenbank http://www.bibliothek.uni-regensburg.de/dbinfo/detail.php?titel_id=10728&bib_id=ulb_hal 70 01 0089 https://library.oapen.org/handle/20.500.12657/46228 LF 72 01 0035 https://library.oapen.org/handle/20.500.12657/46228 95 01 3095 https://library.oapen.org/handle/20.500.12657/46228 110 01 3110 Open Access https://library.oapen.org/handle/20.500.12657/46228 136 01 3526 Open Access https://library.oapen.org/handle/20.500.12657/46228 147 01 3528 https://library.oapen.org/handle/20.500.12657/46228 161 01 0960 https://library.oapen.org/handle/20.500.12657/46228 LF 187 01 3520 https://library.oapen.org/handle/20.500.12657/46228 213 01 0551 https://library.oapen.org/handle/20.500.12657/46228 230 01 0552 https://library.oapen.org/handle/20.500.12657/46228 283 01 3283 https://library.oapen.org/handle/20.500.12657/46228 293 01 3293 https://library.oapen.org/handle/20.500.12657/46228 LF 370 01 4370 https://library.oapen.org/handle/20.500.12657/46228 603 01 4603 https://library.oapen.org/handle/20.500.12657/46228 808 01 4808 Volltextzugang https://library.oapen.org/handle/20.500.12657/46228 2403 01 DE-LFER https://library.oapen.org/bitstream/id/7f3641c4-4e30-476e-b56b-2538247c9565/Musikkfil_PDF.pdf 31 01 0027 00 eBook GBV-OAPEN 22 01 0018 OLR-ZDB-94-OAL 23 01 0830 OLR-OAPEN 30 01 0104 GBV-OAPEN 34 01 3551 OLR-OAPEN 39 01 0547 GBV-OAPEN 39 01 0547 LF 40 01 0007 OLR-OAPEN 63 01 3401 E-Books LF GBV-OAPEN 65 01 0003 OLR-OAPEN 70 01 0089 OLR-OAPEN-OA 72 01 0035 OLR-OAPEN-OA 95 01 3095 OLR-OAL 110 01 3110 OLR-GBV-OAPEN 136 01 3526 OLR-OAPEN 147 01 3528 OLR-OAPEN 161 01 0960 OLR-OAPEN 213 01 0551 OLR-OAPEN 230 01 0552 OLR-OAPEN 283 01 3283 OLR-OAL 293 01 3293 OLR-OAPEN 370 01 4370 OLR-FREE 370 01 4370 olr-ebook GBV-OAPEN 603 01 4603 OLR-OAPEN 808 01 4808 OLR-OAPEN
allfieldsSound	(DE-627)1836458207 (DE-599)KEP062197118 (OCoLC)1286319849 (OAPEN)46228 (EBP)062197118 DE-627 nor DE-627 rda nor AVA bicssc Varkøy, Øivind verfasserin aut Musikkfilosofiske tekster Tanker om musikk – og språk, tolkning, erfaring, tid, klang, stillhet m.m Oslo Cappelen Damm Akademisk/NOASP (Nordic Open Access Scholarly Publishing) 2020 1 Online-Ressource (351 p.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star "To pursue the philosophy of music is to contemplate music’s nature, essence, purpose, value, and function in our lives. While the aesthetics of music looks at music’s content, quality, meaning and importance, music philosophy often goes one step further. Ideas about something one perhaps believes is ‘purely aesthetical’ will of course always require consideration in relation to ideas about humanity, the world, politics and religion. In this sense, music aesthetics and music philosophy are two sides of the same coin. This is reflected in the texts presented in this collection, which provides a broad view of the current state of ideas about music in Norway. The authors, from PhD fellows to emeriti, represent different higher educational music institutions in Norway as well as different fields within music and philosophy. Their texts are on topics ranging from musical experience, music and language, meaning and interpretation of music, music and view of life, and others. The anthology’s editors Øivind Varkøy and Henrik Holm are, respectively, professor of music education and director of the PhD program at the Norwegian Academy of Music and adjunct professor of music at Oslo Metropolitan University, and professor of philosophy and head of research at Rudolf Steiner University College in Oslo." "Å bedrive musikkfilosofi er å tenke omkring musikkens natur, vesen, hensikt, verdi, og funksjon i menneskelivet. Mens musikkestetikken arbeider med spørsmål om musikkens innhold, kvalitet, mening og betydning, går musikkfilosofien ofte ett skritt lenger. Tenkning om noe man muligens innbiller seg er «rent estetisk», vil nemlig alltid måtte vurderes i relasjon til forestillinger om mennesket, verden, politikk og religion. Slik sett blir musikkestetikk og musikkfilosofi to sider av samme sak. Dette avspeiles i denne samlingen av tekster – som gir et bredt bilde av norsk musikktenkning anno 2020. Forfatterne er tilknyttet forskjellige høyere musikkutdanningsinstitusjoner i Norge som alt fra ph.d.-stipendiater til fast ansatte og emeriti, og de representerer ulike musikalske og filosofiske fagfelt. Her finnes tekster om musikalsk erfaring, musikk og språk, musikalsk mening og tolkning, musikk og livsanskuelse m.m. Redaktørene Øivind Varkøy og Henrik Holm er henholdsvis professor i musikkpedagogikk og leder av ph.d.-programmet ved Norges musikkhøgskole, samt professor II i musikk ved OsloMet - Storbyuniversitetet, og professor i filosofi og forskningsleder ved Steinerhøyskolen i Oslo." Creative Commons https://creativecommons.org/licenses/by/4.0 cc Norwegian Theory of music & musicology Theory of music and musicology Holm, Henrik herausgeberin edt https://library.oapen.org/bitstream/id/7f3641c4-4e30-476e-b56b-2538247c9565/Musikkfil_PDF.pdf X:OAPEN Verlag OAPEN Library: download the publication kostenfrei https://library.oapen.org/handle/20.500.12657/46228 X:OAPEN Verlag OAPEN Library: description of the publication kostenfrei ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER BO 22 01 0018 428011627X OLR-ZDB-94-OAL OAPEN Library zu 01-03-23 23 01 0830 4280668310 OLR-OAPEN f z 01-03-23 30 01 0104 4281028854 GBV-OAPEN z 01-03-23 31 01 0027 4280311021 z 01-03-23 34 01 3551 4278866550 OLR-OAPEN zi002 01-03-23 39 01 0547 4281219838 GBV-OAPEN ke 01-03-23 40 01 0007 4279935041 OLR-OAPEN xsn 01-03-23 63 01 3401 4281601422 E-Books LF GBV-OAPEN z 01-03-23 65 01 0003 4281851801 OLR-OAPEN z 01-03-23 70 01 0089 4280489319 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 72 01 0035 4278689160 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 95 01 3095 4343215067 OLR-OAL Vervielfältigungen (z.B. 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While the aesthetics of music looks at music’s content, quality, meaning and importance, music philosophy often goes one step further. Ideas about something one perhaps believes is ‘purely aesthetical’ will of course always require consideration in relation to ideas about humanity, the world, politics and religion. In this sense, music aesthetics and music philosophy are two sides of the same coin. This is reflected in the texts presented in this collection, which provides a broad view of the current state of ideas about music in Norway. The authors, from PhD fellows to emeriti, represent different higher educational music institutions in Norway as well as different fields within music and philosophy. Their texts are on topics ranging from musical experience, music and language, meaning and interpretation of music, music and view of life, and others. The anthology’s editors Øivind Varkøy and Henrik Holm are, respectively, professor of music education and director of the PhD program at the Norwegian Academy of Music and adjunct professor of music at Oslo Metropolitan University, and professor of philosophy and head of research at Rudolf Steiner University College in Oslo."</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">"Å bedrive musikkfilosofi er å tenke omkring musikkens natur, vesen, hensikt, verdi, og funksjon i menneskelivet. Mens musikkestetikken arbeider med spørsmål om musikkens innhold, kvalitet, mening og betydning, går musikkfilosofien ofte ett skritt lenger. Tenkning om noe man muligens innbiller seg er «rent estetisk», vil nemlig alltid måtte vurderes i relasjon til forestillinger om mennesket, verden, politikk og religion. Slik sett blir musikkestetikk og musikkfilosofi to sider av samme sak. Dette avspeiles i denne samlingen av tekster – som gir et bredt bilde av norsk musikktenkning anno 2020. Forfatterne er tilknyttet forskjellige høyere musikkutdanningsinstitusjoner i Norge som alt fra ph.d.-stipendiater til fast ansatte og emeriti, og de representerer ulike musikalske og filosofiske fagfelt. Her finnes tekster om musikalsk erfaring, musikk og språk, musikalsk mening og tolkning, musikk og livsanskuelse m.m. 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topic_title	31 01 0027 00 eBook GBV-OAPEN Musikkfilosofiske tekster Tanker om musikk – og språk, tolkning, erfaring, tid, klang, stillhet m.m Theory of music & musicology Theory of music and musicology
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title	Musikkfilosofiske tekster Tanker om musikk – og språk, tolkning, erfaring, tid, klang, stillhet m.m
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title_sort	musikkfilosofiske tekstertanker om musikk – og språk, tolkning, erfaring, tid, klang, stillhet m.m
title_auth	Musikkfilosofiske tekster Tanker om musikk – og språk, tolkning, erfaring, tid, klang, stillhet m.m
abstract	"To pursue the philosophy of music is to contemplate music’s nature, essence, purpose, value, and function in our lives. While the aesthetics of music looks at music’s content, quality, meaning and importance, music philosophy often goes one step further. Ideas about something one perhaps believes is ‘purely aesthetical’ will of course always require consideration in relation to ideas about humanity, the world, politics and religion. In this sense, music aesthetics and music philosophy are two sides of the same coin. This is reflected in the texts presented in this collection, which provides a broad view of the current state of ideas about music in Norway. The authors, from PhD fellows to emeriti, represent different higher educational music institutions in Norway as well as different fields within music and philosophy. Their texts are on topics ranging from musical experience, music and language, meaning and interpretation of music, music and view of life, and others. The anthology’s editors Øivind Varkøy and Henrik Holm are, respectively, professor of music education and director of the PhD program at the Norwegian Academy of Music and adjunct professor of music at Oslo Metropolitan University, and professor of philosophy and head of research at Rudolf Steiner University College in Oslo." "Å bedrive musikkfilosofi er å tenke omkring musikkens natur, vesen, hensikt, verdi, og funksjon i menneskelivet. Mens musikkestetikken arbeider med spørsmål om musikkens innhold, kvalitet, mening og betydning, går musikkfilosofien ofte ett skritt lenger. Tenkning om noe man muligens innbiller seg er «rent estetisk», vil nemlig alltid måtte vurderes i relasjon til forestillinger om mennesket, verden, politikk og religion. Slik sett blir musikkestetikk og musikkfilosofi to sider av samme sak. Dette avspeiles i denne samlingen av tekster – som gir et bredt bilde av norsk musikktenkning anno 2020. Forfatterne er tilknyttet forskjellige høyere musikkutdanningsinstitusjoner i Norge som alt fra ph.d.-stipendiater til fast ansatte og emeriti, og de representerer ulike musikalske og filosofiske fagfelt. Her finnes tekster om musikalsk erfaring, musikk og språk, musikalsk mening og tolkning, musikk og livsanskuelse m.m. Redaktørene Øivind Varkøy og Henrik Holm er henholdsvis professor i musikkpedagogikk og leder av ph.d.-programmet ved Norges musikkhøgskole, samt professor II i musikk ved OsloMet - Storbyuniversitetet, og professor i filosofi og forskningsleder ved Steinerhøyskolen i Oslo."
abstractGer	"To pursue the philosophy of music is to contemplate music’s nature, essence, purpose, value, and function in our lives. While the aesthetics of music looks at music’s content, quality, meaning and importance, music philosophy often goes one step further. Ideas about something one perhaps believes is ‘purely aesthetical’ will of course always require consideration in relation to ideas about humanity, the world, politics and religion. In this sense, music aesthetics and music philosophy are two sides of the same coin. This is reflected in the texts presented in this collection, which provides a broad view of the current state of ideas about music in Norway. The authors, from PhD fellows to emeriti, represent different higher educational music institutions in Norway as well as different fields within music and philosophy. Their texts are on topics ranging from musical experience, music and language, meaning and interpretation of music, music and view of life, and others. The anthology’s editors Øivind Varkøy and Henrik Holm are, respectively, professor of music education and director of the PhD program at the Norwegian Academy of Music and adjunct professor of music at Oslo Metropolitan University, and professor of philosophy and head of research at Rudolf Steiner University College in Oslo." "Å bedrive musikkfilosofi er å tenke omkring musikkens natur, vesen, hensikt, verdi, og funksjon i menneskelivet. Mens musikkestetikken arbeider med spørsmål om musikkens innhold, kvalitet, mening og betydning, går musikkfilosofien ofte ett skritt lenger. Tenkning om noe man muligens innbiller seg er «rent estetisk», vil nemlig alltid måtte vurderes i relasjon til forestillinger om mennesket, verden, politikk og religion. Slik sett blir musikkestetikk og musikkfilosofi to sider av samme sak. Dette avspeiles i denne samlingen av tekster – som gir et bredt bilde av norsk musikktenkning anno 2020. Forfatterne er tilknyttet forskjellige høyere musikkutdanningsinstitusjoner i Norge som alt fra ph.d.-stipendiater til fast ansatte og emeriti, og de representerer ulike musikalske og filosofiske fagfelt. Her finnes tekster om musikalsk erfaring, musikk og språk, musikalsk mening og tolkning, musikk og livsanskuelse m.m. Redaktørene Øivind Varkøy og Henrik Holm er henholdsvis professor i musikkpedagogikk og leder av ph.d.-programmet ved Norges musikkhøgskole, samt professor II i musikk ved OsloMet - Storbyuniversitetet, og professor i filosofi og forskningsleder ved Steinerhøyskolen i Oslo."
abstract_unstemmed	"To pursue the philosophy of music is to contemplate music’s nature, essence, purpose, value, and function in our lives. While the aesthetics of music looks at music’s content, quality, meaning and importance, music philosophy often goes one step further. Ideas about something one perhaps believes is ‘purely aesthetical’ will of course always require consideration in relation to ideas about humanity, the world, politics and religion. In this sense, music aesthetics and music philosophy are two sides of the same coin. This is reflected in the texts presented in this collection, which provides a broad view of the current state of ideas about music in Norway. The authors, from PhD fellows to emeriti, represent different higher educational music institutions in Norway as well as different fields within music and philosophy. Their texts are on topics ranging from musical experience, music and language, meaning and interpretation of music, music and view of life, and others. The anthology’s editors Øivind Varkøy and Henrik Holm are, respectively, professor of music education and director of the PhD program at the Norwegian Academy of Music and adjunct professor of music at Oslo Metropolitan University, and professor of philosophy and head of research at Rudolf Steiner University College in Oslo." "Å bedrive musikkfilosofi er å tenke omkring musikkens natur, vesen, hensikt, verdi, og funksjon i menneskelivet. Mens musikkestetikken arbeider med spørsmål om musikkens innhold, kvalitet, mening og betydning, går musikkfilosofien ofte ett skritt lenger. Tenkning om noe man muligens innbiller seg er «rent estetisk», vil nemlig alltid måtte vurderes i relasjon til forestillinger om mennesket, verden, politikk og religion. Slik sett blir musikkestetikk og musikkfilosofi to sider av samme sak. Dette avspeiles i denne samlingen av tekster – som gir et bredt bilde av norsk musikktenkning anno 2020. Forfatterne er tilknyttet forskjellige høyere musikkutdanningsinstitusjoner i Norge som alt fra ph.d.-stipendiater til fast ansatte og emeriti, og de representerer ulike musikalske og filosofiske fagfelt. Her finnes tekster om musikalsk erfaring, musikk og språk, musikalsk mening og tolkning, musikk og livsanskuelse m.m. Redaktørene Øivind Varkøy og Henrik Holm er henholdsvis professor i musikkpedagogikk og leder av ph.d.-programmet ved Norges musikkhøgskole, samt professor II i musikk ved OsloMet - Storbyuniversitetet, og professor i filosofi og forskningsleder ved Steinerhøyskolen i Oslo."
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title_short	Musikkfilosofiske tekster
url	https://library.oapen.org/bitstream/id/7f3641c4-4e30-476e-b56b-2538247c9565/Musikkfil_PDF.pdf https://library.oapen.org/handle/20.500.12657/46228
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up_date	2024-10-09T03:30:54.667Z
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