Curating Contemporary Music Festivals : A New Perspective on Music's Mediation

Contemporary music, like other arts, is dealing with the rise of »curators« laying claim to everything from festivals to playlists - but what are they and what do they do anyway? Drawing from backgrounds ranging from curatorial studies to festival studies and musicology, Brandon Farnsworth lays out...
Ausführliche Beschreibung

Gespeichert in:

Autor*in:	Farnsworth, Brandon [verfasserIn]

Format:	E-Book
Sprache:	Englisch

Erschienen:	Bielefeld: transcript Verlag ; 2020

Rechteinformationen:	Open Access Creative Commons ; by-nc-nd/4.0

Schlagwörter:	Western classical music Art music, orchestral and formal music

Umfang:	1 Online-Ressource (326 p.)

Reihe:	Musik und Klangkultur ; 47

Links:	Link aufrufen Link aufrufen Link aufrufen
ISBN:	978-3-8394-5243-1

Katalog-ID:	1836461062

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The volume focuses on two case studies, the Munich Biennale for New Music Theatre, and the Maerzmusik Festival at the Berliner Festspiele, putting them in a transdisciplinary history of curatorial practice, and showing what music curatorial practice can be Creative Commons by-nc-nd/4.0 cc English Western classical music Art music, orchestral and formal music https://library.oapen.org/bitstream/id/79c2f0fd-b560-4738-b1c1-274857410bbd/9783839452431.pdf X:OAPEN Verlag OAPEN Library: download the publication kostenfrei https://library.oapen.org/handle/20.500.12657/41791 X:OAPEN Verlag OAPEN Library: description of the publication kostenfrei ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER BO 22 01 0018 4280119082 OLR-ZDB-94-OAL OAPEN Library zu 01-03-23 23 01 0830 4280671133 OLR-OAPEN f z 01-03-23 30 01 0104 4281031693 GBV-OAPEN z 01-03-23 31 01 0027 4280313830 z 01-03-23 34 01 3551 4278869363 OLR-OAPEN zi002 01-03-23 39 01 0547 4281222715 GBV-OAPEN ke 01-03-23 40 01 0007 4279937850 OLR-OAPEN xsn 01-03-23 63 01 3401 4281604332 E-Books LF GBV-OAPEN z 01-03-23 65 01 0003 4281854665 OLR-OAPEN z 01-03-23 70 01 0089 4280492123 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 72 01 0035 4278691971 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 95 01 3095 4343218333 OLR-OAL Vervielfältigungen (z.B. 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The volume focuses on two case studies, the Munich Biennale for New Music Theatre, and the Maerzmusik Festival at the Berliner Festspiele, putting them in a transdisciplinary history of curatorial practice, and showing what music curatorial practice can be Creative Commons by-nc-nd/4.0 cc English Western classical music Art music, orchestral and formal music https://library.oapen.org/bitstream/id/79c2f0fd-b560-4738-b1c1-274857410bbd/9783839452431.pdf X:OAPEN Verlag OAPEN Library: download the publication kostenfrei https://library.oapen.org/handle/20.500.12657/41791 X:OAPEN Verlag OAPEN Library: description of the publication kostenfrei ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER BO 22 01 0018 4280119082 OLR-ZDB-94-OAL OAPEN Library zu 01-03-23 23 01 0830 4280671133 OLR-OAPEN f z 01-03-23 30 01 0104 4281031693 GBV-OAPEN z 01-03-23 31 01 0027 4280313830 z 01-03-23 34 01 3551 4278869363 OLR-OAPEN zi002 01-03-23 39 01 0547 4281222715 GBV-OAPEN ke 01-03-23 40 01 0007 4279937850 OLR-OAPEN xsn 01-03-23 63 01 3401 4281604332 E-Books LF GBV-OAPEN z 01-03-23 65 01 0003 4281854665 OLR-OAPEN z 01-03-23 70 01 0089 4280492123 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 72 01 0035 4278691971 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 95 01 3095 4343218333 OLR-OAL Vervielfältigungen (z.B. 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Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 01-03-23 161 01 0960 4278125720 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 187 01 3520 4278510527 JSTOR Open Access eBook z 28-02-23 213 01 0551 4279224536 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 230 01 0552 4279401713 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 283 01 3283 4279760624 OLR-OAL z 01-03-23 293 01 3293 4278304749 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 370 01 4370 4279047103 OLR-FREE Kostenloser Zugriff z 01-03-23 603 01 4603 4277947778 OLR-OAPEN Bitte beachten Sie die Nutzungsbedingungen und Copyright-Bestimmungen des Verlages/Herausgebers. z 28-02-23 808 01 4808 4280850070 OLR-OAPEN OAPEN Library zg 01-03-23 2403 01 DE-LFER 4307799798 00 --%%-- --%%-- n --%%-- l01 12-04-23 22 01 0018 Volltextzugang https://library.oapen.org/handle/20.500.12657/41791 23 01 0830 https://library.oapen.org/handle/20.500.12657/41791 30 01 0104 Open Access https://library.oapen.org/handle/20.500.12657/41791 31 01 0027 eBook GBV-OAPEN https://library.oapen.org/handle/20.500.12657/41791 34 01 3551 OpenAccess https://library.oapen.org/handle/20.500.12657/41791 40 01 0007 Volltext, Open Access https://library.oapen.org/handle/20.500.12657/41791 63 01 3401 E-Book https://library.oapen.org/handle/20.500.12657/41791 65 01 0003 Open Access https://library.oapen.org/handle/20.500.12657/41791 65 01 0003 Dieser Titel ist Teil einer Datenbank http://www.bibliothek.uni-regensburg.de/dbinfo/detail.php?titel_id=10728&bib_id=ulb_hal 70 01 0089 https://library.oapen.org/handle/20.500.12657/41791 LF 72 01 0035 https://library.oapen.org/handle/20.500.12657/41791 95 01 3095 https://library.oapen.org/handle/20.500.12657/41791 110 01 3110 Open Access https://library.oapen.org/handle/20.500.12657/41791 136 01 3526 Open Access https://library.oapen.org/handle/20.500.12657/41791 147 01 3528 https://library.oapen.org/handle/20.500.12657/41791 161 01 0960 https://library.oapen.org/handle/20.500.12657/41791 LF 187 01 3520 https://library.oapen.org/handle/20.500.12657/41791 213 01 0551 https://library.oapen.org/handle/20.500.12657/41791 230 01 0552 https://library.oapen.org/handle/20.500.12657/41791 283 01 3283 https://library.oapen.org/handle/20.500.12657/41791 293 01 3293 https://library.oapen.org/handle/20.500.12657/41791 LF 370 01 4370 https://library.oapen.org/handle/20.500.12657/41791 603 01 4603 https://library.oapen.org/handle/20.500.12657/41791 808 01 4808 Volltextzugang https://library.oapen.org/handle/20.500.12657/41791 2403 01 DE-LFER https://library.oapen.org/bitstream/id/79c2f0fd-b560-4738-b1c1-274857410bbd/9783839452431.pdf 31 01 0027 00 eBook GBV-OAPEN 22 01 0018 OLR-ZDB-94-OAL 23 01 0830 OLR-OAPEN 30 01 0104 GBV-OAPEN 34 01 3551 OLR-OAPEN 39 01 0547 GBV-OAPEN 39 01 0547 LF 40 01 0007 OLR-OAPEN 63 01 3401 E-Books LF GBV-OAPEN 65 01 0003 OLR-OAPEN 70 01 0089 OLR-OAPEN-OA 72 01 0035 OLR-OAPEN-OA 95 01 3095 OLR-OAL 110 01 3110 OLR-GBV-OAPEN 136 01 3526 OLR-OAPEN 147 01 3528 OLR-OAPEN 161 01 0960 OLR-OAPEN 213 01 0551 OLR-OAPEN 230 01 0552 OLR-OAPEN 283 01 3283 OLR-OAL 293 01 3293 OLR-OAPEN 370 01 4370 OLR-FREE 370 01 4370 olr-ebook GBV-OAPEN 603 01 4603 OLR-OAPEN 808 01 4808 OLR-OAPEN
allfields_unstemmed	9783839452431 978-3-8394-5243-1 (DE-627)1836461062 (DE-599)KEP062199927 (OCoLC)1199683688 (OAPEN)41791 (EBP)062199927 DE-627 eng DE-627 rda eng AVGC bicssc AVLA bicssc Farnsworth, Brandon verfasserin aut Curating Contemporary Music Festivals A New Perspective on Music's Mediation Bielefeld transcript Verlag 2020 1 Online-Ressource (326 p.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Musik und Klangkultur 47 Open Access Unrestricted online access star Contemporary music, like other arts, is dealing with the rise of »curators« laying claim to everything from festivals to playlists - but what are they and what do they do anyway? Drawing from backgrounds ranging from curatorial studies to festival studies and musicology, Brandon Farnsworth lays out a theory for understanding curatorial practices in contemporary music, and how they could be a solution to the field's diminishing social relevance. The volume focuses on two case studies, the Munich Biennale for New Music Theatre, and the Maerzmusik Festival at the Berliner Festspiele, putting them in a transdisciplinary history of curatorial practice, and showing what music curatorial practice can be Creative Commons by-nc-nd/4.0 cc English Western classical music Art music, orchestral and formal music https://library.oapen.org/bitstream/id/79c2f0fd-b560-4738-b1c1-274857410bbd/9783839452431.pdf X:OAPEN Verlag OAPEN Library: download the publication kostenfrei https://library.oapen.org/handle/20.500.12657/41791 X:OAPEN Verlag OAPEN Library: description of the publication kostenfrei ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER BO 22 01 0018 4280119082 OLR-ZDB-94-OAL OAPEN Library zu 01-03-23 23 01 0830 4280671133 OLR-OAPEN f z 01-03-23 30 01 0104 4281031693 GBV-OAPEN z 01-03-23 31 01 0027 4280313830 z 01-03-23 34 01 3551 4278869363 OLR-OAPEN zi002 01-03-23 39 01 0547 4281222715 GBV-OAPEN ke 01-03-23 40 01 0007 4279937850 OLR-OAPEN xsn 01-03-23 63 01 3401 4281604332 E-Books LF GBV-OAPEN z 01-03-23 65 01 0003 4281854665 OLR-OAPEN z 01-03-23 70 01 0089 4280492123 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 72 01 0035 4278691971 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 95 01 3095 4343218333 OLR-OAL Vervielfältigungen (z.B. 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Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 01-03-23 161 01 0960 4278125720 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 187 01 3520 4278510527 JSTOR Open Access eBook z 28-02-23 213 01 0551 4279224536 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 230 01 0552 4279401713 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 283 01 3283 4279760624 OLR-OAL z 01-03-23 293 01 3293 4278304749 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 370 01 4370 4279047103 OLR-FREE Kostenloser Zugriff z 01-03-23 603 01 4603 4277947778 OLR-OAPEN Bitte beachten Sie die Nutzungsbedingungen und Copyright-Bestimmungen des Verlages/Herausgebers. z 28-02-23 808 01 4808 4280850070 OLR-OAPEN OAPEN Library zg 01-03-23 2403 01 DE-LFER 4307799798 00 --%%-- --%%-- n --%%-- l01 12-04-23 22 01 0018 Volltextzugang https://library.oapen.org/handle/20.500.12657/41791 23 01 0830 https://library.oapen.org/handle/20.500.12657/41791 30 01 0104 Open Access https://library.oapen.org/handle/20.500.12657/41791 31 01 0027 eBook GBV-OAPEN https://library.oapen.org/handle/20.500.12657/41791 34 01 3551 OpenAccess https://library.oapen.org/handle/20.500.12657/41791 40 01 0007 Volltext, Open Access https://library.oapen.org/handle/20.500.12657/41791 63 01 3401 E-Book https://library.oapen.org/handle/20.500.12657/41791 65 01 0003 Open Access https://library.oapen.org/handle/20.500.12657/41791 65 01 0003 Dieser Titel ist Teil einer Datenbank http://www.bibliothek.uni-regensburg.de/dbinfo/detail.php?titel_id=10728&bib_id=ulb_hal 70 01 0089 https://library.oapen.org/handle/20.500.12657/41791 LF 72 01 0035 https://library.oapen.org/handle/20.500.12657/41791 95 01 3095 https://library.oapen.org/handle/20.500.12657/41791 110 01 3110 Open Access https://library.oapen.org/handle/20.500.12657/41791 136 01 3526 Open Access https://library.oapen.org/handle/20.500.12657/41791 147 01 3528 https://library.oapen.org/handle/20.500.12657/41791 161 01 0960 https://library.oapen.org/handle/20.500.12657/41791 LF 187 01 3520 https://library.oapen.org/handle/20.500.12657/41791 213 01 0551 https://library.oapen.org/handle/20.500.12657/41791 230 01 0552 https://library.oapen.org/handle/20.500.12657/41791 283 01 3283 https://library.oapen.org/handle/20.500.12657/41791 293 01 3293 https://library.oapen.org/handle/20.500.12657/41791 LF 370 01 4370 https://library.oapen.org/handle/20.500.12657/41791 603 01 4603 https://library.oapen.org/handle/20.500.12657/41791 808 01 4808 Volltextzugang https://library.oapen.org/handle/20.500.12657/41791 2403 01 DE-LFER https://library.oapen.org/bitstream/id/79c2f0fd-b560-4738-b1c1-274857410bbd/9783839452431.pdf 31 01 0027 00 eBook GBV-OAPEN 22 01 0018 OLR-ZDB-94-OAL 23 01 0830 OLR-OAPEN 30 01 0104 GBV-OAPEN 34 01 3551 OLR-OAPEN 39 01 0547 GBV-OAPEN 39 01 0547 LF 40 01 0007 OLR-OAPEN 63 01 3401 E-Books LF GBV-OAPEN 65 01 0003 OLR-OAPEN 70 01 0089 OLR-OAPEN-OA 72 01 0035 OLR-OAPEN-OA 95 01 3095 OLR-OAL 110 01 3110 OLR-GBV-OAPEN 136 01 3526 OLR-OAPEN 147 01 3528 OLR-OAPEN 161 01 0960 OLR-OAPEN 213 01 0551 OLR-OAPEN 230 01 0552 OLR-OAPEN 283 01 3283 OLR-OAL 293 01 3293 OLR-OAPEN 370 01 4370 OLR-FREE 370 01 4370 olr-ebook GBV-OAPEN 603 01 4603 OLR-OAPEN 808 01 4808 OLR-OAPEN
allfieldsGer	9783839452431 978-3-8394-5243-1 (DE-627)1836461062 (DE-599)KEP062199927 (OCoLC)1199683688 (OAPEN)41791 (EBP)062199927 DE-627 eng DE-627 rda eng AVGC bicssc AVLA bicssc Farnsworth, Brandon verfasserin aut Curating Contemporary Music Festivals A New Perspective on Music's Mediation Bielefeld transcript Verlag 2020 1 Online-Ressource (326 p.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Musik und Klangkultur 47 Open Access Unrestricted online access star Contemporary music, like other arts, is dealing with the rise of »curators« laying claim to everything from festivals to playlists - but what are they and what do they do anyway? Drawing from backgrounds ranging from curatorial studies to festival studies and musicology, Brandon Farnsworth lays out a theory for understanding curatorial practices in contemporary music, and how they could be a solution to the field's diminishing social relevance. 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abstract	Contemporary music, like other arts, is dealing with the rise of »curators« laying claim to everything from festivals to playlists - but what are they and what do they do anyway? Drawing from backgrounds ranging from curatorial studies to festival studies and musicology, Brandon Farnsworth lays out a theory for understanding curatorial practices in contemporary music, and how they could be a solution to the field's diminishing social relevance. The volume focuses on two case studies, the Munich Biennale for New Music Theatre, and the Maerzmusik Festival at the Berliner Festspiele, putting them in a transdisciplinary history of curatorial practice, and showing what music curatorial practice can be
abstractGer	Contemporary music, like other arts, is dealing with the rise of »curators« laying claim to everything from festivals to playlists - but what are they and what do they do anyway? Drawing from backgrounds ranging from curatorial studies to festival studies and musicology, Brandon Farnsworth lays out a theory for understanding curatorial practices in contemporary music, and how they could be a solution to the field's diminishing social relevance. The volume focuses on two case studies, the Munich Biennale for New Music Theatre, and the Maerzmusik Festival at the Berliner Festspiele, putting them in a transdisciplinary history of curatorial practice, and showing what music curatorial practice can be
abstract_unstemmed	Contemporary music, like other arts, is dealing with the rise of »curators« laying claim to everything from festivals to playlists - but what are they and what do they do anyway? Drawing from backgrounds ranging from curatorial studies to festival studies and musicology, Brandon Farnsworth lays out a theory for understanding curatorial practices in contemporary music, and how they could be a solution to the field's diminishing social relevance. The volume focuses on two case studies, the Munich Biennale for New Music Theatre, and the Maerzmusik Festival at the Berliner Festspiele, putting them in a transdisciplinary history of curatorial practice, and showing what music curatorial practice can be
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