Circulation and Control : Artistic Culture and Intellectual Property in the Nineteenth Century
The nineteenth century witnessed a series of revolutions in the production and circulation of images. From lithographs and engraved reproductions of paintings to daguerreotypes, stereoscopic views, and mass-produced sculptures, works of visual art became available in a wider range of media than ever...
Ausführliche Beschreibung
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| Autor*in: |
Delamaire, Marie-Stéphanie [verfasserIn] Slauter, Will [herausgeberIn] |
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| Format: |
E-Book |
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| Sprache: |
Englisch |
| Erschienen: |
Erscheinungsort nicht ermittelbar: Open Book Publishers ; 2021 |
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| Rechteinformationen: |
Open Access Creative Commons ; https://creativecommons.org/licenses/by/4.0 |
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| Schlagwörter: |
Publishing industry & book trade Biography: arts & entertainment |
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| Umfang: |
1 Online-Ressource (540 p.) |
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| Links: | |
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| ISBN: |
978-1-80064-146-4 978-1-80064-147-1 978-1-80064-149-5 978-1-80064-150-1 978-1-80064-151-8 |
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| 520 | |a The nineteenth century witnessed a series of revolutions in the production and circulation of images. From lithographs and engraved reproductions of paintings to daguerreotypes, stereoscopic views, and mass-produced sculptures, works of visual art became available in a wider range of media than ever before. But the circulation and reproduction of artworks also raised new questions about the legal rights of painters, sculptors, engravers, photographers, architects, collectors, publishers, and subjects of representation (such as sitters in paintings or photographs). Copyright and patent laws tussled with informal cultural norms and business strategies as individuals and groups attempted to exert some degree of control over these visual creations. With contributions by art historians, legal scholars, historians of publishing, and specialists of painting, photography, sculpture, and graphic arts, this rich collection of essays explores the relationship between intellectual property laws and the cultural, economic, and technological factors that transformed the pictorial landscape during the nineteenth century. This book will be valuable reading for historians of art and visual culture; legal scholars who work on the history of copyright and patent law; and literary scholars and historians who work in the field of book history. It will also resonate with anyone interested in current debates about the circulation and control of images in our digital age | ||
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9781800641464 978-1-80064-146-4 9781800641471 978-1-80064-147-1 9781800641495 978-1-80064-149-5 9781800641501 978-1-80064-150-1 9781800641518 978-1-80064-151-8 (DE-627)1836490704 (DE-599)KEP077618734 (OCoLC)1302641921 (OAPEN)51164 (EBP)077618734 DE-627 eng DE-627 rda eng KNTP bicssc HBTB bicssc BGF bicssc APF bicssc LNR bicssc LNRC bicssc AV bicssc AJ bicssc KNTP1 bicssc DNBF bicssc ATF bicssc NHTB bicssc Delamaire, Marie-Stéphanie verfasserin aut Circulation and Control Artistic Culture and Intellectual Property in the Nineteenth Century [Erscheinungsort nicht ermittelbar] Open Book Publishers 2021 1 Online-Ressource (540 p.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star The nineteenth century witnessed a series of revolutions in the production and circulation of images. From lithographs and engraved reproductions of paintings to daguerreotypes, stereoscopic views, and mass-produced sculptures, works of visual art became available in a wider range of media than ever before. But the circulation and reproduction of artworks also raised new questions about the legal rights of painters, sculptors, engravers, photographers, architects, collectors, publishers, and subjects of representation (such as sitters in paintings or photographs). Copyright and patent laws tussled with informal cultural norms and business strategies as individuals and groups attempted to exert some degree of control over these visual creations. With contributions by art historians, legal scholars, historians of publishing, and specialists of painting, photography, sculpture, and graphic arts, this rich collection of essays explores the relationship between intellectual property laws and the cultural, economic, and technological factors that transformed the pictorial landscape during the nineteenth century. This book will be valuable reading for historians of art and visual culture; legal scholars who work on the history of copyright and patent law; and literary scholars and historians who work in the field of book history. It will also resonate with anyone interested in current debates about the circulation and control of images in our digital age Creative Commons https://creativecommons.org/licenses/by/4.0 cc English Publishing industry & book trade Social & cultural history Biography: arts & entertainment Photography & photographs Intellectual property law Copyright law Music Films, cinema Publishing and book trade Biography: arts and entertainment Social and cultural history Photography and photographs Slauter, Will herausgeberin edt https://library.oapen.org/bitstream/id/113a2379-3514-4df4-b1f9-04f87fd75bb1/9781800641488.pdf X:OAPEN Verlag kostenfrei https://library.oapen.org/handle/20.500.12657/51164 X:OAPEN Verlag kostenfrei ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER BO 22 01 0018 4280146810 OLR-ZDB-94-OAL OAPEN Library zu 01-03-23 23 01 0830 4280699003 OLR-OAPEN f z 01-03-23 30 01 0104 4281059903 GBV-OAPEN z 01-03-23 31 01 0027 4280341583 z 01-03-23 34 01 3551 427889709X OLR-OAPEN zi002 01-03-23 39 01 0547 4281251111 GBV-OAPEN ke 01-03-23 40 01 0007 4279965587 OLR-OAPEN xsn 01-03-23 63 01 3401 4281633758 E-Books LF GBV-OAPEN z 01-03-23 65 01 0003 4281883371 OLR-OAPEN z 01-03-23 70 01 0089 428051996X OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 72 01 0035 4278719752 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 95 01 3095 4343247473 OLR-OAL Vervielfältigungen (z.B. 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| spelling |
9781800641464 978-1-80064-146-4 9781800641471 978-1-80064-147-1 9781800641495 978-1-80064-149-5 9781800641501 978-1-80064-150-1 9781800641518 978-1-80064-151-8 (DE-627)1836490704 (DE-599)KEP077618734 (OCoLC)1302641921 (OAPEN)51164 (EBP)077618734 DE-627 eng DE-627 rda eng KNTP bicssc HBTB bicssc BGF bicssc APF bicssc LNR bicssc LNRC bicssc AV bicssc AJ bicssc KNTP1 bicssc DNBF bicssc ATF bicssc NHTB bicssc Delamaire, Marie-Stéphanie verfasserin aut Circulation and Control Artistic Culture and Intellectual Property in the Nineteenth Century [Erscheinungsort nicht ermittelbar] Open Book Publishers 2021 1 Online-Ressource (540 p.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star The nineteenth century witnessed a series of revolutions in the production and circulation of images. From lithographs and engraved reproductions of paintings to daguerreotypes, stereoscopic views, and mass-produced sculptures, works of visual art became available in a wider range of media than ever before. But the circulation and reproduction of artworks also raised new questions about the legal rights of painters, sculptors, engravers, photographers, architects, collectors, publishers, and subjects of representation (such as sitters in paintings or photographs). Copyright and patent laws tussled with informal cultural norms and business strategies as individuals and groups attempted to exert some degree of control over these visual creations. With contributions by art historians, legal scholars, historians of publishing, and specialists of painting, photography, sculpture, and graphic arts, this rich collection of essays explores the relationship between intellectual property laws and the cultural, economic, and technological factors that transformed the pictorial landscape during the nineteenth century. This book will be valuable reading for historians of art and visual culture; legal scholars who work on the history of copyright and patent law; and literary scholars and historians who work in the field of book history. It will also resonate with anyone interested in current debates about the circulation and control of images in our digital age Creative Commons https://creativecommons.org/licenses/by/4.0 cc English Publishing industry & book trade Social & cultural history Biography: arts & entertainment Photography & photographs Intellectual property law Copyright law Music Films, cinema Publishing and book trade Biography: arts and entertainment Social and cultural history Photography and photographs Slauter, Will herausgeberin edt https://library.oapen.org/bitstream/id/113a2379-3514-4df4-b1f9-04f87fd75bb1/9781800641488.pdf X:OAPEN Verlag kostenfrei https://library.oapen.org/handle/20.500.12657/51164 X:OAPEN Verlag kostenfrei ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER BO 22 01 0018 4280146810 OLR-ZDB-94-OAL OAPEN Library zu 01-03-23 23 01 0830 4280699003 OLR-OAPEN f z 01-03-23 30 01 0104 4281059903 GBV-OAPEN z 01-03-23 31 01 0027 4280341583 z 01-03-23 34 01 3551 427889709X OLR-OAPEN zi002 01-03-23 39 01 0547 4281251111 GBV-OAPEN ke 01-03-23 40 01 0007 4279965587 OLR-OAPEN xsn 01-03-23 63 01 3401 4281633758 E-Books LF GBV-OAPEN z 01-03-23 65 01 0003 4281883371 OLR-OAPEN z 01-03-23 70 01 0089 428051996X OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 72 01 0035 4278719752 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 95 01 3095 4343247473 OLR-OAL Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 24-06-23 110 01 3110 4281436189 OLR-GBV-OAPEN Open Access z 01-03-23 136 01 3526 4279611068 OLR-OAPEN z 01-03-23 147 01 3528 4282081996 OLR-OAPEN frei verfügbar für Europa-Universität Flensburg, Hochschule Flensburg und Zentrale Hochschulbibliothek Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. 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| allfields_unstemmed |
9781800641464 978-1-80064-146-4 9781800641471 978-1-80064-147-1 9781800641495 978-1-80064-149-5 9781800641501 978-1-80064-150-1 9781800641518 978-1-80064-151-8 (DE-627)1836490704 (DE-599)KEP077618734 (OCoLC)1302641921 (OAPEN)51164 (EBP)077618734 DE-627 eng DE-627 rda eng KNTP bicssc HBTB bicssc BGF bicssc APF bicssc LNR bicssc LNRC bicssc AV bicssc AJ bicssc KNTP1 bicssc DNBF bicssc ATF bicssc NHTB bicssc Delamaire, Marie-Stéphanie verfasserin aut Circulation and Control Artistic Culture and Intellectual Property in the Nineteenth Century [Erscheinungsort nicht ermittelbar] Open Book Publishers 2021 1 Online-Ressource (540 p.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star The nineteenth century witnessed a series of revolutions in the production and circulation of images. From lithographs and engraved reproductions of paintings to daguerreotypes, stereoscopic views, and mass-produced sculptures, works of visual art became available in a wider range of media than ever before. But the circulation and reproduction of artworks also raised new questions about the legal rights of painters, sculptors, engravers, photographers, architects, collectors, publishers, and subjects of representation (such as sitters in paintings or photographs). Copyright and patent laws tussled with informal cultural norms and business strategies as individuals and groups attempted to exert some degree of control over these visual creations. With contributions by art historians, legal scholars, historians of publishing, and specialists of painting, photography, sculpture, and graphic arts, this rich collection of essays explores the relationship between intellectual property laws and the cultural, economic, and technological factors that transformed the pictorial landscape during the nineteenth century. This book will be valuable reading for historians of art and visual culture; legal scholars who work on the history of copyright and patent law; and literary scholars and historians who work in the field of book history. It will also resonate with anyone interested in current debates about the circulation and control of images in our digital age Creative Commons https://creativecommons.org/licenses/by/4.0 cc English Publishing industry & book trade Social & cultural history Biography: arts & entertainment Photography & photographs Intellectual property law Copyright law Music Films, cinema Publishing and book trade Biography: arts and entertainment Social and cultural history Photography and photographs Slauter, Will herausgeberin edt https://library.oapen.org/bitstream/id/113a2379-3514-4df4-b1f9-04f87fd75bb1/9781800641488.pdf X:OAPEN Verlag kostenfrei https://library.oapen.org/handle/20.500.12657/51164 X:OAPEN Verlag kostenfrei ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER BO 22 01 0018 4280146810 OLR-ZDB-94-OAL OAPEN Library zu 01-03-23 23 01 0830 4280699003 OLR-OAPEN f z 01-03-23 30 01 0104 4281059903 GBV-OAPEN z 01-03-23 31 01 0027 4280341583 z 01-03-23 34 01 3551 427889709X OLR-OAPEN zi002 01-03-23 39 01 0547 4281251111 GBV-OAPEN ke 01-03-23 40 01 0007 4279965587 OLR-OAPEN xsn 01-03-23 63 01 3401 4281633758 E-Books LF GBV-OAPEN z 01-03-23 65 01 0003 4281883371 OLR-OAPEN z 01-03-23 70 01 0089 428051996X OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 72 01 0035 4278719752 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 95 01 3095 4343247473 OLR-OAL Vervielfältigungen (z.B. 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Circulation and Control Artistic Culture and Intellectual Property in the Nineteenth Century |
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The nineteenth century witnessed a series of revolutions in the production and circulation of images. From lithographs and engraved reproductions of paintings to daguerreotypes, stereoscopic views, and mass-produced sculptures, works of visual art became available in a wider range of media than ever before. But the circulation and reproduction of artworks also raised new questions about the legal rights of painters, sculptors, engravers, photographers, architects, collectors, publishers, and subjects of representation (such as sitters in paintings or photographs). Copyright and patent laws tussled with informal cultural norms and business strategies as individuals and groups attempted to exert some degree of control over these visual creations. With contributions by art historians, legal scholars, historians of publishing, and specialists of painting, photography, sculpture, and graphic arts, this rich collection of essays explores the relationship between intellectual property laws and the cultural, economic, and technological factors that transformed the pictorial landscape during the nineteenth century. This book will be valuable reading for historians of art and visual culture; legal scholars who work on the history of copyright and patent law; and literary scholars and historians who work in the field of book history. It will also resonate with anyone interested in current debates about the circulation and control of images in our digital age |
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The nineteenth century witnessed a series of revolutions in the production and circulation of images. From lithographs and engraved reproductions of paintings to daguerreotypes, stereoscopic views, and mass-produced sculptures, works of visual art became available in a wider range of media than ever before. But the circulation and reproduction of artworks also raised new questions about the legal rights of painters, sculptors, engravers, photographers, architects, collectors, publishers, and subjects of representation (such as sitters in paintings or photographs). Copyright and patent laws tussled with informal cultural norms and business strategies as individuals and groups attempted to exert some degree of control over these visual creations. With contributions by art historians, legal scholars, historians of publishing, and specialists of painting, photography, sculpture, and graphic arts, this rich collection of essays explores the relationship between intellectual property laws and the cultural, economic, and technological factors that transformed the pictorial landscape during the nineteenth century. This book will be valuable reading for historians of art and visual culture; legal scholars who work on the history of copyright and patent law; and literary scholars and historians who work in the field of book history. It will also resonate with anyone interested in current debates about the circulation and control of images in our digital age |
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The nineteenth century witnessed a series of revolutions in the production and circulation of images. From lithographs and engraved reproductions of paintings to daguerreotypes, stereoscopic views, and mass-produced sculptures, works of visual art became available in a wider range of media than ever before. But the circulation and reproduction of artworks also raised new questions about the legal rights of painters, sculptors, engravers, photographers, architects, collectors, publishers, and subjects of representation (such as sitters in paintings or photographs). Copyright and patent laws tussled with informal cultural norms and business strategies as individuals and groups attempted to exert some degree of control over these visual creations. With contributions by art historians, legal scholars, historians of publishing, and specialists of painting, photography, sculpture, and graphic arts, this rich collection of essays explores the relationship between intellectual property laws and the cultural, economic, and technological factors that transformed the pictorial landscape during the nineteenth century. This book will be valuable reading for historians of art and visual culture; legal scholars who work on the history of copyright and patent law; and literary scholars and historians who work in the field of book history. It will also resonate with anyone interested in current debates about the circulation and control of images in our digital age |
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