Dies irae : Kroniek van het requiem
The requiem (or the death mass) is one of the oldest and longest surviving genres in Western music history. For hundreds of years it only existed in its original Gregorian guise, but from about 1450 many great composers were inspired to write of masterly new death masses Dies Irae introduces the rea...
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| Autor*in: |
Bergé, Pieter [verfasserIn] |
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| Format: |
E-Book |
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| Sprache: |
Niederländisch |
| Erschienen: |
Leuven: Leuven University Press ; 2021 |
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| Rechteinformationen: |
Open Access Creative Commons ; https://creativecommons.org/licenses/by-nc-nd/4.0 |
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| Schlagwörter: |
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| Umfang: |
1 Online-Ressource (320 p.) |
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| Links: | |
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| ISBN: |
978-94-6166-430-3 978-90-5867-880-5 |
| Katalog-ID: |
1836490887 |
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| 520 | |a The requiem (or the death mass) is one of the oldest and longest surviving genres in Western music history. For hundreds of years it only existed in its original Gregorian guise, but from about 1450 many great composers were inspired to write of masterly new death masses Dies Irae introduces the reader to these masterpieces in an accessible way, without any prior musical knowledge being required. After an introduction to the meaning and structure of the text and music of the ancient Latin Mass for the Dead, a chronicle in three parts follows that guides the reader through the history of the requiem. In separate chapters, all the major and well-known requiems (including by Mozart, Brahms, Verdi, Fauré, Britten and Webber), as well as some less popular but equally poignant works (such as the requiems by Ockeghem, Schütz, Weill, Ligeti, Stravinsky and Zimmermann). Each requiem is discussed according to a fixed pattern, so that the reader can freely browse through different periods and compositions: first each work is situated music-historically, followed by a short discussion of each part separately. By linking the discussions to one reference recording per work, the reader can immediately test the explanation against listening practice. Under the direction of Pieter Bergé, and with the cooperation of Jan Christiaens, all contributions to 'Dies Irae. Chronicle of the Requiem' written by authors who are affiliated with the Musicology research unit of KU Leuven as teachers, researchers or alumnus | ||
| 520 | |a Het requiem (of de dodenmis) is een van de oudste en langst overlevende genres uit de westerse muziekgeschiedenis. Honderden jaren heeft het enkel bestaan in zijn oorspronkelijke gregoriaanse gedaante, maar vanaf ca. 1450 hebben heel wat grote componisten zich laten inspireren tot het schrijven van magistrale nieuwe dodenmissen. Dies Irae laat de lezer op toegankelijke wijze kennismaken met deze meesterwerken zonder dat muzikale voorkennis vereist is. Na een inleiding over de betekenis en structuur van de tekst en muziek van de aloude Latijnse dodenmis, volgt een kroniek in drie delen die de lezer door de geschiedenis van het requiem gidst. In aparte hoofdstukken komen alle grote en bekende requiems aan bod (onder meer van Mozart, Brahms, Verdi, Fauré, Britten en Webber), evenals enkele minder populaire maar minstens even aangrijpende werken (zoals de requiems van Ockeghem, Schütz, Weill, Ligeti, Stravinsky en Zimmermann). Elk requiem wordt volgens een vast stramien besproken, zodat de lezer vrijelijk kan grasduinen door verschillende perioden en composities: eerst wordt ieder werk muziekhistorisch gesitueerd, daarna volgt een korte bespreking van elk deel afzonderlijk. Door de besprekingen te koppelen aan één referentieopname per werk, kan de lezer de uitleg meteen ook aan de luisterpraktijk toetsen. Onder de leiding van Pieter Bergé, en met medewerking van Jan Christiaens werden alle bijdragen aan 'Dies Irae. Kroniek van het requiem' geschreven door auteurs die als docent, onderzoeker of alumnus verbonden zijn aan de onderzoekseenheid Musicologie van de KU Leuven | ||
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9789461664303 978-94-6166-430-3 9789058678805 978-90-5867-880-5 (DE-627)1836490887 (DE-599)KEP077618912 (OCoLC)1294291600 (OAPEN)51178 (EBP)077618912 DE-627 dut DE-627 rda dut AVA bicssc Bergé, Pieter verfasserin aut Dies irae Kroniek van het requiem Leuven Leuven University Press 2021 1 Online-Ressource (320 p.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star The requiem (or the death mass) is one of the oldest and longest surviving genres in Western music history. For hundreds of years it only existed in its original Gregorian guise, but from about 1450 many great composers were inspired to write of masterly new death masses Dies Irae introduces the reader to these masterpieces in an accessible way, without any prior musical knowledge being required. After an introduction to the meaning and structure of the text and music of the ancient Latin Mass for the Dead, a chronicle in three parts follows that guides the reader through the history of the requiem. In separate chapters, all the major and well-known requiems (including by Mozart, Brahms, Verdi, Fauré, Britten and Webber), as well as some less popular but equally poignant works (such as the requiems by Ockeghem, Schütz, Weill, Ligeti, Stravinsky and Zimmermann). Each requiem is discussed according to a fixed pattern, so that the reader can freely browse through different periods and compositions: first each work is situated music-historically, followed by a short discussion of each part separately. By linking the discussions to one reference recording per work, the reader can immediately test the explanation against listening practice. Under the direction of Pieter Bergé, and with the cooperation of Jan Christiaens, all contributions to 'Dies Irae. Chronicle of the Requiem' written by authors who are affiliated with the Musicology research unit of KU Leuven as teachers, researchers or alumnus Het requiem (of de dodenmis) is een van de oudste en langst overlevende genres uit de westerse muziekgeschiedenis. Honderden jaren heeft het enkel bestaan in zijn oorspronkelijke gregoriaanse gedaante, maar vanaf ca. 1450 hebben heel wat grote componisten zich laten inspireren tot het schrijven van magistrale nieuwe dodenmissen. Dies Irae laat de lezer op toegankelijke wijze kennismaken met deze meesterwerken zonder dat muzikale voorkennis vereist is. Na een inleiding over de betekenis en structuur van de tekst en muziek van de aloude Latijnse dodenmis, volgt een kroniek in drie delen die de lezer door de geschiedenis van het requiem gidst. In aparte hoofdstukken komen alle grote en bekende requiems aan bod (onder meer van Mozart, Brahms, Verdi, Fauré, Britten en Webber), evenals enkele minder populaire maar minstens even aangrijpende werken (zoals de requiems van Ockeghem, Schütz, Weill, Ligeti, Stravinsky en Zimmermann). Elk requiem wordt volgens een vast stramien besproken, zodat de lezer vrijelijk kan grasduinen door verschillende perioden en composities: eerst wordt ieder werk muziekhistorisch gesitueerd, daarna volgt een korte bespreking van elk deel afzonderlijk. Door de besprekingen te koppelen aan één referentieopname per werk, kan de lezer de uitleg meteen ook aan de luisterpraktijk toetsen. Onder de leiding van Pieter Bergé, en met medewerking van Jan Christiaens werden alle bijdragen aan 'Dies Irae. Kroniek van het requiem' geschreven door auteurs die als docent, onderzoeker of alumnus verbonden zijn aan de onderzoekseenheid Musicologie van de KU Leuven Creative Commons https://creativecommons.org/licenses/by-nc-nd/4.0 cc Dutch Theory of music & musicology Theory of music and musicology https://library.oapen.org/bitstream/id/5727e393-d479-464d-be45-bac054a7c4eb/978946166430.pdf X:OAPEN Verlag kostenfrei https://library.oapen.org/handle/20.500.12657/51178 X:OAPEN Verlag kostenfrei ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER BO 22 01 0018 4280146993 OLR-ZDB-94-OAL OAPEN Library zu 01-03-23 23 01 0830 4280699186 OLR-OAPEN f z 01-03-23 30 01 0104 4281060081 GBV-OAPEN z 01-03-23 31 01 0027 4280341761 z 01-03-23 34 01 3551 4278897278 OLR-OAPEN zi002 01-03-23 39 01 0547 4281251294 GBV-OAPEN ke 01-03-23 40 01 0007 4279965765 OLR-OAPEN xsn 01-03-23 63 01 3401 4281633952 E-Books LF GBV-OAPEN z 01-03-23 65 01 0003 428188355X OLR-OAPEN z 01-03-23 70 01 0089 4280520143 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 72 01 0035 4278719930 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 95 01 3095 4343247651 OLR-OAL Vervielfältigungen (z.B. 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Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 01-03-23 161 01 0960 4278153953 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 187 01 3520 427853843X JSTOR Open Access eBook z 28-02-23 213 01 0551 4279252440 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 230 01 0552 4279429626 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 283 01 3283 4279788537 OLR-OAL z 01-03-23 293 01 3293 4278332718 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 370 01 4370 4279075018 OLR-FREE Kostenloser Zugriff z 01-03-23 603 01 4603 4277975704 OLR-OAPEN Bitte beachten Sie die Nutzungsbedingungen und Copyright-Bestimmungen des Verlages/Herausgebers. z 28-02-23 808 01 4808 4280878218 OLR-OAPEN OAPEN Library zg 01-03-23 2403 01 DE-LFER 4307830415 00 --%%-- --%%-- n --%%-- l01 12-04-23 22 01 0018 Volltextzugang https://library.oapen.org/handle/20.500.12657/51178 23 01 0830 https://library.oapen.org/handle/20.500.12657/51178 30 01 0104 Open Access https://library.oapen.org/handle/20.500.12657/51178 31 01 0027 eBook GBV-OAPEN https://library.oapen.org/handle/20.500.12657/51178 34 01 3551 OpenAccess https://library.oapen.org/handle/20.500.12657/51178 40 01 0007 Volltext, Open Access https://library.oapen.org/handle/20.500.12657/51178 63 01 3401 E-Book https://library.oapen.org/handle/20.500.12657/51178 65 01 0003 Open Access https://library.oapen.org/handle/20.500.12657/51178 65 01 0003 Dieser Titel ist Teil einer Datenbank http://www.bibliothek.uni-regensburg.de/dbinfo/detail.php?titel_id=10728&bib_id=ulb_hal 70 01 0089 https://library.oapen.org/handle/20.500.12657/51178 LF 72 01 0035 https://library.oapen.org/handle/20.500.12657/51178 95 01 3095 https://library.oapen.org/handle/20.500.12657/51178 110 01 3110 Open Access https://library.oapen.org/handle/20.500.12657/51178 136 01 3526 Open Access https://library.oapen.org/handle/20.500.12657/51178 147 01 3528 https://library.oapen.org/handle/20.500.12657/51178 161 01 0960 https://library.oapen.org/handle/20.500.12657/51178 LF 187 01 3520 https://library.oapen.org/handle/20.500.12657/51178 213 01 0551 https://library.oapen.org/handle/20.500.12657/51178 230 01 0552 https://library.oapen.org/handle/20.500.12657/51178 283 01 3283 https://library.oapen.org/handle/20.500.12657/51178 293 01 3293 https://library.oapen.org/handle/20.500.12657/51178 LF 370 01 4370 https://library.oapen.org/handle/20.500.12657/51178 603 01 4603 https://library.oapen.org/handle/20.500.12657/51178 808 01 4808 Volltextzugang https://library.oapen.org/handle/20.500.12657/51178 2403 01 DE-LFER https://library.oapen.org/bitstream/id/5727e393-d479-464d-be45-bac054a7c4eb/978946166430.pdf 31 01 0027 00 eBook GBV-OAPEN 22 01 0018 OLR-ZDB-94-OAL 23 01 0830 OLR-OAPEN 30 01 0104 GBV-OAPEN 34 01 3551 OLR-OAPEN 39 01 0547 GBV-OAPEN 39 01 0547 LF 40 01 0007 OLR-OAPEN 63 01 3401 E-Books LF GBV-OAPEN 65 01 0003 OLR-OAPEN 70 01 0089 OLR-OAPEN-OA 72 01 0035 OLR-OAPEN-OA 95 01 3095 OLR-OAL 110 01 3110 OLR-GBV-OAPEN 136 01 3526 OLR-OAPEN 147 01 3528 OLR-OAPEN 161 01 0960 OLR-OAPEN 213 01 0551 OLR-OAPEN 230 01 0552 OLR-OAPEN 283 01 3283 OLR-OAL 293 01 3293 OLR-OAPEN 370 01 4370 OLR-FREE 370 01 4370 olr-ebook GBV-OAPEN 603 01 4603 OLR-OAPEN 808 01 4808 OLR-OAPEN |
| spelling |
9789461664303 978-94-6166-430-3 9789058678805 978-90-5867-880-5 (DE-627)1836490887 (DE-599)KEP077618912 (OCoLC)1294291600 (OAPEN)51178 (EBP)077618912 DE-627 dut DE-627 rda dut AVA bicssc Bergé, Pieter verfasserin aut Dies irae Kroniek van het requiem Leuven Leuven University Press 2021 1 Online-Ressource (320 p.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star The requiem (or the death mass) is one of the oldest and longest surviving genres in Western music history. For hundreds of years it only existed in its original Gregorian guise, but from about 1450 many great composers were inspired to write of masterly new death masses Dies Irae introduces the reader to these masterpieces in an accessible way, without any prior musical knowledge being required. After an introduction to the meaning and structure of the text and music of the ancient Latin Mass for the Dead, a chronicle in three parts follows that guides the reader through the history of the requiem. In separate chapters, all the major and well-known requiems (including by Mozart, Brahms, Verdi, Fauré, Britten and Webber), as well as some less popular but equally poignant works (such as the requiems by Ockeghem, Schütz, Weill, Ligeti, Stravinsky and Zimmermann). Each requiem is discussed according to a fixed pattern, so that the reader can freely browse through different periods and compositions: first each work is situated music-historically, followed by a short discussion of each part separately. By linking the discussions to one reference recording per work, the reader can immediately test the explanation against listening practice. Under the direction of Pieter Bergé, and with the cooperation of Jan Christiaens, all contributions to 'Dies Irae. Chronicle of the Requiem' written by authors who are affiliated with the Musicology research unit of KU Leuven as teachers, researchers or alumnus Het requiem (of de dodenmis) is een van de oudste en langst overlevende genres uit de westerse muziekgeschiedenis. Honderden jaren heeft het enkel bestaan in zijn oorspronkelijke gregoriaanse gedaante, maar vanaf ca. 1450 hebben heel wat grote componisten zich laten inspireren tot het schrijven van magistrale nieuwe dodenmissen. Dies Irae laat de lezer op toegankelijke wijze kennismaken met deze meesterwerken zonder dat muzikale voorkennis vereist is. Na een inleiding over de betekenis en structuur van de tekst en muziek van de aloude Latijnse dodenmis, volgt een kroniek in drie delen die de lezer door de geschiedenis van het requiem gidst. In aparte hoofdstukken komen alle grote en bekende requiems aan bod (onder meer van Mozart, Brahms, Verdi, Fauré, Britten en Webber), evenals enkele minder populaire maar minstens even aangrijpende werken (zoals de requiems van Ockeghem, Schütz, Weill, Ligeti, Stravinsky en Zimmermann). Elk requiem wordt volgens een vast stramien besproken, zodat de lezer vrijelijk kan grasduinen door verschillende perioden en composities: eerst wordt ieder werk muziekhistorisch gesitueerd, daarna volgt een korte bespreking van elk deel afzonderlijk. Door de besprekingen te koppelen aan één referentieopname per werk, kan de lezer de uitleg meteen ook aan de luisterpraktijk toetsen. Onder de leiding van Pieter Bergé, en met medewerking van Jan Christiaens werden alle bijdragen aan 'Dies Irae. Kroniek van het requiem' geschreven door auteurs die als docent, onderzoeker of alumnus verbonden zijn aan de onderzoekseenheid Musicologie van de KU Leuven Creative Commons https://creativecommons.org/licenses/by-nc-nd/4.0 cc Dutch Theory of music & musicology Theory of music and musicology https://library.oapen.org/bitstream/id/5727e393-d479-464d-be45-bac054a7c4eb/978946166430.pdf X:OAPEN Verlag kostenfrei https://library.oapen.org/handle/20.500.12657/51178 X:OAPEN Verlag kostenfrei ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER BO 22 01 0018 4280146993 OLR-ZDB-94-OAL OAPEN Library zu 01-03-23 23 01 0830 4280699186 OLR-OAPEN f z 01-03-23 30 01 0104 4281060081 GBV-OAPEN z 01-03-23 31 01 0027 4280341761 z 01-03-23 34 01 3551 4278897278 OLR-OAPEN zi002 01-03-23 39 01 0547 4281251294 GBV-OAPEN ke 01-03-23 40 01 0007 4279965765 OLR-OAPEN xsn 01-03-23 63 01 3401 4281633952 E-Books LF GBV-OAPEN z 01-03-23 65 01 0003 428188355X OLR-OAPEN z 01-03-23 70 01 0089 4280520143 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 72 01 0035 4278719930 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 95 01 3095 4343247651 OLR-OAL Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 24-06-23 110 01 3110 4281436367 OLR-GBV-OAPEN Open Access z 01-03-23 136 01 3526 4279611246 OLR-OAPEN z 01-03-23 147 01 3528 4282082186 OLR-OAPEN frei verfügbar für Europa-Universität Flensburg, Hochschule Flensburg und Zentrale Hochschulbibliothek Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 01-03-23 161 01 0960 4278153953 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 187 01 3520 427853843X JSTOR Open Access eBook z 28-02-23 213 01 0551 4279252440 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 230 01 0552 4279429626 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 283 01 3283 4279788537 OLR-OAL z 01-03-23 293 01 3293 4278332718 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 370 01 4370 4279075018 OLR-FREE Kostenloser Zugriff z 01-03-23 603 01 4603 4277975704 OLR-OAPEN Bitte beachten Sie die Nutzungsbedingungen und Copyright-Bestimmungen des Verlages/Herausgebers. z 28-02-23 808 01 4808 4280878218 OLR-OAPEN OAPEN Library zg 01-03-23 2403 01 DE-LFER 4307830415 00 --%%-- --%%-- n --%%-- l01 12-04-23 22 01 0018 Volltextzugang https://library.oapen.org/handle/20.500.12657/51178 23 01 0830 https://library.oapen.org/handle/20.500.12657/51178 30 01 0104 Open Access https://library.oapen.org/handle/20.500.12657/51178 31 01 0027 eBook GBV-OAPEN https://library.oapen.org/handle/20.500.12657/51178 34 01 3551 OpenAccess https://library.oapen.org/handle/20.500.12657/51178 40 01 0007 Volltext, Open Access https://library.oapen.org/handle/20.500.12657/51178 63 01 3401 E-Book https://library.oapen.org/handle/20.500.12657/51178 65 01 0003 Open Access https://library.oapen.org/handle/20.500.12657/51178 65 01 0003 Dieser Titel ist Teil einer Datenbank http://www.bibliothek.uni-regensburg.de/dbinfo/detail.php?titel_id=10728&bib_id=ulb_hal 70 01 0089 https://library.oapen.org/handle/20.500.12657/51178 LF 72 01 0035 https://library.oapen.org/handle/20.500.12657/51178 95 01 3095 https://library.oapen.org/handle/20.500.12657/51178 110 01 3110 Open Access https://library.oapen.org/handle/20.500.12657/51178 136 01 3526 Open Access https://library.oapen.org/handle/20.500.12657/51178 147 01 3528 https://library.oapen.org/handle/20.500.12657/51178 161 01 0960 https://library.oapen.org/handle/20.500.12657/51178 LF 187 01 3520 https://library.oapen.org/handle/20.500.12657/51178 213 01 0551 https://library.oapen.org/handle/20.500.12657/51178 230 01 0552 https://library.oapen.org/handle/20.500.12657/51178 283 01 3283 https://library.oapen.org/handle/20.500.12657/51178 293 01 3293 https://library.oapen.org/handle/20.500.12657/51178 LF 370 01 4370 https://library.oapen.org/handle/20.500.12657/51178 603 01 4603 https://library.oapen.org/handle/20.500.12657/51178 808 01 4808 Volltextzugang https://library.oapen.org/handle/20.500.12657/51178 2403 01 DE-LFER https://library.oapen.org/bitstream/id/5727e393-d479-464d-be45-bac054a7c4eb/978946166430.pdf 31 01 0027 00 eBook GBV-OAPEN 22 01 0018 OLR-ZDB-94-OAL 23 01 0830 OLR-OAPEN 30 01 0104 GBV-OAPEN 34 01 3551 OLR-OAPEN 39 01 0547 GBV-OAPEN 39 01 0547 LF 40 01 0007 OLR-OAPEN 63 01 3401 E-Books LF GBV-OAPEN 65 01 0003 OLR-OAPEN 70 01 0089 OLR-OAPEN-OA 72 01 0035 OLR-OAPEN-OA 95 01 3095 OLR-OAL 110 01 3110 OLR-GBV-OAPEN 136 01 3526 OLR-OAPEN 147 01 3528 OLR-OAPEN 161 01 0960 OLR-OAPEN 213 01 0551 OLR-OAPEN 230 01 0552 OLR-OAPEN 283 01 3283 OLR-OAL 293 01 3293 OLR-OAPEN 370 01 4370 OLR-FREE 370 01 4370 olr-ebook GBV-OAPEN 603 01 4603 OLR-OAPEN 808 01 4808 OLR-OAPEN |
| allfields_unstemmed |
9789461664303 978-94-6166-430-3 9789058678805 978-90-5867-880-5 (DE-627)1836490887 (DE-599)KEP077618912 (OCoLC)1294291600 (OAPEN)51178 (EBP)077618912 DE-627 dut DE-627 rda dut AVA bicssc Bergé, Pieter verfasserin aut Dies irae Kroniek van het requiem Leuven Leuven University Press 2021 1 Online-Ressource (320 p.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star The requiem (or the death mass) is one of the oldest and longest surviving genres in Western music history. For hundreds of years it only existed in its original Gregorian guise, but from about 1450 many great composers were inspired to write of masterly new death masses Dies Irae introduces the reader to these masterpieces in an accessible way, without any prior musical knowledge being required. After an introduction to the meaning and structure of the text and music of the ancient Latin Mass for the Dead, a chronicle in three parts follows that guides the reader through the history of the requiem. In separate chapters, all the major and well-known requiems (including by Mozart, Brahms, Verdi, Fauré, Britten and Webber), as well as some less popular but equally poignant works (such as the requiems by Ockeghem, Schütz, Weill, Ligeti, Stravinsky and Zimmermann). Each requiem is discussed according to a fixed pattern, so that the reader can freely browse through different periods and compositions: first each work is situated music-historically, followed by a short discussion of each part separately. By linking the discussions to one reference recording per work, the reader can immediately test the explanation against listening practice. Under the direction of Pieter Bergé, and with the cooperation of Jan Christiaens, all contributions to 'Dies Irae. Chronicle of the Requiem' written by authors who are affiliated with the Musicology research unit of KU Leuven as teachers, researchers or alumnus Het requiem (of de dodenmis) is een van de oudste en langst overlevende genres uit de westerse muziekgeschiedenis. Honderden jaren heeft het enkel bestaan in zijn oorspronkelijke gregoriaanse gedaante, maar vanaf ca. 1450 hebben heel wat grote componisten zich laten inspireren tot het schrijven van magistrale nieuwe dodenmissen. Dies Irae laat de lezer op toegankelijke wijze kennismaken met deze meesterwerken zonder dat muzikale voorkennis vereist is. Na een inleiding over de betekenis en structuur van de tekst en muziek van de aloude Latijnse dodenmis, volgt een kroniek in drie delen die de lezer door de geschiedenis van het requiem gidst. In aparte hoofdstukken komen alle grote en bekende requiems aan bod (onder meer van Mozart, Brahms, Verdi, Fauré, Britten en Webber), evenals enkele minder populaire maar minstens even aangrijpende werken (zoals de requiems van Ockeghem, Schütz, Weill, Ligeti, Stravinsky en Zimmermann). Elk requiem wordt volgens een vast stramien besproken, zodat de lezer vrijelijk kan grasduinen door verschillende perioden en composities: eerst wordt ieder werk muziekhistorisch gesitueerd, daarna volgt een korte bespreking van elk deel afzonderlijk. Door de besprekingen te koppelen aan één referentieopname per werk, kan de lezer de uitleg meteen ook aan de luisterpraktijk toetsen. Onder de leiding van Pieter Bergé, en met medewerking van Jan Christiaens werden alle bijdragen aan 'Dies Irae. Kroniek van het requiem' geschreven door auteurs die als docent, onderzoeker of alumnus verbonden zijn aan de onderzoekseenheid Musicologie van de KU Leuven Creative Commons https://creativecommons.org/licenses/by-nc-nd/4.0 cc Dutch Theory of music & musicology Theory of music and musicology https://library.oapen.org/bitstream/id/5727e393-d479-464d-be45-bac054a7c4eb/978946166430.pdf X:OAPEN Verlag kostenfrei https://library.oapen.org/handle/20.500.12657/51178 X:OAPEN Verlag kostenfrei ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER BO 22 01 0018 4280146993 OLR-ZDB-94-OAL OAPEN Library zu 01-03-23 23 01 0830 4280699186 OLR-OAPEN f z 01-03-23 30 01 0104 4281060081 GBV-OAPEN z 01-03-23 31 01 0027 4280341761 z 01-03-23 34 01 3551 4278897278 OLR-OAPEN zi002 01-03-23 39 01 0547 4281251294 GBV-OAPEN ke 01-03-23 40 01 0007 4279965765 OLR-OAPEN xsn 01-03-23 63 01 3401 4281633952 E-Books LF GBV-OAPEN z 01-03-23 65 01 0003 428188355X OLR-OAPEN z 01-03-23 70 01 0089 4280520143 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 72 01 0035 4278719930 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 95 01 3095 4343247651 OLR-OAL Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 24-06-23 110 01 3110 4281436367 OLR-GBV-OAPEN Open Access z 01-03-23 136 01 3526 4279611246 OLR-OAPEN z 01-03-23 147 01 3528 4282082186 OLR-OAPEN frei verfügbar für Europa-Universität Flensburg, Hochschule Flensburg und Zentrale Hochschulbibliothek Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 01-03-23 161 01 0960 4278153953 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 187 01 3520 427853843X JSTOR Open Access eBook z 28-02-23 213 01 0551 4279252440 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 230 01 0552 4279429626 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 283 01 3283 4279788537 OLR-OAL z 01-03-23 293 01 3293 4278332718 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 370 01 4370 4279075018 OLR-FREE Kostenloser Zugriff z 01-03-23 603 01 4603 4277975704 OLR-OAPEN Bitte beachten Sie die Nutzungsbedingungen und Copyright-Bestimmungen des Verlages/Herausgebers. z 28-02-23 808 01 4808 4280878218 OLR-OAPEN OAPEN Library zg 01-03-23 2403 01 DE-LFER 4307830415 00 --%%-- --%%-- n --%%-- l01 12-04-23 22 01 0018 Volltextzugang https://library.oapen.org/handle/20.500.12657/51178 23 01 0830 https://library.oapen.org/handle/20.500.12657/51178 30 01 0104 Open Access https://library.oapen.org/handle/20.500.12657/51178 31 01 0027 eBook GBV-OAPEN https://library.oapen.org/handle/20.500.12657/51178 34 01 3551 OpenAccess https://library.oapen.org/handle/20.500.12657/51178 40 01 0007 Volltext, Open Access https://library.oapen.org/handle/20.500.12657/51178 63 01 3401 E-Book https://library.oapen.org/handle/20.500.12657/51178 65 01 0003 Open Access https://library.oapen.org/handle/20.500.12657/51178 65 01 0003 Dieser Titel ist Teil einer Datenbank http://www.bibliothek.uni-regensburg.de/dbinfo/detail.php?titel_id=10728&bib_id=ulb_hal 70 01 0089 https://library.oapen.org/handle/20.500.12657/51178 LF 72 01 0035 https://library.oapen.org/handle/20.500.12657/51178 95 01 3095 https://library.oapen.org/handle/20.500.12657/51178 110 01 3110 Open Access https://library.oapen.org/handle/20.500.12657/51178 136 01 3526 Open Access https://library.oapen.org/handle/20.500.12657/51178 147 01 3528 https://library.oapen.org/handle/20.500.12657/51178 161 01 0960 https://library.oapen.org/handle/20.500.12657/51178 LF 187 01 3520 https://library.oapen.org/handle/20.500.12657/51178 213 01 0551 https://library.oapen.org/handle/20.500.12657/51178 230 01 0552 https://library.oapen.org/handle/20.500.12657/51178 283 01 3283 https://library.oapen.org/handle/20.500.12657/51178 293 01 3293 https://library.oapen.org/handle/20.500.12657/51178 LF 370 01 4370 https://library.oapen.org/handle/20.500.12657/51178 603 01 4603 https://library.oapen.org/handle/20.500.12657/51178 808 01 4808 Volltextzugang https://library.oapen.org/handle/20.500.12657/51178 2403 01 DE-LFER https://library.oapen.org/bitstream/id/5727e393-d479-464d-be45-bac054a7c4eb/978946166430.pdf 31 01 0027 00 eBook GBV-OAPEN 22 01 0018 OLR-ZDB-94-OAL 23 01 0830 OLR-OAPEN 30 01 0104 GBV-OAPEN 34 01 3551 OLR-OAPEN 39 01 0547 GBV-OAPEN 39 01 0547 LF 40 01 0007 OLR-OAPEN 63 01 3401 E-Books LF GBV-OAPEN 65 01 0003 OLR-OAPEN 70 01 0089 OLR-OAPEN-OA 72 01 0035 OLR-OAPEN-OA 95 01 3095 OLR-OAL 110 01 3110 OLR-GBV-OAPEN 136 01 3526 OLR-OAPEN 147 01 3528 OLR-OAPEN 161 01 0960 OLR-OAPEN 213 01 0551 OLR-OAPEN 230 01 0552 OLR-OAPEN 283 01 3283 OLR-OAL 293 01 3293 OLR-OAPEN 370 01 4370 OLR-FREE 370 01 4370 olr-ebook GBV-OAPEN 603 01 4603 OLR-OAPEN 808 01 4808 OLR-OAPEN |
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9789461664303 978-94-6166-430-3 9789058678805 978-90-5867-880-5 (DE-627)1836490887 (DE-599)KEP077618912 (OCoLC)1294291600 (OAPEN)51178 (EBP)077618912 DE-627 dut DE-627 rda dut AVA bicssc Bergé, Pieter verfasserin aut Dies irae Kroniek van het requiem Leuven Leuven University Press 2021 1 Online-Ressource (320 p.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star The requiem (or the death mass) is one of the oldest and longest surviving genres in Western music history. For hundreds of years it only existed in its original Gregorian guise, but from about 1450 many great composers were inspired to write of masterly new death masses Dies Irae introduces the reader to these masterpieces in an accessible way, without any prior musical knowledge being required. After an introduction to the meaning and structure of the text and music of the ancient Latin Mass for the Dead, a chronicle in three parts follows that guides the reader through the history of the requiem. In separate chapters, all the major and well-known requiems (including by Mozart, Brahms, Verdi, Fauré, Britten and Webber), as well as some less popular but equally poignant works (such as the requiems by Ockeghem, Schütz, Weill, Ligeti, Stravinsky and Zimmermann). Each requiem is discussed according to a fixed pattern, so that the reader can freely browse through different periods and compositions: first each work is situated music-historically, followed by a short discussion of each part separately. By linking the discussions to one reference recording per work, the reader can immediately test the explanation against listening practice. Under the direction of Pieter Bergé, and with the cooperation of Jan Christiaens, all contributions to 'Dies Irae. Chronicle of the Requiem' written by authors who are affiliated with the Musicology research unit of KU Leuven as teachers, researchers or alumnus Het requiem (of de dodenmis) is een van de oudste en langst overlevende genres uit de westerse muziekgeschiedenis. Honderden jaren heeft het enkel bestaan in zijn oorspronkelijke gregoriaanse gedaante, maar vanaf ca. 1450 hebben heel wat grote componisten zich laten inspireren tot het schrijven van magistrale nieuwe dodenmissen. Dies Irae laat de lezer op toegankelijke wijze kennismaken met deze meesterwerken zonder dat muzikale voorkennis vereist is. Na een inleiding over de betekenis en structuur van de tekst en muziek van de aloude Latijnse dodenmis, volgt een kroniek in drie delen die de lezer door de geschiedenis van het requiem gidst. In aparte hoofdstukken komen alle grote en bekende requiems aan bod (onder meer van Mozart, Brahms, Verdi, Fauré, Britten en Webber), evenals enkele minder populaire maar minstens even aangrijpende werken (zoals de requiems van Ockeghem, Schütz, Weill, Ligeti, Stravinsky en Zimmermann). Elk requiem wordt volgens een vast stramien besproken, zodat de lezer vrijelijk kan grasduinen door verschillende perioden en composities: eerst wordt ieder werk muziekhistorisch gesitueerd, daarna volgt een korte bespreking van elk deel afzonderlijk. Door de besprekingen te koppelen aan één referentieopname per werk, kan de lezer de uitleg meteen ook aan de luisterpraktijk toetsen. Onder de leiding van Pieter Bergé, en met medewerking van Jan Christiaens werden alle bijdragen aan 'Dies Irae. Kroniek van het requiem' geschreven door auteurs die als docent, onderzoeker of alumnus verbonden zijn aan de onderzoekseenheid Musicologie van de KU Leuven Creative Commons https://creativecommons.org/licenses/by-nc-nd/4.0 cc Dutch Theory of music & musicology Theory of music and musicology https://library.oapen.org/bitstream/id/5727e393-d479-464d-be45-bac054a7c4eb/978946166430.pdf X:OAPEN Verlag kostenfrei https://library.oapen.org/handle/20.500.12657/51178 X:OAPEN Verlag kostenfrei ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER BO 22 01 0018 4280146993 OLR-ZDB-94-OAL OAPEN Library zu 01-03-23 23 01 0830 4280699186 OLR-OAPEN f z 01-03-23 30 01 0104 4281060081 GBV-OAPEN z 01-03-23 31 01 0027 4280341761 z 01-03-23 34 01 3551 4278897278 OLR-OAPEN zi002 01-03-23 39 01 0547 4281251294 GBV-OAPEN ke 01-03-23 40 01 0007 4279965765 OLR-OAPEN xsn 01-03-23 63 01 3401 4281633952 E-Books LF GBV-OAPEN z 01-03-23 65 01 0003 428188355X OLR-OAPEN z 01-03-23 70 01 0089 4280520143 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 72 01 0035 4278719930 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 95 01 3095 4343247651 OLR-OAL Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 24-06-23 110 01 3110 4281436367 OLR-GBV-OAPEN Open Access z 01-03-23 136 01 3526 4279611246 OLR-OAPEN z 01-03-23 147 01 3528 4282082186 OLR-OAPEN frei verfügbar für Europa-Universität Flensburg, Hochschule Flensburg und Zentrale Hochschulbibliothek Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 01-03-23 161 01 0960 4278153953 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 187 01 3520 427853843X JSTOR Open Access eBook z 28-02-23 213 01 0551 4279252440 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 230 01 0552 4279429626 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 283 01 3283 4279788537 OLR-OAL z 01-03-23 293 01 3293 4278332718 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 370 01 4370 4279075018 OLR-FREE Kostenloser Zugriff z 01-03-23 603 01 4603 4277975704 OLR-OAPEN Bitte beachten Sie die Nutzungsbedingungen und Copyright-Bestimmungen des Verlages/Herausgebers. z 28-02-23 808 01 4808 4280878218 OLR-OAPEN OAPEN Library zg 01-03-23 2403 01 DE-LFER 4307830415 00 --%%-- --%%-- n --%%-- l01 12-04-23 22 01 0018 Volltextzugang https://library.oapen.org/handle/20.500.12657/51178 23 01 0830 https://library.oapen.org/handle/20.500.12657/51178 30 01 0104 Open Access https://library.oapen.org/handle/20.500.12657/51178 31 01 0027 eBook GBV-OAPEN https://library.oapen.org/handle/20.500.12657/51178 34 01 3551 OpenAccess https://library.oapen.org/handle/20.500.12657/51178 40 01 0007 Volltext, Open Access https://library.oapen.org/handle/20.500.12657/51178 63 01 3401 E-Book https://library.oapen.org/handle/20.500.12657/51178 65 01 0003 Open Access https://library.oapen.org/handle/20.500.12657/51178 65 01 0003 Dieser Titel ist Teil einer Datenbank http://www.bibliothek.uni-regensburg.de/dbinfo/detail.php?titel_id=10728&bib_id=ulb_hal 70 01 0089 https://library.oapen.org/handle/20.500.12657/51178 LF 72 01 0035 https://library.oapen.org/handle/20.500.12657/51178 95 01 3095 https://library.oapen.org/handle/20.500.12657/51178 110 01 3110 Open Access https://library.oapen.org/handle/20.500.12657/51178 136 01 3526 Open Access https://library.oapen.org/handle/20.500.12657/51178 147 01 3528 https://library.oapen.org/handle/20.500.12657/51178 161 01 0960 https://library.oapen.org/handle/20.500.12657/51178 LF 187 01 3520 https://library.oapen.org/handle/20.500.12657/51178 213 01 0551 https://library.oapen.org/handle/20.500.12657/51178 230 01 0552 https://library.oapen.org/handle/20.500.12657/51178 283 01 3283 https://library.oapen.org/handle/20.500.12657/51178 293 01 3293 https://library.oapen.org/handle/20.500.12657/51178 LF 370 01 4370 https://library.oapen.org/handle/20.500.12657/51178 603 01 4603 https://library.oapen.org/handle/20.500.12657/51178 808 01 4808 Volltextzugang https://library.oapen.org/handle/20.500.12657/51178 2403 01 DE-LFER https://library.oapen.org/bitstream/id/5727e393-d479-464d-be45-bac054a7c4eb/978946166430.pdf 31 01 0027 00 eBook GBV-OAPEN 22 01 0018 OLR-ZDB-94-OAL 23 01 0830 OLR-OAPEN 30 01 0104 GBV-OAPEN 34 01 3551 OLR-OAPEN 39 01 0547 GBV-OAPEN 39 01 0547 LF 40 01 0007 OLR-OAPEN 63 01 3401 E-Books LF GBV-OAPEN 65 01 0003 OLR-OAPEN 70 01 0089 OLR-OAPEN-OA 72 01 0035 OLR-OAPEN-OA 95 01 3095 OLR-OAL 110 01 3110 OLR-GBV-OAPEN 136 01 3526 OLR-OAPEN 147 01 3528 OLR-OAPEN 161 01 0960 OLR-OAPEN 213 01 0551 OLR-OAPEN 230 01 0552 OLR-OAPEN 283 01 3283 OLR-OAL 293 01 3293 OLR-OAPEN 370 01 4370 OLR-FREE 370 01 4370 olr-ebook GBV-OAPEN 603 01 4603 OLR-OAPEN 808 01 4808 OLR-OAPEN |
| allfieldsSound |
9789461664303 978-94-6166-430-3 9789058678805 978-90-5867-880-5 (DE-627)1836490887 (DE-599)KEP077618912 (OCoLC)1294291600 (OAPEN)51178 (EBP)077618912 DE-627 dut DE-627 rda dut AVA bicssc Bergé, Pieter verfasserin aut Dies irae Kroniek van het requiem Leuven Leuven University Press 2021 1 Online-Ressource (320 p.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star The requiem (or the death mass) is one of the oldest and longest surviving genres in Western music history. For hundreds of years it only existed in its original Gregorian guise, but from about 1450 many great composers were inspired to write of masterly new death masses Dies Irae introduces the reader to these masterpieces in an accessible way, without any prior musical knowledge being required. After an introduction to the meaning and structure of the text and music of the ancient Latin Mass for the Dead, a chronicle in three parts follows that guides the reader through the history of the requiem. In separate chapters, all the major and well-known requiems (including by Mozart, Brahms, Verdi, Fauré, Britten and Webber), as well as some less popular but equally poignant works (such as the requiems by Ockeghem, Schütz, Weill, Ligeti, Stravinsky and Zimmermann). Each requiem is discussed according to a fixed pattern, so that the reader can freely browse through different periods and compositions: first each work is situated music-historically, followed by a short discussion of each part separately. By linking the discussions to one reference recording per work, the reader can immediately test the explanation against listening practice. Under the direction of Pieter Bergé, and with the cooperation of Jan Christiaens, all contributions to 'Dies Irae. Chronicle of the Requiem' written by authors who are affiliated with the Musicology research unit of KU Leuven as teachers, researchers or alumnus Het requiem (of de dodenmis) is een van de oudste en langst overlevende genres uit de westerse muziekgeschiedenis. Honderden jaren heeft het enkel bestaan in zijn oorspronkelijke gregoriaanse gedaante, maar vanaf ca. 1450 hebben heel wat grote componisten zich laten inspireren tot het schrijven van magistrale nieuwe dodenmissen. Dies Irae laat de lezer op toegankelijke wijze kennismaken met deze meesterwerken zonder dat muzikale voorkennis vereist is. Na een inleiding over de betekenis en structuur van de tekst en muziek van de aloude Latijnse dodenmis, volgt een kroniek in drie delen die de lezer door de geschiedenis van het requiem gidst. In aparte hoofdstukken komen alle grote en bekende requiems aan bod (onder meer van Mozart, Brahms, Verdi, Fauré, Britten en Webber), evenals enkele minder populaire maar minstens even aangrijpende werken (zoals de requiems van Ockeghem, Schütz, Weill, Ligeti, Stravinsky en Zimmermann). Elk requiem wordt volgens een vast stramien besproken, zodat de lezer vrijelijk kan grasduinen door verschillende perioden en composities: eerst wordt ieder werk muziekhistorisch gesitueerd, daarna volgt een korte bespreking van elk deel afzonderlijk. Door de besprekingen te koppelen aan één referentieopname per werk, kan de lezer de uitleg meteen ook aan de luisterpraktijk toetsen. Onder de leiding van Pieter Bergé, en met medewerking van Jan Christiaens werden alle bijdragen aan 'Dies Irae. 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<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01000cam a22002652 4500</leader><controlfield tag="001">1836490887</controlfield><controlfield tag="003">DE-627</controlfield><controlfield tag="005">20241008063409.0</controlfield><controlfield tag="007">cr uuu---uuuuu</controlfield><controlfield tag="008">220426s2021 xx |||||o 00| ||dut c</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789461664303</subfield><subfield code="9">978-94-6166-430-3</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789058678805</subfield><subfield code="9">978-90-5867-880-5</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-627)1836490887</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)KEP077618912</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1294291600</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OAPEN)51178</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(EBP)077618912</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-627</subfield><subfield code="b">dut</subfield><subfield code="c">DE-627</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1=" " ind2=" "><subfield code="a">dut</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">AVA</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Bergé, Pieter</subfield><subfield code="e">verfasserin</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Dies irae</subfield><subfield code="b">Kroniek van het requiem</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Leuven</subfield><subfield code="b">Leuven University Press</subfield><subfield code="c">2021</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (320 p.)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">Text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">Computermedien</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">Online-Ressource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">Open Access</subfield><subfield code="f">Unrestricted online access</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The requiem (or the death mass) is one of the oldest and longest surviving genres in Western music history. For hundreds of years it only existed in its original Gregorian guise, but from about 1450 many great composers were inspired to write of masterly new death masses Dies Irae introduces the reader to these masterpieces in an accessible way, without any prior musical knowledge being required. After an introduction to the meaning and structure of the text and music of the ancient Latin Mass for the Dead, a chronicle in three parts follows that guides the reader through the history of the requiem. In separate chapters, all the major and well-known requiems (including by Mozart, Brahms, Verdi, Fauré, Britten and Webber), as well as some less popular but equally poignant works (such as the requiems by Ockeghem, Schütz, Weill, Ligeti, Stravinsky and Zimmermann). Each requiem is discussed according to a fixed pattern, so that the reader can freely browse through different periods and compositions: first each work is situated music-historically, followed by a short discussion of each part separately. By linking the discussions to one reference recording per work, the reader can immediately test the explanation against listening practice. Under the direction of Pieter Bergé, and with the cooperation of Jan Christiaens, all contributions to 'Dies Irae. Chronicle of the Requiem' written by authors who are affiliated with the Musicology research unit of KU Leuven as teachers, researchers or alumnus</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Het requiem (of de dodenmis) is een van de oudste en langst overlevende genres uit de westerse muziekgeschiedenis. Honderden jaren heeft het enkel bestaan in zijn oorspronkelijke gregoriaanse gedaante, maar vanaf ca. 1450 hebben heel wat grote componisten zich laten inspireren tot het schrijven van magistrale nieuwe dodenmissen. Dies Irae laat de lezer op toegankelijke wijze kennismaken met deze meesterwerken zonder dat muzikale voorkennis vereist is. Na een inleiding over de betekenis en structuur van de tekst en muziek van de aloude Latijnse dodenmis, volgt een kroniek in drie delen die de lezer door de geschiedenis van het requiem gidst. In aparte hoofdstukken komen alle grote en bekende requiems aan bod (onder meer van Mozart, Brahms, Verdi, Fauré, Britten en Webber), evenals enkele minder populaire maar minstens even aangrijpende werken (zoals de requiems van Ockeghem, Schütz, Weill, Ligeti, Stravinsky en Zimmermann). Elk requiem wordt volgens een vast stramien besproken, zodat de lezer vrijelijk kan grasduinen door verschillende perioden en composities: eerst wordt ieder werk muziekhistorisch gesitueerd, daarna volgt een korte bespreking van elk deel afzonderlijk. Door de besprekingen te koppelen aan één referentieopname per werk, kan de lezer de uitleg meteen ook aan de luisterpraktijk toetsen. Onder de leiding van Pieter Bergé, en met medewerking van Jan Christiaens werden alle bijdragen aan 'Dies Irae. 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Dies irae Kroniek van het requiem |
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The requiem (or the death mass) is one of the oldest and longest surviving genres in Western music history. For hundreds of years it only existed in its original Gregorian guise, but from about 1450 many great composers were inspired to write of masterly new death masses Dies Irae introduces the reader to these masterpieces in an accessible way, without any prior musical knowledge being required. After an introduction to the meaning and structure of the text and music of the ancient Latin Mass for the Dead, a chronicle in three parts follows that guides the reader through the history of the requiem. In separate chapters, all the major and well-known requiems (including by Mozart, Brahms, Verdi, Fauré, Britten and Webber), as well as some less popular but equally poignant works (such as the requiems by Ockeghem, Schütz, Weill, Ligeti, Stravinsky and Zimmermann). Each requiem is discussed according to a fixed pattern, so that the reader can freely browse through different periods and compositions: first each work is situated music-historically, followed by a short discussion of each part separately. By linking the discussions to one reference recording per work, the reader can immediately test the explanation against listening practice. Under the direction of Pieter Bergé, and with the cooperation of Jan Christiaens, all contributions to 'Dies Irae. Chronicle of the Requiem' written by authors who are affiliated with the Musicology research unit of KU Leuven as teachers, researchers or alumnus Het requiem (of de dodenmis) is een van de oudste en langst overlevende genres uit de westerse muziekgeschiedenis. Honderden jaren heeft het enkel bestaan in zijn oorspronkelijke gregoriaanse gedaante, maar vanaf ca. 1450 hebben heel wat grote componisten zich laten inspireren tot het schrijven van magistrale nieuwe dodenmissen. Dies Irae laat de lezer op toegankelijke wijze kennismaken met deze meesterwerken zonder dat muzikale voorkennis vereist is. Na een inleiding over de betekenis en structuur van de tekst en muziek van de aloude Latijnse dodenmis, volgt een kroniek in drie delen die de lezer door de geschiedenis van het requiem gidst. In aparte hoofdstukken komen alle grote en bekende requiems aan bod (onder meer van Mozart, Brahms, Verdi, Fauré, Britten en Webber), evenals enkele minder populaire maar minstens even aangrijpende werken (zoals de requiems van Ockeghem, Schütz, Weill, Ligeti, Stravinsky en Zimmermann). Elk requiem wordt volgens een vast stramien besproken, zodat de lezer vrijelijk kan grasduinen door verschillende perioden en composities: eerst wordt ieder werk muziekhistorisch gesitueerd, daarna volgt een korte bespreking van elk deel afzonderlijk. Door de besprekingen te koppelen aan één referentieopname per werk, kan de lezer de uitleg meteen ook aan de luisterpraktijk toetsen. Onder de leiding van Pieter Bergé, en met medewerking van Jan Christiaens werden alle bijdragen aan 'Dies Irae. Kroniek van het requiem' geschreven door auteurs die als docent, onderzoeker of alumnus verbonden zijn aan de onderzoekseenheid Musicologie van de KU Leuven |
| abstractGer |
The requiem (or the death mass) is one of the oldest and longest surviving genres in Western music history. For hundreds of years it only existed in its original Gregorian guise, but from about 1450 many great composers were inspired to write of masterly new death masses Dies Irae introduces the reader to these masterpieces in an accessible way, without any prior musical knowledge being required. After an introduction to the meaning and structure of the text and music of the ancient Latin Mass for the Dead, a chronicle in three parts follows that guides the reader through the history of the requiem. In separate chapters, all the major and well-known requiems (including by Mozart, Brahms, Verdi, Fauré, Britten and Webber), as well as some less popular but equally poignant works (such as the requiems by Ockeghem, Schütz, Weill, Ligeti, Stravinsky and Zimmermann). Each requiem is discussed according to a fixed pattern, so that the reader can freely browse through different periods and compositions: first each work is situated music-historically, followed by a short discussion of each part separately. By linking the discussions to one reference recording per work, the reader can immediately test the explanation against listening practice. Under the direction of Pieter Bergé, and with the cooperation of Jan Christiaens, all contributions to 'Dies Irae. Chronicle of the Requiem' written by authors who are affiliated with the Musicology research unit of KU Leuven as teachers, researchers or alumnus Het requiem (of de dodenmis) is een van de oudste en langst overlevende genres uit de westerse muziekgeschiedenis. Honderden jaren heeft het enkel bestaan in zijn oorspronkelijke gregoriaanse gedaante, maar vanaf ca. 1450 hebben heel wat grote componisten zich laten inspireren tot het schrijven van magistrale nieuwe dodenmissen. Dies Irae laat de lezer op toegankelijke wijze kennismaken met deze meesterwerken zonder dat muzikale voorkennis vereist is. Na een inleiding over de betekenis en structuur van de tekst en muziek van de aloude Latijnse dodenmis, volgt een kroniek in drie delen die de lezer door de geschiedenis van het requiem gidst. In aparte hoofdstukken komen alle grote en bekende requiems aan bod (onder meer van Mozart, Brahms, Verdi, Fauré, Britten en Webber), evenals enkele minder populaire maar minstens even aangrijpende werken (zoals de requiems van Ockeghem, Schütz, Weill, Ligeti, Stravinsky en Zimmermann). Elk requiem wordt volgens een vast stramien besproken, zodat de lezer vrijelijk kan grasduinen door verschillende perioden en composities: eerst wordt ieder werk muziekhistorisch gesitueerd, daarna volgt een korte bespreking van elk deel afzonderlijk. Door de besprekingen te koppelen aan één referentieopname per werk, kan de lezer de uitleg meteen ook aan de luisterpraktijk toetsen. Onder de leiding van Pieter Bergé, en met medewerking van Jan Christiaens werden alle bijdragen aan 'Dies Irae. Kroniek van het requiem' geschreven door auteurs die als docent, onderzoeker of alumnus verbonden zijn aan de onderzoekseenheid Musicologie van de KU Leuven |
| abstract_unstemmed |
The requiem (or the death mass) is one of the oldest and longest surviving genres in Western music history. For hundreds of years it only existed in its original Gregorian guise, but from about 1450 many great composers were inspired to write of masterly new death masses Dies Irae introduces the reader to these masterpieces in an accessible way, without any prior musical knowledge being required. After an introduction to the meaning and structure of the text and music of the ancient Latin Mass for the Dead, a chronicle in three parts follows that guides the reader through the history of the requiem. In separate chapters, all the major and well-known requiems (including by Mozart, Brahms, Verdi, Fauré, Britten and Webber), as well as some less popular but equally poignant works (such as the requiems by Ockeghem, Schütz, Weill, Ligeti, Stravinsky and Zimmermann). Each requiem is discussed according to a fixed pattern, so that the reader can freely browse through different periods and compositions: first each work is situated music-historically, followed by a short discussion of each part separately. By linking the discussions to one reference recording per work, the reader can immediately test the explanation against listening practice. Under the direction of Pieter Bergé, and with the cooperation of Jan Christiaens, all contributions to 'Dies Irae. Chronicle of the Requiem' written by authors who are affiliated with the Musicology research unit of KU Leuven as teachers, researchers or alumnus Het requiem (of de dodenmis) is een van de oudste en langst overlevende genres uit de westerse muziekgeschiedenis. Honderden jaren heeft het enkel bestaan in zijn oorspronkelijke gregoriaanse gedaante, maar vanaf ca. 1450 hebben heel wat grote componisten zich laten inspireren tot het schrijven van magistrale nieuwe dodenmissen. Dies Irae laat de lezer op toegankelijke wijze kennismaken met deze meesterwerken zonder dat muzikale voorkennis vereist is. Na een inleiding over de betekenis en structuur van de tekst en muziek van de aloude Latijnse dodenmis, volgt een kroniek in drie delen die de lezer door de geschiedenis van het requiem gidst. In aparte hoofdstukken komen alle grote en bekende requiems aan bod (onder meer van Mozart, Brahms, Verdi, Fauré, Britten en Webber), evenals enkele minder populaire maar minstens even aangrijpende werken (zoals de requiems van Ockeghem, Schütz, Weill, Ligeti, Stravinsky en Zimmermann). Elk requiem wordt volgens een vast stramien besproken, zodat de lezer vrijelijk kan grasduinen door verschillende perioden en composities: eerst wordt ieder werk muziekhistorisch gesitueerd, daarna volgt een korte bespreking van elk deel afzonderlijk. Door de besprekingen te koppelen aan één referentieopname per werk, kan de lezer de uitleg meteen ook aan de luisterpraktijk toetsen. Onder de leiding van Pieter Bergé, en met medewerking van Jan Christiaens werden alle bijdragen aan 'Dies Irae. Kroniek van het requiem' geschreven door auteurs die als docent, onderzoeker of alumnus verbonden zijn aan de onderzoekseenheid Musicologie van de KU Leuven |
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| title_short |
Dies irae |
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