Vidding : A History

Vidding is a well-established remix practice where fans edit an existing film, music video, TV show, or other performance and set it to music of their choosing. Vids emerged forty years ago as a complicated technological feat involving capturing footage from TV with a VCR and syncing with music—and...
Ausführliche Beschreibung

Gespeichert in:

Autor*in:	Coppa, Francesca [verfasserIn]

Format:	E-Book
Sprache:	Englisch

Erschienen:	Erscheinungsort nicht ermittelbar: University of Michigan Press ; 2022

Rechteinformationen:	Open Access Creative Commons ; https://creativecommons.org/licenses/by-nc/4.0

Schlagwörter:	Society & culture: general Social networking Media studies Popular culture Society and culture: general Social media / social networking

Umfang:	1 Online-Ressource (276 p.)

Links:	Link aufrufen Link aufrufen Link aufrufen
ISBN:	978-0-472-90259-0 978-0-472-03852-7

Katalog-ID:	183651350X

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Indexfelder

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The technological challenges of doing this kind of work in the 1970s and 1980s when vidding began gave rise to a rich culture of collective work, as well as conventions of creators who gathered to share new work and new techniques. While the rise of personal digital technology eventually democratized the tools vidders use, the collective aspect of the culture grew even stronger with the advent of YouTube, Vimeo, and other channels for sharing work. Vidding: A History emphasizes vidding as a critical, feminist form of fan practice. Working outward from interviews, VHS liner notes, convention programs, and mailing list archives, Coppa offers a rich history of vidding communities as they evolved from the 1970s through to the present. 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spelling	9780472902590 978-0-472-90259-0 9780472038527 978-0-472-03852-7 (DE-627)183651350X (DE-599)KEP077641388 (OCoLC)1298899627 (OAPEN)52976 (EBP)077641388 DE-627 eng DE-627 rda eng JF bicssc JFD bicssc JFCA bicssc UDBS bicssc JBCT bicssc JBCC1 bicssc JB bicssc Coppa, Francesca verfasserin aut Vidding A History [Erscheinungsort nicht ermittelbar] University of Michigan Press 2022 1 Online-Ressource (276 p.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star Vidding is a well-established remix practice where fans edit an existing film, music video, TV show, or other performance and set it to music of their choosing. Vids emerged forty years ago as a complicated technological feat involving capturing footage from TV with a VCR and syncing with music—and their makers and consumers were almost exclusively women, many of them queer women. The technological challenges of doing this kind of work in the 1970s and 1980s when vidding began gave rise to a rich culture of collective work, as well as conventions of creators who gathered to share new work and new techniques. While the rise of personal digital technology eventually democratized the tools vidders use, the collective aspect of the culture grew even stronger with the advent of YouTube, Vimeo, and other channels for sharing work. Vidding: A History emphasizes vidding as a critical, feminist form of fan practice. Working outward from interviews, VHS liner notes, convention programs, and mailing list archives, Coppa offers a rich history of vidding communities as they evolved from the 1970s through to the present. Built with the classroom in mind, the open-access electronic version of this book includes over one-hundred vids and an appendix that includes additional close readings of vids Creative Commons https://creativecommons.org/licenses/by-nc/4.0 cc English Society & culture: general Social networking Media studies Popular culture Society and culture: general Social media / social networking https://library.oapen.org/bitstream/id/98ab3e97-2d71-4ebc-9371-d5eb2fedd79a/9780472902590.pdf X:OAPEN Verlag kostenfrei https://library.oapen.org/handle/20.500.12657/52976 X:OAPEN Verlag kostenfrei ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER BO 22 01 0018 4280169373 OLR-ZDB-94-OAL OAPEN Library zu 01-03-23 23 01 0830 428072170X OLR-OAPEN f z 01-03-23 30 01 0104 4281082727 GBV-OAPEN z 01-03-23 31 01 0027 4280364141 z 01-03-23 34 01 3551 4278919654 OLR-OAPEN zi002 01-03-23 39 01 0547 4281274111 GBV-OAPEN ke 01-03-23 40 01 0007 4279988250 OLR-OAPEN xsn 01-03-23 63 01 3401 4281657746 E-Books LF GBV-OAPEN z 01-03-23 65 01 0003 4281906886 OLR-OAPEN z 01-03-23 70 01 0089 4280542627 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 72 01 0035 4278742312 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 95 01 3095 4343269965 OLR-OAL Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 24-06-23 110 01 3110 4281459901 OLR-GBV-OAPEN Open Access z 01-03-23 136 01 3526 4279633622 OLR-OAPEN z 01-03-23 147 01 3528 4282105623 OLR-OAPEN frei verfügbar für Europa-Universität Flensburg, Hochschule Flensburg und Zentrale Hochschulbibliothek Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 01-03-23 161 01 0960 4278176333 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 187 01 3520 4278560818 JSTOR Open Access eBook z 28-02-23 213 01 0551 4279274827 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 230 01 0552 4279452008 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 283 01 3283 4279810915 OLR-OAL z 01-03-23 293 01 3293 4278355173 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 370 01 4370 4279097399 OLR-FREE Kostenloser Zugriff z 01-03-23 603 01 4603 4277998119 OLR-OAPEN Bitte beachten Sie die Nutzungsbedingungen und Copyright-Bestimmungen des Verlages/Herausgebers. z 28-02-23 808 01 4808 4280900795 OLR-OAPEN OAPEN Library zg 01-03-23 2403 01 DE-LFER 4308610915 00 --%%-- --%%-- n --%%-- l01 13-04-23 22 01 0018 Volltextzugang https://library.oapen.org/handle/20.500.12657/52976 23 01 0830 https://library.oapen.org/handle/20.500.12657/52976 30 01 0104 Open Access https://library.oapen.org/handle/20.500.12657/52976 31 01 0027 eBook GBV-OAPEN https://library.oapen.org/handle/20.500.12657/52976 34 01 3551 OpenAccess https://library.oapen.org/handle/20.500.12657/52976 40 01 0007 Volltext, Open Access https://library.oapen.org/handle/20.500.12657/52976 63 01 3401 E-Book https://library.oapen.org/handle/20.500.12657/52976 65 01 0003 Open Access https://library.oapen.org/handle/20.500.12657/52976 65 01 0003 Dieser Titel ist Teil einer Datenbank http://www.bibliothek.uni-regensburg.de/dbinfo/detail.php?titel_id=10728&bib_id=ulb_hal 70 01 0089 https://library.oapen.org/handle/20.500.12657/52976 LF 72 01 0035 https://library.oapen.org/handle/20.500.12657/52976 95 01 3095 https://library.oapen.org/handle/20.500.12657/52976 110 01 3110 Open Access https://library.oapen.org/handle/20.500.12657/52976 136 01 3526 Open Access https://library.oapen.org/handle/20.500.12657/52976 147 01 3528 https://library.oapen.org/handle/20.500.12657/52976 161 01 0960 https://library.oapen.org/handle/20.500.12657/52976 LF 187 01 3520 https://library.oapen.org/handle/20.500.12657/52976 213 01 0551 https://library.oapen.org/handle/20.500.12657/52976 230 01 0552 https://library.oapen.org/handle/20.500.12657/52976 283 01 3283 https://library.oapen.org/handle/20.500.12657/52976 293 01 3293 https://library.oapen.org/handle/20.500.12657/52976 LF 370 01 4370 https://library.oapen.org/handle/20.500.12657/52976 603 01 4603 https://library.oapen.org/handle/20.500.12657/52976 808 01 4808 Volltextzugang https://library.oapen.org/handle/20.500.12657/52976 2403 01 DE-LFER https://library.oapen.org/bitstream/id/98ab3e97-2d71-4ebc-9371-d5eb2fedd79a/9780472902590.pdf 31 01 0027 00 eBook GBV-OAPEN 22 01 0018 OLR-ZDB-94-OAL 23 01 0830 OLR-OAPEN 30 01 0104 GBV-OAPEN 34 01 3551 OLR-OAPEN 39 01 0547 GBV-OAPEN 39 01 0547 LF 40 01 0007 OLR-OAPEN 63 01 3401 E-Books LF GBV-OAPEN 65 01 0003 OLR-OAPEN 70 01 0089 OLR-OAPEN-OA 72 01 0035 OLR-OAPEN-OA 95 01 3095 OLR-OAL 110 01 3110 OLR-GBV-OAPEN 136 01 3526 OLR-OAPEN 147 01 3528 OLR-OAPEN 161 01 0960 OLR-OAPEN 213 01 0551 OLR-OAPEN 230 01 0552 OLR-OAPEN 283 01 3283 OLR-OAL 293 01 3293 OLR-OAPEN 370 01 4370 OLR-FREE 370 01 4370 olr-ebook GBV-OAPEN 603 01 4603 OLR-OAPEN 808 01 4808 OLR-OAPEN
allfields_unstemmed	9780472902590 978-0-472-90259-0 9780472038527 978-0-472-03852-7 (DE-627)183651350X (DE-599)KEP077641388 (OCoLC)1298899627 (OAPEN)52976 (EBP)077641388 DE-627 eng DE-627 rda eng JF bicssc JFD bicssc JFCA bicssc UDBS bicssc JBCT bicssc JBCC1 bicssc JB bicssc Coppa, Francesca verfasserin aut Vidding A History [Erscheinungsort nicht ermittelbar] University of Michigan Press 2022 1 Online-Ressource (276 p.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star Vidding is a well-established remix practice where fans edit an existing film, music video, TV show, or other performance and set it to music of their choosing. Vids emerged forty years ago as a complicated technological feat involving capturing footage from TV with a VCR and syncing with music—and their makers and consumers were almost exclusively women, many of them queer women. The technological challenges of doing this kind of work in the 1970s and 1980s when vidding began gave rise to a rich culture of collective work, as well as conventions of creators who gathered to share new work and new techniques. While the rise of personal digital technology eventually democratized the tools vidders use, the collective aspect of the culture grew even stronger with the advent of YouTube, Vimeo, and other channels for sharing work. Vidding: A History emphasizes vidding as a critical, feminist form of fan practice. Working outward from interviews, VHS liner notes, convention programs, and mailing list archives, Coppa offers a rich history of vidding communities as they evolved from the 1970s through to the present. Built with the classroom in mind, the open-access electronic version of this book includes over one-hundred vids and an appendix that includes additional close readings of vids Creative Commons https://creativecommons.org/licenses/by-nc/4.0 cc English Society & culture: general Social networking Media studies Popular culture Society and culture: general Social media / social networking https://library.oapen.org/bitstream/id/98ab3e97-2d71-4ebc-9371-d5eb2fedd79a/9780472902590.pdf X:OAPEN Verlag kostenfrei https://library.oapen.org/handle/20.500.12657/52976 X:OAPEN Verlag kostenfrei ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER BO 22 01 0018 4280169373 OLR-ZDB-94-OAL OAPEN Library zu 01-03-23 23 01 0830 428072170X OLR-OAPEN f z 01-03-23 30 01 0104 4281082727 GBV-OAPEN z 01-03-23 31 01 0027 4280364141 z 01-03-23 34 01 3551 4278919654 OLR-OAPEN zi002 01-03-23 39 01 0547 4281274111 GBV-OAPEN ke 01-03-23 40 01 0007 4279988250 OLR-OAPEN xsn 01-03-23 63 01 3401 4281657746 E-Books LF GBV-OAPEN z 01-03-23 65 01 0003 4281906886 OLR-OAPEN z 01-03-23 70 01 0089 4280542627 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 72 01 0035 4278742312 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 01-03-23 95 01 3095 4343269965 OLR-OAL Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 24-06-23 110 01 3110 4281459901 OLR-GBV-OAPEN Open Access z 01-03-23 136 01 3526 4279633622 OLR-OAPEN z 01-03-23 147 01 3528 4282105623 OLR-OAPEN frei verfügbar für Europa-Universität Flensburg, Hochschule Flensburg und Zentrale Hochschulbibliothek Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 01-03-23 161 01 0960 4278176333 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 187 01 3520 4278560818 JSTOR Open Access eBook z 28-02-23 213 01 0551 4279274827 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 230 01 0552 4279452008 OLR-OAPEN OAPEN Online Library Open Access eBook z 01-03-23 283 01 3283 4279810915 OLR-OAL z 01-03-23 293 01 3293 4278355173 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-02-23 370 01 4370 4279097399 OLR-FREE Kostenloser Zugriff z 01-03-23 603 01 4603 4277998119 OLR-OAPEN Bitte beachten Sie die Nutzungsbedingungen und Copyright-Bestimmungen des Verlages/Herausgebers. z 28-02-23 808 01 4808 4280900795 OLR-OAPEN OAPEN Library zg 01-03-23 2403 01 DE-LFER 4308610915 00 --%%-- --%%-- n --%%-- l01 13-04-23 22 01 0018 Volltextzugang https://library.oapen.org/handle/20.500.12657/52976 23 01 0830 https://library.oapen.org/handle/20.500.12657/52976 30 01 0104 Open Access https://library.oapen.org/handle/20.500.12657/52976 31 01 0027 eBook GBV-OAPEN https://library.oapen.org/handle/20.500.12657/52976 34 01 3551 OpenAccess https://library.oapen.org/handle/20.500.12657/52976 40 01 0007 Volltext, Open Access https://library.oapen.org/handle/20.500.12657/52976 63 01 3401 E-Book https://library.oapen.org/handle/20.500.12657/52976 65 01 0003 Open Access https://library.oapen.org/handle/20.500.12657/52976 65 01 0003 Dieser Titel ist Teil einer Datenbank http://www.bibliothek.uni-regensburg.de/dbinfo/detail.php?titel_id=10728&bib_id=ulb_hal 70 01 0089 https://library.oapen.org/handle/20.500.12657/52976 LF 72 01 0035 https://library.oapen.org/handle/20.500.12657/52976 95 01 3095 https://library.oapen.org/handle/20.500.12657/52976 110 01 3110 Open Access https://library.oapen.org/handle/20.500.12657/52976 136 01 3526 Open Access https://library.oapen.org/handle/20.500.12657/52976 147 01 3528 https://library.oapen.org/handle/20.500.12657/52976 161 01 0960 https://library.oapen.org/handle/20.500.12657/52976 LF 187 01 3520 https://library.oapen.org/handle/20.500.12657/52976 213 01 0551 https://library.oapen.org/handle/20.500.12657/52976 230 01 0552 https://library.oapen.org/handle/20.500.12657/52976 283 01 3283 https://library.oapen.org/handle/20.500.12657/52976 293 01 3293 https://library.oapen.org/handle/20.500.12657/52976 LF 370 01 4370 https://library.oapen.org/handle/20.500.12657/52976 603 01 4603 https://library.oapen.org/handle/20.500.12657/52976 808 01 4808 Volltextzugang https://library.oapen.org/handle/20.500.12657/52976 2403 01 DE-LFER https://library.oapen.org/bitstream/id/98ab3e97-2d71-4ebc-9371-d5eb2fedd79a/9780472902590.pdf 31 01 0027 00 eBook GBV-OAPEN 22 01 0018 OLR-ZDB-94-OAL 23 01 0830 OLR-OAPEN 30 01 0104 GBV-OAPEN 34 01 3551 OLR-OAPEN 39 01 0547 GBV-OAPEN 39 01 0547 LF 40 01 0007 OLR-OAPEN 63 01 3401 E-Books LF GBV-OAPEN 65 01 0003 OLR-OAPEN 70 01 0089 OLR-OAPEN-OA 72 01 0035 OLR-OAPEN-OA 95 01 3095 OLR-OAL 110 01 3110 OLR-GBV-OAPEN 136 01 3526 OLR-OAPEN 147 01 3528 OLR-OAPEN 161 01 0960 OLR-OAPEN 213 01 0551 OLR-OAPEN 230 01 0552 OLR-OAPEN 283 01 3283 OLR-OAL 293 01 3293 OLR-OAPEN 370 01 4370 OLR-FREE 370 01 4370 olr-ebook GBV-OAPEN 603 01 4603 OLR-OAPEN 808 01 4808 OLR-OAPEN
allfieldsGer	9780472902590 978-0-472-90259-0 9780472038527 978-0-472-03852-7 (DE-627)183651350X (DE-599)KEP077641388 (OCoLC)1298899627 (OAPEN)52976 (EBP)077641388 DE-627 eng DE-627 rda eng JF bicssc JFD bicssc JFCA bicssc UDBS bicssc JBCT bicssc JBCC1 bicssc JB bicssc Coppa, Francesca verfasserin aut Vidding A History [Erscheinungsort nicht ermittelbar] University of Michigan Press 2022 1 Online-Ressource (276 p.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star Vidding is a well-established remix practice where fans edit an existing film, music video, TV show, or other performance and set it to music of their choosing. Vids emerged forty years ago as a complicated technological feat involving capturing footage from TV with a VCR and syncing with music—and their makers and consumers were almost exclusively women, many of them queer women. The technological challenges of doing this kind of work in the 1970s and 1980s when vidding began gave rise to a rich culture of collective work, as well as conventions of creators who gathered to share new work and new techniques. While the rise of personal digital technology eventually democratized the tools vidders use, the collective aspect of the culture grew even stronger with the advent of YouTube, Vimeo, and other channels for sharing work. Vidding: A History emphasizes vidding as a critical, feminist form of fan practice. Working outward from interviews, VHS liner notes, convention programs, and mailing list archives, Coppa offers a rich history of vidding communities as they evolved from the 1970s through to the present. 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allfieldsSound	9780472902590 978-0-472-90259-0 9780472038527 978-0-472-03852-7 (DE-627)183651350X (DE-599)KEP077641388 (OCoLC)1298899627 (OAPEN)52976 (EBP)077641388 DE-627 eng DE-627 rda eng JF bicssc JFD bicssc JFCA bicssc UDBS bicssc JBCT bicssc JBCC1 bicssc JB bicssc Coppa, Francesca verfasserin aut Vidding A History [Erscheinungsort nicht ermittelbar] University of Michigan Press 2022 1 Online-Ressource (276 p.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star Vidding is a well-established remix practice where fans edit an existing film, music video, TV show, or other performance and set it to music of their choosing. Vids emerged forty years ago as a complicated technological feat involving capturing footage from TV with a VCR and syncing with music—and their makers and consumers were almost exclusively women, many of them queer women. The technological challenges of doing this kind of work in the 1970s and 1980s when vidding began gave rise to a rich culture of collective work, as well as conventions of creators who gathered to share new work and new techniques. While the rise of personal digital technology eventually democratized the tools vidders use, the collective aspect of the culture grew even stronger with the advent of YouTube, Vimeo, and other channels for sharing work. Vidding: A History emphasizes vidding as a critical, feminist form of fan practice. Working outward from interviews, VHS liner notes, convention programs, and mailing list archives, Coppa offers a rich history of vidding communities as they evolved from the 1970s through to the present. 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abstract	Vidding is a well-established remix practice where fans edit an existing film, music video, TV show, or other performance and set it to music of their choosing. Vids emerged forty years ago as a complicated technological feat involving capturing footage from TV with a VCR and syncing with music—and their makers and consumers were almost exclusively women, many of them queer women. The technological challenges of doing this kind of work in the 1970s and 1980s when vidding began gave rise to a rich culture of collective work, as well as conventions of creators who gathered to share new work and new techniques. While the rise of personal digital technology eventually democratized the tools vidders use, the collective aspect of the culture grew even stronger with the advent of YouTube, Vimeo, and other channels for sharing work. Vidding: A History emphasizes vidding as a critical, feminist form of fan practice. Working outward from interviews, VHS liner notes, convention programs, and mailing list archives, Coppa offers a rich history of vidding communities as they evolved from the 1970s through to the present. Built with the classroom in mind, the open-access electronic version of this book includes over one-hundred vids and an appendix that includes additional close readings of vids
abstractGer	Vidding is a well-established remix practice where fans edit an existing film, music video, TV show, or other performance and set it to music of their choosing. Vids emerged forty years ago as a complicated technological feat involving capturing footage from TV with a VCR and syncing with music—and their makers and consumers were almost exclusively women, many of them queer women. The technological challenges of doing this kind of work in the 1970s and 1980s when vidding began gave rise to a rich culture of collective work, as well as conventions of creators who gathered to share new work and new techniques. While the rise of personal digital technology eventually democratized the tools vidders use, the collective aspect of the culture grew even stronger with the advent of YouTube, Vimeo, and other channels for sharing work. Vidding: A History emphasizes vidding as a critical, feminist form of fan practice. Working outward from interviews, VHS liner notes, convention programs, and mailing list archives, Coppa offers a rich history of vidding communities as they evolved from the 1970s through to the present. Built with the classroom in mind, the open-access electronic version of this book includes over one-hundred vids and an appendix that includes additional close readings of vids
abstract_unstemmed	Vidding is a well-established remix practice where fans edit an existing film, music video, TV show, or other performance and set it to music of their choosing. Vids emerged forty years ago as a complicated technological feat involving capturing footage from TV with a VCR and syncing with music—and their makers and consumers were almost exclusively women, many of them queer women. The technological challenges of doing this kind of work in the 1970s and 1980s when vidding began gave rise to a rich culture of collective work, as well as conventions of creators who gathered to share new work and new techniques. While the rise of personal digital technology eventually democratized the tools vidders use, the collective aspect of the culture grew even stronger with the advent of YouTube, Vimeo, and other channels for sharing work. Vidding: A History emphasizes vidding as a critical, feminist form of fan practice. Working outward from interviews, VHS liner notes, convention programs, and mailing list archives, Coppa offers a rich history of vidding communities as they evolved from the 1970s through to the present. Built with the classroom in mind, the open-access electronic version of this book includes over one-hundred vids and an appendix that includes additional close readings of vids
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score	7.0134726

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