Culture Throughlines : Values, Visions and Transformation—African American Music, American Culture, and Society
Cultural throughlines delineate the ways in which contemporary artistry, new works, and creative methods can be appreciated and seen as a “tri-vision tradition” (then, now, and when) as they tie into cultural linkages from our past and suggest our future. What is new are today’s social languages, pl...
Ausführliche Beschreibung
Autor*in: |
Banfield, William C. [verfasserIn] |
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Format: |
E-Book |
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Sprache: |
Unbestimmt |
Erschienen: |
Erscheinungsort nicht ermittelbar: 2023 |
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Rechteinformationen: |
Open Access Namensnennung - Nicht-kommerziell - Keine Bearbeitungen 4.0 International ; CC BY-NC-ND 4.0 |
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Schlagwörter: |
Popular music, African American influences |
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Umfang: |
1 Online-Ressource (210 p.) |
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Links: |
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Katalog-ID: |
1885779054 |
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520 | |a Cultural throughlines delineate the ways in which contemporary artistry, new works, and creative methods can be appreciated and seen as a “tri-vision tradition” (then, now, and when) as they tie into cultural linkages from our past and suggest our future. What is new are today’s social languages, platforms, movements, and fluidity, all of which lead to discussions that anticipate ever-changing cultural shifts and create dialogue about cultural practices. It’s about living and how we do culture: what it is, what it means, and why. Questions arise about what we as artists value (identity, creative voice, survival). How do we get there? And what do everyday people value and care about? The book examines a little cultural theory, a little ritual formation, and a lot of “how is any of this sustainable?” It is a collection of ideas from creative thinkers on the role of the arts and concepts that define and carry societal value. We consider life a gift, and the works that people put forward to continually transform our time and celebrate these gifts in life can make a difference in the ways we live | ||
520 | |a "What are the connective tissues that make human narratives thread and relate; values, heritage expressions, and how these define and sustain people. As a research associate with the Smithsonian Center for Folklife and Cultural Heritage (CFCH), the editor's work focuses on what he identifies as cultural throughlines, delineating the ways in which contemporary artistry, new works and creative methods, can better be appreciated and seen as "tri vision tradition"( then, now and when) as they harken back and tie into critical cultural linkages from our past which suggests our future. While that's not so new, what is new is the social languages, platforms, movements and the fluidity today, necessitating discussions which anticipates ever changing cultural shifts. So you don't end up having a stationary praxis but a dialogue about cultural practices. It's always about living, how we do culture, what it is and means and why. Then it moves to more basic questions about what we as artists care about, what we value( identity, creative voice, survival), how do we get there, and the final question is, what do the everyday people value and care about? To have a collection of ideas from creative thinkers on the role of arts and ideas that define and carry societal value is important work. Because we consider life a gift, and so the work people put forward to continually transform our time and celebrate the gifts in life can make a difference in the ways we actually live"-- | ||
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20.500.12854/134644 hdl (DE-627)1885779054 (DE-599)KEP102416850 (OCoLC)1429907559 (DOAB)134644 (EBP)102416850 DE-627 ger DE-627 rda und ML3479 A bicssc Banfield, William C. verfasserin (DE-588)13497462X (DE-627)693006013 (DE-576)317237039 aut Culture Throughlines Values, Visions and Transformation—African American Music, American Culture, and Society [Erscheinungsort nicht ermittelbar] 2023 1 Online-Ressource (210 p.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star Cultural throughlines delineate the ways in which contemporary artistry, new works, and creative methods can be appreciated and seen as a “tri-vision tradition” (then, now, and when) as they tie into cultural linkages from our past and suggest our future. What is new are today’s social languages, platforms, movements, and fluidity, all of which lead to discussions that anticipate ever-changing cultural shifts and create dialogue about cultural practices. It’s about living and how we do culture: what it is, what it means, and why. Questions arise about what we as artists value (identity, creative voice, survival). How do we get there? And what do everyday people value and care about? The book examines a little cultural theory, a little ritual formation, and a lot of “how is any of this sustainable?” It is a collection of ideas from creative thinkers on the role of the arts and concepts that define and carry societal value. We consider life a gift, and the works that people put forward to continually transform our time and celebrate these gifts in life can make a difference in the ways we live "What are the connective tissues that make human narratives thread and relate; values, heritage expressions, and how these define and sustain people. As a research associate with the Smithsonian Center for Folklife and Cultural Heritage (CFCH), the editor's work focuses on what he identifies as cultural throughlines, delineating the ways in which contemporary artistry, new works and creative methods, can better be appreciated and seen as "tri vision tradition"( then, now and when) as they harken back and tie into critical cultural linkages from our past which suggests our future. While that's not so new, what is new is the social languages, platforms, movements and the fluidity today, necessitating discussions which anticipates ever changing cultural shifts. So you don't end up having a stationary praxis but a dialogue about cultural practices. It's always about living, how we do culture, what it is and means and why. Then it moves to more basic questions about what we as artists care about, what we value( identity, creative voice, survival), how do we get there, and the final question is, what do the everyday people value and care about? To have a collection of ideas from creative thinkers on the role of arts and ideas that define and carry societal value is important work. 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20.500.12854/134644 hdl (DE-627)1885779054 (DE-599)KEP102416850 (OCoLC)1429907559 (DOAB)134644 (EBP)102416850 DE-627 ger DE-627 rda und ML3479 A bicssc Banfield, William C. verfasserin (DE-588)13497462X (DE-627)693006013 (DE-576)317237039 aut Culture Throughlines Values, Visions and Transformation—African American Music, American Culture, and Society [Erscheinungsort nicht ermittelbar] 2023 1 Online-Ressource (210 p.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star Cultural throughlines delineate the ways in which contemporary artistry, new works, and creative methods can be appreciated and seen as a “tri-vision tradition” (then, now, and when) as they tie into cultural linkages from our past and suggest our future. What is new are today’s social languages, platforms, movements, and fluidity, all of which lead to discussions that anticipate ever-changing cultural shifts and create dialogue about cultural practices. It’s about living and how we do culture: what it is, what it means, and why. Questions arise about what we as artists value (identity, creative voice, survival). How do we get there? And what do everyday people value and care about? The book examines a little cultural theory, a little ritual formation, and a lot of “how is any of this sustainable?” It is a collection of ideas from creative thinkers on the role of the arts and concepts that define and carry societal value. We consider life a gift, and the works that people put forward to continually transform our time and celebrate these gifts in life can make a difference in the ways we live "What are the connective tissues that make human narratives thread and relate; values, heritage expressions, and how these define and sustain people. As a research associate with the Smithsonian Center for Folklife and Cultural Heritage (CFCH), the editor's work focuses on what he identifies as cultural throughlines, delineating the ways in which contemporary artistry, new works and creative methods, can better be appreciated and seen as "tri vision tradition"( then, now and when) as they harken back and tie into critical cultural linkages from our past which suggests our future. While that's not so new, what is new is the social languages, platforms, movements and the fluidity today, necessitating discussions which anticipates ever changing cultural shifts. So you don't end up having a stationary praxis but a dialogue about cultural practices. It's always about living, how we do culture, what it is and means and why. Then it moves to more basic questions about what we as artists care about, what we value( identity, creative voice, survival), how do we get there, and the final question is, what do the everyday people value and care about? To have a collection of ideas from creative thinkers on the role of arts and ideas that define and carry societal value is important work. Because we consider life a gift, and so the work people put forward to continually transform our time and celebrate the gifts in life can make a difference in the ways we actually live"-- Namensnennung - Nicht-kommerziell - Keine Bearbeitungen 4.0 International CC BY-NC-ND 4.0 cc https://creativecommons.org/licenses/by-nc-nd/4.0/ English Popular music African American influences DLC African Americans Music DLC African Americans Social life and customs DLC Culture DLC The Arts United States Civilization African American influences DLC african american arts african american culture african american music afrofuturism pop culture black arts black entertainment african american entertainment cultural theory https://directory.doabooks.org/handle/20.500.12854/134644 X:DOAB Verlag kostenfrei ZDB-94-OAB GBV_ILN_11 ISIL_DE-1a SYSFLAG_1 GBV_KXP GBV_ILN_20 ISIL_DE-84 GBV_ILN_21 ISIL_DE-46 GBV_ILN_22 ISIL_DE-18 GBV_ILN_23 ISIL_DE-830 GBV_ILN_24 ISIL_DE-8 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_60 ISIL_DE-705 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_90 ISIL_DE-Hil2 GBV_ILN_91 ISIL_DE-HIL3 GBV_ILN_92 ISIL_DE-33 GBV_ILN_95 ISIL_DE-542 GBV_ILN_105 ISIL_DE-841 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_130 ISIL_DE-700 GBV_ILN_131 ISIL_DE-Va1 GBV_ILN_132 ISIL_DE-959 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_148 ISIL_DE-Lue12 GBV_ILN_161 ISIL_DE-960 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_635 ISIL_DE-B2138 GBV_ILN_808 GBV_ILN_2011 ISIL_DE-16 GBV_ILN_2014 ISIL_DE-90 GBV_ILN_2018 ISIL_DE-31 GBV_ILN_2034 ISIL_DE-Rt2 GBV_ILN_2037 ISIL_DE-747 GBV_ILN_2050 ISIL_DE-Zi4 GBV_ILN_2108 ISIL_DE-991 GBV_ILN_2403 ISIL_DE-LFER BO 045F 780.8996073 11 01 0001 4517843335 00 5:LIZFREI --%%-- --%%-- --%%-- k 28-04-24 20 01 0084 4518093828 OLR-DOAB z 28-04-24 21 01 0046 4566180530 ebook_2024_free zza 14-08-24 22 01 0018 4517914461 OLR-ZDB-94-OAB DOAB Directory of Open Access Books zu 28-04-24 23 01 0830 4518023021 olr-doab f z 28-04-24 24 01 0008 4518235495 OLR-doab z 29-04-24 30 01 0104 4518129253 OLR-OAB Open Access, Directory of Open Access Books (DOAB) z 29-04-24 31 01 0027 4517950891 OLR-DOAB z 28-04-24 39 01 0547 4518164695 OLR-ZDB-94-OAB ke 29-04-24 40 01 0007 451787866X OLR-DOAB xsn 28-04-24 60 01 0705 4517697711 OPENAccess Vervielfältigungen (z.B. 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Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 29-04-24 808 01 4808 4518058429 OLR-DOAB DOAB Directory of Open Access Books zg 28-04-24 2011 01 DE-16 451190734X 00 --%%-- --%%-- --%%-- --%%-- l01 15-04-24 2014 01 DE-90 4512051368 00 --%%-- --%%-- --%%-- --%%-- l01 15-04-24 2018 01 DE-31 4511907358 00 --%%-- --%%-- --%%-- n Der Zugriff ist kostenfrei möglich. l01 15-04-24 2034 01 DE-Rt2 4511907366 00 --%%-- eBook n n frei zugänglich l01 15-04-24 2037 01 DE-747 4511907374 00 --%%-- eBook OAPEN Foundation OpenAccess --%%-- n Im Internet frei verfügbar l01 15-04-24 2050 01 DE-Zi4 4512051376 00 --%%-- --%%-- --%%-- n Elektronischer Volltext - Open Access l01 15-04-24 2108 01 DE-991 4511907382 00 --%%-- eBook DOAB --%%-- n Elektronischer Volltext - Campuslizenz l01 15-04-24 2403 01 DE-LFER 4512051384 00 --%%-- --%%-- n --%%-- l01 15-04-24 20 01 0084 https://directory.doabooks.org/handle/20.500.12854/134644 21 01 0046 https://directory.doabooks.org/handle/20.500.12854/134644 LF 22 01 0018 Volltextzugang https://directory.doabooks.org/handle/20.500.12854/134644 23 01 0830 https://directory.doabooks.org/handle/20.500.12854/134644 24 01 0008 https://directory.doabooks.org/handle/20.500.12854/134644 30 01 0104 https://directory.doabooks.org/handle/20.500.12854/134644 31 01 0027 https://directory.doabooks.org/handle/20.500.12854/134644 40 01 0007 Volltext, Open Access https://directory.doabooks.org/handle/20.500.12854/134644 60 01 0705 https://directory.doabooks.org/handle/20.500.12854/134644 63 01 3401 E-Book https://directory.doabooks.org/handle/20.500.12854/134644 65 01 0003 Open Access https://directory.doabooks.org/handle/20.500.12854/134644 65 01 0003 Dieser Titel ist Teil einer Datenbank http://www.bibliothek.uni-regensburg.de/dbinfo/detail.php?titel_id=11367&bib_id=ulb_hal 70 01 0089 https://directory.doabooks.org/handle/20.500.12854/134644 72 01 0035 https://directory.doabooks.org/handle/20.500.12854/134644 90 01 3090 https://directory.doabooks.org/handle/20.500.12854/134644 91 01 3091 https://directory.doabooks.org/handle/20.500.12854/134644 92 01 0033 https://directory.doabooks.org/handle/20.500.12854/134644 95 01 3095 https://directory.doabooks.org/handle/20.500.12854/134644 105 01 0841 https://directory.doabooks.org/handle/20.500.12854/134644 110 01 3110 Open Access https://directory.doabooks.org/handle/20.500.12854/134644 130 01 0700 Open Access https://directory.doabooks.org/handle/20.500.12854/134644 131 01 3131 https://directory.doabooks.org/handle/20.500.12854/134644 132 01 0959 https://directory.doabooks.org/handle/20.500.12854/134644 136 01 3526 Open Access https://directory.doabooks.org/handle/20.500.12854/134644 147 01 3528 https://directory.doabooks.org/handle/20.500.12854/134644 148 01 3529 https://directory.doabooks.org/handle/20.500.12854/134644 161 01 0960 https://directory.doabooks.org/handle/20.500.12854/134644 LF 213 01 0551 https://directory.doabooks.org/handle/20.500.12854/134644 230 01 0552 https://directory.doabooks.org/handle/20.500.12854/134644 283 01 3283 https://directory.doabooks.org/handle/20.500.12854/134644 293 01 3293 https://directory.doabooks.org/handle/20.500.12854/134644 LF 370 01 4370 https://directory.doabooks.org/handle/20.500.12854/134644 635 01 3635 https://directory.doabooks.org/handle/20.500.12854/134644 808 01 4808 Volltextzugang https://directory.doabooks.org/handle/20.500.12854/134644 2011 01 DE-16 https://directory.doabooks.org/handle/20.500.12854/134644 2014 01 DE-90 Volltext frei verfügbar https://directory.doabooks.org/handle/20.500.12854/134644 2034 01 DE-Rt2 https://directory.doabooks.org/handle/20.500.12854/134644 2037 01 DE-747 https://directory.doabooks.org/handle/20.500.12854/134644 2050 01 DE-Zi4 https://directory.doabooks.org/handle/20.500.12854/134644 2108 01 DE-991 https://directory.doabooks.org/handle/20.500.12854/134644 2403 01 DE-LFER https://directory.doabooks.org/handle/20.500.12854/134644 31 01 0027 00 E-Book Open Access 132 01 0959 00 EBooks DOAB Open Access 148 01 3529 DIGI 20 01 0084 OLR-DOAB 21 01 0046 ebook_2024_free 22 01 0018 OLR-ZDB-94-OAB 23 01 0830 olr-doab 24 01 0008 OLR-doab 24 01 0008 olr-frei 30 01 0104 OLR-OAB 31 01 0027 OLR-DOAB 39 01 0547 OLR-ZDB-94-OAB 39 01 0547 LF 40 01 0007 OLR-DOAB 60 01 0705 OPENAccess 63 01 3401 E-Books LF GBV-DOAB 65 01 0003 OLR-DOAB 70 01 0089 OLR-DOAB-OA 72 01 0035 OLR-ZDB-94-OAB 90 01 3090 OLR-HILoapen 91 01 3091 OLR-DOAB 92 01 0033 OLR-Open Access DOAB 95 01 3095 OLR-OAB 105 01 0841 OLR-OAB 110 01 3110 OLR-DOAB 130 01 0700 OLR-DOAB 131 01 3131 OLR-OA-DOAB 132 01 0959 OLR-OAB 136 01 3526 OLR-DOAB 147 01 3528 OLR-DOAB 161 01 0960 OLR-DOAB 213 01 0551 OLR-DOAB 230 01 0552 OLR-DOAB 293 01 3293 OLR-DOAB 370 01 4370 OLR-FREE 370 01 4370 olr-ebook ZDB-94-OAB 635 01 3635 OLR-DOAB 808 01 4808 OLR-DOAB |
allfields_unstemmed |
20.500.12854/134644 hdl (DE-627)1885779054 (DE-599)KEP102416850 (OCoLC)1429907559 (DOAB)134644 (EBP)102416850 DE-627 ger DE-627 rda und ML3479 A bicssc Banfield, William C. verfasserin (DE-588)13497462X (DE-627)693006013 (DE-576)317237039 aut Culture Throughlines Values, Visions and Transformation—African American Music, American Culture, and Society [Erscheinungsort nicht ermittelbar] 2023 1 Online-Ressource (210 p.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star Cultural throughlines delineate the ways in which contemporary artistry, new works, and creative methods can be appreciated and seen as a “tri-vision tradition” (then, now, and when) as they tie into cultural linkages from our past and suggest our future. What is new are today’s social languages, platforms, movements, and fluidity, all of which lead to discussions that anticipate ever-changing cultural shifts and create dialogue about cultural practices. It’s about living and how we do culture: what it is, what it means, and why. Questions arise about what we as artists value (identity, creative voice, survival). How do we get there? And what do everyday people value and care about? The book examines a little cultural theory, a little ritual formation, and a lot of “how is any of this sustainable?” It is a collection of ideas from creative thinkers on the role of the arts and concepts that define and carry societal value. We consider life a gift, and the works that people put forward to continually transform our time and celebrate these gifts in life can make a difference in the ways we live "What are the connective tissues that make human narratives thread and relate; values, heritage expressions, and how these define and sustain people. As a research associate with the Smithsonian Center for Folklife and Cultural Heritage (CFCH), the editor's work focuses on what he identifies as cultural throughlines, delineating the ways in which contemporary artistry, new works and creative methods, can better be appreciated and seen as "tri vision tradition"( then, now and when) as they harken back and tie into critical cultural linkages from our past which suggests our future. While that's not so new, what is new is the social languages, platforms, movements and the fluidity today, necessitating discussions which anticipates ever changing cultural shifts. So you don't end up having a stationary praxis but a dialogue about cultural practices. It's always about living, how we do culture, what it is and means and why. Then it moves to more basic questions about what we as artists care about, what we value( identity, creative voice, survival), how do we get there, and the final question is, what do the everyday people value and care about? To have a collection of ideas from creative thinkers on the role of arts and ideas that define and carry societal value is important work. Because we consider life a gift, and so the work people put forward to continually transform our time and celebrate the gifts in life can make a difference in the ways we actually live"-- Namensnennung - Nicht-kommerziell - Keine Bearbeitungen 4.0 International CC BY-NC-ND 4.0 cc https://creativecommons.org/licenses/by-nc-nd/4.0/ English Popular music African American influences DLC African Americans Music DLC African Americans Social life and customs DLC Culture DLC The Arts United States Civilization African American influences DLC african american arts african american culture african american music afrofuturism pop culture black arts black entertainment african american entertainment cultural theory https://directory.doabooks.org/handle/20.500.12854/134644 X:DOAB Verlag kostenfrei ZDB-94-OAB GBV_ILN_11 ISIL_DE-1a SYSFLAG_1 GBV_KXP GBV_ILN_20 ISIL_DE-84 GBV_ILN_21 ISIL_DE-46 GBV_ILN_22 ISIL_DE-18 GBV_ILN_23 ISIL_DE-830 GBV_ILN_24 ISIL_DE-8 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_60 ISIL_DE-705 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_90 ISIL_DE-Hil2 GBV_ILN_91 ISIL_DE-HIL3 GBV_ILN_92 ISIL_DE-33 GBV_ILN_95 ISIL_DE-542 GBV_ILN_105 ISIL_DE-841 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_130 ISIL_DE-700 GBV_ILN_131 ISIL_DE-Va1 GBV_ILN_132 ISIL_DE-959 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_148 ISIL_DE-Lue12 GBV_ILN_161 ISIL_DE-960 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_635 ISIL_DE-B2138 GBV_ILN_808 GBV_ILN_2011 ISIL_DE-16 GBV_ILN_2014 ISIL_DE-90 GBV_ILN_2018 ISIL_DE-31 GBV_ILN_2034 ISIL_DE-Rt2 GBV_ILN_2037 ISIL_DE-747 GBV_ILN_2050 ISIL_DE-Zi4 GBV_ILN_2108 ISIL_DE-991 GBV_ILN_2403 ISIL_DE-LFER BO 045F 780.8996073 11 01 0001 4517843335 00 5:LIZFREI --%%-- --%%-- --%%-- k 28-04-24 20 01 0084 4518093828 OLR-DOAB z 28-04-24 21 01 0046 4566180530 ebook_2024_free zza 14-08-24 22 01 0018 4517914461 OLR-ZDB-94-OAB DOAB Directory of Open Access Books zu 28-04-24 23 01 0830 4518023021 olr-doab f z 28-04-24 24 01 0008 4518235495 OLR-doab z 29-04-24 30 01 0104 4518129253 OLR-OAB Open Access, Directory of Open Access Books (DOAB) z 29-04-24 31 01 0027 4517950891 OLR-DOAB z 28-04-24 39 01 0547 4518164695 OLR-ZDB-94-OAB ke 29-04-24 40 01 0007 451787866X OLR-DOAB xsn 28-04-24 60 01 0705 4517697711 OPENAccess Vervielfältigungen (z.B. 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allfieldsGer |
20.500.12854/134644 hdl (DE-627)1885779054 (DE-599)KEP102416850 (OCoLC)1429907559 (DOAB)134644 (EBP)102416850 DE-627 ger DE-627 rda und ML3479 A bicssc Banfield, William C. verfasserin (DE-588)13497462X (DE-627)693006013 (DE-576)317237039 aut Culture Throughlines Values, Visions and Transformation—African American Music, American Culture, and Society [Erscheinungsort nicht ermittelbar] 2023 1 Online-Ressource (210 p.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star Cultural throughlines delineate the ways in which contemporary artistry, new works, and creative methods can be appreciated and seen as a “tri-vision tradition” (then, now, and when) as they tie into cultural linkages from our past and suggest our future. What is new are today’s social languages, platforms, movements, and fluidity, all of which lead to discussions that anticipate ever-changing cultural shifts and create dialogue about cultural practices. It’s about living and how we do culture: what it is, what it means, and why. Questions arise about what we as artists value (identity, creative voice, survival). How do we get there? And what do everyday people value and care about? The book examines a little cultural theory, a little ritual formation, and a lot of “how is any of this sustainable?” It is a collection of ideas from creative thinkers on the role of the arts and concepts that define and carry societal value. We consider life a gift, and the works that people put forward to continually transform our time and celebrate these gifts in life can make a difference in the ways we live "What are the connective tissues that make human narratives thread and relate; values, heritage expressions, and how these define and sustain people. As a research associate with the Smithsonian Center for Folklife and Cultural Heritage (CFCH), the editor's work focuses on what he identifies as cultural throughlines, delineating the ways in which contemporary artistry, new works and creative methods, can better be appreciated and seen as "tri vision tradition"( then, now and when) as they harken back and tie into critical cultural linkages from our past which suggests our future. While that's not so new, what is new is the social languages, platforms, movements and the fluidity today, necessitating discussions which anticipates ever changing cultural shifts. So you don't end up having a stationary praxis but a dialogue about cultural practices. It's always about living, how we do culture, what it is and means and why. Then it moves to more basic questions about what we as artists care about, what we value( identity, creative voice, survival), how do we get there, and the final question is, what do the everyday people value and care about? To have a collection of ideas from creative thinkers on the role of arts and ideas that define and carry societal value is important work. Because we consider life a gift, and so the work people put forward to continually transform our time and celebrate the gifts in life can make a difference in the ways we actually live"-- Namensnennung - Nicht-kommerziell - Keine Bearbeitungen 4.0 International CC BY-NC-ND 4.0 cc https://creativecommons.org/licenses/by-nc-nd/4.0/ English Popular music African American influences DLC African Americans Music DLC African Americans Social life and customs DLC Culture DLC The Arts United States Civilization African American influences DLC african american arts african american culture african american music afrofuturism pop culture black arts black entertainment african american entertainment cultural theory https://directory.doabooks.org/handle/20.500.12854/134644 X:DOAB Verlag kostenfrei ZDB-94-OAB GBV_ILN_11 ISIL_DE-1a SYSFLAG_1 GBV_KXP GBV_ILN_20 ISIL_DE-84 GBV_ILN_21 ISIL_DE-46 GBV_ILN_22 ISIL_DE-18 GBV_ILN_23 ISIL_DE-830 GBV_ILN_24 ISIL_DE-8 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_60 ISIL_DE-705 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_90 ISIL_DE-Hil2 GBV_ILN_91 ISIL_DE-HIL3 GBV_ILN_92 ISIL_DE-33 GBV_ILN_95 ISIL_DE-542 GBV_ILN_105 ISIL_DE-841 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_130 ISIL_DE-700 GBV_ILN_131 ISIL_DE-Va1 GBV_ILN_132 ISIL_DE-959 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_148 ISIL_DE-Lue12 GBV_ILN_161 ISIL_DE-960 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_635 ISIL_DE-B2138 GBV_ILN_808 GBV_ILN_2011 ISIL_DE-16 GBV_ILN_2014 ISIL_DE-90 GBV_ILN_2018 ISIL_DE-31 GBV_ILN_2034 ISIL_DE-Rt2 GBV_ILN_2037 ISIL_DE-747 GBV_ILN_2050 ISIL_DE-Zi4 GBV_ILN_2108 ISIL_DE-991 GBV_ILN_2403 ISIL_DE-LFER BO 045F 780.8996073 11 01 0001 4517843335 00 5:LIZFREI --%%-- --%%-- --%%-- k 28-04-24 20 01 0084 4518093828 OLR-DOAB z 28-04-24 21 01 0046 4566180530 ebook_2024_free zza 14-08-24 22 01 0018 4517914461 OLR-ZDB-94-OAB DOAB Directory of Open Access Books zu 28-04-24 23 01 0830 4518023021 olr-doab f z 28-04-24 24 01 0008 4518235495 OLR-doab z 29-04-24 30 01 0104 4518129253 OLR-OAB Open Access, Directory of Open Access Books (DOAB) z 29-04-24 31 01 0027 4517950891 OLR-DOAB z 28-04-24 39 01 0547 4518164695 OLR-ZDB-94-OAB ke 29-04-24 40 01 0007 451787866X OLR-DOAB xsn 28-04-24 60 01 0705 4517697711 OPENAccess Vervielfältigungen (z.B. 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allfieldsSound |
20.500.12854/134644 hdl (DE-627)1885779054 (DE-599)KEP102416850 (OCoLC)1429907559 (DOAB)134644 (EBP)102416850 DE-627 ger DE-627 rda und ML3479 A bicssc Banfield, William C. verfasserin (DE-588)13497462X (DE-627)693006013 (DE-576)317237039 aut Culture Throughlines Values, Visions and Transformation—African American Music, American Culture, and Society [Erscheinungsort nicht ermittelbar] 2023 1 Online-Ressource (210 p.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star Cultural throughlines delineate the ways in which contemporary artistry, new works, and creative methods can be appreciated and seen as a “tri-vision tradition” (then, now, and when) as they tie into cultural linkages from our past and suggest our future. What is new are today’s social languages, platforms, movements, and fluidity, all of which lead to discussions that anticipate ever-changing cultural shifts and create dialogue about cultural practices. It’s about living and how we do culture: what it is, what it means, and why. Questions arise about what we as artists value (identity, creative voice, survival). How do we get there? And what do everyday people value and care about? The book examines a little cultural theory, a little ritual formation, and a lot of “how is any of this sustainable?” It is a collection of ideas from creative thinkers on the role of the arts and concepts that define and carry societal value. We consider life a gift, and the works that people put forward to continually transform our time and celebrate these gifts in life can make a difference in the ways we live "What are the connective tissues that make human narratives thread and relate; values, heritage expressions, and how these define and sustain people. As a research associate with the Smithsonian Center for Folklife and Cultural Heritage (CFCH), the editor's work focuses on what he identifies as cultural throughlines, delineating the ways in which contemporary artistry, new works and creative methods, can better be appreciated and seen as "tri vision tradition"( then, now and when) as they harken back and tie into critical cultural linkages from our past which suggests our future. While that's not so new, what is new is the social languages, platforms, movements and the fluidity today, necessitating discussions which anticipates ever changing cultural shifts. So you don't end up having a stationary praxis but a dialogue about cultural practices. It's always about living, how we do culture, what it is and means and why. Then it moves to more basic questions about what we as artists care about, what we value( identity, creative voice, survival), how do we get there, and the final question is, what do the everyday people value and care about? To have a collection of ideas from creative thinkers on the role of arts and ideas that define and carry societal value is important work. Because we consider life a gift, and so the work people put forward to continually transform our time and celebrate the gifts in life can make a difference in the ways we actually live"-- Namensnennung - Nicht-kommerziell - Keine Bearbeitungen 4.0 International CC BY-NC-ND 4.0 cc https://creativecommons.org/licenses/by-nc-nd/4.0/ English Popular music African American influences DLC African Americans Music DLC African Americans Social life and customs DLC Culture DLC The Arts United States Civilization African American influences DLC african american arts african american culture african american music afrofuturism pop culture black arts black entertainment african american entertainment cultural theory https://directory.doabooks.org/handle/20.500.12854/134644 X:DOAB Verlag kostenfrei ZDB-94-OAB GBV_ILN_11 ISIL_DE-1a SYSFLAG_1 GBV_KXP GBV_ILN_20 ISIL_DE-84 GBV_ILN_21 ISIL_DE-46 GBV_ILN_22 ISIL_DE-18 GBV_ILN_23 ISIL_DE-830 GBV_ILN_24 ISIL_DE-8 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_60 ISIL_DE-705 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_90 ISIL_DE-Hil2 GBV_ILN_91 ISIL_DE-HIL3 GBV_ILN_92 ISIL_DE-33 GBV_ILN_95 ISIL_DE-542 GBV_ILN_105 ISIL_DE-841 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_130 ISIL_DE-700 GBV_ILN_131 ISIL_DE-Va1 GBV_ILN_132 ISIL_DE-959 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_148 ISIL_DE-Lue12 GBV_ILN_161 ISIL_DE-960 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_635 ISIL_DE-B2138 GBV_ILN_808 GBV_ILN_2011 ISIL_DE-16 GBV_ILN_2014 ISIL_DE-90 GBV_ILN_2018 ISIL_DE-31 GBV_ILN_2034 ISIL_DE-Rt2 GBV_ILN_2037 ISIL_DE-747 GBV_ILN_2050 ISIL_DE-Zi4 GBV_ILN_2108 ISIL_DE-991 GBV_ILN_2403 ISIL_DE-LFER BO 045F 780.8996073 11 01 0001 4517843335 00 5:LIZFREI --%%-- --%%-- --%%-- k 28-04-24 20 01 0084 4518093828 OLR-DOAB z 28-04-24 21 01 0046 4566180530 ebook_2024_free zza 14-08-24 22 01 0018 4517914461 OLR-ZDB-94-OAB DOAB Directory of Open Access Books zu 28-04-24 23 01 0830 4518023021 olr-doab f z 28-04-24 24 01 0008 4518235495 OLR-doab z 29-04-24 30 01 0104 4518129253 OLR-OAB Open Access, Directory of Open Access Books (DOAB) z 29-04-24 31 01 0027 4517950891 OLR-DOAB z 28-04-24 39 01 0547 4518164695 OLR-ZDB-94-OAB ke 29-04-24 40 01 0007 451787866X OLR-DOAB xsn 28-04-24 60 01 0705 4517697711 OPENAccess Vervielfältigungen (z.B. 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tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2034</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-Rt2</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2037</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-747</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2050</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-Zi4</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2108</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-991</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2403</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ISIL_DE-LFER</subfield></datafield><datafield tag="951" ind1=" " ind2=" "><subfield code="a">BO</subfield></datafield><datafield tag="953" ind1=" " ind2=" "><subfield code="2">045F</subfield><subfield code="a">780.8996073</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">11</subfield><subfield code="1">01</subfield><subfield code="x">0001</subfield><subfield code="b">4517843335</subfield><subfield code="c">00</subfield><subfield code="f">5:LIZFREI</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">--%%--</subfield><subfield code="y">k</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">20</subfield><subfield code="1">01</subfield><subfield code="x">0084</subfield><subfield code="b">4518093828</subfield><subfield code="h">OLR-DOAB</subfield><subfield code="y">z</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">21</subfield><subfield code="1">01</subfield><subfield code="x">0046</subfield><subfield code="b">4566180530</subfield><subfield code="h">ebook_2024_free</subfield><subfield code="y">zza</subfield><subfield code="z">14-08-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">22</subfield><subfield code="1">01</subfield><subfield code="x">0018</subfield><subfield code="b">4517914461</subfield><subfield code="h">OLR-ZDB-94-OAB</subfield><subfield code="k">DOAB Directory of Open Access Books</subfield><subfield code="y">zu</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">23</subfield><subfield code="1">01</subfield><subfield code="x">0830</subfield><subfield code="b">4518023021</subfield><subfield code="h">olr-doab</subfield><subfield code="u">f</subfield><subfield code="y">z</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">24</subfield><subfield code="1">01</subfield><subfield code="x">0008</subfield><subfield code="b">4518235495</subfield><subfield code="h">OLR-doab</subfield><subfield code="y">z</subfield><subfield code="z">29-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">30</subfield><subfield code="1">01</subfield><subfield code="x">0104</subfield><subfield code="b">4518129253</subfield><subfield code="h">OLR-OAB</subfield><subfield code="k">Open Access, Directory of Open Access Books (DOAB)</subfield><subfield code="y">z</subfield><subfield code="z">29-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">31</subfield><subfield code="1">01</subfield><subfield code="x">0027</subfield><subfield code="b">4517950891</subfield><subfield code="h">OLR-DOAB</subfield><subfield code="y">z</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">39</subfield><subfield code="1">01</subfield><subfield code="x">0547</subfield><subfield code="b">4518164695</subfield><subfield code="h">OLR-ZDB-94-OAB</subfield><subfield code="y">ke</subfield><subfield code="z">29-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">40</subfield><subfield code="1">01</subfield><subfield code="x">0007</subfield><subfield code="b">451787866X</subfield><subfield code="h">OLR-DOAB</subfield><subfield code="y">xsn</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">60</subfield><subfield code="1">01</subfield><subfield code="x">0705</subfield><subfield code="b">4517697711</subfield><subfield code="h">OPENAccess</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots.</subfield><subfield code="k">Nur für Angehörige der HSU: Volltextzugang von außerhalb des Campus mit Anmeldung über Shibboleth mit Ihrer Bibliothekskennung</subfield><subfield code="y">z</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">63</subfield><subfield code="1">01</subfield><subfield code="x">3401</subfield><subfield code="b">4518377222</subfield><subfield code="h">E-Books LF GBV-DOAB</subfield><subfield code="y">z</subfield><subfield code="z">29-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">65</subfield><subfield code="1">01</subfield><subfield code="x">0003</subfield><subfield code="b">451841246X</subfield><subfield code="h">OLR-DOAB</subfield><subfield code="k">Nach dem deutschen Urheberrecht darf das Werk bzw. der Inhalt zum eigenen Gebrauch kostenfrei heruntergeladen, konsumiert, gespeichert oder ausgedruckt, nicht jedoch im Internet bereitgestellt oder an Außenstehende weitergegeben werden!</subfield><subfield code="y">z</subfield><subfield code="z">29-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">70</subfield><subfield code="1">01</subfield><subfield code="x">0089</subfield><subfield code="b">4517987558</subfield><subfield code="h">OLR-DOAB-OA</subfield><subfield code="k">DOAB Directory of Open Access Books</subfield><subfield code="y">z</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">72</subfield><subfield code="1">01</subfield><subfield code="x">0035</subfield><subfield code="b">4517431940</subfield><subfield code="h">OLR-ZDB-94-OAB</subfield><subfield code="k">DOAB Directory of Open Access Books</subfield><subfield code="y">z</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">90</subfield><subfield code="1">01</subfield><subfield code="x">3090</subfield><subfield code="b">451820011X</subfield><subfield code="h">OLR-HILoapen</subfield><subfield code="y">z</subfield><subfield code="z">29-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">91</subfield><subfield code="1">01</subfield><subfield code="x">3091</subfield><subfield code="b">4517506665</subfield><subfield code="h">OLR-DOAB</subfield><subfield code="k">DOAB Directory of Open Access Books</subfield><subfield code="y">z</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">92</subfield><subfield code="1">01</subfield><subfield code="x">0033</subfield><subfield code="b">4517772667</subfield><subfield code="h">OLR-Open Access DOAB</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. Das Ebook ist frei zugänglich.</subfield><subfield code="y">z</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">95</subfield><subfield code="1">01</subfield><subfield code="x">3095</subfield><subfield code="b">4517467376</subfield><subfield code="h">OLR-OAB</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="y">z</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">105</subfield><subfield code="1">01</subfield><subfield code="x">0841</subfield><subfield code="b">4518483022</subfield><subfield code="h">OLR-OAB</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="y">z</subfield><subfield code="z">29-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">110</subfield><subfield code="1">01</subfield><subfield code="x">3110</subfield><subfield code="b">4518270908</subfield><subfield code="h">OLR-DOAB</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="k">Open Access</subfield><subfield code="y">z</subfield><subfield code="z">29-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">130</subfield><subfield code="1">01</subfield><subfield code="x">0700</subfield><subfield code="b">4518306317</subfield><subfield code="h">OLR-DOAB</subfield><subfield code="y">z</subfield><subfield code="z">29-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">131</subfield><subfield code="1">01</subfield><subfield code="x">3131</subfield><subfield code="b">4518341759</subfield><subfield code="h">OLR-OA-DOAB</subfield><subfield code="k">Bitte beachten Sie die Nutzungsbedingungen und Copyright-Bestimmungen des Verlages/Herausgebers.</subfield><subfield code="y">z</subfield><subfield code="z">29-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">132</subfield><subfield code="1">01</subfield><subfield code="x">0959</subfield><subfield code="b">4517396592</subfield><subfield code="h">OLR-OAB</subfield><subfield code="u">Open Access</subfield><subfield code="y">x</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">136</subfield><subfield code="1">01</subfield><subfield code="x">3526</subfield><subfield code="b">4517733475</subfield><subfield code="h">OLR-DOAB</subfield><subfield code="y">z</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">147</subfield><subfield code="1">01</subfield><subfield code="x">3528</subfield><subfield code="b">4518447654</subfield><subfield code="h">OLR-DOAB</subfield><subfield code="k">frei verfügbar für Europa-Universität Flensburg, Hochschule Flensburg und Zentrale Hochschulbibliothek</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="y">z</subfield><subfield code="z">29-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">148</subfield><subfield code="1">01</subfield><subfield code="x">3529</subfield><subfield code="b">4565520842</subfield><subfield code="k">Open Access-Publikation</subfield><subfield code="y">x</subfield><subfield code="z">12-08-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">161</subfield><subfield code="1">01</subfield><subfield code="x">0960</subfield><subfield code="b">4517325946</subfield><subfield code="h">OLR-DOAB</subfield><subfield code="k">DOAB Directory of Open Access Books</subfield><subfield code="y">z</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">213</subfield><subfield code="1">01</subfield><subfield code="x">0551</subfield><subfield code="b">4517600920</subfield><subfield code="h">OLR-DOAB</subfield><subfield code="k">DOAB Directory of Open Access Books</subfield><subfield code="y">z</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">230</subfield><subfield code="1">01</subfield><subfield code="x">0552</subfield><subfield code="b">451765155X</subfield><subfield code="h">OLR-DOAB</subfield><subfield code="k">DOAB Directory of Open Access Books</subfield><subfield code="y">z</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">283</subfield><subfield code="1">01</subfield><subfield code="x">3283</subfield><subfield code="b">451780805X</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="y">z</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">293</subfield><subfield code="1">01</subfield><subfield code="x">3293</subfield><subfield code="b">4517361330</subfield><subfield code="h">OLR-DOAB</subfield><subfield code="k">DOAB Directory of Open Access Books</subfield><subfield code="y">z</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">370</subfield><subfield code="1">01</subfield><subfield code="x">4370</subfield><subfield code="b">4517549690</subfield><subfield code="h">OLR-FREE</subfield><subfield code="k">Kostenloser Zugriff</subfield><subfield code="y">z</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">635</subfield><subfield code="1">01</subfield><subfield code="x">3635</subfield><subfield code="b">4518518438</subfield><subfield code="h">OLR-DOAB</subfield><subfield code="k">Open Access. Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="y">z</subfield><subfield code="z">29-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">808</subfield><subfield code="1">01</subfield><subfield code="x">4808</subfield><subfield code="b">4518058429</subfield><subfield code="h">OLR-DOAB</subfield><subfield code="k">DOAB Directory of Open Access Books</subfield><subfield code="y">zg</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2011</subfield><subfield code="1">01</subfield><subfield code="x">DE-16</subfield><subfield code="b">451190734X</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">--%%--</subfield><subfield code="y">l01</subfield><subfield code="z">15-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2014</subfield><subfield code="1">01</subfield><subfield code="x">DE-90</subfield><subfield code="b">4512051368</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">--%%--</subfield><subfield code="y">l01</subfield><subfield code="z">15-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2018</subfield><subfield code="1">01</subfield><subfield code="x">DE-31</subfield><subfield code="b">4511907358</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">n</subfield><subfield code="k">Der Zugriff ist kostenfrei möglich.</subfield><subfield code="y">l01</subfield><subfield code="z">15-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2034</subfield><subfield code="1">01</subfield><subfield code="x">DE-Rt2</subfield><subfield code="b">4511907366</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">eBook</subfield><subfield code="e">n</subfield><subfield code="j">n</subfield><subfield code="k">frei zugänglich</subfield><subfield code="y">l01</subfield><subfield code="z">15-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2037</subfield><subfield code="1">01</subfield><subfield code="x">DE-747</subfield><subfield code="b">4511907374</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">eBook OAPEN Foundation OpenAccess</subfield><subfield code="e">--%%--</subfield><subfield code="j">n</subfield><subfield code="k">Im Internet frei verfügbar</subfield><subfield code="y">l01</subfield><subfield code="z">15-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2050</subfield><subfield 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author |
Banfield, William C. |
spellingShingle |
Banfield, William C. misc ML3479 DLC Popular music DLC African Americans DLC Culture misc The Arts misc african american arts misc african american culture misc african american music misc afrofuturism misc pop culture misc black arts misc black entertainment misc african american entertainment misc cultural theory 31 E-Book Open Access 132 EBooks DOAB Open Access Culture Throughlines Values, Visions and Transformation—African American Music, American Culture, and Society |
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Culture Throughlines Values, Visions and Transformation—African American Music, American Culture, and Society |
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Cultural throughlines delineate the ways in which contemporary artistry, new works, and creative methods can be appreciated and seen as a “tri-vision tradition” (then, now, and when) as they tie into cultural linkages from our past and suggest our future. What is new are today’s social languages, platforms, movements, and fluidity, all of which lead to discussions that anticipate ever-changing cultural shifts and create dialogue about cultural practices. It’s about living and how we do culture: what it is, what it means, and why. Questions arise about what we as artists value (identity, creative voice, survival). How do we get there? And what do everyday people value and care about? The book examines a little cultural theory, a little ritual formation, and a lot of “how is any of this sustainable?” It is a collection of ideas from creative thinkers on the role of the arts and concepts that define and carry societal value. We consider life a gift, and the works that people put forward to continually transform our time and celebrate these gifts in life can make a difference in the ways we live "What are the connective tissues that make human narratives thread and relate; values, heritage expressions, and how these define and sustain people. As a research associate with the Smithsonian Center for Folklife and Cultural Heritage (CFCH), the editor's work focuses on what he identifies as cultural throughlines, delineating the ways in which contemporary artistry, new works and creative methods, can better be appreciated and seen as "tri vision tradition"( then, now and when) as they harken back and tie into critical cultural linkages from our past which suggests our future. While that's not so new, what is new is the social languages, platforms, movements and the fluidity today, necessitating discussions which anticipates ever changing cultural shifts. So you don't end up having a stationary praxis but a dialogue about cultural practices. It's always about living, how we do culture, what it is and means and why. Then it moves to more basic questions about what we as artists care about, what we value( identity, creative voice, survival), how do we get there, and the final question is, what do the everyday people value and care about? To have a collection of ideas from creative thinkers on the role of arts and ideas that define and carry societal value is important work. Because we consider life a gift, and so the work people put forward to continually transform our time and celebrate the gifts in life can make a difference in the ways we actually live"-- |
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Cultural throughlines delineate the ways in which contemporary artistry, new works, and creative methods can be appreciated and seen as a “tri-vision tradition” (then, now, and when) as they tie into cultural linkages from our past and suggest our future. What is new are today’s social languages, platforms, movements, and fluidity, all of which lead to discussions that anticipate ever-changing cultural shifts and create dialogue about cultural practices. It’s about living and how we do culture: what it is, what it means, and why. Questions arise about what we as artists value (identity, creative voice, survival). How do we get there? And what do everyday people value and care about? The book examines a little cultural theory, a little ritual formation, and a lot of “how is any of this sustainable?” It is a collection of ideas from creative thinkers on the role of the arts and concepts that define and carry societal value. We consider life a gift, and the works that people put forward to continually transform our time and celebrate these gifts in life can make a difference in the ways we live "What are the connective tissues that make human narratives thread and relate; values, heritage expressions, and how these define and sustain people. As a research associate with the Smithsonian Center for Folklife and Cultural Heritage (CFCH), the editor's work focuses on what he identifies as cultural throughlines, delineating the ways in which contemporary artistry, new works and creative methods, can better be appreciated and seen as "tri vision tradition"( then, now and when) as they harken back and tie into critical cultural linkages from our past which suggests our future. While that's not so new, what is new is the social languages, platforms, movements and the fluidity today, necessitating discussions which anticipates ever changing cultural shifts. So you don't end up having a stationary praxis but a dialogue about cultural practices. It's always about living, how we do culture, what it is and means and why. Then it moves to more basic questions about what we as artists care about, what we value( identity, creative voice, survival), how do we get there, and the final question is, what do the everyday people value and care about? To have a collection of ideas from creative thinkers on the role of arts and ideas that define and carry societal value is important work. Because we consider life a gift, and so the work people put forward to continually transform our time and celebrate the gifts in life can make a difference in the ways we actually live"-- |
abstract_unstemmed |
Cultural throughlines delineate the ways in which contemporary artistry, new works, and creative methods can be appreciated and seen as a “tri-vision tradition” (then, now, and when) as they tie into cultural linkages from our past and suggest our future. What is new are today’s social languages, platforms, movements, and fluidity, all of which lead to discussions that anticipate ever-changing cultural shifts and create dialogue about cultural practices. It’s about living and how we do culture: what it is, what it means, and why. Questions arise about what we as artists value (identity, creative voice, survival). How do we get there? And what do everyday people value and care about? The book examines a little cultural theory, a little ritual formation, and a lot of “how is any of this sustainable?” It is a collection of ideas from creative thinkers on the role of the arts and concepts that define and carry societal value. We consider life a gift, and the works that people put forward to continually transform our time and celebrate these gifts in life can make a difference in the ways we live "What are the connective tissues that make human narratives thread and relate; values, heritage expressions, and how these define and sustain people. As a research associate with the Smithsonian Center for Folklife and Cultural Heritage (CFCH), the editor's work focuses on what he identifies as cultural throughlines, delineating the ways in which contemporary artistry, new works and creative methods, can better be appreciated and seen as "tri vision tradition"( then, now and when) as they harken back and tie into critical cultural linkages from our past which suggests our future. While that's not so new, what is new is the social languages, platforms, movements and the fluidity today, necessitating discussions which anticipates ever changing cultural shifts. So you don't end up having a stationary praxis but a dialogue about cultural practices. It's always about living, how we do culture, what it is and means and why. Then it moves to more basic questions about what we as artists care about, what we value( identity, creative voice, survival), how do we get there, and the final question is, what do the everyday people value and care about? To have a collection of ideas from creative thinkers on the role of arts and ideas that define and carry societal value is important work. Because we consider life a gift, and so the work people put forward to continually transform our time and celebrate the gifts in life can make a difference in the ways we actually live"-- |
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code="a">BO</subfield></datafield><datafield tag="953" ind1=" " ind2=" "><subfield code="2">045F</subfield><subfield code="a">780.8996073</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">11</subfield><subfield code="1">01</subfield><subfield code="x">0001</subfield><subfield code="b">4517843335</subfield><subfield code="c">00</subfield><subfield code="f">5:LIZFREI</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">--%%--</subfield><subfield code="y">k</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">20</subfield><subfield code="1">01</subfield><subfield code="x">0084</subfield><subfield code="b">4518093828</subfield><subfield code="h">OLR-DOAB</subfield><subfield code="y">z</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">21</subfield><subfield code="1">01</subfield><subfield code="x">0046</subfield><subfield code="b">4566180530</subfield><subfield code="h">ebook_2024_free</subfield><subfield code="y">zza</subfield><subfield code="z">14-08-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">22</subfield><subfield code="1">01</subfield><subfield code="x">0018</subfield><subfield code="b">4517914461</subfield><subfield code="h">OLR-ZDB-94-OAB</subfield><subfield code="k">DOAB Directory of Open Access Books</subfield><subfield code="y">zu</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">23</subfield><subfield code="1">01</subfield><subfield code="x">0830</subfield><subfield code="b">4518023021</subfield><subfield code="h">olr-doab</subfield><subfield code="u">f</subfield><subfield code="y">z</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">24</subfield><subfield code="1">01</subfield><subfield code="x">0008</subfield><subfield code="b">4518235495</subfield><subfield code="h">OLR-doab</subfield><subfield code="y">z</subfield><subfield code="z">29-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">30</subfield><subfield code="1">01</subfield><subfield code="x">0104</subfield><subfield code="b">4518129253</subfield><subfield code="h">OLR-OAB</subfield><subfield code="k">Open Access, Directory of Open Access Books (DOAB)</subfield><subfield code="y">z</subfield><subfield code="z">29-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">31</subfield><subfield code="1">01</subfield><subfield code="x">0027</subfield><subfield code="b">4517950891</subfield><subfield code="h">OLR-DOAB</subfield><subfield code="y">z</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">39</subfield><subfield code="1">01</subfield><subfield code="x">0547</subfield><subfield code="b">4518164695</subfield><subfield code="h">OLR-ZDB-94-OAB</subfield><subfield code="y">ke</subfield><subfield code="z">29-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">40</subfield><subfield code="1">01</subfield><subfield code="x">0007</subfield><subfield code="b">451787866X</subfield><subfield code="h">OLR-DOAB</subfield><subfield code="y">xsn</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">60</subfield><subfield code="1">01</subfield><subfield code="x">0705</subfield><subfield code="b">4517697711</subfield><subfield code="h">OPENAccess</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots.</subfield><subfield code="k">Nur für Angehörige der HSU: Volltextzugang von außerhalb des Campus mit Anmeldung über Shibboleth mit Ihrer Bibliothekskennung</subfield><subfield code="y">z</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">63</subfield><subfield code="1">01</subfield><subfield code="x">3401</subfield><subfield code="b">4518377222</subfield><subfield code="h">E-Books LF GBV-DOAB</subfield><subfield code="y">z</subfield><subfield code="z">29-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">65</subfield><subfield code="1">01</subfield><subfield code="x">0003</subfield><subfield code="b">451841246X</subfield><subfield code="h">OLR-DOAB</subfield><subfield code="k">Nach dem deutschen Urheberrecht darf das Werk bzw. der Inhalt zum eigenen Gebrauch kostenfrei heruntergeladen, konsumiert, gespeichert oder ausgedruckt, nicht jedoch im Internet bereitgestellt oder an Außenstehende weitergegeben werden!</subfield><subfield code="y">z</subfield><subfield code="z">29-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">70</subfield><subfield code="1">01</subfield><subfield code="x">0089</subfield><subfield code="b">4517987558</subfield><subfield code="h">OLR-DOAB-OA</subfield><subfield code="k">DOAB Directory of Open Access Books</subfield><subfield code="y">z</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">72</subfield><subfield code="1">01</subfield><subfield code="x">0035</subfield><subfield code="b">4517431940</subfield><subfield code="h">OLR-ZDB-94-OAB</subfield><subfield code="k">DOAB Directory of Open Access Books</subfield><subfield code="y">z</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">90</subfield><subfield code="1">01</subfield><subfield code="x">3090</subfield><subfield code="b">451820011X</subfield><subfield code="h">OLR-HILoapen</subfield><subfield code="y">z</subfield><subfield code="z">29-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">91</subfield><subfield code="1">01</subfield><subfield code="x">3091</subfield><subfield code="b">4517506665</subfield><subfield code="h">OLR-DOAB</subfield><subfield code="k">DOAB Directory of Open Access Books</subfield><subfield code="y">z</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">92</subfield><subfield code="1">01</subfield><subfield code="x">0033</subfield><subfield code="b">4517772667</subfield><subfield code="h">OLR-Open Access DOAB</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. Das Ebook ist frei zugänglich.</subfield><subfield code="y">z</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">95</subfield><subfield code="1">01</subfield><subfield code="x">3095</subfield><subfield code="b">4517467376</subfield><subfield code="h">OLR-OAB</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="y">z</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">105</subfield><subfield code="1">01</subfield><subfield code="x">0841</subfield><subfield code="b">4518483022</subfield><subfield code="h">OLR-OAB</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="y">z</subfield><subfield code="z">29-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">110</subfield><subfield code="1">01</subfield><subfield code="x">3110</subfield><subfield code="b">4518270908</subfield><subfield code="h">OLR-DOAB</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="k">Open Access</subfield><subfield code="y">z</subfield><subfield code="z">29-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">130</subfield><subfield code="1">01</subfield><subfield code="x">0700</subfield><subfield code="b">4518306317</subfield><subfield code="h">OLR-DOAB</subfield><subfield code="y">z</subfield><subfield code="z">29-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">131</subfield><subfield code="1">01</subfield><subfield code="x">3131</subfield><subfield code="b">4518341759</subfield><subfield code="h">OLR-OA-DOAB</subfield><subfield code="k">Bitte beachten Sie die Nutzungsbedingungen und Copyright-Bestimmungen des Verlages/Herausgebers.</subfield><subfield code="y">z</subfield><subfield code="z">29-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">132</subfield><subfield code="1">01</subfield><subfield code="x">0959</subfield><subfield code="b">4517396592</subfield><subfield code="h">OLR-OAB</subfield><subfield code="u">Open Access</subfield><subfield code="y">x</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">136</subfield><subfield code="1">01</subfield><subfield code="x">3526</subfield><subfield code="b">4517733475</subfield><subfield code="h">OLR-DOAB</subfield><subfield code="y">z</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">147</subfield><subfield code="1">01</subfield><subfield code="x">3528</subfield><subfield code="b">4518447654</subfield><subfield code="h">OLR-DOAB</subfield><subfield code="k">frei verfügbar für Europa-Universität Flensburg, Hochschule Flensburg und Zentrale Hochschulbibliothek</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="y">z</subfield><subfield code="z">29-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">148</subfield><subfield code="1">01</subfield><subfield code="x">3529</subfield><subfield code="b">4565520842</subfield><subfield code="k">Open Access-Publikation</subfield><subfield code="y">x</subfield><subfield code="z">12-08-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">161</subfield><subfield code="1">01</subfield><subfield code="x">0960</subfield><subfield code="b">4517325946</subfield><subfield code="h">OLR-DOAB</subfield><subfield code="k">DOAB Directory of Open Access Books</subfield><subfield code="y">z</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">213</subfield><subfield code="1">01</subfield><subfield code="x">0551</subfield><subfield code="b">4517600920</subfield><subfield code="h">OLR-DOAB</subfield><subfield code="k">DOAB Directory of Open Access Books</subfield><subfield code="y">z</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">230</subfield><subfield code="1">01</subfield><subfield code="x">0552</subfield><subfield code="b">451765155X</subfield><subfield code="h">OLR-DOAB</subfield><subfield code="k">DOAB Directory of Open Access Books</subfield><subfield code="y">z</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">283</subfield><subfield code="1">01</subfield><subfield code="x">3283</subfield><subfield code="b">451780805X</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="y">z</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">293</subfield><subfield code="1">01</subfield><subfield code="x">3293</subfield><subfield code="b">4517361330</subfield><subfield code="h">OLR-DOAB</subfield><subfield code="k">DOAB Directory of Open Access Books</subfield><subfield code="y">z</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">370</subfield><subfield code="1">01</subfield><subfield code="x">4370</subfield><subfield code="b">4517549690</subfield><subfield code="h">OLR-FREE</subfield><subfield code="k">Kostenloser Zugriff</subfield><subfield code="y">z</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">635</subfield><subfield code="1">01</subfield><subfield code="x">3635</subfield><subfield code="b">4518518438</subfield><subfield code="h">OLR-DOAB</subfield><subfield code="k">Open Access. Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. 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score |
7.0145044 |