A Driving Force : On the Rhetoric of Images and Power
The volume comprises a selection of papers presented at the 5th Postgraduate International Conference organized by the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice (Venice, 4-6 October 2023): A Driving Force. On the Rhetoric of Images and Power. In the introduct...
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Erscheinungsort nicht ermittelbar: Fondazione Università Ca' Foscari ; 2023 |
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Open Access Namensnennung 4.0 International ; CC BY 4.0 |
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Quaderni di <i>Venezia Arti</i> ; 14 |
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978-88-6969-771-5 |
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1885779348 |
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| 520 | |a The volume comprises a selection of papers presented at the 5th Postgraduate International Conference organized by the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice (Venice, 4-6 October 2023): A Driving Force. On the Rhetoric of Images and Power. In the introduction to his well-known The Power of Images (1989), David Freedberg claims not only that images hold power over us, but they are also, inevitably, related to ‘power’ itself. Art is therefore a powerful and non-neutral tool. Its forms and expressions influence and manipulate the realm of the real. Throughout human history, the artist’s creative power gave form, substance, and meaning to otherwise inert matter. This process turned the artist into a demiurge. Furthermore, once images are given their final form, they circulate and live a life of their own. The 5th Postgraduate International Conference was aimed at investigating the rhetorical nature of the intersection between image and power. In 1979 Yuri Lotman claimed that “rhetoric” is the displacement of the structural principles of a given semiotic sphere into another semiotic sphere. The Tartu semiologist’s approach implies that the “correlation with different semiotic systems gives rise to a rhetorical situation in which a powerful source of elaboration of new meanings is contained”. In exploring these meanings from a multidisciplinary perspective, this volume investigates two main themes: the power of the image, as an autonomous device, endowed with a pervasive and persuasive character; the image as a form for representing power which addresses questions concerning the sense of authority, and its negation, namely a sense of dissidence and counter-narrations | ||
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9788869697715 978-88-6969-771-5 20.500.12854/134484 hdl (DE-627)1885779348 (DE-599)KEP102416567 (OCoLC)1429907496 (DOAB)134484 (EBP)102416567 DE-627 ger DE-627 rda und A bicssc A Driving Force On the Rhetoric of Images and Power [Erscheinungsort nicht ermittelbar] Fondazione Università Ca' Foscari 2023 1 Online-Ressource Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Quaderni di <i>Venezia Arti</i> 14 Open Access Unrestricted online access star The volume comprises a selection of papers presented at the 5th Postgraduate International Conference organized by the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice (Venice, 4-6 October 2023): A Driving Force. On the Rhetoric of Images and Power. In the introduction to his well-known The Power of Images (1989), David Freedberg claims not only that images hold power over us, but they are also, inevitably, related to ‘power’ itself. Art is therefore a powerful and non-neutral tool. Its forms and expressions influence and manipulate the realm of the real. Throughout human history, the artist’s creative power gave form, substance, and meaning to otherwise inert matter. This process turned the artist into a demiurge. Furthermore, once images are given their final form, they circulate and live a life of their own. The 5th Postgraduate International Conference was aimed at investigating the rhetorical nature of the intersection between image and power. In 1979 Yuri Lotman claimed that “rhetoric” is the displacement of the structural principles of a given semiotic sphere into another semiotic sphere. The Tartu semiologist’s approach implies that the “correlation with different semiotic systems gives rise to a rhetorical situation in which a powerful source of elaboration of new meanings is contained”. In exploring these meanings from a multidisciplinary perspective, this volume investigates two main themes: the power of the image, as an autonomous device, endowed with a pervasive and persuasive character; the image as a form for representing power which addresses questions concerning the sense of authority, and its negation, namely a sense of dissidence and counter-narrations Namensnennung 4.0 International CC BY 4.0 cc https://creativecommons.org/licenses/by/4.0/ English The Arts Political iconography,Visual Culture,Fascism,Power,Surveillance,Iconography,National image,Byzantine empire,French Revolution,Sapieha family,Image and power,Jan Fryderyk Sapieha,Allegory,Directory,Image,Kustar,New media installation art,Aby Warburg,Russian style,Politics,Venice,Byzantine sculpture,Socially engaged art,Lucerne,Post-representation,Postcolonialism,Occupational realism,Gendered bodies,A/traverso,Metaphor,Geographical personifications,Byzantine Empire,Paraesthetics,Public sphere,Materialism,Poor power images,Lebanon,Visual identity,Gaze,Design,Technology,Poor power Images,Our Lady of Kodeń,Modern Art History,Polish-Lithuanian Commonwealth,Post-Representation,Palazzo Madama, Torino,Painted facade,Sursock Museum,Latin faith,Countersurveillance Fashion,Speculative design,Portrait de la jeune fille en feu,Feminist art,<p>Kustar,Speculative Design,Beirut,Political iconology,Un’Ambigua Utopia,Image theory,Salon dʼAutomne,Russian Empire,Second Post War Period,Sixteenth-century Italian art,Countersurveillance fashion,Crossmapping,Palaiologan Renaissance,Wearable technologies,Venice Biennale,Warfare,Alternative press,Neoliberal imaginary,Contemporary art,Drone,Melodrama,John V Palaiologos,Salon d'Automne,Decoloniality,Labour of love,Italy,Scuole Grandi,Propaganda,Rhetoric,Holbein,Saint George,Modern art history,Coronation of Miraculous Images,Visual culture,Renaissance,Exhibition,Portrait de la jeune fille en few,Optic Nerve,Historiographical bias,Macedonia,Sex,Religious submission,Cittadini originari,General intellect,Wood,Distorted portrait,Folklore,The Bureau of Melodramatic Research,The Peggy Guggenheim Collection,Revolutionary festival,New Formalism,Arts and crafts,Nicolas Ibrahim Sursock,Symbols,Pietro Aretino,Kodeń,Autotheory,New Media Installation Art,Vittorio Viale https://directory.doabooks.org/handle/20.500.12854/134484 X:DOAB Verlag kostenfrei ZDB-94-OAB GBV_ILN_11 ISIL_DE-1a SYSFLAG_1 GBV_KXP GBV_ILN_20 ISIL_DE-84 GBV_ILN_22 ISIL_DE-18 GBV_ILN_23 ISIL_DE-830 GBV_ILN_24 ISIL_DE-8 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_60 ISIL_DE-705 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_90 ISIL_DE-Hil2 GBV_ILN_91 ISIL_DE-HIL3 GBV_ILN_92 ISIL_DE-33 GBV_ILN_95 ISIL_DE-542 GBV_ILN_105 ISIL_DE-841 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_130 ISIL_DE-700 GBV_ILN_131 ISIL_DE-Va1 GBV_ILN_132 ISIL_DE-959 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_635 ISIL_DE-B2138 GBV_ILN_808 GBV_ILN_2011 ISIL_DE-16 GBV_ILN_2014 ISIL_DE-90 GBV_ILN_2018 ISIL_DE-31 GBV_ILN_2034 ISIL_DE-Rt2 GBV_ILN_2037 ISIL_DE-747 GBV_ILN_2050 ISIL_DE-Zi4 GBV_ILN_2108 ISIL_DE-991 GBV_ILN_2403 ISIL_DE-LFER BO 11 01 0001 4517843629 00 5:LIZFREI --%%-- --%%-- --%%-- k 28-04-24 20 01 0084 4518094115 OLR-DOAB z 28-04-24 22 01 0018 4517914755 OLR-ZDB-94-OAB DOAB Directory of Open Access Books zu 28-04-24 23 01 0830 4518023315 olr-doab f z 28-04-24 24 01 0008 4518235789 OLR-doab z 29-04-24 30 01 0104 4518129547 OLR-OAB Open Access, Directory of Open Access Books (DOAB) z 29-04-24 31 01 0027 4517951189 OLR-DOAB z 28-04-24 39 01 0547 4518164989 OLR-ZDB-94-OAB ke 29-04-24 40 01 0007 4517878953 OLR-DOAB xsn 28-04-24 60 01 0705 4517698009 OPENAccess Vervielfältigungen (z.B. 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9788869697715 978-88-6969-771-5 20.500.12854/134484 hdl (DE-627)1885779348 (DE-599)KEP102416567 (OCoLC)1429907496 (DOAB)134484 (EBP)102416567 DE-627 ger DE-627 rda und A bicssc A Driving Force On the Rhetoric of Images and Power [Erscheinungsort nicht ermittelbar] Fondazione Università Ca' Foscari 2023 1 Online-Ressource Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Quaderni di <i>Venezia Arti</i> 14 Open Access Unrestricted online access star The volume comprises a selection of papers presented at the 5th Postgraduate International Conference organized by the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice (Venice, 4-6 October 2023): A Driving Force. On the Rhetoric of Images and Power. In the introduction to his well-known The Power of Images (1989), David Freedberg claims not only that images hold power over us, but they are also, inevitably, related to ‘power’ itself. Art is therefore a powerful and non-neutral tool. Its forms and expressions influence and manipulate the realm of the real. Throughout human history, the artist’s creative power gave form, substance, and meaning to otherwise inert matter. This process turned the artist into a demiurge. Furthermore, once images are given their final form, they circulate and live a life of their own. The 5th Postgraduate International Conference was aimed at investigating the rhetorical nature of the intersection between image and power. In 1979 Yuri Lotman claimed that “rhetoric” is the displacement of the structural principles of a given semiotic sphere into another semiotic sphere. The Tartu semiologist’s approach implies that the “correlation with different semiotic systems gives rise to a rhetorical situation in which a powerful source of elaboration of new meanings is contained”. In exploring these meanings from a multidisciplinary perspective, this volume investigates two main themes: the power of the image, as an autonomous device, endowed with a pervasive and persuasive character; the image as a form for representing power which addresses questions concerning the sense of authority, and its negation, namely a sense of dissidence and counter-narrations Namensnennung 4.0 International CC BY 4.0 cc https://creativecommons.org/licenses/by/4.0/ English The Arts Political iconography,Visual Culture,Fascism,Power,Surveillance,Iconography,National image,Byzantine empire,French Revolution,Sapieha family,Image and power,Jan Fryderyk Sapieha,Allegory,Directory,Image,Kustar,New media installation art,Aby Warburg,Russian style,Politics,Venice,Byzantine sculpture,Socially engaged art,Lucerne,Post-representation,Postcolonialism,Occupational realism,Gendered bodies,A/traverso,Metaphor,Geographical personifications,Byzantine Empire,Paraesthetics,Public sphere,Materialism,Poor power images,Lebanon,Visual identity,Gaze,Design,Technology,Poor power Images,Our Lady of Kodeń,Modern Art History,Polish-Lithuanian Commonwealth,Post-Representation,Palazzo Madama, Torino,Painted facade,Sursock Museum,Latin faith,Countersurveillance Fashion,Speculative design,Portrait de la jeune fille en feu,Feminist art,<p>Kustar,Speculative Design,Beirut,Political iconology,Un’Ambigua Utopia,Image theory,Salon dʼAutomne,Russian Empire,Second Post War Period,Sixteenth-century Italian art,Countersurveillance fashion,Crossmapping,Palaiologan Renaissance,Wearable technologies,Venice Biennale,Warfare,Alternative press,Neoliberal imaginary,Contemporary art,Drone,Melodrama,John V Palaiologos,Salon d'Automne,Decoloniality,Labour of love,Italy,Scuole Grandi,Propaganda,Rhetoric,Holbein,Saint George,Modern art history,Coronation of Miraculous Images,Visual culture,Renaissance,Exhibition,Portrait de la jeune fille en few,Optic Nerve,Historiographical bias,Macedonia,Sex,Religious submission,Cittadini originari,General intellect,Wood,Distorted portrait,Folklore,The Bureau of Melodramatic Research,The Peggy Guggenheim Collection,Revolutionary festival,New Formalism,Arts and crafts,Nicolas Ibrahim Sursock,Symbols,Pietro Aretino,Kodeń,Autotheory,New Media Installation Art,Vittorio Viale https://directory.doabooks.org/handle/20.500.12854/134484 X:DOAB Verlag kostenfrei ZDB-94-OAB GBV_ILN_11 ISIL_DE-1a SYSFLAG_1 GBV_KXP GBV_ILN_20 ISIL_DE-84 GBV_ILN_22 ISIL_DE-18 GBV_ILN_23 ISIL_DE-830 GBV_ILN_24 ISIL_DE-8 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_60 ISIL_DE-705 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_90 ISIL_DE-Hil2 GBV_ILN_91 ISIL_DE-HIL3 GBV_ILN_92 ISIL_DE-33 GBV_ILN_95 ISIL_DE-542 GBV_ILN_105 ISIL_DE-841 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_130 ISIL_DE-700 GBV_ILN_131 ISIL_DE-Va1 GBV_ILN_132 ISIL_DE-959 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_635 ISIL_DE-B2138 GBV_ILN_808 GBV_ILN_2011 ISIL_DE-16 GBV_ILN_2014 ISIL_DE-90 GBV_ILN_2018 ISIL_DE-31 GBV_ILN_2034 ISIL_DE-Rt2 GBV_ILN_2037 ISIL_DE-747 GBV_ILN_2050 ISIL_DE-Zi4 GBV_ILN_2108 ISIL_DE-991 GBV_ILN_2403 ISIL_DE-LFER BO 11 01 0001 4517843629 00 5:LIZFREI --%%-- --%%-- --%%-- k 28-04-24 20 01 0084 4518094115 OLR-DOAB z 28-04-24 22 01 0018 4517914755 OLR-ZDB-94-OAB DOAB Directory of Open Access Books zu 28-04-24 23 01 0830 4518023315 olr-doab f z 28-04-24 24 01 0008 4518235789 OLR-doab z 29-04-24 30 01 0104 4518129547 OLR-OAB Open Access, Directory of Open Access Books (DOAB) z 29-04-24 31 01 0027 4517951189 OLR-DOAB z 28-04-24 39 01 0547 4518164989 OLR-ZDB-94-OAB ke 29-04-24 40 01 0007 4517878953 OLR-DOAB xsn 28-04-24 60 01 0705 4517698009 OPENAccess Vervielfältigungen (z.B. 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9788869697715 978-88-6969-771-5 20.500.12854/134484 hdl (DE-627)1885779348 (DE-599)KEP102416567 (OCoLC)1429907496 (DOAB)134484 (EBP)102416567 DE-627 ger DE-627 rda und A bicssc A Driving Force On the Rhetoric of Images and Power [Erscheinungsort nicht ermittelbar] Fondazione Università Ca' Foscari 2023 1 Online-Ressource Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Quaderni di <i>Venezia Arti</i> 14 Open Access Unrestricted online access star The volume comprises a selection of papers presented at the 5th Postgraduate International Conference organized by the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice (Venice, 4-6 October 2023): A Driving Force. On the Rhetoric of Images and Power. In the introduction to his well-known The Power of Images (1989), David Freedberg claims not only that images hold power over us, but they are also, inevitably, related to ‘power’ itself. Art is therefore a powerful and non-neutral tool. Its forms and expressions influence and manipulate the realm of the real. Throughout human history, the artist’s creative power gave form, substance, and meaning to otherwise inert matter. This process turned the artist into a demiurge. Furthermore, once images are given their final form, they circulate and live a life of their own. The 5th Postgraduate International Conference was aimed at investigating the rhetorical nature of the intersection between image and power. In 1979 Yuri Lotman claimed that “rhetoric” is the displacement of the structural principles of a given semiotic sphere into another semiotic sphere. The Tartu semiologist’s approach implies that the “correlation with different semiotic systems gives rise to a rhetorical situation in which a powerful source of elaboration of new meanings is contained”. In exploring these meanings from a multidisciplinary perspective, this volume investigates two main themes: the power of the image, as an autonomous device, endowed with a pervasive and persuasive character; the image as a form for representing power which addresses questions concerning the sense of authority, and its negation, namely a sense of dissidence and counter-narrations Namensnennung 4.0 International CC BY 4.0 cc https://creativecommons.org/licenses/by/4.0/ English The Arts Political iconography,Visual Culture,Fascism,Power,Surveillance,Iconography,National image,Byzantine empire,French Revolution,Sapieha family,Image and power,Jan Fryderyk Sapieha,Allegory,Directory,Image,Kustar,New media installation art,Aby Warburg,Russian style,Politics,Venice,Byzantine sculpture,Socially engaged art,Lucerne,Post-representation,Postcolonialism,Occupational realism,Gendered bodies,A/traverso,Metaphor,Geographical personifications,Byzantine Empire,Paraesthetics,Public sphere,Materialism,Poor power images,Lebanon,Visual identity,Gaze,Design,Technology,Poor power Images,Our Lady of Kodeń,Modern Art History,Polish-Lithuanian Commonwealth,Post-Representation,Palazzo Madama, Torino,Painted facade,Sursock Museum,Latin faith,Countersurveillance Fashion,Speculative design,Portrait de la jeune fille en feu,Feminist art,<p>Kustar,Speculative Design,Beirut,Political iconology,Un’Ambigua Utopia,Image theory,Salon dʼAutomne,Russian Empire,Second Post War Period,Sixteenth-century Italian art,Countersurveillance fashion,Crossmapping,Palaiologan Renaissance,Wearable technologies,Venice Biennale,Warfare,Alternative press,Neoliberal imaginary,Contemporary art,Drone,Melodrama,John V Palaiologos,Salon d'Automne,Decoloniality,Labour of love,Italy,Scuole Grandi,Propaganda,Rhetoric,Holbein,Saint George,Modern art history,Coronation of Miraculous Images,Visual culture,Renaissance,Exhibition,Portrait de la jeune fille en few,Optic Nerve,Historiographical bias,Macedonia,Sex,Religious submission,Cittadini originari,General intellect,Wood,Distorted portrait,Folklore,The Bureau of Melodramatic Research,The Peggy Guggenheim Collection,Revolutionary festival,New Formalism,Arts and crafts,Nicolas Ibrahim Sursock,Symbols,Pietro Aretino,Kodeń,Autotheory,New Media Installation Art,Vittorio Viale https://directory.doabooks.org/handle/20.500.12854/134484 X:DOAB Verlag kostenfrei ZDB-94-OAB GBV_ILN_11 ISIL_DE-1a SYSFLAG_1 GBV_KXP GBV_ILN_20 ISIL_DE-84 GBV_ILN_22 ISIL_DE-18 GBV_ILN_23 ISIL_DE-830 GBV_ILN_24 ISIL_DE-8 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_60 ISIL_DE-705 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_90 ISIL_DE-Hil2 GBV_ILN_91 ISIL_DE-HIL3 GBV_ILN_92 ISIL_DE-33 GBV_ILN_95 ISIL_DE-542 GBV_ILN_105 ISIL_DE-841 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_130 ISIL_DE-700 GBV_ILN_131 ISIL_DE-Va1 GBV_ILN_132 ISIL_DE-959 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_635 ISIL_DE-B2138 GBV_ILN_808 GBV_ILN_2011 ISIL_DE-16 GBV_ILN_2014 ISIL_DE-90 GBV_ILN_2018 ISIL_DE-31 GBV_ILN_2034 ISIL_DE-Rt2 GBV_ILN_2037 ISIL_DE-747 GBV_ILN_2050 ISIL_DE-Zi4 GBV_ILN_2108 ISIL_DE-991 GBV_ILN_2403 ISIL_DE-LFER BO 11 01 0001 4517843629 00 5:LIZFREI --%%-- --%%-- --%%-- k 28-04-24 20 01 0084 4518094115 OLR-DOAB z 28-04-24 22 01 0018 4517914755 OLR-ZDB-94-OAB DOAB Directory of Open Access Books zu 28-04-24 23 01 0830 4518023315 olr-doab f z 28-04-24 24 01 0008 4518235789 OLR-doab z 29-04-24 30 01 0104 4518129547 OLR-OAB Open Access, Directory of Open Access Books (DOAB) z 29-04-24 31 01 0027 4517951189 OLR-DOAB z 28-04-24 39 01 0547 4518164989 OLR-ZDB-94-OAB ke 29-04-24 40 01 0007 4517878953 OLR-DOAB xsn 28-04-24 60 01 0705 4517698009 OPENAccess Vervielfältigungen (z.B. 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| allfieldsGer |
9788869697715 978-88-6969-771-5 20.500.12854/134484 hdl (DE-627)1885779348 (DE-599)KEP102416567 (OCoLC)1429907496 (DOAB)134484 (EBP)102416567 DE-627 ger DE-627 rda und A bicssc A Driving Force On the Rhetoric of Images and Power [Erscheinungsort nicht ermittelbar] Fondazione Università Ca' Foscari 2023 1 Online-Ressource Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Quaderni di <i>Venezia Arti</i> 14 Open Access Unrestricted online access star The volume comprises a selection of papers presented at the 5th Postgraduate International Conference organized by the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice (Venice, 4-6 October 2023): A Driving Force. On the Rhetoric of Images and Power. In the introduction to his well-known The Power of Images (1989), David Freedberg claims not only that images hold power over us, but they are also, inevitably, related to ‘power’ itself. Art is therefore a powerful and non-neutral tool. Its forms and expressions influence and manipulate the realm of the real. Throughout human history, the artist’s creative power gave form, substance, and meaning to otherwise inert matter. This process turned the artist into a demiurge. Furthermore, once images are given their final form, they circulate and live a life of their own. The 5th Postgraduate International Conference was aimed at investigating the rhetorical nature of the intersection between image and power. In 1979 Yuri Lotman claimed that “rhetoric” is the displacement of the structural principles of a given semiotic sphere into another semiotic sphere. The Tartu semiologist’s approach implies that the “correlation with different semiotic systems gives rise to a rhetorical situation in which a powerful source of elaboration of new meanings is contained”. In exploring these meanings from a multidisciplinary perspective, this volume investigates two main themes: the power of the image, as an autonomous device, endowed with a pervasive and persuasive character; the image as a form for representing power which addresses questions concerning the sense of authority, and its negation, namely a sense of dissidence and counter-narrations Namensnennung 4.0 International CC BY 4.0 cc https://creativecommons.org/licenses/by/4.0/ English The Arts Political iconography,Visual Culture,Fascism,Power,Surveillance,Iconography,National image,Byzantine empire,French Revolution,Sapieha family,Image and power,Jan Fryderyk Sapieha,Allegory,Directory,Image,Kustar,New media installation art,Aby Warburg,Russian style,Politics,Venice,Byzantine sculpture,Socially engaged art,Lucerne,Post-representation,Postcolonialism,Occupational realism,Gendered bodies,A/traverso,Metaphor,Geographical personifications,Byzantine Empire,Paraesthetics,Public sphere,Materialism,Poor power images,Lebanon,Visual identity,Gaze,Design,Technology,Poor power Images,Our Lady of Kodeń,Modern Art History,Polish-Lithuanian Commonwealth,Post-Representation,Palazzo Madama, Torino,Painted facade,Sursock Museum,Latin faith,Countersurveillance Fashion,Speculative design,Portrait de la jeune fille en feu,Feminist art,<p>Kustar,Speculative Design,Beirut,Political iconology,Un’Ambigua Utopia,Image theory,Salon dʼAutomne,Russian Empire,Second Post War Period,Sixteenth-century Italian art,Countersurveillance fashion,Crossmapping,Palaiologan Renaissance,Wearable technologies,Venice Biennale,Warfare,Alternative press,Neoliberal imaginary,Contemporary art,Drone,Melodrama,John V Palaiologos,Salon d'Automne,Decoloniality,Labour of love,Italy,Scuole Grandi,Propaganda,Rhetoric,Holbein,Saint George,Modern art history,Coronation of Miraculous Images,Visual culture,Renaissance,Exhibition,Portrait de la jeune fille en few,Optic Nerve,Historiographical bias,Macedonia,Sex,Religious submission,Cittadini originari,General intellect,Wood,Distorted portrait,Folklore,The Bureau of Melodramatic Research,The Peggy Guggenheim Collection,Revolutionary festival,New Formalism,Arts and crafts,Nicolas Ibrahim Sursock,Symbols,Pietro Aretino,Kodeń,Autotheory,New Media Installation Art,Vittorio Viale https://directory.doabooks.org/handle/20.500.12854/134484 X:DOAB Verlag kostenfrei ZDB-94-OAB GBV_ILN_11 ISIL_DE-1a SYSFLAG_1 GBV_KXP GBV_ILN_20 ISIL_DE-84 GBV_ILN_22 ISIL_DE-18 GBV_ILN_23 ISIL_DE-830 GBV_ILN_24 ISIL_DE-8 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_60 ISIL_DE-705 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_90 ISIL_DE-Hil2 GBV_ILN_91 ISIL_DE-HIL3 GBV_ILN_92 ISIL_DE-33 GBV_ILN_95 ISIL_DE-542 GBV_ILN_105 ISIL_DE-841 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_130 ISIL_DE-700 GBV_ILN_131 ISIL_DE-Va1 GBV_ILN_132 ISIL_DE-959 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_635 ISIL_DE-B2138 GBV_ILN_808 GBV_ILN_2011 ISIL_DE-16 GBV_ILN_2014 ISIL_DE-90 GBV_ILN_2018 ISIL_DE-31 GBV_ILN_2034 ISIL_DE-Rt2 GBV_ILN_2037 ISIL_DE-747 GBV_ILN_2050 ISIL_DE-Zi4 GBV_ILN_2108 ISIL_DE-991 GBV_ILN_2403 ISIL_DE-LFER BO 11 01 0001 4517843629 00 5:LIZFREI --%%-- --%%-- --%%-- k 28-04-24 20 01 0084 4518094115 OLR-DOAB z 28-04-24 22 01 0018 4517914755 OLR-ZDB-94-OAB DOAB Directory of Open Access Books zu 28-04-24 23 01 0830 4518023315 olr-doab f z 28-04-24 24 01 0008 4518235789 OLR-doab z 29-04-24 30 01 0104 4518129547 OLR-OAB Open Access, Directory of Open Access Books (DOAB) z 29-04-24 31 01 0027 4517951189 OLR-DOAB z 28-04-24 39 01 0547 4518164989 OLR-ZDB-94-OAB ke 29-04-24 40 01 0007 4517878953 OLR-DOAB xsn 28-04-24 60 01 0705 4517698009 OPENAccess Vervielfältigungen (z.B. 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| allfieldsSound |
9788869697715 978-88-6969-771-5 20.500.12854/134484 hdl (DE-627)1885779348 (DE-599)KEP102416567 (OCoLC)1429907496 (DOAB)134484 (EBP)102416567 DE-627 ger DE-627 rda und A bicssc A Driving Force On the Rhetoric of Images and Power [Erscheinungsort nicht ermittelbar] Fondazione Università Ca' Foscari 2023 1 Online-Ressource Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Quaderni di <i>Venezia Arti</i> 14 Open Access Unrestricted online access star The volume comprises a selection of papers presented at the 5th Postgraduate International Conference organized by the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice (Venice, 4-6 October 2023): A Driving Force. On the Rhetoric of Images and Power. In the introduction to his well-known The Power of Images (1989), David Freedberg claims not only that images hold power over us, but they are also, inevitably, related to ‘power’ itself. Art is therefore a powerful and non-neutral tool. Its forms and expressions influence and manipulate the realm of the real. Throughout human history, the artist’s creative power gave form, substance, and meaning to otherwise inert matter. This process turned the artist into a demiurge. Furthermore, once images are given their final form, they circulate and live a life of their own. The 5th Postgraduate International Conference was aimed at investigating the rhetorical nature of the intersection between image and power. In 1979 Yuri Lotman claimed that “rhetoric” is the displacement of the structural principles of a given semiotic sphere into another semiotic sphere. The Tartu semiologist’s approach implies that the “correlation with different semiotic systems gives rise to a rhetorical situation in which a powerful source of elaboration of new meanings is contained”. In exploring these meanings from a multidisciplinary perspective, this volume investigates two main themes: the power of the image, as an autonomous device, endowed with a pervasive and persuasive character; the image as a form for representing power which addresses questions concerning the sense of authority, and its negation, namely a sense of dissidence and counter-narrations Namensnennung 4.0 International CC BY 4.0 cc https://creativecommons.org/licenses/by/4.0/ English The Arts Political iconography,Visual Culture,Fascism,Power,Surveillance,Iconography,National image,Byzantine empire,French Revolution,Sapieha family,Image and power,Jan Fryderyk Sapieha,Allegory,Directory,Image,Kustar,New media installation art,Aby Warburg,Russian style,Politics,Venice,Byzantine sculpture,Socially engaged art,Lucerne,Post-representation,Postcolonialism,Occupational realism,Gendered bodies,A/traverso,Metaphor,Geographical personifications,Byzantine Empire,Paraesthetics,Public sphere,Materialism,Poor power images,Lebanon,Visual identity,Gaze,Design,Technology,Poor power Images,Our Lady of Kodeń,Modern Art History,Polish-Lithuanian Commonwealth,Post-Representation,Palazzo Madama, Torino,Painted facade,Sursock Museum,Latin faith,Countersurveillance Fashion,Speculative design,Portrait de la jeune fille en feu,Feminist art,<p>Kustar,Speculative Design,Beirut,Political iconology,Un’Ambigua Utopia,Image theory,Salon dʼAutomne,Russian Empire,Second Post War Period,Sixteenth-century Italian art,Countersurveillance fashion,Crossmapping,Palaiologan Renaissance,Wearable technologies,Venice Biennale,Warfare,Alternative press,Neoliberal imaginary,Contemporary art,Drone,Melodrama,John V Palaiologos,Salon d'Automne,Decoloniality,Labour of love,Italy,Scuole Grandi,Propaganda,Rhetoric,Holbein,Saint George,Modern art history,Coronation of Miraculous Images,Visual culture,Renaissance,Exhibition,Portrait de la jeune fille en few,Optic Nerve,Historiographical bias,Macedonia,Sex,Religious submission,Cittadini originari,General intellect,Wood,Distorted portrait,Folklore,The Bureau of Melodramatic Research,The Peggy Guggenheim Collection,Revolutionary festival,New Formalism,Arts and crafts,Nicolas Ibrahim Sursock,Symbols,Pietro Aretino,Kodeń,Autotheory,New Media Installation Art,Vittorio Viale https://directory.doabooks.org/handle/20.500.12854/134484 X:DOAB Verlag kostenfrei ZDB-94-OAB GBV_ILN_11 ISIL_DE-1a SYSFLAG_1 GBV_KXP GBV_ILN_20 ISIL_DE-84 GBV_ILN_22 ISIL_DE-18 GBV_ILN_23 ISIL_DE-830 GBV_ILN_24 ISIL_DE-8 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_60 ISIL_DE-705 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_90 ISIL_DE-Hil2 GBV_ILN_91 ISIL_DE-HIL3 GBV_ILN_92 ISIL_DE-33 GBV_ILN_95 ISIL_DE-542 GBV_ILN_105 ISIL_DE-841 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_130 ISIL_DE-700 GBV_ILN_131 ISIL_DE-Va1 GBV_ILN_132 ISIL_DE-959 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_635 ISIL_DE-B2138 GBV_ILN_808 GBV_ILN_2011 ISIL_DE-16 GBV_ILN_2014 ISIL_DE-90 GBV_ILN_2018 ISIL_DE-31 GBV_ILN_2034 ISIL_DE-Rt2 GBV_ILN_2037 ISIL_DE-747 GBV_ILN_2050 ISIL_DE-Zi4 GBV_ILN_2108 ISIL_DE-991 GBV_ILN_2403 ISIL_DE-LFER BO 11 01 0001 4517843629 00 5:LIZFREI --%%-- --%%-- --%%-- k 28-04-24 20 01 0084 4518094115 OLR-DOAB z 28-04-24 22 01 0018 4517914755 OLR-ZDB-94-OAB DOAB Directory of Open Access Books zu 28-04-24 23 01 0830 4518023315 olr-doab f z 28-04-24 24 01 0008 4518235789 OLR-doab z 29-04-24 30 01 0104 4518129547 OLR-OAB Open Access, Directory of Open Access Books (DOAB) z 29-04-24 31 01 0027 4517951189 OLR-DOAB z 28-04-24 39 01 0547 4518164989 OLR-ZDB-94-OAB ke 29-04-24 40 01 0007 4517878953 OLR-DOAB xsn 28-04-24 60 01 0705 4517698009 OPENAccess Vervielfältigungen (z.B. 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In exploring these meanings from a multidisciplinary perspective, this volume investigates two main themes: the power of the image, as an autonomous device, endowed with a pervasive and persuasive character; the image as a form for representing power which addresses questions concerning the sense of authority, and its negation, namely a sense of dissidence and counter-narrations</subfield></datafield><datafield tag="540" ind1=" " ind2=" "><subfield code="a">Namensnennung 4.0 International</subfield><subfield code="f">CC BY 4.0</subfield><subfield code="2">cc</subfield><subfield code="u">https://creativecommons.org/licenses/by/4.0/</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">English</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">The Arts</subfield></datafield><datafield tag="653" ind1=" " ind2=" "><subfield code="a">Political iconography,Visual Culture,Fascism,Power,Surveillance,Iconography,National image,Byzantine 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Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="y">z</subfield><subfield code="z">29-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">161</subfield><subfield code="1">01</subfield><subfield code="x">0960</subfield><subfield code="b">4517326233</subfield><subfield code="h">OLR-DOAB</subfield><subfield code="k">DOAB Directory of Open Access Books</subfield><subfield code="y">z</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">213</subfield><subfield code="1">01</subfield><subfield code="x">0551</subfield><subfield code="b">4517601218</subfield><subfield code="h">OLR-DOAB</subfield><subfield code="k">DOAB Directory of Open Access Books</subfield><subfield code="y">z</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">230</subfield><subfield code="1">01</subfield><subfield code="x">0552</subfield><subfield code="b">4517651894</subfield><subfield code="h">OLR-DOAB</subfield><subfield code="k">DOAB Directory of Open Access Books</subfield><subfield code="y">z</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">283</subfield><subfield code="1">01</subfield><subfield code="x">3283</subfield><subfield code="b">4517808343</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="y">z</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">293</subfield><subfield code="1">01</subfield><subfield code="x">3293</subfield><subfield code="b">4517361624</subfield><subfield code="h">OLR-DOAB</subfield><subfield code="k">DOAB Directory of Open Access Books</subfield><subfield code="y">z</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">370</subfield><subfield code="1">01</subfield><subfield code="x">4370</subfield><subfield code="b">4517549984</subfield><subfield code="h">OLR-FREE</subfield><subfield code="k">Kostenloser Zugriff</subfield><subfield code="y">z</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">635</subfield><subfield code="1">01</subfield><subfield code="x">3635</subfield><subfield code="b">4518518721</subfield><subfield code="h">OLR-DOAB</subfield><subfield code="k">Open Access. Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="y">z</subfield><subfield code="z">29-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">808</subfield><subfield code="1">01</subfield><subfield code="x">4808</subfield><subfield code="b">4518058712</subfield><subfield code="h">OLR-DOAB</subfield><subfield code="k">DOAB Directory of Open Access Books</subfield><subfield code="y">zg</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2011</subfield><subfield code="1">01</subfield><subfield code="x">DE-16</subfield><subfield code="b">4511908710</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">--%%--</subfield><subfield code="y">l01</subfield><subfield code="z">15-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2014</subfield><subfield code="1">01</subfield><subfield code="x">DE-90</subfield><subfield code="b">4512052194</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">--%%--</subfield><subfield code="y">l01</subfield><subfield code="z">15-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2018</subfield><subfield code="1">01</subfield><subfield code="x">DE-31</subfield><subfield code="b">4511908729</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">n</subfield><subfield code="k">Der Zugriff ist kostenfrei möglich.</subfield><subfield code="y">l01</subfield><subfield code="z">15-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2034</subfield><subfield code="1">01</subfield><subfield code="x">DE-Rt2</subfield><subfield code="b">4511908737</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">eBook</subfield><subfield code="e">n</subfield><subfield code="j">n</subfield><subfield code="k">frei zugänglich</subfield><subfield code="y">l01</subfield><subfield code="z">15-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2037</subfield><subfield code="1">01</subfield><subfield code="x">DE-747</subfield><subfield code="b">4511908745</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">eBook OAPEN Foundation OpenAccess</subfield><subfield code="e">--%%--</subfield><subfield code="j">n</subfield><subfield code="k">Im Internet frei verfügbar</subfield><subfield code="y">l01</subfield><subfield code="z">15-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2050</subfield><subfield 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31 01 0027 00 E-Book Open Access 132 01 0959 00 EBooks DOAB Open Access A Driving Force On the Rhetoric of Images and Power The Arts |
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misc The Arts misc Political iconography,Visual Culture,Fascism,Power,Surveillance,Iconography,National image,Byzantine empire,French Revolution,Sapieha family,Image and power,Jan Fryderyk Sapieha,Allegory,Directory,Image,Kustar,New media installation art,Aby Warburg,Russian style,Politics,Venice,Byzantine sculpture,Socially engaged art,Lucerne,Post-representation,Postcolonialism,Occupational realism,Gendered bodies,A/traverso,Metaphor,Geographical personifications,Byzantine Empire,Paraesthetics,Public sphere,Materialism,Poor power images,Lebanon,Visual identity,Gaze,Design,Technology,Poor power Images,Our Lady of Kodeń,Modern Art History,Polish-Lithuanian Commonwealth,Post-Representation,Palazzo Madama, Torino,Painted facade,Sursock Museum,Latin faith,Countersurveillance Fashion,Speculative design,Portrait de la jeune fille en feu,Feminist art,<p>Kustar,Speculative Design,Beirut,Political iconology,Un’Ambigua Utopia,Image theory,Salon dʼAutomne,Russian Empire,Second Post War Period,Sixteenth-century Italian art,Countersurveillance fashion,Crossmapping,Palaiologan Renaissance,Wearable technologies,Venice Biennale,Warfare,Alternative press,Neoliberal imaginary,Contemporary art,Drone,Melodrama,John V Palaiologos,Salon d'Automne,Decoloniality,Labour of love,Italy,Scuole Grandi,Propaganda,Rhetoric,Holbein,Saint George,Modern art history,Coronation of Miraculous Images,Visual culture,Renaissance,Exhibition,Portrait de la jeune fille en few,Optic Nerve,Historiographical bias,Macedonia,Sex,Religious submission,Cittadini originari,General intellect,Wood,Distorted portrait,Folklore,The Bureau of Melodramatic Research,The Peggy Guggenheim Collection,Revolutionary festival,New Formalism,Arts and crafts,Nicolas Ibrahim Sursock,Symbols,Pietro Aretino,Kodeń,Autotheory,New Media Installation Art,Vittorio Viale 31 E-Book Open Access 132 EBooks DOAB Open Access |
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misc The Arts misc Political iconography,Visual Culture,Fascism,Power,Surveillance,Iconography,National image,Byzantine empire,French Revolution,Sapieha family,Image and power,Jan Fryderyk Sapieha,Allegory,Directory,Image,Kustar,New media installation art,Aby Warburg,Russian style,Politics,Venice,Byzantine sculpture,Socially engaged art,Lucerne,Post-representation,Postcolonialism,Occupational realism,Gendered bodies,A/traverso,Metaphor,Geographical personifications,Byzantine Empire,Paraesthetics,Public sphere,Materialism,Poor power images,Lebanon,Visual identity,Gaze,Design,Technology,Poor power Images,Our Lady of Kodeń,Modern Art History,Polish-Lithuanian Commonwealth,Post-Representation,Palazzo Madama, Torino,Painted facade,Sursock Museum,Latin faith,Countersurveillance Fashion,Speculative design,Portrait de la jeune fille en feu,Feminist art,<p>Kustar,Speculative Design,Beirut,Political iconology,Un’Ambigua Utopia,Image theory,Salon dʼAutomne,Russian Empire,Second Post War Period,Sixteenth-century Italian art,Countersurveillance fashion,Crossmapping,Palaiologan Renaissance,Wearable technologies,Venice Biennale,Warfare,Alternative press,Neoliberal imaginary,Contemporary art,Drone,Melodrama,John V Palaiologos,Salon d'Automne,Decoloniality,Labour of love,Italy,Scuole Grandi,Propaganda,Rhetoric,Holbein,Saint George,Modern art history,Coronation of Miraculous Images,Visual culture,Renaissance,Exhibition,Portrait de la jeune fille en few,Optic Nerve,Historiographical bias,Macedonia,Sex,Religious submission,Cittadini originari,General intellect,Wood,Distorted portrait,Folklore,The Bureau of Melodramatic Research,The Peggy Guggenheim Collection,Revolutionary festival,New Formalism,Arts and crafts,Nicolas Ibrahim Sursock,Symbols,Pietro Aretino,Kodeń,Autotheory,New Media Installation Art,Vittorio Viale 31 E-Book Open Access 132 EBooks DOAB Open Access A Driving Force On the Rhetoric of Images and Power |
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misc The Arts misc Political iconography,Visual Culture,Fascism,Power,Surveillance,Iconography,National image,Byzantine empire,French Revolution,Sapieha family,Image and power,Jan Fryderyk Sapieha,Allegory,Directory,Image,Kustar,New media installation art,Aby Warburg,Russian style,Politics,Venice,Byzantine sculpture,Socially engaged art,Lucerne,Post-representation,Postcolonialism,Occupational realism,Gendered bodies,A/traverso,Metaphor,Geographical personifications,Byzantine Empire,Paraesthetics,Public sphere,Materialism,Poor power images,Lebanon,Visual identity,Gaze,Design,Technology,Poor power Images,Our Lady of Kodeń,Modern Art History,Polish-Lithuanian Commonwealth,Post-Representation,Palazzo Madama, Torino,Painted facade,Sursock Museum,Latin faith,Countersurveillance Fashion,Speculative design,Portrait de la jeune fille en feu,Feminist art,<p>Kustar,Speculative Design,Beirut,Political iconology,Un’Ambigua Utopia,Image theory,Salon dʼAutomne,Russian Empire,Second Post War Period,Sixteenth-century Italian art,Countersurveillance fashion,Crossmapping,Palaiologan Renaissance,Wearable technologies,Venice Biennale,Warfare,Alternative press,Neoliberal imaginary,Contemporary art,Drone,Melodrama,John V Palaiologos,Salon d'Automne,Decoloniality,Labour of love,Italy,Scuole Grandi,Propaganda,Rhetoric,Holbein,Saint George,Modern art history,Coronation of Miraculous Images,Visual culture,Renaissance,Exhibition,Portrait de la jeune fille en few,Optic Nerve,Historiographical bias,Macedonia,Sex,Religious submission,Cittadini originari,General intellect,Wood,Distorted portrait,Folklore,The Bureau of Melodramatic Research,The Peggy Guggenheim Collection,Revolutionary festival,New Formalism,Arts and crafts,Nicolas Ibrahim Sursock,Symbols,Pietro Aretino,Kodeń,Autotheory,New Media Installation Art,Vittorio Viale 31 E-Book Open Access 132 EBooks DOAB Open Access |
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A Driving Force On the Rhetoric of Images and Power |
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The volume comprises a selection of papers presented at the 5th Postgraduate International Conference organized by the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice (Venice, 4-6 October 2023): A Driving Force. On the Rhetoric of Images and Power. In the introduction to his well-known The Power of Images (1989), David Freedberg claims not only that images hold power over us, but they are also, inevitably, related to ‘power’ itself. Art is therefore a powerful and non-neutral tool. Its forms and expressions influence and manipulate the realm of the real. Throughout human history, the artist’s creative power gave form, substance, and meaning to otherwise inert matter. This process turned the artist into a demiurge. Furthermore, once images are given their final form, they circulate and live a life of their own. The 5th Postgraduate International Conference was aimed at investigating the rhetorical nature of the intersection between image and power. In 1979 Yuri Lotman claimed that “rhetoric” is the displacement of the structural principles of a given semiotic sphere into another semiotic sphere. The Tartu semiologist’s approach implies that the “correlation with different semiotic systems gives rise to a rhetorical situation in which a powerful source of elaboration of new meanings is contained”. In exploring these meanings from a multidisciplinary perspective, this volume investigates two main themes: the power of the image, as an autonomous device, endowed with a pervasive and persuasive character; the image as a form for representing power which addresses questions concerning the sense of authority, and its negation, namely a sense of dissidence and counter-narrations |
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The volume comprises a selection of papers presented at the 5th Postgraduate International Conference organized by the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice (Venice, 4-6 October 2023): A Driving Force. On the Rhetoric of Images and Power. In the introduction to his well-known The Power of Images (1989), David Freedberg claims not only that images hold power over us, but they are also, inevitably, related to ‘power’ itself. Art is therefore a powerful and non-neutral tool. Its forms and expressions influence and manipulate the realm of the real. Throughout human history, the artist’s creative power gave form, substance, and meaning to otherwise inert matter. This process turned the artist into a demiurge. Furthermore, once images are given their final form, they circulate and live a life of their own. The 5th Postgraduate International Conference was aimed at investigating the rhetorical nature of the intersection between image and power. In 1979 Yuri Lotman claimed that “rhetoric” is the displacement of the structural principles of a given semiotic sphere into another semiotic sphere. The Tartu semiologist’s approach implies that the “correlation with different semiotic systems gives rise to a rhetorical situation in which a powerful source of elaboration of new meanings is contained”. In exploring these meanings from a multidisciplinary perspective, this volume investigates two main themes: the power of the image, as an autonomous device, endowed with a pervasive and persuasive character; the image as a form for representing power which addresses questions concerning the sense of authority, and its negation, namely a sense of dissidence and counter-narrations |
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The volume comprises a selection of papers presented at the 5th Postgraduate International Conference organized by the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice (Venice, 4-6 October 2023): A Driving Force. On the Rhetoric of Images and Power. In the introduction to his well-known The Power of Images (1989), David Freedberg claims not only that images hold power over us, but they are also, inevitably, related to ‘power’ itself. Art is therefore a powerful and non-neutral tool. Its forms and expressions influence and manipulate the realm of the real. Throughout human history, the artist’s creative power gave form, substance, and meaning to otherwise inert matter. This process turned the artist into a demiurge. Furthermore, once images are given their final form, they circulate and live a life of their own. The 5th Postgraduate International Conference was aimed at investigating the rhetorical nature of the intersection between image and power. In 1979 Yuri Lotman claimed that “rhetoric” is the displacement of the structural principles of a given semiotic sphere into another semiotic sphere. The Tartu semiologist’s approach implies that the “correlation with different semiotic systems gives rise to a rhetorical situation in which a powerful source of elaboration of new meanings is contained”. In exploring these meanings from a multidisciplinary perspective, this volume investigates two main themes: the power of the image, as an autonomous device, endowed with a pervasive and persuasive character; the image as a form for representing power which addresses questions concerning the sense of authority, and its negation, namely a sense of dissidence and counter-narrations |
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<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01000nam a22002652 4500</leader><controlfield tag="001">1885779348</controlfield><controlfield tag="003">DE-627</controlfield><controlfield tag="005">20240415173036.0</controlfield><controlfield tag="007">cr uuu---uuuuu</controlfield><controlfield tag="008">240415s2023 xx |||||o 00| ||und c</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9788869697715</subfield><subfield code="9">978-88-6969-771-5</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">20.500.12854/134484</subfield><subfield code="2">hdl</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-627)1885779348</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)KEP102416567</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1429907496</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DOAB)134484</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(EBP)102416567</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-627</subfield><subfield code="b">ger</subfield><subfield code="c">DE-627</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1=" " ind2=" "><subfield code="a">und</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">A</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">A Driving Force</subfield><subfield code="b">On the Rhetoric of Images and Power</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">[Erscheinungsort nicht ermittelbar]</subfield><subfield code="b">Fondazione Università Ca' Foscari</subfield><subfield code="c">2023</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">Text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">Computermedien</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">Online-Ressource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Quaderni di <i>Venezia Arti</i></subfield><subfield code="v">14</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">Open Access</subfield><subfield code="f">Unrestricted online access</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The volume comprises a selection of papers presented at the 5th Postgraduate International Conference organized by the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice (Venice, 4-6 October 2023): A Driving Force. 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Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="y">z</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">105</subfield><subfield code="1">01</subfield><subfield code="x">0841</subfield><subfield code="b">4518483316</subfield><subfield code="h">OLR-OAB</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="y">z</subfield><subfield code="z">29-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">110</subfield><subfield code="1">01</subfield><subfield code="x">3110</subfield><subfield code="b">451827119X</subfield><subfield code="h">OLR-DOAB</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="k">Open Access</subfield><subfield code="y">z</subfield><subfield code="z">29-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">130</subfield><subfield code="1">01</subfield><subfield code="x">0700</subfield><subfield code="b">4518306600</subfield><subfield code="h">OLR-DOAB</subfield><subfield code="y">z</subfield><subfield code="z">29-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">131</subfield><subfield code="1">01</subfield><subfield code="x">3131</subfield><subfield code="b">4518342046</subfield><subfield code="h">OLR-OA-DOAB</subfield><subfield code="k">Bitte beachten Sie die Nutzungsbedingungen und Copyright-Bestimmungen des Verlages/Herausgebers.</subfield><subfield code="y">z</subfield><subfield code="z">29-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">132</subfield><subfield code="1">01</subfield><subfield code="x">0959</subfield><subfield code="b">4517396886</subfield><subfield code="h">OLR-OAB</subfield><subfield code="u">Open Access</subfield><subfield code="y">x</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">136</subfield><subfield code="1">01</subfield><subfield code="x">3526</subfield><subfield code="b">4517733769</subfield><subfield code="h">OLR-DOAB</subfield><subfield code="y">z</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">147</subfield><subfield code="1">01</subfield><subfield code="x">3528</subfield><subfield code="b">4518447948</subfield><subfield code="h">OLR-DOAB</subfield><subfield code="k">frei verfügbar für Europa-Universität Flensburg, Hochschule Flensburg und Zentrale Hochschulbibliothek</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="y">z</subfield><subfield code="z">29-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">161</subfield><subfield code="1">01</subfield><subfield code="x">0960</subfield><subfield code="b">4517326233</subfield><subfield code="h">OLR-DOAB</subfield><subfield code="k">DOAB Directory of Open Access Books</subfield><subfield code="y">z</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">213</subfield><subfield code="1">01</subfield><subfield code="x">0551</subfield><subfield code="b">4517601218</subfield><subfield code="h">OLR-DOAB</subfield><subfield code="k">DOAB Directory of Open Access Books</subfield><subfield code="y">z</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">230</subfield><subfield code="1">01</subfield><subfield code="x">0552</subfield><subfield code="b">4517651894</subfield><subfield code="h">OLR-DOAB</subfield><subfield code="k">DOAB Directory of Open Access Books</subfield><subfield code="y">z</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">283</subfield><subfield code="1">01</subfield><subfield code="x">3283</subfield><subfield code="b">4517808343</subfield><subfield code="k">Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="y">z</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">293</subfield><subfield code="1">01</subfield><subfield code="x">3293</subfield><subfield code="b">4517361624</subfield><subfield code="h">OLR-DOAB</subfield><subfield code="k">DOAB Directory of Open Access Books</subfield><subfield code="y">z</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">370</subfield><subfield code="1">01</subfield><subfield code="x">4370</subfield><subfield code="b">4517549984</subfield><subfield code="h">OLR-FREE</subfield><subfield code="k">Kostenloser Zugriff</subfield><subfield code="y">z</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">635</subfield><subfield code="1">01</subfield><subfield code="x">3635</subfield><subfield code="b">4518518721</subfield><subfield code="h">OLR-DOAB</subfield><subfield code="k">Open Access. Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt.</subfield><subfield code="y">z</subfield><subfield code="z">29-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">808</subfield><subfield code="1">01</subfield><subfield code="x">4808</subfield><subfield code="b">4518058712</subfield><subfield code="h">OLR-DOAB</subfield><subfield code="k">DOAB Directory of Open Access Books</subfield><subfield code="y">zg</subfield><subfield code="z">28-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2011</subfield><subfield code="1">01</subfield><subfield code="x">DE-16</subfield><subfield code="b">4511908710</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">--%%--</subfield><subfield code="y">l01</subfield><subfield code="z">15-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2014</subfield><subfield code="1">01</subfield><subfield code="x">DE-90</subfield><subfield code="b">4512052194</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">--%%--</subfield><subfield code="y">l01</subfield><subfield code="z">15-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2018</subfield><subfield code="1">01</subfield><subfield code="x">DE-31</subfield><subfield code="b">4511908729</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">n</subfield><subfield code="k">Der Zugriff ist kostenfrei möglich.</subfield><subfield code="y">l01</subfield><subfield code="z">15-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2034</subfield><subfield code="1">01</subfield><subfield code="x">DE-Rt2</subfield><subfield code="b">4511908737</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">eBook</subfield><subfield code="e">n</subfield><subfield code="j">n</subfield><subfield code="k">frei zugänglich</subfield><subfield code="y">l01</subfield><subfield code="z">15-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2037</subfield><subfield code="1">01</subfield><subfield code="x">DE-747</subfield><subfield code="b">4511908745</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">eBook OAPEN Foundation OpenAccess</subfield><subfield code="e">--%%--</subfield><subfield code="j">n</subfield><subfield code="k">Im Internet frei verfügbar</subfield><subfield code="y">l01</subfield><subfield code="z">15-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2050</subfield><subfield code="1">01</subfield><subfield code="x">DE-Zi4</subfield><subfield code="b">4512052208</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">n</subfield><subfield code="k">Elektronischer Volltext - Open Access</subfield><subfield code="y">l01</subfield><subfield code="z">15-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2108</subfield><subfield code="1">01</subfield><subfield code="x">DE-991</subfield><subfield code="b">4511908753</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">eBook DOAB</subfield><subfield code="e">--%%--</subfield><subfield code="j">n</subfield><subfield code="k">Elektronischer Volltext - Campuslizenz</subfield><subfield code="y">l01</subfield><subfield code="z">15-04-24</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield 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code="1">01</subfield><subfield code="x">0830</subfield><subfield code="r">https://directory.doabooks.org/handle/20.500.12854/134484</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">24</subfield><subfield code="1">01</subfield><subfield code="x">0008</subfield><subfield code="r">https://directory.doabooks.org/handle/20.500.12854/134484</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">30</subfield><subfield code="1">01</subfield><subfield code="x">0104</subfield><subfield code="r">https://directory.doabooks.org/handle/20.500.12854/134484</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">31</subfield><subfield code="1">01</subfield><subfield code="x">0027</subfield><subfield code="r">https://directory.doabooks.org/handle/20.500.12854/134484</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">40</subfield><subfield code="1">01</subfield><subfield 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"><subfield code="2">65</subfield><subfield code="1">01</subfield><subfield code="x">0003</subfield><subfield code="y">Dieser Titel ist Teil einer Datenbank</subfield><subfield code="r">http://www.bibliothek.uni-regensburg.de/dbinfo/detail.php?titel_id=11367&bib_id=ulb_hal</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">70</subfield><subfield code="1">01</subfield><subfield code="x">0089</subfield><subfield code="r">https://directory.doabooks.org/handle/20.500.12854/134484</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">72</subfield><subfield code="1">01</subfield><subfield code="x">0035</subfield><subfield code="r">https://directory.doabooks.org/handle/20.500.12854/134484</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">90</subfield><subfield code="1">01</subfield><subfield code="x">3090</subfield><subfield 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code="1">01</subfield><subfield code="x">4370</subfield><subfield code="r">https://directory.doabooks.org/handle/20.500.12854/134484</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">635</subfield><subfield code="1">01</subfield><subfield code="x">3635</subfield><subfield code="r">https://directory.doabooks.org/handle/20.500.12854/134484</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">808</subfield><subfield code="1">01</subfield><subfield code="x">4808</subfield><subfield code="y">Volltextzugang</subfield><subfield code="r">https://directory.doabooks.org/handle/20.500.12854/134484</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">2011</subfield><subfield code="1">01</subfield><subfield code="x">DE-16</subfield><subfield code="r">https://directory.doabooks.org/handle/20.500.12854/134484</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">2014</subfield><subfield code="1">01</subfield><subfield code="x">DE-90</subfield><subfield code="y">Volltext frei verfügbar</subfield><subfield code="r">https://directory.doabooks.org/handle/20.500.12854/134484</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">2034</subfield><subfield code="1">01</subfield><subfield code="x">DE-Rt2</subfield><subfield code="r">https://directory.doabooks.org/handle/20.500.12854/134484</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">2037</subfield><subfield code="1">01</subfield><subfield code="x">DE-747</subfield><subfield code="r">https://directory.doabooks.org/handle/20.500.12854/134484</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield code="2">2050</subfield><subfield code="1">01</subfield><subfield code="x">DE-Zi4</subfield><subfield code="r">https://directory.doabooks.org/handle/20.500.12854/134484</subfield></datafield><datafield tag="981" ind1=" " ind2=" "><subfield 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| score |
7.167425 |