Bits and Pieces : Screening Animal Life and Death
Bits and Pieces: Screening Animal Life and Death gathers pivotal and more mundane moments, dispersed across a predominantly Western history of moving images, in which animals materialize in movies and TV shows, from iconic scenes of cattle slaughter in early Soviet montage to quandaries over hunting...
Ausführliche Beschreibung
Autor*in: |
O'Brien, Sarah [verfasserIn] |
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Format: |
E-Book |
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Sprache: |
Englisch |
Erschienen: |
Erscheinungsort nicht ermittelbar: University of Michigan Press ; 2023 |
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Rechteinformationen: |
Open Access Namensnennung - Nicht-kommerziell - Keine Bearbeitungen 4.0 International ; CC BY-NC-ND 4.0 |
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Schlagwörter: |
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Umfang: |
1 Online-Ressource (211 p.) |
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Links: | |
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ISBN: |
978-0-472-07625-3 978-0-472-05625-5 |
Katalog-ID: |
1904951899 |
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9780472076253 978-0-472-07625-3 9780472056255 978-0-472-05625-5 (DE-627)1904951899 (DE-599)KEP10833242X (OCoLC)1391382512 (OAPEN)62928 (EBP)10833242X DE-627 ger DE-627 rda eng ATD bicssc ATF bicssc ATJ bicssc AGN bicssc O'Brien, Sarah verfasserin aut Bits and Pieces Screening Animal Life and Death [Erscheinungsort nicht ermittelbar] University of Michigan Press 2023 1 Online-Ressource (211 p.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star Bits and Pieces: Screening Animal Life and Death gathers pivotal and more mundane moments, dispersed across a predominantly Western history of moving images, in which animals materialize in movies and TV shows, from iconic scenes of cattle slaughter in early Soviet montage to quandaries over hunting trophies in recent home-renovation reality TV series, to animals in Black horror films. Sarah O'Brien carefully views these fragments in dialogue with germinal texts at the intersection of animal studies, film and television studies, and cultural studies. She explores the capacity of moving images to unsettle the ways in which audiences have become habituated to viewing animal life and death on screens, and, more importantly, to understanding these images as more and less connected to the “production for consumption” of animals that is specific to modern industrialization. By looking back at films and TV series in which the places and practices of killing or keeping animals enter, occupy, or slip from the foreground, Bits and Pieces takes seriously the idea that cinema and television have the capacity not only to catch but to challenge and change viewers’ regard for animals Namensnennung - Nicht-kommerziell - Keine Bearbeitungen 4.0 International CC BY-NC-ND 4.0 cc https://creativecommons.org/licenses/by-nc-nd/4.0/ English Theatre studies Films, cinema Television Nature in art https://library.oapen.org/bitstream/id/386e33cf-67a6-47fe-9f72-d86993102987/9780472903573.pdf X:OAPEN Verlag kostenfrei https://library.oapen.org/handle/20.500.12657/62928 X:OAPEN Verlag kostenfrei ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER BO 22 01 0018 4606219874 OLR-ZDB-94-OAL OAPEN Library zu 29-10-24 23 01 0830 4606725672 OLR-OAPEN f z 29-10-24 30 01 0104 4607058394 GBV-OAPEN z 29-10-24 31 01 0027 460638624X z 29-10-24 34 01 3551 4604691134 OLR-OAPEN zi002 28-10-24 39 01 0547 4607224561 GBV-OAPEN ke 29-10-24 40 01 0007 4606053712 OLR-OAPEN xsn 29-10-24 63 01 3401 4607560359 E-Books LF GBV-OAPEN z 29-10-24 65 01 0003 4607726885 OLR-OAPEN z 29-10-24 70 01 0089 4606559349 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 29-10-24 72 01 0035 460446832X OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 28-10-24 95 01 3095 4604951209 OLR-OAL Vervielfältigungen (z.B. 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9780472076253 978-0-472-07625-3 9780472056255 978-0-472-05625-5 (DE-627)1904951899 (DE-599)KEP10833242X (OCoLC)1391382512 (OAPEN)62928 (EBP)10833242X DE-627 ger DE-627 rda eng ATD bicssc ATF bicssc ATJ bicssc AGN bicssc O'Brien, Sarah verfasserin aut Bits and Pieces Screening Animal Life and Death [Erscheinungsort nicht ermittelbar] University of Michigan Press 2023 1 Online-Ressource (211 p.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star Bits and Pieces: Screening Animal Life and Death gathers pivotal and more mundane moments, dispersed across a predominantly Western history of moving images, in which animals materialize in movies and TV shows, from iconic scenes of cattle slaughter in early Soviet montage to quandaries over hunting trophies in recent home-renovation reality TV series, to animals in Black horror films. Sarah O'Brien carefully views these fragments in dialogue with germinal texts at the intersection of animal studies, film and television studies, and cultural studies. She explores the capacity of moving images to unsettle the ways in which audiences have become habituated to viewing animal life and death on screens, and, more importantly, to understanding these images as more and less connected to the “production for consumption” of animals that is specific to modern industrialization. By looking back at films and TV series in which the places and practices of killing or keeping animals enter, occupy, or slip from the foreground, Bits and Pieces takes seriously the idea that cinema and television have the capacity not only to catch but to challenge and change viewers’ regard for animals Namensnennung - Nicht-kommerziell - Keine Bearbeitungen 4.0 International CC BY-NC-ND 4.0 cc https://creativecommons.org/licenses/by-nc-nd/4.0/ English Theatre studies Films, cinema Television Nature in art https://library.oapen.org/bitstream/id/386e33cf-67a6-47fe-9f72-d86993102987/9780472903573.pdf X:OAPEN Verlag kostenfrei https://library.oapen.org/handle/20.500.12657/62928 X:OAPEN Verlag kostenfrei ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER BO 22 01 0018 4606219874 OLR-ZDB-94-OAL OAPEN Library zu 29-10-24 23 01 0830 4606725672 OLR-OAPEN f z 29-10-24 30 01 0104 4607058394 GBV-OAPEN z 29-10-24 31 01 0027 460638624X z 29-10-24 34 01 3551 4604691134 OLR-OAPEN zi002 28-10-24 39 01 0547 4607224561 GBV-OAPEN ke 29-10-24 40 01 0007 4606053712 OLR-OAPEN xsn 29-10-24 63 01 3401 4607560359 E-Books LF GBV-OAPEN z 29-10-24 65 01 0003 4607726885 OLR-OAPEN z 29-10-24 70 01 0089 4606559349 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 29-10-24 72 01 0035 460446832X OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 28-10-24 95 01 3095 4604951209 OLR-OAL Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 29-10-24 110 01 3110 460739081X OLR-GBV-OAPEN Open Access z 29-10-24 136 01 3526 4605721258 OLR-OAPEN z 29-10-24 147 01 3528 4607894540 OLR-OAPEN frei verfügbar für Europa-Universität Flensburg, Hochschule Flensburg und Zentrale Hochschulbibliothek Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 29-10-24 161 01 0960 4603912722 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-10-24 187 01 3520 4604274371 JSTOR Open Access eBook z 28-10-24 213 01 0551 4605388826 OLR-OAPEN OAPEN Online Library Open Access eBook z 29-10-24 230 01 0552 4605554971 OLR-OAPEN OAPEN Online Library Open Access eBook z 29-10-24 283 01 3283 4605887512 OLR-OAL z 29-10-24 293 01 3293 4604088624 OLR-OAPEN OAPEN Online Library Open Access eBook z 28-10-24 370 01 4370 4605222596 OLR-FREE Kostenloser Zugriff z 29-10-24 603 01 4603 4603745990 OLR-OAPEN Bitte beachten Sie die Nutzungsbedingungen und Copyright-Bestimmungen des Verlages/Herausgebers. z 28-10-24 808 01 4808 4606891963 OLR-OAPEN OAPEN Library zg 29-10-24 2403 01 DE-LFER 4610585618 00 --%%-- --%%-- n --%%-- l01 06-11-24 22 01 0018 Volltextzugang https://library.oapen.org/handle/20.500.12657/62928 23 01 0830 https://library.oapen.org/handle/20.500.12657/62928 30 01 0104 Open Access https://library.oapen.org/handle/20.500.12657/62928 31 01 0027 eBook GBV-OAPEN https://library.oapen.org/handle/20.500.12657/62928 34 01 3551 OpenAccess https://library.oapen.org/handle/20.500.12657/62928 40 01 0007 Volltext, Open Access https://library.oapen.org/handle/20.500.12657/62928 63 01 3401 E-Book https://library.oapen.org/handle/20.500.12657/62928 65 01 0003 Open Access https://library.oapen.org/handle/20.500.12657/62928 65 01 0003 Dieser Titel ist Teil einer Datenbank http://www.bibliothek.uni-regensburg.de/dbinfo/detail.php?titel_id=10728&bib_id=ulb_hal 70 01 0089 https://library.oapen.org/handle/20.500.12657/62928 LF 72 01 0035 https://library.oapen.org/handle/20.500.12657/62928 95 01 3095 https://library.oapen.org/handle/20.500.12657/62928 110 01 3110 Open Access https://library.oapen.org/handle/20.500.12657/62928 136 01 3526 Open Access https://library.oapen.org/handle/20.500.12657/62928 147 01 3528 https://library.oapen.org/handle/20.500.12657/62928 161 01 0960 https://library.oapen.org/handle/20.500.12657/62928 LF 187 01 3520 https://library.oapen.org/handle/20.500.12657/62928 213 01 0551 https://library.oapen.org/handle/20.500.12657/62928 230 01 0552 https://library.oapen.org/handle/20.500.12657/62928 283 01 3283 https://library.oapen.org/handle/20.500.12657/62928 293 01 3293 https://library.oapen.org/handle/20.500.12657/62928 LF 370 01 4370 https://library.oapen.org/handle/20.500.12657/62928 603 01 4603 https://library.oapen.org/handle/20.500.12657/62928 808 01 4808 Volltextzugang https://library.oapen.org/handle/20.500.12657/62928 2403 01 DE-LFER https://library.oapen.org/bitstream/id/386e33cf-67a6-47fe-9f72-d86993102987/9780472903573.pdf 31 01 0027 00 eBook GBV-OAPEN 22 01 0018 OLR-ZDB-94-OAL 23 01 0830 OLR-OAPEN 30 01 0104 GBV-OAPEN 34 01 3551 OLR-OAPEN 39 01 0547 GBV-OAPEN 39 01 0547 LF 40 01 0007 OLR-OAPEN 63 01 3401 E-Books LF GBV-OAPEN 65 01 0003 OLR-OAPEN 70 01 0089 OLR-OAPEN-OA 72 01 0035 OLR-OAPEN-OA 95 01 3095 OLR-OAL 110 01 3110 OLR-GBV-OAPEN 136 01 3526 OLR-OAPEN 147 01 3528 OLR-OAPEN 161 01 0960 OLR-OAPEN 213 01 0551 OLR-OAPEN 230 01 0552 OLR-OAPEN 283 01 3283 OLR-OAL 293 01 3293 OLR-OAPEN 370 01 4370 OLR-FREE 370 01 4370 olr-ebook GBV-OAPEN 603 01 4603 OLR-OAPEN 808 01 4808 OLR-OAPEN |
allfields_unstemmed |
9780472076253 978-0-472-07625-3 9780472056255 978-0-472-05625-5 (DE-627)1904951899 (DE-599)KEP10833242X (OCoLC)1391382512 (OAPEN)62928 (EBP)10833242X DE-627 ger DE-627 rda eng ATD bicssc ATF bicssc ATJ bicssc AGN bicssc O'Brien, Sarah verfasserin aut Bits and Pieces Screening Animal Life and Death [Erscheinungsort nicht ermittelbar] University of Michigan Press 2023 1 Online-Ressource (211 p.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star Bits and Pieces: Screening Animal Life and Death gathers pivotal and more mundane moments, dispersed across a predominantly Western history of moving images, in which animals materialize in movies and TV shows, from iconic scenes of cattle slaughter in early Soviet montage to quandaries over hunting trophies in recent home-renovation reality TV series, to animals in Black horror films. Sarah O'Brien carefully views these fragments in dialogue with germinal texts at the intersection of animal studies, film and television studies, and cultural studies. She explores the capacity of moving images to unsettle the ways in which audiences have become habituated to viewing animal life and death on screens, and, more importantly, to understanding these images as more and less connected to the “production for consumption” of animals that is specific to modern industrialization. By looking back at films and TV series in which the places and practices of killing or keeping animals enter, occupy, or slip from the foreground, Bits and Pieces takes seriously the idea that cinema and television have the capacity not only to catch but to challenge and change viewers’ regard for animals Namensnennung - Nicht-kommerziell - Keine Bearbeitungen 4.0 International CC BY-NC-ND 4.0 cc https://creativecommons.org/licenses/by-nc-nd/4.0/ English Theatre studies Films, cinema Television Nature in art https://library.oapen.org/bitstream/id/386e33cf-67a6-47fe-9f72-d86993102987/9780472903573.pdf X:OAPEN Verlag kostenfrei https://library.oapen.org/handle/20.500.12657/62928 X:OAPEN Verlag kostenfrei ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER BO 22 01 0018 4606219874 OLR-ZDB-94-OAL OAPEN Library zu 29-10-24 23 01 0830 4606725672 OLR-OAPEN f z 29-10-24 30 01 0104 4607058394 GBV-OAPEN z 29-10-24 31 01 0027 460638624X z 29-10-24 34 01 3551 4604691134 OLR-OAPEN zi002 28-10-24 39 01 0547 4607224561 GBV-OAPEN ke 29-10-24 40 01 0007 4606053712 OLR-OAPEN xsn 29-10-24 63 01 3401 4607560359 E-Books LF GBV-OAPEN z 29-10-24 65 01 0003 4607726885 OLR-OAPEN z 29-10-24 70 01 0089 4606559349 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 29-10-24 72 01 0035 460446832X OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 28-10-24 95 01 3095 4604951209 OLR-OAL Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 29-10-24 110 01 3110 460739081X OLR-GBV-OAPEN Open Access z 29-10-24 136 01 3526 4605721258 OLR-OAPEN z 29-10-24 147 01 3528 4607894540 OLR-OAPEN frei verfügbar für Europa-Universität Flensburg, Hochschule Flensburg und Zentrale Hochschulbibliothek Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. 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allfieldsGer |
9780472076253 978-0-472-07625-3 9780472056255 978-0-472-05625-5 (DE-627)1904951899 (DE-599)KEP10833242X (OCoLC)1391382512 (OAPEN)62928 (EBP)10833242X DE-627 ger DE-627 rda eng ATD bicssc ATF bicssc ATJ bicssc AGN bicssc O'Brien, Sarah verfasserin aut Bits and Pieces Screening Animal Life and Death [Erscheinungsort nicht ermittelbar] University of Michigan Press 2023 1 Online-Ressource (211 p.) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star Bits and Pieces: Screening Animal Life and Death gathers pivotal and more mundane moments, dispersed across a predominantly Western history of moving images, in which animals materialize in movies and TV shows, from iconic scenes of cattle slaughter in early Soviet montage to quandaries over hunting trophies in recent home-renovation reality TV series, to animals in Black horror films. 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Bits and Pieces: Screening Animal Life and Death gathers pivotal and more mundane moments, dispersed across a predominantly Western history of moving images, in which animals materialize in movies and TV shows, from iconic scenes of cattle slaughter in early Soviet montage to quandaries over hunting trophies in recent home-renovation reality TV series, to animals in Black horror films. Sarah O'Brien carefully views these fragments in dialogue with germinal texts at the intersection of animal studies, film and television studies, and cultural studies. She explores the capacity of moving images to unsettle the ways in which audiences have become habituated to viewing animal life and death on screens, and, more importantly, to understanding these images as more and less connected to the “production for consumption” of animals that is specific to modern industrialization. By looking back at films and TV series in which the places and practices of killing or keeping animals enter, occupy, or slip from the foreground, Bits and Pieces takes seriously the idea that cinema and television have the capacity not only to catch but to challenge and change viewers’ regard for animals |
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Bits and Pieces: Screening Animal Life and Death gathers pivotal and more mundane moments, dispersed across a predominantly Western history of moving images, in which animals materialize in movies and TV shows, from iconic scenes of cattle slaughter in early Soviet montage to quandaries over hunting trophies in recent home-renovation reality TV series, to animals in Black horror films. Sarah O'Brien carefully views these fragments in dialogue with germinal texts at the intersection of animal studies, film and television studies, and cultural studies. She explores the capacity of moving images to unsettle the ways in which audiences have become habituated to viewing animal life and death on screens, and, more importantly, to understanding these images as more and less connected to the “production for consumption” of animals that is specific to modern industrialization. By looking back at films and TV series in which the places and practices of killing or keeping animals enter, occupy, or slip from the foreground, Bits and Pieces takes seriously the idea that cinema and television have the capacity not only to catch but to challenge and change viewers’ regard for animals |
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Bits and Pieces: Screening Animal Life and Death gathers pivotal and more mundane moments, dispersed across a predominantly Western history of moving images, in which animals materialize in movies and TV shows, from iconic scenes of cattle slaughter in early Soviet montage to quandaries over hunting trophies in recent home-renovation reality TV series, to animals in Black horror films. Sarah O'Brien carefully views these fragments in dialogue with germinal texts at the intersection of animal studies, film and television studies, and cultural studies. She explores the capacity of moving images to unsettle the ways in which audiences have become habituated to viewing animal life and death on screens, and, more importantly, to understanding these images as more and less connected to the “production for consumption” of animals that is specific to modern industrialization. By looking back at films and TV series in which the places and practices of killing or keeping animals enter, occupy, or slip from the foreground, Bits and Pieces takes seriously the idea that cinema and television have the capacity not only to catch but to challenge and change viewers’ regard for animals |
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score |
7.017124 |