Picturing science, producing art
Style as inclusion, style as exculsion / Carlo Ginzburg -- The affective properties of styles : an inquiry into analytical process and the inscription of meaning in art history / Irene J. Winter -- Style/type/standard : the production of technological resemblance / Amy Slaton -- Miracles of bodily t...
Ausführliche Beschreibung
Gespeichert in:
| Autor*in: |
Jones, Caroline A. - 1954- Galison, Peter - 1955- |
|---|
| Format: |
Buch |
|---|---|
| Sprache: |
Englisch |
| Erschienen: |
New York, NY u.a.: Routledge ; 1998 |
|---|
| Schlagwörter: | |
|---|---|
| Schlagwörter: | |
| Formangabe: |
Aufsatzsammlung |
| Systematik: |
|
|---|
| Anmerkung: |
Includes bibliographical references and index |
|---|---|
| Umfang: |
X, 518 S. ; Ill ; 26 cm |
| Links: | |
|---|---|
| ISBN: |
0-415-91911-8 0-415-91912-6 |
| Katalog-ID: |
235301647 |
|---|
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| 245 | 1 | 0 | |a Picturing science, producing art |c Caroline A. Jones; Peter Galison, eds. |
| 264 | 1 | |a New York, NY [u.a.] |b Routledge |c 1998 | |
| 300 | |a X, 518 S. |b Ill |c 26 cm | ||
| 336 | |a Text |b txt |2 rdacontent | ||
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| 500 | |a Includes bibliographical references and index | ||
| 505 | 8 | 0 | |t Style as inclusion, style as exculsion |r Carlo Ginzburg |
| 505 | 8 | 0 | |t The affective properties of styles : an inquiry into analytical process and the inscription of meaning in art history |r Irene J. Winter |
| 505 | 8 | 0 | |t Style/type/standard : the production of technological resemblance |r Amy Slaton |
| 505 | 8 | 0 | |t Miracles of bodily transformation, or, how St. Francis received the stigmata |r Arnold Davidson |
| 505 | 8 | 0 | |t Lost knowledge, bodies of ignorance, and the poverty of taxonomy as illustrated by the curious fate of Flos pavonis, an abortifacient |r Londa Schiebinger |
| 505 | 8 | 0 | |t The sex of the machine : mechanomorphic art, new women, and Francis Picabia's neurasthenic cure |r Caroline A. Jones |
| 505 | 8 | 0 | |t Deanimations : maps and portraits of life itself |r Donna Haraway |
| 505 | 8 | 0 | |t Vision and cognition |r Krzysztof Pomian |
| 505 | 8 | 0 | |t Nature by design |r Lorraine Daston |
| 505 | 8 | 0 | |t Impressed images : reproducing wonders |r Katharine Park |
| 505 | 8 | 0 | |t Iconography between the history of art and the history of science : art, science, and the case of the urban bee |r David Freedberg |
| 505 | 8 | 0 | |t Hieronymus Bosch's world picture |r Joseph Leo Koerner |
| 505 | 8 | 0 | |t Judgement against objectivity |r Peter Galison |
| 505 | 8 | 0 | |t Eclectic subjectivity and the impossibility of female beauty |r Jan Goldstein --Visualization and visibility / Joel Snyder |
| 505 | 8 | 0 | |t The studio, the laboratory, and the vexations of art |r Svetlana Alpers |
| 505 | 8 | 0 | |t How to be iconophilic in art, science, and religion? |r Bruno Latour |
| 505 | 8 | 0 | |t On astronomical drawing |r Simon Schaffer |
| 505 | 8 | 0 | |t Attention and modernity in the nineteenth century |r Jonathan Crary. |
| 520 | |a Style as inclusion, style as exculsion / Carlo Ginzburg -- The affective properties of styles : an inquiry into analytical process and the inscription of meaning in art history / Irene J. Winter -- Style/type/standard : the production of technological resemblance / Amy Slaton -- Miracles of bodily transformation, or, how St. Francis received the stigmata / Arnold Davidson -- Lost knowledge, bodies of ignorance, and the poverty of taxonomy as illustrated by the curious fate of Flos pavonis, an abortifacient / Londa Schiebinger -- The sex of the machine : mechanomorphic art, new women, and Francis Picabia's neurasthenic cure / Caroline A. Jones -- Deanimations : maps and portraits of life itself / Donna Haraway -- Vision and cognition / Krzysztof Pomian -- Nature by design / Lorraine Daston -- Impressed images : reproducing wonders / Katharine Park -- Iconography between the history of art and the history of science : art, science, and the case of the urban bee / David Freedberg -- Hieronymus Bosch's world picture / Joseph Leo Koerner -- Judgement against objectivity / Peter Galison -- Eclectic subjectivity and the impossibility of female beauty / Jan Goldstein --Visualization and visibility / Joel Snyder -- The studio, the laboratory, and the vexations of art / Svetlana Alpers -- How to be iconophilic in art, science, and religion? / Bruno Latour -- On astronomical drawing / Simon Schaffer -- Attention and modernity in the nineteenth century / Jonathan Crary | ||
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Style as inclusion, style as exculsion The affective properties of styles : an inquiry into analytical process and the inscription of meaning in art history Style/type/standard : the production of technological resemblance Miracles of bodily transformation, or, how St. Francis received the stigmata Lost knowledge, bodies of ignorance, and the poverty of taxonomy as illustrated by the curious fate of Flos pavonis, an abortifacient The sex of the machine : mechanomorphic art, new women, and Francis Picabia's neurasthenic cure Deanimations : maps and portraits of life itself Vision and cognition Nature by design Impressed images : reproducing wonders Iconography between the history of art and the history of science : art, science, and the case of the urban bee Hieronymus Bosch's world picture Judgement against objectivity Eclectic subjectivity and the impossibility of female beauty The studio, the laboratory, and the vexations of art How to be iconophilic in art, science, and religion? On astronomical drawing Attention and modernity in the nineteenth century |
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Style as inclusion, style as exculsion / Carlo Ginzburg -- The affective properties of styles : an inquiry into analytical process and the inscription of meaning in art history / Irene J. Winter -- Style/type/standard : the production of technological resemblance / Amy Slaton -- Miracles of bodily transformation, or, how St. Francis received the stigmata / Arnold Davidson -- Lost knowledge, bodies of ignorance, and the poverty of taxonomy as illustrated by the curious fate of Flos pavonis, an abortifacient / Londa Schiebinger -- The sex of the machine : mechanomorphic art, new women, and Francis Picabia's neurasthenic cure / Caroline A. Jones -- Deanimations : maps and portraits of life itself / Donna Haraway -- Vision and cognition / Krzysztof Pomian -- Nature by design / Lorraine Daston -- Impressed images : reproducing wonders / Katharine Park -- Iconography between the history of art and the history of science : art, science, and the case of the urban bee / David Freedberg -- Hieronymus Bosch's world picture / Joseph Leo Koerner -- Judgement against objectivity / Peter Galison -- Eclectic subjectivity and the impossibility of female beauty / Jan Goldstein --Visualization and visibility / Joel Snyder -- The studio, the laboratory, and the vexations of art / Svetlana Alpers -- How to be iconophilic in art, science, and religion? / Bruno Latour -- On astronomical drawing / Simon Schaffer -- Attention and modernity in the nineteenth century / Jonathan Crary Includes bibliographical references and index |
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Style as inclusion, style as exculsion / Carlo Ginzburg -- The affective properties of styles : an inquiry into analytical process and the inscription of meaning in art history / Irene J. Winter -- Style/type/standard : the production of technological resemblance / Amy Slaton -- Miracles of bodily transformation, or, how St. Francis received the stigmata / Arnold Davidson -- Lost knowledge, bodies of ignorance, and the poverty of taxonomy as illustrated by the curious fate of Flos pavonis, an abortifacient / Londa Schiebinger -- The sex of the machine : mechanomorphic art, new women, and Francis Picabia's neurasthenic cure / Caroline A. Jones -- Deanimations : maps and portraits of life itself / Donna Haraway -- Vision and cognition / Krzysztof Pomian -- Nature by design / Lorraine Daston -- Impressed images : reproducing wonders / Katharine Park -- Iconography between the history of art and the history of science : art, science, and the case of the urban bee / David Freedberg -- Hieronymus Bosch's world picture / Joseph Leo Koerner -- Judgement against objectivity / Peter Galison -- Eclectic subjectivity and the impossibility of female beauty / Jan Goldstein --Visualization and visibility / Joel Snyder -- The studio, the laboratory, and the vexations of art / Svetlana Alpers -- How to be iconophilic in art, science, and religion? / Bruno Latour -- On astronomical drawing / Simon Schaffer -- Attention and modernity in the nineteenth century / Jonathan Crary Includes bibliographical references and index |
| abstract_unstemmed |
Style as inclusion, style as exculsion / Carlo Ginzburg -- The affective properties of styles : an inquiry into analytical process and the inscription of meaning in art history / Irene J. Winter -- Style/type/standard : the production of technological resemblance / Amy Slaton -- Miracles of bodily transformation, or, how St. Francis received the stigmata / Arnold Davidson -- Lost knowledge, bodies of ignorance, and the poverty of taxonomy as illustrated by the curious fate of Flos pavonis, an abortifacient / Londa Schiebinger -- The sex of the machine : mechanomorphic art, new women, and Francis Picabia's neurasthenic cure / Caroline A. Jones -- Deanimations : maps and portraits of life itself / Donna Haraway -- Vision and cognition / Krzysztof Pomian -- Nature by design / Lorraine Daston -- Impressed images : reproducing wonders / Katharine Park -- Iconography between the history of art and the history of science : art, science, and the case of the urban bee / David Freedberg -- Hieronymus Bosch's world picture / Joseph Leo Koerner -- Judgement against objectivity / Peter Galison -- Eclectic subjectivity and the impossibility of female beauty / Jan Goldstein --Visualization and visibility / Joel Snyder -- The studio, the laboratory, and the vexations of art / Svetlana Alpers -- How to be iconophilic in art, science, and religion? / Bruno Latour -- On astronomical drawing / Simon Schaffer -- Attention and modernity in the nineteenth century / Jonathan Crary Includes bibliographical references and index |
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97040521 0415919118 0-415-91911-8 0415919126 pbk. 0-415-91912-6 9780415919128 (DE-627)235301647 (DE-576)068548680 (DE-599)GBV235301647 (OCoLC)845017592 (OCoLC)37663395 (AT-OBV)AC02463461 (JUB)b1030132x DE-627 ger DE-627 rakwb eng XD-US XA-GB N72.S3 N72.S3P53 1998 701/.1/05 LOC 21 9,10 0 ssgn LH 61100 rvk (DE-625)rvk/94210: 20.05 bkl 77.40 bkl Picturing science, producing art Caroline A. Jones; Peter Galison, eds. New York, NY [u.a.] Routledge 1998 X, 518 S. Ill 26 cm Text txt rdacontent ohne Hilfsmittel zu benutzen n rdamedia Band nc rdacarrier Includes bibliographical references and index Style as inclusion, style as exculsion Carlo Ginzburg The affective properties of styles : an inquiry into analytical process and the inscription of meaning in art history Irene J. Winter Style/type/standard : the production of technological resemblance Amy Slaton Miracles of bodily transformation, or, how St. Francis received the stigmata Arnold Davidson Lost knowledge, bodies of ignorance, and the poverty of taxonomy as illustrated by the curious fate of Flos pavonis, an abortifacient Londa Schiebinger The sex of the machine : mechanomorphic art, new women, and Francis Picabia's neurasthenic cure Caroline A. Jones Deanimations : maps and portraits of life itself Donna Haraway Vision and cognition Krzysztof Pomian Nature by design Lorraine Daston Impressed images : reproducing wonders Katharine Park Iconography between the history of art and the history of science : art, science, and the case of the urban bee David Freedberg Hieronymus Bosch's world picture Joseph Leo Koerner Judgement against objectivity Peter Galison Eclectic subjectivity and the impossibility of female beauty Jan Goldstein --Visualization and visibility / Joel Snyder The studio, the laboratory, and the vexations of art Svetlana Alpers How to be iconophilic in art, science, and religion? Bruno Latour On astronomical drawing Simon Schaffer Attention and modernity in the nineteenth century Jonathan Crary. Style as inclusion, style as exculsion / Carlo Ginzburg -- The affective properties of styles : an inquiry into analytical process and the inscription of meaning in art history / Irene J. Winter -- Style/type/standard : the production of technological resemblance / Amy Slaton -- Miracles of bodily transformation, or, how St. Francis received the stigmata / Arnold Davidson -- Lost knowledge, bodies of ignorance, and the poverty of taxonomy as illustrated by the curious fate of Flos pavonis, an abortifacient / Londa Schiebinger -- The sex of the machine : mechanomorphic art, new women, and Francis Picabia's neurasthenic cure / Caroline A. Jones -- Deanimations : maps and portraits of life itself / Donna Haraway -- Vision and cognition / Krzysztof Pomian -- Nature by design / Lorraine Daston -- Impressed images : reproducing wonders / Katharine Park -- Iconography between the history of art and the history of science : art, science, and the case of the urban bee / David Freedberg -- Hieronymus Bosch's world picture / Joseph Leo Koerner -- Judgement against objectivity / Peter Galison -- Eclectic subjectivity and the impossibility of female beauty / Jan Goldstein --Visualization and visibility / Joel Snyder -- The studio, the laboratory, and the vexations of art / Svetlana Alpers -- How to be iconophilic in art, science, and religion? / Bruno Latour -- On astronomical drawing / Simon Schaffer -- Attention and modernity in the nineteenth century / Jonathan Crary Archivierung/Langzeitarchivierung gewährleistet SSG XA-DE-BW pdager DE-16 Archivierung prüfen 20240324 DE-4165 2 pdager Art and science Art and science Aufsatzsammlung (DE-588)4143413-4 (DE-627)105605727 (DE-576)209726091 gnd-content s (DE-588)4066562-8 (DE-627)104393998 (DE-576)209165138 Wissenschaft gnd s (DE-588)4114333-4 (DE-627)105822957 (DE-576)209483733 Kunst gnd DE-101 s (DE-588)4114333-4 (DE-627)105822957 (DE-576)209483733 Kunst gnd s (DE-588)4041421-8 (DE-627)106219324 (DE-576)209044837 Naturwissenschaften gnd (DE-627) Jones, Caroline A. 1954- (DE-588)135695996 (DE-627)569732247 (DE-576)167542141 oth Galison, Peter 1955- (DE-588)123873428 (DE-627)085494801 (DE-576)16508748X oth http://www.loc.gov/catdir/enhancements/fy0651/97040521-d.html 2015-10-28 Verlag Verlagsangaben http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=009403019&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA V:DE-604 application/pdf 20090731000000 Inhaltsverzeichnis GBV_ILN_11 ISIL_DE-1a SYSFLAG_1 GBV_KXP GBV_ILN_22 ISIL_DE-18 GBV_ILN_22_i30809 GBV_ILN_24 ISIL_DE-8 GBV_ILN_24_f037 GBV_ILN_31 ISIL_DE-27 GBV_ILN_40 ISIL_DE-7 GBV_ILN_40_i055 GBV_ILN_60 ISIL_DE-705 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_65_a018 GBV_ILN_65_a230 GBV_ILN_70 ISIL_DE-89 GBV_ILN_105 ISIL_DE-841 GBV_ILN_130 ISIL_DE-700 GBV_ILN_181 GBV_ILN_181_b010 GBV_ILN_285 ISIL_DE-517 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_390 ISIL_DE-579 GBV_ILN_605 ISIL_DE-B1578 GBV_ILN_635 ISIL_DE-B2138 GBV_ILN_663 ISIL_DE-B1594 GBV_ILN_702 ISIL_DE-B2226 GBV_ILN_2003 ISIL_DE-25 GBV_ILN_2005 ISIL_DE-291-313 GBV_ILN_2006 ISIL_DE-14 GBV_ILN_2007 ISIL_DE-352 GBV_ILN_2008 ISIL_DE-24 GBV_ILN_2010 ISIL_DE-15 GBV_ILN_2011 ISIL_DE-16 GBV_ILN_2012 ISIL_DE-16-86 ISIL_DE-16-12 GBV_ILN_2016 ISIL_DE-93-114 ISIL_DE-93-94 GBV_ILN_2089 ISIL_DE-540 GBV_ILN_2097 ISIL_DE-L242 GBV_ILN_2109 ISIL_DE-Ka88 GBV_ILN_2197 ISIL_DE-1344 GBV_ILN_2206 ISIL_DE-1141 GBV_ILN_2493 ISIL_DE-1971 GBV_ILN_2510 ISIL_DE-2279 Blocktest LH 61100 Beziehungen der Kunst zu anderen Gebieten (z.B. Kunst und Religion, Kunst und Moral) Kunstgeschichte Allgemeines. Allgemeine Kunstgeschichte Theorie und Praxis der Bildenden Kunst Theorie der Bildenden Kunst Beziehungen der Kunst zu anderen Gebieten (z.B. Kunst und Religion, Kunst und Moral) (DE-627)1270641689 (DE-625)rvk/94210: (DE-576)200641689 20.05 Kunst in Beziehung zu anderen Wissenschaftsgebieten (DE-627)106415824 77.40 Wahrnehmungspsychologie (DE-627)106413945 BO 045F 701/.1/05 11 01 0001 1448450942 00 2 1 B 156743 u --%%-- k 20-03-14 22 01 0018 1505356296 00 18/308 KGS-Wiss 5028,49 g --%%-- finanziert aus Mitteln des Projekts Naturbilder/Images of nature Sonderstandort: Kollegforschergruppe Imaginarien der Kraft (Gorch-Fock-Wall) zi30809 15-10-14 24 01 0008 552385492 00 8/37 AE 595 i --%%-- ea zf037 12-04-02 31 02 0027 501410716 00 J 161 KMW:BI:4000:Jone::1998 d --%%-- z 19-06-01 40 02 0007 3946953077 00 7/055 VisKult 73 i --%%-- Standort MdW, Professur Materialität des Wissens, Weender Landstraße 2 zi055 09-07-21 60 01 0705 532873327 00 HB KUN 047:YB0001 u --%%-- z 29-01-02 63 01 3401 617781729 00 A-0 Ih 1081/2 d --%%-- 09 --%%-- 4ʿ-203 802 --%%-- --%%-- z 17-12-03 65 01 3/18 55625564X 00 Ha 18-18 G X Na 29 u --%%-- ka018 15-07-02 65 02 3/1 615618707 00 Ha 1 04 SB 1102 u --%%-- ka230 18-11-04 70 60 89/17 610692895 00 FBL VD/100/764 u --%%-- zcl 10-06-04 105 01 0841/1 913519189 00 IMGWF B NAllg X 831 g --%%-- zi01 03-12-08 130 01 0700 627042074 00 B JXS 2504-344 0 u --%%-- kb 01-03-05 181 01 3181/010 678761035 00 KB 8 1998 3461 i --%%-- 10 --%%-- ::8:1998:3461 --%%-- --%%-- zb010 01-01-01 285 02 0517 633192422 00 2000 AK 27700 JON u --%%-- z 05-02-04 370 01 4370 1237771110 00 DA33 2011-0926 i --%%-- z 12-04-11 390 01 0579 1806407000 00 --%%-- N72.S3 P53 1998 u --%%-- n 31-10-11 605 01 4605 1109340656 00 --%%-- N72.S3 P53 1998 d --%%-- z 14-01-10 635 01 3635 1116449161 00 --%%-- A 2031 i --%%-- n 03-03-10 663 01 4663 127045949X 00 FBI-Neubau Jahrgang 2001/02 Jon i --%%-- n 01-04-00 702 01 3714/0001 163526359X 00 --%%-- 701.1 P6116 i --%%-- nk 30-08-16 2003 01 DE-25 3267610745 00 --%%-- TX 99/2183 --%%-- --%%-- l01 08-10-99 2005 01 DE-291-313 3267610842 00 --%%-- Q12 e 33 p --%%-- l01 25-03-03 2006 01 DE-14 3267610931 00 --%%-- --%%-- --%%-- --%%-- l01 26-06-03 2007 01 DE-352 3267610990 00 --%%-- kun 46/j66 --%%-- --%%-- l01 21-03-01 2008 01 DE-24 3267611075 00 --%%-- 51a/1156 --%%-- --%%-- 01 Magazin 9 LH 61100 51a/1156 --%%-- --%%-- l01 19-10-01 2010 01 DE-15 3267611164 00 --%%-- --%%-- --%%-- --%%-- l01 31-01-12 2011 01 DE-16 3267611288 00 --%%-- 98 C 3069 --%%-- --%%-- l01 14-09-98 2012 01 DE-16-86 3267611385 00 --%%-- Ci 218 p --%%-- l01 10-08-01 2012 03 DE-16-12 3267611415 00 --%%-- 138 Jon C p --%%-- l01 17-11-10 2016 01 DE-93-114 3267611504 00 --%%-- Wa 62/24 p --%%-- Acc.2000/1430 l01 16-10-00 2016 02 DE-93-94 3267611512 00 --%%-- T2/3--PIC81 p --%%-- (PI 216/08) A II Kolleg Internationalisierung l01 11-11-08 2089 01 DE-540 3267611598 00 --%%-- bestellt 2004-10 e --%%-- l01 29-10-04 2097 01 DE-L242 3267611679 00 --%%-- --%%-- --%%-- n l01 17-11-06 2109 01 DE-Ka88 326761175X 00 --%%-- Kdd 0011 p --%%-- l01 08-02-99 2197 01 DE-1344 3267611849 00 --%%-- Td Pic p --%%-- l01 17-03-08 2206 01 DE-1141 3267611938 00 --%%-- AK 27700 J76 p --%%-- l01 13-12-05 2493 01 DE-1971 3267612012 00 --%%-- Nw VIII 98 p --%%-- l01 06-04-17 2510 01 DE-2279 3628093961 00 --%%-- --%%-- p --%%-- l01 11-03-20 105 01 0841/1 Königstr. 42, Bibliothek - Inst. f. 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| spelling |
97040521 0415919118 0-415-91911-8 0415919126 pbk. 0-415-91912-6 9780415919128 (DE-627)235301647 (DE-576)068548680 (DE-599)GBV235301647 (OCoLC)845017592 (OCoLC)37663395 (AT-OBV)AC02463461 (JUB)b1030132x DE-627 ger DE-627 rakwb eng XD-US XA-GB N72.S3 N72.S3P53 1998 701/.1/05 LOC 21 9,10 0 ssgn LH 61100 rvk (DE-625)rvk/94210: 20.05 bkl 77.40 bkl Picturing science, producing art Caroline A. Jones; Peter Galison, eds. New York, NY [u.a.] Routledge 1998 X, 518 S. Ill 26 cm Text txt rdacontent ohne Hilfsmittel zu benutzen n rdamedia Band nc rdacarrier Includes bibliographical references and index Style as inclusion, style as exculsion Carlo Ginzburg The affective properties of styles : an inquiry into analytical process and the inscription of meaning in art history Irene J. Winter Style/type/standard : the production of technological resemblance Amy Slaton Miracles of bodily transformation, or, how St. Francis received the stigmata Arnold Davidson Lost knowledge, bodies of ignorance, and the poverty of taxonomy as illustrated by the curious fate of Flos pavonis, an abortifacient Londa Schiebinger The sex of the machine : mechanomorphic art, new women, and Francis Picabia's neurasthenic cure Caroline A. Jones Deanimations : maps and portraits of life itself Donna Haraway Vision and cognition Krzysztof Pomian Nature by design Lorraine Daston Impressed images : reproducing wonders Katharine Park Iconography between the history of art and the history of science : art, science, and the case of the urban bee David Freedberg Hieronymus Bosch's world picture Joseph Leo Koerner Judgement against objectivity Peter Galison Eclectic subjectivity and the impossibility of female beauty Jan Goldstein --Visualization and visibility / Joel Snyder The studio, the laboratory, and the vexations of art Svetlana Alpers How to be iconophilic in art, science, and religion? Bruno Latour On astronomical drawing Simon Schaffer Attention and modernity in the nineteenth century Jonathan Crary. Style as inclusion, style as exculsion / Carlo Ginzburg -- The affective properties of styles : an inquiry into analytical process and the inscription of meaning in art history / Irene J. Winter -- Style/type/standard : the production of technological resemblance / Amy Slaton -- Miracles of bodily transformation, or, how St. Francis received the stigmata / Arnold Davidson -- Lost knowledge, bodies of ignorance, and the poverty of taxonomy as illustrated by the curious fate of Flos pavonis, an abortifacient / Londa Schiebinger -- The sex of the machine : mechanomorphic art, new women, and Francis Picabia's neurasthenic cure / Caroline A. Jones -- Deanimations : maps and portraits of life itself / Donna Haraway -- Vision and cognition / Krzysztof Pomian -- Nature by design / Lorraine Daston -- Impressed images : reproducing wonders / Katharine Park -- Iconography between the history of art and the history of science : art, science, and the case of the urban bee / David Freedberg -- Hieronymus Bosch's world picture / Joseph Leo Koerner -- Judgement against objectivity / Peter Galison -- Eclectic subjectivity and the impossibility of female beauty / Jan Goldstein --Visualization and visibility / Joel Snyder -- The studio, the laboratory, and the vexations of art / Svetlana Alpers -- How to be iconophilic in art, science, and religion? / Bruno Latour -- On astronomical drawing / Simon Schaffer -- Attention and modernity in the nineteenth century / Jonathan Crary Archivierung/Langzeitarchivierung gewährleistet SSG XA-DE-BW pdager DE-16 Archivierung prüfen 20240324 DE-4165 2 pdager Art and science Art and science Aufsatzsammlung (DE-588)4143413-4 (DE-627)105605727 (DE-576)209726091 gnd-content s (DE-588)4066562-8 (DE-627)104393998 (DE-576)209165138 Wissenschaft gnd s (DE-588)4114333-4 (DE-627)105822957 (DE-576)209483733 Kunst gnd DE-101 s (DE-588)4114333-4 (DE-627)105822957 (DE-576)209483733 Kunst gnd s (DE-588)4041421-8 (DE-627)106219324 (DE-576)209044837 Naturwissenschaften gnd (DE-627) Jones, Caroline A. 1954- (DE-588)135695996 (DE-627)569732247 (DE-576)167542141 oth Galison, Peter 1955- (DE-588)123873428 (DE-627)085494801 (DE-576)16508748X oth http://www.loc.gov/catdir/enhancements/fy0651/97040521-d.html 2015-10-28 Verlag Verlagsangaben http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=009403019&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA V:DE-604 application/pdf 20090731000000 Inhaltsverzeichnis GBV_ILN_11 ISIL_DE-1a SYSFLAG_1 GBV_KXP GBV_ILN_22 ISIL_DE-18 GBV_ILN_22_i30809 GBV_ILN_24 ISIL_DE-8 GBV_ILN_24_f037 GBV_ILN_31 ISIL_DE-27 GBV_ILN_40 ISIL_DE-7 GBV_ILN_40_i055 GBV_ILN_60 ISIL_DE-705 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_65_a018 GBV_ILN_65_a230 GBV_ILN_70 ISIL_DE-89 GBV_ILN_105 ISIL_DE-841 GBV_ILN_130 ISIL_DE-700 GBV_ILN_181 GBV_ILN_181_b010 GBV_ILN_285 ISIL_DE-517 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_390 ISIL_DE-579 GBV_ILN_605 ISIL_DE-B1578 GBV_ILN_635 ISIL_DE-B2138 GBV_ILN_663 ISIL_DE-B1594 GBV_ILN_702 ISIL_DE-B2226 GBV_ILN_2003 ISIL_DE-25 GBV_ILN_2005 ISIL_DE-291-313 GBV_ILN_2006 ISIL_DE-14 GBV_ILN_2007 ISIL_DE-352 GBV_ILN_2008 ISIL_DE-24 GBV_ILN_2010 ISIL_DE-15 GBV_ILN_2011 ISIL_DE-16 GBV_ILN_2012 ISIL_DE-16-86 ISIL_DE-16-12 GBV_ILN_2016 ISIL_DE-93-114 ISIL_DE-93-94 GBV_ILN_2089 ISIL_DE-540 GBV_ILN_2097 ISIL_DE-L242 GBV_ILN_2109 ISIL_DE-Ka88 GBV_ILN_2197 ISIL_DE-1344 GBV_ILN_2206 ISIL_DE-1141 GBV_ILN_2493 ISIL_DE-1971 GBV_ILN_2510 ISIL_DE-2279 Blocktest LH 61100 Beziehungen der Kunst zu anderen Gebieten (z.B. Kunst und Religion, Kunst und Moral) Kunstgeschichte Allgemeines. Allgemeine Kunstgeschichte Theorie und Praxis der Bildenden Kunst Theorie der Bildenden Kunst Beziehungen der Kunst zu anderen Gebieten (z.B. Kunst und Religion, Kunst und Moral) (DE-627)1270641689 (DE-625)rvk/94210: (DE-576)200641689 20.05 Kunst in Beziehung zu anderen Wissenschaftsgebieten (DE-627)106415824 77.40 Wahrnehmungspsychologie (DE-627)106413945 BO 045F 701/.1/05 11 01 0001 1448450942 00 2 1 B 156743 u --%%-- k 20-03-14 22 01 0018 1505356296 00 18/308 KGS-Wiss 5028,49 g --%%-- finanziert aus Mitteln des Projekts Naturbilder/Images of nature Sonderstandort: Kollegforschergruppe Imaginarien der Kraft (Gorch-Fock-Wall) zi30809 15-10-14 24 01 0008 552385492 00 8/37 AE 595 i --%%-- ea zf037 12-04-02 31 02 0027 501410716 00 J 161 KMW:BI:4000:Jone::1998 d --%%-- z 19-06-01 40 02 0007 3946953077 00 7/055 VisKult 73 i --%%-- Standort MdW, Professur Materialität des Wissens, Weender Landstraße 2 zi055 09-07-21 60 01 0705 532873327 00 HB KUN 047:YB0001 u --%%-- z 29-01-02 63 01 3401 617781729 00 A-0 Ih 1081/2 d --%%-- 09 --%%-- 4ʿ-203 802 --%%-- --%%-- z 17-12-03 65 01 3/18 55625564X 00 Ha 18-18 G X Na 29 u --%%-- ka018 15-07-02 65 02 3/1 615618707 00 Ha 1 04 SB 1102 u --%%-- ka230 18-11-04 70 60 89/17 610692895 00 FBL VD/100/764 u --%%-- zcl 10-06-04 105 01 0841/1 913519189 00 IMGWF B NAllg X 831 g --%%-- zi01 03-12-08 130 01 0700 627042074 00 B JXS 2504-344 0 u --%%-- kb 01-03-05 181 01 3181/010 678761035 00 KB 8 1998 3461 i --%%-- 10 --%%-- ::8:1998:3461 --%%-- --%%-- zb010 01-01-01 285 02 0517 633192422 00 2000 AK 27700 JON u --%%-- z 05-02-04 370 01 4370 1237771110 00 DA33 2011-0926 i --%%-- z 12-04-11 390 01 0579 1806407000 00 --%%-- N72.S3 P53 1998 u --%%-- n 31-10-11 605 01 4605 1109340656 00 --%%-- N72.S3 P53 1998 d --%%-- z 14-01-10 635 01 3635 1116449161 00 --%%-- A 2031 i --%%-- n 03-03-10 663 01 4663 127045949X 00 FBI-Neubau Jahrgang 2001/02 Jon i --%%-- n 01-04-00 702 01 3714/0001 163526359X 00 --%%-- 701.1 P6116 i --%%-- nk 30-08-16 2003 01 DE-25 3267610745 00 --%%-- TX 99/2183 --%%-- --%%-- l01 08-10-99 2005 01 DE-291-313 3267610842 00 --%%-- Q12 e 33 p --%%-- l01 25-03-03 2006 01 DE-14 3267610931 00 --%%-- --%%-- --%%-- --%%-- l01 26-06-03 2007 01 DE-352 3267610990 00 --%%-- kun 46/j66 --%%-- --%%-- l01 21-03-01 2008 01 DE-24 3267611075 00 --%%-- 51a/1156 --%%-- --%%-- 01 Magazin 9 LH 61100 51a/1156 --%%-- --%%-- l01 19-10-01 2010 01 DE-15 3267611164 00 --%%-- --%%-- --%%-- --%%-- l01 31-01-12 2011 01 DE-16 3267611288 00 --%%-- 98 C 3069 --%%-- --%%-- l01 14-09-98 2012 01 DE-16-86 3267611385 00 --%%-- Ci 218 p --%%-- l01 10-08-01 2012 03 DE-16-12 3267611415 00 --%%-- 138 Jon C p --%%-- l01 17-11-10 2016 01 DE-93-114 3267611504 00 --%%-- Wa 62/24 p --%%-- Acc.2000/1430 l01 16-10-00 2016 02 DE-93-94 3267611512 00 --%%-- T2/3--PIC81 p --%%-- (PI 216/08) A II Kolleg Internationalisierung l01 11-11-08 2089 01 DE-540 3267611598 00 --%%-- bestellt 2004-10 e --%%-- l01 29-10-04 2097 01 DE-L242 3267611679 00 --%%-- --%%-- --%%-- n l01 17-11-06 2109 01 DE-Ka88 326761175X 00 --%%-- Kdd 0011 p --%%-- l01 08-02-99 2197 01 DE-1344 3267611849 00 --%%-- Td Pic p --%%-- l01 17-03-08 2206 01 DE-1141 3267611938 00 --%%-- AK 27700 J76 p --%%-- l01 13-12-05 2493 01 DE-1971 3267612012 00 --%%-- Nw VIII 98 p --%%-- l01 06-04-17 2510 01 DE-2279 3628093961 00 --%%-- --%%-- p --%%-- l01 11-03-20 105 01 0841/1 Königstr. 42, Bibliothek - Inst. f. 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97040521 0415919118 0-415-91911-8 0415919126 pbk. 0-415-91912-6 9780415919128 (DE-627)235301647 (DE-576)068548680 (DE-599)GBV235301647 (OCoLC)845017592 (OCoLC)37663395 (AT-OBV)AC02463461 (JUB)b1030132x DE-627 ger DE-627 rakwb eng XD-US XA-GB N72.S3 N72.S3P53 1998 701/.1/05 LOC 21 9,10 0 ssgn LH 61100 rvk (DE-625)rvk/94210: 20.05 bkl 77.40 bkl Picturing science, producing art Caroline A. Jones; Peter Galison, eds. New York, NY [u.a.] Routledge 1998 X, 518 S. Ill 26 cm Text txt rdacontent ohne Hilfsmittel zu benutzen n rdamedia Band nc rdacarrier Includes bibliographical references and index Style as inclusion, style as exculsion Carlo Ginzburg The affective properties of styles : an inquiry into analytical process and the inscription of meaning in art history Irene J. Winter Style/type/standard : the production of technological resemblance Amy Slaton Miracles of bodily transformation, or, how St. Francis received the stigmata Arnold Davidson Lost knowledge, bodies of ignorance, and the poverty of taxonomy as illustrated by the curious fate of Flos pavonis, an abortifacient Londa Schiebinger The sex of the machine : mechanomorphic art, new women, and Francis Picabia's neurasthenic cure Caroline A. Jones Deanimations : maps and portraits of life itself Donna Haraway Vision and cognition Krzysztof Pomian Nature by design Lorraine Daston Impressed images : reproducing wonders Katharine Park Iconography between the history of art and the history of science : art, science, and the case of the urban bee David Freedberg Hieronymus Bosch's world picture Joseph Leo Koerner Judgement against objectivity Peter Galison Eclectic subjectivity and the impossibility of female beauty Jan Goldstein --Visualization and visibility / Joel Snyder The studio, the laboratory, and the vexations of art Svetlana Alpers How to be iconophilic in art, science, and religion? Bruno Latour On astronomical drawing Simon Schaffer Attention and modernity in the nineteenth century Jonathan Crary. Style as inclusion, style as exculsion / Carlo Ginzburg -- The affective properties of styles : an inquiry into analytical process and the inscription of meaning in art history / Irene J. Winter -- Style/type/standard : the production of technological resemblance / Amy Slaton -- Miracles of bodily transformation, or, how St. Francis received the stigmata / Arnold Davidson -- Lost knowledge, bodies of ignorance, and the poverty of taxonomy as illustrated by the curious fate of Flos pavonis, an abortifacient / Londa Schiebinger -- The sex of the machine : mechanomorphic art, new women, and Francis Picabia's neurasthenic cure / Caroline A. Jones -- Deanimations : maps and portraits of life itself / Donna Haraway -- Vision and cognition / Krzysztof Pomian -- Nature by design / Lorraine Daston -- Impressed images : reproducing wonders / Katharine Park -- Iconography between the history of art and the history of science : art, science, and the case of the urban bee / David Freedberg -- Hieronymus Bosch's world picture / Joseph Leo Koerner -- Judgement against objectivity / Peter Galison -- Eclectic subjectivity and the impossibility of female beauty / Jan Goldstein --Visualization and visibility / Joel Snyder -- The studio, the laboratory, and the vexations of art / Svetlana Alpers -- How to be iconophilic in art, science, and religion? / Bruno Latour -- On astronomical drawing / Simon Schaffer -- Attention and modernity in the nineteenth century / Jonathan Crary Archivierung/Langzeitarchivierung gewährleistet SSG XA-DE-BW pdager DE-16 Archivierung prüfen 20240324 DE-4165 2 pdager Art and science Art and science Aufsatzsammlung (DE-588)4143413-4 (DE-627)105605727 (DE-576)209726091 gnd-content s (DE-588)4066562-8 (DE-627)104393998 (DE-576)209165138 Wissenschaft gnd s (DE-588)4114333-4 (DE-627)105822957 (DE-576)209483733 Kunst gnd DE-101 s (DE-588)4114333-4 (DE-627)105822957 (DE-576)209483733 Kunst gnd s (DE-588)4041421-8 (DE-627)106219324 (DE-576)209044837 Naturwissenschaften gnd (DE-627) Jones, Caroline A. 1954- (DE-588)135695996 (DE-627)569732247 (DE-576)167542141 oth Galison, Peter 1955- (DE-588)123873428 (DE-627)085494801 (DE-576)16508748X oth http://www.loc.gov/catdir/enhancements/fy0651/97040521-d.html 2015-10-28 Verlag Verlagsangaben http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=009403019&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA V:DE-604 application/pdf 20090731000000 Inhaltsverzeichnis GBV_ILN_11 ISIL_DE-1a SYSFLAG_1 GBV_KXP GBV_ILN_22 ISIL_DE-18 GBV_ILN_22_i30809 GBV_ILN_24 ISIL_DE-8 GBV_ILN_24_f037 GBV_ILN_31 ISIL_DE-27 GBV_ILN_40 ISIL_DE-7 GBV_ILN_40_i055 GBV_ILN_60 ISIL_DE-705 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_65_a018 GBV_ILN_65_a230 GBV_ILN_70 ISIL_DE-89 GBV_ILN_105 ISIL_DE-841 GBV_ILN_130 ISIL_DE-700 GBV_ILN_181 GBV_ILN_181_b010 GBV_ILN_285 ISIL_DE-517 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_390 ISIL_DE-579 GBV_ILN_605 ISIL_DE-B1578 GBV_ILN_635 ISIL_DE-B2138 GBV_ILN_663 ISIL_DE-B1594 GBV_ILN_702 ISIL_DE-B2226 GBV_ILN_2003 ISIL_DE-25 GBV_ILN_2005 ISIL_DE-291-313 GBV_ILN_2006 ISIL_DE-14 GBV_ILN_2007 ISIL_DE-352 GBV_ILN_2008 ISIL_DE-24 GBV_ILN_2010 ISIL_DE-15 GBV_ILN_2011 ISIL_DE-16 GBV_ILN_2012 ISIL_DE-16-86 ISIL_DE-16-12 GBV_ILN_2016 ISIL_DE-93-114 ISIL_DE-93-94 GBV_ILN_2089 ISIL_DE-540 GBV_ILN_2097 ISIL_DE-L242 GBV_ILN_2109 ISIL_DE-Ka88 GBV_ILN_2197 ISIL_DE-1344 GBV_ILN_2206 ISIL_DE-1141 GBV_ILN_2493 ISIL_DE-1971 GBV_ILN_2510 ISIL_DE-2279 Blocktest LH 61100 Beziehungen der Kunst zu anderen Gebieten (z.B. Kunst und Religion, Kunst und Moral) Kunstgeschichte Allgemeines. Allgemeine Kunstgeschichte Theorie und Praxis der Bildenden Kunst Theorie der Bildenden Kunst Beziehungen der Kunst zu anderen Gebieten (z.B. 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97040521 0415919118 0-415-91911-8 0415919126 pbk. 0-415-91912-6 9780415919128 (DE-627)235301647 (DE-576)068548680 (DE-599)GBV235301647 (OCoLC)845017592 (OCoLC)37663395 (AT-OBV)AC02463461 (JUB)b1030132x DE-627 ger DE-627 rakwb eng XD-US XA-GB N72.S3 N72.S3P53 1998 701/.1/05 LOC 21 9,10 0 ssgn LH 61100 rvk (DE-625)rvk/94210: 20.05 bkl 77.40 bkl Picturing science, producing art Caroline A. Jones; Peter Galison, eds. New York, NY [u.a.] Routledge 1998 X, 518 S. Ill 26 cm Text txt rdacontent ohne Hilfsmittel zu benutzen n rdamedia Band nc rdacarrier Includes bibliographical references and index Style as inclusion, style as exculsion Carlo Ginzburg The affective properties of styles : an inquiry into analytical process and the inscription of meaning in art history Irene J. Winter Style/type/standard : the production of technological resemblance Amy Slaton Miracles of bodily transformation, or, how St. Francis received the stigmata Arnold Davidson Lost knowledge, bodies of ignorance, and the poverty of taxonomy as illustrated by the curious fate of Flos pavonis, an abortifacient Londa Schiebinger The sex of the machine : mechanomorphic art, new women, and Francis Picabia's neurasthenic cure Caroline A. Jones Deanimations : maps and portraits of life itself Donna Haraway Vision and cognition Krzysztof Pomian Nature by design Lorraine Daston Impressed images : reproducing wonders Katharine Park Iconography between the history of art and the history of science : art, science, and the case of the urban bee David Freedberg Hieronymus Bosch's world picture Joseph Leo Koerner Judgement against objectivity Peter Galison Eclectic subjectivity and the impossibility of female beauty Jan Goldstein --Visualization and visibility / Joel Snyder The studio, the laboratory, and the vexations of art Svetlana Alpers How to be iconophilic in art, science, and religion? Bruno Latour On astronomical drawing Simon Schaffer Attention and modernity in the nineteenth century Jonathan Crary. Style as inclusion, style as exculsion / Carlo Ginzburg -- The affective properties of styles : an inquiry into analytical process and the inscription of meaning in art history / Irene J. Winter -- Style/type/standard : the production of technological resemblance / Amy Slaton -- Miracles of bodily transformation, or, how St. Francis received the stigmata / Arnold Davidson -- Lost knowledge, bodies of ignorance, and the poverty of taxonomy as illustrated by the curious fate of Flos pavonis, an abortifacient / Londa Schiebinger -- The sex of the machine : mechanomorphic art, new women, and Francis Picabia's neurasthenic cure / Caroline A. Jones -- Deanimations : maps and portraits of life itself / Donna Haraway -- Vision and cognition / Krzysztof Pomian -- Nature by design / Lorraine Daston -- Impressed images : reproducing wonders / Katharine Park -- Iconography between the history of art and the history of science : art, science, and the case of the urban bee / David Freedberg -- Hieronymus Bosch's world picture / Joseph Leo Koerner -- Judgement against objectivity / Peter Galison -- Eclectic subjectivity and the impossibility of female beauty / Jan Goldstein --Visualization and visibility / Joel Snyder -- The studio, the laboratory, and the vexations of art / Svetlana Alpers -- How to be iconophilic in art, science, and religion? / Bruno Latour -- On astronomical drawing / Simon Schaffer -- Attention and modernity in the nineteenth century / Jonathan Crary Archivierung/Langzeitarchivierung gewährleistet SSG XA-DE-BW pdager DE-16 Archivierung prüfen 20240324 DE-4165 2 pdager Art and science Art and science Aufsatzsammlung (DE-588)4143413-4 (DE-627)105605727 (DE-576)209726091 gnd-content s (DE-588)4066562-8 (DE-627)104393998 (DE-576)209165138 Wissenschaft gnd s (DE-588)4114333-4 (DE-627)105822957 (DE-576)209483733 Kunst gnd DE-101 s (DE-588)4114333-4 (DE-627)105822957 (DE-576)209483733 Kunst gnd s (DE-588)4041421-8 (DE-627)106219324 (DE-576)209044837 Naturwissenschaften gnd (DE-627) Jones, Caroline A. 1954- (DE-588)135695996 (DE-627)569732247 (DE-576)167542141 oth Galison, Peter 1955- (DE-588)123873428 (DE-627)085494801 (DE-576)16508748X oth http://www.loc.gov/catdir/enhancements/fy0651/97040521-d.html 2015-10-28 Verlag Verlagsangaben http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=009403019&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA V:DE-604 application/pdf 20090731000000 Inhaltsverzeichnis GBV_ILN_11 ISIL_DE-1a SYSFLAG_1 GBV_KXP GBV_ILN_22 ISIL_DE-18 GBV_ILN_22_i30809 GBV_ILN_24 ISIL_DE-8 GBV_ILN_24_f037 GBV_ILN_31 ISIL_DE-27 GBV_ILN_40 ISIL_DE-7 GBV_ILN_40_i055 GBV_ILN_60 ISIL_DE-705 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_65_a018 GBV_ILN_65_a230 GBV_ILN_70 ISIL_DE-89 GBV_ILN_105 ISIL_DE-841 GBV_ILN_130 ISIL_DE-700 GBV_ILN_181 GBV_ILN_181_b010 GBV_ILN_285 ISIL_DE-517 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_390 ISIL_DE-579 GBV_ILN_605 ISIL_DE-B1578 GBV_ILN_635 ISIL_DE-B2138 GBV_ILN_663 ISIL_DE-B1594 GBV_ILN_702 ISIL_DE-B2226 GBV_ILN_2003 ISIL_DE-25 GBV_ILN_2005 ISIL_DE-291-313 GBV_ILN_2006 ISIL_DE-14 GBV_ILN_2007 ISIL_DE-352 GBV_ILN_2008 ISIL_DE-24 GBV_ILN_2010 ISIL_DE-15 GBV_ILN_2011 ISIL_DE-16 GBV_ILN_2012 ISIL_DE-16-86 ISIL_DE-16-12 GBV_ILN_2016 ISIL_DE-93-114 ISIL_DE-93-94 GBV_ILN_2089 ISIL_DE-540 GBV_ILN_2097 ISIL_DE-L242 GBV_ILN_2109 ISIL_DE-Ka88 GBV_ILN_2197 ISIL_DE-1344 GBV_ILN_2206 ISIL_DE-1141 GBV_ILN_2493 ISIL_DE-1971 GBV_ILN_2510 ISIL_DE-2279 Blocktest LH 61100 Beziehungen der Kunst zu anderen Gebieten (z.B. 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97040521 0415919118 0-415-91911-8 0415919126 pbk. 0-415-91912-6 9780415919128 (DE-627)235301647 (DE-576)068548680 (DE-599)GBV235301647 (OCoLC)845017592 (OCoLC)37663395 (AT-OBV)AC02463461 (JUB)b1030132x DE-627 ger DE-627 rakwb eng XD-US XA-GB N72.S3 N72.S3P53 1998 701/.1/05 LOC 21 9,10 0 ssgn LH 61100 rvk (DE-625)rvk/94210: 20.05 bkl 77.40 bkl Picturing science, producing art Caroline A. Jones; Peter Galison, eds. New York, NY [u.a.] Routledge 1998 X, 518 S. Ill 26 cm Text txt rdacontent ohne Hilfsmittel zu benutzen n rdamedia Band nc rdacarrier Includes bibliographical references and index Style as inclusion, style as exculsion Carlo Ginzburg The affective properties of styles : an inquiry into analytical process and the inscription of meaning in art history Irene J. Winter Style/type/standard : the production of technological resemblance Amy Slaton Miracles of bodily transformation, or, how St. Francis received the stigmata Arnold Davidson Lost knowledge, bodies of ignorance, and the poverty of taxonomy as illustrated by the curious fate of Flos pavonis, an abortifacient Londa Schiebinger The sex of the machine : mechanomorphic art, new women, and Francis Picabia's neurasthenic cure Caroline A. Jones Deanimations : maps and portraits of life itself Donna Haraway Vision and cognition Krzysztof Pomian Nature by design Lorraine Daston Impressed images : reproducing wonders Katharine Park Iconography between the history of art and the history of science : art, science, and the case of the urban bee David Freedberg Hieronymus Bosch's world picture Joseph Leo Koerner Judgement against objectivity Peter Galison Eclectic subjectivity and the impossibility of female beauty Jan Goldstein --Visualization and visibility / Joel Snyder The studio, the laboratory, and the vexations of art Svetlana Alpers How to be iconophilic in art, science, and religion? Bruno Latour On astronomical drawing Simon Schaffer Attention and modernity in the nineteenth century Jonathan Crary. Style as inclusion, style as exculsion / Carlo Ginzburg -- The affective properties of styles : an inquiry into analytical process and the inscription of meaning in art history / Irene J. Winter -- Style/type/standard : the production of technological resemblance / Amy Slaton -- Miracles of bodily transformation, or, how St. Francis received the stigmata / Arnold Davidson -- Lost knowledge, bodies of ignorance, and the poverty of taxonomy as illustrated by the curious fate of Flos pavonis, an abortifacient / Londa Schiebinger -- The sex of the machine : mechanomorphic art, new women, and Francis Picabia's neurasthenic cure / Caroline A. Jones -- Deanimations : maps and portraits of life itself / Donna Haraway -- Vision and cognition / Krzysztof Pomian -- Nature by design / Lorraine Daston -- Impressed images : reproducing wonders / Katharine Park -- Iconography between the history of art and the history of science : art, science, and the case of the urban bee / David Freedberg -- Hieronymus Bosch's world picture / Joseph Leo Koerner -- Judgement against objectivity / Peter Galison -- Eclectic subjectivity and the impossibility of female beauty / Jan Goldstein --Visualization and visibility / Joel Snyder -- The studio, the laboratory, and the vexations of art / Svetlana Alpers -- How to be iconophilic in art, science, and religion? / Bruno Latour -- On astronomical drawing / Simon Schaffer -- Attention and modernity in the nineteenth century / Jonathan Crary Archivierung/Langzeitarchivierung gewährleistet SSG XA-DE-BW pdager DE-16 Archivierung prüfen 20240324 DE-4165 2 pdager Art and science Art and science Aufsatzsammlung (DE-588)4143413-4 (DE-627)105605727 (DE-576)209726091 gnd-content s (DE-588)4066562-8 (DE-627)104393998 (DE-576)209165138 Wissenschaft gnd s (DE-588)4114333-4 (DE-627)105822957 (DE-576)209483733 Kunst gnd DE-101 s (DE-588)4114333-4 (DE-627)105822957 (DE-576)209483733 Kunst gnd s (DE-588)4041421-8 (DE-627)106219324 (DE-576)209044837 Naturwissenschaften gnd (DE-627) Jones, Caroline A. 1954- (DE-588)135695996 (DE-627)569732247 (DE-576)167542141 oth Galison, Peter 1955- (DE-588)123873428 (DE-627)085494801 (DE-576)16508748X oth http://www.loc.gov/catdir/enhancements/fy0651/97040521-d.html 2015-10-28 Verlag Verlagsangaben http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=009403019&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA V:DE-604 application/pdf 20090731000000 Inhaltsverzeichnis GBV_ILN_11 ISIL_DE-1a SYSFLAG_1 GBV_KXP GBV_ILN_22 ISIL_DE-18 GBV_ILN_22_i30809 GBV_ILN_24 ISIL_DE-8 GBV_ILN_24_f037 GBV_ILN_31 ISIL_DE-27 GBV_ILN_40 ISIL_DE-7 GBV_ILN_40_i055 GBV_ILN_60 ISIL_DE-705 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_65_a018 GBV_ILN_65_a230 GBV_ILN_70 ISIL_DE-89 GBV_ILN_105 ISIL_DE-841 GBV_ILN_130 ISIL_DE-700 GBV_ILN_181 GBV_ILN_181_b010 GBV_ILN_285 ISIL_DE-517 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_390 ISIL_DE-579 GBV_ILN_605 ISIL_DE-B1578 GBV_ILN_635 ISIL_DE-B2138 GBV_ILN_663 ISIL_DE-B1594 GBV_ILN_702 ISIL_DE-B2226 GBV_ILN_2003 ISIL_DE-25 GBV_ILN_2005 ISIL_DE-291-313 GBV_ILN_2006 ISIL_DE-14 GBV_ILN_2007 ISIL_DE-352 GBV_ILN_2008 ISIL_DE-24 GBV_ILN_2010 ISIL_DE-15 GBV_ILN_2011 ISIL_DE-16 GBV_ILN_2012 ISIL_DE-16-86 ISIL_DE-16-12 GBV_ILN_2016 ISIL_DE-93-114 ISIL_DE-93-94 GBV_ILN_2089 ISIL_DE-540 GBV_ILN_2097 ISIL_DE-L242 GBV_ILN_2109 ISIL_DE-Ka88 GBV_ILN_2197 ISIL_DE-1344 GBV_ILN_2206 ISIL_DE-1141 GBV_ILN_2493 ISIL_DE-1971 GBV_ILN_2510 ISIL_DE-2279 Blocktest LH 61100 Beziehungen der Kunst zu anderen Gebieten (z.B. 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700 - Arts |
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Beiträge <Formschlagwort> Einzelbeiträge Sammelwerk <Formschlagwort> Aufsatzsammlung Bürgerliche Wissenschaft Wissenschaften Wissenschaft Kunstdenkmal <Kunst> Bildende Kunst Kunst Naturforschung Naturlehre Naturwissenschaft Naturwissenschaften Jones, Caroline A. Galison, Peter L. ピーター・ギャリソン Galison, Peter Louis Gyarison, Pītā Galison, P. ギャリソン, ピーター Pītā Gyarison Galison, Pete Galison, P. L. Galison, Peter |
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Beiträge <Formschlagwort> Einzelbeiträge Sammelwerk <Formschlagwort> Aufsatzsammlung Bürgerliche Wissenschaft Wissenschaften Wissenschaft Kunstdenkmal <Kunst> Bildende Kunst Kunst Naturforschung Naturlehre Naturwissenschaft Naturwissenschaften Jones, Caroline A. Galison, Peter L. ピーター・ギャリソン Galison, Peter Louis Gyarison, Pītā Galison, P. ギャリソン, ピーター Pītā Gyarison Galison, Pete Galison, P. L. Galison, Peter |
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2024-07-18T14:38:28.696Z |
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code="x">3714/0001</subfield><subfield code="b">163526359X</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">701.1 P6116</subfield><subfield code="e">i</subfield><subfield code="j">--%%--</subfield><subfield code="y">nk</subfield><subfield code="z">30-08-16</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2003</subfield><subfield code="1">01</subfield><subfield code="x">DE-25</subfield><subfield code="b">3267610745</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">TX 99/2183</subfield><subfield code="e">--%%--</subfield><subfield code="j">--%%--</subfield><subfield code="y">l01</subfield><subfield code="z">08-10-99</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2005</subfield><subfield code="1">01</subfield><subfield code="x">DE-291-313</subfield><subfield code="b">3267610842</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">Q12 e 33</subfield><subfield code="e">p</subfield><subfield code="j">--%%--</subfield><subfield code="y">l01</subfield><subfield code="z">25-03-03</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2006</subfield><subfield code="1">01</subfield><subfield code="x">DE-14</subfield><subfield code="b">3267610931</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">--%%--</subfield><subfield code="y">l01</subfield><subfield code="z">26-06-03</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2007</subfield><subfield code="1">01</subfield><subfield code="x">DE-352</subfield><subfield code="b">3267610990</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">kun 46/j66</subfield><subfield code="e">--%%--</subfield><subfield code="j">--%%--</subfield><subfield code="y">l01</subfield><subfield code="z">21-03-01</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2008</subfield><subfield code="1">01</subfield><subfield code="x">DE-24</subfield><subfield code="b">3267611075</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">51a/1156</subfield><subfield code="e">--%%--</subfield><subfield code="j">--%%--</subfield><subfield code="c">01</subfield><subfield code="f">Magazin 9</subfield><subfield code="d">LH 61100 51a/1156</subfield><subfield code="e">--%%--</subfield><subfield code="j">--%%--</subfield><subfield code="y">l01</subfield><subfield code="z">19-10-01</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2010</subfield><subfield code="1">01</subfield><subfield code="x">DE-15</subfield><subfield code="b">3267611164</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">--%%--</subfield><subfield code="y">l01</subfield><subfield code="z">31-01-12</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2011</subfield><subfield code="1">01</subfield><subfield code="x">DE-16</subfield><subfield code="b">3267611288</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">98 C 3069</subfield><subfield code="e">--%%--</subfield><subfield code="j">--%%--</subfield><subfield code="y">l01</subfield><subfield code="z">14-09-98</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2012</subfield><subfield code="1">01</subfield><subfield code="x">DE-16-86</subfield><subfield code="b">3267611385</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">Ci 218</subfield><subfield code="e">p</subfield><subfield code="j">--%%--</subfield><subfield code="y">l01</subfield><subfield code="z">10-08-01</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2012</subfield><subfield code="1">03</subfield><subfield code="x">DE-16-12</subfield><subfield code="b">3267611415</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">138 Jon C</subfield><subfield code="e">p</subfield><subfield code="j">--%%--</subfield><subfield code="y">l01</subfield><subfield code="z">17-11-10</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2016</subfield><subfield code="1">01</subfield><subfield code="x">DE-93-114</subfield><subfield code="b">3267611504</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">Wa 62/24</subfield><subfield code="e">p</subfield><subfield code="j">--%%--</subfield><subfield code="k">Acc.2000/1430</subfield><subfield code="y">l01</subfield><subfield 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Publisher description for Library of Congress control number 97040521 Publisher description for Picturing science, producing art / Caroline A. Jones, Peter Galison, editors ; with Amy Slaton. Bibliographic record and links to related information available from the Library of Congress catalog Information from electronic data provided by the publisher. May be incomplete or contain other coding. Between the disciplines of art history and the history of science lies a growing field of inquiry into what science and art share as both image-making and knowledge-producing activities. The contributors of Picturing Science, Producing Art occupy this intermediate zone to analyze both scientific and aesthetic representations, utilizing disciplinary perspectives that range from art history to sociology, history and philosophy of science to gender studies, cultural history to the philosophy of mind. Organized in five sites … Styles, The Body, Seeing Wonders, Objectivity/Subjectivity, and Cultures of Vision … their topics extend from Cinquecento theories of female reproduction to the technologies of cloning, from medieval depictions of the stigmata to electrical metaphors for sex, from astronomical drawings to radioencephalography, from Phoenician griffons carved in ivory to factories cast in concrete. The internationally renowned contributors go beyond both science wars and culture wars by exploring substantive links between systems of visual representation and knowledge in science and art. Contributors include Svetlana Alpers, Jonathan Crary, Arnold Davidson, Carlo Ginzburg, Donna Haraway, Bruno Latour, and Simon Schaffer. Library of Congress subject headings for this publication: Art and science. |
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831</subfield><subfield code="e">g</subfield><subfield code="j">--%%--</subfield><subfield code="y">zi01</subfield><subfield code="z">03-12-08</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">130</subfield><subfield code="1">01</subfield><subfield code="x">0700</subfield><subfield code="b">627042074</subfield><subfield code="c">00</subfield><subfield code="f">B</subfield><subfield code="d">JXS 2504-344 0</subfield><subfield code="e">u</subfield><subfield code="j">--%%--</subfield><subfield code="y">kb</subfield><subfield code="z">01-03-05</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">181</subfield><subfield code="1">01</subfield><subfield code="x">3181/010</subfield><subfield code="b">678761035</subfield><subfield code="c">00</subfield><subfield code="f">KB</subfield><subfield code="d">8 1998 3461</subfield><subfield code="e">i</subfield><subfield code="j">--%%--</subfield><subfield code="c">10</subfield><subfield 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code="f">--%%--</subfield><subfield code="d">Q12 e 33</subfield><subfield code="e">p</subfield><subfield code="j">--%%--</subfield><subfield code="y">l01</subfield><subfield code="z">25-03-03</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2006</subfield><subfield code="1">01</subfield><subfield code="x">DE-14</subfield><subfield code="b">3267610931</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">--%%--</subfield><subfield code="e">--%%--</subfield><subfield code="j">--%%--</subfield><subfield code="y">l01</subfield><subfield code="z">26-06-03</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2007</subfield><subfield code="1">01</subfield><subfield code="x">DE-352</subfield><subfield code="b">3267610990</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">kun 46/j66</subfield><subfield code="e">--%%--</subfield><subfield code="j">--%%--</subfield><subfield code="y">l01</subfield><subfield code="z">21-03-01</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2008</subfield><subfield code="1">01</subfield><subfield code="x">DE-24</subfield><subfield code="b">3267611075</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield code="d">51a/1156</subfield><subfield code="e">--%%--</subfield><subfield code="j">--%%--</subfield><subfield code="c">01</subfield><subfield code="f">Magazin 9</subfield><subfield code="d">LH 61100 51a/1156</subfield><subfield code="e">--%%--</subfield><subfield code="j">--%%--</subfield><subfield code="y">l01</subfield><subfield code="z">19-10-01</subfield></datafield><datafield tag="980" ind1=" " ind2=" "><subfield code="2">2010</subfield><subfield code="1">01</subfield><subfield code="x">DE-15</subfield><subfield code="b">3267611164</subfield><subfield code="c">00</subfield><subfield code="f">--%%--</subfield><subfield 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