Music scenes : local, translocal and virtual

Gespeichert in:

Autor*in:	Bennett, Andy - 1963- [herausgeberIn] Peterson, Richard A. - 1932-2011 [herausgeberIn]

Format:	Buch
Sprache:	Englisch

Erschienen:	Nashville: Vanderbilt University Press ; 2004 © 2004
Ausgabe:	1. edition

Schlagwörter:	Popmusik / Subkultur Subkultur / Rockmusik
Schlagwörter:	Popular music, History and criticism
Formangabe:	Aufsatzsammlung Bibliografie

Systematik:	LR 57188 LS 48015 LS 48000 MS 8020

Anmerkung:	Literaturangaben
Umfang:	xvi, 264 Seiten ; Illustrationen ; 24 cm

Reihe:	Cultural studies, musicology

Links:	Inhaltsverzeichnis Inhaltstext Table of contents Publisher description
ISBN:	0-8265-1450-2 0-8265-1451-0

Katalog-ID:	370930894

Internformat


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Indexfelder

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topic_facet	Popular music History and criticism Popmusik Subkultur Rockmusik
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signature_iln_str_mv	22:G 4 Mus 1.1 0018:G 4 Mus 1.1 39:MS 8020 B471 0547:MS 8020 B471 98:MGpmS 62 3402:MGpmS 62 110:Mus 700.016 3110:Mus 700.016 120:mus 076.2 DL 7500 0715:mus 076.2 DL 7500 370:LR 57188 001 4370:LR 57188 001 2004:Frei 99: Pop 1/27 DE-25-99:Frei 99: Pop 1/27 2009:2010 A 2954 DE-180:2010 A 2954 2012:S 30202.4 DE-16-152:S 30202.4 2031:Mus 11ed Mus DE-Lg1:Mus 11ed Mus
signature_iln_scis_mv	22:G 4 Mus 1.1 0018:G 4 Mus 1.1 39:MS 8020 B471 0547:MS 8020 B471 98:MGpmS 62 3402:MGpmS 62 110:Mus 700.016 3110:Mus 700.016 120:mus 076.2 DL 7500 0715:mus 076.2 DL 7500 370:LR 57188 001 4370:LR 57188 001 2004:Frei 99: Pop 1/27 DE-25-99:Frei 99: Pop 1/27 2009:2010 A 2954 DE-180:2010 A 2954 2012:S 30202.4 DE-16-152:S 30202.4 2031:Mus 11ed Mus DE-Lg1:Mus 11ed Mus
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illustrated	Not Illustrated
topic_title	ML3470 781.6409 781.64/09 9,2 ssgn LR 57188 rvk (DE-625)rvk/109854:13536 LS 48015 BVB rvk (DE-625)rvk/110539 LS 48000 OBV rvk (DE-625)rvk/110536 MS 8020 rvk (DE-625)rvk/123808 Music scenes local, translocal and virtual edited by Andy Bennett and Richard A. Peterson Popular music History and criticism s (DE-588)4046781-8 (DE-627)106196960 (DE-576)209070846 Popmusik gnd s (DE-588)4058326-0 (DE-627)106147692 (DE-576)209125772 Subkultur gnd DE-101 s (DE-588)4115774-6 (DE-627)105811815 (DE-576)209495936 Rockmusik gnd
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title_full	Music scenes local, translocal and virtual edited by Andy Bennett and Richard A. Peterson
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genre	Aufsatzsammlung (DE-588)4143413-4 (DE-627)105605727 (DE-576)209726091 gnd-content Bibliografie (DE-588)4006432-3 (DE-627)104814519 (DE-576)208865578 gnd-content
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title_sub	local, translocal and virtual
dewey-full	781.6409 781.64/09
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title_sort	music sceneslocal, translocal and virtual
title_auth	Music scenes local, translocal and virtual
abstract	Literaturangaben
abstractGer	Literaturangaben
abstract_unstemmed	Literaturangaben
url	https://swbplus.bsz-bw.de/bsz115564691inh.htm https://swbplus.bsz-bw.de/bsz115564691vlg.htm http://www.loc.gov/catdir/toc/ecip048/2003018798.html http://www.loc.gov/catdir/enhancements/fy0728/2003018798-d.html
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allfields	2003018798 bA4Y4805 UK 0826514502 cloth : alk. paper 0-8265-1450-2 0826514510 pbk. : alk. paper 0-8265-1451-0 9780826514516 2003018798 Identnummer (DE-627)370930894 (DE-576)115564691 (DE-599)GBV370930894 (OCoLC)587804121 (OCoLC)52922302 (OCoLC)645740859 (DE-604)BV019343346 DE-627 ger DE-627 rda eng XD-US ML3470 781.6409 781.64/09 9,2 ssgn LR 57188 rvk (DE-625)rvk/109854:13536 LS 48015 BVB rvk (DE-625)rvk/110539: LS 48000 OBV rvk (DE-625)rvk/110536: MS 8020 rvk (DE-625)rvk/123808: Music scenes local, translocal and virtual edited by Andy Bennett and Richard A. Peterson 1. edition (pbk : alk. paper) Nashville Vanderbilt University Press [2004] © 2004 xvi, 264 Seiten Illustrationen 24 cm Text txt rdacontent ohne Hilfsmittel zu benutzen n rdamedia Band nc rdacarrier Cultural studies, musicology Literaturangaben Archivierung prüfen 20240324 DE-4165 2 pdager Popular music History and criticism Popular music History and criticism Aufsatzsammlung (DE-588)4143413-4 (DE-627)105605727 (DE-576)209726091 gnd-content Bibliografie (DE-588)4006432-3 (DE-627)104814519 (DE-576)208865578 gnd-content s (DE-588)4046781-8 (DE-627)106196960 (DE-576)209070846 Popmusik gnd s (DE-588)4058326-0 (DE-627)106147692 (DE-576)209125772 Subkultur gnd DE-101 s (DE-588)4058326-0 (DE-627)106147692 (DE-576)209125772 Subkultur gnd s (DE-588)4115774-6 (DE-627)105811815 (DE-576)209495936 Rockmusik gnd DE-101 Bennett, Andy 1963- herausgeberin (DE-588)122083172 (DE-627)081726317 (DE-576)293083401 edt Peterson, Richard A. 1932-2011 herausgeberin (DE-588)124197639 (DE-627)706568494 (DE-576)162529554 edt https://swbplus.bsz-bw.de/bsz115564691inh.htm B:DE-576;DE-180 application/pdf 20100629111505 Verlag Inhaltsverzeichnis https://swbplus.bsz-bw.de/bsz115564691vlg.htm B:DE-576;DE-180 application/pdf 20100629111506 Verlag Inhaltstext http://www.loc.gov/catdir/toc/ecip048/2003018798.html Verlag Table of contents http://www.loc.gov/catdir/enhancements/fy0728/2003018798-d.html Verlag Publisher description GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_22_i11429 GBV_ILN_39 ISIL_DE-547 GBV_ILN_98 ISIL_DE-Wim8 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_120 ISIL_DE-715 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_2004 ISIL_DE-25-99 GBV_ILN_2009 ISIL_DE-180 GBV_ILN_2010 ISIL_DE-15 GBV_ILN_2012 ISIL_DE-16-152 GBV_ILN_2031 ISIL_DE-Lg1 Blocktest LR 57188 21. Jahrhundert Musikwissenschaft I. Musica theoretica Sachteil: Musica theoretica (einschl. Realien mit geographischem Bezug) Musikleben (allgemein) 21. Jahrhundert (DE-627)1441218467 (DE-625)rvk/109854:13536 (DE-576)371218462 LS 48015 Zu einzelnen Gebieten und Themen Musikwissenschaft I. Musica theoretica Musikalische Volks- und Völkerkunde: Musica theoretica Afroamerikanische Musik, internationaler Schlager, Popmusik, Rockmusik, Weltmusik (World music), Jazz u.a. Zu einzelnen Gebieten und Themen (DE-627)1433951118 (DE-625)rvk/110539: (DE-576)363951113 LS 48000 Allgemeines Musikwissenschaft I. Musica theoretica Musikalische Volks- und Völkerkunde: Musica theoretica Afroamerikanische Musik, internationaler Schlager, Popmusik, Rockmusik, Weltmusik (World music), Jazz u.a. Allgemeines (DE-627)127070897X (DE-625)rvk/110536: (DE-576)20070897X MS 8020 Musik, Theater, Museen, Mode, Architektur Soziologie Spezielle Soziologien Kunstsoziologie Musik, Theater, Museen, Mode, Architektur (DE-627)1270915045 (DE-625)rvk/123808: (DE-576)200915045 BO 045F 781.6409 045F 781.64/09 22 01 0018 717242455 00 18/114 G 4 Mus 1.1 i --%%-- zi11429 26-04-05 39 01 0547 723230692 00 LS MS 8020 B471 b --%%-- zet3 23-01-06 98 01 3402 950404209 00 MW MGpmS 62 i --%%-- 09 --%%-- T 42.694 --%%-- --%%-- Aufs. erfasst z 12-10-09 110 01 3110 669873314 00 CAM Mus 700.016 u --%%-- kz 26-11-04 120 01 0715 4499757843 00 --%%-- mus 076.2 DL 7500 u --%%-- alma z 13-03-24 370 01 4370 1569926190 00 EG LR 57188 001 u --%%-- First digital printing 2015 z 28-09-15 2004 01 DE-25-99 3193746169 00 --%%-- Frei 99: Pop 1/27 p --%%-- l01 26-05-11 2009 01 DE-180 3193746223 00 WEST_UG 2010 A 2954 --%%-- l l01 06-01-18 2010 01 DE-15 3193746312 00 --%%-- --%%-- --%%-- --%%-- l01 24-04-06 2012 01 DE-16-152 3193746398 00 --%%-- S 30202.4 p --%%-- l01 03-03-05 2031 01 DE-Lg1 3193746495 00 --%%-- Mus 11ed Mus --%%-- --%%-- l01 24-01-05 39 00 DE-547 00 MS 8020 110 00 DE-Luen4 00 Mus 700 120 01 0715 00 mus 076.2 2031 01 DE-Lg1 00 (DE-627)1300879807 Mus 11ed Mus 2031 01 DE-Lg1 01 (DE-627)1297115627 Mus 3f Mus 22 01 0018 088930107 39 01 0547 547$012293563 98 01 3402 WIM8$1123602 110 01 3110 LUN4$04942752 120 01 0715 30252171 370 01 4370 HC039649 22 01 0018 2005/379 39 01 0547 2005016670 98 01 3402 2010:1915 110 01 3110 04-14828 120 01 0715 DL 7500 370 01 4370 2015-2483 2004 01 DE-25-99 403/2011 120 01 0715 alma 370 01 4370 2015.11.03
spelling	2003018798 bA4Y4805 UK 0826514502 cloth : alk. paper 0-8265-1450-2 0826514510 pbk. : alk. paper 0-8265-1451-0 9780826514516 2003018798 Identnummer (DE-627)370930894 (DE-576)115564691 (DE-599)GBV370930894 (OCoLC)587804121 (OCoLC)52922302 (OCoLC)645740859 (DE-604)BV019343346 DE-627 ger DE-627 rda eng XD-US ML3470 781.6409 781.64/09 9,2 ssgn LR 57188 rvk (DE-625)rvk/109854:13536 LS 48015 BVB rvk (DE-625)rvk/110539: LS 48000 OBV rvk (DE-625)rvk/110536: MS 8020 rvk (DE-625)rvk/123808: Music scenes local, translocal and virtual edited by Andy Bennett and Richard A. Peterson 1. edition (pbk : alk. paper) Nashville Vanderbilt University Press [2004] © 2004 xvi, 264 Seiten Illustrationen 24 cm Text txt rdacontent ohne Hilfsmittel zu benutzen n rdamedia Band nc rdacarrier Cultural studies, musicology Literaturangaben Archivierung prüfen 20240324 DE-4165 2 pdager Popular music History and criticism Popular music History and criticism Aufsatzsammlung (DE-588)4143413-4 (DE-627)105605727 (DE-576)209726091 gnd-content Bibliografie (DE-588)4006432-3 (DE-627)104814519 (DE-576)208865578 gnd-content s (DE-588)4046781-8 (DE-627)106196960 (DE-576)209070846 Popmusik gnd s (DE-588)4058326-0 (DE-627)106147692 (DE-576)209125772 Subkultur gnd DE-101 s (DE-588)4058326-0 (DE-627)106147692 (DE-576)209125772 Subkultur gnd s (DE-588)4115774-6 (DE-627)105811815 (DE-576)209495936 Rockmusik gnd DE-101 Bennett, Andy 1963- herausgeberin (DE-588)122083172 (DE-627)081726317 (DE-576)293083401 edt Peterson, Richard A. 1932-2011 herausgeberin (DE-588)124197639 (DE-627)706568494 (DE-576)162529554 edt https://swbplus.bsz-bw.de/bsz115564691inh.htm B:DE-576;DE-180 application/pdf 20100629111505 Verlag Inhaltsverzeichnis https://swbplus.bsz-bw.de/bsz115564691vlg.htm B:DE-576;DE-180 application/pdf 20100629111506 Verlag Inhaltstext http://www.loc.gov/catdir/toc/ecip048/2003018798.html Verlag Table of contents http://www.loc.gov/catdir/enhancements/fy0728/2003018798-d.html Verlag Publisher description GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_22_i11429 GBV_ILN_39 ISIL_DE-547 GBV_ILN_98 ISIL_DE-Wim8 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_120 ISIL_DE-715 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_2004 ISIL_DE-25-99 GBV_ILN_2009 ISIL_DE-180 GBV_ILN_2010 ISIL_DE-15 GBV_ILN_2012 ISIL_DE-16-152 GBV_ILN_2031 ISIL_DE-Lg1 Blocktest LR 57188 21. Jahrhundert Musikwissenschaft I. Musica theoretica Sachteil: Musica theoretica (einschl. Realien mit geographischem Bezug) Musikleben (allgemein) 21. Jahrhundert (DE-627)1441218467 (DE-625)rvk/109854:13536 (DE-576)371218462 LS 48015 Zu einzelnen Gebieten und Themen Musikwissenschaft I. Musica theoretica Musikalische Volks- und Völkerkunde: Musica theoretica Afroamerikanische Musik, internationaler Schlager, Popmusik, Rockmusik, Weltmusik (World music), Jazz u.a. Zu einzelnen Gebieten und Themen (DE-627)1433951118 (DE-625)rvk/110539: (DE-576)363951113 LS 48000 Allgemeines Musikwissenschaft I. Musica theoretica Musikalische Volks- und Völkerkunde: Musica theoretica Afroamerikanische Musik, internationaler Schlager, Popmusik, Rockmusik, Weltmusik (World music), Jazz u.a. Allgemeines (DE-627)127070897X (DE-625)rvk/110536: (DE-576)20070897X MS 8020 Musik, Theater, Museen, Mode, Architektur Soziologie Spezielle Soziologien Kunstsoziologie Musik, Theater, Museen, Mode, Architektur (DE-627)1270915045 (DE-625)rvk/123808: (DE-576)200915045 BO 045F 781.6409 045F 781.64/09 22 01 0018 717242455 00 18/114 G 4 Mus 1.1 i --%%-- zi11429 26-04-05 39 01 0547 723230692 00 LS MS 8020 B471 b --%%-- zet3 23-01-06 98 01 3402 950404209 00 MW MGpmS 62 i --%%-- 09 --%%-- T 42.694 --%%-- --%%-- Aufs. erfasst z 12-10-09 110 01 3110 669873314 00 CAM Mus 700.016 u --%%-- kz 26-11-04 120 01 0715 4499757843 00 --%%-- mus 076.2 DL 7500 u --%%-- alma z 13-03-24 370 01 4370 1569926190 00 EG LR 57188 001 u --%%-- First digital printing 2015 z 28-09-15 2004 01 DE-25-99 3193746169 00 --%%-- Frei 99: Pop 1/27 p --%%-- l01 26-05-11 2009 01 DE-180 3193746223 00 WEST_UG 2010 A 2954 --%%-- l l01 06-01-18 2010 01 DE-15 3193746312 00 --%%-- --%%-- --%%-- --%%-- l01 24-04-06 2012 01 DE-16-152 3193746398 00 --%%-- S 30202.4 p --%%-- l01 03-03-05 2031 01 DE-Lg1 3193746495 00 --%%-- Mus 11ed Mus --%%-- --%%-- l01 24-01-05 39 00 DE-547 00 MS 8020 110 00 DE-Luen4 00 Mus 700 120 01 0715 00 mus 076.2 2031 01 DE-Lg1 00 (DE-627)1300879807 Mus 11ed Mus 2031 01 DE-Lg1 01 (DE-627)1297115627 Mus 3f Mus 22 01 0018 088930107 39 01 0547 547$012293563 98 01 3402 WIM8$1123602 110 01 3110 LUN4$04942752 120 01 0715 30252171 370 01 4370 HC039649 22 01 0018 2005/379 39 01 0547 2005016670 98 01 3402 2010:1915 110 01 3110 04-14828 120 01 0715 DL 7500 370 01 4370 2015-2483 2004 01 DE-25-99 403/2011 120 01 0715 alma 370 01 4370 2015.11.03
allfields_unstemmed	2003018798 bA4Y4805 UK 0826514502 cloth : alk. paper 0-8265-1450-2 0826514510 pbk. : alk. paper 0-8265-1451-0 9780826514516 2003018798 Identnummer (DE-627)370930894 (DE-576)115564691 (DE-599)GBV370930894 (OCoLC)587804121 (OCoLC)52922302 (OCoLC)645740859 (DE-604)BV019343346 DE-627 ger DE-627 rda eng XD-US ML3470 781.6409 781.64/09 9,2 ssgn LR 57188 rvk (DE-625)rvk/109854:13536 LS 48015 BVB rvk (DE-625)rvk/110539: LS 48000 OBV rvk (DE-625)rvk/110536: MS 8020 rvk (DE-625)rvk/123808: Music scenes local, translocal and virtual edited by Andy Bennett and Richard A. Peterson 1. edition (pbk : alk. paper) Nashville Vanderbilt University Press [2004] © 2004 xvi, 264 Seiten Illustrationen 24 cm Text txt rdacontent ohne Hilfsmittel zu benutzen n rdamedia Band nc rdacarrier Cultural studies, musicology Literaturangaben Archivierung prüfen 20240324 DE-4165 2 pdager Popular music History and criticism Popular music History and criticism Aufsatzsammlung (DE-588)4143413-4 (DE-627)105605727 (DE-576)209726091 gnd-content Bibliografie (DE-588)4006432-3 (DE-627)104814519 (DE-576)208865578 gnd-content s (DE-588)4046781-8 (DE-627)106196960 (DE-576)209070846 Popmusik gnd s (DE-588)4058326-0 (DE-627)106147692 (DE-576)209125772 Subkultur gnd DE-101 s (DE-588)4058326-0 (DE-627)106147692 (DE-576)209125772 Subkultur gnd s (DE-588)4115774-6 (DE-627)105811815 (DE-576)209495936 Rockmusik gnd DE-101 Bennett, Andy 1963- herausgeberin (DE-588)122083172 (DE-627)081726317 (DE-576)293083401 edt Peterson, Richard A. 1932-2011 herausgeberin (DE-588)124197639 (DE-627)706568494 (DE-576)162529554 edt https://swbplus.bsz-bw.de/bsz115564691inh.htm B:DE-576;DE-180 application/pdf 20100629111505 Verlag Inhaltsverzeichnis https://swbplus.bsz-bw.de/bsz115564691vlg.htm B:DE-576;DE-180 application/pdf 20100629111506 Verlag Inhaltstext http://www.loc.gov/catdir/toc/ecip048/2003018798.html Verlag Table of contents http://www.loc.gov/catdir/enhancements/fy0728/2003018798-d.html Verlag Publisher description GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_22_i11429 GBV_ILN_39 ISIL_DE-547 GBV_ILN_98 ISIL_DE-Wim8 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_120 ISIL_DE-715 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_2004 ISIL_DE-25-99 GBV_ILN_2009 ISIL_DE-180 GBV_ILN_2010 ISIL_DE-15 GBV_ILN_2012 ISIL_DE-16-152 GBV_ILN_2031 ISIL_DE-Lg1 Blocktest LR 57188 21. Jahrhundert Musikwissenschaft I. Musica theoretica Sachteil: Musica theoretica (einschl. Realien mit geographischem Bezug) Musikleben (allgemein) 21. Jahrhundert (DE-627)1441218467 (DE-625)rvk/109854:13536 (DE-576)371218462 LS 48015 Zu einzelnen Gebieten und Themen Musikwissenschaft I. Musica theoretica Musikalische Volks- und Völkerkunde: Musica theoretica Afroamerikanische Musik, internationaler Schlager, Popmusik, Rockmusik, Weltmusik (World music), Jazz u.a. Zu einzelnen Gebieten und Themen (DE-627)1433951118 (DE-625)rvk/110539: (DE-576)363951113 LS 48000 Allgemeines Musikwissenschaft I. Musica theoretica Musikalische Volks- und Völkerkunde: Musica theoretica Afroamerikanische Musik, internationaler Schlager, Popmusik, Rockmusik, Weltmusik (World music), Jazz u.a. Allgemeines (DE-627)127070897X (DE-625)rvk/110536: (DE-576)20070897X MS 8020 Musik, Theater, Museen, Mode, Architektur Soziologie Spezielle Soziologien Kunstsoziologie Musik, Theater, Museen, Mode, Architektur (DE-627)1270915045 (DE-625)rvk/123808: (DE-576)200915045 BO 045F 781.6409 045F 781.64/09 22 01 0018 717242455 00 18/114 G 4 Mus 1.1 i --%%-- zi11429 26-04-05 39 01 0547 723230692 00 LS MS 8020 B471 b --%%-- zet3 23-01-06 98 01 3402 950404209 00 MW MGpmS 62 i --%%-- 09 --%%-- T 42.694 --%%-- --%%-- Aufs. erfasst z 12-10-09 110 01 3110 669873314 00 CAM Mus 700.016 u --%%-- kz 26-11-04 120 01 0715 4499757843 00 --%%-- mus 076.2 DL 7500 u --%%-- alma z 13-03-24 370 01 4370 1569926190 00 EG LR 57188 001 u --%%-- First digital printing 2015 z 28-09-15 2004 01 DE-25-99 3193746169 00 --%%-- Frei 99: Pop 1/27 p --%%-- l01 26-05-11 2009 01 DE-180 3193746223 00 WEST_UG 2010 A 2954 --%%-- l l01 06-01-18 2010 01 DE-15 3193746312 00 --%%-- --%%-- --%%-- --%%-- l01 24-04-06 2012 01 DE-16-152 3193746398 00 --%%-- S 30202.4 p --%%-- l01 03-03-05 2031 01 DE-Lg1 3193746495 00 --%%-- Mus 11ed Mus --%%-- --%%-- l01 24-01-05 39 00 DE-547 00 MS 8020 110 00 DE-Luen4 00 Mus 700 120 01 0715 00 mus 076.2 2031 01 DE-Lg1 00 (DE-627)1300879807 Mus 11ed Mus 2031 01 DE-Lg1 01 (DE-627)1297115627 Mus 3f Mus 22 01 0018 088930107 39 01 0547 547$012293563 98 01 3402 WIM8$1123602 110 01 3110 LUN4$04942752 120 01 0715 30252171 370 01 4370 HC039649 22 01 0018 2005/379 39 01 0547 2005016670 98 01 3402 2010:1915 110 01 3110 04-14828 120 01 0715 DL 7500 370 01 4370 2015-2483 2004 01 DE-25-99 403/2011 120 01 0715 alma 370 01 4370 2015.11.03
allfieldsGer	2003018798 bA4Y4805 UK 0826514502 cloth : alk. paper 0-8265-1450-2 0826514510 pbk. : alk. paper 0-8265-1451-0 9780826514516 2003018798 Identnummer (DE-627)370930894 (DE-576)115564691 (DE-599)GBV370930894 (OCoLC)587804121 (OCoLC)52922302 (OCoLC)645740859 (DE-604)BV019343346 DE-627 ger DE-627 rda eng XD-US ML3470 781.6409 781.64/09 9,2 ssgn LR 57188 rvk (DE-625)rvk/109854:13536 LS 48015 BVB rvk (DE-625)rvk/110539: LS 48000 OBV rvk (DE-625)rvk/110536: MS 8020 rvk (DE-625)rvk/123808: Music scenes local, translocal and virtual edited by Andy Bennett and Richard A. Peterson 1. edition (pbk : alk. paper) Nashville Vanderbilt University Press [2004] © 2004 xvi, 264 Seiten Illustrationen 24 cm Text txt rdacontent ohne Hilfsmittel zu benutzen n rdamedia Band nc rdacarrier Cultural studies, musicology Literaturangaben Archivierung prüfen 20240324 DE-4165 2 pdager Popular music History and criticism Popular music History and criticism Aufsatzsammlung (DE-588)4143413-4 (DE-627)105605727 (DE-576)209726091 gnd-content Bibliografie (DE-588)4006432-3 (DE-627)104814519 (DE-576)208865578 gnd-content s (DE-588)4046781-8 (DE-627)106196960 (DE-576)209070846 Popmusik gnd s (DE-588)4058326-0 (DE-627)106147692 (DE-576)209125772 Subkultur gnd DE-101 s (DE-588)4058326-0 (DE-627)106147692 (DE-576)209125772 Subkultur gnd s (DE-588)4115774-6 (DE-627)105811815 (DE-576)209495936 Rockmusik gnd DE-101 Bennett, Andy 1963- herausgeberin (DE-588)122083172 (DE-627)081726317 (DE-576)293083401 edt Peterson, Richard A. 1932-2011 herausgeberin (DE-588)124197639 (DE-627)706568494 (DE-576)162529554 edt https://swbplus.bsz-bw.de/bsz115564691inh.htm B:DE-576;DE-180 application/pdf 20100629111505 Verlag Inhaltsverzeichnis https://swbplus.bsz-bw.de/bsz115564691vlg.htm B:DE-576;DE-180 application/pdf 20100629111506 Verlag Inhaltstext http://www.loc.gov/catdir/toc/ecip048/2003018798.html Verlag Table of contents http://www.loc.gov/catdir/enhancements/fy0728/2003018798-d.html Verlag Publisher description GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_22_i11429 GBV_ILN_39 ISIL_DE-547 GBV_ILN_98 ISIL_DE-Wim8 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_120 ISIL_DE-715 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_2004 ISIL_DE-25-99 GBV_ILN_2009 ISIL_DE-180 GBV_ILN_2010 ISIL_DE-15 GBV_ILN_2012 ISIL_DE-16-152 GBV_ILN_2031 ISIL_DE-Lg1 Blocktest LR 57188 21. Jahrhundert Musikwissenschaft I. Musica theoretica Sachteil: Musica theoretica (einschl. Realien mit geographischem Bezug) Musikleben (allgemein) 21. Jahrhundert (DE-627)1441218467 (DE-625)rvk/109854:13536 (DE-576)371218462 LS 48015 Zu einzelnen Gebieten und Themen Musikwissenschaft I. Musica theoretica Musikalische Volks- und Völkerkunde: Musica theoretica Afroamerikanische Musik, internationaler Schlager, Popmusik, Rockmusik, Weltmusik (World music), Jazz u.a. Zu einzelnen Gebieten und Themen (DE-627)1433951118 (DE-625)rvk/110539: (DE-576)363951113 LS 48000 Allgemeines Musikwissenschaft I. Musica theoretica Musikalische Volks- und Völkerkunde: Musica theoretica Afroamerikanische Musik, internationaler Schlager, Popmusik, Rockmusik, Weltmusik (World music), Jazz u.a. Allgemeines (DE-627)127070897X (DE-625)rvk/110536: (DE-576)20070897X MS 8020 Musik, Theater, Museen, Mode, Architektur Soziologie Spezielle Soziologien Kunstsoziologie Musik, Theater, Museen, Mode, Architektur (DE-627)1270915045 (DE-625)rvk/123808: (DE-576)200915045 BO 045F 781.6409 045F 781.64/09 22 01 0018 717242455 00 18/114 G 4 Mus 1.1 i --%%-- zi11429 26-04-05 39 01 0547 723230692 00 LS MS 8020 B471 b --%%-- zet3 23-01-06 98 01 3402 950404209 00 MW MGpmS 62 i --%%-- 09 --%%-- T 42.694 --%%-- --%%-- Aufs. erfasst z 12-10-09 110 01 3110 669873314 00 CAM Mus 700.016 u --%%-- kz 26-11-04 120 01 0715 4499757843 00 --%%-- mus 076.2 DL 7500 u --%%-- alma z 13-03-24 370 01 4370 1569926190 00 EG LR 57188 001 u --%%-- First digital printing 2015 z 28-09-15 2004 01 DE-25-99 3193746169 00 --%%-- Frei 99: Pop 1/27 p --%%-- l01 26-05-11 2009 01 DE-180 3193746223 00 WEST_UG 2010 A 2954 --%%-- l l01 06-01-18 2010 01 DE-15 3193746312 00 --%%-- --%%-- --%%-- --%%-- l01 24-04-06 2012 01 DE-16-152 3193746398 00 --%%-- S 30202.4 p --%%-- l01 03-03-05 2031 01 DE-Lg1 3193746495 00 --%%-- Mus 11ed Mus --%%-- --%%-- l01 24-01-05 39 00 DE-547 00 MS 8020 110 00 DE-Luen4 00 Mus 700 120 01 0715 00 mus 076.2 2031 01 DE-Lg1 00 (DE-627)1300879807 Mus 11ed Mus 2031 01 DE-Lg1 01 (DE-627)1297115627 Mus 3f Mus 22 01 0018 088930107 39 01 0547 547$012293563 98 01 3402 WIM8$1123602 110 01 3110 LUN4$04942752 120 01 0715 30252171 370 01 4370 HC039649 22 01 0018 2005/379 39 01 0547 2005016670 98 01 3402 2010:1915 110 01 3110 04-14828 120 01 0715 DL 7500 370 01 4370 2015-2483 2004 01 DE-25-99 403/2011 120 01 0715 alma 370 01 4370 2015.11.03
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up_date	2024-10-01T08:50:17.672Z
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fulltext	Publisher description for Library of Congress control number 2003018798 Publisher description for Music scenes : local, translocal and virtual / edited by Andy Bennett and Richard A. Peterson. Bibliographic record and links to related information available from the Library of Congress catalog Information from electronic data provided by the publisher. May be incomplete or contain other coding. These fourteen original essays examine the fascinating world of music scenes, those largely inconspicuous sites where clusters of musicians, producers, and fans explore their common musical tastes and distinctive lifestyle choices. Although most music scenes come and go with hardly a trace, they nevertheless give immense satisfaction to their participants, and a few New York bop jazz, Merseybeat, Memphis rockabilly, London punk, Bronx hip-hop achieve fame and spur musical innovations. To date, serious study of the scenes phenomenon has focused mainly on specific music scenes while paying less attention to recurrent dynamics of scene life, such as how individuals construct and negotiate scenes to the various activities. This volume remedies that neglect. Library of Congress subject headings for this publication: Popular music … History and criticism. Table of contents for Library of Congress control number 2003018798 Table of contents for Music scenes : local, translocal & virtual / edited by Andy Bennett and Richard A. Peterson. Bibliographic record and links to related information available from the Library of Congress catalog. Note: Contents data are machine generated based on pre-publication information provided by the publisher. Contents may have variations from the printed book or be incomplete or contain other coding. Contents Acknowledgements Notes on contributors Introducing Music Scenes … Richard A. Peterson and Andy Bennett Jazz Places … Howard Becker Focusing on two innovative periods in the development of jazz, Howard Becker shows that the social space in which music is performed shapes the music that is produced. The first describes the earliest days of bebop in the 1930s gang-controlled underworld of Kansas City, and the second describes the university tours and concerts that helped shape cool jazz in the 1950s. Part … LOCAL SCENES Chapter … The Symbolic Economy of Authenticity in the Chicago Blues Scene … David Grazian Based on years of ethnographic research, David Grazian shows how the signifiers of authenticity in the Chicago blues scene of the past are manipulated by contemporary artists, bartenders, and club owners to satisfy the expectations of today's fans and tourists who differ sharply in their expectations of what the "real" Chicago blues is. Chapter … Behind the Rave: Structure and Agency in a Rave Scene … Ken Spring Ken Spring uses participant observation and interviews in tracing the rise and fall of an intense rave scene in a small industrial city. He focuses on all the interests behind the rave scene including bar owners, promoters, DJs, drug dealers, police, and city officials who, for a brief period, made it possible to put on raves in a risk-free environment. Chapter … "Scenes" Dimensions of Karaoke in the US … Rob Drew Much like early punk, Karaoke has the liberating sensibility "anyone can do it." While for many in the US Karaoke was an excuse for drunken self-expression, Rob Drew shows that for a goodly number it is a regular social activity that gives great personal satisfaction and knits participants together in a number of overlapping scenes, each exhibiting a sensibility that fits with the local area in which the scene exists. Chapter … "Tween Scene": Resistance Within the Mainstream … Melany Lowe Using focus groups, Melanie Lowe explores the realm of youthful fandom surrounding Britney Spears. She finds it is simultaneously world-wide and confined to the fan's own room. To a surprising degree girls are able to gush over their favorite and to challenge Britney's overly sexualized media image, thus revealing a reception strategy that allows them to take pleasure in music that is often at odds with their budding feminist consciousness. Chapter … "Doin' it Right": Contested Authenticity in London's Salsa Scene … Norman Urquia Urquia shows that questions of authenticity operate at several levels in the London Salsa scene. Non-Latin dancers offer a variety of claims to make Salsa their own, while Salsa dance teachers continually strive for more exhibitionist personal styles in order to attract students. Over time, ironically, this means that the original Latin form is no longer considered authentic Salsa. Part … TRANSLOCAL SCENES Chapter … "Riot Grrrl is … ": Contestation over Meaning in a Music Scene … Kristin Schilt Schilt describes how widely dispersed scenes devoted to feminism and punk music came together to create the Riot Grrrl movement in which every girl could be a riot grrrl. She shows how this fusion rapidly made the translocal scene visible and led to its fissuring as musical and political differences came to the fore. Chapter … Translocal Connections in the Goth Scene … Paul Hodkinson With the collapse of the world-wide mass-media promoted genre of goth music in the early 1990s, numerous groups of goths linked up forming a translocally connected movement. Hodkinson shows how goth fans mutually reinforced each other through their symbols of goth identity, frequent travel to distant goth events, compilation Goth records, fanzines, internet communication, and through mail order specialty stores. Chapter … Music Festivals as Scenes: Examples From Serious Music, Womyn's … Music, and Skate Punk Timothy Dowd, Jenna Nelson, and Kathlen Liddle Festivals are large organized events in which scenes periodically reproduce themselves in a cloistered area protected from the gaze of outsiders. Dowd, Nelson, and Liddle explore the Yadoo festival devoted to serious (art) music, the Michigan Womyn's festival, and the Vans Warped Tour to illustrate the ways in which festivals can be scenes. Chapter … Not For Sale: The Underground Network of Anarcho-Punk … Tim Gosling More than their local counterparts, translocal scenes depend on recordings and those who make them to get the music known and to build the sense of a scene. Tim Gosling clearly shows the role of band-owned record companies in the anarcho-punk scene of the 1980s. He found why the US-owned companies were much more effective in scene-building than their English peers. Part … VIRTUAL SCENES Chapter … Internet-Based Virtual Music Scenes: The Case of P2 in Alt.Country … Music Steve S. Lee and Richard A. Peterson Using the example of a group based on a list-serve devoted to alternative country music, Lee and Peterson show how the internet can be the locus of a long-lasting music scene, and they use the case study of "Postcard Two" to suggest the ways virtual scenes are similar to and differ from local scenes. Chapter … The New Canterbury Tales: The Making of a Virtual Scene … Andy Bennett Bennett studies the role of the internet in the development of a scene devoted to the memory of the music of a group of 1960s bands associated with Canterbury, England. He finds that the internet has been effectively used by promoters and fans alike to construct a virtual scene that perpetuates the notion that there was once a local scene built around the Canterbury Sound. Chapter … The Fanzine Discourse over "Post Rock" … James A. Hodgkinson In his discourse on the critical analysis of "post-rock," Hodgkinson explores the dynamics of a virtual scene based not on the internet but on music reviews in fanzines and the commercial music press. In doing so he demonstrates the power of journalistic discourse in providing the musical terms and other forms of categorization central to the formation of a scene. Chapter … Kate Bush: Teen Pop and Older Female Fans … Laura Vroomen Kate Bush had several teen-oriented hits in the late 1970s, and she has recorded sporadically since that time. Interviewing and interacting with a number of Kate Bush fans, Vroomen shows the role of internet communication in helping fandom continually reinvent itself as fans and artist mature. Library of Congress Subject Headings for this publication: Popular music History and criticism Contents Acknowledgments xi Notes on Contributors xiii Introducing Music Scenes … Richard A. Peterson and Andy Bennett Jazz Places … Howard Becker Becker shows that the social space in which music is performed shapes the music that is produced by focusing on two innovative periods in the development of jazz the first, the earliest days of bebop in the 1930s gang-controlled underworld of Kansas City, and the second, the university tours and concerts that helped shape cool jazz in the 1950s. Parti Local Scenes … The Symbolic Economy of Authenticity in the Chicago Blues Scene … David Grazian Drawing on years of ethnographic research, Grazian shows how the signifiers of authenticity in the Chicago blues scene of the past are manipulated by contemporary artists, bartenders, and club owners to satisfy the expectations of today's fans and tourists, who differ sharply in their expectations of what "real" Chicago blues is. vii viii Music Scenes: Local, Translocal, and Virtual … Behind the Rave: Structure and Agency in a Rave Scene … Ken Spring Spring uses participant observation and interviews to trace the rise and fall of an intense rave scene in a small industrial city. He focuses on the interests behind the rave scene bar owners, promoters, DJs, drug dealers, police, and city officials who, for a brief period, made it possible to put on raves in a risk-free environment. … "Scenes" Dimensions of Karaoke in the United States … Rob Drew Much like early punk, karaoke encourages the liberating sensibility that "anyone can do it." While for many in the United States karaoke is an excuse for drunken self-expression, Drew shows that for a goodly number it is a regular social activity that gives great personal satisfaction and knits participants together in a number of overlapping scenes, each appropriate for its locale. … "Tween" Scene: Resistance within the Mainstream … Melanie Lowe Using focus groups, Lowe explores the realm of youthful fandom that surrounds Britney Spears, which exists worldwide and in fans' own rooms. Girls gush over their favorite and simultaneously challenge her overly sexualized media image, revealing a reception strategy that allows them to take pleasure in music often at odds with their budding feminist consciousness. … "Doin' It Right": Contested Authenticity in London's Salsa Scene … Norman Urquia Urquia shows that questions of authenticity operate at several levels in the London salsa scene. Non-Latin dancers offer a variety of claims on salsa as their own, while salsa dance teachers continually strive for more exhibitionist personal styles to attract students. Over time, ironically, the original Latin form has lost its identity as authentic salsa. Contents ix Part II Translocal Scenes … "Riot Grrrl Is … ": Contestation over Meaning in a Music Scene … Kristin Schilt Schilt describes how widely dispersed scenes devoted to feminism and punk music came together to create the Riot Grrrl movement, in which every girl could be a riot grrrl. She shows how this fusion rapidly made the translocal scene visible and led to its fissuring, as musical and political differences came to the fore. … Translocal Connections in the Goth Scene … Paul Hodkinson With the collapse of the worldwide mass media-promoted genre of goth music in the early 1990s, numerous groups of goths linked up to form a translocally connected movement. Hodkinson shows how goth fans mutually reinforced each other through their symbols of goth identity, frequent travel to distant goth events, compilation of goth records, fanzines, Internet communication, and mail-order specialty stores. … Music Festivals as Scenes: Examples from Serious Music, Womyn's Music, and SkatePunk … Timothy J. Dowd, Kathleen Liddle, andJenna Nelson Dowd, Liddle, and Nelson explore the Yaddo Festival, devoted to serious (art) music, the Michigan Womyn's Festival, and the Vans Warped Tour to illustrate the ways in which festivals large organized events in which scenes periodically reproduce themselves in a cloistered area protected from the gaze of outsiders can be scenes. … "Not for Sale": The Underground Network of Anarcho-Punk … Tim Gosling More than their local counterparts, translocal scenes depend on recordings and those who make them to get the music known and to build the sense of a scene. Gosling shows the role of band-owned record companies in the anarcho-punk scene of the 1980s and explains why the U.S.-owned companies were much more effective scene builders than were their English counterparts. x Music Scenes: Local,Translocal, and Virtual Part III Virtual Scenes … Internet-based Virtual Music Scenes: The Case of P2 in Alt.Country Music … SteveS. Lee and Richard A. Peterson Using the example of a group based on a listserv devoted to alternative country music, Lee and Peterson show how the Internet can be the locus of a long-lasting music scene, using a case study of Postcard Two to compare virtual scenes to local scenes. … New Tales from Canterbury: The Making of a Virtual Scene … Andy Bennett In the development of a scene devoted to the memory of the music of a group of 1960s bands associated with Canterbury, England, Bennett finds that promoters and fans have used the Internet effectively to construct a virtual scene that perpetuates the notion that there was once a local scene built around the Canterbury Sound. … The Fanzine Discourse over Post-rock … James A. Hodgkinson In his critical analysis of post-rock, Hodgkinson explores the dynamics of a virtual scene based on music reviews in fanzines and in the commercial music press. In doing so, he demonstrates the power of journalistic discourse to provide the musical terms and other forms of categorization central to the formation of a scene. … Kate Bush: Teen Pop and Older Female Fans … Laura Vroomen Kate Bush, who had several teen-oriented hits in the late 1970s, has recorded sporadically since. Interviewing and interacting with a number of Kate Bush fans, Vroomen shows how Internet communication helps fandom continually reinvent itself as fans and artist mature. Index … While more than … percent of the world's commercial music is controlled by four multinational firms, most music is made in all sorts of venues and locales divorced from such corporate behemoths.These fourteen original essays examine the fascinating world of "music scenes," those largely inconspicuous sites where clusters of musicians, producers, and fans explore their common musical tastes and distinctive lifestyle choices. Although most music scenes come and go with hardly a trace, a few New York bop jazz, Mersey-beat, Memphis rockabilly, London punk, Bronx hip-hop achieve fame and spur musical innovations. Three types of scenes local, translocal, and virtual are explored here. Local scenes, which are confined to specific areas, are examined in essays on Chicago blues, rave, karaoke, teen pop, and salsa. Essays on translocal scenes, which involve the coming together of scattered local scenes around a particular type of music and lifestyle, focus on riot grrrls, UK goth, art music, and anarcho-punk. Virtual scenes, in which fans communicate via the internet, are illustrated using alternative country, the Canterbury sound, post-rock, and Kate Bush fans. Also included is an essay that shows how the social conditions in places where jazz was made influenced that music's development.
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