Why are artists poor? : The exceptional economy of the arts
Most artists earn very little. Nevertheless, there is no shortage of aspiring young artists. Do they give to the arts willingly or unknowingly? Governments and other institutions also give to the arts, to raise the low incomes. But their support is ineffective: subsidies only increase the artists�...
Ausführliche Beschreibung
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| Autor*in: |
Abbing, Hans - 1946- [verfasserIn] |
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| Format: |
E-Book |
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| Sprache: |
Englisch |
| Erschienen: |
Amsterdam: Amsterdam University Press ; 2002 |
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| Rechteinformationen: |
Open Access Creative Commons ; https://creativecommons.org/licenses/by-nc/3.0 |
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| Schlagwörter: | |
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| Schlagwörter: |
History of art / art & design styles |
| Umfang: |
Online-Ressource (367 p) |
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| Links: | |
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| ISBN: |
90-5356-565-5 |
| Katalog-ID: |
646745255 |
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9053565655 90-5356-565-5 (DE-627)646745255 (DE-576)9646745253 (DE-599)GBV646745255 (OCoLC)837862751 (EBP)062158155 (OAPEN)35101 DE-627 ger DE-627 rakwb eng XA-NL N8600 AC bicssc JF bicssc ABQ bicssc K bicssc JB bicssc AGA bicssc 20.10 bkl Abbing, Hans 1946- verfasserin (DE-588)123979919 (DE-627)085562173 (DE-576)215118480 aut Why are artists poor? The exceptional economy of the arts Hans Abbing Amsterdam Amsterdam University Press 2002 Online-Ressource (367 p) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star Most artists earn very little. Nevertheless, there is no shortage of aspiring young artists. Do they give to the arts willingly or unknowingly? Governments and other institutions also give to the arts, to raise the low incomes. But their support is ineffective: subsidies only increase the artists' poverty. The economy of the arts is exceptional. Although the arts operate successfully in the marketplace, their natural affinity is with gift-giving, rather than with commercial exchange. People believe that artists are selflessly dedicated to art, that price does not reflect quality, and that the arts are free. But is it true? This unconventional multidisciplinary analysis explains the exceptional economy of the arts. Insightful illustrations from the practice of a visual artist support the analysis Creative Commons https://creativecommons.org/licenses/by-nc/3.0 cc English Artists Economic conditions Art Economic aspects History of art / art & design styles Society & culture: general Economics, finance, business & management Art: financial aspects History of art Society and culture: general Economics, Finance, Business and Management s (DE-588)4033423-5 (DE-627)106257307 (DE-576)209001941 Künstler gnd s (DE-588)4248362-1 (DE-627)104527889 (DE-576)210495723 Wirtschaftliche Lage gnd (DE-627) https://library.oapen.org/bitstream/id/92339cef-c1e9-41fe-ade8-8dc95a67b948/340245.pdf X:OAPEN Verlag OAPEN Library: download the publication kostenfrei http://library.oapen.org/handle/20.500.12657/35101 X:OAPEN Verlag OAPEN Library: description of the publication kostenfrei http://www.gbv.de/dms/bowker/toc/9789053565650.pdf V:DE-601 X:Bowker pdf/application 2011-12-23 Verlag Inhaltsverzeichnis Inhaltsverzeichnis (DE-627)665226519 ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_181 GBV_ILN_181_b001 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER 20.10 Kunst und Gesellschaft (DE-627)106406256 BO 22 01 0018 4141944645 OLR-ZDB-94-OAL OAPEN Library zu 31-05-22 23 01 0830 4141948691 OLR-OAPEN f z 31-05-22 30 01 0104 4141951447 GBV-OAPEN z 31-05-22 31 01 0027 4141945803 z 31-05-22 34 01 3551 4141931837 OLR-OAPEN zi002 31-05-22 39 01 0547 4141952214 GBV-OAPEN ke 31-05-22 40 01 0007 4141943703 OLR-OAPEN xsn 31-05-22 63 01 3401 4141959065 E-Books LF GBV-OAPEN z 01-06-22 65 01 0003 4141959960 OLR-OAPEN z 01-06-22 70 01 0089 4141947172 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 31-05-22 72 01 0035 4141931217 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 31-05-22 95 01 3095 4343058603 OLR-OAL Vervielfältigungen (z.B. 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| spelling |
9053565655 90-5356-565-5 (DE-627)646745255 (DE-576)9646745253 (DE-599)GBV646745255 (OCoLC)837862751 (EBP)062158155 (OAPEN)35101 DE-627 ger DE-627 rakwb eng XA-NL N8600 AC bicssc JF bicssc ABQ bicssc K bicssc JB bicssc AGA bicssc 20.10 bkl Abbing, Hans 1946- verfasserin (DE-588)123979919 (DE-627)085562173 (DE-576)215118480 aut Why are artists poor? The exceptional economy of the arts Hans Abbing Amsterdam Amsterdam University Press 2002 Online-Ressource (367 p) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star Most artists earn very little. Nevertheless, there is no shortage of aspiring young artists. Do they give to the arts willingly or unknowingly? Governments and other institutions also give to the arts, to raise the low incomes. But their support is ineffective: subsidies only increase the artists' poverty. The economy of the arts is exceptional. Although the arts operate successfully in the marketplace, their natural affinity is with gift-giving, rather than with commercial exchange. People believe that artists are selflessly dedicated to art, that price does not reflect quality, and that the arts are free. But is it true? This unconventional multidisciplinary analysis explains the exceptional economy of the arts. Insightful illustrations from the practice of a visual artist support the analysis Creative Commons https://creativecommons.org/licenses/by-nc/3.0 cc English Artists Economic conditions Art Economic aspects History of art / art & design styles Society & culture: general Economics, finance, business & management Art: financial aspects History of art Society and culture: general Economics, Finance, Business and Management s (DE-588)4033423-5 (DE-627)106257307 (DE-576)209001941 Künstler gnd s (DE-588)4248362-1 (DE-627)104527889 (DE-576)210495723 Wirtschaftliche Lage gnd (DE-627) https://library.oapen.org/bitstream/id/92339cef-c1e9-41fe-ade8-8dc95a67b948/340245.pdf X:OAPEN Verlag OAPEN Library: download the publication kostenfrei http://library.oapen.org/handle/20.500.12657/35101 X:OAPEN Verlag OAPEN Library: description of the publication kostenfrei http://www.gbv.de/dms/bowker/toc/9789053565650.pdf V:DE-601 X:Bowker pdf/application 2011-12-23 Verlag Inhaltsverzeichnis Inhaltsverzeichnis (DE-627)665226519 ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_181 GBV_ILN_181_b001 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER 20.10 Kunst und Gesellschaft (DE-627)106406256 BO 22 01 0018 4141944645 OLR-ZDB-94-OAL OAPEN Library zu 31-05-22 23 01 0830 4141948691 OLR-OAPEN f z 31-05-22 30 01 0104 4141951447 GBV-OAPEN z 31-05-22 31 01 0027 4141945803 z 31-05-22 34 01 3551 4141931837 OLR-OAPEN zi002 31-05-22 39 01 0547 4141952214 GBV-OAPEN ke 31-05-22 40 01 0007 4141943703 OLR-OAPEN xsn 31-05-22 63 01 3401 4141959065 E-Books LF GBV-OAPEN z 01-06-22 65 01 0003 4141959960 OLR-OAPEN z 01-06-22 70 01 0089 4141947172 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 31-05-22 72 01 0035 4141931217 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 31-05-22 95 01 3095 4343058603 OLR-OAL Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 24-06-23 110 01 3110 4141956120 OLR-GBV-OAPEN Open Access z 01-06-22 136 01 3526 4141941085 OLR-OAPEN z 31-05-22 147 01 3528 4141961337 OLR-OAPEN frei verfügbar für Europa-Universität Flensburg, Hochschule Flensburg und Zentrale Hochschulbibliothek Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 01-06-22 161 01 0960 4154543377 OLR-OAPEN OAPEN Online Library Open Access eBook z 22-06-22 181 01 3181/001 1616705094 00 DB --%%-- i --%%-- zb001 24-05-16 187 01 3520 4141930458 JSTOR Open Access eBook z 31-05-22 213 01 0551 4141939641 OLR-OAPEN OAPEN Online Library Open Access eBook z 31-05-22 230 01 0552 4141940089 OLR-OAPEN OAPEN Online Library Open Access eBook z 31-05-22 283 01 3283 4157907353 OLR-OAL z 28-06-22 293 01 3293 4154544357 OLR-OAPEN OAPEN Online Library Open Access eBook z 22-06-22 370 01 4370 4140499931 OLR-FREE Kostenloser Zugriff z 28-05-22 603 01 4603 414192993X OLR-OAPEN Bitte beachten Sie die Nutzungsbedingungen und Copyright-Bestimmungen des Verlages/Herausgebers. z 31-05-22 808 01 4808 4159051561 OLR-OAPEN OAPEN Library zg 30-06-22 2403 01 DE-LFER 4579426398 00 --%%-- --%%-- n --%%-- l01 13-09-24 22 01 0018 Volltextzugang http://library.oapen.org/handle/20.500.12657/35101 23 01 0830 http://library.oapen.org/handle/20.500.12657/35101 30 01 0104 Open Access http://library.oapen.org/handle/20.500.12657/35101 31 01 0027 eBook GBV-OAPEN http://library.oapen.org/handle/20.500.12657/35101 34 01 3551 OpenAccess http://library.oapen.org/handle/20.500.12657/35101 40 01 0007 Volltext, Open Access http://library.oapen.org/handle/20.500.12657/35101 63 01 3401 E-Book http://library.oapen.org/handle/20.500.12657/35101 65 01 0003 Open Access http://library.oapen.org/handle/20.500.12657/35101 65 01 0003 Dieser Titel ist Teil einer Datenbank http://www.bibliothek.uni-regensburg.de/dbinfo/detail.php?titel_id=10728&bib_id=ulb_hal 70 01 0089 http://library.oapen.org/handle/20.500.12657/35101 LF 72 01 0035 http://library.oapen.org/handle/20.500.12657/35101 95 01 3095 http://library.oapen.org/handle/20.500.12657/35101 110 01 3110 Open Access http://library.oapen.org/handle/20.500.12657/35101 136 01 3526 Open Access http://library.oapen.org/handle/20.500.12657/35101 147 01 3528 http://library.oapen.org/handle/20.500.12657/35101 161 01 0960 http://library.oapen.org/handle/20.500.12657/35101 LF 181 01 3181/001 http://www.oapen.org/search?identifier=340245 34 187 01 3520 http://library.oapen.org/handle/20.500.12657/35101 213 01 0551 http://library.oapen.org/handle/20.500.12657/35101 230 01 0552 http://library.oapen.org/handle/20.500.12657/35101 283 01 3283 http://library.oapen.org/handle/20.500.12657/35101 293 01 3293 http://library.oapen.org/handle/20.500.12657/35101 LF 370 01 4370 http://library.oapen.org/handle/20.500.12657/35101 603 01 4603 http://library.oapen.org/handle/20.500.12657/35101 808 01 4808 Volltextzugang http://library.oapen.org/handle/20.500.12657/35101 2403 01 DE-LFER https://library.oapen.org/bitstream/id/92339cef-c1e9-41fe-ade8-8dc95a67b948/340245.pdf 31 01 0027 00 eBook GBV-OAPEN 22 01 0018 OLR-ZDB-94-OAL 23 01 0830 OLR-OAPEN 30 01 0104 GBV-OAPEN 34 01 3551 OLR-OAPEN 39 01 0547 GBV-OAPEN 39 01 0547 LF 40 01 0007 OLR-OAPEN 63 01 3401 E-Books LF GBV-OAPEN 65 01 0003 OLR-OAPEN 70 01 0089 OLR-OAPEN-OA 72 01 0035 OLR-OAPEN-OA 95 01 3095 OLR-OAL 110 01 3110 OLR-GBV-OAPEN 136 01 3526 OLR-OAPEN 147 01 3528 OLR-OAPEN 161 01 0960 OLR-OAPEN 213 01 0551 OLR-OAPEN 230 01 0552 OLR-OAPEN 283 01 3283 OLR-OAL 293 01 3293 OLR-OAPEN 370 01 4370 OLR-FREE 370 01 4370 olr-ebook GBV-OAPEN 603 01 4603 OLR-OAPEN 808 01 4808 OLR-OAPEN |
| allfields_unstemmed |
9053565655 90-5356-565-5 (DE-627)646745255 (DE-576)9646745253 (DE-599)GBV646745255 (OCoLC)837862751 (EBP)062158155 (OAPEN)35101 DE-627 ger DE-627 rakwb eng XA-NL N8600 AC bicssc JF bicssc ABQ bicssc K bicssc JB bicssc AGA bicssc 20.10 bkl Abbing, Hans 1946- verfasserin (DE-588)123979919 (DE-627)085562173 (DE-576)215118480 aut Why are artists poor? The exceptional economy of the arts Hans Abbing Amsterdam Amsterdam University Press 2002 Online-Ressource (367 p) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star Most artists earn very little. Nevertheless, there is no shortage of aspiring young artists. Do they give to the arts willingly or unknowingly? Governments and other institutions also give to the arts, to raise the low incomes. But their support is ineffective: subsidies only increase the artists' poverty. The economy of the arts is exceptional. Although the arts operate successfully in the marketplace, their natural affinity is with gift-giving, rather than with commercial exchange. People believe that artists are selflessly dedicated to art, that price does not reflect quality, and that the arts are free. But is it true? This unconventional multidisciplinary analysis explains the exceptional economy of the arts. Insightful illustrations from the practice of a visual artist support the analysis Creative Commons https://creativecommons.org/licenses/by-nc/3.0 cc English Artists Economic conditions Art Economic aspects History of art / art & design styles Society & culture: general Economics, finance, business & management Art: financial aspects History of art Society and culture: general Economics, Finance, Business and Management s (DE-588)4033423-5 (DE-627)106257307 (DE-576)209001941 Künstler gnd s (DE-588)4248362-1 (DE-627)104527889 (DE-576)210495723 Wirtschaftliche Lage gnd (DE-627) https://library.oapen.org/bitstream/id/92339cef-c1e9-41fe-ade8-8dc95a67b948/340245.pdf X:OAPEN Verlag OAPEN Library: download the publication kostenfrei http://library.oapen.org/handle/20.500.12657/35101 X:OAPEN Verlag OAPEN Library: description of the publication kostenfrei http://www.gbv.de/dms/bowker/toc/9789053565650.pdf V:DE-601 X:Bowker pdf/application 2011-12-23 Verlag Inhaltsverzeichnis Inhaltsverzeichnis (DE-627)665226519 ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_181 GBV_ILN_181_b001 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER 20.10 Kunst und Gesellschaft (DE-627)106406256 BO 22 01 0018 4141944645 OLR-ZDB-94-OAL OAPEN Library zu 31-05-22 23 01 0830 4141948691 OLR-OAPEN f z 31-05-22 30 01 0104 4141951447 GBV-OAPEN z 31-05-22 31 01 0027 4141945803 z 31-05-22 34 01 3551 4141931837 OLR-OAPEN zi002 31-05-22 39 01 0547 4141952214 GBV-OAPEN ke 31-05-22 40 01 0007 4141943703 OLR-OAPEN xsn 31-05-22 63 01 3401 4141959065 E-Books LF GBV-OAPEN z 01-06-22 65 01 0003 4141959960 OLR-OAPEN z 01-06-22 70 01 0089 4141947172 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 31-05-22 72 01 0035 4141931217 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 31-05-22 95 01 3095 4343058603 OLR-OAL Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 24-06-23 110 01 3110 4141956120 OLR-GBV-OAPEN Open Access z 01-06-22 136 01 3526 4141941085 OLR-OAPEN z 31-05-22 147 01 3528 4141961337 OLR-OAPEN frei verfügbar für Europa-Universität Flensburg, Hochschule Flensburg und Zentrale Hochschulbibliothek Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. 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9053565655 90-5356-565-5 (DE-627)646745255 (DE-576)9646745253 (DE-599)GBV646745255 (OCoLC)837862751 (EBP)062158155 (OAPEN)35101 DE-627 ger DE-627 rakwb eng XA-NL N8600 AC bicssc JF bicssc ABQ bicssc K bicssc JB bicssc AGA bicssc 20.10 bkl Abbing, Hans 1946- verfasserin (DE-588)123979919 (DE-627)085562173 (DE-576)215118480 aut Why are artists poor? The exceptional economy of the arts Hans Abbing Amsterdam Amsterdam University Press 2002 Online-Ressource (367 p) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star Most artists earn very little. Nevertheless, there is no shortage of aspiring young artists. Do they give to the arts willingly or unknowingly? Governments and other institutions also give to the arts, to raise the low incomes. But their support is ineffective: subsidies only increase the artists' poverty. The economy of the arts is exceptional. Although the arts operate successfully in the marketplace, their natural affinity is with gift-giving, rather than with commercial exchange. People believe that artists are selflessly dedicated to art, that price does not reflect quality, and that the arts are free. But is it true? This unconventional multidisciplinary analysis explains the exceptional economy of the arts. Insightful illustrations from the practice of a visual artist support the analysis Creative Commons https://creativecommons.org/licenses/by-nc/3.0 cc English Artists Economic conditions Art Economic aspects History of art / art & design styles Society & culture: general Economics, finance, business & management Art: financial aspects History of art Society and culture: general Economics, Finance, Business and Management s (DE-588)4033423-5 (DE-627)106257307 (DE-576)209001941 Künstler gnd s (DE-588)4248362-1 (DE-627)104527889 (DE-576)210495723 Wirtschaftliche Lage gnd (DE-627) https://library.oapen.org/bitstream/id/92339cef-c1e9-41fe-ade8-8dc95a67b948/340245.pdf X:OAPEN Verlag OAPEN Library: download the publication kostenfrei http://library.oapen.org/handle/20.500.12657/35101 X:OAPEN Verlag OAPEN Library: description of the publication kostenfrei http://www.gbv.de/dms/bowker/toc/9789053565650.pdf V:DE-601 X:Bowker pdf/application 2011-12-23 Verlag Inhaltsverzeichnis Inhaltsverzeichnis (DE-627)665226519 ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_181 GBV_ILN_181_b001 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER 20.10 Kunst und Gesellschaft (DE-627)106406256 BO 22 01 0018 4141944645 OLR-ZDB-94-OAL OAPEN Library zu 31-05-22 23 01 0830 4141948691 OLR-OAPEN f z 31-05-22 30 01 0104 4141951447 GBV-OAPEN z 31-05-22 31 01 0027 4141945803 z 31-05-22 34 01 3551 4141931837 OLR-OAPEN zi002 31-05-22 39 01 0547 4141952214 GBV-OAPEN ke 31-05-22 40 01 0007 4141943703 OLR-OAPEN xsn 31-05-22 63 01 3401 4141959065 E-Books LF GBV-OAPEN z 01-06-22 65 01 0003 4141959960 OLR-OAPEN z 01-06-22 70 01 0089 4141947172 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 31-05-22 72 01 0035 4141931217 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 31-05-22 95 01 3095 4343058603 OLR-OAL Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 24-06-23 110 01 3110 4141956120 OLR-GBV-OAPEN Open Access z 01-06-22 136 01 3526 4141941085 OLR-OAPEN z 31-05-22 147 01 3528 4141961337 OLR-OAPEN frei verfügbar für Europa-Universität Flensburg, Hochschule Flensburg und Zentrale Hochschulbibliothek Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. 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9053565655 90-5356-565-5 (DE-627)646745255 (DE-576)9646745253 (DE-599)GBV646745255 (OCoLC)837862751 (EBP)062158155 (OAPEN)35101 DE-627 ger DE-627 rakwb eng XA-NL N8600 AC bicssc JF bicssc ABQ bicssc K bicssc JB bicssc AGA bicssc 20.10 bkl Abbing, Hans 1946- verfasserin (DE-588)123979919 (DE-627)085562173 (DE-576)215118480 aut Why are artists poor? The exceptional economy of the arts Hans Abbing Amsterdam Amsterdam University Press 2002 Online-Ressource (367 p) Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star Most artists earn very little. Nevertheless, there is no shortage of aspiring young artists. Do they give to the arts willingly or unknowingly? Governments and other institutions also give to the arts, to raise the low incomes. But their support is ineffective: subsidies only increase the artists' poverty. The economy of the arts is exceptional. Although the arts operate successfully in the marketplace, their natural affinity is with gift-giving, rather than with commercial exchange. People believe that artists are selflessly dedicated to art, that price does not reflect quality, and that the arts are free. But is it true? This unconventional multidisciplinary analysis explains the exceptional economy of the arts. Insightful illustrations from the practice of a visual artist support the analysis Creative Commons https://creativecommons.org/licenses/by-nc/3.0 cc English Artists Economic conditions Art Economic aspects History of art / art & design styles Society & culture: general Economics, finance, business & management Art: financial aspects History of art Society and culture: general Economics, Finance, Business and Management s (DE-588)4033423-5 (DE-627)106257307 (DE-576)209001941 Künstler gnd s (DE-588)4248362-1 (DE-627)104527889 (DE-576)210495723 Wirtschaftliche Lage gnd (DE-627) https://library.oapen.org/bitstream/id/92339cef-c1e9-41fe-ade8-8dc95a67b948/340245.pdf X:OAPEN Verlag OAPEN Library: download the publication kostenfrei http://library.oapen.org/handle/20.500.12657/35101 X:OAPEN Verlag OAPEN Library: description of the publication kostenfrei http://www.gbv.de/dms/bowker/toc/9789053565650.pdf V:DE-601 X:Bowker pdf/application 2011-12-23 Verlag Inhaltsverzeichnis Inhaltsverzeichnis (DE-627)665226519 ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_181 GBV_ILN_181_b001 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER 20.10 Kunst und Gesellschaft (DE-627)106406256 BO 22 01 0018 4141944645 OLR-ZDB-94-OAL OAPEN Library zu 31-05-22 23 01 0830 4141948691 OLR-OAPEN f z 31-05-22 30 01 0104 4141951447 GBV-OAPEN z 31-05-22 31 01 0027 4141945803 z 31-05-22 34 01 3551 4141931837 OLR-OAPEN zi002 31-05-22 39 01 0547 4141952214 GBV-OAPEN ke 31-05-22 40 01 0007 4141943703 OLR-OAPEN xsn 31-05-22 63 01 3401 4141959065 E-Books LF GBV-OAPEN z 01-06-22 65 01 0003 4141959960 OLR-OAPEN z 01-06-22 70 01 0089 4141947172 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 31-05-22 72 01 0035 4141931217 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 31-05-22 95 01 3095 4343058603 OLR-OAL Vervielfältigungen (z.B. 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Most artists earn very little. Nevertheless, there is no shortage of aspiring young artists. Do they give to the arts willingly or unknowingly? Governments and other institutions also give to the arts, to raise the low incomes. But their support is ineffective: subsidies only increase the artists' poverty. The economy of the arts is exceptional. Although the arts operate successfully in the marketplace, their natural affinity is with gift-giving, rather than with commercial exchange. People believe that artists are selflessly dedicated to art, that price does not reflect quality, and that the arts are free. But is it true? This unconventional multidisciplinary analysis explains the exceptional economy of the arts. Insightful illustrations from the practice of a visual artist support the analysis |
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Most artists earn very little. Nevertheless, there is no shortage of aspiring young artists. Do they give to the arts willingly or unknowingly? Governments and other institutions also give to the arts, to raise the low incomes. But their support is ineffective: subsidies only increase the artists' poverty. The economy of the arts is exceptional. Although the arts operate successfully in the marketplace, their natural affinity is with gift-giving, rather than with commercial exchange. People believe that artists are selflessly dedicated to art, that price does not reflect quality, and that the arts are free. But is it true? This unconventional multidisciplinary analysis explains the exceptional economy of the arts. Insightful illustrations from the practice of a visual artist support the analysis |
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Most artists earn very little. Nevertheless, there is no shortage of aspiring young artists. Do they give to the arts willingly or unknowingly? Governments and other institutions also give to the arts, to raise the low incomes. But their support is ineffective: subsidies only increase the artists' poverty. The economy of the arts is exceptional. Although the arts operate successfully in the marketplace, their natural affinity is with gift-giving, rather than with commercial exchange. People believe that artists are selflessly dedicated to art, that price does not reflect quality, and that the arts are free. But is it true? This unconventional multidisciplinary analysis explains the exceptional economy of the arts. Insightful illustrations from the practice of a visual artist support the analysis |
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Nevertheless, there is no shortage of aspiring young artists. Do they give to the arts willingly or unknowingly? Governments and other institutions also give to the arts, to raise the low incomes. But their support is ineffective: subsidies only increase the artists' poverty. The economy of the arts is exceptional. Although the arts operate successfully in the marketplace, their natural affinity is with gift-giving, rather than with commercial exchange. People believe that artists are selflessly dedicated to art, that price does not reflect quality, and that the arts are free. But is it true? This unconventional multidisciplinary analysis explains the exceptional economy of the arts. 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Preface Sacred Art The Denial of the Economy Economic Value Versus Aesthetic Value The Selflessly Devoted Artist Money for the Artist Structural Poverty The Cost Disease The Power and the Duty to Give The Government Serves Art Art Serves the Government Informal Barriers Structure the Arts Conclusion: a Cruel Economy Epilogue: the Future Economy of the Arts Notes Literature Index of Names Index of Subjects |
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