Taking (a)part : the politics and aesthetics of participation in experience-centered design
In Taking [A]part, John McCarthy and Peter Wright consider a series of boundary-pushing research projects in human-computer interaction (HCI) in which the design of digital technology is used to inquire into participative experience. McCarthy and Wright view all of these projects -- which range from...
Ausführliche Beschreibung
Gespeichert in:
| Autor*in: |
McCarthy, John [verfasserIn] Wright, Peter [verfasserIn] |
|---|
| Format: |
E-Book |
|---|---|
| Sprache: |
Englisch |
| Erschienen: |
Cambridge, Mass. u.a.: The MIT Press ; c 2015 |
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| Schlagwörter: |
digital technology / human computer interaction / participation |
|---|---|
| Schlagwörter: |
| Systematik: |
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|---|
| Anmerkung: |
Title appears as: Taking [a]part Includes bibliographical references (pages 167-174) and index |
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| Reproduktion: |
Online-Ausg. ; Online-Ressource (181 p.) |
|---|
| Reihe: |
Design thinking, design theory |
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| Links: | |
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| ISBN: |
978-0-262-32809-8 |
| Katalog-ID: |
83532141X |
|---|
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| 520 | |a In Taking [A]part, John McCarthy and Peter Wright consider a series of boundary-pushing research projects in human-computer interaction (HCI) in which the design of digital technology is used to inquire into participative experience. McCarthy and Wright view all of these projects -- which range from the public and performative to the private and interpersonal -- through the critical lens of participation. Taking participation, in all its variety, as the generative and critical concept allows them to examine the projects as a part of a coherent, responsive movement, allied with other emerging movements in DIY culture and participatory art. Their investigation leads them to rethink such traditional HCI categories as designer and user, maker and developer, researcher and participant, characterizing these relationships instead as mutually responsive and dialogical.McCarthy and Wright explore four genres of participation -- understanding the other, building relationships, belonging in community, and participating in publics -- and they examine participatory projects that exemplify each genre. These include the Humanaquarium, a participatory musical performance; the Personhood project, in which a researcher and a couple explored the experience of living with dementia; the Prayer Companion project, which developed a technology to inform the prayer life of cloistered nuns; and the development of social media to support participatory publics in settings that range from reality game show fans to on-line deliberative democracies. | ||
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9780262328098 978-0-262-32809-8 (DE-627)83532141X (DE-576)9835321418 (DE-599)GBV83532141X (OCoLC)935912788 (MITPRESS)7059554 (EBP)055122779 DE-627 ger DE-627 rakwb eng XD-US XA-GB HD66 658.4/022 LOC 23 ST 278 BVB rvk (DE-625)rvk/143644: McCarthy, John verfasserin (DE-588)130352268 (DE-627)500073449 (DE-576)298144360 aut Taking (a)part the politics and aesthetics of participation in experience-centered design John McCarthy and Peter Wright Taking apart Cambridge, Mass. [u.a.] The MIT Press c 2015 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Design thinking, design theory Title appears as: Taking [a]part Includes bibliographical references (pages 167-174) and index The experience of taking partThemes and genres of participatory experience -- Understanding the other -- Building personal relationships -- Belonging in community -- Participating in publics -- Dissensus, design, and participative experience. In Taking [A]part, John McCarthy and Peter Wright consider a series of boundary-pushing research projects in human-computer interaction (HCI) in which the design of digital technology is used to inquire into participative experience. McCarthy and Wright view all of these projects -- which range from the public and performative to the private and interpersonal -- through the critical lens of participation. Taking participation, in all its variety, as the generative and critical concept allows them to examine the projects as a part of a coherent, responsive movement, allied with other emerging movements in DIY culture and participatory art. Their investigation leads them to rethink such traditional HCI categories as designer and user, maker and developer, researcher and participant, characterizing these relationships instead as mutually responsive and dialogical.McCarthy and Wright explore four genres of participation -- understanding the other, building relationships, belonging in community, and participating in publics -- and they examine participatory projects that exemplify each genre. These include the Humanaquarium, a participatory musical performance; the Personhood project, in which a researcher and a couple explored the experience of living with dementia; the Prayer Companion project, which developed a technology to inform the prayer life of cloistered nuns; and the development of social media to support participatory publics in settings that range from reality game show fans to on-line deliberative democracies. Online-Ausg. Online-Ressource (181 p.) 1.1\x digital technology stw 1.2\x human computer interaction stw 1.3\x participation stw Teams in the workplace Interpersonal relations Product design Project management Teams in the workplace Interpersonal relations Product design Project management Wright, Peter verfasserin (DE-588)1069566926 (DE-627)822020270 (DE-576)429270275 aut 9780262028554 Erscheint auch als Druck-Ausgabe 9780262028554 https://ieeexplore.ieee.org/book/7059554 X:MITPRESS Verlag lizenzpflichtig http://www.gbv.de/dms/zbw/788170147.pdf V:DE-601 B:DE-206 pdf/application 2015-05-04 Verlag Inhaltsverzeichnis Inhaltsverzeichnis ZDB-37-IEM 2015 GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_22_i22818 GBV_ILN_23 ISIL_DE-830 GBV_ILN_100 ISIL_DE-Ma9 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_2015 ISIL_DE-93 ST 278 Mensch-Maschine-Kommunikation Software-Ergonomie Informatik Monografien Software und -entwicklung Mensch-Maschine-Kommunikation Software-Ergonomie (DE-627)1270879251 (DE-625)rvk/143644: (DE-576)200879251 BO 045F 658.4/022 22 01 0018 3848471000 olrm-h228-MITIEEE zi22818 03-02-21 23 01 0830 3583542673 olr-MIT i z 30-01-20 100 01 3100 1568979568 09 --%%-- eBook MIT Press --%%-- --%%-- OLR-MIT-CEC Vervielfältigungen (z.B. Kopien, Downloads) sind nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. z 22-09-15 370 01 4370 4011217875 olr-ebook mitieee Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. i z 01-12-21 2015 01 DE-93 3740748346 00 --%%-- --%%-- p --%%-- Campuslizenz l01 18-08-20 22 01 0018 Volltextzugang Campus https://ieeexplore.ieee.org/book/7059554 22 01 0018 Nur für Angehörige der Universität Hamburg: Volltextzugang von außerhalb des Campus http://emedien.sub.uni-hamburg.de/han/ieee/ieeexplore.ieee.org/book/7059554 23 01 0830 MIT Press EBook https://ieeexplore.ieee.org/book/7059554 100 01 3100 http://ieeexplore.ieee.org/servlet/opac?bknumber=7059554 100 01 3100 für Uniangehörige: Zugang weltweit http://HAN.MED.UNI-MAGDEBURG.DE/han/mitvia-ieee/ieeexplore.ieee.org/servlet/opac?bknumber=7059554 370 01 4370 E-Book: Zugriff im HCU-Netz. 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| spelling |
9780262328098 978-0-262-32809-8 (DE-627)83532141X (DE-576)9835321418 (DE-599)GBV83532141X (OCoLC)935912788 (MITPRESS)7059554 (EBP)055122779 DE-627 ger DE-627 rakwb eng XD-US XA-GB HD66 658.4/022 LOC 23 ST 278 BVB rvk (DE-625)rvk/143644: McCarthy, John verfasserin (DE-588)130352268 (DE-627)500073449 (DE-576)298144360 aut Taking (a)part the politics and aesthetics of participation in experience-centered design John McCarthy and Peter Wright Taking apart Cambridge, Mass. [u.a.] The MIT Press c 2015 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Design thinking, design theory Title appears as: Taking [a]part Includes bibliographical references (pages 167-174) and index The experience of taking partThemes and genres of participatory experience -- Understanding the other -- Building personal relationships -- Belonging in community -- Participating in publics -- Dissensus, design, and participative experience. In Taking [A]part, John McCarthy and Peter Wright consider a series of boundary-pushing research projects in human-computer interaction (HCI) in which the design of digital technology is used to inquire into participative experience. McCarthy and Wright view all of these projects -- which range from the public and performative to the private and interpersonal -- through the critical lens of participation. Taking participation, in all its variety, as the generative and critical concept allows them to examine the projects as a part of a coherent, responsive movement, allied with other emerging movements in DIY culture and participatory art. Their investigation leads them to rethink such traditional HCI categories as designer and user, maker and developer, researcher and participant, characterizing these relationships instead as mutually responsive and dialogical.McCarthy and Wright explore four genres of participation -- understanding the other, building relationships, belonging in community, and participating in publics -- and they examine participatory projects that exemplify each genre. These include the Humanaquarium, a participatory musical performance; the Personhood project, in which a researcher and a couple explored the experience of living with dementia; the Prayer Companion project, which developed a technology to inform the prayer life of cloistered nuns; and the development of social media to support participatory publics in settings that range from reality game show fans to on-line deliberative democracies. Online-Ausg. Online-Ressource (181 p.) 1.1\x digital technology stw 1.2\x human computer interaction stw 1.3\x participation stw Teams in the workplace Interpersonal relations Product design Project management Teams in the workplace Interpersonal relations Product design Project management Wright, Peter verfasserin (DE-588)1069566926 (DE-627)822020270 (DE-576)429270275 aut 9780262028554 Erscheint auch als Druck-Ausgabe 9780262028554 https://ieeexplore.ieee.org/book/7059554 X:MITPRESS Verlag lizenzpflichtig http://www.gbv.de/dms/zbw/788170147.pdf V:DE-601 B:DE-206 pdf/application 2015-05-04 Verlag Inhaltsverzeichnis Inhaltsverzeichnis ZDB-37-IEM 2015 GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_22_i22818 GBV_ILN_23 ISIL_DE-830 GBV_ILN_100 ISIL_DE-Ma9 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_2015 ISIL_DE-93 ST 278 Mensch-Maschine-Kommunikation Software-Ergonomie Informatik Monografien Software und -entwicklung Mensch-Maschine-Kommunikation Software-Ergonomie (DE-627)1270879251 (DE-625)rvk/143644: (DE-576)200879251 BO 045F 658.4/022 22 01 0018 3848471000 olrm-h228-MITIEEE zi22818 03-02-21 23 01 0830 3583542673 olr-MIT i z 30-01-20 100 01 3100 1568979568 09 --%%-- eBook MIT Press --%%-- --%%-- OLR-MIT-CEC Vervielfältigungen (z.B. Kopien, Downloads) sind nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. z 22-09-15 370 01 4370 4011217875 olr-ebook mitieee Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. i z 01-12-21 2015 01 DE-93 3740748346 00 --%%-- --%%-- p --%%-- Campuslizenz l01 18-08-20 22 01 0018 Volltextzugang Campus https://ieeexplore.ieee.org/book/7059554 22 01 0018 Nur für Angehörige der Universität Hamburg: Volltextzugang von außerhalb des Campus http://emedien.sub.uni-hamburg.de/han/ieee/ieeexplore.ieee.org/book/7059554 23 01 0830 MIT Press EBook https://ieeexplore.ieee.org/book/7059554 100 01 3100 http://ieeexplore.ieee.org/servlet/opac?bknumber=7059554 100 01 3100 für Uniangehörige: Zugang weltweit http://HAN.MED.UNI-MAGDEBURG.DE/han/mitvia-ieee/ieeexplore.ieee.org/servlet/opac?bknumber=7059554 370 01 4370 E-Book: Zugriff im HCU-Netz. Zugriff von außerhalb nur für HCU-Angehörige möglich https://ieeexplore.ieee.org/book/7059554 2015 01 DE-93 https://ieeexplore.ieee.org/book/7059554 23 01 0830 2018-01805, 2018-01806, 2018-01808 22 01 0018 olrm-h228-MITIEEE 23 01 0830 olr-MIT 100 01 3100 OLR-MIT-CEC 100 01 3100 ACQ 370 01 4370 olr-ebook mitieee 370 01 4370 2021.12.01 |
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9780262328098 978-0-262-32809-8 (DE-627)83532141X (DE-576)9835321418 (DE-599)GBV83532141X (OCoLC)935912788 (MITPRESS)7059554 (EBP)055122779 DE-627 ger DE-627 rakwb eng XD-US XA-GB HD66 658.4/022 LOC 23 ST 278 BVB rvk (DE-625)rvk/143644: McCarthy, John verfasserin (DE-588)130352268 (DE-627)500073449 (DE-576)298144360 aut Taking (a)part the politics and aesthetics of participation in experience-centered design John McCarthy and Peter Wright Taking apart Cambridge, Mass. [u.a.] The MIT Press c 2015 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Design thinking, design theory Title appears as: Taking [a]part Includes bibliographical references (pages 167-174) and index The experience of taking partThemes and genres of participatory experience -- Understanding the other -- Building personal relationships -- Belonging in community -- Participating in publics -- Dissensus, design, and participative experience. In Taking [A]part, John McCarthy and Peter Wright consider a series of boundary-pushing research projects in human-computer interaction (HCI) in which the design of digital technology is used to inquire into participative experience. McCarthy and Wright view all of these projects -- which range from the public and performative to the private and interpersonal -- through the critical lens of participation. Taking participation, in all its variety, as the generative and critical concept allows them to examine the projects as a part of a coherent, responsive movement, allied with other emerging movements in DIY culture and participatory art. Their investigation leads them to rethink such traditional HCI categories as designer and user, maker and developer, researcher and participant, characterizing these relationships instead as mutually responsive and dialogical.McCarthy and Wright explore four genres of participation -- understanding the other, building relationships, belonging in community, and participating in publics -- and they examine participatory projects that exemplify each genre. These include the Humanaquarium, a participatory musical performance; the Personhood project, in which a researcher and a couple explored the experience of living with dementia; the Prayer Companion project, which developed a technology to inform the prayer life of cloistered nuns; and the development of social media to support participatory publics in settings that range from reality game show fans to on-line deliberative democracies. Online-Ausg. Online-Ressource (181 p.) 1.1\x digital technology stw 1.2\x human computer interaction stw 1.3\x participation stw Teams in the workplace Interpersonal relations Product design Project management Teams in the workplace Interpersonal relations Product design Project management Wright, Peter verfasserin (DE-588)1069566926 (DE-627)822020270 (DE-576)429270275 aut 9780262028554 Erscheint auch als Druck-Ausgabe 9780262028554 https://ieeexplore.ieee.org/book/7059554 X:MITPRESS Verlag lizenzpflichtig http://www.gbv.de/dms/zbw/788170147.pdf V:DE-601 B:DE-206 pdf/application 2015-05-04 Verlag Inhaltsverzeichnis Inhaltsverzeichnis ZDB-37-IEM 2015 GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_22_i22818 GBV_ILN_23 ISIL_DE-830 GBV_ILN_100 ISIL_DE-Ma9 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_2015 ISIL_DE-93 ST 278 Mensch-Maschine-Kommunikation Software-Ergonomie Informatik Monografien Software und -entwicklung Mensch-Maschine-Kommunikation Software-Ergonomie (DE-627)1270879251 (DE-625)rvk/143644: (DE-576)200879251 BO 045F 658.4/022 22 01 0018 3848471000 olrm-h228-MITIEEE zi22818 03-02-21 23 01 0830 3583542673 olr-MIT i z 30-01-20 100 01 3100 1568979568 09 --%%-- eBook MIT Press --%%-- --%%-- OLR-MIT-CEC Vervielfältigungen (z.B. Kopien, Downloads) sind nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. z 22-09-15 370 01 4370 4011217875 olr-ebook mitieee Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Keine Weitergabe an Dritte. Kein systematisches Downloaden durch Robots. i z 01-12-21 2015 01 DE-93 3740748346 00 --%%-- --%%-- p --%%-- Campuslizenz l01 18-08-20 22 01 0018 Volltextzugang Campus https://ieeexplore.ieee.org/book/7059554 22 01 0018 Nur für Angehörige der Universität Hamburg: Volltextzugang von außerhalb des Campus http://emedien.sub.uni-hamburg.de/han/ieee/ieeexplore.ieee.org/book/7059554 23 01 0830 MIT Press EBook https://ieeexplore.ieee.org/book/7059554 100 01 3100 http://ieeexplore.ieee.org/servlet/opac?bknumber=7059554 100 01 3100 für Uniangehörige: Zugang weltweit http://HAN.MED.UNI-MAGDEBURG.DE/han/mitvia-ieee/ieeexplore.ieee.org/servlet/opac?bknumber=7059554 370 01 4370 E-Book: Zugriff im HCU-Netz. Zugriff von außerhalb nur für HCU-Angehörige möglich https://ieeexplore.ieee.org/book/7059554 2015 01 DE-93 https://ieeexplore.ieee.org/book/7059554 23 01 0830 2018-01805, 2018-01806, 2018-01808 22 01 0018 olrm-h228-MITIEEE 23 01 0830 olr-MIT 100 01 3100 OLR-MIT-CEC 100 01 3100 ACQ 370 01 4370 olr-ebook mitieee 370 01 4370 2021.12.01 |
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In Taking [A]part, John McCarthy and Peter Wright consider a series of boundary-pushing research projects in human-computer interaction (HCI) in which the design of digital technology is used to inquire into participative experience. McCarthy and Wright view all of these projects -- which range from the public and performative to the private and interpersonal -- through the critical lens of participation. Taking participation, in all its variety, as the generative and critical concept allows them to examine the projects as a part of a coherent, responsive movement, allied with other emerging movements in DIY culture and participatory art. 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In Taking [A]part, John McCarthy and Peter Wright consider a series of boundary-pushing research projects in human-computer interaction (HCI) in which the design of digital technology is used to inquire into participative experience. McCarthy and Wright view all of these projects -- which range from the public and performative to the private and interpersonal -- through the critical lens of participation. Taking participation, in all its variety, as the generative and critical concept allows them to examine the projects as a part of a coherent, responsive movement, allied with other emerging movements in DIY culture and participatory art. Their investigation leads them to rethink such traditional HCI categories as designer and user, maker and developer, researcher and participant, characterizing these relationships instead as mutually responsive and dialogical.McCarthy and Wright explore four genres of participation -- understanding the other, building relationships, belonging in community, and participating in publics -- and they examine participatory projects that exemplify each genre. These include the Humanaquarium, a participatory musical performance; the Personhood project, in which a researcher and a couple explored the experience of living with dementia; the Prayer Companion project, which developed a technology to inform the prayer life of cloistered nuns; and the development of social media to support participatory publics in settings that range from reality game show fans to on-line deliberative democracies. Title appears as: Taking [a]part Includes bibliographical references (pages 167-174) and index |
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Taking [AJpart The Politics and Aesthetics of Participation in Experience-Centered Design John McCarthy and Peter Wright The MIT Press Cambridge, Massachusetts London, England Contents Series Foreword ix Preface xv Acknowledgments xix … The Experience ofTaking Part … Themes and Genres of Participatory Projects … Understanding the Other … Building Personal Relationships … Belonging in Community … Participating in Publics … Dissensus, Design, and Participative Experience … Appendix: Web Resources and Videos of Projects … References … Index … |
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