Instruments for new music : sound, technology, and modernism
Player pianos, radio-electric circuits, gramophone records, and optical sound film—these were the cutting-edge acoustic technologies of the early twentieth century, and for many musicians and artists of the time, these devices were also the implements of a musical revolution. Instruments for New Mus...
Ausführliche Beschreibung
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| Autor*in: |
Patteson, Thomas - 1981- [verfasserIn] |
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| Format: |
E-Book |
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| Sprache: |
Englisch |
| Erschienen: |
Oakland, California: University of California Press ; 2016 |
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| Rechteinformationen: |
Open Access Creative Commons ; https://creativecommons.org/licenses/by-nc-sa/4.0 |
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| Systematik: |
|
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| Umfang: |
1 Online-Ressource (xii, 237 pages) ; Illustrationen, Notenbeispiele |
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| Weitere Ausgabe: |
Erscheint auch als Druck-Ausgabe Patteson, Thomas, 1981 -: Instruments for new music - Oakland, Calif : University of California Press, 2016 |
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| Links: | |
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| ISBN: |
978-0-520-96312-2 |
| Katalog-ID: |
869962760 |
|---|
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9780520963122 978-0-520-96312-2 (DE-627)869962760 (DE-576)9869962769 (DE-599)GBV869962760 (OCoLC)960164725 (OAPEN)32858 (EBP)062077333 DE-627 ger DE-627 rda eng XA-GB ML460 JFD bicssc AV bicssc AVA bicssc TBX bicssc JBCT bicssc LR 11180 rvk (DE-625)rvk/109195:13528 24.80 bkl Patteson, Thomas 1981- verfasserin (DE-588)1081565799 (DE-627)846322854 (DE-576)454558147 aut Instruments for new music sound, technology, and modernism Thomas Patteson Oakland, California University of California Press [2016] 1 Online-Ressource (xii, 237 pages) Illustrationen, Notenbeispiele Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star Player pianos, radio-electric circuits, gramophone records, and optical sound film—these were the cutting-edge acoustic technologies of the early twentieth century, and for many musicians and artists of the time, these devices were also the implements of a musical revolution. Instruments for New Music traces a diffuse network of cultural agents who shared the belief that a truly modern music could be attained only through a radical challenge to the technological foundations of the art. Centered in Germany during the 1920s and 1930s, the movement to create new instruments encompassed a broad spectrum of experiments, from the exploration of microtonal tunings and exotic tone colors to the ability to compose directly for automatic musical machines. This movement comprised composers, inventors, and visual artists, including Paul Hindemith, Ernst Toch, Jörg Mager, Friedrich Trautwein, László Moholy-Nagy, Walter Ruttmann, and Oskar Fischinger. Patteson’s fascinating study combines an artifact-oriented history of new music in the early twentieth century with an astute revisiting of still-relevant debates about the relationship between technology and the arts. Creative Commons https://creativecommons.org/licenses/by-nc-sa/4.0 cc English Musical instruments Music and technology History Electronic musical instruments History Music Philosophy and aesthetics Civil engineering. Communication. Electronic musical instruments; History. Engineering. Mass media. Music and technology; History. Music; Philosophy and aesthetics. Musical instruments. 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Musica theoretica Sachteil: Musica theoretica (einschl. Realien mit geographischem Bezug) Musikinstrumente; Spiel auf einzelnen Instrumenten und Instrumentengruppen; Musik für einzelne Instrumente und Instrumentengruppen Darstellungen: Darstellungen zu mehreren Instrumenten bzw. Instrumentengruppen (einschl. Instrumentenspiel und Instrumentalmusik) allgemein (DE-627)1441188304 (DE-625)rvk/109195:13528 (DE-576)37118830X 24.80 Musikinstrumente und ihre Musik: Allgemeines (DE-627)10640654X BO 045F 784.1909/04 22 01 0018 4015976517 OLR-ZDB-94-OAL OAPEN Library zu 07-12-21 23 01 0830 1822753988 OLR-OAPEN f z 31-10-18 30 01 0104 1641742046 GBV-OAPEN z 17-10-16 31 01 0027 1641773464 z 17-10-16 34 01 3551 178200999X OLR-OAPEN zi002 04-07-18 39 01 0547 1675296219 GBV-OAPEN ke 29-03-17 40 01 0007 1641762985 OLR-OAPEN xsn 17-10-16 63 01 3401 1641783877 E-Books LF GBV-OAPEN z 17-10-16 65 01 0003 1643615467 OLR-OAPEN z 28-10-16 70 01 0089 1641794267 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 17-10-16 72 01 0035 1773684159 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 03-06-18 95 01 3095 4343071839 OLR-OAL Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. 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9780520963122 978-0-520-96312-2 (DE-627)869962760 (DE-576)9869962769 (DE-599)GBV869962760 (OCoLC)960164725 (OAPEN)32858 (EBP)062077333 DE-627 ger DE-627 rda eng XA-GB ML460 JFD bicssc AV bicssc AVA bicssc TBX bicssc JBCT bicssc LR 11180 rvk (DE-625)rvk/109195:13528 24.80 bkl Patteson, Thomas 1981- verfasserin (DE-588)1081565799 (DE-627)846322854 (DE-576)454558147 aut Instruments for new music sound, technology, and modernism Thomas Patteson Oakland, California University of California Press [2016] 1 Online-Ressource (xii, 237 pages) Illustrationen, Notenbeispiele Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star Player pianos, radio-electric circuits, gramophone records, and optical sound film—these were the cutting-edge acoustic technologies of the early twentieth century, and for many musicians and artists of the time, these devices were also the implements of a musical revolution. Instruments for New Music traces a diffuse network of cultural agents who shared the belief that a truly modern music could be attained only through a radical challenge to the technological foundations of the art. Centered in Germany during the 1920s and 1930s, the movement to create new instruments encompassed a broad spectrum of experiments, from the exploration of microtonal tunings and exotic tone colors to the ability to compose directly for automatic musical machines. This movement comprised composers, inventors, and visual artists, including Paul Hindemith, Ernst Toch, Jörg Mager, Friedrich Trautwein, László Moholy-Nagy, Walter Ruttmann, and Oskar Fischinger. Patteson’s fascinating study combines an artifact-oriented history of new music in the early twentieth century with an astute revisiting of still-relevant debates about the relationship between technology and the arts. Creative Commons https://creativecommons.org/licenses/by-nc-sa/4.0 cc English Musical instruments Music and technology History Electronic musical instruments History Music Philosophy and aesthetics Civil engineering. Communication. Electronic musical instruments; History. Engineering. Mass media. Music and technology; History. Music; Philosophy and aesthetics. Musical instruments. Theory of music & musicology History of engineering & technology Music Media studies Theory of music and musicology History of engineering and technology s (DE-588)4040851-6 (DE-627)106221353 (DE-576)209042486 Musikinstrument gnd s (DE-588)4428235-7 (DE-627)216931371 (DE-576)212343610 Neue Musik gnd s (DE-588)4014355-7 (DE-627)10634045X (DE-576)208907440 Elektronische Musik gnd (DE-627) 9780520288027 : (pbk : alk. paper) Erscheint auch als Druck-Ausgabe Patteson, Thomas, 1981 - Instruments for new music Oakland, Calif : University of California Press, 2016 xii, 236 Seiten (DE-627)834152649 9780520288027 https://library.oapen.org/bitstream/id/6f6edd38-73d4-448d-80e0-6b5dd230cafc/602282.pdf X:OAPEN Verlag OAPEN Library: download the publication kostenfrei http://library.oapen.org/handle/20.500.12657/32858 X:OAPEN Verlag OAPEN Library: description of the publication kostenfrei https://external.dandelon.com/download/attachments/dandelon/ids/DE006CB2347B57D117A0CC1257FEF00473524.pdf V:DE-601 X:AGI pdf/application 2017-12-02 Verlag Inhaltsverzeichnis ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_132 ISIL_DE-959 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER LR 11180 allgemein Musikwissenschaft I. Musica theoretica Sachteil: Musica theoretica (einschl. Realien mit geographischem Bezug) Musikinstrumente; Spiel auf einzelnen Instrumenten und Instrumentengruppen; Musik für einzelne Instrumente und Instrumentengruppen Darstellungen: Darstellungen zu mehreren Instrumenten bzw. Instrumentengruppen (einschl. Instrumentenspiel und Instrumentalmusik) allgemein (DE-627)1441188304 (DE-625)rvk/109195:13528 (DE-576)37118830X 24.80 Musikinstrumente und ihre Musik: Allgemeines (DE-627)10640654X BO 045F 784.1909/04 22 01 0018 4015976517 OLR-ZDB-94-OAL OAPEN Library zu 07-12-21 23 01 0830 1822753988 OLR-OAPEN f z 31-10-18 30 01 0104 1641742046 GBV-OAPEN z 17-10-16 31 01 0027 1641773464 z 17-10-16 34 01 3551 178200999X OLR-OAPEN zi002 04-07-18 39 01 0547 1675296219 GBV-OAPEN ke 29-03-17 40 01 0007 1641762985 OLR-OAPEN xsn 17-10-16 63 01 3401 1641783877 E-Books LF GBV-OAPEN z 17-10-16 65 01 0003 1643615467 OLR-OAPEN z 28-10-16 70 01 0089 1641794267 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 17-10-16 72 01 0035 1773684159 OLR-OAPEN-OA OAPEN Online Library Open Access eBook z 03-06-18 95 01 3095 4343071839 OLR-OAL Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 24-06-23 110 01 3110 3506587129 OLR-GBV-OAPEN Open Access z 12-08-19 132 01 0959 1693185342 OLR-OAPEN Open Access x 06-06-17 136 01 3526 1676332731 OLR-OAPEN z 10-04-17 147 01 3528 3594008142 OLR-OAPEN frei verfügbar für Europa-Universität Flensburg, Hochschule Flensburg und Zentrale Hochschulbibliothek Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 12-02-20 161 01 0960 1695089588 OLR-OAPEN OAPEN Online Library Open Access eBook z 19-06-17 187 01 3520 1769495614 JSTOR Open Access eBook z 09-05-18 213 01 0551 3493761058 OLR-OAPEN OAPEN Online Library Open Access eBook z 16-07-19 230 01 0552 3511835844 OLR-OAPEN OAPEN Online Library Open Access eBook z 04-09-19 283 01 3283 1641752564 OLR-OAL z 17-10-16 293 01 3293 1695122704 OLR-OAPEN OAPEN Online Library Open Access eBook z 19-06-17 370 01 4370 182475065X OLR-FREE Kostenloser Zugriff z 07-11-18 603 01 4603 3630374972 OLR-OAPEN Bitte beachten Sie die Nutzungsbedingungen und Copyright-Bestimmungen des Verlages/Herausgebers. z 22-04-20 808 01 4808 3488771369 OLR-OAPEN OAPEN Library zg 19-06-19 2403 01 DE-LFER 3495743863 00 --%%-- --%%-- n --%%-- l01 23-07-19 22 01 0018 Volltextzugang http://library.oapen.org/handle/20.500.12657/32858 23 01 0830 http://library.oapen.org/handle/20.500.12657/32858 30 01 0104 Open Access http://library.oapen.org/handle/20.500.12657/32858 31 01 0027 eBook GBV-OAPEN http://library.oapen.org/handle/20.500.12657/32858 34 01 3551 OpenAccess http://library.oapen.org/handle/20.500.12657/32858 40 01 0007 Volltext, Open Access http://library.oapen.org/handle/20.500.12657/32858 63 01 3401 E-Book http://library.oapen.org/handle/20.500.12657/32858 65 01 0003 Open Access http://library.oapen.org/handle/20.500.12657/32858 65 01 0003 Dieser Titel ist Teil einer Datenbank http://www.bibliothek.uni-regensburg.de/dbinfo/detail.php?titel_id=10728&bib_id=ulb_hal 70 01 0089 http://library.oapen.org/handle/20.500.12657/32858 LF 72 01 0035 http://www.oapen.org/search?identifier=602282 95 01 3095 http://library.oapen.org/handle/20.500.12657/32858 110 01 3110 Open Access http://www.oapen.org/search?identifier=602282 132 01 0959 http://www.oapen.org/search?identifier=602282 136 01 3526 Open Access http://library.oapen.org/handle/20.500.12657/32858 147 01 3528 http://library.oapen.org/handle/20.500.12657/32858 161 01 0960 http://library.oapen.org/handle/20.500.12657/32858 LF 187 01 3520 http://library.oapen.org/handle/20.500.12657/32858 213 01 0551 http://www.oapen.org/search?identifier=602282 230 01 0552 http://www.oapen.org/search?identifier=602282 283 01 3283 http://library.oapen.org/handle/20.500.12657/32858 293 01 3293 http://library.oapen.org/handle/20.500.12657/32858 LF 370 01 4370 http://library.oapen.org/handle/20.500.12657/32858 603 01 4603 http://library.oapen.org/handle/20.500.12657/32858 808 01 4808 Volltextzugang http://library.oapen.org/handle/20.500.12657/32858 2403 01 DE-LFER https://library.oapen.org/bitstream/id/6f6edd38-73d4-448d-80e0-6b5dd230cafc/602282.pdf 31 01 0027 00 eBook GBV-OAPEN 132 01 0959 00 EBooks OAPEN Open Access 22 01 0018 OLR-ZDB-94-OAL 23 01 0830 OLR-OAPEN 30 01 0104 GBV-OAPEN 34 01 3551 OLR-OAPEN 39 01 0547 GBV-OAPEN 39 01 0547 LF 40 01 0007 OLR-OAPEN 63 01 3401 E-Books LF GBV-OAPEN 65 01 0003 OLR-OAPEN 70 01 0089 OLR-OAPEN-OA 72 01 0035 OLR-OAPEN-OA 95 01 3095 OLR-OAL 110 01 3110 OLR-GBV-OAPEN 132 01 0959 OLR-OAPEN 136 01 3526 OLR-OAPEN 147 01 3528 OLR-OAPEN 161 01 0960 OLR-OAPEN 213 01 0551 OLR-OAPEN 230 01 0552 OLR-OAPEN 283 01 3283 OLR-OAL 293 01 3293 OLR-OAPEN 370 01 4370 OLR-FREE 370 01 4370 olr-ebook GBV-OAPEN 603 01 4603 OLR-OAPEN 808 01 4808 OLR-OAPEN |
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9780520963122 978-0-520-96312-2 (DE-627)869962760 (DE-576)9869962769 (DE-599)GBV869962760 (OCoLC)960164725 (OAPEN)32858 (EBP)062077333 DE-627 ger DE-627 rda eng XA-GB ML460 JFD bicssc AV bicssc AVA bicssc TBX bicssc JBCT bicssc LR 11180 rvk (DE-625)rvk/109195:13528 24.80 bkl Patteson, Thomas 1981- verfasserin (DE-588)1081565799 (DE-627)846322854 (DE-576)454558147 aut Instruments for new music sound, technology, and modernism Thomas Patteson Oakland, California University of California Press [2016] 1 Online-Ressource (xii, 237 pages) Illustrationen, Notenbeispiele Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star Player pianos, radio-electric circuits, gramophone records, and optical sound film—these were the cutting-edge acoustic technologies of the early twentieth century, and for many musicians and artists of the time, these devices were also the implements of a musical revolution. Instruments for New Music traces a diffuse network of cultural agents who shared the belief that a truly modern music could be attained only through a radical challenge to the technological foundations of the art. Centered in Germany during the 1920s and 1930s, the movement to create new instruments encompassed a broad spectrum of experiments, from the exploration of microtonal tunings and exotic tone colors to the ability to compose directly for automatic musical machines. This movement comprised composers, inventors, and visual artists, including Paul Hindemith, Ernst Toch, Jörg Mager, Friedrich Trautwein, László Moholy-Nagy, Walter Ruttmann, and Oskar Fischinger. Patteson’s fascinating study combines an artifact-oriented history of new music in the early twentieth century with an astute revisiting of still-relevant debates about the relationship between technology and the arts. Creative Commons https://creativecommons.org/licenses/by-nc-sa/4.0 cc English Musical instruments Music and technology History Electronic musical instruments History Music Philosophy and aesthetics Civil engineering. Communication. Electronic musical instruments; History. Engineering. Mass media. Music and technology; History. Music; Philosophy and aesthetics. Musical instruments. Theory of music & musicology History of engineering & technology Music Media studies Theory of music and musicology History of engineering and technology s (DE-588)4040851-6 (DE-627)106221353 (DE-576)209042486 Musikinstrument gnd s (DE-588)4428235-7 (DE-627)216931371 (DE-576)212343610 Neue Musik gnd s (DE-588)4014355-7 (DE-627)10634045X (DE-576)208907440 Elektronische Musik gnd (DE-627) 9780520288027 : (pbk : alk. paper) Erscheint auch als Druck-Ausgabe Patteson, Thomas, 1981 - Instruments for new music Oakland, Calif : University of California Press, 2016 xii, 236 Seiten (DE-627)834152649 9780520288027 https://library.oapen.org/bitstream/id/6f6edd38-73d4-448d-80e0-6b5dd230cafc/602282.pdf X:OAPEN Verlag OAPEN Library: download the publication kostenfrei http://library.oapen.org/handle/20.500.12657/32858 X:OAPEN Verlag OAPEN Library: description of the publication kostenfrei https://external.dandelon.com/download/attachments/dandelon/ids/DE006CB2347B57D117A0CC1257FEF00473524.pdf V:DE-601 X:AGI pdf/application 2017-12-02 Verlag Inhaltsverzeichnis ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_132 ISIL_DE-959 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER LR 11180 allgemein Musikwissenschaft I. Musica theoretica Sachteil: Musica theoretica (einschl. Realien mit geographischem Bezug) Musikinstrumente; Spiel auf einzelnen Instrumenten und Instrumentengruppen; Musik für einzelne Instrumente und Instrumentengruppen Darstellungen: Darstellungen zu mehreren Instrumenten bzw. Instrumentengruppen (einschl. 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9780520963122 978-0-520-96312-2 (DE-627)869962760 (DE-576)9869962769 (DE-599)GBV869962760 (OCoLC)960164725 (OAPEN)32858 (EBP)062077333 DE-627 ger DE-627 rda eng XA-GB ML460 JFD bicssc AV bicssc AVA bicssc TBX bicssc JBCT bicssc LR 11180 rvk (DE-625)rvk/109195:13528 24.80 bkl Patteson, Thomas 1981- verfasserin (DE-588)1081565799 (DE-627)846322854 (DE-576)454558147 aut Instruments for new music sound, technology, and modernism Thomas Patteson Oakland, California University of California Press [2016] 1 Online-Ressource (xii, 237 pages) Illustrationen, Notenbeispiele Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star Player pianos, radio-electric circuits, gramophone records, and optical sound film—these were the cutting-edge acoustic technologies of the early twentieth century, and for many musicians and artists of the time, these devices were also the implements of a musical revolution. Instruments for New Music traces a diffuse network of cultural agents who shared the belief that a truly modern music could be attained only through a radical challenge to the technological foundations of the art. Centered in Germany during the 1920s and 1930s, the movement to create new instruments encompassed a broad spectrum of experiments, from the exploration of microtonal tunings and exotic tone colors to the ability to compose directly for automatic musical machines. This movement comprised composers, inventors, and visual artists, including Paul Hindemith, Ernst Toch, Jörg Mager, Friedrich Trautwein, László Moholy-Nagy, Walter Ruttmann, and Oskar Fischinger. Patteson’s fascinating study combines an artifact-oriented history of new music in the early twentieth century with an astute revisiting of still-relevant debates about the relationship between technology and the arts. Creative Commons https://creativecommons.org/licenses/by-nc-sa/4.0 cc English Musical instruments Music and technology History Electronic musical instruments History Music Philosophy and aesthetics Civil engineering. Communication. Electronic musical instruments; History. Engineering. Mass media. Music and technology; History. Music; Philosophy and aesthetics. Musical instruments. 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Musica theoretica Sachteil: Musica theoretica (einschl. Realien mit geographischem Bezug) Musikinstrumente; Spiel auf einzelnen Instrumenten und Instrumentengruppen; Musik für einzelne Instrumente und Instrumentengruppen Darstellungen: Darstellungen zu mehreren Instrumenten bzw. Instrumentengruppen (einschl. 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Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 24-06-23 110 01 3110 3506587129 OLR-GBV-OAPEN Open Access z 12-08-19 132 01 0959 1693185342 OLR-OAPEN Open Access x 06-06-17 136 01 3526 1676332731 OLR-OAPEN z 10-04-17 147 01 3528 3594008142 OLR-OAPEN frei verfügbar für Europa-Universität Flensburg, Hochschule Flensburg und Zentrale Hochschulbibliothek Vervielfältigungen (z.B. Kopien, Downloads) sind nur von einzelnen Kapiteln oder Seiten und nur zum eigenen wissenschaftlichen Gebrauch erlaubt. Die Weitergabe an Dritte sowie systematisches Downloaden sind untersagt. z 12-02-20 161 01 0960 1695089588 OLR-OAPEN OAPEN Online Library Open Access eBook z 19-06-17 187 01 3520 1769495614 JSTOR Open Access eBook z 09-05-18 213 01 0551 3493761058 OLR-OAPEN OAPEN Online Library Open Access eBook z 16-07-19 230 01 0552 3511835844 OLR-OAPEN OAPEN Online Library Open Access eBook z 04-09-19 283 01 3283 1641752564 OLR-OAL z 17-10-16 293 01 3293 1695122704 OLR-OAPEN OAPEN Online Library Open Access eBook z 19-06-17 370 01 4370 182475065X OLR-FREE Kostenloser Zugriff z 07-11-18 603 01 4603 3630374972 OLR-OAPEN Bitte beachten Sie die Nutzungsbedingungen und Copyright-Bestimmungen des Verlages/Herausgebers. z 22-04-20 808 01 4808 3488771369 OLR-OAPEN OAPEN Library zg 19-06-19 2403 01 DE-LFER 3495743863 00 --%%-- --%%-- n --%%-- l01 23-07-19 22 01 0018 Volltextzugang http://library.oapen.org/handle/20.500.12657/32858 23 01 0830 http://library.oapen.org/handle/20.500.12657/32858 30 01 0104 Open Access http://library.oapen.org/handle/20.500.12657/32858 31 01 0027 eBook GBV-OAPEN http://library.oapen.org/handle/20.500.12657/32858 34 01 3551 OpenAccess http://library.oapen.org/handle/20.500.12657/32858 40 01 0007 Volltext, Open Access http://library.oapen.org/handle/20.500.12657/32858 63 01 3401 E-Book http://library.oapen.org/handle/20.500.12657/32858 65 01 0003 Open Access http://library.oapen.org/handle/20.500.12657/32858 65 01 0003 Dieser Titel ist Teil einer Datenbank http://www.bibliothek.uni-regensburg.de/dbinfo/detail.php?titel_id=10728&bib_id=ulb_hal 70 01 0089 http://library.oapen.org/handle/20.500.12657/32858 LF 72 01 0035 http://www.oapen.org/search?identifier=602282 95 01 3095 http://library.oapen.org/handle/20.500.12657/32858 110 01 3110 Open Access http://www.oapen.org/search?identifier=602282 132 01 0959 http://www.oapen.org/search?identifier=602282 136 01 3526 Open Access http://library.oapen.org/handle/20.500.12657/32858 147 01 3528 http://library.oapen.org/handle/20.500.12657/32858 161 01 0960 http://library.oapen.org/handle/20.500.12657/32858 LF 187 01 3520 http://library.oapen.org/handle/20.500.12657/32858 213 01 0551 http://www.oapen.org/search?identifier=602282 230 01 0552 http://www.oapen.org/search?identifier=602282 283 01 3283 http://library.oapen.org/handle/20.500.12657/32858 293 01 3293 http://library.oapen.org/handle/20.500.12657/32858 LF 370 01 4370 http://library.oapen.org/handle/20.500.12657/32858 603 01 4603 http://library.oapen.org/handle/20.500.12657/32858 808 01 4808 Volltextzugang http://library.oapen.org/handle/20.500.12657/32858 2403 01 DE-LFER https://library.oapen.org/bitstream/id/6f6edd38-73d4-448d-80e0-6b5dd230cafc/602282.pdf 31 01 0027 00 eBook GBV-OAPEN 132 01 0959 00 EBooks OAPEN Open Access 22 01 0018 OLR-ZDB-94-OAL 23 01 0830 OLR-OAPEN 30 01 0104 GBV-OAPEN 34 01 3551 OLR-OAPEN 39 01 0547 GBV-OAPEN 39 01 0547 LF 40 01 0007 OLR-OAPEN 63 01 3401 E-Books LF GBV-OAPEN 65 01 0003 OLR-OAPEN 70 01 0089 OLR-OAPEN-OA 72 01 0035 OLR-OAPEN-OA 95 01 3095 OLR-OAL 110 01 3110 OLR-GBV-OAPEN 132 01 0959 OLR-OAPEN 136 01 3526 OLR-OAPEN 147 01 3528 OLR-OAPEN 161 01 0960 OLR-OAPEN 213 01 0551 OLR-OAPEN 230 01 0552 OLR-OAPEN 283 01 3283 OLR-OAL 293 01 3293 OLR-OAPEN 370 01 4370 OLR-FREE 370 01 4370 olr-ebook GBV-OAPEN 603 01 4603 OLR-OAPEN 808 01 4808 OLR-OAPEN |
| allfieldsSound |
9780520963122 978-0-520-96312-2 (DE-627)869962760 (DE-576)9869962769 (DE-599)GBV869962760 (OCoLC)960164725 (OAPEN)32858 (EBP)062077333 DE-627 ger DE-627 rda eng XA-GB ML460 JFD bicssc AV bicssc AVA bicssc TBX bicssc JBCT bicssc LR 11180 rvk (DE-625)rvk/109195:13528 24.80 bkl Patteson, Thomas 1981- verfasserin (DE-588)1081565799 (DE-627)846322854 (DE-576)454558147 aut Instruments for new music sound, technology, and modernism Thomas Patteson Oakland, California University of California Press [2016] 1 Online-Ressource (xii, 237 pages) Illustrationen, Notenbeispiele Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Open Access Unrestricted online access star Player pianos, radio-electric circuits, gramophone records, and optical sound film—these were the cutting-edge acoustic technologies of the early twentieth century, and for many musicians and artists of the time, these devices were also the implements of a musical revolution. Instruments for New Music traces a diffuse network of cultural agents who shared the belief that a truly modern music could be attained only through a radical challenge to the technological foundations of the art. Centered in Germany during the 1920s and 1930s, the movement to create new instruments encompassed a broad spectrum of experiments, from the exploration of microtonal tunings and exotic tone colors to the ability to compose directly for automatic musical machines. This movement comprised composers, inventors, and visual artists, including Paul Hindemith, Ernst Toch, Jörg Mager, Friedrich Trautwein, László Moholy-Nagy, Walter Ruttmann, and Oskar Fischinger. Patteson’s fascinating study combines an artifact-oriented history of new music in the early twentieth century with an astute revisiting of still-relevant debates about the relationship between technology and the arts. Creative Commons https://creativecommons.org/licenses/by-nc-sa/4.0 cc English Musical instruments Music and technology History Electronic musical instruments History Music Philosophy and aesthetics Civil engineering. Communication. Electronic musical instruments; History. Engineering. Mass media. Music and technology; History. Music; Philosophy and aesthetics. Musical instruments. Theory of music & musicology History of engineering & technology Music Media studies Theory of music and musicology History of engineering and technology s (DE-588)4040851-6 (DE-627)106221353 (DE-576)209042486 Musikinstrument gnd s (DE-588)4428235-7 (DE-627)216931371 (DE-576)212343610 Neue Musik gnd s (DE-588)4014355-7 (DE-627)10634045X (DE-576)208907440 Elektronische Musik gnd (DE-627) 9780520288027 : (pbk : alk. paper) Erscheint auch als Druck-Ausgabe Patteson, Thomas, 1981 - Instruments for new music Oakland, Calif : University of California Press, 2016 xii, 236 Seiten (DE-627)834152649 9780520288027 https://library.oapen.org/bitstream/id/6f6edd38-73d4-448d-80e0-6b5dd230cafc/602282.pdf X:OAPEN Verlag OAPEN Library: download the publication kostenfrei http://library.oapen.org/handle/20.500.12657/32858 X:OAPEN Verlag OAPEN Library: description of the publication kostenfrei https://external.dandelon.com/download/attachments/dandelon/ids/DE006CB2347B57D117A0CC1257FEF00473524.pdf V:DE-601 X:AGI pdf/application 2017-12-02 Verlag Inhaltsverzeichnis ZDB-94-OAL GBV_ILN_22 ISIL_DE-18 SYSFLAG_1 GBV_KXP GBV_ILN_23 ISIL_DE-830 GBV_ILN_30 ISIL_DE-104 GBV_ILN_31 ISIL_DE-27 GBV_ILN_34 ISIL_DE-18-302 GBV_ILN_39 ISIL_DE-547 GBV_ILN_40 ISIL_DE-7 GBV_ILN_63 ISIL_DE-Wim2 GBV_ILN_65 ISIL_DE-3 GBV_ILN_70 ISIL_DE-89 GBV_ILN_72 ISIL_DE-35 GBV_ILN_95 ISIL_DE-542 GBV_ILN_110 ISIL_DE-Luen4 GBV_ILN_132 ISIL_DE-959 GBV_ILN_136 ISIL_DE-Wis1 GBV_ILN_147 ISIL_DE-Fl3 GBV_ILN_161 ISIL_DE-960 GBV_ILN_187 ISIL_DE-Ki95 GBV_ILN_213 ISIL_DE-551 GBV_ILN_230 ISIL_DE-552 GBV_ILN_283 ISIL_DE-Ha163 GBV_ILN_293 ISIL_DE-960-3 GBV_ILN_370 ISIL_DE-1373 GBV_ILN_603 ISIL_DE-B1556 GBV_ILN_808 GBV_ILN_2403 ISIL_DE-LFER LR 11180 allgemein Musikwissenschaft I. Musica theoretica Sachteil: Musica theoretica (einschl. Realien mit geographischem Bezug) Musikinstrumente; Spiel auf einzelnen Instrumenten und Instrumentengruppen; Musik für einzelne Instrumente und Instrumentengruppen Darstellungen: Darstellungen zu mehreren Instrumenten bzw. Instrumentengruppen (einschl. 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Player pianos, radio-electric circuits, gramophone records, and optical sound film—these were the cutting-edge acoustic technologies of the early twentieth century, and for many musicians and artists of the time, these devices were also the implements of a musical revolution. Instruments for New Music traces a diffuse network of cultural agents who shared the belief that a truly modern music could be attained only through a radical challenge to the technological foundations of the art. Centered in Germany during the 1920s and 1930s, the movement to create new instruments encompassed a broad spectrum of experiments, from the exploration of microtonal tunings and exotic tone colors to the ability to compose directly for automatic musical machines. This movement comprised composers, inventors, and visual artists, including Paul Hindemith, Ernst Toch, Jörg Mager, Friedrich Trautwein, László Moholy-Nagy, Walter Ruttmann, and Oskar Fischinger. Patteson’s fascinating study combines an artifact-oriented history of new music in the early twentieth century with an astute revisiting of still-relevant debates about the relationship between technology and the arts. |
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Player pianos, radio-electric circuits, gramophone records, and optical sound film—these were the cutting-edge acoustic technologies of the early twentieth century, and for many musicians and artists of the time, these devices were also the implements of a musical revolution. Instruments for New Music traces a diffuse network of cultural agents who shared the belief that a truly modern music could be attained only through a radical challenge to the technological foundations of the art. Centered in Germany during the 1920s and 1930s, the movement to create new instruments encompassed a broad spectrum of experiments, from the exploration of microtonal tunings and exotic tone colors to the ability to compose directly for automatic musical machines. This movement comprised composers, inventors, and visual artists, including Paul Hindemith, Ernst Toch, Jörg Mager, Friedrich Trautwein, László Moholy-Nagy, Walter Ruttmann, and Oskar Fischinger. Patteson’s fascinating study combines an artifact-oriented history of new music in the early twentieth century with an astute revisiting of still-relevant debates about the relationship between technology and the arts. |
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Player pianos, radio-electric circuits, gramophone records, and optical sound film—these were the cutting-edge acoustic technologies of the early twentieth century, and for many musicians and artists of the time, these devices were also the implements of a musical revolution. Instruments for New Music traces a diffuse network of cultural agents who shared the belief that a truly modern music could be attained only through a radical challenge to the technological foundations of the art. Centered in Germany during the 1920s and 1930s, the movement to create new instruments encompassed a broad spectrum of experiments, from the exploration of microtonal tunings and exotic tone colors to the ability to compose directly for automatic musical machines. This movement comprised composers, inventors, and visual artists, including Paul Hindemith, Ernst Toch, Jörg Mager, Friedrich Trautwein, László Moholy-Nagy, Walter Ruttmann, and Oskar Fischinger. Patteson’s fascinating study combines an artifact-oriented history of new music in the early twentieth century with an astute revisiting of still-relevant debates about the relationship between technology and the arts. |
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<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01000cam a2200265 4500</leader><controlfield tag="001">869962760</controlfield><controlfield tag="003">DE-627</controlfield><controlfield tag="005">20241009150930.0</controlfield><controlfield tag="007">cr uuu---uuuuu</controlfield><controlfield tag="008">160907s2016 xxk|||||o 00| ||eng c</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780520963122</subfield><subfield code="9">978-0-520-96312-2</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-627)869962760</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-576)9869962769</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)GBV869962760</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)960164725</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OAPEN)32858</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(EBP)062077333</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-627</subfield><subfield code="b">ger</subfield><subfield code="c">DE-627</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1=" " ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="044" ind1=" " ind2=" "><subfield code="c">XA-GB</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">ML460</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">JFD</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">AV</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">AVA</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">TBX</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="072" ind1=" " ind2="7"><subfield code="a">JBCT</subfield><subfield code="2">bicssc</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LR 11180</subfield><subfield code="2">rvk</subfield><subfield code="0">(DE-625)rvk/109195:13528</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">24.80</subfield><subfield code="2">bkl</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Patteson, Thomas</subfield><subfield code="d">1981-</subfield><subfield code="e">verfasserin</subfield><subfield code="0">(DE-588)1081565799</subfield><subfield code="0">(DE-627)846322854</subfield><subfield code="0">(DE-576)454558147</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Instruments for new music</subfield><subfield code="b">sound, technology, and modernism</subfield><subfield code="c">Thomas Patteson</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Oakland, California</subfield><subfield code="b">University of California Press</subfield><subfield code="c">[2016]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (xii, 237 pages)</subfield><subfield code="b">Illustrationen, Notenbeispiele</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">Text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">Computermedien</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">Online-Ressource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="506" ind1="0" ind2=" "><subfield code="a">Open Access</subfield><subfield code="f">Unrestricted online access</subfield><subfield code="2">star</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Player pianos, radio-electric circuits, gramophone records, and optical sound film—these were the cutting-edge acoustic technologies of the early twentieth century, and for many musicians and artists of the time, these devices were also the implements of a musical revolution. 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Instruments for New Music Sound, Technology,.and Modernism Thomas Patteson I? UNIVERSITY OF CALIFORNIA PRESS Contents List of Illustrations ix Acknowledgments xi … Listening to Instruments i … "The Joy of Precision": Mechanical Instruments and the Aesthetics of Automation … "The Alchemy of Tone": Jorg Mager and Electric Music … U "Sonic Handwriting": Media Instruments and Musical Inscription … "A New, Perfect Musical Instrument": The Trautonium and Electric Music in the 1930s … The Expanding Instrumentarium … Notes … Bibliography … Index … |
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