Painting by Numbers : Data-Driven Histories of Nineteenth-Century Art

Frontmatter -- Contents -- Painting by Numbers -- 1 What Is a Data-Driven History of Art -- 2 The Historical Data of the Art World -- 3 Between City and Country: Industrialization and Images of Nature at the Paris Salon -- 4 Why Have There Been No Great Women Artists? Artistic Labor and Time-Constra...
Ausführliche Beschreibung

Frontmatter -- Contents -- Painting by Numbers -- 1 What Is a Data-Driven History of Art -- 2 The Historical Data of the Art World -- 3 Between City and Country: Industrialization and Images of Nature at the Paris Salon -- 4 Why Have There Been No Great Women Artists? Artistic Labor and Time-Constraint in Nineteenth-Century America -- 5 Implied But Not Shown: Empire at the Royal Academy -- 6 Conclusion -- Appendices -- A Further Information about Compilation of and Access to Data Sources -- B A Brief Historiography of the Study of Jean-François Millet and the Relationship between City and Country in Nineteenth-Century French Rural Genre Painting -- C Subject Headings in the Whiteley Index Identified as Rural, Industrial, Religious, and Family Tags -- D Full Regression Tables, How to Read Regression Tables, and Further Discussion of Results -- E French Transcription of Letters Written by Jean-François Millet -- F Still Life Keywords Identified in Titles of Works Exhibited at the National Academy of Design, 1826–1900 -- G Further Information about Geographic Classifications of Royal Academy Data and Imperial Keywords -- Acknowledgments -- Notes -- Bibliography -- Index Ausführliche Beschreibung