Rancière and Film

Frontmatter -- Contents -- Acknowledgements -- 1 Rancière and the Disciplines: An Introduction to Rancière before Film Studies -- 2 What Does It Mean to Call Film an Art? -- 3 After the Passage of the Beast: 'False Documentary' Aspirations, Acousmatic Complications -- 4 The Spectator witho...
Ausführliche Beschreibung

Frontmatter -- Contents -- Acknowledgements -- 1 Rancière and the Disciplines: An Introduction to Rancière before Film Studies -- 2 What Does It Mean to Call Film an Art? -- 3 After the Passage of the Beast: 'False Documentary' Aspirations, Acousmatic Complications -- 4 The Spectator without Qualities -- 5 Memories of Modernism: Jacques Rancière, Chris Marker and the Image of Modernism -- 6 Aesthetic Irruptions: Politics of Perception in Alex de la Iglesia's La Comunidad -- 7 Inhuman Spectatorship -- 8 Cinemarxis: Rancière and Godard -- 9 Jacques Rancière's Animated Vertigo; or, How to be Specific about Medium -- 10 The Medium Is Not the Message: Rancière, Eschatology and the End of Cinema -- 11 Remarks by Way of a Postface -- Contributors -- Bibliography -- Index Ausführliche Beschreibung