Property-driven urban change in post-socialist Shanghai : reading the television series Woju
In late 2009, the television series Woju received extremely high audience ratings in major Chinese cities. Its visual narratives engage the public and comment on social developments by presenting detailed pictures of urban change in Shanghai and the everyday lives of a range of urban characters who...
Ausführliche Beschreibung
Gespeichert in:
| Autor*in: |
Liang, Samuel Y. [verfasserIn] |
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| Format: |
E-Artikel |
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| Sprache: |
Englisch |
| Erschienen: |
2010 |
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| Schlagwörter: |
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| Umfang: |
Online Ressource ; Ill., Lit. S. 26-28 |
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| Reproduktion: |
Online-Ausg. |
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| Übergeordnetes Werk: |
In: Journal of current Chinese affairs - Thousand Oaks, CA : Sage Publishing, 2009, 39(2010), 4, Seite 3-28 |
| Übergeordnetes Werk: |
volume:39 ; year:2010 ; number:4 ; pages:3-28 |
| Links: |
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| 520 | |a In late 2009, the television series Woju received extremely high audience ratings in major Chinese cities. Its visual narratives engage the public and comment on social developments by presenting detailed pictures of urban change in Shanghai and the everyday lives of a range of urban characters who are involved in and affected by the urban restructuring process and represent three distinct social groups: "whitecollar" immigrants, low-income local residents, and powerful officials. By analysing the visual narratives of these characters, this article highlights the loss of the city’s historical identity and shows how the reorganization of urban space translates into a reallocation of resources, power and prestige among the social groups. The article also shows that Woju represents a new development in literary and television production in the age of the Internet and globalization; its imaginative construct of the city was based on transnational and virtual rather than local and neighbourhood experience. This also testifies to the loss of the city’s established identity in cultural production. (JCCA/GIGA) | ||
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By analysing the visual narratives of these characters, this article highlights the loss of the city’s historical identity and shows how the reorganization of urban space translates into a reallocation of resources, power and prestige among the social groups. The article also shows that Woju represents a new development in literary and television production in the age of the Internet and globalization; its imaginative construct of the city was based on transnational and virtual rather than local and neighbourhood experience. This also testifies to the loss of the city’s established identity in cultural production. (JCCA/GIGA) Online-Ausg. 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Property-driven urban change in post-socialist Shanghai reading the television series Woju |
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In late 2009, the television series Woju received extremely high audience ratings in major Chinese cities. Its visual narratives engage the public and comment on social developments by presenting detailed pictures of urban change in Shanghai and the everyday lives of a range of urban characters who are involved in and affected by the urban restructuring process and represent three distinct social groups: "whitecollar" immigrants, low-income local residents, and powerful officials. By analysing the visual narratives of these characters, this article highlights the loss of the city’s historical identity and shows how the reorganization of urban space translates into a reallocation of resources, power and prestige among the social groups. The article also shows that Woju represents a new development in literary and television production in the age of the Internet and globalization; its imaginative construct of the city was based on transnational and virtual rather than local and neighbourhood experience. This also testifies to the loss of the city’s established identity in cultural production. (JCCA/GIGA) |
| abstractGer |
In late 2009, the television series Woju received extremely high audience ratings in major Chinese cities. Its visual narratives engage the public and comment on social developments by presenting detailed pictures of urban change in Shanghai and the everyday lives of a range of urban characters who are involved in and affected by the urban restructuring process and represent three distinct social groups: "whitecollar" immigrants, low-income local residents, and powerful officials. By analysing the visual narratives of these characters, this article highlights the loss of the city’s historical identity and shows how the reorganization of urban space translates into a reallocation of resources, power and prestige among the social groups. The article also shows that Woju represents a new development in literary and television production in the age of the Internet and globalization; its imaginative construct of the city was based on transnational and virtual rather than local and neighbourhood experience. This also testifies to the loss of the city’s established identity in cultural production. (JCCA/GIGA) |
| abstract_unstemmed |
In late 2009, the television series Woju received extremely high audience ratings in major Chinese cities. Its visual narratives engage the public and comment on social developments by presenting detailed pictures of urban change in Shanghai and the everyday lives of a range of urban characters who are involved in and affected by the urban restructuring process and represent three distinct social groups: "whitecollar" immigrants, low-income local residents, and powerful officials. By analysing the visual narratives of these characters, this article highlights the loss of the city’s historical identity and shows how the reorganization of urban space translates into a reallocation of resources, power and prestige among the social groups. The article also shows that Woju represents a new development in literary and television production in the age of the Internet and globalization; its imaginative construct of the city was based on transnational and virtual rather than local and neighbourhood experience. This also testifies to the loss of the city’s established identity in cultural production. (JCCA/GIGA) |
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Property-driven urban change in post-socialist Shanghai |
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Liang, Samuel Y. Stadt / Entwicklung Stadtentwicklung TV Television Fernseh-Rundfunk Fernsehen Rundfunk / Programm Rundfunkprogramme Rundfunkprogramm Unterhaltung Massenmedium Massenkommunikationsmittel Massenmedien Gesellschaft Entwicklungsstadium Ursprung <Entwicklung> Entwicklung Grundstücksmarkt Bodenmarkt Corruption Käuflichkeit Korruption Chung-hua-jen-min-kung-ho-kuo PRC (People's Republic of China) Chinese People’s Republic Zhonghua-minguo (1911-1949) KNR (Kytajsʹkaja Narodnaja Respublika) Zhongguo-Diguo Kaiserreich China China (Republic : 1912-1949) Kytajsʹkaja Narodnaja Respublika Volksrepublik China China (Diguo) Zhongguo (renmin gongheguo) China (Renmin-Gongheguo) Chung-kuo (Renmin-Gongheguo) République populaire de Chine Republic of China (1912-1949) Shinkoku People's Republic of China Rotchina Zhonghua-Renmin-Gongheguo Zhongguo (Diguo) Chung-kuo kuo min cheng fu Kaiserreich Zhongguo China (Volksrepublik) Zhong guo Zhongguo Chung-hua-min-kuo (1911-1949) Zhongguo (Renmin-Gongheguo) Zhonghua renmin gongheguo China (People's Republic) Zhonghua (Renmin-Gongheguo) 中华人民共和国 Chinese People's Republic Chung-hua min kuo (1912-1949) VR China Chine Chung-kuo Zhongguo (Volksrepublik) China Shanghaishi שנחאי Xangai Schang hai Shanghai Municipality Šanchaj שנגהאי Shang hai Shanhai Shanghaï שנגהי Shanghai Shanghai-Tebieshi Schanghaï Shanghai Shi Shanghay Schanghai |
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Liang, Samuel Y. Stadt / Entwicklung Stadtentwicklung TV Television Fernseh-Rundfunk Fernsehen Rundfunk / Programm Rundfunkprogramme Rundfunkprogramm Unterhaltung Massenmedium Massenkommunikationsmittel Massenmedien Gesellschaft Entwicklungsstadium Ursprung <Entwicklung> Entwicklung Grundstücksmarkt Bodenmarkt Corruption Käuflichkeit Korruption Chung-hua-jen-min-kung-ho-kuo PRC (People's Republic of China) Chinese People’s Republic Zhonghua-minguo (1911-1949) KNR (Kytajsʹkaja Narodnaja Respublika) Zhongguo-Diguo Kaiserreich China China (Republic : 1912-1949) Kytajsʹkaja Narodnaja Respublika Volksrepublik China China (Diguo) Zhongguo (renmin gongheguo) China (Renmin-Gongheguo) Chung-kuo (Renmin-Gongheguo) République populaire de Chine Republic of China (1912-1949) Shinkoku People's Republic of China Rotchina Zhonghua-Renmin-Gongheguo Zhongguo (Diguo) Chung-kuo kuo min cheng fu Kaiserreich Zhongguo China (Volksrepublik) Zhong guo Zhongguo Chung-hua-min-kuo (1911-1949) Zhongguo (Renmin-Gongheguo) Zhonghua renmin gongheguo China (People's Republic) Zhonghua (Renmin-Gongheguo) 中华人民共和国 Chinese People's Republic Chung-hua min kuo (1912-1949) VR China Chine Chung-kuo Zhongguo (Volksrepublik) China Shanghaishi שנחאי Xangai Schang hai Shanghai Municipality Šanchaj שנגהאי Shang hai Shanhai Shanghaï שנגהי Shanghai Shanghai-Tebieshi Schanghaï Shanghai Shi Shanghay Schanghai |
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