A mystical cosmopolitanism : Sufi Hip Hop and the aesthetics of Islam in Dakar

For many, any alliance between ‘Islam' and ‘Hip Hop' is an unholy one, whether for bringing Hip Hop into Islam or vice versa. Yet many of Senegal's prominent rappers today are committed adherents of the Fayḍa Tijāniyya Sufi (mystical Islamic) movement who rap about religious knowledge...
Ausführliche Beschreibung

Gespeichert in:

Autor*in:	Hill, Joseph [verfasserIn]

Format:	E-Artikel
Sprache:	Englisch

Erschienen:	2017

Schlagwörter:	Dakar / Hip-Hop / Ästhetik / Sufismus
Schlagwörter:	Islam aesthetics Hip Hop Senegal Sufism

Übergeordnetes Werk:	Enthalten in: Culture and religion - London [u.a.] : Taylor and Francis Group, 2000, 18(2017), 4, Seite 388-408
Übergeordnetes Werk:	volume:18 ; year:2017 ; number:4 ; pages:388-408

DOI / URN:	10.1080/14755610.2017.1376694

Katalog-ID:	156990720X

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spelling	10.1080/14755610.2017.1376694 doi (DE-627)156990720X (DE-576)499907205 (DE-599)BSZ499907205 DE-627 ger DE-627 rda eng 0 1 ssgn Hill, Joseph verfasserin (DE-627)1247484947 (DE-576)177484942 aut A mystical cosmopolitanism Sufi Hip Hop and the aesthetics of Islam in Dakar Joseph Hill [2017] Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier For many, any alliance between ‘Islam' and ‘Hip Hop' is an unholy one, whether for bringing Hip Hop into Islam or vice versa. Yet many of Senegal's prominent rappers today are committed adherents of the Fayḍa Tijāniyya Sufi (mystical Islamic) movement who rap about religious knowledge. Even the Fayḍa's senior, classically trained authorities tend to accept Hip Hop as an effective tool to promulgate religious principles and recruit new disciples. The line between rapper and Islamic preacher has become blurred, and several rappers are even formally appointed spiritual guides with their own disciples. This article attributes the success of Sufi Hip Hop to aesthetic resonances between global Hip Hop culture and the Fayḍa's self-imagination as an increasingly urban and global esoteric movement. I illustrate with the persona and art of Daddy Bibson, the first and most influential Fayḍa rapper to rap about Sufi knowledge. Islam aesthetics Hip Hop Senegal Sufism g (DE-588)4010921-5 (DE-627)106355147 (DE-576)208890955 Dakar gnd s (DE-588)4303517-6 (DE-627)121622258 (DE-576)211059080 Hip-Hop gnd s (DE-588)4000626-8 (DE-627)106400541 (DE-576)208838821 Ästhetik gnd s (DE-588)4058522-0 (DE-627)106146939 (DE-576)209126744 Sufismus gnd (DE-627) Enthalten in Culture and religion London [u.a.] : Taylor and Francis Group, 2000 18(2017), 4, Seite 388-408 Online-Ressource (DE-627)364471867 (DE-600)2110612-5 (DE-576)113422903 1475-5629 nnns volume:18 year:2017 number:4 pages:388-408 GBV_USEFLAG_U GBV_ILN_2019 ISIL_DE-Tue135 SYSFLAG_1 GBV_KXP GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_39 GBV_ILN_60 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_100 GBV_ILN_110 GBV_ILN_151 GBV_ILN_206 GBV_ILN_224 GBV_ILN_285 GBV_ILN_370 GBV_ILN_702 GBV_ILN_2001 GBV_ILN_2006 GBV_ILN_2007 GBV_ILN_2009 GBV_ILN_2010 GBV_ILN_2025 GBV_ILN_2026 GBV_ILN_2034 GBV_ILN_2036 GBV_ILN_2055 GBV_ILN_2111 GBV_ILN_2190 GBV_ILN_2446 GBV_ILN_2470 GBV_ILN_2507 GBV_ILN_4035 GBV_ILN_4046 GBV_ILN_4246 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4313 GBV_ILN_4393 GBV_ILN_4700 AR 18 2017 4 388-408 2019 01 DE-Tü135 2999429231 00 --%%-- --%%-- --%%-- n l01 16-02-18 2019 01 DE-Tü135 00 (DE-627)1442043539 BJ 2019 01 DE-Tü135 01 (DE-627)1442043229 AG
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title_full	A mystical cosmopolitanism Sufi Hip Hop and the aesthetics of Islam in Dakar Joseph Hill
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title_sort	mystical cosmopolitanismsufi hip hop and the aesthetics of islam in dakar
title_auth	A mystical cosmopolitanism Sufi Hip Hop and the aesthetics of Islam in Dakar
abstract	For many, any alliance between ‘Islam' and ‘Hip Hop' is an unholy one, whether for bringing Hip Hop into Islam or vice versa. Yet many of Senegal's prominent rappers today are committed adherents of the Fayḍa Tijāniyya Sufi (mystical Islamic) movement who rap about religious knowledge. Even the Fayḍa's senior, classically trained authorities tend to accept Hip Hop as an effective tool to promulgate religious principles and recruit new disciples. The line between rapper and Islamic preacher has become blurred, and several rappers are even formally appointed spiritual guides with their own disciples. This article attributes the success of Sufi Hip Hop to aesthetic resonances between global Hip Hop culture and the Fayḍa's self-imagination as an increasingly urban and global esoteric movement. I illustrate with the persona and art of Daddy Bibson, the first and most influential Fayḍa rapper to rap about Sufi knowledge.
abstractGer	For many, any alliance between ‘Islam' and ‘Hip Hop' is an unholy one, whether for bringing Hip Hop into Islam or vice versa. Yet many of Senegal's prominent rappers today are committed adherents of the Fayḍa Tijāniyya Sufi (mystical Islamic) movement who rap about religious knowledge. Even the Fayḍa's senior, classically trained authorities tend to accept Hip Hop as an effective tool to promulgate religious principles and recruit new disciples. The line between rapper and Islamic preacher has become blurred, and several rappers are even formally appointed spiritual guides with their own disciples. This article attributes the success of Sufi Hip Hop to aesthetic resonances between global Hip Hop culture and the Fayḍa's self-imagination as an increasingly urban and global esoteric movement. I illustrate with the persona and art of Daddy Bibson, the first and most influential Fayḍa rapper to rap about Sufi knowledge.
abstract_unstemmed	For many, any alliance between ‘Islam' and ‘Hip Hop' is an unholy one, whether for bringing Hip Hop into Islam or vice versa. Yet many of Senegal's prominent rappers today are committed adherents of the Fayḍa Tijāniyya Sufi (mystical Islamic) movement who rap about religious knowledge. Even the Fayḍa's senior, classically trained authorities tend to accept Hip Hop as an effective tool to promulgate religious principles and recruit new disciples. The line between rapper and Islamic preacher has become blurred, and several rappers are even formally appointed spiritual guides with their own disciples. This article attributes the success of Sufi Hip Hop to aesthetic resonances between global Hip Hop culture and the Fayḍa's self-imagination as an increasingly urban and global esoteric movement. I illustrate with the persona and art of Daddy Bibson, the first and most influential Fayḍa rapper to rap about Sufi knowledge.
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up_date	2024-07-04T15:48:54.082Z
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fullrecord_marcxml	<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01000caa a22002652 4500</leader><controlfield tag="001">156990720X</controlfield><controlfield tag="003">DE-627</controlfield><controlfield tag="005">20180511230009.0</controlfield><controlfield tag="007">cr uuu---uuuuu</controlfield><controlfield tag="008">180216s2017 xx \|\|\|\|\|o 00\| \|\|eng c</controlfield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1080/14755610.2017.1376694</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-627)156990720X</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-576)499907205</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BSZ499907205</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-627</subfield><subfield code="b">ger</subfield><subfield code="c">DE-627</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1=" " ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">0</subfield><subfield code="a">1</subfield><subfield code="2">ssgn</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Hill, Joseph</subfield><subfield code="e">verfasserin</subfield><subfield code="0">(DE-627)1247484947</subfield><subfield code="0">(DE-576)177484942</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="2"><subfield code="a">A mystical cosmopolitanism</subfield><subfield code="b">Sufi Hip Hop and the aesthetics of Islam in Dakar</subfield><subfield code="c">Joseph Hill</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">[2017]</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">Text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">Computermedien</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">Online-Ressource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">For many, any alliance between ‘Islam' and ‘Hip Hop' is an unholy one, whether for bringing Hip Hop into Islam or vice versa. Yet many of Senegal's prominent rappers today are committed adherents of the Fayḍa Tijāniyya Sufi (mystical Islamic) movement who rap about religious knowledge. Even the Fayḍa's senior, classically trained authorities tend to accept Hip Hop as an effective tool to promulgate religious principles and recruit new disciples. The line between rapper and Islamic preacher has become blurred, and several rappers are even formally appointed spiritual guides with their own disciples. This article attributes the success of Sufi Hip Hop to aesthetic resonances between global Hip Hop culture and the Fayḍa's self-imagination as an increasingly urban and global esoteric movement. 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A mystical cosmopolitanism : Sufi Hip Hop and the aesthetics of Islam in Dakar

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