”Todo el país de México es un gran cementerio – cementerio de fabulosas culturas”. El artista húngaro Pál Horti y su colección mexicana : = “The Whole Country of Mexico is a Great Cemetery of Fabulous Cultures”. The Hungarian Artist Pál Horti and his Mexican Collection

The 1904 World Fair in St. Louis wrought a fundamental change in Pál Horti’s life. A trailblazer of Art Nouveau in Hungary, he was commissioned to design and build the Hungarian pavilion and to organize Hungary’s official exhibit at Saint Louis, where he first encountered pre-Columbian art and concl...
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Autor*in:	Gyarmati, János [verfasserIn]

Format:	E-Artikel
Sprache:	Spanisch

Erschienen:	2019

Rechteinformationen:	Copyright (c) 2019 INDIANA http://creativecommons.org/licenses/by-nc-nd/4.0

Schlagwörter:	Pál Horti, pre-Columbian art, museology, diffusionism, Mexico, Hungary, 20th century Pál Horti, arte precolombino, museología, difusionismo, México, Hungría, siglo XX

Übergeordnetes Werk:	Enthalten in: Indiana - Berlin : Ibero-Amerikanisches Institut, 1973, Vol. 36, Núm. 1 (2019); 65-76
Übergeordnetes Werk:	volume:36 ; year:2019 ; number:1 ; pages:65-76

Links:	Volltext Volltext

DOI / URN:	10.18441/ind.v36i1.65-76

Katalog-ID:	1703461703

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520			\|a The 1904 World Fair in St. Louis wrought a fundamental change in Pál Horti’s life. A trailblazer of Art Nouveau in Hungary, he was commissioned to design and build the Hungarian pavilion and to organize Hungary’s official exhibit at Saint Louis, where he first encountered pre-Columbian art and concluded that the ancestors of the Hungarians had to be related to the American indigenous peoples. His opinion was based on ideas popular in the second half of the 19th century. According to these ideas, the origins of the Hungarians were to be sought on other continents. That’s why Horti resolved after the World Fair to travel to Mexico and then on to Asia in order to explore the origins of Hungarians and their ancestors. In 1906, he crossed Mexico from the Gulf of Mexico to the Pacific Ocean and on his three-month trip acquired various archaeological pieces and ethnographic objects. According to letters he wrote home, what he experienced mostly in Western Mexico convinced him that there existed some kinship between the indigenous peoples of Mexico and the Hungarians.
520			\|a La Exposición Universal de St. Louis de 1904 produjo un giro fundamental en la vida del artista úngaro Pál Horti. Había sido pionero del Art Nouveau en Hungría y se le encargó diseñar y realizar el pabellón húngaro y de organizar la muestra oficial del país. Allí conoció el arte precolombino e infirió relaciones entre los antiguos pueblos americanos y los antepasados de los húngaros. Su opinión se apoyaba en creencias entonces muy extendidas que buscaban el origen de los húngaros en otros continentes. Por ello, terminada la Exposición Universal, Horti decidió viajar a México y desde allí a Asia para rastrear el origen de los húngaros y sus antepasados. En 1906 atravesó México desde el Golfo de México hasta el Océano Pacífico y durante su viaje de tres meses logró recoger piezas arqueológicas y etnográficas. Según las cartas enviadas a Hungría, sus experiencias adquiridas principalmente en México occidental le convencieron de la similitud existente entre los indígenas mexicanos y los húngaros.
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spelling	10.18441/ind.v36i1.65-76 doi (DE-627)1703461703 (DE-599)KXP1703461703 (LIB)ojs.www.iai.spk-berlin.de:article/2578 DE-627 ger DE-627 rda spa Gyarmati, János verfasserin aut ”Todo el país de México es un gran cementerio – cementerio de fabulosas culturas”. El artista húngaro Pál Horti y su colección mexicana = “The Whole Country of Mexico is a Great Cemetery of Fabulous Cultures”. The Hungarian Artist Pál Horti and his Mexican Collection “The Whole Country of Mexico is a Great Cemetery of Fabulous Cultures”. The Hungarian Artist Pál Horti and his Mexican Collection 2019 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier The 1904 World Fair in St. Louis wrought a fundamental change in Pál Horti’s life. A trailblazer of Art Nouveau in Hungary, he was commissioned to design and build the Hungarian pavilion and to organize Hungary’s official exhibit at Saint Louis, where he first encountered pre-Columbian art and concluded that the ancestors of the Hungarians had to be related to the American indigenous peoples. His opinion was based on ideas popular in the second half of the 19th century. According to these ideas, the origins of the Hungarians were to be sought on other continents. That’s why Horti resolved after the World Fair to travel to Mexico and then on to Asia in order to explore the origins of Hungarians and their ancestors. In 1906, he crossed Mexico from the Gulf of Mexico to the Pacific Ocean and on his three-month trip acquired various archaeological pieces and ethnographic objects. According to letters he wrote home, what he experienced mostly in Western Mexico convinced him that there existed some kinship between the indigenous peoples of Mexico and the Hungarians. La Exposición Universal de St. Louis de 1904 produjo un giro fundamental en la vida del artista úngaro Pál Horti. Había sido pionero del Art Nouveau en Hungría y se le encargó diseñar y realizar el pabellón húngaro y de organizar la muestra oficial del país. Allí conoció el arte precolombino e infirió relaciones entre los antiguos pueblos americanos y los antepasados de los húngaros. Su opinión se apoyaba en creencias entonces muy extendidas que buscaban el origen de los húngaros en otros continentes. Por ello, terminada la Exposición Universal, Horti decidió viajar a México y desde allí a Asia para rastrear el origen de los húngaros y sus antepasados. En 1906 atravesó México desde el Golfo de México hasta el Océano Pacífico y durante su viaje de tres meses logró recoger piezas arqueológicas y etnográficas. Según las cartas enviadas a Hungría, sus experiencias adquiridas principalmente en México occidental le convencieron de la similitud existente entre los indígenas mexicanos y los húngaros. Copyright (c) 2019 INDIANA http://creativecommons.org/licenses/by-nc-nd/4.0 Pál Horti pre-Columbian art museology diffusionism Mexico Hungary 20th century Pál Horti arte precolombino museología difusionismo México Hungría siglo XX Enthalten in Indiana Berlin : Ibero-Amerikanisches Institut, 1973 Vol. 36, Núm. 1 (2019); 65-76 Online-Ressource (DE-627)35895309X (DE-600)2097397-4 (DE-576)347265782 2365-2225 nnns volume:36 year:2019 number:1 pages:65-76 https://dx.doi.org/10.18441/ind.v36i1.65-76 kostenfrei Volltext http://journals.iai.spk-berlin.de/index.php/indiana/article/view/2578 kostenfrei Volltext GBV_USEFLAG_U GBV_ILN_156 ISIL_DE-204 SYSFLAG_1 GBV_KXP GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_203 GBV_ILN_206 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2005 GBV_ILN_2009 GBV_ILN_2011 GBV_ILN_2014 GBV_ILN_2055 GBV_ILN_2111 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4367 GBV_ILN_4700 GBV_ILN_2403 GBV_ILN_2403 ISIL_DE-LFER AR 36 2019 1 65-76 Vol. 36, Núm. 1 (2019); 65-76 156 01 0204 3695351179 INDIANA x 16-07-20 2403 01 DE-LFER 3736145144 00 --%%-- --%%-- n --%%-- l01 07-08-20 2403 01 DE-LFER https://dx.doi.org/10.18441/ind.v36i1.65-76 2403 01 DE-LFER http://journals.iai.spk-berlin.de/index.php/indiana/article/view/2578 156 01 0204 INDIANA
allfields_unstemmed	10.18441/ind.v36i1.65-76 doi (DE-627)1703461703 (DE-599)KXP1703461703 (LIB)ojs.www.iai.spk-berlin.de:article/2578 DE-627 ger DE-627 rda spa Gyarmati, János verfasserin aut ”Todo el país de México es un gran cementerio – cementerio de fabulosas culturas”. El artista húngaro Pál Horti y su colección mexicana = “The Whole Country of Mexico is a Great Cemetery of Fabulous Cultures”. The Hungarian Artist Pál Horti and his Mexican Collection “The Whole Country of Mexico is a Great Cemetery of Fabulous Cultures”. The Hungarian Artist Pál Horti and his Mexican Collection 2019 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier The 1904 World Fair in St. Louis wrought a fundamental change in Pál Horti’s life. A trailblazer of Art Nouveau in Hungary, he was commissioned to design and build the Hungarian pavilion and to organize Hungary’s official exhibit at Saint Louis, where he first encountered pre-Columbian art and concluded that the ancestors of the Hungarians had to be related to the American indigenous peoples. His opinion was based on ideas popular in the second half of the 19th century. According to these ideas, the origins of the Hungarians were to be sought on other continents. That’s why Horti resolved after the World Fair to travel to Mexico and then on to Asia in order to explore the origins of Hungarians and their ancestors. In 1906, he crossed Mexico from the Gulf of Mexico to the Pacific Ocean and on his three-month trip acquired various archaeological pieces and ethnographic objects. According to letters he wrote home, what he experienced mostly in Western Mexico convinced him that there existed some kinship between the indigenous peoples of Mexico and the Hungarians. La Exposición Universal de St. Louis de 1904 produjo un giro fundamental en la vida del artista úngaro Pál Horti. Había sido pionero del Art Nouveau en Hungría y se le encargó diseñar y realizar el pabellón húngaro y de organizar la muestra oficial del país. Allí conoció el arte precolombino e infirió relaciones entre los antiguos pueblos americanos y los antepasados de los húngaros. Su opinión se apoyaba en creencias entonces muy extendidas que buscaban el origen de los húngaros en otros continentes. Por ello, terminada la Exposición Universal, Horti decidió viajar a México y desde allí a Asia para rastrear el origen de los húngaros y sus antepasados. En 1906 atravesó México desde el Golfo de México hasta el Océano Pacífico y durante su viaje de tres meses logró recoger piezas arqueológicas y etnográficas. Según las cartas enviadas a Hungría, sus experiencias adquiridas principalmente en México occidental le convencieron de la similitud existente entre los indígenas mexicanos y los húngaros. Copyright (c) 2019 INDIANA http://creativecommons.org/licenses/by-nc-nd/4.0 Pál Horti pre-Columbian art museology diffusionism Mexico Hungary 20th century Pál Horti arte precolombino museología difusionismo México Hungría siglo XX Enthalten in Indiana Berlin : Ibero-Amerikanisches Institut, 1973 Vol. 36, Núm. 1 (2019); 65-76 Online-Ressource (DE-627)35895309X (DE-600)2097397-4 (DE-576)347265782 2365-2225 nnns volume:36 year:2019 number:1 pages:65-76 https://dx.doi.org/10.18441/ind.v36i1.65-76 kostenfrei Volltext http://journals.iai.spk-berlin.de/index.php/indiana/article/view/2578 kostenfrei Volltext GBV_USEFLAG_U GBV_ILN_156 ISIL_DE-204 SYSFLAG_1 GBV_KXP GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_203 GBV_ILN_206 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2005 GBV_ILN_2009 GBV_ILN_2011 GBV_ILN_2014 GBV_ILN_2055 GBV_ILN_2111 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4367 GBV_ILN_4700 GBV_ILN_2403 GBV_ILN_2403 ISIL_DE-LFER AR 36 2019 1 65-76 Vol. 36, Núm. 1 (2019); 65-76 156 01 0204 3695351179 INDIANA x 16-07-20 2403 01 DE-LFER 3736145144 00 --%%-- --%%-- n --%%-- l01 07-08-20 2403 01 DE-LFER https://dx.doi.org/10.18441/ind.v36i1.65-76 2403 01 DE-LFER http://journals.iai.spk-berlin.de/index.php/indiana/article/view/2578 156 01 0204 INDIANA
allfieldsGer	10.18441/ind.v36i1.65-76 doi (DE-627)1703461703 (DE-599)KXP1703461703 (LIB)ojs.www.iai.spk-berlin.de:article/2578 DE-627 ger DE-627 rda spa Gyarmati, János verfasserin aut ”Todo el país de México es un gran cementerio – cementerio de fabulosas culturas”. El artista húngaro Pál Horti y su colección mexicana = “The Whole Country of Mexico is a Great Cemetery of Fabulous Cultures”. The Hungarian Artist Pál Horti and his Mexican Collection “The Whole Country of Mexico is a Great Cemetery of Fabulous Cultures”. The Hungarian Artist Pál Horti and his Mexican Collection 2019 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier The 1904 World Fair in St. Louis wrought a fundamental change in Pál Horti’s life. A trailblazer of Art Nouveau in Hungary, he was commissioned to design and build the Hungarian pavilion and to organize Hungary’s official exhibit at Saint Louis, where he first encountered pre-Columbian art and concluded that the ancestors of the Hungarians had to be related to the American indigenous peoples. His opinion was based on ideas popular in the second half of the 19th century. According to these ideas, the origins of the Hungarians were to be sought on other continents. That’s why Horti resolved after the World Fair to travel to Mexico and then on to Asia in order to explore the origins of Hungarians and their ancestors. In 1906, he crossed Mexico from the Gulf of Mexico to the Pacific Ocean and on his three-month trip acquired various archaeological pieces and ethnographic objects. According to letters he wrote home, what he experienced mostly in Western Mexico convinced him that there existed some kinship between the indigenous peoples of Mexico and the Hungarians. La Exposición Universal de St. Louis de 1904 produjo un giro fundamental en la vida del artista úngaro Pál Horti. Había sido pionero del Art Nouveau en Hungría y se le encargó diseñar y realizar el pabellón húngaro y de organizar la muestra oficial del país. Allí conoció el arte precolombino e infirió relaciones entre los antiguos pueblos americanos y los antepasados de los húngaros. Su opinión se apoyaba en creencias entonces muy extendidas que buscaban el origen de los húngaros en otros continentes. Por ello, terminada la Exposición Universal, Horti decidió viajar a México y desde allí a Asia para rastrear el origen de los húngaros y sus antepasados. En 1906 atravesó México desde el Golfo de México hasta el Océano Pacífico y durante su viaje de tres meses logró recoger piezas arqueológicas y etnográficas. Según las cartas enviadas a Hungría, sus experiencias adquiridas principalmente en México occidental le convencieron de la similitud existente entre los indígenas mexicanos y los húngaros. Copyright (c) 2019 INDIANA http://creativecommons.org/licenses/by-nc-nd/4.0 Pál Horti pre-Columbian art museology diffusionism Mexico Hungary 20th century Pál Horti arte precolombino museología difusionismo México Hungría siglo XX Enthalten in Indiana Berlin : Ibero-Amerikanisches Institut, 1973 Vol. 36, Núm. 1 (2019); 65-76 Online-Ressource (DE-627)35895309X (DE-600)2097397-4 (DE-576)347265782 2365-2225 nnns volume:36 year:2019 number:1 pages:65-76 https://dx.doi.org/10.18441/ind.v36i1.65-76 kostenfrei Volltext http://journals.iai.spk-berlin.de/index.php/indiana/article/view/2578 kostenfrei Volltext GBV_USEFLAG_U GBV_ILN_156 ISIL_DE-204 SYSFLAG_1 GBV_KXP GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_203 GBV_ILN_206 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2005 GBV_ILN_2009 GBV_ILN_2011 GBV_ILN_2014 GBV_ILN_2055 GBV_ILN_2111 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4367 GBV_ILN_4700 GBV_ILN_2403 GBV_ILN_2403 ISIL_DE-LFER AR 36 2019 1 65-76 Vol. 36, Núm. 1 (2019); 65-76 156 01 0204 3695351179 INDIANA x 16-07-20 2403 01 DE-LFER 3736145144 00 --%%-- --%%-- n --%%-- l01 07-08-20 2403 01 DE-LFER https://dx.doi.org/10.18441/ind.v36i1.65-76 2403 01 DE-LFER http://journals.iai.spk-berlin.de/index.php/indiana/article/view/2578 156 01 0204 INDIANA
allfieldsSound	10.18441/ind.v36i1.65-76 doi (DE-627)1703461703 (DE-599)KXP1703461703 (LIB)ojs.www.iai.spk-berlin.de:article/2578 DE-627 ger DE-627 rda spa Gyarmati, János verfasserin aut ”Todo el país de México es un gran cementerio – cementerio de fabulosas culturas”. El artista húngaro Pál Horti y su colección mexicana = “The Whole Country of Mexico is a Great Cemetery of Fabulous Cultures”. The Hungarian Artist Pál Horti and his Mexican Collection “The Whole Country of Mexico is a Great Cemetery of Fabulous Cultures”. The Hungarian Artist Pál Horti and his Mexican Collection 2019 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier The 1904 World Fair in St. Louis wrought a fundamental change in Pál Horti’s life. A trailblazer of Art Nouveau in Hungary, he was commissioned to design and build the Hungarian pavilion and to organize Hungary’s official exhibit at Saint Louis, where he first encountered pre-Columbian art and concluded that the ancestors of the Hungarians had to be related to the American indigenous peoples. His opinion was based on ideas popular in the second half of the 19th century. According to these ideas, the origins of the Hungarians were to be sought on other continents. That’s why Horti resolved after the World Fair to travel to Mexico and then on to Asia in order to explore the origins of Hungarians and their ancestors. In 1906, he crossed Mexico from the Gulf of Mexico to the Pacific Ocean and on his three-month trip acquired various archaeological pieces and ethnographic objects. According to letters he wrote home, what he experienced mostly in Western Mexico convinced him that there existed some kinship between the indigenous peoples of Mexico and the Hungarians. La Exposición Universal de St. Louis de 1904 produjo un giro fundamental en la vida del artista úngaro Pál Horti. Había sido pionero del Art Nouveau en Hungría y se le encargó diseñar y realizar el pabellón húngaro y de organizar la muestra oficial del país. Allí conoció el arte precolombino e infirió relaciones entre los antiguos pueblos americanos y los antepasados de los húngaros. Su opinión se apoyaba en creencias entonces muy extendidas que buscaban el origen de los húngaros en otros continentes. Por ello, terminada la Exposición Universal, Horti decidió viajar a México y desde allí a Asia para rastrear el origen de los húngaros y sus antepasados. En 1906 atravesó México desde el Golfo de México hasta el Océano Pacífico y durante su viaje de tres meses logró recoger piezas arqueológicas y etnográficas. Según las cartas enviadas a Hungría, sus experiencias adquiridas principalmente en México occidental le convencieron de la similitud existente entre los indígenas mexicanos y los húngaros. Copyright (c) 2019 INDIANA http://creativecommons.org/licenses/by-nc-nd/4.0 Pál Horti pre-Columbian art museology diffusionism Mexico Hungary 20th century Pál Horti arte precolombino museología difusionismo México Hungría siglo XX Enthalten in Indiana Berlin : Ibero-Amerikanisches Institut, 1973 Vol. 36, Núm. 1 (2019); 65-76 Online-Ressource (DE-627)35895309X (DE-600)2097397-4 (DE-576)347265782 2365-2225 nnns volume:36 year:2019 number:1 pages:65-76 https://dx.doi.org/10.18441/ind.v36i1.65-76 kostenfrei Volltext http://journals.iai.spk-berlin.de/index.php/indiana/article/view/2578 kostenfrei Volltext GBV_USEFLAG_U GBV_ILN_156 ISIL_DE-204 SYSFLAG_1 GBV_KXP GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_203 GBV_ILN_206 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2005 GBV_ILN_2009 GBV_ILN_2011 GBV_ILN_2014 GBV_ILN_2055 GBV_ILN_2111 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4367 GBV_ILN_4700 GBV_ILN_2403 GBV_ILN_2403 ISIL_DE-LFER AR 36 2019 1 65-76 Vol. 36, Núm. 1 (2019); 65-76 156 01 0204 3695351179 INDIANA x 16-07-20 2403 01 DE-LFER 3736145144 00 --%%-- --%%-- n --%%-- l01 07-08-20 2403 01 DE-LFER https://dx.doi.org/10.18441/ind.v36i1.65-76 2403 01 DE-LFER http://journals.iai.spk-berlin.de/index.php/indiana/article/view/2578 156 01 0204 INDIANA
language	Spanish
source	Enthalten in Indiana Vol. 36, Núm. 1 (2019); 65-76 volume:36 year:2019 number:1 pages:65-76
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topic_facet	Pál Horti pre-Columbian art museology diffusionism Mexico Hungary 20th century arte precolombino museología difusionismo México Hungría siglo XX
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spellingShingle	Gyarmati, János misc Pál Horti ”Todo el país de México es un gran cementerio – cementerio de fabulosas culturas”. El artista húngaro Pál Horti y su colección mexicana = “The Whole Country of Mexico is a Great Cemetery of Fabulous Cultures”. The Hungarian Artist Pál Horti and his Mexican Collection
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topic_title	”Todo el país de México es un gran cementerio – cementerio de fabulosas culturas”. El artista húngaro Pál Horti y su colección mexicana = “The Whole Country of Mexico is a Great Cemetery of Fabulous Cultures”. The Hungarian Artist Pál Horti and his Mexican Collection Pál Horti pre-Columbian art museology diffusionism Mexico Hungary 20th century Pál Horti arte precolombino museología difusionismo México Hungría siglo XX
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title	”Todo el país de México es un gran cementerio – cementerio de fabulosas culturas”. El artista húngaro Pál Horti y su colección mexicana = “The Whole Country of Mexico is a Great Cemetery of Fabulous Cultures”. The Hungarian Artist Pál Horti and his Mexican Collection
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title_full	”Todo el país de México es un gran cementerio – cementerio de fabulosas culturas”. El artista húngaro Pál Horti y su colección mexicana = “The Whole Country of Mexico is a Great Cemetery of Fabulous Cultures”. The Hungarian Artist Pál Horti and his Mexican Collection
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title_sub	= “The Whole Country of Mexico is a Great Cemetery of Fabulous Cultures”. The Hungarian Artist Pál Horti and his Mexican Collection
doi_str_mv	10.18441/ind.v36i1.65-76
title_sort	”todo el país de méxico es un gran cementerio – cementerio de fabulosas culturas”. el artista húngaro pál horti y su colección mexicana = “the whole country of mexico is a great cemetery of fabulous cultures”. the hungarian artist pál horti and his mexican collection
title_auth	”Todo el país de México es un gran cementerio – cementerio de fabulosas culturas”. El artista húngaro Pál Horti y su colección mexicana = “The Whole Country of Mexico is a Great Cemetery of Fabulous Cultures”. The Hungarian Artist Pál Horti and his Mexican Collection
abstract	The 1904 World Fair in St. Louis wrought a fundamental change in Pál Horti’s life. A trailblazer of Art Nouveau in Hungary, he was commissioned to design and build the Hungarian pavilion and to organize Hungary’s official exhibit at Saint Louis, where he first encountered pre-Columbian art and concluded that the ancestors of the Hungarians had to be related to the American indigenous peoples. His opinion was based on ideas popular in the second half of the 19th century. According to these ideas, the origins of the Hungarians were to be sought on other continents. That’s why Horti resolved after the World Fair to travel to Mexico and then on to Asia in order to explore the origins of Hungarians and their ancestors. In 1906, he crossed Mexico from the Gulf of Mexico to the Pacific Ocean and on his three-month trip acquired various archaeological pieces and ethnographic objects. According to letters he wrote home, what he experienced mostly in Western Mexico convinced him that there existed some kinship between the indigenous peoples of Mexico and the Hungarians. La Exposición Universal de St. Louis de 1904 produjo un giro fundamental en la vida del artista úngaro Pál Horti. Había sido pionero del Art Nouveau en Hungría y se le encargó diseñar y realizar el pabellón húngaro y de organizar la muestra oficial del país. Allí conoció el arte precolombino e infirió relaciones entre los antiguos pueblos americanos y los antepasados de los húngaros. Su opinión se apoyaba en creencias entonces muy extendidas que buscaban el origen de los húngaros en otros continentes. Por ello, terminada la Exposición Universal, Horti decidió viajar a México y desde allí a Asia para rastrear el origen de los húngaros y sus antepasados. En 1906 atravesó México desde el Golfo de México hasta el Océano Pacífico y durante su viaje de tres meses logró recoger piezas arqueológicas y etnográficas. Según las cartas enviadas a Hungría, sus experiencias adquiridas principalmente en México occidental le convencieron de la similitud existente entre los indígenas mexicanos y los húngaros.
abstractGer	The 1904 World Fair in St. Louis wrought a fundamental change in Pál Horti’s life. A trailblazer of Art Nouveau in Hungary, he was commissioned to design and build the Hungarian pavilion and to organize Hungary’s official exhibit at Saint Louis, where he first encountered pre-Columbian art and concluded that the ancestors of the Hungarians had to be related to the American indigenous peoples. His opinion was based on ideas popular in the second half of the 19th century. According to these ideas, the origins of the Hungarians were to be sought on other continents. That’s why Horti resolved after the World Fair to travel to Mexico and then on to Asia in order to explore the origins of Hungarians and their ancestors. In 1906, he crossed Mexico from the Gulf of Mexico to the Pacific Ocean and on his three-month trip acquired various archaeological pieces and ethnographic objects. According to letters he wrote home, what he experienced mostly in Western Mexico convinced him that there existed some kinship between the indigenous peoples of Mexico and the Hungarians. La Exposición Universal de St. Louis de 1904 produjo un giro fundamental en la vida del artista úngaro Pál Horti. Había sido pionero del Art Nouveau en Hungría y se le encargó diseñar y realizar el pabellón húngaro y de organizar la muestra oficial del país. Allí conoció el arte precolombino e infirió relaciones entre los antiguos pueblos americanos y los antepasados de los húngaros. Su opinión se apoyaba en creencias entonces muy extendidas que buscaban el origen de los húngaros en otros continentes. Por ello, terminada la Exposición Universal, Horti decidió viajar a México y desde allí a Asia para rastrear el origen de los húngaros y sus antepasados. En 1906 atravesó México desde el Golfo de México hasta el Océano Pacífico y durante su viaje de tres meses logró recoger piezas arqueológicas y etnográficas. Según las cartas enviadas a Hungría, sus experiencias adquiridas principalmente en México occidental le convencieron de la similitud existente entre los indígenas mexicanos y los húngaros.
abstract_unstemmed	The 1904 World Fair in St. Louis wrought a fundamental change in Pál Horti’s life. A trailblazer of Art Nouveau in Hungary, he was commissioned to design and build the Hungarian pavilion and to organize Hungary’s official exhibit at Saint Louis, where he first encountered pre-Columbian art and concluded that the ancestors of the Hungarians had to be related to the American indigenous peoples. His opinion was based on ideas popular in the second half of the 19th century. According to these ideas, the origins of the Hungarians were to be sought on other continents. That’s why Horti resolved after the World Fair to travel to Mexico and then on to Asia in order to explore the origins of Hungarians and their ancestors. In 1906, he crossed Mexico from the Gulf of Mexico to the Pacific Ocean and on his three-month trip acquired various archaeological pieces and ethnographic objects. According to letters he wrote home, what he experienced mostly in Western Mexico convinced him that there existed some kinship between the indigenous peoples of Mexico and the Hungarians. La Exposición Universal de St. Louis de 1904 produjo un giro fundamental en la vida del artista úngaro Pál Horti. Había sido pionero del Art Nouveau en Hungría y se le encargó diseñar y realizar el pabellón húngaro y de organizar la muestra oficial del país. Allí conoció el arte precolombino e infirió relaciones entre los antiguos pueblos americanos y los antepasados de los húngaros. Su opinión se apoyaba en creencias entonces muy extendidas que buscaban el origen de los húngaros en otros continentes. Por ello, terminada la Exposición Universal, Horti decidió viajar a México y desde allí a Asia para rastrear el origen de los húngaros y sus antepasados. En 1906 atravesó México desde el Golfo de México hasta el Océano Pacífico y durante su viaje de tres meses logró recoger piezas arqueológicas y etnográficas. Según las cartas enviadas a Hungría, sus experiencias adquiridas principalmente en México occidental le convencieron de la similitud existente entre los indígenas mexicanos y los húngaros.
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title_short	”Todo el país de México es un gran cementerio – cementerio de fabulosas culturas”. El artista húngaro Pál Horti y su colección mexicana
url	https://dx.doi.org/10.18441/ind.v36i1.65-76 http://journals.iai.spk-berlin.de/index.php/indiana/article/view/2578
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title_alt	“The Whole Country of Mexico is a Great Cemetery of Fabulous Cultures”. The Hungarian Artist Pál Horti and his Mexican Collection
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The Hungarian Artist Pál Horti and his Mexican Collection</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2019</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">Text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">Computermedien</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">Online-Ressource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The 1904 World Fair in St. Louis wrought a fundamental change in Pál Horti’s life. A trailblazer of Art Nouveau in Hungary, he was commissioned to design and build the Hungarian pavilion and to organize Hungary’s official exhibit at Saint Louis, where he first encountered pre-Columbian art and concluded that the ancestors of the Hungarians had to be related to the American indigenous peoples. His opinion was based on ideas popular in the second half of the 19th century. According to these ideas, the origins of the Hungarians were to be sought on other continents. That’s why Horti resolved after the World Fair to travel to Mexico and then on to Asia in order to explore the origins of Hungarians and their ancestors. In 1906, he crossed Mexico from the Gulf of Mexico to the Pacific Ocean and on his three-month trip acquired various archaeological pieces and ethnographic objects. According to letters he wrote home, what he experienced mostly in Western Mexico convinced him that there existed some kinship between the indigenous peoples of Mexico and the Hungarians.</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">La Exposición Universal de St. Louis de 1904 produjo un giro fundamental en la vida del artista úngaro Pál Horti. Había sido pionero del Art Nouveau en Hungría y se le encargó diseñar y realizar el pabellón húngaro y de organizar la muestra oficial del país. Allí conoció el arte precolombino e infirió relaciones entre los antiguos pueblos americanos y los antepasados de los húngaros. Su opinión se apoyaba en creencias entonces muy extendidas que buscaban el origen de los húngaros en otros continentes. Por ello, terminada la Exposición Universal, Horti decidió viajar a México y desde allí a Asia para rastrear el origen de los húngaros y sus antepasados. En 1906 atravesó México desde el Golfo de México hasta el Océano Pacífico y durante su viaje de tres meses logró recoger piezas arqueológicas y etnográficas. Según las cartas enviadas a Hungría, sus experiencias adquiridas principalmente en México occidental le convencieron de la similitud existente entre los indígenas mexicanos y los húngaros.</subfield></datafield><datafield tag="540" ind1=" " ind2=" "><subfield code="a">Copyright (c) 2019 INDIANA</subfield></datafield><datafield tag="540" ind1=" " ind2=" "><subfield code="a">http://creativecommons.org/licenses/by-nc-nd/4.0</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Pál Horti</subfield><subfield code="x">pre-Columbian art</subfield><subfield code="x">museology</subfield><subfield code="x">diffusionism</subfield><subfield code="x">Mexico</subfield><subfield code="x">Hungary</subfield><subfield code="x">20th century</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Pál Horti</subfield><subfield code="x">arte precolombino</subfield><subfield code="x">museología</subfield><subfield code="x">difusionismo</subfield><subfield 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”Todo el país de México es un gran cementerio – cementerio de fabulosas culturas”. El artista húngaro Pál Horti y su colección mexicana : = “The Whole Country of Mexico is a Great Cemetery of Fabulous Cultures”. The Hungarian Artist Pál Horti and his Mexican Collection

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