Thinking about post-pandemic architecture : Heidegger, Japanese new wave and new Dutch architecture

Whether we are embracing or countering technology, we are unable to avoid its grip on our world. Architecture is one of the areas which are the most indebted to technology. The most influential thinker on technology and contemporary architectural theory is Martin Heidegger. According to him technolo...
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Autor*in:	Shishovski, Jordan [verfasserIn]

Format:	E-Artikel
Sprache:	Englisch

Erschienen:	2021

Rechteinformationen:	Open Access Namensnennung 4.0 International ; CC BY 4.0

Schlagwörter:	COVID-19 technology architecture Heidegger Kurokawa Koolhaas MVRDV

Übergeordnetes Werk:	Enthalten in: AICEI proceedings - [Skopje] : [University American College Skopje], 2006, 16(2021), Seite 304-315
Übergeordnetes Werk:	volume:16 ; year:2021 ; pages:304-315

Links:	Link aufrufen Link aufrufen Link aufrufen

DOI / URN:	10.5281/zenodo.7288593

Katalog-ID:	1839203064

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allfields	10.5281/zenodo.7288593 doi 10419/302820 hdl (DE-627)1839203064 (DE-599)KXP1839203064 DE-627 ger DE-627 rda eng Shishovski, Jordan verfasserin aut Thinking about post-pandemic architecture Heidegger, Japanese new wave and new Dutch architecture Jordan Shishovski 2021 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier DE-206 Open Access Controlled Vocabulary for Access Rights http://purl.org/coar/access_right/c_abf2 Whether we are embracing or countering technology, we are unable to avoid its grip on our world. Architecture is one of the areas which are the most indebted to technology. The most influential thinker on technology and contemporary architectural theory is Martin Heidegger. According to him technology is not controlled by humanity, but on the contrary: humanity is subjected to the will to power of technology as a way of revealing of Being. It conceals all other possibilities for revealing, such as the poetic way. This for Heidegger is the greatest Danger of technology since it opens the doors to nihilism. COVID-19 pandemic further pushes the cold rationale of the calculative thinking underlying technology, especially in the redesigning of our built environment. This crisis actually threatens to accelerate the dominance of the essence of technology which he calls the enframing (Gestell), and brings the greatest Danger to its full closure of all other ways of revealing of Being once and for all! This paper aims at thinking on Heidegger's notion of the 'appropriating event' (Ereignis), through 'letting-be" (Gelassenheit) for opening alternative paths of architectural design by gaining a free relationship to technology. Concrete examples from architectural design and theory of the Japanese 'New Wave' architecture, and architects such as Kurokawa Kisho, as well as contemporary Dutch architecture - MVRDV and Rem Koolhaas' OMA, will be discussed as examples for their double move towards technology: their full embracement of the latest technologies in their design and building, while explicitly rejecting the underlying technological rationality and calculative thinking associated with technology. DE-206 Namensnennung 4.0 International CC BY 4.0 cc https://creativecommons.org/licenses/by/4.0/ COVID-19 (dpeaa)DE-206 technology (dpeaa)DE-206 architecture (dpeaa)DE-206 Heidegger (dpeaa)DE-206 Kurokawa (dpeaa)DE-206 Koolhaas (dpeaa)DE-206 MVRDV (dpeaa)DE-206 Enthalten in AICEI proceedings [Skopje] : [University American College Skopje], 2006 16(2021), Seite 304-315 Online-Ressource (DE-627)1758119047 (DE-600)3064595-5 2671-3713 nnns volume:16 year:2021 pages:304-315 http://aicei.uacs.edu.mk/document/8e09dfbd-109a-9819-e81d-2cb3e6ab2941 Verlag kostenfrei https://doi.org/10.5281/zenodo.7288593 Resolving-System kostenfrei https://hdl.handle.net/10419/302820 Resolving-System kostenfrei GBV_USEFLAG_U GBV_ILN_26 ISIL_DE-206 SYSFLAG_1 GBV_KXP GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_105 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_206 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_2050 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4700 GBV_ILN_2403 GBV_ILN_2403 ISIL_DE-LFER AR 16 2021 304-315 26 01 0206 429032987X x1z 15-03-23 2403 01 DE-LFER 4320487877 00 --%%-- --%%-- n --%%-- l01 11-05-23 2403 01 DE-LFER https://doi.org/10.5281/zenodo.7288593 2403 01 DE-LFER http://aicei.uacs.edu.mk/document/8e09dfbd-109a-9819-e81d-2cb3e6ab2941
spelling	10.5281/zenodo.7288593 doi 10419/302820 hdl (DE-627)1839203064 (DE-599)KXP1839203064 DE-627 ger DE-627 rda eng Shishovski, Jordan verfasserin aut Thinking about post-pandemic architecture Heidegger, Japanese new wave and new Dutch architecture Jordan Shishovski 2021 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier DE-206 Open Access Controlled Vocabulary for Access Rights http://purl.org/coar/access_right/c_abf2 Whether we are embracing or countering technology, we are unable to avoid its grip on our world. Architecture is one of the areas which are the most indebted to technology. The most influential thinker on technology and contemporary architectural theory is Martin Heidegger. According to him technology is not controlled by humanity, but on the contrary: humanity is subjected to the will to power of technology as a way of revealing of Being. It conceals all other possibilities for revealing, such as the poetic way. This for Heidegger is the greatest Danger of technology since it opens the doors to nihilism. COVID-19 pandemic further pushes the cold rationale of the calculative thinking underlying technology, especially in the redesigning of our built environment. This crisis actually threatens to accelerate the dominance of the essence of technology which he calls the enframing (Gestell), and brings the greatest Danger to its full closure of all other ways of revealing of Being once and for all! This paper aims at thinking on Heidegger's notion of the 'appropriating event' (Ereignis), through 'letting-be" (Gelassenheit) for opening alternative paths of architectural design by gaining a free relationship to technology. Concrete examples from architectural design and theory of the Japanese 'New Wave' architecture, and architects such as Kurokawa Kisho, as well as contemporary Dutch architecture - MVRDV and Rem Koolhaas' OMA, will be discussed as examples for their double move towards technology: their full embracement of the latest technologies in their design and building, while explicitly rejecting the underlying technological rationality and calculative thinking associated with technology. DE-206 Namensnennung 4.0 International CC BY 4.0 cc https://creativecommons.org/licenses/by/4.0/ COVID-19 (dpeaa)DE-206 technology (dpeaa)DE-206 architecture (dpeaa)DE-206 Heidegger (dpeaa)DE-206 Kurokawa (dpeaa)DE-206 Koolhaas (dpeaa)DE-206 MVRDV (dpeaa)DE-206 Enthalten in AICEI proceedings [Skopje] : [University American College Skopje], 2006 16(2021), Seite 304-315 Online-Ressource (DE-627)1758119047 (DE-600)3064595-5 2671-3713 nnns volume:16 year:2021 pages:304-315 http://aicei.uacs.edu.mk/document/8e09dfbd-109a-9819-e81d-2cb3e6ab2941 Verlag kostenfrei https://doi.org/10.5281/zenodo.7288593 Resolving-System kostenfrei https://hdl.handle.net/10419/302820 Resolving-System kostenfrei GBV_USEFLAG_U GBV_ILN_26 ISIL_DE-206 SYSFLAG_1 GBV_KXP GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_105 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_206 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_2050 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4700 GBV_ILN_2403 GBV_ILN_2403 ISIL_DE-LFER AR 16 2021 304-315 26 01 0206 429032987X x1z 15-03-23 2403 01 DE-LFER 4320487877 00 --%%-- --%%-- n --%%-- l01 11-05-23 2403 01 DE-LFER https://doi.org/10.5281/zenodo.7288593 2403 01 DE-LFER http://aicei.uacs.edu.mk/document/8e09dfbd-109a-9819-e81d-2cb3e6ab2941
allfields_unstemmed	10.5281/zenodo.7288593 doi 10419/302820 hdl (DE-627)1839203064 (DE-599)KXP1839203064 DE-627 ger DE-627 rda eng Shishovski, Jordan verfasserin aut Thinking about post-pandemic architecture Heidegger, Japanese new wave and new Dutch architecture Jordan Shishovski 2021 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier DE-206 Open Access Controlled Vocabulary for Access Rights http://purl.org/coar/access_right/c_abf2 Whether we are embracing or countering technology, we are unable to avoid its grip on our world. Architecture is one of the areas which are the most indebted to technology. The most influential thinker on technology and contemporary architectural theory is Martin Heidegger. According to him technology is not controlled by humanity, but on the contrary: humanity is subjected to the will to power of technology as a way of revealing of Being. It conceals all other possibilities for revealing, such as the poetic way. This for Heidegger is the greatest Danger of technology since it opens the doors to nihilism. COVID-19 pandemic further pushes the cold rationale of the calculative thinking underlying technology, especially in the redesigning of our built environment. This crisis actually threatens to accelerate the dominance of the essence of technology which he calls the enframing (Gestell), and brings the greatest Danger to its full closure of all other ways of revealing of Being once and for all! This paper aims at thinking on Heidegger's notion of the 'appropriating event' (Ereignis), through 'letting-be" (Gelassenheit) for opening alternative paths of architectural design by gaining a free relationship to technology. Concrete examples from architectural design and theory of the Japanese 'New Wave' architecture, and architects such as Kurokawa Kisho, as well as contemporary Dutch architecture - MVRDV and Rem Koolhaas' OMA, will be discussed as examples for their double move towards technology: their full embracement of the latest technologies in their design and building, while explicitly rejecting the underlying technological rationality and calculative thinking associated with technology. DE-206 Namensnennung 4.0 International CC BY 4.0 cc https://creativecommons.org/licenses/by/4.0/ COVID-19 (dpeaa)DE-206 technology (dpeaa)DE-206 architecture (dpeaa)DE-206 Heidegger (dpeaa)DE-206 Kurokawa (dpeaa)DE-206 Koolhaas (dpeaa)DE-206 MVRDV (dpeaa)DE-206 Enthalten in AICEI proceedings [Skopje] : [University American College Skopje], 2006 16(2021), Seite 304-315 Online-Ressource (DE-627)1758119047 (DE-600)3064595-5 2671-3713 nnns volume:16 year:2021 pages:304-315 http://aicei.uacs.edu.mk/document/8e09dfbd-109a-9819-e81d-2cb3e6ab2941 Verlag kostenfrei https://doi.org/10.5281/zenodo.7288593 Resolving-System kostenfrei https://hdl.handle.net/10419/302820 Resolving-System kostenfrei GBV_USEFLAG_U GBV_ILN_26 ISIL_DE-206 SYSFLAG_1 GBV_KXP GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_105 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_206 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_2050 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4700 GBV_ILN_2403 GBV_ILN_2403 ISIL_DE-LFER AR 16 2021 304-315 26 01 0206 429032987X x1z 15-03-23 2403 01 DE-LFER 4320487877 00 --%%-- --%%-- n --%%-- l01 11-05-23 2403 01 DE-LFER https://doi.org/10.5281/zenodo.7288593 2403 01 DE-LFER http://aicei.uacs.edu.mk/document/8e09dfbd-109a-9819-e81d-2cb3e6ab2941
allfieldsGer	10.5281/zenodo.7288593 doi 10419/302820 hdl (DE-627)1839203064 (DE-599)KXP1839203064 DE-627 ger DE-627 rda eng Shishovski, Jordan verfasserin aut Thinking about post-pandemic architecture Heidegger, Japanese new wave and new Dutch architecture Jordan Shishovski 2021 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier DE-206 Open Access Controlled Vocabulary for Access Rights http://purl.org/coar/access_right/c_abf2 Whether we are embracing or countering technology, we are unable to avoid its grip on our world. Architecture is one of the areas which are the most indebted to technology. The most influential thinker on technology and contemporary architectural theory is Martin Heidegger. According to him technology is not controlled by humanity, but on the contrary: humanity is subjected to the will to power of technology as a way of revealing of Being. It conceals all other possibilities for revealing, such as the poetic way. This for Heidegger is the greatest Danger of technology since it opens the doors to nihilism. COVID-19 pandemic further pushes the cold rationale of the calculative thinking underlying technology, especially in the redesigning of our built environment. This crisis actually threatens to accelerate the dominance of the essence of technology which he calls the enframing (Gestell), and brings the greatest Danger to its full closure of all other ways of revealing of Being once and for all! This paper aims at thinking on Heidegger's notion of the 'appropriating event' (Ereignis), through 'letting-be" (Gelassenheit) for opening alternative paths of architectural design by gaining a free relationship to technology. Concrete examples from architectural design and theory of the Japanese 'New Wave' architecture, and architects such as Kurokawa Kisho, as well as contemporary Dutch architecture - MVRDV and Rem Koolhaas' OMA, will be discussed as examples for their double move towards technology: their full embracement of the latest technologies in their design and building, while explicitly rejecting the underlying technological rationality and calculative thinking associated with technology. DE-206 Namensnennung 4.0 International CC BY 4.0 cc https://creativecommons.org/licenses/by/4.0/ COVID-19 (dpeaa)DE-206 technology (dpeaa)DE-206 architecture (dpeaa)DE-206 Heidegger (dpeaa)DE-206 Kurokawa (dpeaa)DE-206 Koolhaas (dpeaa)DE-206 MVRDV (dpeaa)DE-206 Enthalten in AICEI proceedings [Skopje] : [University American College Skopje], 2006 16(2021), Seite 304-315 Online-Ressource (DE-627)1758119047 (DE-600)3064595-5 2671-3713 nnns volume:16 year:2021 pages:304-315 http://aicei.uacs.edu.mk/document/8e09dfbd-109a-9819-e81d-2cb3e6ab2941 Verlag kostenfrei https://doi.org/10.5281/zenodo.7288593 Resolving-System kostenfrei https://hdl.handle.net/10419/302820 Resolving-System kostenfrei GBV_USEFLAG_U GBV_ILN_26 ISIL_DE-206 SYSFLAG_1 GBV_KXP GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_105 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_206 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_2050 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4700 GBV_ILN_2403 GBV_ILN_2403 ISIL_DE-LFER AR 16 2021 304-315 26 01 0206 429032987X x1z 15-03-23 2403 01 DE-LFER 4320487877 00 --%%-- --%%-- n --%%-- l01 11-05-23 2403 01 DE-LFER https://doi.org/10.5281/zenodo.7288593 2403 01 DE-LFER http://aicei.uacs.edu.mk/document/8e09dfbd-109a-9819-e81d-2cb3e6ab2941
allfieldsSound	10.5281/zenodo.7288593 doi 10419/302820 hdl (DE-627)1839203064 (DE-599)KXP1839203064 DE-627 ger DE-627 rda eng Shishovski, Jordan verfasserin aut Thinking about post-pandemic architecture Heidegger, Japanese new wave and new Dutch architecture Jordan Shishovski 2021 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier DE-206 Open Access Controlled Vocabulary for Access Rights http://purl.org/coar/access_right/c_abf2 Whether we are embracing or countering technology, we are unable to avoid its grip on our world. Architecture is one of the areas which are the most indebted to technology. The most influential thinker on technology and contemporary architectural theory is Martin Heidegger. According to him technology is not controlled by humanity, but on the contrary: humanity is subjected to the will to power of technology as a way of revealing of Being. It conceals all other possibilities for revealing, such as the poetic way. This for Heidegger is the greatest Danger of technology since it opens the doors to nihilism. COVID-19 pandemic further pushes the cold rationale of the calculative thinking underlying technology, especially in the redesigning of our built environment. This crisis actually threatens to accelerate the dominance of the essence of technology which he calls the enframing (Gestell), and brings the greatest Danger to its full closure of all other ways of revealing of Being once and for all! This paper aims at thinking on Heidegger's notion of the 'appropriating event' (Ereignis), through 'letting-be" (Gelassenheit) for opening alternative paths of architectural design by gaining a free relationship to technology. Concrete examples from architectural design and theory of the Japanese 'New Wave' architecture, and architects such as Kurokawa Kisho, as well as contemporary Dutch architecture - MVRDV and Rem Koolhaas' OMA, will be discussed as examples for their double move towards technology: their full embracement of the latest technologies in their design and building, while explicitly rejecting the underlying technological rationality and calculative thinking associated with technology. DE-206 Namensnennung 4.0 International CC BY 4.0 cc https://creativecommons.org/licenses/by/4.0/ COVID-19 (dpeaa)DE-206 technology (dpeaa)DE-206 architecture (dpeaa)DE-206 Heidegger (dpeaa)DE-206 Kurokawa (dpeaa)DE-206 Koolhaas (dpeaa)DE-206 MVRDV (dpeaa)DE-206 Enthalten in AICEI proceedings [Skopje] : [University American College Skopje], 2006 16(2021), Seite 304-315 Online-Ressource (DE-627)1758119047 (DE-600)3064595-5 2671-3713 nnns volume:16 year:2021 pages:304-315 http://aicei.uacs.edu.mk/document/8e09dfbd-109a-9819-e81d-2cb3e6ab2941 Verlag kostenfrei https://doi.org/10.5281/zenodo.7288593 Resolving-System kostenfrei https://hdl.handle.net/10419/302820 Resolving-System kostenfrei GBV_USEFLAG_U GBV_ILN_26 ISIL_DE-206 SYSFLAG_1 GBV_KXP GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_105 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_206 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_2050 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4700 GBV_ILN_2403 GBV_ILN_2403 ISIL_DE-LFER AR 16 2021 304-315 26 01 0206 429032987X x1z 15-03-23 2403 01 DE-LFER 4320487877 00 --%%-- --%%-- n --%%-- l01 11-05-23 2403 01 DE-LFER https://doi.org/10.5281/zenodo.7288593 2403 01 DE-LFER http://aicei.uacs.edu.mk/document/8e09dfbd-109a-9819-e81d-2cb3e6ab2941
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topic_title	Thinking about post-pandemic architecture Heidegger, Japanese new wave and new Dutch architecture Jordan Shishovski COVID-19 (dpeaa)DE-206 technology (dpeaa)DE-206 architecture (dpeaa)DE-206 Heidegger (dpeaa)DE-206 Kurokawa (dpeaa)DE-206 Koolhaas (dpeaa)DE-206 MVRDV (dpeaa)DE-206
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title	Thinking about post-pandemic architecture Heidegger, Japanese new wave and new Dutch architecture
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title_auth	Thinking about post-pandemic architecture Heidegger, Japanese new wave and new Dutch architecture
abstract	Whether we are embracing or countering technology, we are unable to avoid its grip on our world. Architecture is one of the areas which are the most indebted to technology. The most influential thinker on technology and contemporary architectural theory is Martin Heidegger. According to him technology is not controlled by humanity, but on the contrary: humanity is subjected to the will to power of technology as a way of revealing of Being. It conceals all other possibilities for revealing, such as the poetic way. This for Heidegger is the greatest Danger of technology since it opens the doors to nihilism. COVID-19 pandemic further pushes the cold rationale of the calculative thinking underlying technology, especially in the redesigning of our built environment. This crisis actually threatens to accelerate the dominance of the essence of technology which he calls the enframing (Gestell), and brings the greatest Danger to its full closure of all other ways of revealing of Being once and for all! This paper aims at thinking on Heidegger's notion of the 'appropriating event' (Ereignis), through 'letting-be" (Gelassenheit) for opening alternative paths of architectural design by gaining a free relationship to technology. Concrete examples from architectural design and theory of the Japanese 'New Wave' architecture, and architects such as Kurokawa Kisho, as well as contemporary Dutch architecture - MVRDV and Rem Koolhaas' OMA, will be discussed as examples for their double move towards technology: their full embracement of the latest technologies in their design and building, while explicitly rejecting the underlying technological rationality and calculative thinking associated with technology.
abstractGer	Whether we are embracing or countering technology, we are unable to avoid its grip on our world. Architecture is one of the areas which are the most indebted to technology. The most influential thinker on technology and contemporary architectural theory is Martin Heidegger. According to him technology is not controlled by humanity, but on the contrary: humanity is subjected to the will to power of technology as a way of revealing of Being. It conceals all other possibilities for revealing, such as the poetic way. This for Heidegger is the greatest Danger of technology since it opens the doors to nihilism. COVID-19 pandemic further pushes the cold rationale of the calculative thinking underlying technology, especially in the redesigning of our built environment. This crisis actually threatens to accelerate the dominance of the essence of technology which he calls the enframing (Gestell), and brings the greatest Danger to its full closure of all other ways of revealing of Being once and for all! This paper aims at thinking on Heidegger's notion of the 'appropriating event' (Ereignis), through 'letting-be" (Gelassenheit) for opening alternative paths of architectural design by gaining a free relationship to technology. Concrete examples from architectural design and theory of the Japanese 'New Wave' architecture, and architects such as Kurokawa Kisho, as well as contemporary Dutch architecture - MVRDV and Rem Koolhaas' OMA, will be discussed as examples for their double move towards technology: their full embracement of the latest technologies in their design and building, while explicitly rejecting the underlying technological rationality and calculative thinking associated with technology.
abstract_unstemmed	Whether we are embracing or countering technology, we are unable to avoid its grip on our world. Architecture is one of the areas which are the most indebted to technology. The most influential thinker on technology and contemporary architectural theory is Martin Heidegger. According to him technology is not controlled by humanity, but on the contrary: humanity is subjected to the will to power of technology as a way of revealing of Being. It conceals all other possibilities for revealing, such as the poetic way. This for Heidegger is the greatest Danger of technology since it opens the doors to nihilism. COVID-19 pandemic further pushes the cold rationale of the calculative thinking underlying technology, especially in the redesigning of our built environment. This crisis actually threatens to accelerate the dominance of the essence of technology which he calls the enframing (Gestell), and brings the greatest Danger to its full closure of all other ways of revealing of Being once and for all! This paper aims at thinking on Heidegger's notion of the 'appropriating event' (Ereignis), through 'letting-be" (Gelassenheit) for opening alternative paths of architectural design by gaining a free relationship to technology. Concrete examples from architectural design and theory of the Japanese 'New Wave' architecture, and architects such as Kurokawa Kisho, as well as contemporary Dutch architecture - MVRDV and Rem Koolhaas' OMA, will be discussed as examples for their double move towards technology: their full embracement of the latest technologies in their design and building, while explicitly rejecting the underlying technological rationality and calculative thinking associated with technology.
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title_short	Thinking about post-pandemic architecture
url	http://aicei.uacs.edu.mk/document/8e09dfbd-109a-9819-e81d-2cb3e6ab2941 https://doi.org/10.5281/zenodo.7288593 https://hdl.handle.net/10419/302820
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