Voices From the Periphery? The Polyphony of Hip Hop and the Portuguese Community
The present work fits into a wider investigation that I have been carrying on for my project on the peculiarities of Portuguese hip hop. Through our reflections today we would like to identify some of the effects of the globalizing forces that have perturbed hip-hop culture and discuss if and how th...
Ausführliche Beschreibung
Autor*in: |
Lupati, Federica [verfasserIn] |
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E-Artikel |
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Sprache: |
Englisch |
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2016 |
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Übergeordnetes Werk: |
Enthalten in: Cultural and religious studies - El Monte, Calif. : David Publishing Company, 2013, 4(2016), 12, Seite 727-734 |
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Übergeordnetes Werk: |
volume:4 ; year:2016 ; number:12 ; pages:727-734 |
Links: |
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DOI / URN: |
10.17265/2328-2177/2016.12.002 |
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Katalog-ID: |
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10.17265/2328-2177/2016.12.002 doi (DE-627)1842489739 (DE-599)KXP1842489739 DE-627 ger DE-627 rda eng 0 ssgn Lupati, Federica verfasserin aut Voices From the Periphery? The Polyphony of Hip Hop and the Portuguese Community 2016 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier The present work fits into a wider investigation that I have been carrying on for my project on the peculiarities of Portuguese hip hop. Through our reflections today we would like to identify some of the effects of the globalizing forces that have perturbed hip-hop culture and discuss if and how these have influenced its original purposes and messages, or the nature itself of the movement. We would also like to offer our perspective on the consequences of the entrance of hip-hop music in the international marketplace since this passage represents an important moment of its history and development and one of the strongest factors of change within this culture. We will take our examples from the Lusophone, and more specifically the Portuguese, hip hop movement, having a look at what it was in the past—or at its beginning—and at what it is today, in order to understand if we can still consider it a manifestation of peripheral voices. Portuguese hip hop movement consumer culture hip hop culture music market periphery Enthalten in Cultural and religious studies El Monte, Calif. : David Publishing Company, 2013 4(2016), 12, Seite 727-734 Online-Ressource (DE-627)785699805 (DE-600)2769163-9 (DE-576)405816790 2328-2177 nnns volume:4 year:2016 number:12 pages:727-734 http://www.davidpublisher.org/index.php/Home/Article/index?id=30975.html Verlag lizenzpflichtig Volltext https://doi.org/10.17265/2328-2177/2016.12.002 Resolving-System lizenzpflichtig Volltext GBV_USEFLAG_U GBV_ILN_2019 ISIL_DE-Tue135 SYSFLAG_1 GBV_KXP GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_105 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_206 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4700 AR 4 2016 12 727-734 2019 01 DE-Tü135 4308414741 00 --%%-- --%%-- --%%-- n l01 13-04-23 |
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10.17265/2328-2177/2016.12.002 doi (DE-627)1842489739 (DE-599)KXP1842489739 DE-627 ger DE-627 rda eng 0 ssgn Lupati, Federica verfasserin aut Voices From the Periphery? The Polyphony of Hip Hop and the Portuguese Community 2016 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier The present work fits into a wider investigation that I have been carrying on for my project on the peculiarities of Portuguese hip hop. Through our reflections today we would like to identify some of the effects of the globalizing forces that have perturbed hip-hop culture and discuss if and how these have influenced its original purposes and messages, or the nature itself of the movement. We would also like to offer our perspective on the consequences of the entrance of hip-hop music in the international marketplace since this passage represents an important moment of its history and development and one of the strongest factors of change within this culture. We will take our examples from the Lusophone, and more specifically the Portuguese, hip hop movement, having a look at what it was in the past—or at its beginning—and at what it is today, in order to understand if we can still consider it a manifestation of peripheral voices. Portuguese hip hop movement consumer culture hip hop culture music market periphery Enthalten in Cultural and religious studies El Monte, Calif. : David Publishing Company, 2013 4(2016), 12, Seite 727-734 Online-Ressource (DE-627)785699805 (DE-600)2769163-9 (DE-576)405816790 2328-2177 nnns volume:4 year:2016 number:12 pages:727-734 http://www.davidpublisher.org/index.php/Home/Article/index?id=30975.html Verlag lizenzpflichtig Volltext https://doi.org/10.17265/2328-2177/2016.12.002 Resolving-System lizenzpflichtig Volltext GBV_USEFLAG_U GBV_ILN_2019 ISIL_DE-Tue135 SYSFLAG_1 GBV_KXP GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_105 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_206 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4700 AR 4 2016 12 727-734 2019 01 DE-Tü135 4308414741 00 --%%-- --%%-- --%%-- n l01 13-04-23 |
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10.17265/2328-2177/2016.12.002 doi (DE-627)1842489739 (DE-599)KXP1842489739 DE-627 ger DE-627 rda eng 0 ssgn Lupati, Federica verfasserin aut Voices From the Periphery? The Polyphony of Hip Hop and the Portuguese Community 2016 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier The present work fits into a wider investigation that I have been carrying on for my project on the peculiarities of Portuguese hip hop. Through our reflections today we would like to identify some of the effects of the globalizing forces that have perturbed hip-hop culture and discuss if and how these have influenced its original purposes and messages, or the nature itself of the movement. We would also like to offer our perspective on the consequences of the entrance of hip-hop music in the international marketplace since this passage represents an important moment of its history and development and one of the strongest factors of change within this culture. We will take our examples from the Lusophone, and more specifically the Portuguese, hip hop movement, having a look at what it was in the past—or at its beginning—and at what it is today, in order to understand if we can still consider it a manifestation of peripheral voices. Portuguese hip hop movement consumer culture hip hop culture music market periphery Enthalten in Cultural and religious studies El Monte, Calif. : David Publishing Company, 2013 4(2016), 12, Seite 727-734 Online-Ressource (DE-627)785699805 (DE-600)2769163-9 (DE-576)405816790 2328-2177 nnns volume:4 year:2016 number:12 pages:727-734 http://www.davidpublisher.org/index.php/Home/Article/index?id=30975.html Verlag lizenzpflichtig Volltext https://doi.org/10.17265/2328-2177/2016.12.002 Resolving-System lizenzpflichtig Volltext GBV_USEFLAG_U GBV_ILN_2019 ISIL_DE-Tue135 SYSFLAG_1 GBV_KXP GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_105 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_206 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4700 AR 4 2016 12 727-734 2019 01 DE-Tü135 4308414741 00 --%%-- --%%-- --%%-- n l01 13-04-23 |
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10.17265/2328-2177/2016.12.002 doi (DE-627)1842489739 (DE-599)KXP1842489739 DE-627 ger DE-627 rda eng 0 ssgn Lupati, Federica verfasserin aut Voices From the Periphery? The Polyphony of Hip Hop and the Portuguese Community 2016 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier The present work fits into a wider investigation that I have been carrying on for my project on the peculiarities of Portuguese hip hop. Through our reflections today we would like to identify some of the effects of the globalizing forces that have perturbed hip-hop culture and discuss if and how these have influenced its original purposes and messages, or the nature itself of the movement. We would also like to offer our perspective on the consequences of the entrance of hip-hop music in the international marketplace since this passage represents an important moment of its history and development and one of the strongest factors of change within this culture. We will take our examples from the Lusophone, and more specifically the Portuguese, hip hop movement, having a look at what it was in the past—or at its beginning—and at what it is today, in order to understand if we can still consider it a manifestation of peripheral voices. Portuguese hip hop movement consumer culture hip hop culture music market periphery Enthalten in Cultural and religious studies El Monte, Calif. : David Publishing Company, 2013 4(2016), 12, Seite 727-734 Online-Ressource (DE-627)785699805 (DE-600)2769163-9 (DE-576)405816790 2328-2177 nnns volume:4 year:2016 number:12 pages:727-734 http://www.davidpublisher.org/index.php/Home/Article/index?id=30975.html Verlag lizenzpflichtig Volltext https://doi.org/10.17265/2328-2177/2016.12.002 Resolving-System lizenzpflichtig Volltext GBV_USEFLAG_U GBV_ILN_2019 ISIL_DE-Tue135 SYSFLAG_1 GBV_KXP GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_105 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_206 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4700 AR 4 2016 12 727-734 2019 01 DE-Tü135 4308414741 00 --%%-- --%%-- --%%-- n l01 13-04-23 |
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10.17265/2328-2177/2016.12.002 doi (DE-627)1842489739 (DE-599)KXP1842489739 DE-627 ger DE-627 rda eng 0 ssgn Lupati, Federica verfasserin aut Voices From the Periphery? The Polyphony of Hip Hop and the Portuguese Community 2016 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier The present work fits into a wider investigation that I have been carrying on for my project on the peculiarities of Portuguese hip hop. Through our reflections today we would like to identify some of the effects of the globalizing forces that have perturbed hip-hop culture and discuss if and how these have influenced its original purposes and messages, or the nature itself of the movement. We would also like to offer our perspective on the consequences of the entrance of hip-hop music in the international marketplace since this passage represents an important moment of its history and development and one of the strongest factors of change within this culture. We will take our examples from the Lusophone, and more specifically the Portuguese, hip hop movement, having a look at what it was in the past—or at its beginning—and at what it is today, in order to understand if we can still consider it a manifestation of peripheral voices. Portuguese hip hop movement consumer culture hip hop culture music market periphery Enthalten in Cultural and religious studies El Monte, Calif. : David Publishing Company, 2013 4(2016), 12, Seite 727-734 Online-Ressource (DE-627)785699805 (DE-600)2769163-9 (DE-576)405816790 2328-2177 nnns volume:4 year:2016 number:12 pages:727-734 http://www.davidpublisher.org/index.php/Home/Article/index?id=30975.html Verlag lizenzpflichtig Volltext https://doi.org/10.17265/2328-2177/2016.12.002 Resolving-System lizenzpflichtig Volltext GBV_USEFLAG_U GBV_ILN_2019 ISIL_DE-Tue135 SYSFLAG_1 GBV_KXP GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_105 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_206 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4700 AR 4 2016 12 727-734 2019 01 DE-Tü135 4308414741 00 --%%-- --%%-- --%%-- n l01 13-04-23 |
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Voices From the Periphery? The Polyphony of Hip Hop and the Portuguese Community |
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The present work fits into a wider investigation that I have been carrying on for my project on the peculiarities of Portuguese hip hop. Through our reflections today we would like to identify some of the effects of the globalizing forces that have perturbed hip-hop culture and discuss if and how these have influenced its original purposes and messages, or the nature itself of the movement. We would also like to offer our perspective on the consequences of the entrance of hip-hop music in the international marketplace since this passage represents an important moment of its history and development and one of the strongest factors of change within this culture. We will take our examples from the Lusophone, and more specifically the Portuguese, hip hop movement, having a look at what it was in the past—or at its beginning—and at what it is today, in order to understand if we can still consider it a manifestation of peripheral voices. |
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The present work fits into a wider investigation that I have been carrying on for my project on the peculiarities of Portuguese hip hop. Through our reflections today we would like to identify some of the effects of the globalizing forces that have perturbed hip-hop culture and discuss if and how these have influenced its original purposes and messages, or the nature itself of the movement. We would also like to offer our perspective on the consequences of the entrance of hip-hop music in the international marketplace since this passage represents an important moment of its history and development and one of the strongest factors of change within this culture. We will take our examples from the Lusophone, and more specifically the Portuguese, hip hop movement, having a look at what it was in the past—or at its beginning—and at what it is today, in order to understand if we can still consider it a manifestation of peripheral voices. |
abstract_unstemmed |
The present work fits into a wider investigation that I have been carrying on for my project on the peculiarities of Portuguese hip hop. Through our reflections today we would like to identify some of the effects of the globalizing forces that have perturbed hip-hop culture and discuss if and how these have influenced its original purposes and messages, or the nature itself of the movement. We would also like to offer our perspective on the consequences of the entrance of hip-hop music in the international marketplace since this passage represents an important moment of its history and development and one of the strongest factors of change within this culture. We will take our examples from the Lusophone, and more specifically the Portuguese, hip hop movement, having a look at what it was in the past—or at its beginning—and at what it is today, in order to understand if we can still consider it a manifestation of peripheral voices. |
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score |
7.397706 |