Traditions of Skepticism and Discourse of Post-Truth in British Post-Postmodern Novels

In the paper, the forms of critical perception of reality inherent to the protagonists of contemporary British novels (“The Curious Incident of the Dog in the Night-Time”, “Carry Me Down”, “Little Stranger”, etc.) have been discussed. The author has analyzed strategies for reactivation of skepticism in British post-postmodern novel “Cloud Atlas” by D. Mitchell. The specificity of the representation of skepticism in literary post-postmodernism is investigated; in particular, theoretical considerations of L. Miroshnychenko, O. Boynitska and other experts in English/British literature have been developed. The peculiarities of dystopia as a part of the metageneric phenomenon of post-postmodernistic novel “Cloud Atlas” have been revealed. The features of representation of propositional and existential truths in contemporary British novel are outlined. The mechanisms of counteraction to the forms of post-truth and the simulacrum “truths” represented in “Cloud Atlas” as part of capitalist ideological discourse, which leads to a distorted perception of reality and civilization catastrophe, have been outlined. It is revealed that in “Cloud Atlas” there is a critique of hypertrophied consumerism and the loss by contemporary literature the ability to be the source of existential meanings. The specific features in human representation as a dual phenomenon in post-postmodern British novel (Nietzsche's conception of the revaluation of values and the will to power in “Cloud Atlas” is depicted ambivalently) has been explored in the paper. I state that post-postmodernism is a cultural paradigm that unites aesthetic and philosophy of modernism and postmodernism. Besides, the post-postmodern novel has a specific feature resulted in a special narrative mode that combines scientific discoveries that influence the narrative with a special philosophical realm. In the paper, David Mitchell’s novel “Cloud Atlas” has been discussed as an example of post-postmodern writing that reveals emotional sincerity and skepticism, utopic way of thinking and anticolonial discourse. The novel exploits epic beginning to involve the reader in a special atmosphere created by the omnipotent narrator. The end of the story is a metaphorical return to the beginning; however, the starting point was changed. The novel exploits six separate stories that are interlinked according to the idea of eternal returning presented by Nietzsche and realized in the novel in the image of “Cloud Atlas” (symphony). The reality in the novel is exploited as a multifaceted phenomenon and time is depicted according to super-string astrophysical theory. The research gives a clue to understanding the philosophical boarders of post-postmodernism and demonstrates the combination of different discourses (humanitarian and scientific) in contemporary British novel. The paper provides new findings in explaining philosophical parameters of post-postmodern novels. Ausführliche Beschreibung

Gespeichert in:

Autor*in:	Dmytro Drozdovskyi [verfasserIn]

Format:	E-Artikel
Sprache:	Russisch ; Ukrainisch

Erschienen:	2019

Schlagwörter:	skepticism post-postmodernism existential truth propositional truth post-truth dystopia

Übergeordnetes Werk:	In: Pitannâ Lìteraturoznavstva - Yuriy Fedkovych Chernivtsi National University, 2017, (2019), 100, Seite 72-88
Übergeordnetes Werk:	year:2019 ; number:100 ; pages:72-88

Links:	Link aufrufen Link aufrufen Link aufrufen Journal toc

DOI / URN:	10.31861/pytlit2019.100.072

Katalog-ID:	DOAJ001683810

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allfields	10.31861/pytlit2019.100.072 doi (DE-627)DOAJ001683810 (DE-599)DOAJeb3d081967d54f49ad0339a6651fbb50 DE-627 ger DE-627 rakwb rus ukr Dmytro Drozdovskyi verfasserin aut Traditions of Skepticism and Discourse of Post-Truth in British Post-Postmodern Novels 2019 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier In the paper, the forms of critical perception of reality inherent to the protagonists of contemporary British novels (“The Curious Incident of the Dog in the Night-Time”, “Carry Me Down”, “Little Stranger”, etc.) have been discussed. The author has analyzed strategies for reactivation of skepticism in British post-postmodern novel “Cloud Atlas” by D. Mitchell. The specificity of the representation of skepticism in literary post-postmodernism is investigated; in particular, theoretical considerations of L. Miroshnychenko, O. Boynitska and other experts in English/British literature have been developed. The peculiarities of dystopia as a part of the metageneric phenomenon of post-postmodernistic novel “Cloud Atlas” have been revealed. The features of representation of propositional and existential truths in contemporary British novel are outlined. The mechanisms of counteraction to the forms of post-truth and the simulacrum “truths” represented in “Cloud Atlas” as part of capitalist ideological discourse, which leads to a distorted perception of reality and civilization catastrophe, have been outlined. It is revealed that in “Cloud Atlas” there is a critique of hypertrophied consumerism and the loss by contemporary literature the ability to be the source of existential meanings. The specific features in human representation as a dual phenomenon in post-postmodern British novel (Nietzsche's conception of the revaluation of values and the will to power in “Cloud Atlas” is depicted ambivalently) has been explored in the paper. I state that post-postmodernism is a cultural paradigm that unites aesthetic and philosophy of modernism and postmodernism. Besides, the post-postmodern novel has a specific feature resulted in a special narrative mode that combines scientific discoveries that influence the narrative with a special philosophical realm. In the paper, David Mitchell’s novel “Cloud Atlas” has been discussed as an example of post-postmodern writing that reveals emotional sincerity and skepticism, utopic way of thinking and anticolonial discourse. The novel exploits epic beginning to involve the reader in a special atmosphere created by the omnipotent narrator. The end of the story is a metaphorical return to the beginning; however, the starting point was changed. The novel exploits six separate stories that are interlinked according to the idea of eternal returning presented by Nietzsche and realized in the novel in the image of “Cloud Atlas” (symphony). The reality in the novel is exploited as a multifaceted phenomenon and time is depicted according to super-string astrophysical theory. The research gives a clue to understanding the philosophical boarders of post-postmodernism and demonstrates the combination of different discourses (humanitarian and scientific) in contemporary British novel. The paper provides new findings in explaining philosophical parameters of post-postmodern novels. skepticism post-postmodernism existential truth propositional truth post-truth dystopia Language and Literature P In Pitannâ Lìteraturoznavstva Yuriy Fedkovych Chernivtsi National University, 2017 (2019), 100, Seite 72-88 (DE-627)873687272 (DE-600)2876701-9 23062908 nnns year:2019 number:100 pages:72-88 https://doi.org/10.31861/pytlit2019.100.072 kostenfrei https://doaj.org/article/eb3d081967d54f49ad0339a6651fbb50 kostenfrei http://pytlit.chnu.edu.ua/article/view/192030 kostenfrei https://doaj.org/toc/2306-2908 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ GBV_ILN_20 GBV_ILN_22 GBV_ILN_24 GBV_ILN_39 GBV_ILN_40 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_206 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_374 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_2093 GBV_ILN_2863 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4367 GBV_ILN_4392 GBV_ILN_4700 AR 2019 100 72-88
spelling	10.31861/pytlit2019.100.072 doi (DE-627)DOAJ001683810 (DE-599)DOAJeb3d081967d54f49ad0339a6651fbb50 DE-627 ger DE-627 rakwb rus ukr Dmytro Drozdovskyi verfasserin aut Traditions of Skepticism and Discourse of Post-Truth in British Post-Postmodern Novels 2019 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier In the paper, the forms of critical perception of reality inherent to the protagonists of contemporary British novels (“The Curious Incident of the Dog in the Night-Time”, “Carry Me Down”, “Little Stranger”, etc.) have been discussed. The author has analyzed strategies for reactivation of skepticism in British post-postmodern novel “Cloud Atlas” by D. Mitchell. The specificity of the representation of skepticism in literary post-postmodernism is investigated; in particular, theoretical considerations of L. Miroshnychenko, O. Boynitska and other experts in English/British literature have been developed. The peculiarities of dystopia as a part of the metageneric phenomenon of post-postmodernistic novel “Cloud Atlas” have been revealed. The features of representation of propositional and existential truths in contemporary British novel are outlined. The mechanisms of counteraction to the forms of post-truth and the simulacrum “truths” represented in “Cloud Atlas” as part of capitalist ideological discourse, which leads to a distorted perception of reality and civilization catastrophe, have been outlined. It is revealed that in “Cloud Atlas” there is a critique of hypertrophied consumerism and the loss by contemporary literature the ability to be the source of existential meanings. The specific features in human representation as a dual phenomenon in post-postmodern British novel (Nietzsche's conception of the revaluation of values and the will to power in “Cloud Atlas” is depicted ambivalently) has been explored in the paper. I state that post-postmodernism is a cultural paradigm that unites aesthetic and philosophy of modernism and postmodernism. Besides, the post-postmodern novel has a specific feature resulted in a special narrative mode that combines scientific discoveries that influence the narrative with a special philosophical realm. In the paper, David Mitchell’s novel “Cloud Atlas” has been discussed as an example of post-postmodern writing that reveals emotional sincerity and skepticism, utopic way of thinking and anticolonial discourse. The novel exploits epic beginning to involve the reader in a special atmosphere created by the omnipotent narrator. The end of the story is a metaphorical return to the beginning; however, the starting point was changed. The novel exploits six separate stories that are interlinked according to the idea of eternal returning presented by Nietzsche and realized in the novel in the image of “Cloud Atlas” (symphony). The reality in the novel is exploited as a multifaceted phenomenon and time is depicted according to super-string astrophysical theory. The research gives a clue to understanding the philosophical boarders of post-postmodernism and demonstrates the combination of different discourses (humanitarian and scientific) in contemporary British novel. The paper provides new findings in explaining philosophical parameters of post-postmodern novels. skepticism post-postmodernism existential truth propositional truth post-truth dystopia Language and Literature P In Pitannâ Lìteraturoznavstva Yuriy Fedkovych Chernivtsi National University, 2017 (2019), 100, Seite 72-88 (DE-627)873687272 (DE-600)2876701-9 23062908 nnns year:2019 number:100 pages:72-88 https://doi.org/10.31861/pytlit2019.100.072 kostenfrei https://doaj.org/article/eb3d081967d54f49ad0339a6651fbb50 kostenfrei http://pytlit.chnu.edu.ua/article/view/192030 kostenfrei https://doaj.org/toc/2306-2908 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ GBV_ILN_20 GBV_ILN_22 GBV_ILN_24 GBV_ILN_39 GBV_ILN_40 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_206 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_374 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_2093 GBV_ILN_2863 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4367 GBV_ILN_4392 GBV_ILN_4700 AR 2019 100 72-88
allfields_unstemmed	10.31861/pytlit2019.100.072 doi (DE-627)DOAJ001683810 (DE-599)DOAJeb3d081967d54f49ad0339a6651fbb50 DE-627 ger DE-627 rakwb rus ukr Dmytro Drozdovskyi verfasserin aut Traditions of Skepticism and Discourse of Post-Truth in British Post-Postmodern Novels 2019 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier In the paper, the forms of critical perception of reality inherent to the protagonists of contemporary British novels (“The Curious Incident of the Dog in the Night-Time”, “Carry Me Down”, “Little Stranger”, etc.) have been discussed. The author has analyzed strategies for reactivation of skepticism in British post-postmodern novel “Cloud Atlas” by D. Mitchell. The specificity of the representation of skepticism in literary post-postmodernism is investigated; in particular, theoretical considerations of L. Miroshnychenko, O. Boynitska and other experts in English/British literature have been developed. The peculiarities of dystopia as a part of the metageneric phenomenon of post-postmodernistic novel “Cloud Atlas” have been revealed. The features of representation of propositional and existential truths in contemporary British novel are outlined. The mechanisms of counteraction to the forms of post-truth and the simulacrum “truths” represented in “Cloud Atlas” as part of capitalist ideological discourse, which leads to a distorted perception of reality and civilization catastrophe, have been outlined. It is revealed that in “Cloud Atlas” there is a critique of hypertrophied consumerism and the loss by contemporary literature the ability to be the source of existential meanings. The specific features in human representation as a dual phenomenon in post-postmodern British novel (Nietzsche's conception of the revaluation of values and the will to power in “Cloud Atlas” is depicted ambivalently) has been explored in the paper. I state that post-postmodernism is a cultural paradigm that unites aesthetic and philosophy of modernism and postmodernism. Besides, the post-postmodern novel has a specific feature resulted in a special narrative mode that combines scientific discoveries that influence the narrative with a special philosophical realm. In the paper, David Mitchell’s novel “Cloud Atlas” has been discussed as an example of post-postmodern writing that reveals emotional sincerity and skepticism, utopic way of thinking and anticolonial discourse. The novel exploits epic beginning to involve the reader in a special atmosphere created by the omnipotent narrator. The end of the story is a metaphorical return to the beginning; however, the starting point was changed. The novel exploits six separate stories that are interlinked according to the idea of eternal returning presented by Nietzsche and realized in the novel in the image of “Cloud Atlas” (symphony). The reality in the novel is exploited as a multifaceted phenomenon and time is depicted according to super-string astrophysical theory. The research gives a clue to understanding the philosophical boarders of post-postmodernism and demonstrates the combination of different discourses (humanitarian and scientific) in contemporary British novel. The paper provides new findings in explaining philosophical parameters of post-postmodern novels. skepticism post-postmodernism existential truth propositional truth post-truth dystopia Language and Literature P In Pitannâ Lìteraturoznavstva Yuriy Fedkovych Chernivtsi National University, 2017 (2019), 100, Seite 72-88 (DE-627)873687272 (DE-600)2876701-9 23062908 nnns year:2019 number:100 pages:72-88 https://doi.org/10.31861/pytlit2019.100.072 kostenfrei https://doaj.org/article/eb3d081967d54f49ad0339a6651fbb50 kostenfrei http://pytlit.chnu.edu.ua/article/view/192030 kostenfrei https://doaj.org/toc/2306-2908 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ GBV_ILN_20 GBV_ILN_22 GBV_ILN_24 GBV_ILN_39 GBV_ILN_40 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_206 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_374 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_2093 GBV_ILN_2863 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4367 GBV_ILN_4392 GBV_ILN_4700 AR 2019 100 72-88
allfieldsGer	10.31861/pytlit2019.100.072 doi (DE-627)DOAJ001683810 (DE-599)DOAJeb3d081967d54f49ad0339a6651fbb50 DE-627 ger DE-627 rakwb rus ukr Dmytro Drozdovskyi verfasserin aut Traditions of Skepticism and Discourse of Post-Truth in British Post-Postmodern Novels 2019 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier In the paper, the forms of critical perception of reality inherent to the protagonists of contemporary British novels (“The Curious Incident of the Dog in the Night-Time”, “Carry Me Down”, “Little Stranger”, etc.) have been discussed. The author has analyzed strategies for reactivation of skepticism in British post-postmodern novel “Cloud Atlas” by D. Mitchell. The specificity of the representation of skepticism in literary post-postmodernism is investigated; in particular, theoretical considerations of L. Miroshnychenko, O. Boynitska and other experts in English/British literature have been developed. The peculiarities of dystopia as a part of the metageneric phenomenon of post-postmodernistic novel “Cloud Atlas” have been revealed. The features of representation of propositional and existential truths in contemporary British novel are outlined. The mechanisms of counteraction to the forms of post-truth and the simulacrum “truths” represented in “Cloud Atlas” as part of capitalist ideological discourse, which leads to a distorted perception of reality and civilization catastrophe, have been outlined. It is revealed that in “Cloud Atlas” there is a critique of hypertrophied consumerism and the loss by contemporary literature the ability to be the source of existential meanings. The specific features in human representation as a dual phenomenon in post-postmodern British novel (Nietzsche's conception of the revaluation of values and the will to power in “Cloud Atlas” is depicted ambivalently) has been explored in the paper. I state that post-postmodernism is a cultural paradigm that unites aesthetic and philosophy of modernism and postmodernism. Besides, the post-postmodern novel has a specific feature resulted in a special narrative mode that combines scientific discoveries that influence the narrative with a special philosophical realm. In the paper, David Mitchell’s novel “Cloud Atlas” has been discussed as an example of post-postmodern writing that reveals emotional sincerity and skepticism, utopic way of thinking and anticolonial discourse. The novel exploits epic beginning to involve the reader in a special atmosphere created by the omnipotent narrator. The end of the story is a metaphorical return to the beginning; however, the starting point was changed. The novel exploits six separate stories that are interlinked according to the idea of eternal returning presented by Nietzsche and realized in the novel in the image of “Cloud Atlas” (symphony). The reality in the novel is exploited as a multifaceted phenomenon and time is depicted according to super-string astrophysical theory. The research gives a clue to understanding the philosophical boarders of post-postmodernism and demonstrates the combination of different discourses (humanitarian and scientific) in contemporary British novel. The paper provides new findings in explaining philosophical parameters of post-postmodern novels. skepticism post-postmodernism existential truth propositional truth post-truth dystopia Language and Literature P In Pitannâ Lìteraturoznavstva Yuriy Fedkovych Chernivtsi National University, 2017 (2019), 100, Seite 72-88 (DE-627)873687272 (DE-600)2876701-9 23062908 nnns year:2019 number:100 pages:72-88 https://doi.org/10.31861/pytlit2019.100.072 kostenfrei https://doaj.org/article/eb3d081967d54f49ad0339a6651fbb50 kostenfrei http://pytlit.chnu.edu.ua/article/view/192030 kostenfrei https://doaj.org/toc/2306-2908 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ GBV_ILN_20 GBV_ILN_22 GBV_ILN_24 GBV_ILN_39 GBV_ILN_40 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_206 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_374 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_2093 GBV_ILN_2863 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4367 GBV_ILN_4392 GBV_ILN_4700 AR 2019 100 72-88
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title	Traditions of Skepticism and Discourse of Post-Truth in British Post-Postmodern Novels
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title_full	Traditions of Skepticism and Discourse of Post-Truth in British Post-Postmodern Novels
author_sort	Dmytro Drozdovskyi
journal	Pitannâ Lìteraturoznavstva
journalStr	Pitannâ Lìteraturoznavstva
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author_browse	Dmytro Drozdovskyi
format_se	Elektronische Aufsätze
author-letter	Dmytro Drozdovskyi
doi_str_mv	10.31861/pytlit2019.100.072
title_sort	traditions of skepticism and discourse of post-truth in british post-postmodern novels
title_auth	Traditions of Skepticism and Discourse of Post-Truth in British Post-Postmodern Novels
abstract	In the paper, the forms of critical perception of reality inherent to the protagonists of contemporary British novels (“The Curious Incident of the Dog in the Night-Time”, “Carry Me Down”, “Little Stranger”, etc.) have been discussed. The author has analyzed strategies for reactivation of skepticism in British post-postmodern novel “Cloud Atlas” by D. Mitchell. The specificity of the representation of skepticism in literary post-postmodernism is investigated; in particular, theoretical considerations of L. Miroshnychenko, O. Boynitska and other experts in English/British literature have been developed. The peculiarities of dystopia as a part of the metageneric phenomenon of post-postmodernistic novel “Cloud Atlas” have been revealed. The features of representation of propositional and existential truths in contemporary British novel are outlined. The mechanisms of counteraction to the forms of post-truth and the simulacrum “truths” represented in “Cloud Atlas” as part of capitalist ideological discourse, which leads to a distorted perception of reality and civilization catastrophe, have been outlined. It is revealed that in “Cloud Atlas” there is a critique of hypertrophied consumerism and the loss by contemporary literature the ability to be the source of existential meanings. The specific features in human representation as a dual phenomenon in post-postmodern British novel (Nietzsche's conception of the revaluation of values and the will to power in “Cloud Atlas” is depicted ambivalently) has been explored in the paper. I state that post-postmodernism is a cultural paradigm that unites aesthetic and philosophy of modernism and postmodernism. Besides, the post-postmodern novel has a specific feature resulted in a special narrative mode that combines scientific discoveries that influence the narrative with a special philosophical realm. In the paper, David Mitchell’s novel “Cloud Atlas” has been discussed as an example of post-postmodern writing that reveals emotional sincerity and skepticism, utopic way of thinking and anticolonial discourse. The novel exploits epic beginning to involve the reader in a special atmosphere created by the omnipotent narrator. The end of the story is a metaphorical return to the beginning; however, the starting point was changed. The novel exploits six separate stories that are interlinked according to the idea of eternal returning presented by Nietzsche and realized in the novel in the image of “Cloud Atlas” (symphony). The reality in the novel is exploited as a multifaceted phenomenon and time is depicted according to super-string astrophysical theory. The research gives a clue to understanding the philosophical boarders of post-postmodernism and demonstrates the combination of different discourses (humanitarian and scientific) in contemporary British novel. The paper provides new findings in explaining philosophical parameters of post-postmodern novels.
abstractGer	In the paper, the forms of critical perception of reality inherent to the protagonists of contemporary British novels (“The Curious Incident of the Dog in the Night-Time”, “Carry Me Down”, “Little Stranger”, etc.) have been discussed. The author has analyzed strategies for reactivation of skepticism in British post-postmodern novel “Cloud Atlas” by D. Mitchell. The specificity of the representation of skepticism in literary post-postmodernism is investigated; in particular, theoretical considerations of L. Miroshnychenko, O. Boynitska and other experts in English/British literature have been developed. The peculiarities of dystopia as a part of the metageneric phenomenon of post-postmodernistic novel “Cloud Atlas” have been revealed. The features of representation of propositional and existential truths in contemporary British novel are outlined. The mechanisms of counteraction to the forms of post-truth and the simulacrum “truths” represented in “Cloud Atlas” as part of capitalist ideological discourse, which leads to a distorted perception of reality and civilization catastrophe, have been outlined. It is revealed that in “Cloud Atlas” there is a critique of hypertrophied consumerism and the loss by contemporary literature the ability to be the source of existential meanings. The specific features in human representation as a dual phenomenon in post-postmodern British novel (Nietzsche's conception of the revaluation of values and the will to power in “Cloud Atlas” is depicted ambivalently) has been explored in the paper. I state that post-postmodernism is a cultural paradigm that unites aesthetic and philosophy of modernism and postmodernism. Besides, the post-postmodern novel has a specific feature resulted in a special narrative mode that combines scientific discoveries that influence the narrative with a special philosophical realm. In the paper, David Mitchell’s novel “Cloud Atlas” has been discussed as an example of post-postmodern writing that reveals emotional sincerity and skepticism, utopic way of thinking and anticolonial discourse. The novel exploits epic beginning to involve the reader in a special atmosphere created by the omnipotent narrator. The end of the story is a metaphorical return to the beginning; however, the starting point was changed. The novel exploits six separate stories that are interlinked according to the idea of eternal returning presented by Nietzsche and realized in the novel in the image of “Cloud Atlas” (symphony). The reality in the novel is exploited as a multifaceted phenomenon and time is depicted according to super-string astrophysical theory. The research gives a clue to understanding the philosophical boarders of post-postmodernism and demonstrates the combination of different discourses (humanitarian and scientific) in contemporary British novel. The paper provides new findings in explaining philosophical parameters of post-postmodern novels.
abstract_unstemmed	In the paper, the forms of critical perception of reality inherent to the protagonists of contemporary British novels (“The Curious Incident of the Dog in the Night-Time”, “Carry Me Down”, “Little Stranger”, etc.) have been discussed. The author has analyzed strategies for reactivation of skepticism in British post-postmodern novel “Cloud Atlas” by D. Mitchell. The specificity of the representation of skepticism in literary post-postmodernism is investigated; in particular, theoretical considerations of L. Miroshnychenko, O. Boynitska and other experts in English/British literature have been developed. The peculiarities of dystopia as a part of the metageneric phenomenon of post-postmodernistic novel “Cloud Atlas” have been revealed. The features of representation of propositional and existential truths in contemporary British novel are outlined. The mechanisms of counteraction to the forms of post-truth and the simulacrum “truths” represented in “Cloud Atlas” as part of capitalist ideological discourse, which leads to a distorted perception of reality and civilization catastrophe, have been outlined. It is revealed that in “Cloud Atlas” there is a critique of hypertrophied consumerism and the loss by contemporary literature the ability to be the source of existential meanings. The specific features in human representation as a dual phenomenon in post-postmodern British novel (Nietzsche's conception of the revaluation of values and the will to power in “Cloud Atlas” is depicted ambivalently) has been explored in the paper. I state that post-postmodernism is a cultural paradigm that unites aesthetic and philosophy of modernism and postmodernism. Besides, the post-postmodern novel has a specific feature resulted in a special narrative mode that combines scientific discoveries that influence the narrative with a special philosophical realm. In the paper, David Mitchell’s novel “Cloud Atlas” has been discussed as an example of post-postmodern writing that reveals emotional sincerity and skepticism, utopic way of thinking and anticolonial discourse. The novel exploits epic beginning to involve the reader in a special atmosphere created by the omnipotent narrator. The end of the story is a metaphorical return to the beginning; however, the starting point was changed. The novel exploits six separate stories that are interlinked according to the idea of eternal returning presented by Nietzsche and realized in the novel in the image of “Cloud Atlas” (symphony). The reality in the novel is exploited as a multifaceted phenomenon and time is depicted according to super-string astrophysical theory. The research gives a clue to understanding the philosophical boarders of post-postmodernism and demonstrates the combination of different discourses (humanitarian and scientific) in contemporary British novel. The paper provides new findings in explaining philosophical parameters of post-postmodern novels.
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title_short	Traditions of Skepticism and Discourse of Post-Truth in British Post-Postmodern Novels
url	https://doi.org/10.31861/pytlit2019.100.072 https://doaj.org/article/eb3d081967d54f49ad0339a6651fbb50 http://pytlit.chnu.edu.ua/article/view/192030 https://doaj.org/toc/2306-2908
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