“The Concert of Europe” In 20th Century British and American Historiography

The article provides a critical analysis of the interpretations of the Concert of Europe by British and American historians of the XXth century. The interest in the study of this phenomenon is rooted in its relation to the problems of the maintenance of international order and stability. It is not o...
Ausführliche Beschreibung

Gespeichert in:

Autor*in:	Ekaterina V. Romanova [verfasserIn]

Format:	E-Artikel
Sprache:	Englisch ; Russisch

Erschienen:	2016

Schlagwörter:	«европейский концерт» Венская система Венский Конгресс пентархия система Конгрессов Каслри Меттерних режим безопасности миропорядок «английская школа» историография Concert of Europe Vienna System Congress of Vienna pentarchy Congress System Castlereagh Metternich world order security regime English school historiography

Übergeordnetes Werk:	In: Vestnik MGIMO-Universiteta - MGIMO University Press, 2018, 46(2016), 1, Seite 7-17
Übergeordnetes Werk:	volume:46 ; year:2016 ; number:1 ; pages:7-17

Links:	Link aufrufen Link aufrufen Journal toc

Katalog-ID:	DOAJ002043076

Internformat


LEADER	01000caa a22002652 4500
001	DOAJ002043076
003	DE-627
005	20230503143816.0
007	cr uuu---uuuuu
008	230225s2016 xx \|\|\|\|\|o 00\| \|\|eng c
035			\|a (DE-627)DOAJ002043076
035			\|a (DE-599)DOAJ7806612bdfc247f3b06a749e59b69172
040			\|a DE-627 \|b ger \|c DE-627 \|e rakwb
041			\|a eng \|a rus
050		0	\|a JZ2-6530
100	0		\|a Ekaterina V. Romanova \|e verfasserin \|4 aut
245	1	0	\|a “The Concert of Europe” In 20th Century British and American Historiography
264		1	\|c 2016
336			\|a Text \|b txt \|2 rdacontent
337			\|a Computermedien \|b c \|2 rdamedia
338			\|a Online-Ressource \|b cr \|2 rdacarrier
520			\|a The article provides a critical analysis of the interpretations of the Concert of Europe by British and American historians of the XXth century. The interest in the study of this phenomenon is rooted in its relation to the problems of the maintenance of international order and stability. It is not only academic, being partly determined by the fact that throughout the XX century first Britain and then the USA was at the top of the world hierarchy, and accordingly played a leading role in the construction and maintenance of the European order. Current international environment, the experience of the two World Wars of the XXth century determined the angle from which the phenomenon of the Concert of Europe was studied. Whereas in the second half of the 1910s - early 1920s historians pointed to the deficiencies of the international system of the preceding century (and in particular, the institution of the Concert of Europe), the students of the Vienna system working after the Second World War regarded the period of 1815-1914 as relatively stable, compared to the short interwar interlude. The Concert of Europe was named as one of the factors contributing to stability and peace. Certain logic can be discerned in the development of the historiography of the problem, which to some degree reflected the evolution of ideas about international relations management. At the same time, the differences in the interpretations of the Concert of Europe derive from the fact that this very concept in the XIXth century was not fixed and static. Great Powers' readiness to cooperation did not mean that there were no conflicts of interests. They struggled for leadership within the Concert and sought to impart to it their own interpretation.
650		4	\|a «европейский концерт»
650		4	\|a Венская система
650		4	\|a Венский Конгресс
650		4	\|a пентархия
650		4	\|a система Конгрессов
650		4	\|a Каслри
650		4	\|a Меттерних
650		4	\|a режим безопасности
650		4	\|a миропорядок
650		4	\|a «английская школа»
650		4	\|a историография
650		4	\|a Concert of Europe
650		4	\|a Vienna System
650		4	\|a Congress of Vienna
650		4	\|a pentarchy
650		4	\|a Congress System
650		4	\|a Castlereagh
650		4	\|a Metternich
650		4	\|a world order
650		4	\|a security regime
650		4	\|a English school
650		4	\|a historiography
653		0	\|a International relations
773	0	8	\|i In \|t Vestnik MGIMO-Universiteta \|d MGIMO University Press, 2018 \|g 46(2016), 1, Seite 7-17 \|w (DE-627)1760596140 \|x 25419099 \|7 nnns
773	1	8	\|g volume:46 \|g year:2016 \|g number:1 \|g pages:7-17
856	4	0	\|u https://doaj.org/article/7806612bdfc247f3b06a749e59b69172 \|z kostenfrei
856	4	0	\|u http://www.vestnik.mgimo.ru/razdely/istoriya/traktovki-evropeyskogo-koncerta-v-britanskoy-i-amerikanskoy-istoriografii \|z kostenfrei
856	4	2	\|u https://doaj.org/toc/2071-8160 \|y Journal toc \|z kostenfrei
912			\|a GBV_USEFLAG_A
912			\|a SYSFLAG_A
912			\|a GBV_DOAJ
912			\|a SSG-OLC-PHA
912			\|a GBV_ILN_11
912			\|a GBV_ILN_20
912			\|a GBV_ILN_22
912			\|a GBV_ILN_24
912			\|a GBV_ILN_31
912			\|a GBV_ILN_39
912			\|a GBV_ILN_40
912			\|a GBV_ILN_60
912			\|a GBV_ILN_62
912			\|a GBV_ILN_63
912			\|a GBV_ILN_65
912			\|a GBV_ILN_69
912			\|a GBV_ILN_70
912			\|a GBV_ILN_73
912			\|a GBV_ILN_95
912			\|a GBV_ILN_110
912			\|a GBV_ILN_151
912			\|a GBV_ILN_161
912			\|a GBV_ILN_206
912			\|a GBV_ILN_213
912			\|a GBV_ILN_230
912			\|a GBV_ILN_285
912			\|a GBV_ILN_293
912			\|a GBV_ILN_602
912			\|a GBV_ILN_2014
912			\|a GBV_ILN_4012
912			\|a GBV_ILN_4037
912			\|a GBV_ILN_4112
912			\|a GBV_ILN_4125
912			\|a GBV_ILN_4126
912			\|a GBV_ILN_4249
912			\|a GBV_ILN_4305
912			\|a GBV_ILN_4306
912			\|a GBV_ILN_4307
912			\|a GBV_ILN_4322
912			\|a GBV_ILN_4323
912			\|a GBV_ILN_4324
912			\|a GBV_ILN_4325
912			\|a GBV_ILN_4326
912			\|a GBV_ILN_4338
912			\|a GBV_ILN_4367
912			\|a GBV_ILN_4700
951			\|a AR
952			\|d 46 \|j 2016 \|e 1 \|h 7-17

Indexfelder

author_variant	e v r evr
matchkey_str	article:25419099:2016----::hcnetfuoen0hetrbiihnae
hierarchy_sort_str	2016
callnumber-subject-code	JZ
publishDate	2016
allfields	(DE-627)DOAJ002043076 (DE-599)DOAJ7806612bdfc247f3b06a749e59b69172 DE-627 ger DE-627 rakwb eng rus JZ2-6530 Ekaterina V. Romanova verfasserin aut “The Concert of Europe” In 20th Century British and American Historiography 2016 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier The article provides a critical analysis of the interpretations of the Concert of Europe by British and American historians of the XXth century. The interest in the study of this phenomenon is rooted in its relation to the problems of the maintenance of international order and stability. It is not only academic, being partly determined by the fact that throughout the XX century first Britain and then the USA was at the top of the world hierarchy, and accordingly played a leading role in the construction and maintenance of the European order. Current international environment, the experience of the two World Wars of the XXth century determined the angle from which the phenomenon of the Concert of Europe was studied. Whereas in the second half of the 1910s - early 1920s historians pointed to the deficiencies of the international system of the preceding century (and in particular, the institution of the Concert of Europe), the students of the Vienna system working after the Second World War regarded the period of 1815-1914 as relatively stable, compared to the short interwar interlude. The Concert of Europe was named as one of the factors contributing to stability and peace. Certain logic can be discerned in the development of the historiography of the problem, which to some degree reflected the evolution of ideas about international relations management. At the same time, the differences in the interpretations of the Concert of Europe derive from the fact that this very concept in the XIXth century was not fixed and static. Great Powers' readiness to cooperation did not mean that there were no conflicts of interests. They struggled for leadership within the Concert and sought to impart to it their own interpretation. «европейский концерт» Венская система Венский Конгресс пентархия система Конгрессов Каслри Меттерних режим безопасности миропорядок «английская школа» историография Concert of Europe Vienna System Congress of Vienna pentarchy Congress System Castlereagh Metternich world order security regime English school historiography International relations In Vestnik MGIMO-Universiteta MGIMO University Press, 2018 46(2016), 1, Seite 7-17 (DE-627)1760596140 25419099 nnns volume:46 year:2016 number:1 pages:7-17 https://doaj.org/article/7806612bdfc247f3b06a749e59b69172 kostenfrei http://www.vestnik.mgimo.ru/razdely/istoriya/traktovki-evropeyskogo-koncerta-v-britanskoy-i-amerikanskoy-istoriografii kostenfrei https://doaj.org/toc/2071-8160 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ SSG-OLC-PHA GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_206 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4700 AR 46 2016 1 7-17
spelling	(DE-627)DOAJ002043076 (DE-599)DOAJ7806612bdfc247f3b06a749e59b69172 DE-627 ger DE-627 rakwb eng rus JZ2-6530 Ekaterina V. Romanova verfasserin aut “The Concert of Europe” In 20th Century British and American Historiography 2016 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier The article provides a critical analysis of the interpretations of the Concert of Europe by British and American historians of the XXth century. The interest in the study of this phenomenon is rooted in its relation to the problems of the maintenance of international order and stability. It is not only academic, being partly determined by the fact that throughout the XX century first Britain and then the USA was at the top of the world hierarchy, and accordingly played a leading role in the construction and maintenance of the European order. Current international environment, the experience of the two World Wars of the XXth century determined the angle from which the phenomenon of the Concert of Europe was studied. Whereas in the second half of the 1910s - early 1920s historians pointed to the deficiencies of the international system of the preceding century (and in particular, the institution of the Concert of Europe), the students of the Vienna system working after the Second World War regarded the period of 1815-1914 as relatively stable, compared to the short interwar interlude. The Concert of Europe was named as one of the factors contributing to stability and peace. Certain logic can be discerned in the development of the historiography of the problem, which to some degree reflected the evolution of ideas about international relations management. At the same time, the differences in the interpretations of the Concert of Europe derive from the fact that this very concept in the XIXth century was not fixed and static. Great Powers' readiness to cooperation did not mean that there were no conflicts of interests. They struggled for leadership within the Concert and sought to impart to it their own interpretation. «европейский концерт» Венская система Венский Конгресс пентархия система Конгрессов Каслри Меттерних режим безопасности миропорядок «английская школа» историография Concert of Europe Vienna System Congress of Vienna pentarchy Congress System Castlereagh Metternich world order security regime English school historiography International relations In Vestnik MGIMO-Universiteta MGIMO University Press, 2018 46(2016), 1, Seite 7-17 (DE-627)1760596140 25419099 nnns volume:46 year:2016 number:1 pages:7-17 https://doaj.org/article/7806612bdfc247f3b06a749e59b69172 kostenfrei http://www.vestnik.mgimo.ru/razdely/istoriya/traktovki-evropeyskogo-koncerta-v-britanskoy-i-amerikanskoy-istoriografii kostenfrei https://doaj.org/toc/2071-8160 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ SSG-OLC-PHA GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_206 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4700 AR 46 2016 1 7-17
allfields_unstemmed	(DE-627)DOAJ002043076 (DE-599)DOAJ7806612bdfc247f3b06a749e59b69172 DE-627 ger DE-627 rakwb eng rus JZ2-6530 Ekaterina V. Romanova verfasserin aut “The Concert of Europe” In 20th Century British and American Historiography 2016 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier The article provides a critical analysis of the interpretations of the Concert of Europe by British and American historians of the XXth century. The interest in the study of this phenomenon is rooted in its relation to the problems of the maintenance of international order and stability. It is not only academic, being partly determined by the fact that throughout the XX century first Britain and then the USA was at the top of the world hierarchy, and accordingly played a leading role in the construction and maintenance of the European order. Current international environment, the experience of the two World Wars of the XXth century determined the angle from which the phenomenon of the Concert of Europe was studied. Whereas in the second half of the 1910s - early 1920s historians pointed to the deficiencies of the international system of the preceding century (and in particular, the institution of the Concert of Europe), the students of the Vienna system working after the Second World War regarded the period of 1815-1914 as relatively stable, compared to the short interwar interlude. The Concert of Europe was named as one of the factors contributing to stability and peace. Certain logic can be discerned in the development of the historiography of the problem, which to some degree reflected the evolution of ideas about international relations management. At the same time, the differences in the interpretations of the Concert of Europe derive from the fact that this very concept in the XIXth century was not fixed and static. Great Powers' readiness to cooperation did not mean that there were no conflicts of interests. They struggled for leadership within the Concert and sought to impart to it their own interpretation. «европейский концерт» Венская система Венский Конгресс пентархия система Конгрессов Каслри Меттерних режим безопасности миропорядок «английская школа» историография Concert of Europe Vienna System Congress of Vienna pentarchy Congress System Castlereagh Metternich world order security regime English school historiography International relations In Vestnik MGIMO-Universiteta MGIMO University Press, 2018 46(2016), 1, Seite 7-17 (DE-627)1760596140 25419099 nnns volume:46 year:2016 number:1 pages:7-17 https://doaj.org/article/7806612bdfc247f3b06a749e59b69172 kostenfrei http://www.vestnik.mgimo.ru/razdely/istoriya/traktovki-evropeyskogo-koncerta-v-britanskoy-i-amerikanskoy-istoriografii kostenfrei https://doaj.org/toc/2071-8160 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ SSG-OLC-PHA GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_206 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4700 AR 46 2016 1 7-17
allfieldsGer	(DE-627)DOAJ002043076 (DE-599)DOAJ7806612bdfc247f3b06a749e59b69172 DE-627 ger DE-627 rakwb eng rus JZ2-6530 Ekaterina V. Romanova verfasserin aut “The Concert of Europe” In 20th Century British and American Historiography 2016 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier The article provides a critical analysis of the interpretations of the Concert of Europe by British and American historians of the XXth century. The interest in the study of this phenomenon is rooted in its relation to the problems of the maintenance of international order and stability. It is not only academic, being partly determined by the fact that throughout the XX century first Britain and then the USA was at the top of the world hierarchy, and accordingly played a leading role in the construction and maintenance of the European order. Current international environment, the experience of the two World Wars of the XXth century determined the angle from which the phenomenon of the Concert of Europe was studied. Whereas in the second half of the 1910s - early 1920s historians pointed to the deficiencies of the international system of the preceding century (and in particular, the institution of the Concert of Europe), the students of the Vienna system working after the Second World War regarded the period of 1815-1914 as relatively stable, compared to the short interwar interlude. The Concert of Europe was named as one of the factors contributing to stability and peace. Certain logic can be discerned in the development of the historiography of the problem, which to some degree reflected the evolution of ideas about international relations management. At the same time, the differences in the interpretations of the Concert of Europe derive from the fact that this very concept in the XIXth century was not fixed and static. Great Powers' readiness to cooperation did not mean that there were no conflicts of interests. They struggled for leadership within the Concert and sought to impart to it their own interpretation. «европейский концерт» Венская система Венский Конгресс пентархия система Конгрессов Каслри Меттерних режим безопасности миропорядок «английская школа» историография Concert of Europe Vienna System Congress of Vienna pentarchy Congress System Castlereagh Metternich world order security regime English school historiography International relations In Vestnik MGIMO-Universiteta MGIMO University Press, 2018 46(2016), 1, Seite 7-17 (DE-627)1760596140 25419099 nnns volume:46 year:2016 number:1 pages:7-17 https://doaj.org/article/7806612bdfc247f3b06a749e59b69172 kostenfrei http://www.vestnik.mgimo.ru/razdely/istoriya/traktovki-evropeyskogo-koncerta-v-britanskoy-i-amerikanskoy-istoriografii kostenfrei https://doaj.org/toc/2071-8160 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ SSG-OLC-PHA GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_206 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4700 AR 46 2016 1 7-17
allfieldsSound	(DE-627)DOAJ002043076 (DE-599)DOAJ7806612bdfc247f3b06a749e59b69172 DE-627 ger DE-627 rakwb eng rus JZ2-6530 Ekaterina V. Romanova verfasserin aut “The Concert of Europe” In 20th Century British and American Historiography 2016 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier The article provides a critical analysis of the interpretations of the Concert of Europe by British and American historians of the XXth century. The interest in the study of this phenomenon is rooted in its relation to the problems of the maintenance of international order and stability. It is not only academic, being partly determined by the fact that throughout the XX century first Britain and then the USA was at the top of the world hierarchy, and accordingly played a leading role in the construction and maintenance of the European order. Current international environment, the experience of the two World Wars of the XXth century determined the angle from which the phenomenon of the Concert of Europe was studied. Whereas in the second half of the 1910s - early 1920s historians pointed to the deficiencies of the international system of the preceding century (and in particular, the institution of the Concert of Europe), the students of the Vienna system working after the Second World War regarded the period of 1815-1914 as relatively stable, compared to the short interwar interlude. The Concert of Europe was named as one of the factors contributing to stability and peace. Certain logic can be discerned in the development of the historiography of the problem, which to some degree reflected the evolution of ideas about international relations management. At the same time, the differences in the interpretations of the Concert of Europe derive from the fact that this very concept in the XIXth century was not fixed and static. Great Powers' readiness to cooperation did not mean that there were no conflicts of interests. They struggled for leadership within the Concert and sought to impart to it their own interpretation. «европейский концерт» Венская система Венский Конгресс пентархия система Конгрессов Каслри Меттерних режим безопасности миропорядок «английская школа» историография Concert of Europe Vienna System Congress of Vienna pentarchy Congress System Castlereagh Metternich world order security regime English school historiography International relations In Vestnik MGIMO-Universiteta MGIMO University Press, 2018 46(2016), 1, Seite 7-17 (DE-627)1760596140 25419099 nnns volume:46 year:2016 number:1 pages:7-17 https://doaj.org/article/7806612bdfc247f3b06a749e59b69172 kostenfrei http://www.vestnik.mgimo.ru/razdely/istoriya/traktovki-evropeyskogo-koncerta-v-britanskoy-i-amerikanskoy-istoriografii kostenfrei https://doaj.org/toc/2071-8160 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ SSG-OLC-PHA GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_206 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4700 AR 46 2016 1 7-17
language	English Russian
source	In Vestnik MGIMO-Universiteta 46(2016), 1, Seite 7-17 volume:46 year:2016 number:1 pages:7-17
sourceStr	In Vestnik MGIMO-Universiteta 46(2016), 1, Seite 7-17 volume:46 year:2016 number:1 pages:7-17
format_phy_str_mv	Article
institution	findex.gbv.de
topic_facet	«европейский концерт» Венская система Венский Конгресс пентархия система Конгрессов Каслри Меттерних режим безопасности миропорядок «английская школа» историография Concert of Europe Vienna System Congress of Vienna pentarchy Congress System Castlereagh Metternich world order security regime English school historiography International relations
isfreeaccess_bool	true
container_title	Vestnik MGIMO-Universiteta
authorswithroles_txt_mv	Ekaterina V. Romanova @@aut@@
publishDateDaySort_date	2016-01-01T00:00:00Z
hierarchy_top_id	1760596140
id	DOAJ002043076
language_de	englisch russisch
fullrecord	<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01000caa a22002652 4500</leader><controlfield tag="001">DOAJ002043076</controlfield><controlfield tag="003">DE-627</controlfield><controlfield tag="005">20230503143816.0</controlfield><controlfield tag="007">cr uuu---uuuuu</controlfield><controlfield tag="008">230225s2016 xx \|\|\|\|\|o 00\| \|\|eng c</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-627)DOAJ002043076</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)DOAJ7806612bdfc247f3b06a749e59b69172</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-627</subfield><subfield code="b">ger</subfield><subfield code="c">DE-627</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1=" " ind2=" "><subfield code="a">eng</subfield><subfield code="a">rus</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">JZ2-6530</subfield></datafield><datafield tag="100" ind1="0" ind2=" "><subfield code="a">Ekaterina V. Romanova</subfield><subfield code="e">verfasserin</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">“The Concert of Europe” In 20th Century British and American Historiography</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2016</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">Text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">Computermedien</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">Online-Ressource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The article provides a critical analysis of the interpretations of the Concert of Europe by British and American historians of the XXth century. The interest in the study of this phenomenon is rooted in its relation to the problems of the maintenance of international order and stability. It is not only academic, being partly determined by the fact that throughout the XX century first Britain and then the USA was at the top of the world hierarchy, and accordingly played a leading role in the construction and maintenance of the European order. Current international environment, the experience of the two World Wars of the XXth century determined the angle from which the phenomenon of the Concert of Europe was studied. Whereas in the second half of the 1910s - early 1920s historians pointed to the deficiencies of the international system of the preceding century (and in particular, the institution of the Concert of Europe), the students of the Vienna system working after the Second World War regarded the period of 1815-1914 as relatively stable, compared to the short interwar interlude. The Concert of Europe was named as one of the factors contributing to stability and peace. Certain logic can be discerned in the development of the historiography of the problem, which to some degree reflected the evolution of ideas about international relations management. At the same time, the differences in the interpretations of the Concert of Europe derive from the fact that this very concept in the XIXth century was not fixed and static. Great Powers' readiness to cooperation did not mean that there were no conflicts of interests. They struggled for leadership within the Concert and sought to impart to it their own interpretation.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">«европейский концерт»</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Венская система</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Венский Конгресс</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">пентархия</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">система Конгрессов</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Каслри</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Меттерних</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">режим безопасности</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">миропорядок</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">«английская школа»</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">историография</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Concert of Europe</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Vienna System</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Congress of Vienna</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">pentarchy</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Congress System</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Castlereagh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Metternich</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">world order</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">security regime</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">English school</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">historiography</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">International relations</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">In</subfield><subfield code="t">Vestnik MGIMO-Universiteta</subfield><subfield code="d">MGIMO University Press, 2018</subfield><subfield code="g">46(2016), 1, Seite 7-17</subfield><subfield code="w">(DE-627)1760596140</subfield><subfield code="x">25419099</subfield><subfield code="7">nnns</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">volume:46</subfield><subfield code="g">year:2016</subfield><subfield code="g">number:1</subfield><subfield code="g">pages:7-17</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doaj.org/article/7806612bdfc247f3b06a749e59b69172</subfield><subfield code="z">kostenfrei</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://www.vestnik.mgimo.ru/razdely/istoriya/traktovki-evropeyskogo-koncerta-v-britanskoy-i-amerikanskoy-istoriografii</subfield><subfield code="z">kostenfrei</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="u">https://doaj.org/toc/2071-8160</subfield><subfield code="y">Journal toc</subfield><subfield code="z">kostenfrei</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_USEFLAG_A</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">SYSFLAG_A</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_DOAJ</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">SSG-OLC-PHA</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_11</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_20</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_22</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_24</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_31</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_39</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_40</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_60</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_62</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_63</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_65</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_69</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_70</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_73</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_95</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_110</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_151</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_161</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_206</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_213</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_230</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_285</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_293</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_602</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2014</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4012</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4037</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4112</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4125</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4126</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4249</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4305</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4306</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4307</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4322</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4323</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4324</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4325</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4326</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4338</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4367</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4700</subfield></datafield><datafield tag="951" ind1=" " ind2=" "><subfield code="a">AR</subfield></datafield><datafield tag="952" ind1=" " ind2=" "><subfield code="d">46</subfield><subfield code="j">2016</subfield><subfield code="e">1</subfield><subfield code="h">7-17</subfield></datafield></record></collection>
callnumber-first	J - Political Science
author	Ekaterina V. Romanova
spellingShingle	Ekaterina V. Romanova misc JZ2-6530 misc «европейский концерт» misc Венская система misc Венский Конгресс misc пентархия misc система Конгрессов misc Каслри misc Меттерних misc режим безопасности misc миропорядок misc «английская школа» misc историография misc Concert of Europe misc Vienna System misc Congress of Vienna misc pentarchy misc Congress System misc Castlereagh misc Metternich misc world order misc security regime misc English school misc historiography misc International relations “The Concert of Europe” In 20th Century British and American Historiography
authorStr	Ekaterina V. Romanova
ppnlink_with_tag_str_mv	@@773@@(DE-627)1760596140
format	electronic Article
delete_txt_mv	keep
author_role	aut
collection	DOAJ
remote_str	true
callnumber-label	JZ2-6530
illustrated	Not Illustrated
issn	25419099
topic_title	JZ2-6530 “The Concert of Europe” In 20th Century British and American Historiography «европейский концерт» Венская система Венский Конгресс пентархия система Конгрессов Каслри Меттерних режим безопасности миропорядок «английская школа» историография Concert of Europe Vienna System Congress of Vienna pentarchy Congress System Castlereagh Metternich world order security regime English school historiography
topic	misc JZ2-6530 misc «европейский концерт» misc Венская система misc Венский Конгресс misc пентархия misc система Конгрессов misc Каслри misc Меттерних misc режим безопасности misc миропорядок misc «английская школа» misc историография misc Concert of Europe misc Vienna System misc Congress of Vienna misc pentarchy misc Congress System misc Castlereagh misc Metternich misc world order misc security regime misc English school misc historiography misc International relations
topic_unstemmed	misc JZ2-6530 misc «европейский концерт» misc Венская система misc Венский Конгресс misc пентархия misc система Конгрессов misc Каслри misc Меттерних misc режим безопасности misc миропорядок misc «английская школа» misc историография misc Concert of Europe misc Vienna System misc Congress of Vienna misc pentarchy misc Congress System misc Castlereagh misc Metternich misc world order misc security regime misc English school misc historiography misc International relations
topic_browse	misc JZ2-6530 misc «европейский концерт» misc Венская система misc Венский Конгресс misc пентархия misc система Конгрессов misc Каслри misc Меттерних misc режим безопасности misc миропорядок misc «английская школа» misc историография misc Concert of Europe misc Vienna System misc Congress of Vienna misc pentarchy misc Congress System misc Castlereagh misc Metternich misc world order misc security regime misc English school misc historiography misc International relations
format_facet	Elektronische Aufsätze Aufsätze Elektronische Ressource
format_main_str_mv	Text Zeitschrift/Artikel
carriertype_str_mv	cr
hierarchy_parent_title	Vestnik MGIMO-Universiteta
hierarchy_parent_id	1760596140
hierarchy_top_title	Vestnik MGIMO-Universiteta
isfreeaccess_txt	true
familylinks_str_mv	(DE-627)1760596140
title	“The Concert of Europe” In 20th Century British and American Historiography
ctrlnum	(DE-627)DOAJ002043076 (DE-599)DOAJ7806612bdfc247f3b06a749e59b69172
title_full	“The Concert of Europe” In 20th Century British and American Historiography
author_sort	Ekaterina V. Romanova
journal	Vestnik MGIMO-Universiteta
journalStr	Vestnik MGIMO-Universiteta
callnumber-first-code	J
lang_code	eng rus
isOA_bool	true
recordtype	marc
publishDateSort	2016
contenttype_str_mv	txt
container_start_page	7
author_browse	Ekaterina V. Romanova
container_volume	46
class	JZ2-6530
format_se	Elektronische Aufsätze
author-letter	Ekaterina V. Romanova
title_sort	“the concert of europe” in 20th century british and american historiography
callnumber	JZ2-6530
title_auth	“The Concert of Europe” In 20th Century British and American Historiography
abstract	The article provides a critical analysis of the interpretations of the Concert of Europe by British and American historians of the XXth century. The interest in the study of this phenomenon is rooted in its relation to the problems of the maintenance of international order and stability. It is not only academic, being partly determined by the fact that throughout the XX century first Britain and then the USA was at the top of the world hierarchy, and accordingly played a leading role in the construction and maintenance of the European order. Current international environment, the experience of the two World Wars of the XXth century determined the angle from which the phenomenon of the Concert of Europe was studied. Whereas in the second half of the 1910s - early 1920s historians pointed to the deficiencies of the international system of the preceding century (and in particular, the institution of the Concert of Europe), the students of the Vienna system working after the Second World War regarded the period of 1815-1914 as relatively stable, compared to the short interwar interlude. The Concert of Europe was named as one of the factors contributing to stability and peace. Certain logic can be discerned in the development of the historiography of the problem, which to some degree reflected the evolution of ideas about international relations management. At the same time, the differences in the interpretations of the Concert of Europe derive from the fact that this very concept in the XIXth century was not fixed and static. Great Powers' readiness to cooperation did not mean that there were no conflicts of interests. They struggled for leadership within the Concert and sought to impart to it their own interpretation.
abstractGer	The article provides a critical analysis of the interpretations of the Concert of Europe by British and American historians of the XXth century. The interest in the study of this phenomenon is rooted in its relation to the problems of the maintenance of international order and stability. It is not only academic, being partly determined by the fact that throughout the XX century first Britain and then the USA was at the top of the world hierarchy, and accordingly played a leading role in the construction and maintenance of the European order. Current international environment, the experience of the two World Wars of the XXth century determined the angle from which the phenomenon of the Concert of Europe was studied. Whereas in the second half of the 1910s - early 1920s historians pointed to the deficiencies of the international system of the preceding century (and in particular, the institution of the Concert of Europe), the students of the Vienna system working after the Second World War regarded the period of 1815-1914 as relatively stable, compared to the short interwar interlude. The Concert of Europe was named as one of the factors contributing to stability and peace. Certain logic can be discerned in the development of the historiography of the problem, which to some degree reflected the evolution of ideas about international relations management. At the same time, the differences in the interpretations of the Concert of Europe derive from the fact that this very concept in the XIXth century was not fixed and static. Great Powers' readiness to cooperation did not mean that there were no conflicts of interests. They struggled for leadership within the Concert and sought to impart to it their own interpretation.
abstract_unstemmed	The article provides a critical analysis of the interpretations of the Concert of Europe by British and American historians of the XXth century. The interest in the study of this phenomenon is rooted in its relation to the problems of the maintenance of international order and stability. It is not only academic, being partly determined by the fact that throughout the XX century first Britain and then the USA was at the top of the world hierarchy, and accordingly played a leading role in the construction and maintenance of the European order. Current international environment, the experience of the two World Wars of the XXth century determined the angle from which the phenomenon of the Concert of Europe was studied. Whereas in the second half of the 1910s - early 1920s historians pointed to the deficiencies of the international system of the preceding century (and in particular, the institution of the Concert of Europe), the students of the Vienna system working after the Second World War regarded the period of 1815-1914 as relatively stable, compared to the short interwar interlude. The Concert of Europe was named as one of the factors contributing to stability and peace. Certain logic can be discerned in the development of the historiography of the problem, which to some degree reflected the evolution of ideas about international relations management. At the same time, the differences in the interpretations of the Concert of Europe derive from the fact that this very concept in the XIXth century was not fixed and static. Great Powers' readiness to cooperation did not mean that there were no conflicts of interests. They struggled for leadership within the Concert and sought to impart to it their own interpretation.
collection_details	GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ SSG-OLC-PHA GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_206 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4700
container_issue	1
title_short	“The Concert of Europe” In 20th Century British and American Historiography
url	https://doaj.org/article/7806612bdfc247f3b06a749e59b69172 http://www.vestnik.mgimo.ru/razdely/istoriya/traktovki-evropeyskogo-koncerta-v-britanskoy-i-amerikanskoy-istoriografii https://doaj.org/toc/2071-8160
remote_bool	true
ppnlink	1760596140
callnumber-subject	JZ - International Relations
mediatype_str_mv	c
isOA_txt	true
hochschulschrift_bool	false
callnumber-a	JZ2-6530
up_date	2024-07-03T23:38:50.160Z
_version_	1803603075569549312
fullrecord_marcxml	<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01000caa a22002652 4500</leader><controlfield tag="001">DOAJ002043076</controlfield><controlfield tag="003">DE-627</controlfield><controlfield tag="005">20230503143816.0</controlfield><controlfield tag="007">cr uuu---uuuuu</controlfield><controlfield tag="008">230225s2016 xx \|\|\|\|\|o 00\| \|\|eng c</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-627)DOAJ002043076</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)DOAJ7806612bdfc247f3b06a749e59b69172</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-627</subfield><subfield code="b">ger</subfield><subfield code="c">DE-627</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1=" " ind2=" "><subfield code="a">eng</subfield><subfield code="a">rus</subfield></datafield><datafield tag="050" ind1=" " ind2="0"><subfield code="a">JZ2-6530</subfield></datafield><datafield tag="100" ind1="0" ind2=" "><subfield code="a">Ekaterina V. Romanova</subfield><subfield code="e">verfasserin</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">“The Concert of Europe” In 20th Century British and American Historiography</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2016</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">Text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">Computermedien</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">Online-Ressource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">The article provides a critical analysis of the interpretations of the Concert of Europe by British and American historians of the XXth century. The interest in the study of this phenomenon is rooted in its relation to the problems of the maintenance of international order and stability. It is not only academic, being partly determined by the fact that throughout the XX century first Britain and then the USA was at the top of the world hierarchy, and accordingly played a leading role in the construction and maintenance of the European order. Current international environment, the experience of the two World Wars of the XXth century determined the angle from which the phenomenon of the Concert of Europe was studied. Whereas in the second half of the 1910s - early 1920s historians pointed to the deficiencies of the international system of the preceding century (and in particular, the institution of the Concert of Europe), the students of the Vienna system working after the Second World War regarded the period of 1815-1914 as relatively stable, compared to the short interwar interlude. The Concert of Europe was named as one of the factors contributing to stability and peace. Certain logic can be discerned in the development of the historiography of the problem, which to some degree reflected the evolution of ideas about international relations management. At the same time, the differences in the interpretations of the Concert of Europe derive from the fact that this very concept in the XIXth century was not fixed and static. Great Powers' readiness to cooperation did not mean that there were no conflicts of interests. They struggled for leadership within the Concert and sought to impart to it their own interpretation.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">«европейский концерт»</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Венская система</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Венский Конгресс</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">пентархия</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">система Конгрессов</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Каслри</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Меттерних</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">режим безопасности</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">миропорядок</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">«английская школа»</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">историография</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Concert of Europe</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Vienna System</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Congress of Vienna</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">pentarchy</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Congress System</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Castlereagh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Metternich</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">world order</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">security regime</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">English school</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">historiography</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">International relations</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">In</subfield><subfield code="t">Vestnik MGIMO-Universiteta</subfield><subfield code="d">MGIMO University Press, 2018</subfield><subfield code="g">46(2016), 1, Seite 7-17</subfield><subfield code="w">(DE-627)1760596140</subfield><subfield code="x">25419099</subfield><subfield code="7">nnns</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">volume:46</subfield><subfield code="g">year:2016</subfield><subfield code="g">number:1</subfield><subfield code="g">pages:7-17</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doaj.org/article/7806612bdfc247f3b06a749e59b69172</subfield><subfield code="z">kostenfrei</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">http://www.vestnik.mgimo.ru/razdely/istoriya/traktovki-evropeyskogo-koncerta-v-britanskoy-i-amerikanskoy-istoriografii</subfield><subfield code="z">kostenfrei</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="u">https://doaj.org/toc/2071-8160</subfield><subfield code="y">Journal toc</subfield><subfield code="z">kostenfrei</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_USEFLAG_A</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">SYSFLAG_A</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_DOAJ</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">SSG-OLC-PHA</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_11</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_20</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_22</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_24</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_31</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_39</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_40</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_60</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_62</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_63</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_65</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_69</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_70</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_73</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_95</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_110</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_151</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_161</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_206</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_213</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_230</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_285</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_293</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_602</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2014</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4012</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4037</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4112</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4125</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4126</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4249</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4305</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4306</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4307</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4322</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4323</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4324</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4325</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4326</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4338</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4367</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4700</subfield></datafield><datafield tag="951" ind1=" " ind2=" "><subfield code="a">AR</subfield></datafield><datafield tag="952" ind1=" " ind2=" "><subfield code="d">46</subfield><subfield code="j">2016</subfield><subfield code="e">1</subfield><subfield code="h">7-17</subfield></datafield></record></collection>
score	7.3989916

Nicht das Richtige dabei?

Schreiben Sie uns!

“The Concert of Europe” In 20th Century British and American Historiography

Nicht das Richtige dabei?

Zugang & Verfügbarkeit

Vorhandene Bände

Nicht das Richtige dabei?