K problematice literatury německého a rakouského biedermeieru // On the topic of German and Austrian biedermeier period literature

Instead of using the term Biedermeier to label the literary period between Romanticism and Realism, the terms “literature of the Restoration period” or “pre-March period literature” are sometimes used. Biedermeier designates the period between 1815 (Congress of Vienna) and 1850 (the aftermath of the...
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Autor*in:	Milan Tvrdík [verfasserIn]

Format:	E-Artikel
Sprache:	Tschechisch ; Englisch ; Spanisch ; Französisch ; Portugiesisch

Erschienen:	2015

Schlagwörter:	pojem biedermeieru umění a literatura doby předbřeznové německá a rakouská literární věda Paul Kluckhohn české písemnictví první poloviny 19. století Biedermeier the art and literature of the pre-revolutionary period German and Austrian literary studies Czech literature of the first half of the 19th century

Übergeordnetes Werk:	In: Svět Literatury - Univerzita Karlova, Filozofická Fakulta, 2018, 25(2015), 52, Seite 94-115
Übergeordnetes Werk:	volume:25 ; year:2015 ; number:52 ; pages:94-115

Links:	Link aufrufen Link aufrufen Journal toc Journal toc

Katalog-ID:	DOAJ003175189

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author	Milan Tvrdík
spellingShingle	Milan Tvrdík misc pojem biedermeieru misc umění a literatura doby předbřeznové misc německá a rakouská literární věda misc Paul Kluckhohn misc české písemnictví první poloviny 19. století misc Biedermeier misc the art and literature of the pre-revolutionary period misc German and Austrian literary studies misc Czech literature of the first half of the 19th century misc Language and Literature misc P K problematice literatury německého a rakouského biedermeieru // On the topic of German and Austrian biedermeier period literature
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topic_title	K problematice literatury německého a rakouského biedermeieru // On the topic of German and Austrian biedermeier period literature pojem biedermeieru umění a literatura doby předbřeznové německá a rakouská literární věda Paul Kluckhohn české písemnictví první poloviny 19. století Biedermeier the art and literature of the pre-revolutionary period German and Austrian literary studies Czech literature of the first half of the 19th century
topic	misc pojem biedermeieru misc umění a literatura doby předbřeznové misc německá a rakouská literární věda misc Paul Kluckhohn misc české písemnictví první poloviny 19. století misc Biedermeier misc the art and literature of the pre-revolutionary period misc German and Austrian literary studies misc Czech literature of the first half of the 19th century misc Language and Literature misc P
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title	K problematice literatury německého a rakouského biedermeieru // On the topic of German and Austrian biedermeier period literature
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title_sort	k problematice literatury německého a rakouského biedermeieru // on the topic of german and austrian biedermeier period literature
title_auth	K problematice literatury německého a rakouského biedermeieru // On the topic of German and Austrian biedermeier period literature
abstract	Instead of using the term Biedermeier to label the literary period between Romanticism and Realism, the terms “literature of the Restoration period” or “pre-March period literature” are sometimes used. Biedermeier designates the period between 1815 (Congress of Vienna) and 1850 (the aftermath of the revolutionary years 1848/49). Paul Kluckholm was the first to use the term “biedermeier” (in 1927) after it had lost its pejorative overtones at the end of the 19th century and, at the beginning of the 20th, taken on a meaning designating the lifestyle and fashion of the first half of the 19th century. The Biedermeier epoch does not have a specific aesthetic or theoretical programme, which led to a stylistic discontinuity: a naïve concatenation of various forms of expression, mixing of genres, and underestimating the formal aspects of a work of art — putting emphasis on “detailed descriptions”, frequent reflections. This allowed for an unprecedented proliferation of trivial fiction issued in a multitude of almanacs, pocket editions, and numerous “family” magazines. Drama became an important genre, mainly the Viennese people play and conversational plays (Raimund, Nestroy, Bauernfeld).
abstractGer	Instead of using the term Biedermeier to label the literary period between Romanticism and Realism, the terms “literature of the Restoration period” or “pre-March period literature” are sometimes used. Biedermeier designates the period between 1815 (Congress of Vienna) and 1850 (the aftermath of the revolutionary years 1848/49). Paul Kluckholm was the first to use the term “biedermeier” (in 1927) after it had lost its pejorative overtones at the end of the 19th century and, at the beginning of the 20th, taken on a meaning designating the lifestyle and fashion of the first half of the 19th century. The Biedermeier epoch does not have a specific aesthetic or theoretical programme, which led to a stylistic discontinuity: a naïve concatenation of various forms of expression, mixing of genres, and underestimating the formal aspects of a work of art — putting emphasis on “detailed descriptions”, frequent reflections. This allowed for an unprecedented proliferation of trivial fiction issued in a multitude of almanacs, pocket editions, and numerous “family” magazines. Drama became an important genre, mainly the Viennese people play and conversational plays (Raimund, Nestroy, Bauernfeld).
abstract_unstemmed	Instead of using the term Biedermeier to label the literary period between Romanticism and Realism, the terms “literature of the Restoration period” or “pre-March period literature” are sometimes used. Biedermeier designates the period between 1815 (Congress of Vienna) and 1850 (the aftermath of the revolutionary years 1848/49). Paul Kluckholm was the first to use the term “biedermeier” (in 1927) after it had lost its pejorative overtones at the end of the 19th century and, at the beginning of the 20th, taken on a meaning designating the lifestyle and fashion of the first half of the 19th century. The Biedermeier epoch does not have a specific aesthetic or theoretical programme, which led to a stylistic discontinuity: a naïve concatenation of various forms of expression, mixing of genres, and underestimating the formal aspects of a work of art — putting emphasis on “detailed descriptions”, frequent reflections. This allowed for an unprecedented proliferation of trivial fiction issued in a multitude of almanacs, pocket editions, and numerous “family” magazines. Drama became an important genre, mainly the Viennese people play and conversational plays (Raimund, Nestroy, Bauernfeld).
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title_short	K problematice literatury německého a rakouského biedermeieru // On the topic of German and Austrian biedermeier period literature
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K problematice literatury německého a rakouského biedermeieru // On the topic of German and Austrian biedermeier period literature

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