Tra odierno e primordiale

Emilio Villa (1914-2003) was a poet, translator and art critic. He placed the theme of Origins at the center of his work, always considering it in relation with the concept of Èskhaton (the End of Times) and often observing it as an etymologist. After translating a fragment of the Enūma eliš (1939)...
Ausführliche Beschreibung

Gespeichert in:

Autor*in:	Ugo Fracassa [verfasserIn]

Format:	E-Artikel
Sprache:	Deutsch ; Englisch ; Spanisch ; Französisch ; Italienisch

Erschienen:	2022

Schlagwörter:	Cosmogony Translation Contemporary Art Bible

Übergeordnetes Werk:	In: CoSMO - Università degli Studi di Torino, 2017, (2022), 21
Übergeordnetes Werk:	year:2022 ; number:21

Links:	Link aufrufen Link aufrufen Link aufrufen Journal toc

DOI / URN:	10.13135/2281-6658/6669

Katalog-ID:	DOAJ004536711

Internformat


LEADER	01000caa a22002652 4500
001	DOAJ004536711
003	DE-627
005	20230311014023.0
007	cr uuu---uuuuu
008	230225s2022 xx \|\|\|\|\|o 00\| \|\|ger c
024	7		\|a 10.13135/2281-6658/6669 \|2 doi
035			\|a (DE-627)DOAJ004536711
035			\|a (DE-599)DOAJf4b15a1ed4e44b768da1b454e57c2558
040			\|a DE-627 \|b ger \|c DE-627 \|e rakwb
041			\|a ger \|a eng \|a spa \|a fre \|a ita
100	0		\|a Ugo Fracassa \|e verfasserin \|4 aut
245	1	0	\|a Tra odierno e primordiale
264		1	\|c 2022
336			\|a Text \|b txt \|2 rdacontent
337			\|a Computermedien \|b c \|2 rdamedia
338			\|a Online-Ressource \|b cr \|2 rdacarrier
520			\|a Emilio Villa (1914-2003) was a poet, translator and art critic. He placed the theme of Origins at the center of his work, always considering it in relation with the concept of Èskhaton (the End of Times) and often observing it as an etymologist. After translating a fragment of the Enūma eliš (1939) - the Babylonian creation myth -, as well as the book of Genesis and the entire Odyssey, Villa applied his cosmogonic talent to contemporary art, in favor of the pictorial movement of Informalism. A trace of its peculiar idea of Origins is also found in John Huston’s film The Bible: in the Beginning…, of which he contributed to as a biblical scholar.
650		4	\|a Cosmogony
650		4	\|a Translation
650		4	\|a Contemporary Art
650		4	\|a Bible
653		0	\|a Language and Literature
653		0	\|a P
773	0	8	\|i In \|t CoSMO \|d Università degli Studi di Torino, 2017 \|g (2022), 21 \|w (DE-627)776852949 \|w (DE-600)2750807-9 \|x 22816658 \|7 nnns
773	1	8	\|g year:2022 \|g number:21
856	4	0	\|u https://doi.org/10.13135/2281-6658/6669 \|z kostenfrei
856	4	0	\|u https://doaj.org/article/f4b15a1ed4e44b768da1b454e57c2558 \|z kostenfrei
856	4	0	\|u https://www.ojs.unito.it/index.php/COSMO/article/view/6669 \|z kostenfrei
856	4	2	\|u https://doaj.org/toc/2281-6658 \|y Journal toc \|z kostenfrei
912			\|a GBV_USEFLAG_A
912			\|a SYSFLAG_A
912			\|a GBV_DOAJ
912			\|a GBV_ILN_11
912			\|a GBV_ILN_20
912			\|a GBV_ILN_22
912			\|a GBV_ILN_23
912			\|a GBV_ILN_24
912			\|a GBV_ILN_39
912			\|a GBV_ILN_40
912			\|a GBV_ILN_60
912			\|a GBV_ILN_62
912			\|a GBV_ILN_63
912			\|a GBV_ILN_65
912			\|a GBV_ILN_69
912			\|a GBV_ILN_70
912			\|a GBV_ILN_73
912			\|a GBV_ILN_74
912			\|a GBV_ILN_95
912			\|a GBV_ILN_110
912			\|a GBV_ILN_151
912			\|a GBV_ILN_161
912			\|a GBV_ILN_213
912			\|a GBV_ILN_230
912			\|a GBV_ILN_285
912			\|a GBV_ILN_293
912			\|a GBV_ILN_370
912			\|a GBV_ILN_602
912			\|a GBV_ILN_2014
912			\|a GBV_ILN_2086
912			\|a GBV_ILN_4012
912			\|a GBV_ILN_4037
912			\|a GBV_ILN_4112
912			\|a GBV_ILN_4125
912			\|a GBV_ILN_4126
912			\|a GBV_ILN_4249
912			\|a GBV_ILN_4305
912			\|a GBV_ILN_4306
912			\|a GBV_ILN_4307
912			\|a GBV_ILN_4313
912			\|a GBV_ILN_4322
912			\|a GBV_ILN_4323
912			\|a GBV_ILN_4324
912			\|a GBV_ILN_4325
912			\|a GBV_ILN_4326
912			\|a GBV_ILN_4335
912			\|a GBV_ILN_4338
912			\|a GBV_ILN_4367
912			\|a GBV_ILN_4700
951			\|a AR
952			\|j 2022 \|e 21

Indexfelder

author_variant	u f uf
matchkey_str	article:22816658:2022----::roiropi
hierarchy_sort_str	2022
publishDate	2022
allfields	10.13135/2281-6658/6669 doi (DE-627)DOAJ004536711 (DE-599)DOAJf4b15a1ed4e44b768da1b454e57c2558 DE-627 ger DE-627 rakwb ger eng spa fre ita Ugo Fracassa verfasserin aut Tra odierno e primordiale 2022 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Emilio Villa (1914-2003) was a poet, translator and art critic. He placed the theme of Origins at the center of his work, always considering it in relation with the concept of Èskhaton (the End of Times) and often observing it as an etymologist. After translating a fragment of the Enūma eliš (1939) - the Babylonian creation myth -, as well as the book of Genesis and the entire Odyssey, Villa applied his cosmogonic talent to contemporary art, in favor of the pictorial movement of Informalism. A trace of its peculiar idea of Origins is also found in John Huston’s film The Bible: in the Beginning…, of which he contributed to as a biblical scholar. Cosmogony Translation Contemporary Art Bible Language and Literature P In CoSMO Università degli Studi di Torino, 2017 (2022), 21 (DE-627)776852949 (DE-600)2750807-9 22816658 nnns year:2022 number:21 https://doi.org/10.13135/2281-6658/6669 kostenfrei https://doaj.org/article/f4b15a1ed4e44b768da1b454e57c2558 kostenfrei https://www.ojs.unito.it/index.php/COSMO/article/view/6669 kostenfrei https://doaj.org/toc/2281-6658 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_95 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_2086 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4700 AR 2022 21
spelling	10.13135/2281-6658/6669 doi (DE-627)DOAJ004536711 (DE-599)DOAJf4b15a1ed4e44b768da1b454e57c2558 DE-627 ger DE-627 rakwb ger eng spa fre ita Ugo Fracassa verfasserin aut Tra odierno e primordiale 2022 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Emilio Villa (1914-2003) was a poet, translator and art critic. He placed the theme of Origins at the center of his work, always considering it in relation with the concept of Èskhaton (the End of Times) and often observing it as an etymologist. After translating a fragment of the Enūma eliš (1939) - the Babylonian creation myth -, as well as the book of Genesis and the entire Odyssey, Villa applied his cosmogonic talent to contemporary art, in favor of the pictorial movement of Informalism. A trace of its peculiar idea of Origins is also found in John Huston’s film The Bible: in the Beginning…, of which he contributed to as a biblical scholar. Cosmogony Translation Contemporary Art Bible Language and Literature P In CoSMO Università degli Studi di Torino, 2017 (2022), 21 (DE-627)776852949 (DE-600)2750807-9 22816658 nnns year:2022 number:21 https://doi.org/10.13135/2281-6658/6669 kostenfrei https://doaj.org/article/f4b15a1ed4e44b768da1b454e57c2558 kostenfrei https://www.ojs.unito.it/index.php/COSMO/article/view/6669 kostenfrei https://doaj.org/toc/2281-6658 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_95 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_2086 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4700 AR 2022 21
allfields_unstemmed	10.13135/2281-6658/6669 doi (DE-627)DOAJ004536711 (DE-599)DOAJf4b15a1ed4e44b768da1b454e57c2558 DE-627 ger DE-627 rakwb ger eng spa fre ita Ugo Fracassa verfasserin aut Tra odierno e primordiale 2022 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Emilio Villa (1914-2003) was a poet, translator and art critic. He placed the theme of Origins at the center of his work, always considering it in relation with the concept of Èskhaton (the End of Times) and often observing it as an etymologist. After translating a fragment of the Enūma eliš (1939) - the Babylonian creation myth -, as well as the book of Genesis and the entire Odyssey, Villa applied his cosmogonic talent to contemporary art, in favor of the pictorial movement of Informalism. A trace of its peculiar idea of Origins is also found in John Huston’s film The Bible: in the Beginning…, of which he contributed to as a biblical scholar. Cosmogony Translation Contemporary Art Bible Language and Literature P In CoSMO Università degli Studi di Torino, 2017 (2022), 21 (DE-627)776852949 (DE-600)2750807-9 22816658 nnns year:2022 number:21 https://doi.org/10.13135/2281-6658/6669 kostenfrei https://doaj.org/article/f4b15a1ed4e44b768da1b454e57c2558 kostenfrei https://www.ojs.unito.it/index.php/COSMO/article/view/6669 kostenfrei https://doaj.org/toc/2281-6658 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_95 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_2086 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4700 AR 2022 21
allfieldsGer	10.13135/2281-6658/6669 doi (DE-627)DOAJ004536711 (DE-599)DOAJf4b15a1ed4e44b768da1b454e57c2558 DE-627 ger DE-627 rakwb ger eng spa fre ita Ugo Fracassa verfasserin aut Tra odierno e primordiale 2022 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Emilio Villa (1914-2003) was a poet, translator and art critic. He placed the theme of Origins at the center of his work, always considering it in relation with the concept of Èskhaton (the End of Times) and often observing it as an etymologist. After translating a fragment of the Enūma eliš (1939) - the Babylonian creation myth -, as well as the book of Genesis and the entire Odyssey, Villa applied his cosmogonic talent to contemporary art, in favor of the pictorial movement of Informalism. A trace of its peculiar idea of Origins is also found in John Huston’s film The Bible: in the Beginning…, of which he contributed to as a biblical scholar. Cosmogony Translation Contemporary Art Bible Language and Literature P In CoSMO Università degli Studi di Torino, 2017 (2022), 21 (DE-627)776852949 (DE-600)2750807-9 22816658 nnns year:2022 number:21 https://doi.org/10.13135/2281-6658/6669 kostenfrei https://doaj.org/article/f4b15a1ed4e44b768da1b454e57c2558 kostenfrei https://www.ojs.unito.it/index.php/COSMO/article/view/6669 kostenfrei https://doaj.org/toc/2281-6658 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_95 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_2086 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4700 AR 2022 21
allfieldsSound	10.13135/2281-6658/6669 doi (DE-627)DOAJ004536711 (DE-599)DOAJf4b15a1ed4e44b768da1b454e57c2558 DE-627 ger DE-627 rakwb ger eng spa fre ita Ugo Fracassa verfasserin aut Tra odierno e primordiale 2022 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Emilio Villa (1914-2003) was a poet, translator and art critic. He placed the theme of Origins at the center of his work, always considering it in relation with the concept of Èskhaton (the End of Times) and often observing it as an etymologist. After translating a fragment of the Enūma eliš (1939) - the Babylonian creation myth -, as well as the book of Genesis and the entire Odyssey, Villa applied his cosmogonic talent to contemporary art, in favor of the pictorial movement of Informalism. A trace of its peculiar idea of Origins is also found in John Huston’s film The Bible: in the Beginning…, of which he contributed to as a biblical scholar. Cosmogony Translation Contemporary Art Bible Language and Literature P In CoSMO Università degli Studi di Torino, 2017 (2022), 21 (DE-627)776852949 (DE-600)2750807-9 22816658 nnns year:2022 number:21 https://doi.org/10.13135/2281-6658/6669 kostenfrei https://doaj.org/article/f4b15a1ed4e44b768da1b454e57c2558 kostenfrei https://www.ojs.unito.it/index.php/COSMO/article/view/6669 kostenfrei https://doaj.org/toc/2281-6658 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_95 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_2086 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4700 AR 2022 21
language	German English Spanish French Italian
source	In CoSMO (2022), 21 year:2022 number:21
sourceStr	In CoSMO (2022), 21 year:2022 number:21
format_phy_str_mv	Article
institution	findex.gbv.de
topic_facet	Cosmogony Translation Contemporary Art Bible Language and Literature P
isfreeaccess_bool	true
container_title	CoSMO
authorswithroles_txt_mv	Ugo Fracassa @@aut@@
publishDateDaySort_date	2022-01-01T00:00:00Z
hierarchy_top_id	776852949
id	DOAJ004536711
language_de	deutsch englisch spanisch franzoesisch italienisch
fullrecord	<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01000caa a22002652 4500</leader><controlfield tag="001">DOAJ004536711</controlfield><controlfield tag="003">DE-627</controlfield><controlfield tag="005">20230311014023.0</controlfield><controlfield tag="007">cr uuu---uuuuu</controlfield><controlfield tag="008">230225s2022 xx \|\|\|\|\|o 00\| \|\|ger c</controlfield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.13135/2281-6658/6669</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-627)DOAJ004536711</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)DOAJf4b15a1ed4e44b768da1b454e57c2558</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-627</subfield><subfield code="b">ger</subfield><subfield code="c">DE-627</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1=" " ind2=" "><subfield code="a">ger</subfield><subfield code="a">eng</subfield><subfield code="a">spa</subfield><subfield code="a">fre</subfield><subfield code="a">ita</subfield></datafield><datafield tag="100" ind1="0" ind2=" "><subfield code="a">Ugo Fracassa</subfield><subfield code="e">verfasserin</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Tra odierno e primordiale</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2022</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">Text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">Computermedien</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">Online-Ressource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Emilio Villa (1914-2003) was a poet, translator and art critic. He placed the theme of Origins at the center of his work, always considering it in relation with the concept of Èskhaton (the End of Times) and often observing it as an etymologist. After translating a fragment of the Enūma eliš (1939) - the Babylonian creation myth -, as well as the book of Genesis and the entire Odyssey, Villa applied his cosmogonic talent to contemporary art, in favor of the pictorial movement of Informalism. A trace of its peculiar idea of Origins is also found in John Huston’s film The Bible: in the Beginning…, of which he contributed to as a biblical scholar.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Cosmogony</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Translation</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Contemporary Art</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Bible</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Language and Literature</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">P</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">In</subfield><subfield code="t">CoSMO</subfield><subfield code="d">Università degli Studi di Torino, 2017</subfield><subfield code="g">(2022), 21</subfield><subfield code="w">(DE-627)776852949</subfield><subfield code="w">(DE-600)2750807-9</subfield><subfield code="x">22816658</subfield><subfield code="7">nnns</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">year:2022</subfield><subfield code="g">number:21</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.13135/2281-6658/6669</subfield><subfield code="z">kostenfrei</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doaj.org/article/f4b15a1ed4e44b768da1b454e57c2558</subfield><subfield code="z">kostenfrei</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.ojs.unito.it/index.php/COSMO/article/view/6669</subfield><subfield code="z">kostenfrei</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="u">https://doaj.org/toc/2281-6658</subfield><subfield code="y">Journal toc</subfield><subfield code="z">kostenfrei</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_USEFLAG_A</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">SYSFLAG_A</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_DOAJ</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_11</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_20</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_22</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_23</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_24</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_39</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_40</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_60</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_62</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_63</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_65</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_69</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_70</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_73</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_74</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_95</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_110</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_151</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_161</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_213</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_230</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_285</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_293</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_370</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_602</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2014</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2086</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4012</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4037</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4112</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4125</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4126</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4249</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4305</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4306</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4307</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4313</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4322</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4323</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4324</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4325</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4326</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4335</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4338</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4367</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4700</subfield></datafield><datafield tag="951" ind1=" " ind2=" "><subfield code="a">AR</subfield></datafield><datafield tag="952" ind1=" " ind2=" "><subfield code="j">2022</subfield><subfield code="e">21</subfield></datafield></record></collection>
author	Ugo Fracassa
spellingShingle	Ugo Fracassa misc Cosmogony misc Translation misc Contemporary Art misc Bible misc Language and Literature misc P Tra odierno e primordiale
authorStr	Ugo Fracassa
ppnlink_with_tag_str_mv	@@773@@(DE-627)776852949
format	electronic Article
delete_txt_mv	keep
author_role	aut
collection	DOAJ
remote_str	true
illustrated	Not Illustrated
issn	22816658
topic_title	Tra odierno e primordiale Cosmogony Translation Contemporary Art Bible
topic	misc Cosmogony misc Translation misc Contemporary Art misc Bible misc Language and Literature misc P
topic_unstemmed	misc Cosmogony misc Translation misc Contemporary Art misc Bible misc Language and Literature misc P
topic_browse	misc Cosmogony misc Translation misc Contemporary Art misc Bible misc Language and Literature misc P
format_facet	Elektronische Aufsätze Aufsätze Elektronische Ressource
format_main_str_mv	Text Zeitschrift/Artikel
carriertype_str_mv	cr
hierarchy_parent_title	CoSMO
hierarchy_parent_id	776852949
hierarchy_top_title	CoSMO
isfreeaccess_txt	true
familylinks_str_mv	(DE-627)776852949 (DE-600)2750807-9
title	Tra odierno e primordiale
ctrlnum	(DE-627)DOAJ004536711 (DE-599)DOAJf4b15a1ed4e44b768da1b454e57c2558
title_full	Tra odierno e primordiale
author_sort	Ugo Fracassa
journal	CoSMO
journalStr	CoSMO
lang_code	ger eng spa fre ita
isOA_bool	true
recordtype	marc
publishDateSort	2022
contenttype_str_mv	txt
author_browse	Ugo Fracassa
format_se	Elektronische Aufsätze
author-letter	Ugo Fracassa
doi_str_mv	10.13135/2281-6658/6669
title_sort	tra odierno e primordiale
title_auth	Tra odierno e primordiale
abstract	Emilio Villa (1914-2003) was a poet, translator and art critic. He placed the theme of Origins at the center of his work, always considering it in relation with the concept of Èskhaton (the End of Times) and often observing it as an etymologist. After translating a fragment of the Enūma eliš (1939) - the Babylonian creation myth -, as well as the book of Genesis and the entire Odyssey, Villa applied his cosmogonic talent to contemporary art, in favor of the pictorial movement of Informalism. A trace of its peculiar idea of Origins is also found in John Huston’s film The Bible: in the Beginning…, of which he contributed to as a biblical scholar.
abstractGer	Emilio Villa (1914-2003) was a poet, translator and art critic. He placed the theme of Origins at the center of his work, always considering it in relation with the concept of Èskhaton (the End of Times) and often observing it as an etymologist. After translating a fragment of the Enūma eliš (1939) - the Babylonian creation myth -, as well as the book of Genesis and the entire Odyssey, Villa applied his cosmogonic talent to contemporary art, in favor of the pictorial movement of Informalism. A trace of its peculiar idea of Origins is also found in John Huston’s film The Bible: in the Beginning…, of which he contributed to as a biblical scholar.
abstract_unstemmed	Emilio Villa (1914-2003) was a poet, translator and art critic. He placed the theme of Origins at the center of his work, always considering it in relation with the concept of Èskhaton (the End of Times) and often observing it as an etymologist. After translating a fragment of the Enūma eliš (1939) - the Babylonian creation myth -, as well as the book of Genesis and the entire Odyssey, Villa applied his cosmogonic talent to contemporary art, in favor of the pictorial movement of Informalism. A trace of its peculiar idea of Origins is also found in John Huston’s film The Bible: in the Beginning…, of which he contributed to as a biblical scholar.
collection_details	GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_95 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_370 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_2086 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4700
container_issue	21
title_short	Tra odierno e primordiale
url	https://doi.org/10.13135/2281-6658/6669 https://doaj.org/article/f4b15a1ed4e44b768da1b454e57c2558 https://www.ojs.unito.it/index.php/COSMO/article/view/6669 https://doaj.org/toc/2281-6658
remote_bool	true
ppnlink	776852949
mediatype_str_mv	c
isOA_txt	true
hochschulschrift_bool	false
doi_str	10.13135/2281-6658/6669
up_date	2024-07-04T00:07:38.679Z
_version_	1803604888053088256
fullrecord_marcxml	<?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01000caa a22002652 4500</leader><controlfield tag="001">DOAJ004536711</controlfield><controlfield tag="003">DE-627</controlfield><controlfield tag="005">20230311014023.0</controlfield><controlfield tag="007">cr uuu---uuuuu</controlfield><controlfield tag="008">230225s2022 xx \|\|\|\|\|o 00\| \|\|ger c</controlfield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.13135/2281-6658/6669</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-627)DOAJ004536711</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)DOAJf4b15a1ed4e44b768da1b454e57c2558</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-627</subfield><subfield code="b">ger</subfield><subfield code="c">DE-627</subfield><subfield code="e">rakwb</subfield></datafield><datafield tag="041" ind1=" " ind2=" "><subfield code="a">ger</subfield><subfield code="a">eng</subfield><subfield code="a">spa</subfield><subfield code="a">fre</subfield><subfield code="a">ita</subfield></datafield><datafield tag="100" ind1="0" ind2=" "><subfield code="a">Ugo Fracassa</subfield><subfield code="e">verfasserin</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Tra odierno e primordiale</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2022</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">Text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">Computermedien</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">Online-Ressource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Emilio Villa (1914-2003) was a poet, translator and art critic. He placed the theme of Origins at the center of his work, always considering it in relation with the concept of Èskhaton (the End of Times) and often observing it as an etymologist. After translating a fragment of the Enūma eliš (1939) - the Babylonian creation myth -, as well as the book of Genesis and the entire Odyssey, Villa applied his cosmogonic talent to contemporary art, in favor of the pictorial movement of Informalism. A trace of its peculiar idea of Origins is also found in John Huston’s film The Bible: in the Beginning…, of which he contributed to as a biblical scholar.</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Cosmogony</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Translation</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Contemporary Art</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Bible</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Language and Literature</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">P</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="i">In</subfield><subfield code="t">CoSMO</subfield><subfield code="d">Università degli Studi di Torino, 2017</subfield><subfield code="g">(2022), 21</subfield><subfield code="w">(DE-627)776852949</subfield><subfield code="w">(DE-600)2750807-9</subfield><subfield code="x">22816658</subfield><subfield code="7">nnns</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">year:2022</subfield><subfield code="g">number:21</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.13135/2281-6658/6669</subfield><subfield code="z">kostenfrei</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doaj.org/article/f4b15a1ed4e44b768da1b454e57c2558</subfield><subfield code="z">kostenfrei</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://www.ojs.unito.it/index.php/COSMO/article/view/6669</subfield><subfield code="z">kostenfrei</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="u">https://doaj.org/toc/2281-6658</subfield><subfield code="y">Journal toc</subfield><subfield code="z">kostenfrei</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_USEFLAG_A</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">SYSFLAG_A</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_DOAJ</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_11</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_20</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_22</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_23</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_24</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_39</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_40</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_60</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_62</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_63</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_65</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_69</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_70</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_73</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_74</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_95</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_110</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_151</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_161</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_213</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_230</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_285</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_293</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_370</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_602</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2014</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_2086</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4012</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4037</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4112</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4125</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4126</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4249</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4305</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4306</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4307</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4313</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4322</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4323</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4324</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4325</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4326</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4335</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4338</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4367</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">GBV_ILN_4700</subfield></datafield><datafield tag="951" ind1=" " ind2=" "><subfield code="a">AR</subfield></datafield><datafield tag="952" ind1=" " ind2=" "><subfield code="j">2022</subfield><subfield code="e">21</subfield></datafield></record></collection>
score	7.400093

Nicht das Richtige dabei?

Schreiben Sie uns!

Tra odierno e primordiale

Nicht das Richtige dabei?

Zugang & Verfügbarkeit

Vorhandene Bände

Nicht das Richtige dabei?