Présences sonores. Musique, images et langue chez les Kuikuro du Haut Xingu
This article looks at the role played by mental images in the performance and hearing of the ritual music of the Kuikuro of Upper-Xingu, Brazil. The instrumental music of the Kagutu sacred flutes is considered to be the itseke’s voice. These non-human entities make their name heard through the sound...
Ausführliche Beschreibung
Autor*in: |
Tommaso Montagnani [verfasserIn] |
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E-Artikel |
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Französisch |
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2011 |
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Übergeordnetes Werk: |
In: Images Re-Vues - Centre d´Histoire et Théorie des Arts, 2006, 8(2011) |
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Übergeordnetes Werk: |
volume:8 ; year:2011 |
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Katalog-ID: |
DOAJ006718698 |
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(DE-627)DOAJ006718698 (DE-599)DOAJd8f64b365cff4caab94f57682a18c57f DE-627 ger DE-627 rakwb fre Tommaso Montagnani verfasserin aut Présences sonores. Musique, images et langue chez les Kuikuro du Haut Xingu 2011 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier This article looks at the role played by mental images in the performance and hearing of the ritual music of the Kuikuro of Upper-Xingu, Brazil. The instrumental music of the Kagutu sacred flutes is considered to be the itseke’s voice. These non-human entities make their name heard through the sound of the flute, thereby revealing themselves to the audience in the shape of melodic fragment. In order to memorise the complex musical structures of the suites these sacred flutes play, the musicians use mnemotechnic means that imply a visualisation process which also guides ritual performances. The images thereby visualised refer to the internal structure of the music piece as well as to the succession of suites during the Kagutu ritual. flûte sacrée image Kuikuro langue Fine Arts N In Images Re-Vues Centre d´Histoire et Théorie des Arts, 2006 8(2011) (DE-627)500321531 (DE-600)2203767-6 17783801 nnns volume:8 year:2011 https://doaj.org/article/d8f64b365cff4caab94f57682a18c57f kostenfrei http://journals.openedition.org/imagesrevues/493 kostenfrei https://doaj.org/toc/1778-3801 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ SSG-OLC-PHA GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_105 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_206 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4392 GBV_ILN_4700 AR 8 2011 |
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(DE-627)DOAJ006718698 (DE-599)DOAJd8f64b365cff4caab94f57682a18c57f DE-627 ger DE-627 rakwb fre Tommaso Montagnani verfasserin aut Présences sonores. Musique, images et langue chez les Kuikuro du Haut Xingu 2011 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier This article looks at the role played by mental images in the performance and hearing of the ritual music of the Kuikuro of Upper-Xingu, Brazil. The instrumental music of the Kagutu sacred flutes is considered to be the itseke’s voice. These non-human entities make their name heard through the sound of the flute, thereby revealing themselves to the audience in the shape of melodic fragment. In order to memorise the complex musical structures of the suites these sacred flutes play, the musicians use mnemotechnic means that imply a visualisation process which also guides ritual performances. The images thereby visualised refer to the internal structure of the music piece as well as to the succession of suites during the Kagutu ritual. flûte sacrée image Kuikuro langue Fine Arts N In Images Re-Vues Centre d´Histoire et Théorie des Arts, 2006 8(2011) (DE-627)500321531 (DE-600)2203767-6 17783801 nnns volume:8 year:2011 https://doaj.org/article/d8f64b365cff4caab94f57682a18c57f kostenfrei http://journals.openedition.org/imagesrevues/493 kostenfrei https://doaj.org/toc/1778-3801 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ SSG-OLC-PHA GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_105 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_206 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4392 GBV_ILN_4700 AR 8 2011 |
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(DE-627)DOAJ006718698 (DE-599)DOAJd8f64b365cff4caab94f57682a18c57f DE-627 ger DE-627 rakwb fre Tommaso Montagnani verfasserin aut Présences sonores. Musique, images et langue chez les Kuikuro du Haut Xingu 2011 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier This article looks at the role played by mental images in the performance and hearing of the ritual music of the Kuikuro of Upper-Xingu, Brazil. The instrumental music of the Kagutu sacred flutes is considered to be the itseke’s voice. These non-human entities make their name heard through the sound of the flute, thereby revealing themselves to the audience in the shape of melodic fragment. In order to memorise the complex musical structures of the suites these sacred flutes play, the musicians use mnemotechnic means that imply a visualisation process which also guides ritual performances. The images thereby visualised refer to the internal structure of the music piece as well as to the succession of suites during the Kagutu ritual. flûte sacrée image Kuikuro langue Fine Arts N In Images Re-Vues Centre d´Histoire et Théorie des Arts, 2006 8(2011) (DE-627)500321531 (DE-600)2203767-6 17783801 nnns volume:8 year:2011 https://doaj.org/article/d8f64b365cff4caab94f57682a18c57f kostenfrei http://journals.openedition.org/imagesrevues/493 kostenfrei https://doaj.org/toc/1778-3801 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ SSG-OLC-PHA GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_105 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_206 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4392 GBV_ILN_4700 AR 8 2011 |
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(DE-627)DOAJ006718698 (DE-599)DOAJd8f64b365cff4caab94f57682a18c57f DE-627 ger DE-627 rakwb fre Tommaso Montagnani verfasserin aut Présences sonores. Musique, images et langue chez les Kuikuro du Haut Xingu 2011 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier This article looks at the role played by mental images in the performance and hearing of the ritual music of the Kuikuro of Upper-Xingu, Brazil. The instrumental music of the Kagutu sacred flutes is considered to be the itseke’s voice. These non-human entities make their name heard through the sound of the flute, thereby revealing themselves to the audience in the shape of melodic fragment. In order to memorise the complex musical structures of the suites these sacred flutes play, the musicians use mnemotechnic means that imply a visualisation process which also guides ritual performances. The images thereby visualised refer to the internal structure of the music piece as well as to the succession of suites during the Kagutu ritual. flûte sacrée image Kuikuro langue Fine Arts N In Images Re-Vues Centre d´Histoire et Théorie des Arts, 2006 8(2011) (DE-627)500321531 (DE-600)2203767-6 17783801 nnns volume:8 year:2011 https://doaj.org/article/d8f64b365cff4caab94f57682a18c57f kostenfrei http://journals.openedition.org/imagesrevues/493 kostenfrei https://doaj.org/toc/1778-3801 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ SSG-OLC-PHA GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_105 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_206 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4392 GBV_ILN_4700 AR 8 2011 |
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(DE-627)DOAJ006718698 (DE-599)DOAJd8f64b365cff4caab94f57682a18c57f DE-627 ger DE-627 rakwb fre Tommaso Montagnani verfasserin aut Présences sonores. Musique, images et langue chez les Kuikuro du Haut Xingu 2011 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier This article looks at the role played by mental images in the performance and hearing of the ritual music of the Kuikuro of Upper-Xingu, Brazil. The instrumental music of the Kagutu sacred flutes is considered to be the itseke’s voice. These non-human entities make their name heard through the sound of the flute, thereby revealing themselves to the audience in the shape of melodic fragment. In order to memorise the complex musical structures of the suites these sacred flutes play, the musicians use mnemotechnic means that imply a visualisation process which also guides ritual performances. The images thereby visualised refer to the internal structure of the music piece as well as to the succession of suites during the Kagutu ritual. flûte sacrée image Kuikuro langue Fine Arts N In Images Re-Vues Centre d´Histoire et Théorie des Arts, 2006 8(2011) (DE-627)500321531 (DE-600)2203767-6 17783801 nnns volume:8 year:2011 https://doaj.org/article/d8f64b365cff4caab94f57682a18c57f kostenfrei http://journals.openedition.org/imagesrevues/493 kostenfrei https://doaj.org/toc/1778-3801 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ SSG-OLC-PHA GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_105 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_206 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4392 GBV_ILN_4700 AR 8 2011 |
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présences sonores. musique, images et langue chez les kuikuro du haut xingu |
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Présences sonores. Musique, images et langue chez les Kuikuro du Haut Xingu |
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This article looks at the role played by mental images in the performance and hearing of the ritual music of the Kuikuro of Upper-Xingu, Brazil. The instrumental music of the Kagutu sacred flutes is considered to be the itseke’s voice. These non-human entities make their name heard through the sound of the flute, thereby revealing themselves to the audience in the shape of melodic fragment. In order to memorise the complex musical structures of the suites these sacred flutes play, the musicians use mnemotechnic means that imply a visualisation process which also guides ritual performances. The images thereby visualised refer to the internal structure of the music piece as well as to the succession of suites during the Kagutu ritual. |
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This article looks at the role played by mental images in the performance and hearing of the ritual music of the Kuikuro of Upper-Xingu, Brazil. The instrumental music of the Kagutu sacred flutes is considered to be the itseke’s voice. These non-human entities make their name heard through the sound of the flute, thereby revealing themselves to the audience in the shape of melodic fragment. In order to memorise the complex musical structures of the suites these sacred flutes play, the musicians use mnemotechnic means that imply a visualisation process which also guides ritual performances. The images thereby visualised refer to the internal structure of the music piece as well as to the succession of suites during the Kagutu ritual. |
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This article looks at the role played by mental images in the performance and hearing of the ritual music of the Kuikuro of Upper-Xingu, Brazil. The instrumental music of the Kagutu sacred flutes is considered to be the itseke’s voice. These non-human entities make their name heard through the sound of the flute, thereby revealing themselves to the audience in the shape of melodic fragment. In order to memorise the complex musical structures of the suites these sacred flutes play, the musicians use mnemotechnic means that imply a visualisation process which also guides ritual performances. The images thereby visualised refer to the internal structure of the music piece as well as to the succession of suites during the Kagutu ritual. |
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