L’image-saudade : iconographie photographique d’un sentiment ambigu

Quels liens la saudade, expression majeure de la littérature portugaise du XVIe siècle peut-elle à priori entretenir vis-à-vis de la photographie contemporaine ? Difficilement traduisible, la saudade nous éveille un être ou un lieu cher dont l’absence ou la perte nous cause autant de tristesse que j...
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Autor*in:	Samuel de Jesus [verfasserIn]

Format:	E-Artikel
Sprache:	Englisch ; Französisch

Erschienen:	2014

Schlagwörter:	image-saudade photographie mélancolie poésie philosophie photography melancholy poetry philosophy

Übergeordnetes Werk:	In: Voix Plurielles - Association des Professeur-e-s de Français des Universités et Collèges Canadiens (APFUCC), 2010, 11(2014), 1, Seite 12-19
Übergeordnetes Werk:	volume:11 ; year:2014 ; number:1 ; pages:12-19

Links:	Link aufrufen Link aufrufen Journal toc

Katalog-ID:	DOAJ00805603X

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author	Samuel de Jesus
spellingShingle	Samuel de Jesus misc PQ1-3999 misc image-saudade misc photographie misc mélancolie misc poésie misc philosophie misc photography misc melancholy misc poetry misc philosophy misc French literature - Italian literature - Spanish literature - Portuguese literature L’image-saudade : iconographie photographique d’un sentiment ambigu
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topic_title	PQ1-3999 L’image-saudade : iconographie photographique d’un sentiment ambigu image-saudade photographie mélancolie poésie philosophie photography melancholy poetry philosophy
topic	misc PQ1-3999 misc image-saudade misc photographie misc mélancolie misc poésie misc philosophie misc photography misc melancholy misc poetry misc philosophy misc French literature - Italian literature - Spanish literature - Portuguese literature
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title	L’image-saudade : iconographie photographique d’un sentiment ambigu
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title_sort	l’image-saudade : iconographie photographique d’un sentiment ambigu
callnumber	PQ1-3999
title_auth	L’image-saudade : iconographie photographique d’un sentiment ambigu
abstract	Quels liens la saudade, expression majeure de la littérature portugaise du XVIe siècle peut-elle à priori entretenir vis-à-vis de la photographie contemporaine ? Difficilement traduisible, la saudade nous éveille un être ou un lieu cher dont l’absence ou la perte nous cause autant de tristesse que joie. Pourtant la saudade se révèle aussi comme une pensée singulière opérant une synthèse temporelle et spatiale de l’expérience éprouvée vis-à-vis du monde, par un agencement « virtuel » d’images. Ce sentiment construit, au fil du temps, un imaginaire dont la poïétique révèle paradoxalement présent, par son absence, tout ce qui fut mais qui n’est plus, ou encore la nostalgie de ce qui ne serait pas encore advenu ? The image-saudade: photographic iconography of a double-edged feeling Which relations can the saudade, a major expression of the Portuguese literature of the 16th century, maintain a priori with contemporary photography? If the saudade remains not easily translatable, it wakes up the remembrance related to a beloved being or place – whose absence, lack or loss cause us as much sadness as joy. However, the saudade also appears as a singular thought operating a temporal and spatial synthesis coming from man’s experience of the world, a “virtual” collage governed like a true layout of images. This feeling has built, all long time, an imaginary field revealed as present by poetry, paradoxically through its own absence — all that was, one day, but which is not anymore, or perhaps, the nostalgia for what has not occurred yet.
abstractGer	Quels liens la saudade, expression majeure de la littérature portugaise du XVIe siècle peut-elle à priori entretenir vis-à-vis de la photographie contemporaine ? Difficilement traduisible, la saudade nous éveille un être ou un lieu cher dont l’absence ou la perte nous cause autant de tristesse que joie. Pourtant la saudade se révèle aussi comme une pensée singulière opérant une synthèse temporelle et spatiale de l’expérience éprouvée vis-à-vis du monde, par un agencement « virtuel » d’images. Ce sentiment construit, au fil du temps, un imaginaire dont la poïétique révèle paradoxalement présent, par son absence, tout ce qui fut mais qui n’est plus, ou encore la nostalgie de ce qui ne serait pas encore advenu ? The image-saudade: photographic iconography of a double-edged feeling Which relations can the saudade, a major expression of the Portuguese literature of the 16th century, maintain a priori with contemporary photography? If the saudade remains not easily translatable, it wakes up the remembrance related to a beloved being or place – whose absence, lack or loss cause us as much sadness as joy. However, the saudade also appears as a singular thought operating a temporal and spatial synthesis coming from man’s experience of the world, a “virtual” collage governed like a true layout of images. This feeling has built, all long time, an imaginary field revealed as present by poetry, paradoxically through its own absence — all that was, one day, but which is not anymore, or perhaps, the nostalgia for what has not occurred yet.
abstract_unstemmed	Quels liens la saudade, expression majeure de la littérature portugaise du XVIe siècle peut-elle à priori entretenir vis-à-vis de la photographie contemporaine ? Difficilement traduisible, la saudade nous éveille un être ou un lieu cher dont l’absence ou la perte nous cause autant de tristesse que joie. Pourtant la saudade se révèle aussi comme une pensée singulière opérant une synthèse temporelle et spatiale de l’expérience éprouvée vis-à-vis du monde, par un agencement « virtuel » d’images. Ce sentiment construit, au fil du temps, un imaginaire dont la poïétique révèle paradoxalement présent, par son absence, tout ce qui fut mais qui n’est plus, ou encore la nostalgie de ce qui ne serait pas encore advenu ? The image-saudade: photographic iconography of a double-edged feeling Which relations can the saudade, a major expression of the Portuguese literature of the 16th century, maintain a priori with contemporary photography? If the saudade remains not easily translatable, it wakes up the remembrance related to a beloved being or place – whose absence, lack or loss cause us as much sadness as joy. However, the saudade also appears as a singular thought operating a temporal and spatial synthesis coming from man’s experience of the world, a “virtual” collage governed like a true layout of images. This feeling has built, all long time, an imaginary field revealed as present by poetry, paradoxically through its own absence — all that was, one day, but which is not anymore, or perhaps, the nostalgia for what has not occurred yet.
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title_short	L’image-saudade : iconographie photographique d’un sentiment ambigu
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