Icons, Images, Interpretations: Arrian,Lukian, their Relationship, and Alexander at the Kydnos

Alexander was the most prominent Argead and one of the major figures in Second Sophistic literature. The Second Sophistic authors had their own respective images of Alexander, treatment of their sources, and intention to write about him. This paper aims at exploring Lucian's ironic response to...
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Autor*in:	Sabine Müller [verfasserIn]

Format:	E-Artikel
Sprache:	Griechisch ; Englisch ; Spanisch ; Französisch ; Italienisch

Erschienen:	2018

Schlagwörter:	Kydnos River Alexander the Great Lucian Arrian

Übergeordnetes Werk:	In: Karanos - Universitat Autònoma de Barcelona. Departament de Ciències de l’Antiguitat i l’Edat Mitjana., 2021, 1(2018)
Übergeordnetes Werk:	volume:1 ; year:2018

Links:	Link aufrufen Link aufrufen Journal toc Journal toc

Katalog-ID:	DOAJ008187401

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callnumber-first	D - World History
author	Sabine Müller
spellingShingle	Sabine Müller misc D51-90 misc CC1-960 misc Kydnos River misc Alexander the Great misc Lucian misc Arrian misc Ancient history misc Archaeology Icons, Images, Interpretations: Arrian,Lukian, their Relationship, and Alexander at the Kydnos
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topic	misc D51-90 misc CC1-960 misc Kydnos River misc Alexander the Great misc Lucian misc Arrian misc Ancient history misc Archaeology
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title	Icons, Images, Interpretations: Arrian,Lukian, their Relationship, and Alexander at the Kydnos
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title_sort	icons, images, interpretations: arrian,lukian, their relationship, and alexander at the kydnos
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title_auth	Icons, Images, Interpretations: Arrian,Lukian, their Relationship, and Alexander at the Kydnos
abstract	Alexander was the most prominent Argead and one of the major figures in Second Sophistic literature. The Second Sophistic authors had their own respective images of Alexander, treatment of their sources, and intention to write about him. This paper aims at exploring Lucian's ironic response to the historiographical Alexander images in his time. It will be argued that by ridiculing the current Alexander images in Second Sophistic literature, particularly as provided by Arrian's Anabasis, Lucian did not mean to make fun of the historical Alexander but of his reception and the bias and artifice involved.
abstractGer	Alexander was the most prominent Argead and one of the major figures in Second Sophistic literature. The Second Sophistic authors had their own respective images of Alexander, treatment of their sources, and intention to write about him. This paper aims at exploring Lucian's ironic response to the historiographical Alexander images in his time. It will be argued that by ridiculing the current Alexander images in Second Sophistic literature, particularly as provided by Arrian's Anabasis, Lucian did not mean to make fun of the historical Alexander but of his reception and the bias and artifice involved.
abstract_unstemmed	Alexander was the most prominent Argead and one of the major figures in Second Sophistic literature. The Second Sophistic authors had their own respective images of Alexander, treatment of their sources, and intention to write about him. This paper aims at exploring Lucian's ironic response to the historiographical Alexander images in his time. It will be argued that by ridiculing the current Alexander images in Second Sophistic literature, particularly as provided by Arrian's Anabasis, Lucian did not mean to make fun of the historical Alexander but of his reception and the bias and artifice involved.
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title_short	Icons, Images, Interpretations: Arrian,Lukian, their Relationship, and Alexander at the Kydnos
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