Interests: A prerequisite for the development of the art audience
The concept of art audience is understood as that, very small, part of population which possesses developed cultural needs and developed and regular cultural practice. Using Guy Debord's words we set a question: What are the chances for the arts compared with the glittering appearances of a spe...
Ausführliche Beschreibung
Gespeichert in:
| Autor*in: |
Dragin Dušica [verfasserIn] |
|---|
| Format: |
E-Artikel |
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| Sprache: |
Englisch ; srp |
| Erschienen: |
2016 |
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| Schlagwörter: |
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| Übergeordnetes Werk: |
In: Zbornik Radova Akademije Umetnosti - Akademija umetnosti Univerziteta u Novom Sadu, 2017, (2016), 4, Seite 193-205 |
|---|---|
| Übergeordnetes Werk: |
year:2016 ; number:4 ; pages:193-205 |
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Link aufrufen |
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10.5937/ZbAkUm1604193D |
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| 520 | |a The concept of art audience is understood as that, very small, part of population which possesses developed cultural needs and developed and regular cultural practice. Using Guy Debord's words we set a question: What are the chances for the arts compared with the glittering appearances of a spectacle in the modern world in which the tendency towards general banalization dominates? This question is considered as essential for cultural protagonists. Following Nemanjić's theory about cultural needs, we emphasize that the cultural need is formed as a cultural interest, which means that interests have a crucial role in the development of cultural needs, and consequently in cultural consumption. Accordingly, we think that the understanding of the importance of interests as a prerequisite for the development of the art audience is one of the most significant issues in the theory and practice of management in culture. The aim of the paper is to present the concept and its numerous factors in the process of forming and developing interests, as well as to point to the necessity and possibilities of the development of artistic interests, the latter being especially relevant to the management/managers of cultural institutions. | ||
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The concept of art audience is understood as that, very small, part of population which possesses developed cultural needs and developed and regular cultural practice. Using Guy Debord's words we set a question: What are the chances for the arts compared with the glittering appearances of a spectacle in the modern world in which the tendency towards general banalization dominates? This question is considered as essential for cultural protagonists. Following Nemanjić's theory about cultural needs, we emphasize that the cultural need is formed as a cultural interest, which means that interests have a crucial role in the development of cultural needs, and consequently in cultural consumption. Accordingly, we think that the understanding of the importance of interests as a prerequisite for the development of the art audience is one of the most significant issues in the theory and practice of management in culture. The aim of the paper is to present the concept and its numerous factors in the process of forming and developing interests, as well as to point to the necessity and possibilities of the development of artistic interests, the latter being especially relevant to the management/managers of cultural institutions. |
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The concept of art audience is understood as that, very small, part of population which possesses developed cultural needs and developed and regular cultural practice. Using Guy Debord's words we set a question: What are the chances for the arts compared with the glittering appearances of a spectacle in the modern world in which the tendency towards general banalization dominates? This question is considered as essential for cultural protagonists. Following Nemanjić's theory about cultural needs, we emphasize that the cultural need is formed as a cultural interest, which means that interests have a crucial role in the development of cultural needs, and consequently in cultural consumption. Accordingly, we think that the understanding of the importance of interests as a prerequisite for the development of the art audience is one of the most significant issues in the theory and practice of management in culture. The aim of the paper is to present the concept and its numerous factors in the process of forming and developing interests, as well as to point to the necessity and possibilities of the development of artistic interests, the latter being especially relevant to the management/managers of cultural institutions. |
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The concept of art audience is understood as that, very small, part of population which possesses developed cultural needs and developed and regular cultural practice. Using Guy Debord's words we set a question: What are the chances for the arts compared with the glittering appearances of a spectacle in the modern world in which the tendency towards general banalization dominates? This question is considered as essential for cultural protagonists. Following Nemanjić's theory about cultural needs, we emphasize that the cultural need is formed as a cultural interest, which means that interests have a crucial role in the development of cultural needs, and consequently in cultural consumption. Accordingly, we think that the understanding of the importance of interests as a prerequisite for the development of the art audience is one of the most significant issues in the theory and practice of management in culture. The aim of the paper is to present the concept and its numerous factors in the process of forming and developing interests, as well as to point to the necessity and possibilities of the development of artistic interests, the latter being especially relevant to the management/managers of cultural institutions. |
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Interests: A prerequisite for the development of the art audience |
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https://doi.org/10.5937/ZbAkUm1604193D https://doaj.org/article/10a261368c99424eb590edd3cc98afcf http://scindeks-clanci.ceon.rs/data/pdf/2334-8666/2016/2334-86661604193D.pdf https://doaj.org/toc/2334-8666 https://doaj.org/toc/2560-3108 |
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