Design and innovation for the Cultural Heritage. Phygital connections for a Heritage of proximity

The article presents reflections in the field of design for the Cultural Heritage within the ‘phygital’ scenario, in which the physical-analogical world converges and interacts with the virtual-digital world in a new fluid space. This condition has a significant impact on the cultural Heritage, both...
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Autor*in:	Eleonora Lupo [verfasserIn]

Format:	E-Artikel
Sprache:	Englisch ; Italienisch

Erschienen:	2021

Schlagwörter:	design for the innovation of the cultural heritage phygital heritage continuum activation proximity

Übergeordnetes Werk:	In: Agathón - Palermo University Press, 2019, 10(2021), online
Übergeordnetes Werk:	volume:10 ; year:2021 ; number:online

Links:	Link aufrufen Link aufrufen Link aufrufen Journal toc Journal toc

DOI / URN:	10.19229/2464-9309/10172021

Katalog-ID:	DOAJ010907645

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topic_title	NA1-9428 Design and innovation for the Cultural Heritage. Phygital connections for a Heritage of proximity design for the innovation of the cultural heritage phygital heritage continuum activation proximity
topic	misc NA1-9428 misc design for the innovation of the cultural heritage misc phygital misc heritage continuum misc activation misc proximity misc Architecture
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title	Design and innovation for the Cultural Heritage. Phygital connections for a Heritage of proximity
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abstract	The article presents reflections in the field of design for the Cultural Heritage within the ‘phygital’ scenario, in which the physical-analogical world converges and interacts with the virtual-digital world in a new fluid space. This condition has a significant impact on the cultural Heritage, both on its nature and definition and its accessibility and experience, as it becomes an indivisible continuum of tangible and intangible elements extended and connected in time and space. The potential of new technologies makes it possible to create significant connections between the Heritage, the users and the stakeholders, in a hybrid spatial dimension of both physical and metaphorical proximity. Design culture responds to these transformations (and to the need for new ways to relate to, become involved with and connect deeply with the Heritage, partly in response to the post-pandemic crisis) with an innovative approach to culture-driven technology. Defined as ‘culture-driven innovation’, it aims to innovate the user experience and hence the experience of designing with the Heritage, through the co-creation of augmented and amplified narratives, participatory and contributory co-curatorial practices, as well as performance practices and the creative re-use of the cultural Heritage.
abstractGer	The article presents reflections in the field of design for the Cultural Heritage within the ‘phygital’ scenario, in which the physical-analogical world converges and interacts with the virtual-digital world in a new fluid space. This condition has a significant impact on the cultural Heritage, both on its nature and definition and its accessibility and experience, as it becomes an indivisible continuum of tangible and intangible elements extended and connected in time and space. The potential of new technologies makes it possible to create significant connections between the Heritage, the users and the stakeholders, in a hybrid spatial dimension of both physical and metaphorical proximity. Design culture responds to these transformations (and to the need for new ways to relate to, become involved with and connect deeply with the Heritage, partly in response to the post-pandemic crisis) with an innovative approach to culture-driven technology. Defined as ‘culture-driven innovation’, it aims to innovate the user experience and hence the experience of designing with the Heritage, through the co-creation of augmented and amplified narratives, participatory and contributory co-curatorial practices, as well as performance practices and the creative re-use of the cultural Heritage.
abstract_unstemmed	The article presents reflections in the field of design for the Cultural Heritage within the ‘phygital’ scenario, in which the physical-analogical world converges and interacts with the virtual-digital world in a new fluid space. This condition has a significant impact on the cultural Heritage, both on its nature and definition and its accessibility and experience, as it becomes an indivisible continuum of tangible and intangible elements extended and connected in time and space. The potential of new technologies makes it possible to create significant connections between the Heritage, the users and the stakeholders, in a hybrid spatial dimension of both physical and metaphorical proximity. Design culture responds to these transformations (and to the need for new ways to relate to, become involved with and connect deeply with the Heritage, partly in response to the post-pandemic crisis) with an innovative approach to culture-driven technology. Defined as ‘culture-driven innovation’, it aims to innovate the user experience and hence the experience of designing with the Heritage, through the co-creation of augmented and amplified narratives, participatory and contributory co-curatorial practices, as well as performance practices and the creative re-use of the cultural Heritage.
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title_short	Design and innovation for the Cultural Heritage. Phygital connections for a Heritage of proximity
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