The Image of Byzantium in the Novel In Front of the Mirror by Veniamin Kaverin
Veniamin Kaverin’s novel In Front of the Mirror, which was published in 1972, is based on the actual correspondence between the Soviet mathematician Pavel Bezsonov and the painter Lidia Nikanorova, which Bezsonov handed over to the writer. It is clear even from a superficial comparison that there is...
Ausführliche Beschreibung
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| Autor*in: |
Asia V. Kulakova [verfasserIn] |
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| Format: |
E-Artikel |
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| Sprache: |
Bulgarisch ; Deutsch ; Englisch ; Kroatisch ; Russisch |
| Erschienen: |
2017 |
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| Schlagwörter: |
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| Übergeordnetes Werk: |
In: Slovene - Moscow State University of Education, 2014, 6(2017), 1 |
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| Übergeordnetes Werk: |
volume:6 ; year:2017 ; number:1 |
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| 520 | |a Veniamin Kaverin’s novel In Front of the Mirror, which was published in 1972, is based on the actual correspondence between the Soviet mathematician Pavel Bezsonov and the painter Lidia Nikanorova, which Bezsonov handed over to the writer. It is clear even from a superficial comparison that there is a large discrepancy between the source material and the text of the novel; moreover, it is evident upon a closer view that descriptive and ideological features that are connected with Christianity and Byzantium in the novel are close to the ideas and imagery that were typical for Kaverin’s contemporaries. From the perspective of the comparison between the text of the correspondence and the novel’s text, this paper attempts to show that the image of Byzantium in the novel is not similar to its image in the correspondence. Through an analysis of metaphors, images, and ideas connected with Byzantium in these texts, I intend to show that the image of Byzantium in the novel In Front of the Mirror is not only determined by the public sentiment of this period, specifically, by the second wave of the Soviet intelligentsia’s conversion to Christianity, but that it is also extremely personal and based on autobiographical experience. | ||
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(DE-627)DOAJ015160947 (DE-599)DOAJda59409e81914fb4b5a49dbb00fb6bbd DE-627 ger DE-627 rakwb bul ger eng hrv rus PG1-9665 Asia V. Kulakova verfasserin aut The Image of Byzantium in the Novel In Front of the Mirror by Veniamin Kaverin 2017 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Veniamin Kaverin’s novel In Front of the Mirror, which was published in 1972, is based on the actual correspondence between the Soviet mathematician Pavel Bezsonov and the painter Lidia Nikanorova, which Bezsonov handed over to the writer. It is clear even from a superficial comparison that there is a large discrepancy between the source material and the text of the novel; moreover, it is evident upon a closer view that descriptive and ideological features that are connected with Christianity and Byzantium in the novel are close to the ideas and imagery that were typical for Kaverin’s contemporaries. From the perspective of the comparison between the text of the correspondence and the novel’s text, this paper attempts to show that the image of Byzantium in the novel is not similar to its image in the correspondence. Through an analysis of metaphors, images, and ideas connected with Byzantium in these texts, I intend to show that the image of Byzantium in the novel In Front of the Mirror is not only determined by the public sentiment of this period, specifically, by the second wave of the Soviet intelligentsia’s conversion to Christianity, but that it is also extremely personal and based on autobiographical experience. образ Византии прототип русская советская литература история идей русская эмиграция обращение к христианству Slavic languages. Baltic languages. Albanian languages In Slovene Moscow State University of Education, 2014 6(2017), 1 (DE-627)786674776 (DE-600)2772043-3 23056754 nnns volume:6 year:2017 number:1 https://doaj.org/article/da59409e81914fb4b5a49dbb00fb6bbd kostenfrei http://slovene.ru/ojs/index.php/slovene/article/view/277 kostenfrei https://doaj.org/toc/2304-0785 Journal toc kostenfrei https://doaj.org/toc/2305-6754 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_24 GBV_ILN_39 GBV_ILN_40 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_602 GBV_ILN_2014 GBV_ILN_2093 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4367 GBV_ILN_4700 AR 6 2017 1 |
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Kulakova</subfield><subfield code="e">verfasserin</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="4"><subfield code="a">The Image of Byzantium in the Novel In Front of the Mirror by Veniamin Kaverin</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2017</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="a">Text</subfield><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="a">Computermedien</subfield><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="a">Online-Ressource</subfield><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Veniamin Kaverin’s novel In Front of the Mirror, which was published in 1972, is based on the actual correspondence between the Soviet mathematician Pavel Bezsonov and the painter Lidia Nikanorova, which Bezsonov handed over to the writer. It is clear even from a superficial comparison that there is a large discrepancy between the source material and the text of the novel; moreover, it is evident upon a closer view that descriptive and ideological features that are connected with Christianity and Byzantium in the novel are close to the ideas and imagery that were typical for Kaverin’s contemporaries. From the perspective of the comparison between the text of the correspondence and the novel’s text, this paper attempts to show that the image of Byzantium in the novel is not similar to its image in the correspondence. 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Veniamin Kaverin’s novel In Front of the Mirror, which was published in 1972, is based on the actual correspondence between the Soviet mathematician Pavel Bezsonov and the painter Lidia Nikanorova, which Bezsonov handed over to the writer. It is clear even from a superficial comparison that there is a large discrepancy between the source material and the text of the novel; moreover, it is evident upon a closer view that descriptive and ideological features that are connected with Christianity and Byzantium in the novel are close to the ideas and imagery that were typical for Kaverin’s contemporaries. From the perspective of the comparison between the text of the correspondence and the novel’s text, this paper attempts to show that the image of Byzantium in the novel is not similar to its image in the correspondence. Through an analysis of metaphors, images, and ideas connected with Byzantium in these texts, I intend to show that the image of Byzantium in the novel In Front of the Mirror is not only determined by the public sentiment of this period, specifically, by the second wave of the Soviet intelligentsia’s conversion to Christianity, but that it is also extremely personal and based on autobiographical experience. |
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Veniamin Kaverin’s novel In Front of the Mirror, which was published in 1972, is based on the actual correspondence between the Soviet mathematician Pavel Bezsonov and the painter Lidia Nikanorova, which Bezsonov handed over to the writer. It is clear even from a superficial comparison that there is a large discrepancy between the source material and the text of the novel; moreover, it is evident upon a closer view that descriptive and ideological features that are connected with Christianity and Byzantium in the novel are close to the ideas and imagery that were typical for Kaverin’s contemporaries. From the perspective of the comparison between the text of the correspondence and the novel’s text, this paper attempts to show that the image of Byzantium in the novel is not similar to its image in the correspondence. Through an analysis of metaphors, images, and ideas connected with Byzantium in these texts, I intend to show that the image of Byzantium in the novel In Front of the Mirror is not only determined by the public sentiment of this period, specifically, by the second wave of the Soviet intelligentsia’s conversion to Christianity, but that it is also extremely personal and based on autobiographical experience. |
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Veniamin Kaverin’s novel In Front of the Mirror, which was published in 1972, is based on the actual correspondence between the Soviet mathematician Pavel Bezsonov and the painter Lidia Nikanorova, which Bezsonov handed over to the writer. It is clear even from a superficial comparison that there is a large discrepancy between the source material and the text of the novel; moreover, it is evident upon a closer view that descriptive and ideological features that are connected with Christianity and Byzantium in the novel are close to the ideas and imagery that were typical for Kaverin’s contemporaries. From the perspective of the comparison between the text of the correspondence and the novel’s text, this paper attempts to show that the image of Byzantium in the novel is not similar to its image in the correspondence. Through an analysis of metaphors, images, and ideas connected with Byzantium in these texts, I intend to show that the image of Byzantium in the novel In Front of the Mirror is not only determined by the public sentiment of this period, specifically, by the second wave of the Soviet intelligentsia’s conversion to Christianity, but that it is also extremely personal and based on autobiographical experience. |
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| score |
7.399457 |