Motivational Factors in the Typical Display of Humor and Creative Potential: The Case of Malevolent Creativity

Research is still disputing if an individual’s use of humor in everyday life is also indicative of his or her creative potential. To date, the focus has been mainly restricted to shared cognitive factors, while motivational aspects that may link the production of humor and of creative ideas have been largely neglected. Humor motivation implicates latent social goals the creator pursues through the use of humor. These goals can be benign or more malicious and manifest in an individual’s typical display of comic styles. While often overlooked, creativity often serves social functions as well, especially in common everyday situations. Similar to humor, creativity is typically regarded as beneficial for individuals and society. Yet, creative ideas may also originate from less prosocial goals. This is reflected in the concept of malevolent creativity, where novel ideas are generated to deliberately harm others. The present study investigated individuals’ typical display of humor, differentiated in eight distinct comic styles in relation to their productivity in a behavioral test for malevolent creativity and general creative potential (n = 106). Individuals with higher scores on comic styles that are affiliated with malicious interpersonal goals – such as hurting or upsetting others or demonstrating superiority over others – were more fluent in producing malevolent creative ideas in the malevolent creativity test. This finding shows that individual differences in humor motivation relate to the capacity of coming up with relevant creative ideas also outside the domain of humor. The pattern of relationships between humor motivation and general creative potential differed from that of malicious creativity and implied the comic style “wit” only, primarily adding to the notion of shared cognitive processes in the production of humor and creative ideas. The study offers a novel perspective for how the inclusion of motivational factors that are inherent to conceptualizations of humor may also benefit creativity research. Ausführliche Beschreibung

Gespeichert in:

Autor*in:	Corinna M. Perchtold-Stefan [verfasserIn] Andreas Fink [verfasserIn] Christian Rominger [verfasserIn] Ilona Papousek [verfasserIn]

Format:	E-Artikel
Sprache:	Englisch

Erschienen:	2020

Schlagwörter:	humor malevolent creativity comic styles latent goals social goals

Übergeordnetes Werk:	In: Frontiers in Psychology - Frontiers Media S.A., 2010, 11(2020)
Übergeordnetes Werk:	volume:11 ; year:2020

Links:	Link aufrufen Link aufrufen Link aufrufen Journal toc

DOI / URN:	10.3389/fpsyg.2020.01213

Katalog-ID:	DOAJ016270797

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allfieldsSound	10.3389/fpsyg.2020.01213 doi (DE-627)DOAJ016270797 (DE-599)DOAJ32afc1da4f6042b4b84350fea1b93eab DE-627 ger DE-627 rakwb eng BF1-990 Corinna M. Perchtold-Stefan verfasserin aut Motivational Factors in the Typical Display of Humor and Creative Potential: The Case of Malevolent Creativity 2020 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier Research is still disputing if an individual’s use of humor in everyday life is also indicative of his or her creative potential. To date, the focus has been mainly restricted to shared cognitive factors, while motivational aspects that may link the production of humor and of creative ideas have been largely neglected. Humor motivation implicates latent social goals the creator pursues through the use of humor. These goals can be benign or more malicious and manifest in an individual’s typical display of comic styles. While often overlooked, creativity often serves social functions as well, especially in common everyday situations. Similar to humor, creativity is typically regarded as beneficial for individuals and society. Yet, creative ideas may also originate from less prosocial goals. This is reflected in the concept of malevolent creativity, where novel ideas are generated to deliberately harm others. The present study investigated individuals’ typical display of humor, differentiated in eight distinct comic styles in relation to their productivity in a behavioral test for malevolent creativity and general creative potential (n = 106). Individuals with higher scores on comic styles that are affiliated with malicious interpersonal goals – such as hurting or upsetting others or demonstrating superiority over others – were more fluent in producing malevolent creative ideas in the malevolent creativity test. This finding shows that individual differences in humor motivation relate to the capacity of coming up with relevant creative ideas also outside the domain of humor. The pattern of relationships between humor motivation and general creative potential differed from that of malicious creativity and implied the comic style “wit” only, primarily adding to the notion of shared cognitive processes in the production of humor and creative ideas. The study offers a novel perspective for how the inclusion of motivational factors that are inherent to conceptualizations of humor may also benefit creativity research. humor malevolent creativity comic styles latent goals social goals Psychology Andreas Fink verfasserin aut Christian Rominger verfasserin aut Ilona Papousek verfasserin aut In Frontiers in Psychology Frontiers Media S.A., 2010 11(2020) (DE-627)631495711 (DE-600)2563826-9 16641078 nnns volume:11 year:2020 https://doi.org/10.3389/fpsyg.2020.01213 kostenfrei https://doaj.org/article/32afc1da4f6042b4b84350fea1b93eab kostenfrei https://www.frontiersin.org/article/10.3389/fpsyg.2020.01213/full kostenfrei https://doaj.org/toc/1664-1078 Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_23 GBV_ILN_24 GBV_ILN_31 GBV_ILN_32 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_74 GBV_ILN_90 GBV_ILN_95 GBV_ILN_100 GBV_ILN_101 GBV_ILN_105 GBV_ILN_110 GBV_ILN_138 GBV_ILN_151 GBV_ILN_152 GBV_ILN_161 GBV_ILN_187 GBV_ILN_206 GBV_ILN_213 GBV_ILN_230 GBV_ILN_250 GBV_ILN_281 GBV_ILN_285 GBV_ILN_293 GBV_ILN_602 GBV_ILN_647 GBV_ILN_702 GBV_ILN_2003 GBV_ILN_2009 GBV_ILN_2014 GBV_ILN_2086 GBV_ILN_4012 GBV_ILN_4037 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4249 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4367 GBV_ILN_4700 AR 11 2020
language	English
source	In Frontiers in Psychology 11(2020) volume:11 year:2020
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authorswithroles_txt_mv	Corinna M. Perchtold-Stefan @@aut@@ Andreas Fink @@aut@@ Christian Rominger @@aut@@ Ilona Papousek @@aut@@
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topic_title	BF1-990 Motivational Factors in the Typical Display of Humor and Creative Potential: The Case of Malevolent Creativity humor malevolent creativity comic styles latent goals social goals
topic	misc BF1-990 misc humor misc malevolent creativity misc comic styles misc latent goals misc social goals misc Psychology
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title	Motivational Factors in the Typical Display of Humor and Creative Potential: The Case of Malevolent Creativity
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title_full	Motivational Factors in the Typical Display of Humor and Creative Potential: The Case of Malevolent Creativity
author_sort	Corinna M. Perchtold-Stefan
journal	Frontiers in Psychology
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author_browse	Corinna M. Perchtold-Stefan Andreas Fink Christian Rominger Ilona Papousek
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title_sort	motivational factors in the typical display of humor and creative potential: the case of malevolent creativity
callnumber	BF1-990
title_auth	Motivational Factors in the Typical Display of Humor and Creative Potential: The Case of Malevolent Creativity
abstract	Research is still disputing if an individual’s use of humor in everyday life is also indicative of his or her creative potential. To date, the focus has been mainly restricted to shared cognitive factors, while motivational aspects that may link the production of humor and of creative ideas have been largely neglected. Humor motivation implicates latent social goals the creator pursues through the use of humor. These goals can be benign or more malicious and manifest in an individual’s typical display of comic styles. While often overlooked, creativity often serves social functions as well, especially in common everyday situations. Similar to humor, creativity is typically regarded as beneficial for individuals and society. Yet, creative ideas may also originate from less prosocial goals. This is reflected in the concept of malevolent creativity, where novel ideas are generated to deliberately harm others. The present study investigated individuals’ typical display of humor, differentiated in eight distinct comic styles in relation to their productivity in a behavioral test for malevolent creativity and general creative potential (n = 106). Individuals with higher scores on comic styles that are affiliated with malicious interpersonal goals – such as hurting or upsetting others or demonstrating superiority over others – were more fluent in producing malevolent creative ideas in the malevolent creativity test. This finding shows that individual differences in humor motivation relate to the capacity of coming up with relevant creative ideas also outside the domain of humor. The pattern of relationships between humor motivation and general creative potential differed from that of malicious creativity and implied the comic style “wit” only, primarily adding to the notion of shared cognitive processes in the production of humor and creative ideas. The study offers a novel perspective for how the inclusion of motivational factors that are inherent to conceptualizations of humor may also benefit creativity research.
abstractGer	Research is still disputing if an individual’s use of humor in everyday life is also indicative of his or her creative potential. To date, the focus has been mainly restricted to shared cognitive factors, while motivational aspects that may link the production of humor and of creative ideas have been largely neglected. Humor motivation implicates latent social goals the creator pursues through the use of humor. These goals can be benign or more malicious and manifest in an individual’s typical display of comic styles. While often overlooked, creativity often serves social functions as well, especially in common everyday situations. Similar to humor, creativity is typically regarded as beneficial for individuals and society. Yet, creative ideas may also originate from less prosocial goals. This is reflected in the concept of malevolent creativity, where novel ideas are generated to deliberately harm others. The present study investigated individuals’ typical display of humor, differentiated in eight distinct comic styles in relation to their productivity in a behavioral test for malevolent creativity and general creative potential (n = 106). Individuals with higher scores on comic styles that are affiliated with malicious interpersonal goals – such as hurting or upsetting others or demonstrating superiority over others – were more fluent in producing malevolent creative ideas in the malevolent creativity test. This finding shows that individual differences in humor motivation relate to the capacity of coming up with relevant creative ideas also outside the domain of humor. The pattern of relationships between humor motivation and general creative potential differed from that of malicious creativity and implied the comic style “wit” only, primarily adding to the notion of shared cognitive processes in the production of humor and creative ideas. The study offers a novel perspective for how the inclusion of motivational factors that are inherent to conceptualizations of humor may also benefit creativity research.
abstract_unstemmed	Research is still disputing if an individual’s use of humor in everyday life is also indicative of his or her creative potential. To date, the focus has been mainly restricted to shared cognitive factors, while motivational aspects that may link the production of humor and of creative ideas have been largely neglected. Humor motivation implicates latent social goals the creator pursues through the use of humor. These goals can be benign or more malicious and manifest in an individual’s typical display of comic styles. While often overlooked, creativity often serves social functions as well, especially in common everyday situations. Similar to humor, creativity is typically regarded as beneficial for individuals and society. Yet, creative ideas may also originate from less prosocial goals. This is reflected in the concept of malevolent creativity, where novel ideas are generated to deliberately harm others. The present study investigated individuals’ typical display of humor, differentiated in eight distinct comic styles in relation to their productivity in a behavioral test for malevolent creativity and general creative potential (n = 106). Individuals with higher scores on comic styles that are affiliated with malicious interpersonal goals – such as hurting or upsetting others or demonstrating superiority over others – were more fluent in producing malevolent creative ideas in the malevolent creativity test. This finding shows that individual differences in humor motivation relate to the capacity of coming up with relevant creative ideas also outside the domain of humor. The pattern of relationships between humor motivation and general creative potential differed from that of malicious creativity and implied the comic style “wit” only, primarily adding to the notion of shared cognitive processes in the production of humor and creative ideas. The study offers a novel perspective for how the inclusion of motivational factors that are inherent to conceptualizations of humor may also benefit creativity research.
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title_short	Motivational Factors in the Typical Display of Humor and Creative Potential: The Case of Malevolent Creativity
url	https://doi.org/10.3389/fpsyg.2020.01213 https://doaj.org/article/32afc1da4f6042b4b84350fea1b93eab https://www.frontiersin.org/article/10.3389/fpsyg.2020.01213/full https://doaj.org/toc/1664-1078
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