On Modernist Practices in South Asia

This essay explores the terms of modernism(s) on the Indian subcontinent. I focus on critical modernist moments, cutting across aesthetic forms in twentieth century South Asia. At stake are claims of a surpassing of the past that appear variously influenced by empire and nation, communitarianism and...
Ausführliche Beschreibung

Gespeichert in:

Autor*in:	Saurabh Dube [verfasserIn]

Format:	E-Artikel
Sprache:	Spanisch

Erschienen:	2017

Schlagwörter:	modernism art time dalits South Asia

Übergeordnetes Werk:	In: Estudios de Asia y África - El Colegio de México, A.C., 2018, 53(2017), 1
Übergeordnetes Werk:	volume:53 ; year:2017 ; number:1

Links:	Link aufrufen Link aufrufen Link aufrufen Journal toc Journal toc

DOI / URN:	10.24201/eaa.v53i1.2254

Katalog-ID:	DOAJ016368819

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allfields	10.24201/eaa.v53i1.2254 doi (DE-627)DOAJ016368819 (DE-599)DOAJ520c7f56210d416ea23a7a1c0324a9dd DE-627 ger DE-627 rakwb spa DS1-937 DT1-3415 H1-99 Saurabh Dube verfasserin aut On Modernist Practices in South Asia 2017 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier This essay explores the terms of modernism(s) on the Indian subcontinent. I focus on critical modernist moments, cutting across aesthetic forms in twentieth century South Asia. At stake are claims of a surpassing of the past that appear variously influenced by empire and nation, communitarianism and nationalism, memory and history, the mythic and the primitive, a fractured independence and a violent Partition, gender and sexuality, body and pain, and the epic and the contemporary. Taken together, on offer are heterogeneous yet overlaying temporalities of modernisms. These considerations are further clarified through the formidable images of Savi Sawarkar, an expressionist and dalit artist. Here the claims, contentions, and contradictions of a rather particular modern subject bring to life the anxieties, ambivalences, and identities spawned by modernity and its subjects. modernism art time dalits South Asia History of Asia History of Africa Social sciences (General) In Estudios de Asia y África El Colegio de México, A.C., 2018 53(2017), 1 (DE-627)513533303 (DE-600)2239475-8 2448654X nnns volume:53 year:2017 number:1 https://doi.org/10.24201/eaa.v53i1.2254 kostenfrei https://doaj.org/article/520c7f56210d416ea23a7a1c0324a9dd kostenfrei https://estudiosdeasiayafrica.colmex.mx/index.php/eaa/article/view/2254 kostenfrei https://doaj.org/toc/0185-0164 Journal toc kostenfrei https://doaj.org/toc/2448-654X Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ SSG-OLC-PHA GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_100 GBV_ILN_105 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_374 GBV_ILN_602 GBV_ILN_702 GBV_ILN_2001 GBV_ILN_2003 GBV_ILN_2005 GBV_ILN_2006 GBV_ILN_2007 GBV_ILN_2008 GBV_ILN_2009 GBV_ILN_2010 GBV_ILN_2011 GBV_ILN_2014 GBV_ILN_2015 GBV_ILN_2018 GBV_ILN_2020 GBV_ILN_2021 GBV_ILN_2026 GBV_ILN_2027 GBV_ILN_2044 GBV_ILN_2050 GBV_ILN_2056 GBV_ILN_2057 GBV_ILN_2061 GBV_ILN_2107 GBV_ILN_2190 GBV_ILN_2949 GBV_ILN_2950 GBV_ILN_4012 GBV_ILN_4035 GBV_ILN_4037 GBV_ILN_4046 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4242 GBV_ILN_4249 GBV_ILN_4251 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4346 GBV_ILN_4367 GBV_ILN_4392 GBV_ILN_4393 GBV_ILN_4700 AR 53 2017 1
spelling	10.24201/eaa.v53i1.2254 doi (DE-627)DOAJ016368819 (DE-599)DOAJ520c7f56210d416ea23a7a1c0324a9dd DE-627 ger DE-627 rakwb spa DS1-937 DT1-3415 H1-99 Saurabh Dube verfasserin aut On Modernist Practices in South Asia 2017 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier This essay explores the terms of modernism(s) on the Indian subcontinent. I focus on critical modernist moments, cutting across aesthetic forms in twentieth century South Asia. At stake are claims of a surpassing of the past that appear variously influenced by empire and nation, communitarianism and nationalism, memory and history, the mythic and the primitive, a fractured independence and a violent Partition, gender and sexuality, body and pain, and the epic and the contemporary. Taken together, on offer are heterogeneous yet overlaying temporalities of modernisms. These considerations are further clarified through the formidable images of Savi Sawarkar, an expressionist and dalit artist. Here the claims, contentions, and contradictions of a rather particular modern subject bring to life the anxieties, ambivalences, and identities spawned by modernity and its subjects. modernism art time dalits South Asia History of Asia History of Africa Social sciences (General) In Estudios de Asia y África El Colegio de México, A.C., 2018 53(2017), 1 (DE-627)513533303 (DE-600)2239475-8 2448654X nnns volume:53 year:2017 number:1 https://doi.org/10.24201/eaa.v53i1.2254 kostenfrei https://doaj.org/article/520c7f56210d416ea23a7a1c0324a9dd kostenfrei https://estudiosdeasiayafrica.colmex.mx/index.php/eaa/article/view/2254 kostenfrei https://doaj.org/toc/0185-0164 Journal toc kostenfrei https://doaj.org/toc/2448-654X Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ SSG-OLC-PHA GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_100 GBV_ILN_105 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_374 GBV_ILN_602 GBV_ILN_702 GBV_ILN_2001 GBV_ILN_2003 GBV_ILN_2005 GBV_ILN_2006 GBV_ILN_2007 GBV_ILN_2008 GBV_ILN_2009 GBV_ILN_2010 GBV_ILN_2011 GBV_ILN_2014 GBV_ILN_2015 GBV_ILN_2018 GBV_ILN_2020 GBV_ILN_2021 GBV_ILN_2026 GBV_ILN_2027 GBV_ILN_2044 GBV_ILN_2050 GBV_ILN_2056 GBV_ILN_2057 GBV_ILN_2061 GBV_ILN_2107 GBV_ILN_2190 GBV_ILN_2949 GBV_ILN_2950 GBV_ILN_4012 GBV_ILN_4035 GBV_ILN_4037 GBV_ILN_4046 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4242 GBV_ILN_4249 GBV_ILN_4251 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4346 GBV_ILN_4367 GBV_ILN_4392 GBV_ILN_4393 GBV_ILN_4700 AR 53 2017 1
allfields_unstemmed	10.24201/eaa.v53i1.2254 doi (DE-627)DOAJ016368819 (DE-599)DOAJ520c7f56210d416ea23a7a1c0324a9dd DE-627 ger DE-627 rakwb spa DS1-937 DT1-3415 H1-99 Saurabh Dube verfasserin aut On Modernist Practices in South Asia 2017 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier This essay explores the terms of modernism(s) on the Indian subcontinent. I focus on critical modernist moments, cutting across aesthetic forms in twentieth century South Asia. At stake are claims of a surpassing of the past that appear variously influenced by empire and nation, communitarianism and nationalism, memory and history, the mythic and the primitive, a fractured independence and a violent Partition, gender and sexuality, body and pain, and the epic and the contemporary. Taken together, on offer are heterogeneous yet overlaying temporalities of modernisms. These considerations are further clarified through the formidable images of Savi Sawarkar, an expressionist and dalit artist. Here the claims, contentions, and contradictions of a rather particular modern subject bring to life the anxieties, ambivalences, and identities spawned by modernity and its subjects. modernism art time dalits South Asia History of Asia History of Africa Social sciences (General) In Estudios de Asia y África El Colegio de México, A.C., 2018 53(2017), 1 (DE-627)513533303 (DE-600)2239475-8 2448654X nnns volume:53 year:2017 number:1 https://doi.org/10.24201/eaa.v53i1.2254 kostenfrei https://doaj.org/article/520c7f56210d416ea23a7a1c0324a9dd kostenfrei https://estudiosdeasiayafrica.colmex.mx/index.php/eaa/article/view/2254 kostenfrei https://doaj.org/toc/0185-0164 Journal toc kostenfrei https://doaj.org/toc/2448-654X Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ SSG-OLC-PHA GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_100 GBV_ILN_105 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_374 GBV_ILN_602 GBV_ILN_702 GBV_ILN_2001 GBV_ILN_2003 GBV_ILN_2005 GBV_ILN_2006 GBV_ILN_2007 GBV_ILN_2008 GBV_ILN_2009 GBV_ILN_2010 GBV_ILN_2011 GBV_ILN_2014 GBV_ILN_2015 GBV_ILN_2018 GBV_ILN_2020 GBV_ILN_2021 GBV_ILN_2026 GBV_ILN_2027 GBV_ILN_2044 GBV_ILN_2050 GBV_ILN_2056 GBV_ILN_2057 GBV_ILN_2061 GBV_ILN_2107 GBV_ILN_2190 GBV_ILN_2949 GBV_ILN_2950 GBV_ILN_4012 GBV_ILN_4035 GBV_ILN_4037 GBV_ILN_4046 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4242 GBV_ILN_4249 GBV_ILN_4251 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4346 GBV_ILN_4367 GBV_ILN_4392 GBV_ILN_4393 GBV_ILN_4700 AR 53 2017 1
allfieldsGer	10.24201/eaa.v53i1.2254 doi (DE-627)DOAJ016368819 (DE-599)DOAJ520c7f56210d416ea23a7a1c0324a9dd DE-627 ger DE-627 rakwb spa DS1-937 DT1-3415 H1-99 Saurabh Dube verfasserin aut On Modernist Practices in South Asia 2017 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier This essay explores the terms of modernism(s) on the Indian subcontinent. I focus on critical modernist moments, cutting across aesthetic forms in twentieth century South Asia. At stake are claims of a surpassing of the past that appear variously influenced by empire and nation, communitarianism and nationalism, memory and history, the mythic and the primitive, a fractured independence and a violent Partition, gender and sexuality, body and pain, and the epic and the contemporary. Taken together, on offer are heterogeneous yet overlaying temporalities of modernisms. These considerations are further clarified through the formidable images of Savi Sawarkar, an expressionist and dalit artist. Here the claims, contentions, and contradictions of a rather particular modern subject bring to life the anxieties, ambivalences, and identities spawned by modernity and its subjects. modernism art time dalits South Asia History of Asia History of Africa Social sciences (General) In Estudios de Asia y África El Colegio de México, A.C., 2018 53(2017), 1 (DE-627)513533303 (DE-600)2239475-8 2448654X nnns volume:53 year:2017 number:1 https://doi.org/10.24201/eaa.v53i1.2254 kostenfrei https://doaj.org/article/520c7f56210d416ea23a7a1c0324a9dd kostenfrei https://estudiosdeasiayafrica.colmex.mx/index.php/eaa/article/view/2254 kostenfrei https://doaj.org/toc/0185-0164 Journal toc kostenfrei https://doaj.org/toc/2448-654X Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ SSG-OLC-PHA GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_100 GBV_ILN_105 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_374 GBV_ILN_602 GBV_ILN_702 GBV_ILN_2001 GBV_ILN_2003 GBV_ILN_2005 GBV_ILN_2006 GBV_ILN_2007 GBV_ILN_2008 GBV_ILN_2009 GBV_ILN_2010 GBV_ILN_2011 GBV_ILN_2014 GBV_ILN_2015 GBV_ILN_2018 GBV_ILN_2020 GBV_ILN_2021 GBV_ILN_2026 GBV_ILN_2027 GBV_ILN_2044 GBV_ILN_2050 GBV_ILN_2056 GBV_ILN_2057 GBV_ILN_2061 GBV_ILN_2107 GBV_ILN_2190 GBV_ILN_2949 GBV_ILN_2950 GBV_ILN_4012 GBV_ILN_4035 GBV_ILN_4037 GBV_ILN_4046 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4242 GBV_ILN_4249 GBV_ILN_4251 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4346 GBV_ILN_4367 GBV_ILN_4392 GBV_ILN_4393 GBV_ILN_4700 AR 53 2017 1
allfieldsSound	10.24201/eaa.v53i1.2254 doi (DE-627)DOAJ016368819 (DE-599)DOAJ520c7f56210d416ea23a7a1c0324a9dd DE-627 ger DE-627 rakwb spa DS1-937 DT1-3415 H1-99 Saurabh Dube verfasserin aut On Modernist Practices in South Asia 2017 Text txt rdacontent Computermedien c rdamedia Online-Ressource cr rdacarrier This essay explores the terms of modernism(s) on the Indian subcontinent. I focus on critical modernist moments, cutting across aesthetic forms in twentieth century South Asia. At stake are claims of a surpassing of the past that appear variously influenced by empire and nation, communitarianism and nationalism, memory and history, the mythic and the primitive, a fractured independence and a violent Partition, gender and sexuality, body and pain, and the epic and the contemporary. Taken together, on offer are heterogeneous yet overlaying temporalities of modernisms. These considerations are further clarified through the formidable images of Savi Sawarkar, an expressionist and dalit artist. Here the claims, contentions, and contradictions of a rather particular modern subject bring to life the anxieties, ambivalences, and identities spawned by modernity and its subjects. modernism art time dalits South Asia History of Asia History of Africa Social sciences (General) In Estudios de Asia y África El Colegio de México, A.C., 2018 53(2017), 1 (DE-627)513533303 (DE-600)2239475-8 2448654X nnns volume:53 year:2017 number:1 https://doi.org/10.24201/eaa.v53i1.2254 kostenfrei https://doaj.org/article/520c7f56210d416ea23a7a1c0324a9dd kostenfrei https://estudiosdeasiayafrica.colmex.mx/index.php/eaa/article/view/2254 kostenfrei https://doaj.org/toc/0185-0164 Journal toc kostenfrei https://doaj.org/toc/2448-654X Journal toc kostenfrei GBV_USEFLAG_A SYSFLAG_A GBV_DOAJ SSG-OLC-PHA GBV_ILN_11 GBV_ILN_20 GBV_ILN_22 GBV_ILN_24 GBV_ILN_31 GBV_ILN_39 GBV_ILN_40 GBV_ILN_60 GBV_ILN_62 GBV_ILN_63 GBV_ILN_65 GBV_ILN_69 GBV_ILN_70 GBV_ILN_73 GBV_ILN_95 GBV_ILN_100 GBV_ILN_105 GBV_ILN_110 GBV_ILN_151 GBV_ILN_161 GBV_ILN_213 GBV_ILN_230 GBV_ILN_285 GBV_ILN_293 GBV_ILN_374 GBV_ILN_602 GBV_ILN_702 GBV_ILN_2001 GBV_ILN_2003 GBV_ILN_2005 GBV_ILN_2006 GBV_ILN_2007 GBV_ILN_2008 GBV_ILN_2009 GBV_ILN_2010 GBV_ILN_2011 GBV_ILN_2014 GBV_ILN_2015 GBV_ILN_2018 GBV_ILN_2020 GBV_ILN_2021 GBV_ILN_2026 GBV_ILN_2027 GBV_ILN_2044 GBV_ILN_2050 GBV_ILN_2056 GBV_ILN_2057 GBV_ILN_2061 GBV_ILN_2107 GBV_ILN_2190 GBV_ILN_2949 GBV_ILN_2950 GBV_ILN_4012 GBV_ILN_4035 GBV_ILN_4037 GBV_ILN_4046 GBV_ILN_4112 GBV_ILN_4125 GBV_ILN_4126 GBV_ILN_4242 GBV_ILN_4249 GBV_ILN_4251 GBV_ILN_4305 GBV_ILN_4306 GBV_ILN_4307 GBV_ILN_4313 GBV_ILN_4322 GBV_ILN_4323 GBV_ILN_4324 GBV_ILN_4325 GBV_ILN_4326 GBV_ILN_4335 GBV_ILN_4338 GBV_ILN_4346 GBV_ILN_4367 GBV_ILN_4392 GBV_ILN_4393 GBV_ILN_4700 AR 53 2017 1
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title_auth	On Modernist Practices in South Asia
abstract	This essay explores the terms of modernism(s) on the Indian subcontinent. I focus on critical modernist moments, cutting across aesthetic forms in twentieth century South Asia. At stake are claims of a surpassing of the past that appear variously influenced by empire and nation, communitarianism and nationalism, memory and history, the mythic and the primitive, a fractured independence and a violent Partition, gender and sexuality, body and pain, and the epic and the contemporary. Taken together, on offer are heterogeneous yet overlaying temporalities of modernisms. These considerations are further clarified through the formidable images of Savi Sawarkar, an expressionist and dalit artist. Here the claims, contentions, and contradictions of a rather particular modern subject bring to life the anxieties, ambivalences, and identities spawned by modernity and its subjects.
abstractGer	This essay explores the terms of modernism(s) on the Indian subcontinent. I focus on critical modernist moments, cutting across aesthetic forms in twentieth century South Asia. At stake are claims of a surpassing of the past that appear variously influenced by empire and nation, communitarianism and nationalism, memory and history, the mythic and the primitive, a fractured independence and a violent Partition, gender and sexuality, body and pain, and the epic and the contemporary. Taken together, on offer are heterogeneous yet overlaying temporalities of modernisms. These considerations are further clarified through the formidable images of Savi Sawarkar, an expressionist and dalit artist. Here the claims, contentions, and contradictions of a rather particular modern subject bring to life the anxieties, ambivalences, and identities spawned by modernity and its subjects.
abstract_unstemmed	This essay explores the terms of modernism(s) on the Indian subcontinent. I focus on critical modernist moments, cutting across aesthetic forms in twentieth century South Asia. At stake are claims of a surpassing of the past that appear variously influenced by empire and nation, communitarianism and nationalism, memory and history, the mythic and the primitive, a fractured independence and a violent Partition, gender and sexuality, body and pain, and the epic and the contemporary. Taken together, on offer are heterogeneous yet overlaying temporalities of modernisms. These considerations are further clarified through the formidable images of Savi Sawarkar, an expressionist and dalit artist. Here the claims, contentions, and contradictions of a rather particular modern subject bring to life the anxieties, ambivalences, and identities spawned by modernity and its subjects.
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