Traverser la ville ininterrompue : sentir et se figurer à l’aveugle. À propos de Walk, Hands, Eyes (a city) de Myriam Lefkowitz

In Walk, Hands, Eyes (a city), choreographer Myriam Lefkowitz invites a spectator to walk in an urban environment, in silence and with eyes closed. This article looks at the spatial, imaginary, sensory and kinaesthetic dimensions of the artistic experience, to question the way sensory knowledge spec...
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Autor*in:	Julie Perrin [verfasserIn]

Format:	E-Artikel
Sprache:	Französisch

Erschienen:	2017

Schlagwörter:	Blind choreography city walk

Übergeordnetes Werk:	In: Ambiances - UMR 1563 « Ambiances Architectures Urbanités », 2017, (2017)
Übergeordnetes Werk:	year:2017

Links:	Link aufrufen Link aufrufen Link aufrufen Journal toc

DOI / URN:	10.4000/ambiances.962

Katalog-ID:	DOAJ016721675

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author	Julie Perrin
spellingShingle	Julie Perrin misc Blind misc choreography misc city misc walk misc Geography. Anthropology. Recreation misc G misc Social Sciences misc H Traverser la ville ininterrompue : sentir et se figurer à l’aveugle. À propos de Walk, Hands, Eyes (a city) de Myriam Lefkowitz
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topic_title	Traverser la ville ininterrompue : sentir et se figurer à l’aveugle. À propos de Walk, Hands, Eyes (a city) de Myriam Lefkowitz Blind choreography city walk
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title	Traverser la ville ininterrompue : sentir et se figurer à l’aveugle. À propos de Walk, Hands, Eyes (a city) de Myriam Lefkowitz
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title_full	Traverser la ville ininterrompue : sentir et se figurer à l’aveugle. À propos de Walk, Hands, Eyes (a city) de Myriam Lefkowitz
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title_sort	traverser la ville ininterrompue : sentir et se figurer à l’aveugle. à propos de walk, hands, eyes (a city) de myriam lefkowitz
title_auth	Traverser la ville ininterrompue : sentir et se figurer à l’aveugle. À propos de Walk, Hands, Eyes (a city) de Myriam Lefkowitz
abstract	In Walk, Hands, Eyes (a city), choreographer Myriam Lefkowitz invites a spectator to walk in an urban environment, in silence and with eyes closed. This article looks at the spatial, imaginary, sensory and kinaesthetic dimensions of the artistic experience, to question the way sensory knowledge specific to contemporary dance leads people to wander in and consider a city differently.
abstractGer	In Walk, Hands, Eyes (a city), choreographer Myriam Lefkowitz invites a spectator to walk in an urban environment, in silence and with eyes closed. This article looks at the spatial, imaginary, sensory and kinaesthetic dimensions of the artistic experience, to question the way sensory knowledge specific to contemporary dance leads people to wander in and consider a city differently.
abstract_unstemmed	In Walk, Hands, Eyes (a city), choreographer Myriam Lefkowitz invites a spectator to walk in an urban environment, in silence and with eyes closed. This article looks at the spatial, imaginary, sensory and kinaesthetic dimensions of the artistic experience, to question the way sensory knowledge specific to contemporary dance leads people to wander in and consider a city differently.
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title_short	Traverser la ville ininterrompue : sentir et se figurer à l’aveugle. À propos de Walk, Hands, Eyes (a city) de Myriam Lefkowitz
url	https://doi.org/10.4000/ambiances.962 https://doaj.org/article/f6c23870469640ac9473cc2af4c77fe6 http://journals.openedition.org/ambiances/962 https://doaj.org/toc/2266-839X
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