Refusing the Serious: Authorial Resistance in Ring Lardner’s Prefaces for Scribner’s

Though already famous, wealthy, and squarely established as a popular chronicler of the early twentieth century, humorist Ring Lardner’s foray into a serious literary career with Charles Scribner’s Sons Publishing Company is best characterized as an act of authorial resistance. Rather than evolve in...
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Autor*in:	Jasper Schelstraete [verfasserIn]

Format:	E-Artikel
Sprache:	Englisch

Erschienen:	2016

Schlagwörter:	Ross Tangedal Ring Lardner Scribner How to Write Short Stories The Love Nest and Other Stories Max Perkins

Übergeordnetes Werk:	In: Authorship - Ghent University, 2013, 5(2016), 2
Übergeordnetes Werk:	volume:5 ; year:2016 ; number:2

Links:	Link aufrufen Link aufrufen Link aufrufen Link aufrufen Journal toc

DOI / URN:	10.21825/aj.v5i2.3877

Katalog-ID:	DOAJ019233140

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callnumber-first	P - Language and Literature
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title	Refusing the Serious: Authorial Resistance in Ring Lardner’s Prefaces for Scribner’s
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title_auth	Refusing the Serious: Authorial Resistance in Ring Lardner’s Prefaces for Scribner’s
abstract	Though already famous, wealthy, and squarely established as a popular chronicler of the early twentieth century, humorist Ring Lardner’s foray into a serious literary career with Charles Scribner’s Sons Publishing Company is best characterized as an act of authorial resistance. Rather than evolve into the “serious” author the firm had hoped for, Lardner chose to lampoon himself, authorship, publishing, and serious writers with a series of prefaces written for his Scribner’s titles. In the prefaces to How to Write Short Stories (with Samples) (1924) and The Love Nest and Other Stories (1926), Lardner resisted overtures to rebrand and remarket himself by reminding the public of his strengths: satire, comedy, and manipulation. The result: pieces as textually nonsensical and arbitrary as many of his writings on the surface, yet carefully constructed to expose the underside of socio-cultural mores, the publishing industry, and the fraternity of “serious” writers he never intended to join.
abstractGer	Though already famous, wealthy, and squarely established as a popular chronicler of the early twentieth century, humorist Ring Lardner’s foray into a serious literary career with Charles Scribner’s Sons Publishing Company is best characterized as an act of authorial resistance. Rather than evolve into the “serious” author the firm had hoped for, Lardner chose to lampoon himself, authorship, publishing, and serious writers with a series of prefaces written for his Scribner’s titles. In the prefaces to How to Write Short Stories (with Samples) (1924) and The Love Nest and Other Stories (1926), Lardner resisted overtures to rebrand and remarket himself by reminding the public of his strengths: satire, comedy, and manipulation. The result: pieces as textually nonsensical and arbitrary as many of his writings on the surface, yet carefully constructed to expose the underside of socio-cultural mores, the publishing industry, and the fraternity of “serious” writers he never intended to join.
abstract_unstemmed	Though already famous, wealthy, and squarely established as a popular chronicler of the early twentieth century, humorist Ring Lardner’s foray into a serious literary career with Charles Scribner’s Sons Publishing Company is best characterized as an act of authorial resistance. Rather than evolve into the “serious” author the firm had hoped for, Lardner chose to lampoon himself, authorship, publishing, and serious writers with a series of prefaces written for his Scribner’s titles. In the prefaces to How to Write Short Stories (with Samples) (1924) and The Love Nest and Other Stories (1926), Lardner resisted overtures to rebrand and remarket himself by reminding the public of his strengths: satire, comedy, and manipulation. The result: pieces as textually nonsensical and arbitrary as many of his writings on the surface, yet carefully constructed to expose the underside of socio-cultural mores, the publishing industry, and the fraternity of “serious” writers he never intended to join.
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title_short	Refusing the Serious: Authorial Resistance in Ring Lardner’s Prefaces for Scribner’s
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